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  </channel><item rdf:about="http://www.creativeapplications.net/openframeworks/pencil-drawing-openframeworks/">
    <title>.@kyndinfo uses #openFrameworks to create pencil-like drawings of photographs | CreativeApplications.Net</title>
    <dc:date>2026-03-27T16:06:20+00:00</dc:date>
    <link>http://www.creativeapplications.net/openframeworks/pencil-drawing-openframeworks/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Kynd uses openFrameworks to create pencil-like drawings of photographs:
Pencils has been the most primitive or the most basic drawing and writing tool since around the last century. Trying to simulate the tone of pencil sketches with programing codes, I reacknowledged that the beauty of of the tool lies in the delicate control of the blackness, strength and thickness of of lines, which I could hardly achieve in some of my attempts so far.]]></description>
<dc:subject>art code ideas processing programming video openFrameworks</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:33566a370708/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:ideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:processing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:programming"/>
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<item rdf:about="http://www.openculture.com/2012/02/in_search_of_haruki_murakami_japans_great_postmodernist_novelist.html">
    <title>In Search of Haruki Murakami, Japan’s Great Postmodernist Novelist | Open Culture</title>
    <dc:date>2026-03-27T15:49:11+00:00</dc:date>
    <link>http://www.openculture.com/2012/02/in_search_of_haruki_murakami_japans_great_postmodernist_novelist.html</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[After publishing Norwegian Wood in 1987, a book often called “the Japanese Catcher in the Rye,” Murakami’s notoriety exploded to such an extent that he felt forced out of his homeland, a country whose traditional ways and — to his mind — conformist mindset never sat right with him in the first place. I myself once spent a month doing nothing but reading Murakami’s work, and this BBC documentary Haruki Murakami: In Search of this Elusive Writer makes a valiant attempt to capture what about it could raise such a compulsion.]]></description>
<dc:subject>art books</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:b7802edf12d7/</dc:identifier>
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<item rdf:about="http://www.theguardian.com/artanddesign/jonathanjonesblog/2015/apr/23/art-respond-science-cern-ryoji-ikeda-supersymmetry">
    <title>Should art respond to science? On this evidence, the answer is simple: no way</title>
    <dc:date>2026-03-27T02:50:37+00:00</dc:date>
    <link>http://www.theguardian.com/artanddesign/jonathanjonesblog/2015/apr/23/art-respond-science-cern-ryoji-ikeda-supersymmetry</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[That seems to be the less than enlightening message the Japanese visual artist and composer Ryoji Ikeda – creator of the massive light beam Spectra that took over the sky in London last year to commemorate the first world war – took from a residency at Cern in Geneva. Ikeda’s installation Supersymmetry, staged in the darkened uppermost level of a multistorey car park, is apparently what you get when you introduce an artist to the world’s most advanced particle research insitute and its renowned Large Hadron Collider.]]></description>
<dc:subject>physics art experimental music artists</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:5c07fad0839e/</dc:identifier>
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<item rdf:about="http://www.dazeddigital.com/artsandculture/article/24488/1/how-to-be-an-artist-without-going-to-art-school">
    <title>How to be an artist without going to art school</title>
    <dc:date>2026-03-27T02:50:26+00:00</dc:date>
    <link>http://www.dazeddigital.com/artsandculture/article/24488/1/how-to-be-an-artist-without-going-to-art-school</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[In honour of this year's Converse x Dazed Emerging Artists Award, the list below attempts to forge an alternative route through the art world, from watching art comedian Casey Jane Ellison’s ultra-awkward-but funny YouTube show to following Instagram’s finest art troll. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MOREWhy did Satan start to possess girls on screen in the 70s?Learn the art of photo storytelling and zine making at Dazed+Labs Nike The unexpected history of Nike’s Air Max8 essential skate videos from the 90s and beyond with Glue SkateboardsThe unashamedly queer, feminist, and intersectional play you need to seeParis artists are pissed off with this ‘gift’ from Jeff KoonsA Seat at the TableVi]]></description>
<dc:subject>art school education learning class</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:18ea0987e82b/</dc:identifier>
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<item rdf:about="http://observer.com/2015/04/yale-art-dean-rob-storr-on-how-todays-art-critics-suck-especially-jerry-saltz/">
    <title>Yale Art Dean Robert Storr on How Today's Art Critics Suck, Especially Jerry Saltz</title>
    <dc:date>2026-03-27T02:50:21+00:00</dc:date>
    <link>http://observer.com/2015/04/yale-art-dean-rob-storr-on-how-todays-art-critics-suck-especially-jerry-saltz/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Respected curator and Dean of the Yale School of Art Robert Storr sat down for a chat about art criticism with artist Brainard Carey on Yale Radio / WYBCX recently, and in a nutshell, it wasn’t pretty. Storr’s own art:
“Dave Hickey is a very able essay writer who is actually not a very good art critic at all and has devolved from being interestingly, a spoiler in the context of the art world, to being a tea partier, basically.]]></description>
<dc:subject>art critique writing culture</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:8edebc4fb13a/</dc:identifier>
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<item rdf:about="http://www.theguardian.com/artanddesign/2015/may/01/blair-selfie-peter-kennard-political-dynamite">
    <title>The man who made Blair’s Iraq selfie: why Peter Kennard is political dynamite</title>
    <dc:date>2026-03-27T02:50:12+00:00</dc:date>
    <link>http://www.theguardian.com/artanddesign/2015/may/01/blair-selfie-peter-kennard-political-dynamite</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Kennard defines his role as that of a “communicator” and is determined to make art that exists outside the confines of the art world, once stating that: “For me, getting the work out into the world and used is as important as its production.”
This has served as both maxim and method for Kennard and since the early 1970s he has brought his art to street level, either as fly posters, protest placards or T-shirts in support of a variety of groups, including the CND and Amnesty International. Boardroom will debut at the Imperial War Museum London as part of its retrospective exhibition Peter Kennard: Unofficial War Artist.]]></description>
<dc:subject>art artists media</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:ff56a472afa0/</dc:identifier>
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<item rdf:about="http://prostheticknowledge.tumblr.com/post/118397842211/crash-course-internet-art-twelve-minute-visual">
    <title>prosthetic knowledge — Crash course internet art Twelve minute visual...</title>
    <dc:date>2026-03-27T02:45:16+00:00</dc:date>
    <link>http://prostheticknowledge.tumblr.com/post/118397842211/crash-course-internet-art-twelve-minute-visual</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Information that a person does not know, but can access as needed using technology
Crash course internet art
Twelve minute visual presentation on the subject by Vera Tan Hoveling, contextualized in relation to developments in communication technology from the 1960s to the 1990s:
A quick n dirty video on the history of internet art, freely following
the storyline provided by ‘Internet art’ by Rachel Greene.]]></description>
<dc:subject>internet art</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:b8b171c00476/</dc:identifier>
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<item rdf:about="http://www.petethetemp.co.uk/">
    <title>Pete the Temp</title>
    <dc:date>2026-03-27T02:42:08+00:00</dc:date>
    <link>http://www.petethetemp.co.uk/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[This performance lecture combines music, comedy and ecstatic poetry to bring to life two poet-revolutionaries – William Wordsworth and Samuel Taylor Coleridge – in a spellbinding history of riot, state oppression and psychedelic testing. Pete Bearder is an award-winning spoken word poet, author and comic whose work has been featured on BBC Radio 4, Newsnight and the World Service.]]></description>
<dc:subject>art events london music</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:34653a68354b/</dc:identifier>
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<item rdf:about="http://www.theguardian.com/music/2015/may/15/integrated-proms-race-georgia-gillian-laub-photographs">
    <title>These photographs helped integrate proms in Montgomery, Georgia</title>
    <dc:date>2026-03-27T02:41:09+00:00</dc:date>
    <link>http://www.theguardian.com/music/2015/may/15/integrated-proms-race-georgia-gillian-laub-photographs</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[In 2009, the New York Times Magazine published a series of Laub’s photographs of Montgomery County high school’s racially segregated proms. So on one hand [Montgomery County] felt like such an integrated community because of the kids, but on the other hand it felt like [the teenagers] had their hands tied because of parents who didn’t want to see interracial relationships.]]></description>
<dc:subject>culture police photography art society</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:58edfad9cd7a/</dc:identifier>
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    <title>How Mark Leckey became the artist of the YouTube generation | Charlotte Higgins</title>
    <dc:date>2026-03-27T02:36:38+00:00</dc:date>
    <link>http://www.theguardian.com/news/2015/mar/26/how-mark-leckey-became-the-artist-of-the-youtube-generation</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[When, in January, Leckey gave a talk to a rapt group of art students at the Slade School of Art in London, he said: “This is the best time to be an artist and making work. “They have an anxiety about whether they are an artist and whether they can make art and what art is, and it’s a very confusing time,” he said.]]></description>
<dc:subject>art artists internet culture media</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:733f9ecb8c6f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:media"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://laboriacuboniks.net/">
    <title>Laboria Cuboniks | Xenofeminism</title>
    <dc:date>2026-03-27T02:31:52+00:00</dc:date>
    <link>http://laboriacuboniks.net/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Zenofeminizm yabancı bir gelecek inşa etme arzusunu seyyar bir haritada zaferi imleyen bir X ile işaretler Zenofeminizm yabancı bir gelecek inşa etme arzusunu seyyar bir haritada zaferi imleyen bir X ile işaretler Zenofeminizm yabancı bir gelecek inşa etme arzusunu seyyar bir haritada zaferi imleyen bir X ile işaretler
Ο ξενοφεμινισμός διαμηνύει την επιθυμία να κατασκευάσουμε ένα αλλότριο σε εμάς μέλλον με ένα θριαμβευτικό Χ σε έναν κινητό χάρτη. El Xenofeminismo indexa el deseo para construir un futuro alien, con una triunfante X en un mapa móvil.]]></description>
<dc:subject>art feminism human philosophy accelerationism xenofeminism</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:6762e9e19bde/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:feminism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:human"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:philosophy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:accelerationism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:xenofeminism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://supercommunity.e-flux.com/texts/look-above-the-sky-is-falling-humanity-before-and-after-the-end-of-the-world/">
    <title>e-flux journal 56th Venice Biennale — SUPERCOMMUNITY – Look Above, the Sky is Falling: Humanity Before and After the End of the World</title>
    <dc:date>2026-03-27T02:31:27+00:00</dc:date>
    <link>http://supercommunity.e-flux.com/texts/look-above-the-sky-is-falling-humanity-before-and-after-the-end-of-the-world/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[— Look Above, the Sky is Falling: Humanity Before and After the End of the World
Many Amerindians believe that animals have descended from humans rather than humans from animals. As the above myths exemplify, our ending is only one of many, and its failing is simultaneous with the (re-)emergence of other worlds, perhaps even, in the words of anthropologist Elizabeth Povinelli, with the possibility of experiencing the world “otherwise.” “There is only one earth,” as the saying goes, but this earth is open to many worlds, mediated by different ontologies, with very different nature-culture dynamics, even in the most ontologically extreme examples with no unsurpassable distinction between nature and culture at all.]]></description>
<dc:subject>culture human community art environment</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:5a9dbd41ebf8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:human"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:community"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:environment"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.newrepublic.com/article/112782/real-story-behind-tilda-swintons-performance-moma">
    <title>The Real Story Behind Tilda Swinton's Performance at MoMA</title>
    <dc:date>2026-03-27T02:23:14+00:00</dc:date>
    <link>http://www.newrepublic.com/article/112782/real-story-behind-tilda-swintons-performance-moma</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Swinton, now 52 and with an Oscar to her name, has won more press coverage for MoMA in the last week than even Munch’s The Scream was able to manage, and with its perfectly Instagrammable scale it will be on every social media feed of yours for a long time.3
If you’ve been following the trials of New York’s troubled modern art museum for the last few years, you won’t be at all surprised to discover that the Swinton performance has been masterminded by Klaus Biesenbach, the museum’s showman of a “chief curator at large” and director of MoMA’s hipper kid sister, PS1. And as contemporary art often fails to conform to those divisions, the free-floating Biesenbach has got his hands on more and more territory.4 His popular but artistically disastrous Marina Abramović retrospective—which restaged]]></description>
<dc:subject>art artists media</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:b777013ad200/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:media"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://cphmag.com/gestures/">
    <title>The Gestures of Photography | Conscientious Photography Magazine</title>
    <dc:date>2026-03-27T02:17:49+00:00</dc:date>
    <link>http://cphmag.com/gestures/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[In much the same way, sharing photographs on social media — a form of personal propaganda — also is a lot less about the pictures themselves, and a lot more about the act of doing it. But meaning, authorship, intent also only arise from the social context the photographs are embedded in, through the gestures we tie to photographs, gestures that we know we share with other people.]]></description>
<dc:subject>art photography</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:bc5469b85955/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://aestheticcomplexity.wordpress.com/2014/11/23/encoded-message/">
    <title>Encoded Message</title>
    <dc:date>2026-03-18T01:16:56+00:00</dc:date>
    <link>https://aestheticcomplexity.wordpress.com/2014/11/23/encoded-message/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[I haven’t been able to decode those titles, but I did notice something unusual in the visualizations of the last track – ’97 EF 9C 12 87 06 57 D8 B3 2F 0B 11 21 C7 B2 97 77 91 26 48 27 0E 5D 74′. It’s clear enough to be able to search for visually similar images online, which reveals that it’s a photograph of violence during political protests in Greece, 2011: http://www.themysteryworld.com/2011/08/greece-protest-photos.html
Pingback: TCF | Nabovarsel
Pingback: Resolution Disputes: A Conversation Between Rosa Menkman and Daniel Rourke | www.furtherfield.org
Pingback: TCF’s command line called TCFX – Can you break the code!!!]]></description>
<dc:subject>music visualization art</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:54a6aa8620f2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.independent.co.uk/arts-entertainment/photography/souveraines-stunning-photographs-capture-what-societies-run-by-women-look-like-10507424.html">
    <title>This is what it looks like when women run the world</title>
    <dc:date>2026-03-18T01:15:38+00:00</dc:date>
    <link>http://www.independent.co.uk/arts-entertainment/photography/souveraines-stunning-photographs-capture-what-societies-run-by-women-look-like-10507424.html</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Souveraines: Stunning photographs capture what societies run by women look like
‘Isolated matriarchies are astonishingly progressive’
Societies where women are either dominant or have entirely equal status with men have been documented by important contemporary photographer, Pierre de Vallombreuse, who is known for his work with indigenous peoples. The apparently idyllic lives of children in Palawan society, a tribe in the Philippines, where men and women live wholly equally and where notions of goodwill, generosity and helping neighbours are key to how people function, have also been captured by De Vallombruese's camera.]]></description>
<dc:subject>art matriarchy feminism representation</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:b30d5753fbc4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:matriarchy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:feminism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:representation"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://africasacountry.com/2015/03/which-art-history-in-africa/">
    <title>Which Art History in Africa?</title>
    <dc:date>2026-03-18T01:12:15+00:00</dc:date>
    <link>http://africasacountry.com/2015/03/which-art-history-in-africa/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Reading Eddie Chambers’ thoughts on African diaspora art history brought home my own struggle of writing on contemporary art in East Africa. Yet, again, this is not unusual from writing on contemporary art in Africa, or in the African diaspora.]]></description>
<dc:subject>art politics</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:296a495d2f14/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:politics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://acloserlisten.com/2014/08/17/sound-propositions-08-mark-fell/">
    <title>Sound Propositions 08: Mark Fell</title>
    <dc:date>2026-03-18T01:08:20+00:00</dc:date>
    <link>http://acloserlisten.com/2014/08/17/sound-propositions-08-mark-fell/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[So for example in my house music work this concern manifests itself in terms of house music structures that feel like you can dance to whereas in fact you cannot. I work with those presets because they come from a kind of music I really like.]]></description>
<dc:subject>music experimental art sound audio</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:e3e27fd4005d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:experimental"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:sound"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:audio"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.newyorker.com/books/page-turner/how-the-metaphor-of-the-cloud-changed-our-attitude-toward-the-internet">
    <title>How the Metaphor of “the Cloud” Changed Our Attitude Toward the Internet - The New Yorker</title>
    <dc:date>2026-03-18T01:08:05+00:00</dc:date>
    <link>http://www.newyorker.com/books/page-turner/how-the-metaphor-of-the-cloud-changed-our-attitude-toward-the-internet</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Around 2010, casual Internet users were introduced to the idea that the digital world around them could be understood in terms of the “cloud.” As a metaphor, the cloud seems easy to grasp: our data is somewhere in the ether, floating, drifting and wireless, available wherever and whenever we need it. But the thing about a cloud, Tung-Hui Hu reminds us in his mesmerizing new book, “A Prehistory of the Cloud,” is that you can only see it from a distance.]]></description>
<dc:subject>art internet cloud-computing language metaphor</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:f319c32a63ed/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:cloud-computing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:metaphor"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.ubu.com/film/ra_space.html">
    <title>U B U W E B - Film &amp; Video: Sun Ra - Space Is the Place (1974)</title>
    <dc:date>2026-03-18T01:07:15+00:00</dc:date>
    <link>http://www.ubu.com/film/ra_space.html</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Title: Sun Ra: Space Is the Place
Running Time: 63 Minutes
Country: USA
Avant-garde jazz musician Sun Ra stars in the movie version of his concept album Space Is the Place. Eventually, Sun Ra gets kidnapped by two white guys and forced to listen to "Dixie" on headphones, but some kids from the community center save him just in time for the live concert conclusion.]]></description>
<dc:subject>music afrofuturism jazz art artists film documentary</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:90d5eaa1ec07/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:afrofuturism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:jazz"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:documentary"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://esoteric.codes/?og=1">
    <title>esoteric.codes</title>
    <dc:date>2026-03-18T01:03:32+00:00</dc:date>
    <link>http://esoteric.codes/?og=1</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Languages, platforms, and systems that break from the norms of computing  ]]></description>
<dc:subject>code learning programming language beinghuman art</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:c047ef4db3a5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:code"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:programming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:beinghuman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.factmag.com/2016/02/08/mark-fisher-the-pop-group-for-how-much-longer/">
    <title>The Great Refusal: Mark Fisher on The Pop Group’s enduring radicalism</title>
    <dc:date>2026-03-18T00:51:03+00:00</dc:date>
    <link>http://www.factmag.com/2016/02/08/mark-fisher-the-pop-group-for-how-much-longer/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[“I get immense pleasure from risk”
Mark Stewart
The Pop Group’s early records had been lauded by the NME, the central hub for post-punk discourse. Now in this time of proxy wars and false flag attacks, now more than ever I say, for how much longer do we tolerate mass murder?”
Mark Stewart and Gareth Sager will be discussing For How Much Longer Do We Tolerate Mass Murder?]]></description>
<dc:subject>music radical art activism</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:4bd11ae4d62e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:radical"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:activism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://en.wikipedia.org/wiki/New_Objectivity">
    <title>New Objectivity - Wikipedia, the free encyclopedia</title>
    <dc:date>2026-03-18T00:46:26+00:00</dc:date>
    <link>https://en.wikipedia.org/wiki/New_Objectivity</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[New Objectivity
| New Objectivity | |
|---|---|
| Additional media | |
| Years active | 1920s–1933 |
| Location | Weimar Germany |
| Major figures | |
| Influences | Post-expressionism |
| Influenced | Magic Realism |
The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. Karl Blossfeldt's botanical photography is also often described as being a variation on New Objectivity.[21] The influence of New Objectivity photography extended beyond Germany; in Japan, the interwar movement known as Shinkō shashin (New Photography) was inspired in part by concepts from the German New Objectivity (Neue Sachlichkeit).[22]
Architecture
[edit]New Objectivity in architecture, as in painting and literature, describes German work of the transitional years of the early 1920s in the Weimar culture, as a direct reaction to the stylistic excesses of Expressionist architecture and the change in the national mood.]]></description>
<dc:subject>art philosophy</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:7ba81fb2d4f7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:philosophy"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://crackmagazine.net/article/music/prince-x-rated/">
    <title>Parental Advisory: Prince’s X-Rated Pioneering | Crack Magazine</title>
    <dc:date>2026-03-18T00:45:38+00:00</dc:date>
    <link>http://crackmagazine.net/article/music/prince-x-rated/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[The record’s most divisive tactic was tucked in to the title track where Prince recites the Lord’s Prayer in its entirety before ending the track on the mantra, “People call me rude / I wish we all were nude / I wish there was no black and white / I wish there were no rules.” Aside from being one of the greatest pop singles of all time, Controversy reiterates Prince’s refusal to pick a side. Similarly, when Beyoncé wanted to show her appreciation for Nicki Minaj last year, she shared a video to YouTube entitled Darling Nicki, performing an acapella version of the track with adjusted lyrics for her new best friend, “I met a girl named Nicki / I guess you can say she was the rap queen.”
I think the most telling part of Frank Ocean’s touching tribute to Prince was where he wrote about “his denial of the prevailing model”.]]></description>
<dc:subject>artists music funk queer art</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:b1b1ed809952/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:funk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:queer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theguardian.com/film/2012/nov/25/how-dogme-built-denmark">
    <title>How the Dogme manifesto reinvented Denmark</title>
    <dc:date>2026-03-18T00:39:45+00:00</dc:date>
    <link>http://www.theguardian.com/film/2012/nov/25/how-dogme-built-denmark</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Specifically, he was narked by a new work by Lars von Trier called The Idiots, a film shot with shaky cameras that centred on an orgy-loving group of rebels who, in public, acted like people with mental disabilities. You could say that each plaza is doing its own little Dogme movie." The indirect impact of Dogme, he adds, is wider than is commonly realised: "It took everyone outside their normal bubble and got them to say, 'Is this the direction we want to go in?' These young designers were the Dogme of architecture.]]></description>
<dc:subject>art media</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:4920d8b61cb9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:media"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theguardian.com/artanddesign/2016/jul/02/photography-no-longer-just-prints-on-the-wall">
    <title>The digital age reshapes our notion of photography. Not everyone is happy ...</title>
    <dc:date>2026-03-18T00:36:39+00:00</dc:date>
    <link>http://www.theguardian.com/artanddesign/2016/jul/02/photography-no-longer-just-prints-on-the-wall</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Forty-odd years later, the ICP has just opened in a new downtown location on the Bowery with a bold exhibition, Public, Private, Secret, that attempts to take the measure of contemporary photography at a time when it is still undeniably the most contemporary of art forms, though in ways Capa would never have imagined. And, even after Walker Evans and Andy Warhol, Diane Arbus and Cindy Sherman, William Eggleston and Andreas Gursky, not really art – witness the Guardian’s art critic Jonathan Jones’s recent provocation: “Flat, soulless and stupid: why photographs don’t work in art galleries.” The British, it seems, don’t get photography in much the same way as they don’t get Europe – it simply isn’t British enough.]]></description>
<dc:subject>art media photography</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:36fb18ddcd2c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://holistic-security.tacticaltech.org/news/visualising-holistic">
    <title>Holistic security</title>
    <dc:date>2026-03-18T00:34:14+00:00</dc:date>
    <link>https://holistic-security.tacticaltech.org/news/visualising-holistic</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[We worked with our long-time associates, La Loma, to create the visual identity for this work, beginning with the web design, through the creation of the sculpture, the diagrams, and ending with the logo. Models made by La Loma for the White Room - part of the Nervous Systems exhibition
Cover art of Visualising Information for Advocacy and The Women's Rights Info-Activism Toolkit, designed by La Loma
The final result was a hand-made, three dimensional sculpture, created using wire, thread and modelling clay.]]></description>
<dc:subject>art media</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:558a811ba6cd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:media"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://thequietus.com/articles/20625-lawrence-lek-interview-delirious-new-wick">
    <title>The Quietus | Features | Craft/Work | Delirious New Wick: Lawrence Lek’s Post-Brexit Apocalypse</title>
    <dc:date>2026-03-18T00:33:04+00:00</dc:date>
    <link>http://thequietus.com/articles/20625-lawrence-lek-interview-delirious-new-wick</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Those are just the things that I’m drawn to naturally so it finds its outlet somehow."
In an essay on Lek’s website, he describes these works as "a continuation of architecture through other means." Taking its name from the additional stages hidden with computer game worlds, he goes on to explain, video game bonus levels "create exceptional scenarios where spatial, temporal, or rule-based conventions no longer apply … By subverting the internal logic of the game engine, these zones drew attention to its underlying mechanics, after which players could return to the conventional levels with a heightened awareness of the virtual world. So I thought, what if you actually took that stage, that representational stage, that 3D model, artist rendering, as the final thing itself, without actually thinking about practicalities, or functionalities, or raising funds, or property development – which are things I feel cut off from because I can’t afford to buy anything."
"If you see a computer-gener]]></description>
<dc:subject>art</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:2b5c3bdf9f2b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://pitchfork.com/reviews/albums/22218-telefone/">
    <title>Noname: Telefone Album Review | Pitchfork</title>
    <dc:date>2026-03-18T00:30:13+00:00</dc:date>
    <link>http://pitchfork.com/reviews/albums/22218-telefone/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Along with its black femininity, Telefone is very much a Chicago rap album in this same sense, telling different sides of the same story Chance or Chief Keef tell; they’re all different patterns in the same quilt covering the violence, plight, and pain that a failed system and poverty has created. Noname is not drowning in misery but instead staying afloat and assuring you that you can, too: “What a pretty lady in the valley of the shadows/I’m thinking she lost a battle/I’m thinking she found the bottle,” she raps on “Freedom Interlude,” before adding “I know this is a song for overcoming.” It’s inspiring and gripping, so much so that when she brings in others to rap—Raury on “Diddy Bop,” theMIND on “Sunny Duet”—you miss her.]]></description>
<dc:subject>art music</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:b2096f594354/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://medium.com/@stml/cloud-thinking-d92c5cd4b439#.lngbe9p0i">
    <title>Cloud Thinking – Medium</title>
    <dc:date>2026-03-18T00:23:48+00:00</dc:date>
    <link>https://medium.com/@stml/cloud-thinking-d92c5cd4b439#.lngbe9p0i</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[A new science, that of cloud physics, and a new technology, weather modification, is being born. The next day, the New York Times reported on the conference under the headline “Weather to Order”, commenting that “If Dr Zworykin is right the weather-makers of the future are the inventors of calculating machines.”
The inventor of calculating machines par excellence in 1947 was von Neumann himself, who had founded the Electronic Computer Project at Princeton two years previously, with the joint support of the Institute of Advanced Sciences and RCA.]]></description>
<dc:subject>art books</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:0fd6a3600f46/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:books"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://streetartnews.net/2015/06/artist-interview-jaz.html">
    <title>Artist Interview: Jaz</title>
    <dc:date>2026-03-18T00:22:43+00:00</dc:date>
    <link>https://streetartnews.net/2015/06/artist-interview-jaz.html</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[It would be great to be able to completely renew myself every year, every month, to make different films every year, every month, rich in various obsessions instead of repeating the same things, the same images .. Next is Sea Walls in Cozumel Mexico, City Leaks in Cologne Germany, projects in Brazil , and I finish the year with my show in my home town.]]></description>
<dc:subject>art streetart</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:e3e48fdf666e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:streetart"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.complex.com/style/2013/10/famous-street-artists/margaret-kilgallen">
    <title>The 50 Most Influential Street Artists of All Time26. &lt;a href=&quot;http://www.ratio3.org/artists/margaret-kilgallen&quot; target=&quot;_blank&quot;&gt;Margaret Kilgallen&lt;/a&gt;</title>
    <dc:date>2026-03-18T00:22:38+00:00</dc:date>
    <link>http://www.complex.com/style/2013/10/famous-street-artists/margaret-kilgallen</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[For this list, we have tried to look at artists throughout street art's history to gauge their influence on street art and art in general. Gordon Matta-Clark
Hometown: New York
Years active: 1970 - 1978
Although you might not see a lot of street art in the style of Gordon Matta-Clark's sliced-up buildings, the work inspired street artists like Swoon and John Fekner, sowing the seeds for the street art movement that would blossom after seeing the way that he changed public spaces and worked directly with found environments.]]></description>
<dc:subject>art streetart</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:0de9c1c6182f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:streetart"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.dazeddigital.com/fashion/article/33664/1/how-man-ray-changed-the-face-of-fashion-photography">
    <title>How Man Ray changed the face of fashion photography</title>
    <dc:date>2026-03-18T00:13:31+00:00</dc:date>
    <link>http://www.dazeddigital.com/fashion/article/33664/1/how-man-ray-changed-the-face-of-fashion-photography</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[“This was to be the picture, I decided,” he is recorded as saying, “I'd combine art and fashion.” “Guy Bourdin revered the artist so much that he persistently knocked on his studio door until Man Ray finally gave in and began mentoring the young reactionary” BUT HE VIEWED FASHION PHOTOGRAPHY AS AN IMPORTANT WAY TO SPREAD HIS ARTISTIC IDEAS Happily, the fashion world was delighted by his surreal, elevated approach, and went on to champion some of his most experimental work. Glass Tears by Man Ray, 1932Man Ray Trust/ADAGP, Paris and DACS, London 2016, Courtesy of The Sir Elton John Photography Collection HE STOPPED TAKING FASHION PHOTOGRAPHS IN THE 1940s, BUT HIS LEGACY CHANGED THE MEDIUM FOREVER When the Second World War came to Paris in 1940, Man Ray relocated to Hollywood, where he eventually decided to abandon fashion photography for fear that his commercial reputation was eclipsing his artistic one.]]></description>
<dc:subject>art media photography</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:5f5d177f4160/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://thenerdsofcolor.org/2016/11/18/ghost-in-the-shell-and-the-complexity-of-cultural-appropriation/">
    <title>Ghost in the Shell and the Complexity of Cultural Appropriation</title>
    <dc:date>2026-03-18T00:11:07+00:00</dc:date>
    <link>https://thenerdsofcolor.org/2016/11/18/ghost-in-the-shell-and-the-complexity-of-cultural-appropriation/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[The problem of whitewashing Asian roles in American cinema is particular to Asian Americans because the issue is deeper than just “seeing Asian faces.” If we simply wanted to see Asian faces on screen, we could turn to Asian media. ‘The problem of whitewashing Asian roles in American cinema is particular to Asian Americans because the issue is deeper than just “seeing Asian faces.”’
Isn’t the notion of “Asian roles” inherently problematic?]]></description>
<dc:subject>art london politics</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:77f77ef98c94/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:politics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://thenewinquiry.com/essays/invisible-images-your-pictures-are-looking-at-you/">
    <title>Invisible Images (Your Pictures Are Looking at You)</title>
    <dc:date>2026-03-18T00:05:44+00:00</dc:date>
    <link>http://thenewinquiry.com/essays/invisible-images-your-pictures-are-looking-at-you/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[The relationship between images and power in the machine-machine landscape is different than in the human visual landscape. There’s no obvious way to intervene in machine-machine systems using visual strategies developed from human-human culture.]]></description>
<dc:subject>art photography</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:8a66ed19b2be/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.tyburngallery.com/exhibition/solo-exhibition/">
    <title>http://www.tyburngallery.com/exhibition/solo-exhibition/</title>
    <dc:date>2026-03-17T23:57:02+00:00</dc:date>
    <link>http://www.tyburngallery.com/exhibition/solo-exhibition/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Tyburn Gallery is pleased to present Lust Politics, Lady Skollie’s first exhibition at the gallery. Tyburn Gallery is pleased to present Lust Politics, Lady Skollie’s first exhibition at the gallery.]]></description>
<dc:subject>art</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:190688b6ee89/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.textezurkunst.de/articles/gross-lehan-reena-spaulings/">
    <title>Jack Gross on Ed Lehan at Reena Spaulings Fine Art, New York</title>
    <dc:date>2026-03-17T23:54:41+00:00</dc:date>
    <link>https://www.textezurkunst.de/articles/gross-lehan-reena-spaulings/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[In Ed Lehan’s first New York solo show, “Return to Problem,” it is perhaps this refrain that was concretized in the drop ceiling that the London-based artist had installed at Reena Spaulings’ Lower East Side gallery. And yet, its logic is continuous with that of “junkspace,” as Rem Koolhaas has termed our building-less architectural landscape – one characterized as “additive, layered, and lightweight, not articulated in different parts but subdivided,” the space in which “we work harder … marooned in a never-ending casual Friday.” [2]
Returning to Lehan’s installation at Reena Spaulings, it should be noted that the gallery is split, with the main art viewing taking place on a raised wood platform.]]></description>
<dc:subject>art artists media</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:c39b5a151e8e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:media"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theguardian.com/stage/2017/mar/13/illuminati-rosie-kay-adam-curtis-cult-dance-mk-ultra">
    <title>Inside the Illuminati with Rosie Kay and Adam Curtis</title>
    <dc:date>2026-03-17T23:54:29+00:00</dc:date>
    <link>http://www.theguardian.com/stage/2017/mar/13/illuminati-rosie-kay-adam-curtis-cult-dance-mk-ultra</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[She attributes it partly to the unfettered scope of celebrity culture, and the levels of fantasy it has disseminated, and partly to the paranoia and uncertainty that has been generated by our current era of fake news: “So much doubt is now being cast on mainstream media, so many people are taking their information from alternative sources, and it’s having such a dangerous effect on politics.” As one of Kay’s teenage sources said to her: “We used to be told what was real by our leaders, but since recent events we’ve been let down. He’s been pushing for more women and BAME [recruits], and he sees the arts as a good way to present a more complex portrait of the army to the wider community.” So great an impact has 5 Soldiers made that Carter has just appointed a top-ranking lieutenant colonel to act as the army’s first arts engagement officer, and Kay is justly proud of the fact that the latter’s first official act was to meet with her and ask for advice about future projects.]]></description>
<dc:subject>art culture</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:14c8e1f6df4a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:culture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://organizeyourown.wordpress.com/2017/07/03/organize-your-own-temporality-by-rasheedah-phillips/">
    <title>Organize Your Own Temporality by Rasheedah Phillips</title>
    <dc:date>2026-03-16T23:31:48+00:00</dc:date>
    <link>https://organizeyourown.wordpress.com/2017/07/03/organize-your-own-temporality-by-rasheedah-phillips/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Radical liberation movements reappropriate notions of time and temporality itself, stealing back time to actively create a vision of the future for marginalized people who are typically denied access to creative control over the temporal mode of the future, and redefining that future’s relationship to the past and present. Womanist and feminist movements have studied temporal issues and tools to theorize on such issues as “time, age, change, choice, self-image, and the related implications of women’s changing roles.’[7]
In the essay Femalear Explorations: Temporality in Women’s Writing, Irma Garcia notes that “women’s time is purely affective time, disrupting pre-established schemas and structures,” and how in feminine time in general, “notions of the past/present/future are interdependent and blend into each other.’[8] The time traveling, Black woman protagonist Dana in Octavia Butler’s speculative novel Kindred demonstrates this blended, affective temporality well.]]></description>
<dc:subject>human artists afrofuturism philosophy art activism liberation social-justice</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:32de3a842736/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:human"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:afrofuturism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:philosophy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:activism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:liberation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:social-justice"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.ableton.com/en/blog/jlin-holly-herndon-comparing-notes/">
    <title>Jlin and Holly Herndon | Ableton</title>
    <dc:date>2026-03-16T23:29:23+00:00</dc:date>
    <link>https://www.ableton.com/en/blog/jlin-holly-herndon-comparing-notes/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Even though you know someone for a really long time… it’s like having sex or something for the first time, it’s kind of like this really intimate thing that you have to feel your way around, you know what I mean? So my favourite moments in my music is when something was unintended, kind of like what Jlin was saying, not some grand plan that you have going into it, but an idea and then I will put it through some process and the process will make decisions for me and I audition it with my ear and I’m like, oh that part sounds really good.]]></description>
<dc:subject>artists interview music culture art technology</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:1cff19d425c6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:interview"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:technology"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.residentadvisor.net/features/1831">
    <title>Playing favourites: Young Echo</title>
    <dc:date>2026-03-16T23:27:04+00:00</dc:date>
    <link>https://www.residentadvisor.net/features/1831</link>
    <dc:creator>wrrn</dc:creator><dc:subject>london music artists art</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:dce92410bc94/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theguardian.com/artanddesign/2017/oct/12/wim-wenders-interview-polaroids-instant-stories-photographers-gallery">
    <title>Wim Wenders on his Polaroids – and why photography is now over</title>
    <dc:date>2026-03-16T23:26:54+00:00</dc:date>
    <link>http://www.theguardian.com/artanddesign/2017/oct/12/wim-wenders-interview-polaroids-instant-stories-photographers-gallery</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[They were disposable.”
Four decades on, the Photographers’ Gallery in London is about to host an extensive exhibition of Wenders’s early Polaroids called Instant Stories. For me, it was my childhood, my youth.”
Unlike his later photography, which is mainly landscapes and buildings, Instant Stories includes several portraits, including the great Dutch cinematographer Robby Müller, the German actor Senta Berger, and the late Dennis Hopper, who starred in The American Friend.]]></description>
<dc:subject>art media photography artists</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:177173c2ade7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:artists"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/">
    <title>What Do We Do with the Art of Monstrous Men?</title>
    <dc:date>2026-03-16T23:25:11+00:00</dc:date>
    <link>https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[But for me the ur-monster is Woody Allen. And I hate the way he talks about Soon-Yi, always going on about how he’s enriched her life.”
This, I think, is what happens to so many of us when we consider the work of the monster geniuses—we tell ourselves we’re having ethical thoughts when really what we’re having is moral feelings.]]></description>
<dc:subject>art society politics gender social-justice</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:7a9c1e0c9c62/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:gender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:social-justice"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theguardian.com/artanddesign/2017/nov/24/ica-ungender-deprogram-urinate-how-post-cyber-international-feminism-can-improve-your-life">
    <title>Ungender, deprogram, urinate: how post-cyber international feminism can improve your life</title>
    <dc:date>2026-03-16T23:25:03+00:00</dc:date>
    <link>http://www.theguardian.com/artanddesign/2017/nov/24/ica-ungender-deprogram-urinate-how-post-cyber-international-feminism-can-improve-your-life</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[The ICA’s recent Post-Cyber Feminist International conference drew an arty crowd of intellectuals, feminists and the intellectual, feminist, gender non-conforming. For those pondering a future spent dressed in foraged goat fur and subsisting on bilberries and lichen, the Post-Cyber Feminist International examined what new technologies can still offer, how to use them positively, and how online spaces might be queered and hacked.]]></description>
<dc:subject>cyberspace human feminism philosophy art gender identity</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:5e9038eb414c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:cyberspace"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:human"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:feminism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:philosophy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:gender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:identity"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://trenchtrenchtrench.com/features/uk-drill-and-youth-violence-the-final-word">
    <title>UK Drill &amp; Youth Violence: The Final Word</title>
    <dc:date>2026-03-16T23:22:07+00:00</dc:date>
    <link>http://trenchtrenchtrench.com/features/uk-drill-and-youth-violence-the-final-word</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[“They Say Drill Music Is Why All The kids Are dying today Iyt Kool But I Was In Primary School When I Saw Someone Gushing With Blood What Was The Influence Then [sic]?” tweeted 67’s Dimzy earlier this month, in response to the media frenzy blaming drill music for London’s youth violence epidemic. “We can do better than to obsess over a type of music that, whether the papers like it or not, simply bangs.”
In January of this year, after being invited to attend a discussion on the topic of violent social media content in Parliament, I wrote a piece for The Guardian outlining my take on drill’s undeniable but uncertain connection to youth violence.]]></description>
<dc:subject>culture UK drill music cities London gangs art</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:3af33ef6aaa5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:UK"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:drill"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:London"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:gangs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.tomshardware.com/3d-printing/this-open-source-generative-ai-tool-converts-2d-images-into-3d-part-meshes-for-3d-printing-in-seconds">
    <title>This open-source generative AI tool converts 2D images into 3D part meshes for 3D printing in seconds</title>
    <dc:date>2026-03-16T23:20:56+00:00</dc:date>
    <link>https://www.tomshardware.com/3d-printing/this-open-source-generative-ai-tool-converts-2d-images-into-3d-part-meshes-for-3d-printing-in-seconds</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[The software is designed to create 3D objects from scratch using 2D images as the input. Get Tom's Hardware's best news and in-depth reviews, straight to your inbox.]]></description>
<dc:subject>art ai generative opensource 3d-printing cad design</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:a3030787c054/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:ai"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:generative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:opensource"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:3d-printing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:cad"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:design"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.designboom.com/architecture/3d-printed-biostructures-live-cyanobacteria-capture-carbon-dioxide-air-venice-architecture-biennale-2025-canada-pavilion-interview-06-13-2025/">
    <title>3D printed biostructures with live bacteria capture carbon dioxide from air at venice biennale</title>
    <dc:date>2026-03-16T23:20:50+00:00</dc:date>
    <link>https://www.designboom.com/architecture/3d-printed-biostructures-live-cyanobacteria-capture-carbon-dioxide-air-venice-architecture-biennale-2025-canada-pavilion-interview-06-13-2025/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Living Room Collective uses live cyanobacteria within 3D printed biostructures to capture carbon dioxide from air
Microorganisms that can repair themselves to a healthy state
In Picoplanktonics, the Living Room Collective works with bacteria as the living component of their material system. the research group takes care of the bacteria throughout the exhibition to maintain their healthy state
the bacteria need warm sunlight, high humidity, and access to salt water to thrive
the research group already infuses the living cyanobacteria during the printing stage | image © designboom
the bacteria harden the printed structures they live in | image © designboom
the research team has used ancient metabolic processes for Picoplanktonics | image © designboom
the cyanobacteria can also produce biocementation, or the process of capturing carbon dioxide from air
Living Room Collective’s lead And biodesigner Andrea Shin Ling
the exhibition is on view until November 26th, 2025
project info:
name: Pic]]></description>
<dc:subject>art evolution 3d-printing biology</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:dbc78c9d81b6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:evolution"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:3d-printing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:biology"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://eirikbrandal.com/">
    <title>Eirik Brandal</title>
    <dc:date>2026-03-16T23:20:15+00:00</dc:date>
    <link>https://eirikbrandal.com/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[artist and composer. While originally studying music composition, his work has shifted toward electronic sound sculptures, looking to uncover the intrinsic beauty of circuits. By laying the circuits out in an architectural fashion, their context is changed from being functional objects to becoming objects of art. ]]></description>
<dc:subject>art music sound sculpture electronics hardware</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:b99003085d56/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:sound"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:sculpture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:electronics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:hardware"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://tympanus.net/codrops/2025/06/23/modeling-the-world-in-280-characters/">
    <title>Modeling the World in 280 Characters | Codrops</title>
    <dc:date>2026-03-16T23:19:31+00:00</dc:date>
    <link>https://tympanus.net/codrops/2025/06/23/modeling-the-world-in-280-characters/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[The process of shrinking code while maintaining its functionality is called “code golfing.”
Here’s an animated galaxy I wrote in just 197 characters of GLSL code:
This little piece of code runs in real time for every pixel on the screen and generates a unique output color using some fancy math and logic. There are several different types of shaders: vertex shaders, fragment shaders, compute shaders, and more, but these tweet shaders are specifically fragment shaders, also known as “pixel shaders,” because they run on every pixel.]]></description>
<dc:subject>art programming creative code visual</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:39beb10715a3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:programming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:creative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:code"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:visual"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.christies.com/en/lot/lot-6191309">
    <title>RON ARAD (B. 1951), A Rare 'Concrete Stereo' | Christie's</title>
    <dc:date>2026-03-16T23:19:12+00:00</dc:date>
    <link>https://www.christies.com/en/lot/lot-6191309</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Museum curators were not slow to recognise its cultural importance, and today examples may be seen in the Victoria & Albert Museum, London, the San Francisco Museum of Modern Art, the Boijmans Museum, Rotterdam, and the Röhsska Museum, Gothenburg, Sweden. Museum curators were not slow to recognise its cultural importance, and today examples may be seen in the Victoria & Albert Museum, London, the San Francisco Museum of Modern Art, the Boijmans Museum, Rotterdam, and the Röhsska Museum, Gothenburg, Sweden.]]></description>
<dc:subject>art london speakers music hardware sculpture</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:785ebde98fcb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:speakers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:hardware"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:sculpture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.wallpaper.com/art/exhibitions-shows/william-kentridges-fluid-sculptures-are-a-vivid-addition-to-the-yorkshire-landscape">
    <title>William Kentridge's fluid sculptures are a vivid addition to the Yorkshire landscape</title>
    <dc:date>2026-03-16T23:17:47+00:00</dc:date>
    <link>https://www.wallpaper.com/art/exhibitions-shows/william-kentridges-fluid-sculptures-are-a-vivid-addition-to-the-yorkshire-landscape</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[In ‘The Pull of Gravity’ at Yorkshire Sculpture Park, Kentridge unites over 40 works, made from 2007 to the present day, in a large exhibition situated both inside and outside, becoming a striking focal point of Yorkshire’s landscape. And now sculpture is certainly one of the languages.’
Weighty motifs, such as the equestrian statues, run throughout, from the bronze horse sculptures from 2010’s The Nose production – which started life as pieces of cardboard, twigs, rulers, and anything else Kentridge found lying around the studio – to the first presentation of the series of short films that Kentridge made during the first Covid-19 lockdown, Self-Portrait as a Coffee Pot (2020-24).]]></description>
<dc:subject>art sculpture photography southafrica</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:77f979e0255c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:sculpture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:southafrica"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://publicdomainreview.org/collection/a-theory-of-pure-design-harmony-balance-rhythm-1907/">
    <title>A Theory of Pure Design: Harmony, Balance, Rhythm (1907)</title>
    <dc:date>2026-03-16T23:17:22+00:00</dc:date>
    <link>https://publicdomainreview.org/collection/a-theory-of-pure-design-harmony-balance-rhythm-1907/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[In a sense this book is a contribution to Science rather than to Art. It is a contribution to Science made by a painter, who has used his Art in order to understand his Art, not to produce Works of Art.]]></description>
<dc:subject>art music music-theory</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:a73645a72231/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:music-theory"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.creativebloq.com/3d/houdini-shares-free-workflows-for-game-assets-from-project-elderwood-demo">
    <title>Houdini shares free workflows for game assets from Project Elderwood demo</title>
    <dc:date>2026-03-16T23:15:27+00:00</dc:date>
    <link>https://www.creativebloq.com/3d/houdini-shares-free-workflows-for-game-assets-from-project-elderwood-demo</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[The Project Elderwood tech demo highlights procedural workflows for creating game content using Houdini and Unreal, with an emphasis on the Natsura plug-in's capabilities to generate rich vegetation for adventure games. Highlights include advanced modeling and texturing tools, with Houdini creating foliage assets through procedural techniques
Article continues belowthe Cliffs pipeline provides fast iteration and flexible art direction with little or no simulation using the inflate node released in Houdini 20.5, as well as Houdini's cluster sop.]]></description>
<dc:subject>art software design 3d animation</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:9eb8cf707eeb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:software"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:3d"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:animation"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.yankodesign.com/2025/07/28/tiny-raspberry-pi-display-adds-a-little-tech-magic-to-your-diy-projects/">
    <title>Tiny Raspberry Pi display adds a little tech magic to your DIY projects - Yanko Design</title>
    <dc:date>2026-03-16T23:15:20+00:00</dc:date>
    <link>https://www.yankodesign.com/2025/07/28/tiny-raspberry-pi-display-adds-a-little-tech-magic-to-your-diy-projects/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[If you’re curious about the world of DIY electronics or have ever wanted to add a little magic to your Raspberry Pi, the RPI TinynumberHat9 by Andrew Tudori is worth knowing. Projects like this can sometimes add a little more ooomph to your device and you don’t need to be a nuclear scientist to use or understand it
The RPI TinynumberHat9 is a small accessory designed for the popular Raspberry Pi single-board computer.]]></description>
<dc:subject>art hardware diy RaspberryPi</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:31ddd6a73bec/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:hardware"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:diy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:RaspberryPi"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://artafricamagazine.org/museums-as-agents-of-change-zeitz-mocaas-commitment-to-community-and-curatorial-ethics/">
    <title>Museums as Agents of Change: Zeitz MOCAA’s Commitment to Community and Curatorial Ethics - ART AFRICA Magazine</title>
    <dc:date>2026-03-16T23:13:09+00:00</dc:date>
    <link>https://artafricamagazine.org/museums-as-agents-of-change-zeitz-mocaas-commitment-to-community-and-curatorial-ethics/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[In a candid interview with Dr Greer Valley, Senior Curator and Head of Curatorial Affairs at Zeitz MOCAA, we gain insight into the curatorial philosophies and community-driven strategies shaping the museum’s role as a catalyst for cultural and communal development. How does Zeitz MOCAA actively support and elevate contemporary African and diasporic artists through its exhibitions and programs?]]></description>
<dc:subject>art politics</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:d879aec93fd2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:politics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/us-news/2025/sep/07/mushroom-kayak-plastic-alternative">
    <title>The man and the mushroom kayak: can a boat made from mycellim change the future/</title>
    <dc:date>2026-03-16T23:10:52+00:00</dc:date>
    <link>https://www.theguardian.com/us-news/2025/sep/07/mushroom-kayak-plastic-alternative</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[It acts a lot like the material that everyone seems to hate.”
Shoemaker began working on his first mycelium boat in 2024 with harvested wild Ganoderma polychromum mycelium outside his Los Angeles studio. Shoemaker completed his second mushroom boat in June; grown from the same wild Ganoderma polychromum mycelium, the kayak was propagated on over 520lbs of a hemp hard substrate packed inside a new fiberglass mold.]]></description>
<dc:subject>art</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:b573329e113a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://hackaday.com/2025/09/16/how-to-have-a-medium-format-camera-without-breaking-the-bank/">
    <title>How To Have A Medium Format Camera Without Breaking The Bank</title>
    <dc:date>2026-03-16T23:09:55+00:00</dc:date>
    <link>https://hackaday.com/2025/09/16/how-to-have-a-medium-format-camera-without-breaking-the-bank/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Fortunately [Javier Doroteo] is here with a 3D printed medium format camera designed to use lenses intended for the Mamiya Press cameras, and from where we’re sitting it looks very nicely designed indeed. “Using nothing but some 3D printed parts, some machine screws, and a medium-format camera, our clever hero builds a medium-format camera!”
You still have to source a Press lens like every other project out there.]]></description>
<dc:subject>art media photography</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:29b81b6eda6e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.whitecube.com/gallery-exhibitions/andreas-gursky-masons-yard-2025">
    <title>Andreas Gursky, Mason's Yard (2025)</title>
    <dc:date>2026-03-16T23:08:11+00:00</dc:date>
    <link>https://www.whitecube.com/gallery-exhibitions/andreas-gursky-masons-yard-2025</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[He has exhibited widely including solo exhibitions at MAST Fondazione, Bologna, Italy (2023); Amorepacific Museum, Seoul (2022); Museum Küppersmühle, Duisburg, Germany (2021); Museum der bildenden Künste Leipzig, Germany (2021); Hayward Gallery, London (2018); Kunstsammlung Nordrhein-Westfalen, K20, Düsseldorf, Germany (2016); Museum Frieder Burda, Baden-Baden, Germany (2015); Parrish Art Museum, Water Mill, New York (2015); National Museum of Art, Osaka, Japan (2014); The National Art Center, Tokyo (2013); Louisiana Museum of Modern Art, Humlebaek, Denmark (2012); Moderna Museet, Stockholm (2009); Vancouver Art Gallery, Canada (2009); Museum Haus Lange und Haus Esters, Krefeld, Germany (2008); Museum fur Moderne Kunst, Frankfurt, Germany (2008); Kunstmuseum Basel, Switzerland (2007); Haus der Kunst, Munich, Germany, touring to Istanbul Modern and Sharjah Art Museum, United Arab Emirates (2007); and The Museum of Modern Art, New York (2001) which toured to other venues. Featured Works]]></description>
<dc:subject>art artists media photography</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:73629fe343fc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/artanddesign/2025/oct/07/epic-impossible-images-andreas-gursky">
    <title>‘Photos don’t go bigger than mine’: the epic, impossible images of the great Andreas Gursky</title>
    <dc:date>2026-03-16T23:08:06+00:00</dc:date>
    <link>https://www.theguardian.com/artanddesign/2025/oct/07/epic-impossible-images-andreas-gursky</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[A respected German art dealer walked up to them and declared: “You guys are going to be famous!” Gursky says: “At the time, I couldn’t have imagined I would become an artist and that I would exclusively devote my life to photography.”
Gursky speaks from his vast, bright studio in Düsseldorf, where he has been based since those 1980s student days. His time with the Bechers “led decisively to me deciding to become an artist – just seeing the way the two of them worked and what could be done with photography.”
The White Cube exhibition is a testament to Gursky’s very particular way of seeing: seismographic, at times deadpan, and never short of awe.]]></description>
<dc:subject>art future media photography</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:1e6b8d7e5558/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:future"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.creativebloq.com/3d/3d-software/how-to-choose-the-right-3d-software-for-you">
    <title>Here’s the software you really need for 3D art</title>
    <dc:date>2026-03-16T22:46:30+00:00</dc:date>
    <link>https://www.creativebloq.com/3d/3d-software/how-to-choose-the-right-3d-software-for-you</link>
    <dc:creator>wrrn</dc:creator><dc:subject>programming software 3d design art tools</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:9d5eb807e260/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:programming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:software"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:3d"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:tools"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.kickstarter.com/projects/sc96/3d-printable-arduino-cnc-plotter">
    <title>MakerPlot: Fully 3D Printable Arduino CNC Plotter DIY KIT</title>
    <dc:date>2026-03-16T22:44:07+00:00</dc:date>
    <link>https://www.kickstarter.com/projects/sc96/3d-printable-arduino-cnc-plotter</link>
    <dc:creator>wrrn</dc:creator><dc:subject>tools electronics hardware art machine</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:d6d5cc246047/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:tools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:electronics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:hardware"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:machine"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/artanddesign/2026/mar/13/south-african-photographer-zanele-muholi-hasselblad-award-interview?CMP=Share_AndroidApp_Other">
    <title>South African photographer Zanele Muholi: ‘My mother worked for a white family. I remember the pools I wasn’t allowed to swim in’</title>
    <dc:date>2026-03-16T22:43:50+00:00</dc:date>
    <link>https://www.theguardian.com/artanddesign/2026/mar/13/south-african-photographer-zanele-muholi-hasselblad-award-interview?CMP=Share_AndroidApp_Other</link>
    <dc:creator>wrrn</dc:creator><dc:subject>art southafrica photography</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:5b299e18e1c1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:southafrica"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.creativeapplications.net/sound/not-i-the-voice-identity-and-the-epistemic-mirage-of-machine-learning/">
    <title>Not I – The voice, identity and the epistemic mirage of machine learning</title>
    <dc:date>2025-03-20T00:08:37+00:00</dc:date>
    <link>https://www.creativeapplications.net/sound/not-i-the-voice-identity-and-the-epistemic-mirage-of-machine-learning/</link>
    <dc:creator>wrrn</dc:creator><dc:subject>art MachineLearning</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:eb9eef4aef58/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:MachineLearning"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://theonlinephotographer.typepad.com/the_online_photographer/2018/09/best-comment-ever.html">
    <title>The Online Photographer: Best Comment Ever</title>
    <dc:date>2018-09-17T22:22:58+00:00</dc:date>
    <link>http://theonlinephotographer.typepad.com/the_online_photographer/2018/09/best-comment-ever.html</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[<blockquote>The endless upgrade cycle, the more and more laborious and tedious mastery of imaging software, the solid belief in technical improvement and control as a means to achieve success, all of this leads one further and further away from any possibility of making original or authentic work. This is the bind of the technology treadmill. What it gives, it also takes away.</blockquote>]]></description>
<dc:subject>art photography technology beinghuman</dc:subject>
<dc:identifier>https://pinboard.in/u:wrrn/b:2ab7afe5e032/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:beinghuman"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://unthinking.photography/themes/fauxtography/hidden-in-plain-sight-the-steganographic-image">
    <title>Hidden in Plain Sight: The Steganographic Image</title>
    <dc:date>2017-02-14T15:26:10+00:00</dc:date>
    <link>https://unthinking.photography/themes/fauxtography/hidden-in-plain-sight-the-steganographic-image</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[This image operates in a reality that is more likely to be about the contagious image, the trickstery of operational code, the vulnerabilities in infrastructures that sustain the visibility of digital images. While Le Bon might have been interested in mental images, the digital stegosploited image culture is a continuation of this particular trait of the contagious image, that works both across human users and their computational infrastructures.]]></description>
<dc:subject>photography art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:wrrn/b:c3ff1a760442/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://techcrunch.com/2014/05/09/monegraph/">
    <title>Monegraph Uses Bitcoin Tech So Internet Artists Can Establish “Original” Copies Of Their Work | TechCrunch</title>
    <dc:date>2017-01-17T17:13:28+00:00</dc:date>
    <link>https://techcrunch.com/2014/05/09/monegraph/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Here’s how Monegraph works. Artists can visit the Monegraph site and sign in with Twitter. Then They submit the URL of a digital image they’ve created. In return they receive a blockchain key and value they can store in a NameCoin wallet, similar to how they would store bitcoin. This is their digital deed, a unique claim of ownership to the piece of art. If someone else submits the same image, Monegraph detects that it’s already been claimed. Monegraph also tweets out an announcement of the ownership to commit it to public record.]]></description>
<dc:subject>blockchain Bitcoin art creativity creativecommons distributed Law intellectual-property</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:wrrn/b:3471a63d1a46/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:blockchain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:Bitcoin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:creativecommons"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:distributed"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:Law"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:intellectual-property"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://archvirtual.com/2015/06/15/scanning-reality-into-virtual-reality/">
    <title>Scanning Reality into Virtual Reality - Arch Virtual</title>
    <dc:date>2017-01-11T00:10:07+00:00</dc:date>
    <link>http://archvirtual.com/2015/06/15/scanning-reality-into-virtual-reality/</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[As we create virtual reality applications for Oculus Rift, GearVR and Google Cardboard, we draw upon a wide variety of data types and use it to create representative 3D model assets. In many cases, where physical objects or spaces exist, captured 3D scans of reality can be very useful as a basis for virtual reality environments for a wide variety of use cases, from visualization, architectural prototyping, archiving, tourism, retail and much more.]]></description>
<dc:subject>video art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:wrrn/b:1980aa383a4d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:video"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://magenta.tensorflow.org/welcome-to-magenta">
    <title>Welcome to Magenta!</title>
    <dc:date>2016-06-02T11:39:31+00:00</dc:date>
    <link>http://magenta.tensorflow.org/welcome-to-magenta</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Magenta has two goals. First, it’s a research project to advance the state of the art in machine intelligence for music and art generation. Machine learning has already been used extensively to understand content, as in speech recognition or translation. With Magenta, we want to explore the other side—developing algorithms that can learn how to generate art and music, potentially creating compelling and artistic content on their own.]]></description>
<dc:subject>art creativity ai code tensorflow google</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:wrrn/b:c8feb703cd1c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:ai"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:code"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:tensorflow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:google"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://motherboard.vice.com/read/my-year-in-san-franciscos-2-million-secret-society-startup">
    <title>My Year in San Francisco’s $2 Million Secret Society Startup | Motherboard</title>
    <dc:date>2016-03-10T17:28:34+00:00</dc:date>
    <link>http://motherboard.vice.com/read/my-year-in-san-franciscos-2-million-secret-society-startup</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[ABSOLUTE DISCRETION]]></description>
<dc:subject>culture community art cvlt</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:wrrn/b:e82dcf3a70cc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:community"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:cvlt"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.independent.co.uk/video/People-and-culture/sonia-boyce-artist-and-academic-launches-project-shedding-light-on-the-role-of-black-artists-a6750751.html">
    <title>Sonia Boyce: Artist and academic launches project shedding light on the role of black artists | People and Culture videos | Video | The Independent</title>
    <dc:date>2016-03-09T14:33:56+00:00</dc:date>
    <link>http://www.independent.co.uk/video/People-and-culture/sonia-boyce-artist-and-academic-launches-project-shedding-light-on-the-role-of-black-artists-a6750751.html</link>
    <dc:creator>wrrn</dc:creator><description><![CDATA[Professor Boyce is heading up a team of artists and researchers who will spend the next three years compiling the first ever database of works by black artists held in British public collections.  Named Black Artists and Modernism, the scheme will involve exhibitions and a possible TV documentary as the team produces the online catalogue of hundreds of works by artists who helped shape the modernism movements of the last century.]]></description>
<dc:subject>art history race identity culture UK</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:wrrn/b:d6809c80ccad/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:identity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:wrrn/t:UK"/>
</rdf:Bag></taxo:topics>
</item>
</rdf:RDF>