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    <description>recent bookmarks from shannon_mattern</description>
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  </channel><item rdf:about="https://exhibits.stanford.edu/dataviz">
    <title>Data Visualization and the Modern Imagination - Spotlight at Stanford</title>
    <dc:date>2021-01-25T16:08:27+00:00</dc:date>
    <link>https://exhibits.stanford.edu/dataviz</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[There is a magic in information graphics. Maps float you above the land for a bird’s eye view. Timelines arrange memories on the page for all to see. Diagrams reveal the parts inside without requiring disassembly, or incision.*
❡ Data visualization leapt from its Enlightenment origins and into the minds of the general public in the 1760s. It cast more powerful spells throughout the following century. By 1900, modern science, technology, and social movements had all benefited from this new quantitative art. Its inventions include the timeline, bar chart, and thematic map. Together, these innovations changed how we understand the world and our place within it. Data visualization helped a new imagination emerge, wired to navigate a reality much bigger than any single person’s lived experience.
❡ The sections in this exhibition examine information graphics that show space, time, nature, and society. Many are beautiful. Each is a unique way of seeing still worth our attention. —RJ Andrews, guest curator]]></description>
<dc:subject>data_visualization information_aesthetics exhibition maps mapping time mapping_time</dc:subject>
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<dc:identifier>https://pinboard.in/u:shannon_mattern/b:8f18389d5bea/</dc:identifier>
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<item rdf:about="https://journals-sagepub-com.libproxy.newschool.edu/doi/10.1177/2053951720944603">
    <title>Intentionality and design in the data sonification of social issues - Sara Lenzi, Paolo Ciuccarelli, 2020</title>
    <dc:date>2021-01-16T05:50:37+00:00</dc:date>
    <link>https://journals-sagepub-com.libproxy.newschool.edu/doi/10.1177/2053951720944603</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[The Tactical Technology Collective, together with the Shadow Ministry of Housing and the Egyptian Initiative for Personal Rights, explored sonification in the 2013 project Egypt Building Collapses.3 Data on one year of accidents involving the sudden collapse of residential buildings in Egypt is visualized on the website to raise awareness of a serious issue affecting Egyptian society that resulted in 192 casualties and more than 800 homeless families in only one year....

The American award-winning Center for Investigative Reporting4 has been experimenting with data sonification since 2015 through its online platform “Reveal”, which also hosts a radio show. In its first production, The Oklahoma Shakes,5 a soundscape was produced that connects data on earthquakes occurring in Oklahoma from 2004 onwards, with the goal of providing insights on the exponential increase of such events (allegedly due to the increase in the oil and gas industry exploitation of Oklahoma land), and broadcasting the sonification through the radio....

A different approach is taken by the sound artist Brian Foo, also known as the Data-Driven DJ. Foo is the author of a number of sonification projects in which generative art (using data as a compositional tool to create art experiences) and social responsibility (using sonification to engage publics in ways that resonate with events represented by the data) are mixed to different degrees. In Distance from home, the United Nations global refugee dataset from 1975 to 2012 is used to generate a song in which different audio parameters are mapped to different dimensions in the data....

The five cases we selected are examples of how sound and sonification can be used to engage non-expert publics with data and information about socially relevant issues. In this essay, we frame data sonification within a design process introducing the criterion of intentionality as a condition. In our framing, the highest degree of intentionality is represented by the Egypt Building Collapses case, a project where sound is designed to explicitly help the listener to intuitively and emotionally connect with the sensitive social issue at stake. At the opposite end of the continuum—the lowest level of intentionality, as shown in Figure 7—the author of Two Trains declares his “agnosticism” to the context, aiming at being “neutral”: “I wanted to make a pleasant/exciting-sounding song so it could be palatable for the casual listener and experienced independently from the topic of income inequality.]]></description>
<dc:subject>data_sonification sound information_aesthetics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:ec26cd67d05c/</dc:identifier>
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<item rdf:about="https://thesocietypages.org/graphicsociology/">
    <title>Graphic Sociology</title>
    <dc:date>2017-08-15T06:28:49+00:00</dc:date>
    <link>https://thesocietypages.org/graphicsociology/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Information graphics, distinct from photography and video, use visual means (charts, graphs, network webs, diagrams, etc) to concisely convey and enliven both simple and complex relationships drawn from data. Information graphics have long been a part of making sense of social science data, especially when the data is being presented to wider audiences. The use of information graphics is increasing in the digital age where much information is consumed via full color displays.

Creating coherent, compelling information graphics is left largely to individual practitioners. There is very little training available for social scientists who would like to have basic graphic design skills in their repertoire. Graphic Sociology analyzes the visual presentation of social data from the perspective of social science practice. Each blog consists of a chart, table, interactive graphic or other visual display of sociologically relevant data and an analysis of the successes and weaknesses of the graphic.

The work on this blog supports the idea that public scholarship can utilize information graphics to communicate effectively with publics outside of academia as well as with our colleagues. Just like writing well, constructing clear information graphics is an iterative process that requires time, practice, and peer review. These elements, as well as basic instruction in the production techniques, are lacking in both undergraduate and graduate education within the social sciences. This blog is a jumping off place for thinking about how to incorporate information graphics into the communication process, how to use them to advance research, and a friendly place for scholars and others to start thinking about the social life of information graphics.]]></description>
<dc:subject>map_critique visualization mapping critique imformation_graphics information_aesthetics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:2baf0e5ae637/</dc:identifier>
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    <title>Paolo Cirio - Conceptual Artist</title>
    <dc:date>2015-12-11T12:04:41+00:00</dc:date>
    <link>http://www.paolocirio.net/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Paolo Cirio works with information systems that impact the dynamics of social systems. Cirio's artworks investigate fields such as privacy, copyright, finance and law affected by communication networks. He shows his conceptual works through prints, installations, videos, online performances and interventions in public spaces. ]]></description>
<dc:subject>information_aesthetics information_art data surveillance hacking security information copyright</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:c902d349f1a0/</dc:identifier>
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    <title>ACCURAT</title>
    <dc:date>2014-01-23T01:33:12+00:00</dc:date>
    <link>http://www.accurat.it/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Accurat is an information design agency

We research and analyse data and contexts, and design visual tools and narratives.]]></description>
<dc:subject>data data_visualization design information_aesthetics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:222ad70f263f/</dc:identifier>
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<item rdf:about="http://www.nearfield.org/2007/12/fictional-radio-spaces">
    <title>Fictional radio-spaces | Touch</title>
    <dc:date>2012-06-12T16:12:20+00:00</dc:date>
    <link>http://www.nearfield.org/2007/12/fictional-radio-spaces</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[In this project called “the bubbles of radio” Ingeborg Marie Dehs Thomas used critical, visual design as a way of exploring the perception of many kinds of electromagnetic fields. The project answered the brief Fields and Seams that asks “How can we use the increasingly radio-saturated landscape for creative or functional purposes?”

Inspired by Hertzian Tales by Dunne and Raby as well as other projects including Cell Phone Disco, Ingeborg explored many critical design products or services that would engage with the landscape of radio. Some of these early concepts can be seen on her weblog.

Using inspiration from richly illustrated books on botany, zoology and natural history, Ingeborg arrived at the concept of an encyclopeadia of radio waves that contains a selection of fictional radio ‘species’. Armed with a well researched and advanced knowledge of the use, application and technicalities of each radio technology she created fictional visualisations of the ways in which radio waves inhabit space.]]></description>
<dc:subject>radio sound_space information_aesthetics illustration hertzian_space electromagnetic_waves</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:90f0e2d3c06d/</dc:identifier>
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    <title>Welcome to Viewshare</title>
    <dc:date>2012-05-24T02:42:58+00:00</dc:date>
    <link>http://viewshare.org/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Viewshare is a free platform for generating and customizing views (interactive maps, timelines, facets, tag clouds) that allow users to experience your digital collections.]]></description>
<dc:subject>data_visualization information_aesthetics collections digital_humanities mapping timelines</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:a62946784803/</dc:identifier>
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<item rdf:about="http://www.domusweb.it/en/interview/the-importance-of-being-axonometric/">
    <title>The importance of being axonometric - interview - Domus</title>
    <dc:date>2012-02-22T19:24:56+00:00</dc:date>
    <link>http://www.domusweb.it/en/interview/the-importance-of-being-axonometric/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Where would you place the historical beginnings of information graphics? I would start with early cave paintings. Seen from today's perspective, they unify visual storytelling and artistic beauty. In other words, art and science originally belonged together, and their division is a relatively recent phenomenon. Although there aren't many examples of infographics remaining from the following centuries, I'd stop talking about the beginnings by the year 1350, when the French bishop Nicole Oresme (1323-1382) "invented" the bar chart. Then, in 1493, Hartmann Schedel printed his famous book Schedel'sche Weltchronik, which explained how God spent the first seven days creating the world. Leonardo da Vinci's technical drawings were tools to clear up thoughts and convey knowledge in a visual manner. In 1786 William Playfair made extensive use of infographics, explaining economic matters in his Commercial and Political Atlas. Finally, in 1869 Charles Joseph Minard created an impressive diagram about Napoleon's march to Moscow and back... A taxonomy cannot relate to the aspect of visualisation—pie charts, bar charts, explosion drawings—which could disappear from time to time, but rather to the information behind the visualisation. All visual means that try to explain something to you can be placed into one of three groups. The first group is based on numbers, statistics and relations between sizes (data graphics); the second group is made up of objects (group system graphics); and the third one consists of spatial data like maps (spatial graphics). As these fields often overlap, it's also important to consider the borders between information design and, for example, illustration. I always say that information graphics has a strong appeal in the way it can clear up stuff and convey knowledge. Compared to examples such as illustration, information graphics always seeks to increase the knowledge of the reader, like every design process... The idea behind system graphics is not to make things more concrete but to make them more abstract. So by transforming photographs of surgery or forensic entomology into a graphic, you make them consumable. A translation into a vector graphic helps to look at things that would otherwise shock you. Only drawing gives you the ability to modulate details within one image. When you take a photograph you have the possibility to bring one object into the centre, but with an infographic you can show how it works internally... In perspectives the presence of the viewer is very strong, while an axonometric view has no centre point at all. We could say it's more democratic. In axonometric maps you're above the scene, not part of it, and when you don't have a vanishing point everything looks "over-parallel": everything is clear, clean and in the same light. Perhaps it's more of a communistic than democratic view of a scene. Often axonometric maps look more beautiful than reality itself... Are you familiar with Baidu? The Chinese can't show satellite images of their cities so they model these detailed axonometric cityscapes. Baidu shows very beautiful representations, similar to hand-drawn maps. They're like the depiction of a promise, telling you that it's a beautiful country to live in, whether it's true or not. ]]></description>
<dc:subject>mapping information_aesthetics data_visualization classification illustration pedagogical_media</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:206089cb2f3f/</dc:identifier>
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</item>
<item rdf:about="http://infosthetics.com/archives/2012/02/metrography_london_reshaped_to_match_the_tube_map.html">
    <title>Metrography: London Reshaped to Match the Classic Tube Map - information aesthetics</title>
    <dc:date>2012-02-14T20:10:03+00:00</dc:date>
    <link>http://infosthetics.com/archives/2012/02/metrography_london_reshaped_to_match_the_tube_map.html</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[In Metrography [looksgood.de], interaction design student Benedikt Groß presents us with an alternative view on London. What if the street map was reshaped according to the positions of the tube stations as placed on the Tube map?
The result is a 'warped' or 'morphed' map of London, that highlights the discrepancy between the stylized metro map and the geographically correct depiction. The resulting high-resolution prints can be viewed online in all detail.]]></description>
<dc:subject>mapping distortion map_territory information_aesthetics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:7964d4ed34e3/</dc:identifier>
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<item rdf:about="http://bibliodyssey.blogspot.com/2012/02/map-ornamentation.html">
    <title>BibliOdyssey: Map Ornamentation</title>
    <dc:date>2012-02-09T16:36:16+00:00</dc:date>
    <link>http://bibliodyssey.blogspot.com/2012/02/map-ornamentation.html</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[The images below come from a Harvard Library exhibition from last year called: 'Going for Baroque - The Iconography of the Ornamental Map:

The ornamental features that may now seem little more than decorative embellishments once acted as richly nuanced symbols, analogies, and coded commentaries. This exhibit explores how decorative cartographic devices - cartouches, vignettes, figural borders, title pages, and frontispieces—could provide narrative underpinnings for the geospatial content of maps."]]></description>
<dc:subject>mapping cartography information_aesthetics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:eae34a2f7d4b/</dc:identifier>
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<item rdf:about="http://www.retronaut.co/2012/01/cellphone-evolution/">
    <title>Cellphone Evolution | Retronaut</title>
    <dc:date>2012-01-21T01:08:41+00:00</dc:date>
    <link>http://www.retronaut.co/2012/01/cellphone-evolution/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Motorola DynaTAC 8000X, 1973, through iPhone 4S]]></description>
<dc:subject>media_history media_archaeology cell_phones information_aesthetics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:f9bee3d7bb39/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:media_history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:media_archaeology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:cell_phones"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://scimaps.org/">
    <title>Places and Spaces :: Mapping Science</title>
    <dc:date>2011-09-04T04:17:15+00:00</dc:date>
    <link>http://scimaps.org/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA["The exhibit is a 10-year effort. Each year, 10 new maps are added resulting in 100 maps total in 2014. 1st Iteration (2005): The Power of Maps; 2nd Iteration (2006): The Power of Reference Systems; 3rd Iteration (2007): The Power of Forecasts; 4th Iteration (2008): Science Maps for Economic Decision Makers; 5th Iteration (2009): Science Maps for Science Policy Makers; 6th Iteration (2010): Science Maps for Scholars; 7th Iteration (2011): Science Maps as Visual Interfaces to Digital Libraries; 8th Iteration (2012): Science Maps for Kids; 9th Iteration (2013): Science Maps for Daily Science Forecasts; 10th Iteration (2014): Science Mapping Standards"
]]></description>
<dc:subject>mapping data_visualization information_aesthetics exhibition</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:26dd52413172/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:mapping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:exhibition"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://infosthetics.com/archives/2011/08/vizualizeme_beta_turning_your_linkedin_resume_in_infographics.html">
    <title>Vizualize.me Beta: Turning Your LinkedIn Resume in Infographics - information aesthetics</title>
    <dc:date>2011-08-30T22:58:55+00:00</dc:date>
    <link>http://infosthetics.com/archives/2011/08/vizualizeme_beta_turning_your_linkedin_resume_in_infographics.html</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA["There seems to be a commercial market emerging around the idea of automizing the creation of infographics. Toronto based start-up vizualize.me [vizualize.me] is currently developing an online application that can automatically translate any online LinkedIn profile into an online infographic. In particular, the new service aims to overcome the issue of reading overly long or highly complex resumes by showing the same information in a more readable and attractive way....Notably, Visual.ly is also betting on the future of semi-automized online infographics, as it is currently in the process of launching an online infographics authoring tool."
]]></description>
<dc:subject>information information_aesthetics data_visualization infographics</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:869d3ac8a079/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:infographics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://katiehollandlewis.com/portfolio.html">
    <title>Katie Lewis</title>
    <dc:date>2011-07-26T19:53:01+00:00</dc:date>
    <link>http://katiehollandlewis.com/portfolio.html</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA["Katie Lewis collects data through daily documentation processes, and then generates numerous systems to allow the information to exist in a material form. She abstracts and quantifies the data and creates mesmerizing pieces of art."
]]></description>
<dc:subject>data_visualization information_aesthetics</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:eb95684f258b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://infosthetics.com/archives/2011/01/tv_documentary_the_joy_of_stats_now_available_online.html">
    <title>TV Documentary The Joy of Stats: Now Available Online - information aesthetics</title>
    <dc:date>2011-01-06T13:42:51+00:00</dc:date>
    <link>http://infosthetics.com/archives/2011/01/tv_documentary_the_joy_of_stats_now_available_online.html</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[""The world we live in is awash with data, that comes pooring in from everywhere around us. On its own, this data is just noise and confusion. To make sense of data, to find the meaning in it, we need a powerful branch of science: statistics!" The promising ideas behind the BBC television series "The Joy of Stats" have been posted a few weeks ago. "
]]></description>
<dc:subject>information_aesthetics data_visualization statistics video</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:076efe449568/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:statistics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:video"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.visualizing.org/">
    <title>visualizing.org</title>
    <dc:date>2010-10-04T13:17:55+00:00</dc:date>
    <link>http://www.visualizing.org/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA["By some estimates, we now create more data each year than in the entirety of prior human history. Data visualization helps us approach, interpret, and extract knowledge from this information. Over the last couple of years, we’ve seen government agencies, NGOs, and  companies open up their data for the public to see and use. And we’ve seen data visualization figure more prominently in design curricula, conference programs, and the media. We created Visualizing.org because we want to help connect the proliferation of public data… with a community that can help us understand this data… with the general public.... For teachers and schools: Visualizing is a place to exhibit the collective work of your students, organize assignments and class projects, and help your students find data for their own visualizations; We’re working on new tools to help you share teaching material with other teachers
]]></description>
<dc:subject>data_visualization information_aesthetics</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:12ce6b1246fa/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.historyshots.com/index.cfm">
    <title>HistoryShots - Information Graphics - History Related</title>
    <dc:date>2010-08-29T06:56:41+00:00</dc:date>
    <link>http://www.historyshots.com/index.cfm</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>mapping information_aesthetics data_visualization history</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:fbbbb856cdc3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:mapping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://infosthetics.com/archives/2010/05/interview_fernanda_viegas_and_martin_wattenberg_from_flowing_media.html">
    <title>Interview: Fernanda Viégas and Martin Wattenberg from Flowing Media - information aesthetics</title>
    <dc:date>2010-05-08T15:26:50+00:00</dc:date>
    <link>http://infosthetics.com/archives/2010/05/interview_fernanda_viegas_and_martin_wattenberg_from_flowing_media.html</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA["Fernanda Viégas and Martin Wattenberg, two of the most talented data visualization practitioners and researchers, were leaving IBM Visual Communication Lab to found a new data visualization venture, Flowing Media. "
]]></description>
<dc:subject>data_visualization information_aesthetics methodology</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:bfde10faaa5d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:methodology"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.funnelinc.com/funl_workbook_detail.html">
    <title>FUNNEL INCORPORATED | WORK: How a Book is Made</title>
    <dc:date>2010-04-26T22:22:39+00:00</dc:date>
    <link>http://www.funnelinc.com/funl_workbook_detail.html</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Info graphic showing the making of a book
]]></description>
<dc:subject>printing publication data_visualization information_aesthetics</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:2c366f394d31/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:printing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:publication"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://bibliodyssey.blogspot.com/2009/12/victorian-infographics.html">
    <title>BibliOdyssey: Victorian Infographics</title>
    <dc:date>2010-04-18T15:00:33+00:00</dc:date>
    <link>http://bibliodyssey.blogspot.com/2009/12/victorian-infographics.html</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Infographics from the 19th century
]]></description>
<dc:subject>information_aesthetics data_visualization textual_form</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:e57296aef820/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:textual_form"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.infovis.info/">
    <title>Search Information Visualization Database</title>
    <dc:date>2010-04-13T16:45:35+00:00</dc:date>
    <link>http://www.infovis.info/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA["@rno klein is building this searchable database of information graphics from visitor submissions and numerous repositories on the internet. It was begun as an internal resource for PIIM employees, as a purely academic endeavor (all sources are cited). Part of our research program is to classify these and other information graphics according to a taxonomy under development.

As the database has grown, we felt that it could serve as a generally useful resource. We are accepting submissions with the goal of establishing the most comprehensive, manually annotated (and taxonomically classified) information graphics database in the world."
]]></description>
<dc:subject>information_aesthetics data_visualization</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:5d25b615ed69/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://serialconsign.com/2010/04/knowledge-works-informal-introduction?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+serialconsign+(Serial+Consign)&amp;utm_content=Google+Reader">
    <title>Knowledge Work(s): An Informal Introduction | Serial Consign</title>
    <dc:date>2010-04-13T13:02:47+00:00</dc:date>
    <link>http://serialconsign.com/2010/04/knowledge-works-informal-introduction?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+serialconsign+(Serial+Consign)&amp;utm_content=Google+Reader</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA["I'm interested in examining how the spatial organization, labour and aesthetics of office culture are dealt with in film, gaming and digital art. Some of the topics that I'll be examining: The evolution of various document producing, processing and archival technologies (the vertical filing cabinet, the typewriter, the index card, the spreadsheet, etc.) and their progression from revolutionary into obsolescence and subsequent rediscovery through art."
]]></description>
<dc:subject>aesthetics_of_administration paper information_aesthetics organization classification</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:2375bc6501bc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:aesthetics_of_administration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:paper"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:organization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:classification"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.whitevinyldesign.com/solarbeat/">
    <title>SolarBeat</title>
    <dc:date>2010-03-30T18:09:46+00:00</dc:date>
    <link>http://www.whitevinyldesign.com/solarbeat/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Solar System Music Box
]]></description>
<dc:subject>information_aesthetics sound_space</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:2382db14b80c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:sound_space"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.benjaminschulte.com/24_7-catalogue/">
    <title>BENJAMIN SCHULTE - 24_7 Catalogue</title>
    <dc:date>2010-03-25T04:38:00+00:00</dc:date>
    <link>http://www.benjaminschulte.com/24_7-catalogue/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA["24_7 explores the things that make up our daily routines and inverts them. Objects of everyday day life are taken and turned into exhibits that are capable of informing about themselves. Procedures and functionalities are being analysed, statistical and average values devalue the subjective view. Things are being dismantled and taken into their pieces"
]]></description>
<dc:subject>information_aesthetics everyday_life</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:c2478890b288/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:everyday_life"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.notcot.com/archives/2008/04/stefanie_posave.php">
    <title>Stefanie Posavec “On the Map” (NOTCOT)</title>
    <dc:date>2010-03-24T14:01:11+00:00</dc:date>
    <link>http://www.notcot.com/archives/2008/04/stefanie_posave.php</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA["Stefanie’s maps capture something above and beyond that of the others. Rather than mapping physical geography, her maps capture regularities and patterns within a literary space. The pieces featured in On the Map focused on Kerouac’s On the Road. The maps visually represent the rhythm and structure of Kerouac’s literary space, creating works that are not only gorgeous from the point of view of graphic design, but also exhibit scientific rigor and precision in their formulation: meticulous scouring the surface of the text, highlighting and noting sentence length, prosody and themes, Posavec’s approach to the text is not unlike that of a surveyor. And similarly, the act is near reverential in its approach and the results are stunning graphical displays of the nature of the subject."
]]></description>
<dc:subject>textual_form classification information_aesthetics data_visualization mapping</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:3f6119785875/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:textual_form"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:classification"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:mapping"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.flickr.com/photos/bk/4455590301/">
    <title>The Periodic Table of Periodic Tables on Flickr - Photo Sharing!</title>
    <dc:date>2010-03-24T13:52:59+00:00</dc:date>
    <link>http://www.flickr.com/photos/bk/4455590301/</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>information_aesthetics classification</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:7058d2cd6e7d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:classification"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.visual-literacy.org/periodic_table/periodic_table.html">
    <title>A Periodic Table of Visualization Methods</title>
    <dc:date>2010-03-10T01:39:46+00:00</dc:date>
    <link>http://www.visual-literacy.org/periodic_table/periodic_table.html</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>information_aesthetics data_visualization graphs mapping</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:3a863bad9f07/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:graphs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:mapping"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://infosthetics.com/archives/2010/03/accusing_googles_business_practice_through_infographic_movies.html">
    <title>Accusing Google's Business Practice through (another) Infographic Movie - information aesthetics</title>
    <dc:date>2010-03-08T23:11:43+00:00</dc:date>
    <link>http://infosthetics.com/archives/2010/03/accusing_googles_business_practice_through_infographic_movies.html</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[The Beast: Google: "The new movie, which itself seems to be inspired by the visual zooming effects from the presentation software Prezi, defines Google as an advertising giant whose main goal is to track users and deliver targeted ads."
]]></description>
<dc:subject>data_visualization information_aesthetics political_economy google</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:9d84cd2ca6d7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:political_economy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:google"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.we-make-money-not-art.com/archives/2010/03/book-review-data-flow-v-2-visu.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+wmmna+(we+make+money+not+art)&amp;utm_content=Google+Reader">
    <title>Book Review - Data Flow 2: Visualizing Information in Graphic Design - we make money not art</title>
    <dc:date>2010-03-05T18:39:03+00:00</dc:date>
    <link>http://www.we-make-money-not-art.com/archives/2010/03/book-review-data-flow-v-2-visu.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+wmmna+(we+make+money+not+art)&amp;utm_content=Google+Reader</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Data Flow 2 "is jam-packed with innovative, smart and gripping examples of the way designers, programmers and artist are giving sense and beauty to the humongous mass of data that is overflowing our 'digital age'.... Infosthetics's Andrew Vande Moere and Visualcomplexity's Manuel Lima aptly open the round of interviews. Bloggers are the ones who made the broad audience aware of the existence and wonders of data aesthetics after all. Steve Duenes, graphics director for The New York Times, talks about how the work at his department relies on a mix of journalistic research and pure design. Cartographer Menno-Jan Kraak explains why map matter so much that they can inform and influence important decisions. ART+COM's Joachim Sauter gives his view on the difference between operating information in a design context and using information for for art's sake."
]]></description>
<dc:subject>data_visualization information_aesthetics</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:7aeb1204264a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://infosthetics.com/archives/2010/03/generative_music_visualization_composition.html">
    <title>Clavilux 2000: Generative Music Visualization Composition - information aesthetics</title>
    <dc:date>2010-03-05T17:11:23+00:00</dc:date>
    <link>http://infosthetics.com/archives/2010/03/generative_music_visualization_composition.html</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Clavilux 2000 [jonasheuer.de] is a subtle music visualization installation that represents the playing of sounds by way of a simultaneous animation that can be interpreted. For every note played on the keyboard, a stripe appears of which the dimensions, position and color correspond to the way the particular key was stroke. The length and vertical position of stripe is mapped unto the velocity, while the stripe's width reflects the length of each note.
]]></description>
<dc:subject>sound_studies data_visualization information_aesthetics</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:1828b5618e8f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:sound_studies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://benfry.com/traces/">
    <title>the preservation of favoured traces | ben fry</title>
    <dc:date>2010-02-07T03:40:18+00:00</dc:date>
    <link>http://benfry.com/traces/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[We often think of scientific ideas, such as Darwin's theory of evolution, as fixed notions that are accepted as finished. In fact, Darwin's On the Origin of Species evolved over the course of several editions he wrote, edited, and updated during his lifetime....Using the six editions as a guide, we can see the unfolding and clarification of Darwin's ideas as he sought to further develop his theory during his lifetime....The text for each edition was sourced from their careful transcription of Darwin's books, and Dr. van Wyhe generously granted permission to use the text. This piece is a simpler version of a larger effort that looks at the changes between editions, and is intended as the first in a series looking at how the book evolved over time.
]]></description>
<dc:subject>data_visualization information_aesthetics media_literature editing</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:9d97c7b3df6e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:data_visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:media_literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:editing"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://tai.ejfox.com/001-new-beginnings/">
    <title>This American Life Infographics</title>
    <dc:date>2010-01-11T12:20:12+00:00</dc:date>
    <link>http://tai.ejfox.com/001-new-beginnings/</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>radio information_aesthetics this_american_life</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:a7fc96bb82db/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:radio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:this_american_life"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://observatory.designobserver.com/entry.html?entry=1697">
    <title>Mark Lombardi and the Ecstasy of Conspiracy: Observatory: Design Observer</title>
    <dc:date>2009-09-23T13:46:23+00:00</dc:date>
    <link>http://observatory.designobserver.com/entry.html?entry=1697</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>information_aesthetics textual_form mapping</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:85b6a8fd6084/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:textual_form"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:mapping"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://infosthetics.com/archives/2009/03/news_as_physical_data_art.html">
    <title>News Stories as Physical Data Art - information aesthetics</title>
    <dc:date>2009-03-11T05:39:43+00:00</dc:date>
    <link>http://infosthetics.com/archives/2009/03/news_as_physical_data_art.html</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>aesthetics_of_administration information_aesthetics textual_form</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:57754ee5e06f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:aesthetics_of_administration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:textual_form"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.flong.com/courses/info_vis_2004s/">
    <title>Information Visualization as Artistic Practice</title>
    <dc:date>2007-10-01T16:11:52+00:00</dc:date>
    <link>http://www.flong.com/courses/info_vis_2004s/</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>information_aesthetics</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:7c3443ca1422/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:information_aesthetics"/>
</rdf:Bag></taxo:topics>
</item>
</rdf:RDF>