<?xml version="1.0" encoding="UTF-8"?>
 <rdf:RDF xmlns="http://purl.org/rss/1.0/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:cc="http://web.resource.org/cc/" xmlns:syn="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/">
  <channel rdf:about="http://pinboard.in">
    <title>Pinboard (shannon_mattern)</title>
    <link>https://pinboard.in/u:shannon_mattern/public/</link>
    <description>recent bookmarks from shannon_mattern</description>
    <items>
      <rdf:Seq>	<rdf:li rdf:resource="https://www.dropcity.org/#events"/>
	<rdf:li rdf:resource="https://bookriot.com/innovative-study-by-upenn-finds-that-public-libraries-positively-impact-community-health-and-well-being"/>
	<rdf:li rdf:resource="https://design.google/library/when-google-design-went-url-to-irl"/>
	<rdf:li rdf:resource="https://ccs.bard.edu/research-center/finding-aids/32-public-talks-and-events"/>
	<rdf:li rdf:resource="https://dept-of-transformation.org/gatherings/how-can-we-gather-now"/>
	<rdf:li rdf:resource="https://premkrishnamurthy.substack.com/p/all-that-you-touch-you-transform?publication_id=238187&amp;post_id=146764699&amp;isFreemail=true&amp;r=s9ot&amp;triedRedirect=true"/>
	<rdf:li rdf:resource="https://www.officeparty.biz/"/>
	<rdf:li rdf:resource="https://www.dannielletegeder.com/the-pandemic-salon-1"/>
	<rdf:li rdf:resource="https://nightofideas.org/"/>
	<rdf:li rdf:resource="https://ada-invitations.de/"/>
	<rdf:li rdf:resource="https://ada-invitations.de/about/"/>
	<rdf:li rdf:resource="https://symposium.wpadc.org/"/>
	<rdf:li rdf:resource="https://press.library.concordia.ca/projects/engage-in-public-scholarship"/>
	<rdf:li rdf:resource="https://listart.mit.edu/about/programs/artist-led-programs/on-the-table/table-lexie-smith?mc_cid=ae409fbc80&amp;mc_eid=d704da26a7"/>
	<rdf:li rdf:resource="https://www.samnightingale.com/poa-workshop/"/>
	<rdf:li rdf:resource="https://www.split-britches.com/public-address-systems"/>
	<rdf:li rdf:resource="https://twitter.com/simplysecureorg/status/1471476291924905992"/>
	<rdf:li rdf:resource="https://planetarypatchwork.net/about"/>
	<rdf:li rdf:resource="https://docs.google.com/document/d/1UuCDWeXRE_x7K3UwQYe1nY8c5J5GVx8TJq8uqHV7H-E/edit"/>
	<rdf:li rdf:resource="https://radio.montezpress.com/#/about"/>
	<rdf:li rdf:resource="https://www.nyra.nyc/events/upcoming"/>
	<rdf:li rdf:resource="http://2016.alaannual.org/statement-appropriate-conduct"/>
	<rdf:li rdf:resource="https://medium.com/message/how-i-organized-a-series-of-six-panels-on-technology-with-only-women-speaking-bcb40a94f033"/>
	<rdf:li rdf:resource="http://en.wikipedia.org/wiki/Grapefruit_(book)"/>
	<rdf:li rdf:resource="http://p-exclamation.org/post/40320362278/feb-7-2013-six-months-of-copying-at-p-begins"/>
	<rdf:li rdf:resource="http://www.intellectbooks.co.uk/journals/view-journal,id=165/view,page=2/"/>
	<rdf:li rdf:resource="http://www.metropolismag.com/story/20120214/x-marks-the-spots"/>
	<rdf:li rdf:resource="http://www.emfproductions.org/"/>
	<rdf:li rdf:resource="http://www.columbia.edu/cu/arthistory/html/dept_lande.html"/>
	<rdf:li rdf:resource="http://www.arch.columbia.edu/studiox/calendar.html"/>
      </rdf:Seq>
    </items>
  </channel><item rdf:about="https://www.dropcity.org/#events">
    <title>DROPCITY Center for Architecture and Design</title>
    <dc:date>2025-04-13T15:22:10+00:00</dc:date>
    <link>https://www.dropcity.org/#events</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Dropcity is a place for researching, imagining, experimenting with, and implementing alternative forms of design and architecture in a world of systemic crises. It cultivates the emergence of boundary-breaking ideas and facilitates their materialization.
Located inside the connected tunnels behind Milan Central Station, Dropcity was first envisioned by architect Andrea Caputo back in 2018 with the aim of establishing a place for people to meet, discuss, and imagine better ways of practicing design, architecture, and society....

A CIVIC LIBRARY OF ARCHITECTURE AND DESIGN

Dropcity envisions an archive and reference library of materials and specialised publishing, accessible to the entire city with a book consultation services, reading room and a space for meetings with authors, specifically dedicated to the field of architecture and design. Collections of books on the subject will be available, as well as an entire series of trade magazines.

The materials library includes an educational archive of materials classified according to an environmental impact criteria. Exhibition and inventory spaces for organic-only samples or composites, obtained through various forms and methods of recycling from derivatives of polymers, cellulose or other components. The database will cover materials relevant to the construction industry: buildings, interior & exterior finishes and furniture....

Dropcity will house more than 400 office workstations with ergonomic seating, large desks and large-format monitors. This is an unprecedented formula that intends to evolve the workstation concept in favour of a category - that of designers - which is difficult to fit with the co-working models currently available in the city. Each office area is located near a draft-room, meeting-room, areas equipped with lockers and services capable of meeting any need. There will also be catering facilities (restaurants), printing services, showrooms and retailers for consumables. The proximity to the library, materials library and, above all, the laboratories and workshop areas makes it possible to fulfill a designers' activities with a highly integrated program. The exhibition spaces and the many initiatives aimed at contemporary architectural discussions constitute substantial added value in the work areas, organised according to a principle of maximum flexibility and diversity of spaces: hot-desks, private offices, open-spaces and experimental typologies.]]></description>
<dc:subject>milan architecture exhibition events little_libraries materials_library workspace office</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:815e78023e97/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:milan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:little_libraries"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:materials_library"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:workspace"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:office"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://bookriot.com/innovative-study-by-upenn-finds-that-public-libraries-positively-impact-community-health-and-well-being">
    <title>Innovative Study by UPenn and NYPL Finds That Public Libraries Positively Impact Community Health and Well-Being</title>
    <dc:date>2025-01-24T05:22:24+00:00</dc:date>
    <link>https://bookriot.com/innovative-study-by-upenn-finds-that-public-libraries-positively-impact-community-health-and-well-being</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[The results of a groundbreaking partnership between the Humanities and Human Flourishing Project within The University of Pennsylvania’s Positive Psychology Center and the New York Public Library (NYPL) has resulted in a similarly important and rare case study that directly shows the impact of public libraries on individual and community well-being.

The white paper, titled “Libraries & Well-Being: A Case Study from The New York Public Library,” got its data from surveys distributed to New York Public Library users, and uses positive psychology frameworks in its analysis. For the unfamiliar, positive psychology is a field that studies well-being, and the data from this study was analyzed using positive psychology’s PERMA (Positive Emotions, Engagement, Relationships, Meaning, and Accomplishment) model.

Some of the highlights found were:

    92% of respondents reported feeling somewhat to very “calm / peaceful” after visiting the Library;
    74% of respondents reported that their library use positively affects how equipped they feel to cope with the world;
    90% of respondents reported that their Library use positively affects how much they love to learn new things; and
    88% of respondents reported that their Library use has supported their personal growth...

A whopping 82% of people who used the library’s physical space and 79% of people who physically attended programs reported more optimism regarding the future, compared to only 58% of digital-only users. ]]></description>
<dc:subject>libraries events social_infrastructure well_being nypl public_health</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:fc4b77b00e8c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:libraries"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:social_infrastructure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:well_being"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:nypl"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:public_health"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://design.google/library/when-google-design-went-url-to-irl">
    <title>When Google Design Went URL to IRL - Google Design</title>
    <dc:date>2024-10-07T13:36:09+00:00</dc:date>
    <link>https://design.google/library/when-google-design-went-url-to-irl</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Like FORM the year prior, SPAN started a conversation. It was a way to activate Google’s tools and ideas about design, in physical spaces around the world. We wanted that dialogue to be two-way — what we could offer the community and what we could learn from the community. It was global in terms of Google’s scale, and hyperlocal in terms of being extra aware of the communities and sites where we were gathering people. With a few years until our next major release of Material Theming in 2018, we realized it was a great way to keep the dialogue about our system open and active. We also felt it was important that the conference offered more than just panels about Material Design, because Google is as much a cultural actor as it is a technological actor. With the interfaces people use everyday, we’re putting culture out in the world, and we wanted to be thoughtful about that and try to make good culture.

The first year we hosted SPAN, the event was held in two cities: New York and London. We created a book, the SPAN Reader, that became a kind of collector’s item.]]></description>
<dc:subject>google events interaction_design</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:ce3edbdf3b69/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:google"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:interaction_design"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://ccs.bard.edu/research-center/finding-aids/32-public-talks-and-events">
    <title>Public Talks and Events - CCS Bard</title>
    <dc:date>2024-10-03T13:48:33+00:00</dc:date>
    <link>https://ccs.bard.edu/research-center/finding-aids/32-public-talks-and-events</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[This is a growing collection of audio recordings of publicly available lectures and events held at or sponsored by the Center for Curatorial Studies and Hessel Museum of Art. ]]></description>
<dc:subject>archive talks Bard art curation curating events videos</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:c04466a9e0b4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:archive"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:talks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:Bard"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:curation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:curating"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:videos"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://dept-of-transformation.org/gatherings/how-can-we-gather-now">
    <title>How can we gather now? – Department of Transformation</title>
    <dc:date>2024-07-19T20:24:57+00:00</dc:date>
    <link>https://dept-of-transformation.org/gatherings/how-can-we-gather-now</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[We are living through a moment marked by many forms of fragmentation, political division, and social isolation, exacerbated by the global pandemic. This symposium explores the question of gathering within this context.

How can we gather now? is the culmination of two years of research and collaboration. It convenes artists, theorists, and organizers from all over the world as well as artworks and films.

How can we gather now? is also itself a gathering and a shared collective experience. It collects a rich variety of experiential modes, from conversations to cinema to shared food to a “drum circle” of synthetic techno rhythms. Raza and Krishnamurthy have offered this urgent question to invited contributors to, who in turn have used it as a prompt for artworks, conversations, performances, workshops, and gustatory experiences.]]></description>
<dc:subject>gathering discussion mediation events</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:8b02724ffd0b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:gathering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:discussion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:mediation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://premkrishnamurthy.substack.com/p/all-that-you-touch-you-transform?publication_id=238187&amp;post_id=146764699&amp;isFreemail=true&amp;r=s9ot&amp;triedRedirect=true">
    <title>All That You Touch, You Transform</title>
    <dc:date>2024-07-19T20:23:03+00:00</dc:date>
    <link>https://premkrishnamurthy.substack.com/p/all-that-you-touch-you-transform?publication_id=238187&amp;post_id=146764699&amp;isFreemail=true&amp;r=s9ot&amp;triedRedirect=true</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Just last week we staged our most ambitious public gathering to date: Ways of Showing Up, a two-day event at the legendary Performing Garage in NYC’s Soho. In collaboration with Epicenter NYC, a Queens-based community news outlet, D🌎T’s Sam Rauch and I planned an epic 13-hour program that included mindfulness, experimental group therapy, a lunchtime reading/writing group, a walking tour, a graphic design workshop, anarchic collective artmaking, a vocal conflict workshop, a participatory lecture-performance, and a collective meal—plus protest karaoke! A true feast for the senses and panoply of ways for different people to participate and connect...

This is just the start. In the Fall we’ll launch some even bigger D🌍T projects, including a hybrid curriculum focused on creative collaboration and conflict, distributed across a host of public universities during the US election season. We’re also beginning a long-term research project called “Museum as Hospital? A Diagnostic” together with other artists, curators, public health experts, entrepreneurs, and medical professionals. Our core inquiry: How can comparing these two types of public institutions—each focused on a kind of healing—help to identify systemic challenges and structural opportunities for the future?]]></description>
<dc:subject>gathering events mediation public_health lyceums discussion</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:621850d335d0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:gathering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:mediation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:public_health"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:lyceums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:discussion"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.officeparty.biz/">
    <title>Office Party</title>
    <dc:date>2024-07-08T16:46:39+00:00</dc:date>
    <link>https://www.officeparty.biz/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Office Party is an international research and design collective specializing in the production of temporary events, installations, and exhibitions. The office critically examines the role of parties and similar ephemeral spaces as the origin of complex social and material networks with urban, political, and environmental effects. Office Party further investigates the ways that parties provide insight into the development of architecture as a temporary and responsive mode of space-making through written and editorial work.

Office Party is led by Chase Galis, Christina Moushoul, and Sonia Sobrino Ralston.]]></description>
<dc:subject>gathering exhibition_design party events</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:482a5d52bae3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:gathering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:exhibition_design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:party"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.dannielletegeder.com/the-pandemic-salon-1">
    <title>The Pandemic Salon — Dannielle Tegeder</title>
    <dc:date>2024-02-09T16:10:08+00:00</dc:date>
    <link>https://www.dannielletegeder.com/the-pandemic-salon-1</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[The Pandemic Salon, moderated and curated by Dannielle Tegeder, began in early quarantine to host weekly discussions on topics related to the pandemic, such as memorialization, anarchy, illness, isolation, architecture, secrets, and more. The Salon creates an opportunity to bring together artists, writers, thinkers, and other creative minds to discuss selected topics in an informal, online environment. While on lockdown, the salon has connected a global audience of over 600 participants from over 40 countries. Discussions begin through presentations grounded in disciplines including philosophy, classical music, poetry, science, and art. The Salon’s cross-disciplinary openness creates a sense of community across countries, dismantling hierarchical structures often seen in traditional forms of institutional discussion and showcasing. ]]></description>
<dc:subject>pandemic events talks</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:93ba7caca915/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:pandemic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:talks"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://nightofideas.org/">
    <title>Night of Ideas</title>
    <dc:date>2024-02-09T01:13:33+00:00</dc:date>
    <link>https://nightofideas.org/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Villa Albertine’s signature  Night of Ideas  will take place from February 23 – March 3 across 20 US cities. The event invites thought leaders, activists, performers, authors, and academics to engage the public in late-night discussions addressing major global issues.]]></description>
<dc:subject>gathering events nighttime discussion</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:827856bb75f3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:gathering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:nighttime"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:discussion"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://ada-invitations.de/">
    <title>AdA Invitations – Archive as Event</title>
    <dc:date>2024-01-05T04:02:33+00:00</dc:date>
    <link>https://ada-invitations.de/</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>invitations textual_form gathering events</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:6bbe274ec934/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:invitations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:textual_form"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:gathering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://ada-invitations.de/about/">
    <title>about – AdA Invitations</title>
    <dc:date>2024-01-05T04:01:40+00:00</dc:date>
    <link>https://ada-invitations.de/about/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[This website does not only present the successive selection of the 100 invitations from the years between 1910 to 1994, it also serves as a platform for the academic and artistic research, it documents internal working processes and it facilitates in-depth research for visitors through various sorting and reading options. By means of contextualising keywords and associative links related to the material, the website offers visualising thematic mapping on the “Index” page, while it simultaneously allows chronological browsing, as well as reading the invitations through categories such as places, movements and genres. The publication ADA INVITATION (Spector Books, Leipzig) and a performative series of events at Haus der Kulturen der Welt, Berlin are currently being planned for late 2022.]]></description>
<dc:subject>archive invitation gathering events</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:880f1c214dcd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:archive"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:invitation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:gathering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://symposium.wpadc.org/">
    <title>How Can We Gather Now?</title>
    <dc:date>2023-03-12T16:25:37+00:00</dc:date>
    <link>https://symposium.wpadc.org/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[We are living through a moment marked by many forms of fragmentation, political division, and social isolation, exacerbated by the global pandemic. This symposium explores the question of gathering within this context.

“How can we gather now?” is also itself a gathering and will be a shared collective experience. It collects a rich variety of experiential modes, from conversations to cinema to shared food to a “drum circle” of synthetic techno rhythms. Raza and Krishnamurthy have offered this urgent question to artists, theorists, and organizers from all over the world, who in turn have used it as a prompt for artworks, conversations, performances, workshops, and gustatory experiences.]]></description>
<dc:subject>events gathering</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:faf70d163def/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:gathering"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://press.library.concordia.ca/projects/engage-in-public-scholarship">
    <title>“Engage in Public Scholarship!” on Concordia University Press Manifold</title>
    <dc:date>2022-09-02T11:44:53+00:00</dc:date>
    <link>https://press.library.concordia.ca/projects/engage-in-public-scholarship</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Public scholarship – sharing research with audiences outside of academic settings – has become increasingly necessary to counter the rise of misinformation, to fill gaps from cuts to traditional media, and to increase the reach of important scholarship by making it available to the public. Engaging in these efforts often comes with the risk of harassment and threats – especially for women, people of colour, queer communities, and precariously employed workers. Engage in Public Scholarship! provides constructive guidance on how to translate research into inclusive public outreach while ensuring that such efforts are accessible for a range of abilities as well as safer for those involved.

In clear and helpful language, Alex Ketchum discusses practices and planning for a great range of educational activities – from in-person and online events, conferences, and lectures, to publishing and working with the media, to social media activity, blogging, and podcasting. Using an intersectional feminist lens, this book serves as a concise approach to the key challenges and benefits of feminist and accessible public scholarship by surveying debates and offering solutions. Examining the needs for long-term preservation and impact, Ketchum discusses issues relating to digital sustainability, maintenance, the concept of “openness,” and how to be mindful of exclusionary barriers that impede access.

A useful and readable guidebook for scholars, students, and content creators, Engage in Public Scholarship! offers both encouragement and toolkits for reaching audiences and sharing knowledge in practical and more equitable ways.]]></description>
<dc:subject>public_scholarship access academia feminism events conferences advising UMS open_access</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:d7c4987ec742/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:public_scholarship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:access"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:academia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:feminism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:conferences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:advising"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:UMS"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:open_access"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://listart.mit.edu/about/programs/artist-led-programs/on-the-table/table-lexie-smith?mc_cid=ae409fbc80&amp;mc_eid=d704da26a7">
    <title>On The Table: Lexie Smith | MIT List Visual Arts Center</title>
    <dc:date>2022-06-15T18:27:39+00:00</dc:date>
    <link>https://listart.mit.edu/about/programs/artist-led-programs/on-the-table/table-lexie-smith?mc_cid=ae409fbc80&amp;mc_eid=d704da26a7</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[For the first week of On The Table, artist and baker Lexie Smith invites participants to join in a game that probes the roles inherent to group gatherings.

In lieu of a menu, Smith has designed a game where each guest will be assigned a role by blindly drawing a title and brief description from a pool. There are physical actors and emotional actors. Aside from the Host, no one knows whose role is what, or what the other roles are. This meal looks at the isolation inherent to participating in gatherings outside of our usual social environments (and sometimes present even within them) and works to dissolve group hierarchies through directed participation and activation of ubiquitous expertise. 
]]></description>
<dc:subject>menu recipe gatherings hospitality events</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:e257dc70f276/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:menu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:recipe"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:gatherings"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:hospitality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.samnightingale.com/poa-workshop/">
    <title>PoA workshop | Sam Nightingale</title>
    <dc:date>2022-05-27T21:44:43+00:00</dc:date>
    <link>https://www.samnightingale.com/poa-workshop/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[The workshop acts as a proposition that takes “instituting” as a nonfinite verb, a call to collective action: a never-ending form of speculation, adopting attentiveness, receptivity and movement as its constituent elements. PoA seeks to extend Fred Moten and Stefano Harney’s notion of “study”: an encounter “where you allow yourself to be possessed by others,” instituting a mode of counter-maintenance, generating and maintaining felicitous conditions for encounters.  Over the past nine months, we have been meeting bi-weekly to undertake an ongoing process of study(ing) together. For New Alphabet School #Instituting, we invite you to join us in extended sessions that focus on maintaining, triggering or establishing the conditions for study via remote(ly) collective practices of attunement occurring (a)synchronously across multiple sites. In the unfolding space of study – being together and apart – PoA propose to encounter and attempt to attune to different, overlapping, inconsistent, unevenly distributed, (in)tangible and (un)bounded ecospheric entanglements.]]></description>
<dc:subject>gathering events attunement fieldwork</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:31edfa40c3d7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:gathering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:attunement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:fieldwork"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.split-britches.com/public-address-systems">
    <title>Public Address Systems — SPLIT BRITCHES</title>
    <dc:date>2022-04-22T13:38:09+00:00</dc:date>
    <link>https://www.split-britches.com/public-address-systems</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[In a period when the nature of ‘the public’ is increasingly contested, Public Address Systems create spaces that are hospitable and open so that alternatives can be modeled and critical questions staged. They have engaged artists, activists, academics, advocates and general audiences on a wide range of subjects including women in prison, the arts and human rights, and the nature of family.

The project hinges on the principles of care, communitas, and access. Through these projects, we can take comfort in our gathering, and feel the power drawn from the knowledge that the experience is being replicated in different places worldwide. Public Address Systems is open-source, unfixed, and constantly evolving as it encounters new questions, contexts, and communities. We invite you to dive in and use these models in your communities - whether you follow them exactly, or muddy them up a bit for your own purposes.

Public Address Systems is framed through three different modes of inquiry, performance, place and the everyday, with each focusing in detail on a range of topics and contexts. These frameworks provide access to deeper political, cultural, and technological questions of the 'public', and seek to empower individuals and their communities.]]></description>
<dc:subject>events gathering conferences hospitality furniture intellectual_furnishings inclusion learning_space care</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:5ac9c33e83fd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:gathering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:conferences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:hospitality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:furniture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:intellectual_furnishings"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:inclusion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:learning_space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:care"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://twitter.com/simplysecureorg/status/1471476291924905992">
    <title>Simply Secure on Twitter: &quot;👀NEW REPORT DROP👀 With support from the @SloanFoundation, @carolinesinders &amp; @simplysecureorg present: &quot;What Does a Community Need? Researching Remote Communities, Digital Events, Academic Conferences, and Tool Design duri</title>
    <dc:date>2022-03-07T21:29:58+00:00</dc:date>
    <link>https://twitter.com/simplysecureorg/status/1471476291924905992</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA["What Does a Community Need? Researching Remote Communities, Digital Events, Academic Conferences, and Tool Design during COVID19" https://simplysecure.org/blog/communities-and-remote-collaboration/
]]></description>
<dc:subject>events conferences inclusion diversity accessibility event_planning</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:3eacc68d878f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:conferences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:inclusion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:diversity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:accessibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:event_planning"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://planetarypatchwork.net/about">
    <title>About | Planetary Patchwork</title>
    <dc:date>2022-03-02T13:22:38+00:00</dc:date>
    <link>https://planetarypatchwork.net/about</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Conceived as an online platform for plurivocal and multiperspectival dialogue, the perpetual seminar will host meetings/discussions/presentations/screenings/readings which seek to highlight patches of planetary entanglements (Tsing and Mbembe) and experiment with meeting digitally. The seminar aims at exploring the meanings and politics of the planetary in artistic practices, heritage studies and epistemologies. Using the metaphor of the patchwork to build/stitch networks between seemingly distant case studies and stories from around the globe, the seminar seeks to blur and overcome academic, national and continental boundaries and divides between the arts and academia.]]></description>
<dc:subject>academic events symposium patchwork</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:81dfc2888c73/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:academic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:symposium"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:patchwork"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://docs.google.com/document/d/1UuCDWeXRE_x7K3UwQYe1nY8c5J5GVx8TJq8uqHV7H-E/edit">
    <title>____home cooking____ - Google Docs</title>
    <dc:date>2020-05-19T23:36:05+00:00</dc:date>
    <link>https://docs.google.com/document/d/1UuCDWeXRE_x7K3UwQYe1nY8c5J5GVx8TJq8uqHV7H-E/edit</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>covid events</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:da24603529f5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:covid"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://radio.montezpress.com/#/about">
    <title>Montez Press Radio</title>
    <dc:date>2020-04-20T23:43:32+00:00</dc:date>
    <link>https://radio.montezpress.com/#/about</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[An offshoot of Montez Press, Montez Press Radio was founded in 2018 with the goal of fostering greater experimentation and conversation between artists, writers, and thinkers through the medium of radio. This platform is an experiment in broadcasting and community building which allows different corners of the art world to interact with each other in person and on air—a place where media finally meets flesh. Offering space and time to both the established and emerging or underrepresented, we are drawn to art that exists in the unexpected, the authenticity of sharing without a script, the sounds of ideas in the making, conversation that forgets there’s an audience. We strive to question current knowledge economies while doing our best to interrupt commercial means of communication. All of our in-studio broadcasts are free and open to the public.]]></description>
<dc:subject>art radio archives events</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:10392e0b2fb8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:radio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:archives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nyra.nyc/events/upcoming">
    <title>The New York Review of Architecture</title>
    <dc:date>2019-10-10T20:17:39+00:00</dc:date>
    <link>https://www.nyra.nyc/events/upcoming</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[The New York Review of Architecture reviews architecture, in New York. It publishes as a monthly broadsheet. ]]></description>
<dc:subject>architecture events</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:a7c405c3577c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://2016.alaannual.org/statement-appropriate-conduct">
    <title>Statement of Appropriate Conduct | ALAAC16</title>
    <dc:date>2016-08-03T13:16:49+00:00</dc:date>
    <link>http://2016.alaannual.org/statement-appropriate-conduct</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[The American Library Association holds professional conferences and meetings to enable its members to receive continuing education, build professional networks, and discover new products and services for professional use. To provide all participants – members and other attendees, speakers, exhibitors, staff and volunteers – the opportunity to benefit from the event, the American Library Association is committed to providing a harassment-free environment for everyone, regardless of gender, sexual orientation, gender identity, gender expression, disability, physical appearance, ethnicity, religion or other group identity.]]></description>
<dc:subject>conferences events code_of_conduct</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:d5e56ff0f034/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:conferences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:code_of_conduct"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://medium.com/message/how-i-organized-a-series-of-six-panels-on-technology-with-only-women-speaking-bcb40a94f033">
    <title>How I Organized a Series of Six Panels on Technology with Only Women Speaking.</title>
    <dc:date>2015-08-07T19:00:08+00:00</dc:date>
    <link>https://medium.com/message/how-i-organized-a-series-of-six-panels-on-technology-with-only-women-speaking-bcb40a94f033</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>conversation event_planning academic_discourse academia events</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:654c981d2d43/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:conversation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:event_planning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:academic_discourse"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:academia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://en.wikipedia.org/wiki/Grapefruit_(book)">
    <title>Grapefruit (book) - Wikipedia, the free encyclopedia</title>
    <dc:date>2013-12-12T05:33:30+00:00</dc:date>
    <link>http://en.wikipedia.org/wiki/Grapefruit_(book)</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[Event scores were developed by a number of artists attending John Cage's Experimental Music Composition classes at the New School for Social Research in New York. Whilst Ono did not attend these informal lessons, her husband at the time, Ichiyanagi Toshi (an experimental musician), did and Toshi and Ono became regulars of Cage's circle of friends by 1959. Other members of this group included David Tudor, Morton Feldman, Richard Maxfield and Merce Cunningham. Invention of the event score is usually credited to George Brecht,[2] but La Monte Young and Yoko Ono are also cited as amongst the first to experiment with the form.[3] Both Cage and Brecht were deeply influenced by "Oriental thinking",[4] and Ono found that her Buddhist-inspired work was, almost accidentally, fêted by the emerging New York counterculture as avant-garde.
Event Scores, involve simple actions, ideas, and objects from everyday life recontexualized as performance. Event Scores are texts that can be seen as proposal pieces or instructions for actions. The idea of the score suggests musicality. Like a musical score, Event Scores can be realized by artists other than the original creator and are open to variation and interpretation.[5]...

The name Grapefruit was chosen as title because Ono believed the grapefruit to be a hybrid of an orange and a lemon, and thus a reflection of herself as "a spiritual hybrid".[6] It also seems likely that it is a playful allusion to Brecht's Water Yam, itself a pun on Brecht and Watt's Yam Festival, which, culminating in a series of events and performances in May 1963, had been derived from "May" backwards.
The first edition that was published in 1964 in Japan by Wunternaum Press created by Yoko Ono, contains over 150 "instruction works"; virtually all are in English, with about a third translated into Japanese. They are divided into five sections; Music, Painting, Event, Poetry and Object....

Imagine the clouds dripping.
Dig a hole in your garden to
put them in.

Imagine one thousand suns in the
sky at the same time.
Let them shine for one hour.
Then, let them gradually melt
into the sky.
Make one tunafish sandwich and eat.]]></description>
<dc:subject>book_art score events Fluxus john_cage yoko_ono</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:3cf7b32ada75/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:book_art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:score"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:Fluxus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:john_cage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:yoko_ono"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://p-exclamation.org/post/40320362278/feb-7-2013-six-months-of-copying-at-p-begins">
    <title>P! - Feb 7, 2013: Six months of copying at P! begins - Feb 7, 2013: Six months of copying at P! begins</title>
    <dc:date>2013-02-07T22:25:31+00:00</dc:date>
    <link>http://p-exclamation.org/post/40320362278/feb-7-2013-six-months-of-copying-at-p-begins</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[From February through July 2013, the exhibition space P! will conduct an extended inquiry into the nature and means of copying. Remakes vs knockoffs, transcription vs plagiarism, mimesis vs mimicry — the status of the copied act shifts from positive to negative and back again, depending on context and culture. Multiples of a religious or political icon extend their reach and efficacy, whereas a duplicated file, painting, handbag, or cityscape violates legal and ethical strictures. Questions of capital and power lie at the core: who owns the original vs who is producing the copy. ]]></description>
<dc:subject>copying piracy plagiarism exhibition events remixing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:db7a06221e5f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:copying"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:piracy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:plagiarism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:remixing"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.intellectbooks.co.uk/journals/view-journal,id=165/view,page=2/">
    <title>Intellect Ltd.</title>
    <dc:date>2013-01-16T01:21:18+00:00</dc:date>
    <link>http://www.intellectbooks.co.uk/journals/view-journal,id=165/view,page=2/</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[As media events (Couldry, Hepp & Krotz, 2010; Dayan & Katz, 1992) of all stripe proliferate around the world, a variety of stakeholders jockey for position and advantage in the geographical and cultural contexts chosen to host them. Media events, as Dayan and Katz famously characterized them, were defined in part by their liveness, their physical remoteness from the majority of their “audience,” their interruptive nature, and their status, nonetheless, as pre-planned (prominent examples today would include the Olympic games, the annual film festival at Cannes, the Super Bowl, and music festivals such as Chicago’s Lollapalooza). Many of these events are consistently located, well-established and have assumed a defensive position aimed at maintaining brand identity and prestige. Others, such as the Olympics, change locations, while others (such as Austin, TX’s Fantastic Fest) are ascendant, and still others are nascent at best. Each host community, however, has a unique relationship to their event(s), and each of these relationships provides fertile ground for investigating the role of media events in promoting discourses of community identity, establishing infrastructural and external networks, reifying the importance of being mediated, utilizing the "local” to speak "globally,” and a variety of other processes.
 
This special issue of Interactions: Studies in Communication and Culture seeks research articles engaging the media events literature and investigating the relationship between event and location, between location-as-text and location-as-infrastructure, between location and audience, between location and industry, and other relevant relationships, all in the context of networked media structures. Some relevant topics areas include, but are by no means limited to:
 
Host city branding and image management
Networked media events: the impact of social media
Media events and host city governance
Discourses of place in the media event
'Thereness' and virtuality in the media event
Media events as sites of resistance
Community and ritual
Media events, promotion and (g)local media
Fannish practices in/around the media event
The political economy of the media event
The audience experience: affect, memory, place
Media events and mobility
Comparative analyses of host cities in media event contexts]]></description>
<dc:subject>media_place media_geography sound_space events media_events branding</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:08ae1f9e9a33/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:media_place"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:media_geography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:sound_space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:media_events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:branding"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.metropolismag.com/story/20120214/x-marks-the-spots">
    <title>X Marks the Spots [Studio-X] | Metropolis Magazine</title>
    <dc:date>2012-02-16T22:45:58+00:00</dc:date>
    <link>http://www.metropolismag.com/story/20120214/x-marks-the-spots</link>
    <dc:creator>shannon_mattern</dc:creator><description><![CDATA[“The X just means we don’t know what’s going to happen,” he adds. This is the spirit of experimentation behind Studio-X, an ambitious global educational initiative currently underway at GSAPP. Equal parts learning space, public forum, and international think tank, Studio-X “affords an enormous bandwidth for thinking about the future of cities,” Wigley says—a mandate that he cites as the core mission of the program, and the reason he first proposed it four years ago... With sister offices now open in Mumbai, Amman, Beijing, and Rio de Janeiro, and more in the offing in South Africa and Japan, Studio-X New York is one spoke in a wheel of architectural activity that is at once international and intensely localized. The overseas branches aren’t intended to be subordinate to either Columbia or the Manhattan pilot office—“not like Starbucks selling some sort of wisdom from New York,” as Wigley puts it. They’re idea incubators in their own right, feeding new knowledge about how cities live and change into a greater community of thought... “It’s about expanding the notion of the university beyond the institution itself,” explains Jeffrey Johnson, the director of the New York–based China Megacities Lab, who has led groups of students on semiannual visits to Studio-X Beijing since it opened in 2009... Situated, like the New York studio, in the very heart of their respective downtowns, each Studio-X satellite operates as a discrete unit, with local directors setting a specific agenda. Yet all of the outposts, following the program’s mission, look to reinvigorate the urban conversation in their particular cities by engaging not just designers but culturally omnivrous thinkers from diverse backgrounds... Gavin Browning, who preceded Twilley and Manaugh at Studio-X New York, admits that the two halves of the Studio-X population are often “operating in separate spheres.”... The space’s social character is part of its appeal. “The potential for the contact there to be informal allows for discussions to take place that don’t take place in a more official setting,” says Jeffrey Inaba, the head of C-Lab, another fixture of Studio-X New York... And then there is the question of how the overseas locales are meant to work in concert with one another, as well as with the university. When they’re not being visited by one of the American student groups (which is to say, the majority of the year), the far-flung outposts operate entirely independently of Columbia. Although that gives them considerable leeway to chart their own course, it reduces the overall coherence of the program. “We all have access to each others’ planning calendars,” says Twilley, referring to her fellow Studio-X directors, “and I check what they’re up to.
But we haven’t translated that information into a coordinated series.”... Some of Studio-X’s satellites are located in places where certain political issues, the kind of things that might be spoken about freely on the campus of Columbia University, simply cannot be addressed. Wigley, who also sees the program as a vehicle for bringing corporate figures into architectural conversations, believes there’s room for healthy debate, but he tends to downplay the potential for outright conflict.  ]]></description>
<dc:subject>pedagogy design_education public_sphere discourse studio_x events event_space globalization networks</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:ed223746b427/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:pedagogy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:design_education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:public_sphere"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:discourse"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:studio_x"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:event_space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:globalization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:networks"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.emfproductions.org/">
    <title>EMF PRODUCTIONS</title>
    <dc:date>2009-09-09T17:45:22+00:00</dc:date>
    <link>http://www.emfproductions.org/</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>sound_space sound_art new_york events</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:83ada569d4f1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:sound_space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:sound_art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:new_york"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.columbia.edu/cu/arthistory/html/dept_lande.html">
    <title>Lectures &amp; Events | Department of Art History and Archaeology | Columbia University</title>
    <dc:date>2009-05-16T16:05:06+00:00</dc:date>
    <link>http://www.columbia.edu/cu/arthistory/html/dept_lande.html</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>events</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:1a8b668135bd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.arch.columbia.edu/studiox/calendar.html">
    <title>Studio-X // Columbia University GSAPP</title>
    <dc:date>2009-02-07T23:23:37+00:00</dc:date>
    <link>http://www.arch.columbia.edu/studiox/calendar.html</link>
    <dc:creator>shannon_mattern</dc:creator><dc:subject>architecture events</dc:subject>
<dc:identifier>https://pinboard.in/u:shannon_mattern/b:8b161db01733/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:shannon_mattern/t:events"/>
</rdf:Bag></taxo:topics>
</item>
</rdf:RDF>