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  </channel><item rdf:about="https://open-city.org.uk/events/moving1">
    <title>Moving with the city — Open City</title>
    <dc:date>2026-06-29T05:45:55+00:00</dc:date>
    <link>https://open-city.org.uk/events/moving1</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Join Open City for this site-sensing workshop — led by artist Alisa Oleva — where history and urban planning will be discovered through touch, listening and sensations 

By using elements of parkour and low impact movements participants of this workshop — which is open to movers and city explorers of all levels — will explore the architecture of social housing in north London including Highgate New Town designed by Hungarian architect Peter Tábori and Lismore Circus in Gospel Oak through deep listening, mapping and playing."]]></description>
<dc:subject>alisaoleva walking parkour 2021 art listening deeplistening mapping play petertábori lismorecircus sensing sensory walkshops situationist psychogeography</dc:subject>
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<item rdf:about="https://www.buildhollywood.co.uk/features/walk/">
    <title>WALK – monthly urban art walks with Alisa Oleva - BUILDHOLLYWOOD</title>
    <dc:date>2026-06-29T05:44:15+00:00</dc:date>
    <link>https://www.buildhollywood.co.uk/features/walk/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A series of free monthly urban art walks over a period of one year.

As part of our latest Your Space Or Mine project, we appointed performance and walking artist Alisa Oleva as Artist in Residence, commissioned to work from BUILDHOLLYWOOD’s creative space, The CarWash, in Shoreditch.

“Each month I will host a walk which will start at The CarWash venue and then venture into the surrounding neighbourhood. Every walk will have a different theme, exploring the everyday, sensorial ways of engaging with the city, sounds, textures, memories and histories, emotional map-making, and the politics of public space” – Alisa Oleva.

Where does the city take you? Where do you turn next? Who walks these streets? What’s the sound of your own footsteps? Who owns the city? What’s here, and what do we wish was still here? Where do you find yourself now? These are the questions that Alisa explored on her experimental urban walks.

Over the past 12 months, Alisa’s walks have offered an act of collective close looking and reimagining – opening up spaces we don’t usually notice to make visible different ways of being in, and thinking about, the city.

To celebrate the end of our WALK series, we hosted a final Gathering event on the 20th July, which was an opportunity for past participants and for those who are curious to come together to celebrate over walking, sharing food, map making and conversations. The BUILDHOLLYWOOD CarWash has been the starting and finishing point of each event and we were excited to host the final Gathering at this space once again. "]]></description>
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<item rdf:about="https://akademija.whw.hr/fellows/alisa-oleva">
    <title>WHW Akademija - Alisa Oleva</title>
    <dc:date>2026-06-29T03:42:14+00:00</dc:date>
    <link>https://akademija.whw.hr/fellows/alisa-oleva</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Alisa Oleva is a walking artist based in London. Her practice unfolds within the spaces and streets of the city, exploring the politics of public space, how the city moves and how we move it, urban choreography and urban archaeology, traces and surfaces, borders and inventories, intervals and silences, passages and cracks. Her projects have taken the form of one-to-one and collective performances, walking scores, personal and intimate encounters, gatherings, parkour sessions, walkshops, soundwalks, and audiowalks.

Alisa holds a BA and MA from The Courtauld Institute of Art, London, and an MA in Performance from Goldsmiths, University of London. She is currently undertaking a fully funded practice-based PhD at the University of East London. She has worked with various places and communities, including Dnipro, Mariupol, Belgrade, Minsk, Berlin, Felixstowe, Leeds, Dudlange, La Sauvage, Brussels, Taoyuan, and others. In 2023, she was the recipient of an Another Route bursary and is currently leading a series of monthly art walks in East London, commissioned by BUILDHOLLYWOOD."

...

"Artist statement

Why walking? My impulse to walk stems from my experience of migration, which pushed me out of precarious housing conditions and led me to search for connection and a relationship with a new city through walking it. Over time, it developed into a walking art practice, in which I walk and invite others to walk with me, using walking as a methodology and practice to spark conversations, explore our connection to the everyday, question the politics of public space, and nurture a more sense of belonging and connection to land and place. 

I walk one-to-one with both strangers and friends. I also walk with big groups and small groups. I have organised various simultaneous walks across distances, across places, and across borders. 

Together with others who have also experienced migration, I explore how walking can become a way of home-finding - what routes we weave in our new homes, and what paths from our previous homes we carry with us. I also use counter-mapping as a way to walk the routes we remember but can no longer access.

I often walk at night, exploring the urban nightscape and how the city transforms in darkness. I’m interested in how the experience of walking at night differs for different bodies in different locations. 

In my work as a walking artist, walking is both the medium, the material, and the practice, while the streets, cities, parks, forests, and other kinds of places are both the site and my collaborators."]]></description>
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<item rdf:about="https://hyperallergic.com/alisa-oleva-walking-home-performistanbul/">
    <title>Walk With Me: A Performance Artist Adapts to the Pandemic</title>
    <dc:date>2026-06-29T03:41:03+00:00</dc:date>
    <link>https://hyperallergic.com/alisa-oleva-walking-home-performistanbul/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["For two weeks last fall, performance artist Alisa Oleva walked with 33 different women in Istanbul; sometimes for 30 minutes, sometimes for three hours, but always from 1500 miles away."]]></description>
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<item rdf:about="https://journals.sagepub.com/doi/10.1177/13505068241262923">
    <title>Unveiling urban landscapes: Alisa Oleva’s performances during the pandemic - Raffaella Tartaglia, 2024</title>
    <dc:date>2026-06-29T03:40:03+00:00</dc:date>
    <link>https://journals.sagepub.com/doi/10.1177/13505068241262923</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This text explores the evolving landscape of performance art in the face of pandemic restrictions, shedding light on the repercussions of audience deprivation and the subsequent exploration of digital platforms as a means of artistic expression. Focusing on some artistic performances of Alisa Oleva, the text investigates how her exploration of touching and walking as a medium influences the understanding of urban landscapes. By using the city as her studio and manipulating everyday life, Oleva uncovers the hidden stories and meanings embedded within inside and outside spaces, to examine questions related to women’s histories, traces, and surfaces. In particular, we focus on Walking Home (2020), a performance that, in addition to providing an interesting example of walking as an aesthetic practice, raises political and activist questions, such as how the pandemic-induced confinement masks deeper issues, namely the safety of the domestic environment for those who identify themself as women. Through various performances, we delve into the theme of seeing and touching, emphasising the significance of sensory perception as embodied human beings. Moreover, the text highlights how our passages and connections with different environments contribute to shaping the very meaning of the places we encounter in the world. In addition, the text acknowledges the transformative power of personal experiences in crafting the narrative of our collective story."]]></description>
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<item rdf:about="https://compassliveart.org.uk/walk-me-there-a-round-up/">
    <title>Walk Me There - A Round Up - Compass Live Art / Compass Festival</title>
    <dc:date>2026-06-29T03:37:12+00:00</dc:date>
    <link>https://compassliveart.org.uk/walk-me-there-a-round-up/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Over Alisa’s residency period in August, she went on one-to-one walks, hosted two group “walkshops” and created some beautiful memories with people living in Leeds: Anastasiia Abramchuk, Madda Moretti, Tatiana, Yuma, Haval, Maja Novak, coni, Mishka and Dasha."]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=ljqTo7GC7HM">
    <title>Walking and the Art of Public Space: Alisa Oleva on Cities, Belonging &amp; Nuart Aberdeen - YouTube</title>
    <dc:date>2026-06-29T03:15:35+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=ljqTo7GC7HM</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Walking can be much more than getting from A to B. In this interview from Nuart Aberdeen, walking artist Alisa Oleva talks about how she turns walks through the city into a form of art and a way of seeing places differently.

Alisa describes one-to-one walks with people who are new to a city, helping them explore ideas of home and belonging through everyday routes. She talks about blindfolded walks, long group walks that repeat the same path for hours, and workshops where people try simple exercises like walking differently, touching surfaces or noticing small details. She also explains how  she spends time “deep hanging out” in neighbourhoods. She connects her work to ideas from performance art, psychogeography and parkour. Especially the idea of “desire lines”, the paths people make when they don’t follow the official route.

Contents
00:00 – Walking as an art practice
01:50 – What it feels like on a walk
05:00 – Preparing a walk in a new city 
07:30 – Long-term projects, deep hanging out and working with strangers
10:20 – Simultaneous distant walks (Mariupol and beyond)
12:10 – Covid, virtual walks and “let me be your eyes”
14:30 – Migration, London and how the practice began
18:30 – Parkour, desire lines and small acts of disobedience in the city
21:20 – Performance, liveness and walking scores"

[via:

"Alisa Oleva the Walking Artist Inviting Us to View the City Differently • Inspiring City"
https://inspiringcity.com/2026/06/22/alisa-oleva-the-walking-artist-inviting-us-to-view-the-city-differently/ ]]]></description>
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<item rdf:about="https://alisaoleva.com/">
    <title>Alisa Oleva</title>
    <dc:date>2026-06-29T03:14:01+00:00</dc:date>
    <link>https://alisaoleva.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Alisa Oleva is a walking artist based in London who works within the spaces and streets of the city, exploring the politics of public space, how the city moves us and how we move it, urban choreography and urban archaeology, traces and surfaces, borders and inventories, intervals and silences, passages and cracks. She creates one-to-one and collective performances, walking scores, personal and intimate encounters, gatherings, soft parkour sessions, walkshops, soundwalks, and audiowalks.

Alisa holds a BA and MA from The Courtauld Institute of Art and an MA in Performance from Goldsmiths. She is currently doing a fully funded practice-based PhD at the University of East London."]]></description>
<dc:subject>alisaoleva walking psychogeography art performance situationist walkshops</dc:subject>
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<dc:identifier>https://pinboard.in/u:robertogreco/b:1a04a8ae3314/</dc:identifier>
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<item rdf:about="https://www.walkinghome.online/">
    <title>Walking Home | Alisa Oleva</title>
    <dc:date>2026-06-29T03:13:38+00:00</dc:date>
    <link>https://www.walkinghome.online/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Sanatçı | Artist Alisa Oleva
Invitation to “Walking Home” from Performistanbul"

...

"Alisa Oleva invites women of Istanbul to participate in her Performance!

The first residency programme of Performistanbul is brought to life! Alisa Oleva is the first artist nominated to the “Artistic Development Programme'' as part of Performistanbul’s artist residency focused on performance artists, the project is conducted with the support of British Council’s #WomenPowerinCulture Grant Scheme, in collaboration with Live Art Development Agency, (LADA, London). Alisa Oleva is a Russian artist living and working in London, presenting her performance Walking Home in two channels both in Istanbul and London. Oleva is searching for women* who self identify themselves as women participants to walk with her towards home. For walking “home” together with Oleva, the final participation date for applications is on the 25thof October 2020. 

At the performance entitled `Walking Home, while the participants will be walking towards the place where they describe as “home” in Istanbul, the artist will accompany each partner within one-to-one sessions from London by connecting via phones without the presence of an audience. In order to designate the starting point of the walking, a map that reads the city through the locations of historical and forensic figures, artefacts and events related to women will guide the participants. In these traces there are such as; the Sultanahmet Square in the remembrance of Halide Edip Adıvar’s  activist and political speech in 1919, Yıldız Park in memory of Gürdal Duyar’s sculpture that represents Istanbul in the form of a woman’s body,  Fındıklı park where Füsun Onur’s 50thyear sculpture that got removed by the city hall crew during the organisation as well as selected places such as Süreyya Opera. 

With the following questions; “If I ask you to walk me home, where would you take me? Does home mean feeling safe? What makes you feel like at home? Is it where you live now or a different place? Or is it not even a place? Now, it is time to walk and find home!", the artist is searching for the answer of what could be the meaning of the notion of “home”. She invites women* living in Istanbul to share her footsteps within that journey. The notion of “home”, that may refer to different meanings such as the nest, safe space, family, escape, indefensible area, self-reflection, is at the centre of the Walking Home performance. The artist will ask several questions to the participants in order to get a response to the meanings of “home”, as a result it could lead to various descriptions such as an actual home; a park, a seaside, a library or a place which reflects that feeling or a person and an object. On the other hand, her questions could also  remain unanswered...  

If you would like to apply to the open call in order to think about the concept of “home” collaboratively, please write to info@performistanbul.org until the 25thof October 2020, Sunday. While the open call continues, the performances will start on the 18thof October and last until the 31stof October. The timetable and all details will be shared with the participants via email and the times will be organised with the artist."

...

"Performistanbul’dan “Eve Yürüyüş” İçin Davet  
Alisa Oleva, İstanbul’daki kadınları Performansa Katılmaya Çağırıyor!

Performistanbul’un ilk misafir sanatçı programı hayata geçiyor! British Council’ın #KültürdeKadınGücü Destek Programı  sayesinde, Live Art Development Agency (LADA, Londra) ile iş birliği yaparak geliştirdiği, performans sanatçılarına özel “Sanatsal Gelişim Programı”na ilk seçilen sanatçı Alisa Oleva oldu. Rus asıllı Londra merkezli performans sanatçısı Alisa Oleva, Eve Yürüyüş (Walking Home) adlı projesini İstanbul ve Londra olmak üzere iki ayaklı olarak sunuyor. Oleva, kendisiyle birlikte yürüyecek İstanbul’daki kadın* ve kendini kadın olarak tanımlayan katılımcıları arıyor. Oleva ile “ev”e doğru yürümek için gerçekleştirilen açık çağrıya son katılım tarihi 25 Ekim 2020.

Birebir yapılacak yürüyüşlerde, katılımcılar İstanbul’da “ev” olarak tanımladıkları yere doğru yürürken, sanatçı Oleva’nın da Londra’dan eşlik edeceği Eve Yürüyüş adlı performansta, aralarındaki bağı telefonları sağlayacak ve süreçler izleyicisiz olarak gerçekleşecek. Kadınların şehre bıraktığı izler üzerinden belirlenen başlangıç noktalarını seçerken, katılımcıya, kadın(lar)la ilgili tarihi ve önemli şahıslar, olaylar, yapıtlar üzerinden şehrin okumasının yapıldığı bir harita kılavuzluk edecek. Bu izler arasında, Halide Edip Adıvar’ın 1919 yılında yaptığı aktivist ve politik bir konuşma anısına Fatih’teki Sultanahmet Meydanı, Gürdal  Duyar’ın İstanbul’u kadın bedeniyle temsil ettiği heykeli anısına Yıldız Parkı, Füsun Onur’un belediye ekipleri tarafından park düzenlemesi sırasında kaldırılan 50. yıl heykeli anısına Fındıklı Parkı ve Süreyya Operası gibi yer ve mekânlar bulunuyor. Süreç dâhilinde her katılımcı, kendi hikâyelerinden bir parkur oluşturarak, bu haritanın bir parçası olarak ortak yaratıcılarından birine dönüşecek. Açık çağrı bir seçim olmadan, çağrıya yanıt veren herkesi kapsayacak ve performans gece veya gündüz fark etmeksizin karşılıklı belirlenen başlangıç noktası ve süresi çerçevesinde hayata geçecek.

Sanatçı “Benimle eve yürümeni istesem, beni nereye götürürdün? Ev, güvende hissetmekle aynı anlamı taşır mı? Sana ev hissini ne verir? Bu yaşadığın yer mi yoksa başka bir yer midir? Bu belki bir yer bile değildir? Şimdi yürümenin ve evi bulmanın zamanı!” sözleriyle “ev” kavramının ne anlama geldiği sorusunun cevaplarını arıyor. İstanbul’da yaşayan kadınları* eve giden yolda, adımlarını paylaşmaya çağırıyor. Yuva, güvenli bölge, aile, kaçış, savunmasız alan, öze dönüş gibi kişi için pek çok tanımı çağrıştırabilecek “ev” kavramı, Eve Yürüyüş adlı performansın merkezini oluşturuyor. Katılımcılara, “ev” kavramını tanımlamak için çeşitli sorular yönlendirecek olan sanatçı, herhangi bir ev tarifi yanıtı alabileceği gibi bir park, deniz kenarı, kütüphane veya bu hissi taşıyan herhangi bir yer, kişi veya nesne gibi pek çok karşılık da bulabilir. Yanıtsız da kalabilir...

Siz de açık çağrıya katılmak ve “ev” kavramını beraber düşünüp sorgulamak için 25 Ekim 2020 Pazar gününe kadar info@performistanbul.org adresine yazabilirsiniz. Açık çağrı devam ederken, 18 Ekim’den itibaren başlayacak performanslar 31 Ekim tarihine kadar devam edecek. Zamanı  sanatçıyla beraber kararlaştırılacak performans ile ilgili detaylı bilgiler başvuran katılımcılarla mail aracılığıyla paylaşılacak."]]></description>
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<item rdf:about="https://www.fetch.london/post/walking-is-so-simple-yet-so-deeply-complex-in-conversation-with-with-alisa-oleva">
    <title>&quot;WALKING IS SO SIMPLE YET SO DEEPLY COMPLEX&quot;: IN CONVERSATION WITH ALISA OLEVA</title>
    <dc:date>2026-06-29T03:13:26+00:00</dc:date>
    <link>https://www.fetch.london/post/walking-is-so-simple-yet-so-deeply-complex-in-conversation-with-with-alisa-oleva</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>2025 walking alisaoleva psychogeography art performance situationist listenting senses sensory transience ephemeral ephemerality documentation movement parkour community everyday audio resistance productivity london walkshops</dc:subject>
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<dc:identifier>https://pinboard.in/u:robertogreco/b:744d547c342b/</dc:identifier>
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<item rdf:about="https://inspiringcity.com/2026/06/22/alisa-oleva-the-walking-artist-inviting-us-to-view-the-city-differently/">
    <title>Alisa Oleva the Walking Artist Inviting Us to View the City Differently • Inspiring City</title>
    <dc:date>2026-06-29T02:53:49+00:00</dc:date>
    <link>https://inspiringcity.com/2026/06/22/alisa-oleva-the-walking-artist-inviting-us-to-view-the-city-differently/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[embedded video:

"Walking and the Art of Public Space: Alisa Oleva on Cities, Belonging & Nuart Aberdeen"
https://www.youtube.com/watch?v=ljqTo7GC7HM 

"Walking can be much more than getting from A to B. In this interview from Nuart Aberdeen, walking artist Alisa Oleva talks about how she turns walks through the city into a form of art and a way of seeing places differently.

Alisa describes one-to-one walks with people who are new to a city, helping them explore ideas of home and belonging through everyday routes. She talks about blindfolded walks, long group walks that repeat the same path for hours, and workshops where people try simple exercises like walking differently, touching surfaces or noticing small details. She also explains how  she spends time “deep hanging out” in neighbourhoods. She connects her work to ideas from performance art, psychogeography and parkour. Especially the idea of “desire lines”, the paths people make when they don’t follow the official route.

Contents
00:00 – Walking as an art practice
01:50 – What it feels like on a walk
05:00 – Preparing a walk in a new city 
07:30 – Long-term projects, deep hanging out and working with strangers
10:20 – Simultaneous distant walks (Mariupol and beyond)
12:10 – Covid, virtual walks and “let me be your eyes”
14:30 – Migration, London and how the practice began
18:30 – Parkour, desire lines and small acts of disobedience in the city
21:20 – Performance, liveness and walking scores"]]]></description>
<dc:subject>walking alisaoleva london cities experience art walkingart urban wandering psychogeography situationist home belonging slow desirelines place attention movement noticing observation 2026 aberdeen scotland publicsace performance immersion familiarization learning howwelearn place-basedlearning everyday hangingout parkour notknowing strangers gettinglost time unknowing discovery exposure disoberdience walkingscores georgesperec geography resistance senses sensory walkshops</dc:subject>
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<item rdf:about="http://maryannreilly.blogspot.com/2011/07/being-in-middle-learning-walks.html">
    <title>Between the By-Road and the Main Road: Being in the Middle: Learning Walks</title>
    <dc:date>2011-07-02T20:18:28+00:00</dc:date>
    <link>http://maryannreilly.blogspot.com/2011/07/being-in-middle-learning-walks.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["So imagine a commitment to learning that involved making regular learning walks with high school students as a normal part of the "school" day.  Now, these learning walks should not be confused with walking tours, which are designed based on planned outcomes.  One walks to point X in order to see object or artifact Y.  The points are predetermined, hierarchical in design.

Instead, learning walks are rhizomatic.  They are inherently about being in the middle of things and coming to learn what could not been predetermined. Learning walks are part of the "curriculum" for instructional seminar (which I described here)."

[My comments cross-posted here: http://robertogreco.tumblr.com/post/7182110515/walking-and-learning ]]]></description>
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    <title>Adam Greenfield – Public space « Mobile Monday Amsterdam</title>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["Adam Greenfield talks about public space. Bare feet."]]></description>
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</item>
<item rdf:about="http://diffusion.org.uk/?p=2364">
    <title>Systems/Layers by Nurri Kim &amp; Adam Greenfield | Diffusion eBooks + StoryCubes</title>
    <dc:date>2011-03-23T07:41:45+00:00</dc:date>
    <link>http://diffusion.org.uk/?p=2364</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Around the world, urban form and metropolitan experience are being transformed by the presence of networked computation. The urban fabric and discrete elements in it are newly empowered to capture, process, transmit, display and even act on information. At the same time, our daily tactics of doing and being — practices of citying that have remained invisible throughout recorded history, and have generally been lost to that history — are now being rendered explicit and gathered up by that same network.<br />
<br />
Nurri Kim and Adam Greenfield of Do projects have run “walkshops” devoted to exploring these transformation and their consequences in cities worldwide. Through the Transformations series, they offer Systems/Layers, a quick guide to running a walkshop for yourself, covering the particulars of choosing a terrain, knowing what to look for, recruiting participants, and promoting your event."]]></description>
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