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    <title>Immanuel Wilkins on &quot;First Look&quot; with Don Was of Blue Note Records - YouTube</title>
    <dc:date>2024-10-11T03:58:41+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA[""Blue Note Records Presents "First Look" | This episode features Immanuel Wilkins discussing his new album "Blues Blood"

Blue Note President Don Was hosts “First Look,” a series of in-depth conversations with musicians about the making of their new albums, previewing tracks & telling the stories behind the music.""]]></description>
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    <title>‘Red Brick, Black Mountain, White Clay,’ by Christopher Benfey - NYTimes.com</title>
    <dc:date>2012-08-21T02:31:19+00:00</dc:date>
    <link>http://www.nytimes.com/2012/04/22/books/review/red-brick-black-mountain-white-clay-by-christopher-benfey.html?pagewanted=all</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Surely the word “vessel” must rate high among the loveliest in the English language. Its meaning contains (vessel-like) a well-wrought urn, a far-­sailing ship, a throbbing vein. Spoken, its whispering consonants cut swiftly past. Printed, its letters even resemble a boat: jutting prow, double-curved hull, high stern. Can it be a coincidence that this Middle English artifact encloses — centered perfectly — the Latin esse, the primal verb “to be”?

And to paraphrase Emily Dickinson only slightly, there is no vessel like a book. Especially when it’s as well wrought and far-sailing as Christopher Benfey’s “Red Brick, Black Mountain, White Clay,” a book about earthen vases, epic voyages and ancestral blood. Part memoir, part family saga, part travelogue, part cultural history, it takes readers on a peripatetic ramble across America and beyond, paying calls on Cherokee potters, Bauhaus craftsmen, colonial clay-diggers and the author’s brick-mason grandfather."]]></description>
<dc:subject>craftsmanship quakers history art toread books christopherbenfrey blackmountaincollege vessels emilydickinson bmc quaker</dc:subject>
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    <title>doug johnston: Sash Cord Studies</title>
    <dc:date>2012-02-20T01:12:40+00:00</dc:date>
    <link>http://www.dougjohnston.net/sashcord.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["These vesels, masks and sculptures utilize an old crafting technique in which rope or cord is coiled and stitched to forms bowls and baskets. The technique is itself based on the ancient method of making ceramic coiled pots as well as coiled basketry. The method explores ways of transforming a linear material into three-dimensional objects, an interest I have also studied in other materials such as yarn or plastic tubing. I also see the process as a form of analog 3D printing/prototyping performed by a sewing machine and with much less precision. In this way the "3D file" is in my head as I begin each piece and its formation happens by making certain adjustments to the work w"hile sewing. The process has its own limitations, largely determined by the sewing machine, and each piece takes on deformations and glitches that give it unique personality.

The studies use the raw 100% cotton braided cord, often called sash cord, and colored sewing thread…"
]]></description>
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