Pinboard (robertogreco)
https://pinboard.in/u:robertogreco/public/
recent bookmarks from robertogrecoNorthern OverExposure Podcast on Apple Podcasts2024-03-27T04:44:07+00:00
https://podcasts.apple.com/us/podcast/northern-overexposure-podcast/id1468836663
robertogreconorthernexposure 2024 tv television podcasts videoessays dungeonsanddragons 2019 2020 2021 2022 2023https://pinboard.in/https://pinboard.in/u:robertogreco/b:412b616d4de9/Northern Exposure, The Best Show You've Never Heard Of (Part One) - YouTube2024-03-27T04:25:37+00:00
https://www.youtube.com/watch?v=FiX-Ua0Rqjw
robertogreconorthernexposure willardsquire 1990s television tv 1990 1991 1992 1993 1994 1995 philosophy magicrealism storytelling music alaska metaphysics existence realityhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:fc3c0d35c12c/How do I use the internet now? (Is there a sane way to use the internet?) - Search Engine with PJ Vogt (October 2023)2024-03-26T22:46:27+00:00
https://pjvogt.substack.com/p/how-do-i-use-the-internet-now
robertogrecopjvogt ezraklein internet web online 2023 media news journalism newspapers magazines reporting 2024 socialmedia algorithms analytics attention information nicholascarr sambankman-fried slow time marshallmcluhan mediumisthemessage instagram twitter speed efficiency neilpostman tc television donaldtrump elonmusk seo facebook digitalmedia jennyodell context conversation audience howwethink brain blogs blogging motivation intrinsicmotivation extrinsicmotivation influencers podcasts podcasting quiet silence thinkinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:ec9a3e3ac999/Apple Vision Pro review: magic, until it’s not - YouTube2024-01-30T20:28:43+00:00
https://www.youtube.com/watch?v=hdwaWxY11jQ
robertogrecoapple ar vr augmentedreality virtualreality visionpro 2024 computers computing nilaypatel deadends technology television tv tradeoffshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c953d0b7258a/What ‘The Sopranos’ Iconic Filming Locations in N.J. Look Like Now - The New York Times2024-01-26T00:00:06+00:00
https://www.nytimes.com/2024/01/10/realestate/sopranos-house-bada-bing-new-jersey.html
robertogrecosopranos 2024 film television tv newjersey location place annakodé davidchase northcaldwell verona lodi elizabeth northarlingtonhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:514c45ac13c0/In Search of Anti-Work Time: Mapping the Anti-Serial Impulse - Post452024-01-12T16:26:14+00:00
https://post45.org/2024/01/in-search-of-anti-work-time-mapping-the-anti-serial-impulse/
robertogrecomadelinelane-mckinley television tv time carollopate ameliahorgan matthewball work labor capitalism rogerhagedorn temporalities davidbuxton serials narrative howwewrite worklife davidchase atlanta highmaintenance easy anniemcclanahan reservationdogs russiandoll 2019 picaresque collectivity collectivism experience society socialpractice amandalotz anti-seriality anti-work uncertainty temporary fluidity 2024 sopranos thesopranoshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:27e0a489dde2/Stream Movies & TV Shows | Plex2023-11-27T05:42:33+00:00
https://www.plex.tv/
robertogrecostreaming media tv software television videohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:b218e6fc38aa/James Joyce, Irish Modernism, and Watch Technology | Request PDF2023-11-02T17:45:40+00:00
https://www.researchgate.net/publication/367259894_James_Joyce_Irish_Modernism_and_Watch_Technology
robertogrecokatherineebury jamesjoyce 2023 watches time technology radio television tv computers gramophones typewriters society urbanizationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:4a0fb8766b79/Why Is Your NES A TV Station? (That's Weird) - YouTube2023-10-21T22:35:06+00:00
https://www.youtube.com/watch?v=8sQF_K9MqpA
robertogrecoradio television transmission electronics nes nintendo 2020 1980s 1990s videogames broadcast tvhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:341a44aadb58/“Reservation Dogs” Was a Miracle | The New Republic2023-09-29T16:40:49+00:00
https://newrepublic.com/article/175052/reservation-dogs-miracle-fx-tv-review
robertogrecoreservationdogs 2023 tv television phillipmaciak sterlinharjo indigenous indigeneity interconnected interconnectedness communityhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:da7651b54700/Kali Simmons Author Archive2023-08-24T08:07:04+00:00
https://www.vulture.com/author/kali-simmons/
robertogrecokalisimmons reservationdogs 2021 2022 2023 tv television indigeneity indigenoushttps://pinboard.in/https://pinboard.in/u:robertogreco/b:70910a185ae9/The Healing Power of Lodge 49: How a Cancelled, Short-Lived Show Broke Through My Pandemic Fog | Vogue2023-08-12T02:07:11+00:00
https://www.vogue.com/article/lodge-49-ode-the-best-television-show-you-missed
robertogrecojanelleokwodu lodge49 pandemic coronavirus covid-19 tv television 2021https://pinboard.in/https://pinboard.in/u:robertogreco/b:b7be702c31c5/Crying over Lodge 49. AMC’s now-cancelled show portrayed the… | by Arin Keeble | Medium2023-08-12T01:56:37+00:00
https://medium.com/@arinkeeble/crying-over-lodge-49-5bf1827b365b
robertogrecolodge49 tv television arinkeeble 2020 capitalism latecapitalism bleakness precarity struggle marxism thomaspynchon neoliberalism labor meaning loneliness despair laurenberlant crueloptimism relationships humanism fandomhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:987d7aa312da/Pan Pals - YouTube2023-08-09T20:49:10+00:00
https://www.youtube.com/playlist?list=PLQMKh4LBO6xP1567JcnbM5NfAHpeOg48O
robertogrecofood exchange culture cooking recipes berylshereshewsky srg glvo video tv television allthesenses culturalexchange immigration internationalhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6e9a1dabdf64/The Ordinary Literary World of Lodge 49 - Post452023-08-09T15:54:42+00:00
https://post45.org/2021/11/the-ordinary-literary-world-of-lodge-49/
robertogrecolodge49 television tv 2021 2020 arinkeeble thomaspynchon literature modernity boredom knowledge meaning meaningmaking soldarity philipmaciakhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:41eb75d3b1d6/The Bear's Best Ingredient Is Tenderness - YouTube2023-08-01T23:29:09+00:00
https://www.youtube.com/watch?v=l1EaaCeAYFI
robertogrecostress eustress distress film tv television perception work labor foodservice tenderness identity addiction turmoil kindness gentleness workplace families relationships conversation listening nerdwriter nerdwriter1 fightorflight culture tension escape listenbetter videoessays thebearhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:a10b66c4bbe6/Boots Riley's 'I'm a Virgo' has the best architecture on TV - Los Angeles Times2023-07-18T11:13:38+00:00
https://www.latimes.com/entertainment-arts/newsletter/2023-07-15/the-best-architecture-on-tv-is-in-boots-rileys-im-a-virgo-essential-arts-arts-culture
robertogrecocarolinamiranda bootsriley i'mavirgo tv television architecture 2023https://pinboard.in/https://pinboard.in/u:robertogreco/b:728e3ce7c79c/Why “The Bear” Starts Over In Its New Season | The New Republic2023-07-18T06:56:09+00:00
https://newrepublic.com/article/173934/bear-starts-new-season-fx-tv-review
robertogrecolearning pedagogy television thebear education howwelearn howwteach youtube unschooling deschooling messiness complexity tv film competence expertise growth growing optimism self-improvement slow patience humility humanity humanism talent self-awareness philipmaciak classroom schoolhouse skills apprenticeships lessons beauty human mistakes failure self-abnegation instructionhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c76a01cf24ce/How Subtitles Took Over TV - The Atlantic2023-06-10T17:30:44+00:00
https://www.theatlantic.com/ideas/archive/2023/06/watching-movies-tv-with-subtitles/674301/
robertogrecosubtitles tv television 2023 devingordon captions howwereadhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:eb2843ec1e24/The End of the English Major | The New Yorker2023-03-12T19:35:14+00:00
https://www.newyorker.com/magazine/2023/03/06/the-end-of-the-english-major
robertogreconathanheller humanities 2023 highered highereducation literature universities colleges asu harvard funding howwelearn education communitycolleges jeffreyschnapp accessibility online remotelearning starbucks markets stem science engineering math arts criticism literarycriticism democracy democratization careers leadership money electricinformationagebook metalab communication analysis culture policy ayannathompson sanjaysarma ucberkeley interdisciplinary transdisciplinary multidisciplinary ethics writing howweread howwewrite tv television internet capitalism neoliberalism history pierrebourdieu jean-claudepasseron culturalcapital historyofscience calhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:5d3885c5bd76/Why Mergers Are Destroying America - YouTube2023-02-16T02:51:48+00:00
https://www.youtube.com/watch?v=ayrVYwoe-DY
robertogrecoeconomics chicagoschool history mergers capitalism 2022 adamconover ticketmaster law monopolies timwu jonathankanter linakhan barackobama comcast cable ftc publishing tv television film music technology microsoft activison livenation games gaming videogames power organizing media disney hbo freeemarket us food tyson chicken prices davidzaslav warnerbros warnermedia discovery at&t cheerleading standardoil johndrockefeller competition governance government politics courts inequality democracy shermanantitrustact teddyroosevelt louisbrandeis universityofchicago miltonfriedmanhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:501da9e3968d/Elaine Castillo : How to Read Now - Tin House2023-01-27T15:52:25+00:00
https://tinhouse.com/podcast/elaine-castillo-how-to-read-now/
robertogrecoelainecastillo 2022 howweread reading seeing howwesee waysofseeing johnberger davidnaimon literature books essays writing howwewrite abdellahtaïa tagalog class race whitesupremacy meaning meaningfulness meaningmaking decolonization racism telenovelas manuelpuig art classics canon theodyssey odyssey dionnebrand claireschwartz clrjames samuelbutler emilywilson skimming peterhandke tonimorrison bretstephens pamelapaul wongkar-wai apolitical extraction empathy subtext literaryanalysis film television tv thomasbernhard responsibility chantaljohnson joandidion storytelling criticism unfinished jacquesderrida hernandiaz paulcelan colonialism language édouardglissant aimécésaire french translation resistance visibility opacity samuelbeckett rzamoralinmark carlosbulosan sovereignty identity literacy illiteracy myriamchancy indigeneity maori newzealand australia māori hawaii guam indigenous pasifika jkrowling appropriation nationbuilding pabloneruda johnsteinbeck alfonsocuarón gaze watchmen gender nuahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:600f59cd7cb5/Wendell Berry: The Work of Local Culture | The Contrary Farmer2023-01-21T22:04:57+00:00
https://thecontraryfarmer.wordpress.com/2011/06/10/wendell-berry-the-work-of-local-culture/
robertogrecowendellberry rural education local slow small unschooling deschooling centralization decentralization 2011 farming democracy community communities power storytelling professionalization professionals standardization standards extractivism extraction exploitation elitism culture society urban urbanization suburbs suburbia homogenization entertainment distraction belonging purpose environment land soil memory enrichment knowledge highered highereducation academia canon insurance corporations corporatism corporatization mutualaid sales advertising economics consumerism consumption gdp sustainability pollution degradation money poverty generations parenting media television tv classics bible shakespeare williamwordsworth kinship institutions institutionalization schools schooling publicschools indocrtrination children careerism professionalism careers place placebasededucation home meritocracy conservation environmentalism green ecology landscape garbage methods agesegregation government salaries income love memohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:46a2ab19fd3d/Why we all need subtitles now - YouTube2023-01-20T19:20:10+00:00
https://www.youtube.com/watch?v=VYJtb2YXae8
robertogrecofilm sound subtitles 2023 filmmaking audio tv television dialoguehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c19fddd6e961/Agregado Cultural | Hoy conversamos con Boris Quercia - YouTube2022-11-30T20:39:04+00:00
https://www.youtube.com/watch?v=nikJWSxCvUE
robertogrecoborisquercia chile losochenta film television 2022 culturehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:4b6d63fc2435/DIGITAL WATCH HISTORY: The Technology Tree - YouTube2022-09-26T02:04:58+00:00
https://www.youtube.com/watch?v=oiUIYDQOH8A
robertogrecowatches digital history 2022 illuminatingwatches casio timex citizen ricoh sanyo omega junghans anadigi nixon qualcomm eink epaper led displays oled samsung tissot gruen rolex heuer seiko orient hamilton optel ilixco roche texasinstruments waterresistance chronographs pulsometers freestyle freestyleshark surfing triathlon exercise fishing garmin skiing temperature running accuracy worldtimers gps time timekeeping lcd lcds calibration solar epson sony ripcurl bluetooth connectivity radio calculators computing computation smartwatches hewlettpackard hp pulsar accutron memory dictionaries touchscreens 1970s 1980s 1990s 2000s 2010s 2020s 1960s yeswatches yes yesworldwatches datalink communication ibm space fossil paging pagers phones phonecalls lg ntt motorola apple applewatch power batteries cristalonic sicura mondaine braun nepro bulova design rogertallon maxbill giorgettogiugiaro richardarbib flemmingbohansen ventura allay tokyoflash sensors entertainment alba depth pressure diving divecomputers divers altitudhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:f5671be346d8/Why The Media Suck At Covering The Police - YouTube2022-07-20T01:41:06+00:00
https://www.youtube.com/watch?v=Rou7IqZ_7Yw
robertogrecosanasaeed us police polciing lawenforcement media news 2022 power bias journalism tv television wesleylowery copaganda aleckarakatsanis defunding crime criminality conditioning violentcrime waterpollution airpollution eviction systems housing publichealth systemsthinking whitecollarcrime class race racism classism institutions authority pr publicrelations reporting mediarelations money reform policereform poverty inequality incomeinequality criminalization fault blame moralism morality factchecking fear funding relevancy fearmongering democracy accountabilityhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:9f1ff9363dcd/From Common Sense to Bespoke Realities - by L. M. Sacasas2022-07-14T16:04:16+00:00
https://theconvivialsociety.substack.com/p/from-common-sense-to-bespoke-realities
robertogrecolmsacasas hannaharendt 2022 polarization modernity socialmedia online internet marshallmcluhan reneediresta reality existence society canon participation democracy local place bodies embodiment digital splintering massmedia tv television radio time knowledge information experts institutions senses allthesenses perception whauden commonality publicsphere media perspective difference privatelives relationships commonsense community experience yi-futuan past present future news communication immediacy everyday intentionalityhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:af42aa4e87f7/New Books Network | Min Hyoung Song, "Climate Lyricism" (Duke UP,…2022-06-28T21:12:47+00:00
https://newbooksnetwork.com/climate-lyricism
robertogrecominhyoungsong jennifergayounglee climatechange humanism humanities howweread howwewrite writing poetry claudiarankine storytelling everyday change attention feelings emotions living howwelive dispossession race society fatalism inequity conservatism behavior thinking howwethink statusquo reading climateusbanism 2022 language imagination future speculative scifi sciencefiction narrative travel plot agency culture tv television afterlife death bodies geography literature violence secondperson rhetoric lyricismhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:86c0a0777a62/Adolph Reed Jr: Jim Crow + race/class debates2022-04-09T06:36:47+00:00
https://goodbye.substack.com/p/adolph-reed-jr-jim-crow-raceclass?s=r
robertogrecoIt’s not like white people had a meeting around the campfire and said, “let’s go put some Jim Crow on some Black people”
36:30: Framing Jim Crow as unrelenting oppression in fact mirrors, ironically, the very vision laid out by segregationists themselves. This view, found today in liberal anti-racism discourses, attributes everything to an abstract “white supremacy” and “anti-Blackness.” Class is disavowed. The effect is to help sustain an elite stratum of racial spokespeople. But also, why does this race-first worldview have such broad appeal?
53:15: Adolph responds to charges that his argument is class reductionist. We reference an older exchange with the late political theorist Ellen Meiskins Wood (2002) to clarify the distinctions in Adolph’s arguments (see the original text here, esp. the “Rejoinder” https://advancethestruggle.files.wordpress.com/2009/06/how_does_race_relate_to_class-2.pdf ]). Race, he argues, is one of many ideologies to sustain accumulation and class power that rest on “ascriptive differences,” or, putative ideas about the natural differences between people: if not race, then sex, gender, religion, caste, tribe, mental and physical abilities, etc.
- Also see Adolph’s concise summary in New Labor Forum (2013). [https://americanstudies.yale.edu/sites/default/files/files/Adolph%20Reed%20-%20Marx%2C%20Race%2C%20and%20Neoliberalism.pdf ]
1:03:50: Wrestling with common objections, such as, “ethnocentrism predates capitalism, so race is autonomous from class”; or, “upper-class Black people are subject to police violence too, so class doesn’t explain racism.”
1:14:20: Adolph on the broader generalizability of his analysis for other groups, in the US and globally (see Clare Kim on comparative analyses of Asian American/Black racial ideology [https://www.faculty.uci.edu/profile.cfm?faculty_id=2453 ]). And where Adolph got his Marxism.
I wouldn’t say I’m the most cosmopolitan world traveler. But the thing I will say is that, in every place that I’ve been, what I’ve noticed is that most people are scuffling trying to work for a living. It doesn’t matter what kind of food they eat or the music they listen to. I mean that’s all interesting, more or less. But the basic human condition is that, right?
1:30:30: NBA banter."]]>adolphreedjr 2022 race anyliu liberalism capitalism racerelations jimcrow history clarekim roxanegay charlesblow classreductionism racereductionism nationalism blacknationalism kennethclark ellenmeiskinswood newdeal class politics us merlinchowkwanyun sociology neoliberalism economics economists reaganism morality moralism society marxism ethnocentrism hierarchy socialorder slavery quentintarantino coercion culture media tv television film ideology sorting whitesupremacy oppression inequality discourse power classpowerhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:935a7ce9f698/Silicon Valley Founders Are Not the Protagonists of Reality | The Nation2022-04-05T06:15:10+00:00
https://www.thenation.com/article/society/uber-theranos-wework-tv/
robertogrecomalcolmharris siliconvalley venturecapital television uber theranos wework elizabethholmes adamneumann traviskalaick capitalism capital latecapitalism masayoshison softbank suadiarabia speculation markets saudipublicinvestmentfund lyft finance investment hubris elonmusk teslahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:d96120c2ae2c/How Did Anime Become So Popular In the USA? | Subcultured - YouTube2022-03-24T17:45:30+00:00
https://www.youtube.com/watch?v=oSCj8H4TGTo
robertogrecojoseflorenzo anime subcultured japan otaku culture subcultures 2022 1988 history fansubbing us translation subtitles import community distribution 1980s 1990s pokemon dragonballz sailormoon yu-gi-oh 1993 hayaomiyazaki studioghibli spiritedaway nerds akira defiance resistance kanyewest mainstream popularity generations 2000s media television tv film manga animation friendship chosenfamilies inclusivity inclusive gundam macross kumikosaito tsutomumiyazakihttps://pinboard.in/https://pinboard.in/u:robertogreco/b:351415d413b9/Anthony and Carmela Get Vaccinated2022-02-12T00:38:02+00:00
https://lareviewofbooks.org/article/anthony-and-carmela-get-vaccinated/
robertogrecovia:mk sopranos 2021 petercoviello television italianamericans italians culture food whiteness ethnicity us families psychology identity violence academia love covid-19 coronavirus pandemic thesopranoshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:840dd2d7bd67/HBO's 'Station Eleven' Surpasses the Novel: Patrick Somerville’s adaptation is about adaptation2022-01-18T02:05:38+00:00
https://www.gawker.com/culture/hbos-station-eleven-surpasses-the-book
robertogrecoaaronbady 2022 stationeleven tv television art dystopia utopia relationships strangers mutualaid pandemic emilystjohnmandel patricksomerville theater company care caring purpose trauma death mourning grief grieving capitalism trust canon loss humanism humanity anarchism anarchy survival love loving hbohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:011469513298/Station Eleven: Where the end of the world is a vibrant, lush green - Vox2022-01-15T06:23:41+00:00
https://www.vox.com/culture/2022/1/10/22872347/station-eleven-hbo-max-color-green-apocalypse
robertogrecoemilyvanderwerff stationeleven filmmaking color dystopia tv television film imagery cinematography time pandemic hiromurai christianspenger emilystjohnmandel patricksomerville 2022 hbohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:57604960db84/In “Station Eleven,” All Art Is Adaptation | The New Yorker2022-01-15T06:22:05+00:00
https://www.newyorker.com/culture/on-television/in-station-eleven-all-art-is-adaptation
robertogrecokatywaldman 2022 stationeleven tv television adaptation change art dystopia emilystjohnmandel writing pandemic patricksomerville hbohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:3db568c14851/Station Eleven rewards the viewer in ways "puzzle TV" doesn't.2022-01-15T06:21:04+00:00
https://slate.com/culture/2022/01/station-eleven-anti-puzzle-tv-ending.html
robertogrecolililoofbourow 2022 stationeleven tv television pandemic dystopia adaptation despair uncertainty grief emilystjohnmandel patricksomerville hbohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:41de84bb01d2/Nonlinear Delivery Options: The Times of "Station Eleven"2022-01-15T06:19:38+00:00
https://lareviewofbooks.org/article/nonlinear-delivery-options-the-times-of-station-eleven/
robertogrecostationeleven 2022 film filmmaking storytelling time jorgecotte adaptation tv television emilystjohnmandel patricksomerville timelines nonlinear linearity past present future hbohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:a7362bec88d2/Director and writer Sterlin Harjo almost quit the industry entirely. Then came ‘Reservation Dogs’2021-10-11T22:01:30+00:00
https://www.kcrw.com/culture/shows/the-business/reservation-dogs-fx/sterlin-harjo
robertogrecovia:tinkerkid sterlinharjo taikawaititi 2021 reservationdogs hollywood oklahoma film filmmaking tv television california socal indigenous indigeneityhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:8ac46153509c/Why Is Every Young Person in America Watching ‘The Sopranos’? - The New York Times2021-10-01T16:04:43+00:00
https://www.nytimes.com/2021/09/29/magazine/sopranos.html
robertogreco2021 willystaley sopranos tv television us davidchase italianamerians hbo howwewatch decline neoliberalism anxiety italianamericans bgingewatching storytelling canon society capitalism mafia thesopranoshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:d3180bfc025d/COMPOST Issue 02: Uncivilizing Digital Territories by Luandro2021-09-23T22:30:37+00:00
https://two.compost.digital/uncivilizing-digital-territories/
robertogrecoweb online community communities local small slow decentralization humanity humanism socialmedia capitalism latecapitalism derrickjensen growth cities power culture oppression oscarkawagley monoculture plurality technology algorithms ai artificialintelligence ranprieur digital coolab digital-democracy democracy locality place collaboration collective collectivism interdependence accessibility assimilation colonization colonialism imperialism wisblocks librerouterproject networks mobile phones smartphones interactive solidarity janastu hackaday wifi microcontrollers software hardware open television platforms education learning howwelearn sharing holeinthewall computers computing servers ownership identity autonomy kindship curiosity maintenance brazil brasil economics governance self-governance sneakernets efficiency engagement exclusion inclusion luandro 2021 internet indigenous indigeneity unschooling deschoolinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:78f84cb9f075/Who Actually Gets to Create Black Pop Culture? ❧ Current Affairs2021-08-07T01:19:46+00:00
https://www.currentaffairs.org/2021/07/who-actually-gets-to-create-black-pop-culture
robertogrecobertrandcooper 2021 class middleclass education popculture culture race racism georgefloyd representation inequality damonyoung briahnajoygray publishing theatlantic cornelwest jamesbaldwin 2019 1984 gatekeeping privilege poverty income highered highereducation upperclass journalism hbo netflix michaelshur thefloridaproject harvardlampoon ivyleague conono’brien stephencolbert comedy film tv television elliekemper abbijacobson amypoehler tiktok youtube twitter instagram culturecreation nickkroll johnmulaney ilanaglazer julialouise-dreyfus sethmeyers chrisrock shondarhimes avaduvernay debbieallen issarae marabrockakil courtneykemp britbennet deeshaphilyaw jesmynward donaldglover atlantafx nerds roxanegay colsonwhitehead blackness us society serenawilliams ta-nehisicoates williamjuliuswilson jimcrow blackculture blackpoor henrylouisgatesjr rajchetty cassiedecosta keishablain vannnewkirkii seanbaker moonlight barryjenkins ibramkendi davechapelle nytimes joebiden democrats centrists moderates elite mainstrehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:9d2d2e201910/Cosa significa non vedersi MAI rappresentati sullo schermo? | Netflix Italia - YouTube2021-07-31T16:04:16+00:00
https://www.youtube.com/watch?v=rcoBRbSQORA
robertogrecoitaly italia tv television film sumayaabdelqader cocorebeccaedogamhe harounfall beatricebruschi adrianfartade momokabanana diversity representationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:919e1e05b9a1/Bosch soundtrack (by season and episode)2021-06-28T19:00:46+00:00
https://www.tunefind.com/show/bosch
robertogrecojazz music tc television bosch harryboschhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:9ab04d79c63b/Netflix’s 'City of Ghosts' Maps a Better Way to See LA—and Everywhere Else | WIRED2021-03-19T09:39:20+00:00
https://www.wired.com/story/netflix-city-of-ghosts/
robertogrecolosangeles tv television maps mapping children cities storytelling netflix 2021 elizabethito placehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:78ee411d8d6d/How ‘City of Ghosts’ on Netflix combats 'whitewashed' L.A. - Los Angeles Times2021-03-19T09:39:07+00:00
https://www.latimes.com/entertainment-arts/tv/story/2021-03-12/city-of-ghosts-netflix-los-angeles-elizabeth-ito
robertogrecolosangeles tv television maps mapping children cities storytelling netflix 2021 elizabethito placehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:e46829bace69/Halt and Catch Fire Syllabus - Halt and Catch Fire Syllabus2021-02-03T04:02:43+00:00
https://bits.ashleyblewer.com/halt-and-catch-fire-syllabus/
robertogrecohaltandcatchfire computing culture history syllabus tv televisionhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:af7942c23cd3/The Analog City and the Digital City — The New Atlantis2020-11-08T23:13:43+00:00
https://www.thenewatlantis.com/publications/the-analog-city-and-the-digital-city
robertogrecoThe machine-like behavior of people chained to electronics constitutes a degradation of their well-being and of their dignity which, for most people in the long run, becomes intolerable. Observations of the sickening effect of programmed environments show that people in them become indolent, impotent, narcissistic and apolitical. The political process breaks down, because people cease to be able to govern themselves; they demand to be managed.
We have focused on how digital media transforms the subjective experience of individuals. The political corollary is that it enables and empowers regimes of algorithmic governance, predictive analytics, and social credit. The profound erosion of trust in the Digital City leaves a vacuum, and we look to our tools to fill it. We seem set upon interlocking trajectories: of ever greater swaths of the human experience being computationally managed, and of intractable human subjects increasingly breaking down or revolting against these conditions.
From another vantage point, however, we might see this as a hopeful moment, full of promise and opportunity. Another path also seems possible. Freed from certain unsustainable illusions about the nature of the self and the world, we may now be called back to reckon with reality in a new, more chastened and more responsible manner. It is possible that the Promethean aspirations that characterized the modern self and modern society may now yield to a more sober assessment of the limits within which genuine human flourishing might occur. It is possible, too, that we may learn once again the necessity of virtues, public and private — that we will no longer, as T. S. Eliot put it, be “dreaming of systems so perfect that no one will need to be good.”"]]>lmsacasas digital newmedia writing howwewrite reading 2020 howweread secondaryorality walterong politics discourse audience abundance scarcity news print text communication neilpostman digitalcity analogcity truth speech digitalmedia socialmedia saintaugustine change liminality factchecking publishing jaydavidbolter reformation scientificrevolution history internet web online smartphones publiclife cities urban urbanism community howwethink thinking nicholascarr 2008 web2.0 facebook twitter algorithms moderation commenting tv television video dialogue criticalthinking affordances technology citizenship censorship values char charlestaylor bufferedself disenchantment meaning meaningmaking magic power objects heresy security purity bots data bigdata automation knowledge systems systemsthinking vulnerability time place now identity sharedtime sharedspace simultaneity realtime telegraph radio presence social belonging ivanillich memory memories language literacy orality oraltradition fables institutions bureaucrahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:9c6b35065c0c/Is Trump a Fascist? What is Antifa? How Did We Get Here, Part I - YouTube2020-09-19T22:25:51+00:00
https://www.youtube.com/watch?v=c4OGYc7cvKo
robertogrecotobyrollo fascism parenting donaldtrump 2020 education children discipline familyvalues conservatism protest criticalthinking blackpantherparty blackpanthers angeladavis history school schooling curriculum unschooling deschooling learning freedom democracy families liberation germany babyboomers 1920s childwelfare spca elbridgethomasgerry childabuse maryellenwilson parentsrights childrensrights rights tv television sesamestreet fredrogers mrrogers danielgottlobmoritzschreber control childrearing strictness authority authoritarianism johannahaarer nazis nazism hitleryouth violence obedience hierarchy demagogues demagoguery 1939 wwii ww2 belonging order childhood theodoreadorno us erichfromm wilhelmreich psychology sociology herbertmarcuse bertramschaffner philippeariès lloyddemause alicemiller mortonschatzman katharinarutschky dorothywhipple madelinedixon benjaminspock 1940s 1950s 1930s 19060s 1970s 1980s ronaldreagan 1990s capitalism advertising blaiseryan summerhill asneill teaching alternative schoolineshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:b713d418ff44/How Failure Made ‘Halt and Catch Fire’ Great - The New York Times2020-07-29T06:58:00+00:00
https://www.nytimes.com/2017/10/14/arts/television/halt-and-catch-fire-finale.html
robertogreco2017 haltandcatchfire tv television jamesponiewozik failure 1990s technology computing web internet history creativity creation inventionhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:cd1dd92d6e80/Nobody Has Time For Walking Simulators In Halt And Catch Fire's Season Premier2020-07-29T06:57:25+00:00
https://kotaku.com/nobody-has-time-for-walking-simulators-in-halt-and-catc-1798464475
robertogrecovideogames haltandcatchfire 2017 tv television ethangatchhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:952c4baa54e4/Halt and Catch Fire Is The Only TV Show That Ever Got Video Games Right | Kotaku UK2020-07-29T06:54:06+00:00
https://www.kotaku.co.uk/2018/03/02/halt-and-catch-fire-is-the-only-tv-show-that-ever-got-video-games-right
robertogrecohaltandcatchfire 2018 videogames tv television development nintendo atari garethmonkhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:b2c99b34133c/WWW: The Way We Were2020-07-28T01:58:39+00:00
https://kottke.org/16/10/www-the-way-we-were
robertogrecoJoe: Berners-Lee wrote HTML to view and edit the Web and HTTP so that it could talk to itself. The chatter could be cacophonous, it could be deafeningly silent. Big picture: What will the World Wide Web become? Short answer: Who knows?
Donna: Ok, so what’s your point?
Joe: It’s a waste of time to try to figure out what the Web will become, we just don’t know. Because right now, at the end of the day, it’s just an online research catalog running on NeXT computers on a small network in Europe.
Cam: So, you’re saying everything we’ve talked about since we got here has been a waste of time?
Joe: I’m saying let’s take a step back. Literally step back.
Gordon: What is this on the board?
Joe: It’s the code for the Web browser.
Tom: And you wrote it all on the whiteboard.
Donna: The online catalog of research?
Cameron: Full of Norwegian dudes’ physics papers and particle diagrams and stuff?
Gordon: And we care about this because why?
Joe: How did we all get here today? The choices we made? The sheer force of our wills, something like that? Here’s another answer: the winds of fate, random coincidence, some unseen hand pushing us along. Destiny. How did we all get here today? We walked through this door. We don’t have to build a big white box or stadium or invent rock n’ roll. The moment we decide what the Web is, we’ve lost. The moment we try to tell people what to do with it, we’ve lost. All we have to do is build a door and let them inside.
When I was five, my mother took me to the city. And we went through the Holland Tunnel and it was basic, concrete and steel, but it was also my excitement sitting in the backseat, wondering when it was going to be our turn to emerge, it was the explosion of sunlight. And when we exited the tunnel, all of Manhattan was laid out before us. And that was the best part of the trip: **the amazing possibility to be able to go anywhere within something that is magnificent and never-ending.**
This is the first Web browser, the one CERN built to view and edit research. I wrote it up here for you to see how simple it is. It takes up one whiteboard — that’s basic concrete and steel — but we can take this and we can build a door and we can be the first ones to do it because right now, everyone else sees this…
Donna: …as an online research catalog…
Gordon: …running on NeXT…
Cameron: …on a network in Europe.
Joe: And with this handful of code, we can build the Holland Tunnel.
It’s Don Draper’s carousel speech from Mad Men…but for the Web. And it hit me right in the feels. Hard. When I tell people about the first time I saw the Web, I would sheepishly describe it as love at first sight. Logging on that first time, using an early version of NCSA Mosaic with a network login borrowed from my physics advisor, was the only time in my life I have ever seen something so clearly, been sure of anything so completely. It was a like a thunderclap — “the amazing possibility to be able to go anywhere within something that is magnificent and never-ending” — and I just knew this was for me and that it was going to be huge and important. I know how ridiculous this sounds, but the Web is the true love of my life and ever since I’ve been trying to live inside the feeling I had when I first saw it.
Which is why this scene wrecked me so hard. The Web that they are talking about on the show, the open Web, is ailing, dying. It was like listening to a eulogy at a funeral, this thing that I love, poured the best of my self into, gone forever. Of course that’s not strictly true, the Web is still a fabulous place where anyone can set up a site to do, say, or sell whatever they want, but instead of the promise of small pieces loosely joined, what we mostly got was large pieces tightly coupled. Today’s Web browsers and apps are Holland Tunnels that open up right into shopping malls instead of open city streets. Facebook makes it absurdly easy to start your own blog that all your friends and family can conveniently read, but you give up the freedom to say anything you want, it’s impossible to move those words elsewhere if you’d like (I’m talking with URLs and social graph intact), and they sell advertising against your words & images and you don’t get a cut.
Now, I’m not advocating a Make The Web Great Again policy because the open Web of the 90s had many problems, the greatest of which was a lack of access for anyone without the free time and skills necessary to set up a web server, install software, etc. etc., not to mention the expense involved. Today’s Web is much more accessible to people of all ages, backgrounds, and skill levels and as a result you see much more participation across the socioeconomic spectrum, especially in developing countries.
But the open Web enthusiasts and advocates missed an opportunity to take what the Web was in the 90s and make that available to everyone. Instead of walled gardens like Facebook, Pinterest, and Medium (which echo the closed online services like AOL, Prodigy, and Compuserve that predated the Web), imagine a bunch of smaller services bound together with open protocols where individuals have both freedom and convenience. At this stage, building an open Twitter or open Facebook is nearly impossible, but it wouldn’t have been 10-12 years ago. I hope I’m wrong, but with all of the entrenched incumbents and money pumping into online services, I’m afraid that time has truly passed. And it’s breaking my heart.”]]>haltandcatchfire www openweb 2016 online internet 1990s worldwideweb tv television walledgardens prodigy aol compuserve pinterest facebook medium timberners-lee kottke jasonkottke thewebwelosthttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6196db9cb5a3/Halt and Catch Fire (kottke.org)2020-07-28T01:57:30+00:00
https://kottke.org/tag/Halt%20and%20Catch%20Fire
robertogrecojasonkottke kottke haltandcatchfire television tvhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:613a96ee6520/Infovore » The Thing That Gets You To The Thing2020-07-28T01:54:40+00:00
https://infovore.org/archives/2020/03/23/the-thing-that-gets-you-to-the-thing/
robertogreco2020 haltandcatchfire tv television friendship relationships change tomarmitagehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:40d2c7227709/JustWatch - Streaming Search Engine for Movies and TV Shows2020-06-18T23:14:03+00:00
https://www.justwatch.com/us
robertogrecosearch film video television tv streaming onlinetoolkithttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6bcd79566f0c/Alison Roman, Bon Appétit, and the Global Pantry Problem - Eater2020-05-26T16:04:19+00:00
https://www.eater.com/2020/5/20/21262304/global-pantry-alison-roman-bon-appetit
robertogreconavneetalang 2020 food cooking alisonroman bonappetit testkitchen race whiteness exoticism appropriation ottolenghieefect television tv rickbayless christinatosi rickmartinez andybaraghani priyakrishna sohlael-waylly whitesupremacy ethnicity gayatrispivak power us ranveerbrar mainstream authority saminnosrat culture influence hennyzhang fetishization exploitation xiagordon gayatrichakravortyspivak spivakhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:9595cbc01962/Don’t leave jazz to the jazz guys | The Outline2020-01-30T06:20:40+00:00
https://theoutline.com/post/8604/jazz-guys-stereotypes-music-genre
robertogrecoI just think that people, when they say that they, you know, hate jazz, they just, they don’t have context, they don’t know where it comes from. Jazz was born in a little flophouse in New Orleans, and it’s just because people were crammed in there, they spoke five different languages, they couldn’t talk to each other. The only way they could communicate was with jazz.
This is a bit ridiculous, for one thing. People in New Orleans at the turn of the century were surely speaking English, French, Spanish, and Creole dialects, rather than carrying out conversations by blowing trumpets at each other. But cringier still is the shape this takes: a man lecturing a woman on a date about her lack of appreciation for a particular art form.
This is, unfortunately, a thing, one that particularly haunts women who play or listen to jazz. I once witnessed a first date at the Village Vanguard, the world’s most famous jazz club, where a man pointed at a picture of Joe Henderson and told his date it was Dexter Gordon. He then proceeded to sing her the bass line to Miles Davis’s “So What,” the first song on the first jazz album most people listen to. As Alexander Pope once wrote: “A little learning is a dangerous thing.”
***
My own interest in jazz grew in parallel to other kinds of music, and one of the things that has most confused me about the public perception of it is its depiction as something entirely distinct from different genres. Think of the way people ask each other, as part of a variety of getting-to-know-you processes, “what kind of music do you like?” People draw a variety of conclusions about your cultural background based on your answer, but if your answer is “jazz,” that seems to carry more of a connotation about your personality, like that you are a white guy who wears a fedora and calls people “cat.” It’s the type of thing you don’t list on a dating profile. An interest in jazz too often signifies the things it is depicted as in either Whiplash — a preening display of technical ability — or La La Land — a nostalgic fixation. It’s as though you admitted to being a Civil War reenactor, or worse, a snob. But for me, it’s never had anything to do with either.
Miles Davis’s 1959 album Kind of Blue — the one with “So What” — was probably also the first jazz album I heard, though I don’t remember the first time I heard it. There was a copy at my local library, and I do remember flipping past it many times. I began to recognize it as the token jazz album on Rolling Stone-type best album lists, but in the back of my mind, I thought, “that one is boring.”
[audio embed]
The first jazz album I liked was Grant Green’s 1963 Idle Moments, which I saw in the same bin, and chose for the unsophisticated reason that I liked the cover — a classic of Blue Note’s distinctive design. The 15-minute title track is like a film noir in miniature, and I’d never heard a vibraphone before, an instrument that sounds like a wisp of smoke in black and white. It’s played here by Bobby Hutcherson, and I started keeping my eye out for his name in lists of credits. Jazz was still a curiosity to me, but I began to browse books on it.
I chanced upon an outdated record guide, and flipped through it to check for names of artists and albums to look into. It was not a recommendation I remember but a warning: against saxophonist and composer Ornette Coleman, whom the author deemed a ruiner of jazz. By abandoning conventional harmony, said the author, Coleman’s music had disrupted the decorum of jazz and released it to the wolves. Obviously, I had to hear it.
[audio embed]
I found his breakthrough 1959 album The Shape of Jazz to Come, back in those CD bins. The cover is almost a visual joke, with its declarative title laid out over a rather demure photo of Coleman wearing a nice sweater and cradling a saxophone — scandalously, for the era, made of cheap white plastic rather than the traditional brass. The music was a revelation — unpretentious, but startlingly unique, somehow belonging to both a city street and to outer space. I’d never heard anything like it, and still haven’t. I began to trace his music backwards, to Charlie Parker and Thelonious Monk, and it was only after I spent years with the accelerated density of bebop that the spaciousness of Kind of Blue made any sense to me.
***
In a recent article in Jacobin titled “In Defense of Kenny G,” the composer John Halle — whose bio states that he was “formerly on the faculties of Yale and the Bard Conservatory” — characterizes jazz fans as elitists, scornful of the masses who have rightly rejected jazz as an indulgence of the bourgeoisie. The article contains no meaningful defense of Kenny G, and Halle admits he is not making a case for listening to him, which seems to miss the point of music in general. But he argues that distaste for Kenny G among jazz fans, along with their preference for the music in the jazz canon, is an instance of contempt for the authentic culture of working people. This doesn’t really line up with the public perception of the music. In La La Land, after Sebastian offers his account of the origins of jazz, Mia responds, “What about Kenny G?” For many people, both fans and haters, Kenny G, sadly or not, epitomizes jazz.
One might ask why jazz is the target for this invective in the first place. As a college student, I once attended a performance by the jazz pianist Jason Moran, of the compositions of Thelonious Monk. Beforehand, I overheard a conversation with an administrator of the concert hall, who noted the interruption of their program of “serious music” with amused disdain. Our discourse is so hampered by polarized debates between Marvel movies and art films that it becomes easy to forget that such creatures do exist, and they often hold positions of power and influence. Jazz is still subject to the same objectification Amiri Baraka noted in his 1963 essay “Jazz and the White Critic”:
We take for granted the social and cultural milieu and philosophy that produced Mozart. As Western people, the sociocultural thinking of 18th-century Europe comes to us as a legacy that is a continuous and organic part of the 20th-century West. The sociocultural philosophy of the Negro in America (as a continuous historical phenomenon) is no less specific and no less important for any intelligent critical speculation about the music that came out of it.
What Halle neglects to note is that jazz has been a form of popular music, one linked to the social life of a community, for most of its existence. Even music meant for listening rather than dancing, like the bebop of the 1940s, had populist qualities — the era’s major innovator, Charlie Parker, spent some of his final recording sessions playing pop songs over orchestral arrangements, an approach closer to Kenny G than either acolytes or detractors of modern jazz might like to admit.
Inconveniently, jazz recurs in subsequent forms of American popular music as well. Joni Mitchell and Steely Dan are obvious examples, as were many of their contemporaries, from experimental rock groups like King Crimson to soul songwriters like Stevie Wonder. More recently, Kendrick Lamar’s now-classic 2015 album To Pimp a Butterfly is, among other things, an experiment in making hip hop with a jazz methodology — contemporary jazz musicians like Kamasi Washington, Robert Glasper, and Ambrose Akinmusire are all over it.
I have often heard jazz described by people who don’t like it as music where everyone is soloing at once, or something to that effect. This sounds unpleasant, if what you’re used to is guitar solos in rock songs — boring interludes where you temporarily stop paying attention. Jazz, at its best, is something entirely different. The difference between composed music and improvised music is a matter of timing.
[audio embed]
Last year, the guitarist Bill Frisell put out an album of duets with bassist Thomas Morgan, the second release from a weeklong engagement they played at the Village Vanguard. I treasure both albums on their own merits, but the most incredible thing about them, for me, is that I was there — on one of the nights they recorded the music that makes up the album, I sat in the room and heard it come into being. They played a version of Billy Strayhorn’s “Lush Life” so exquisite that the moment it ended I wanted to share it with everyone I knew, and wished there was a way I could. In this case, I can. But better yet, this is an experience I can have again, and you can too. Jazz is a living music, one that exists in the real world in real time, and living, breathing musicians create moments of indescribable beauty every night.
It’s important not to be a jazz guy. But you don’t have to be one to listen to jazz.”]]>jazz music 2020 bosch shujahaider bluenote bluenoterecords stumptown georgeshearing samgaillard jonimitchell milesdavis johncoltrane charlesmingus jackkerouac dukeellington theloniousmonk homeland clairedanes johnmayer lalaland whiplash damienchazelle film television tv steelydan donaldfagen joehenderson dextergordon alexanderpope grantgreenornettecoleman charlieparker kennyg kindofblue johnhalle jasonmoran amiribaraka kamasiwashington robertglasper ambroseakinmusire thomasmorgan billfrisell harrybosch kingcrimson kendricklamar steviewonder timing improvisation discourse culture appreciation musicappreciation billystrayhorn villagevanguardhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:b50c9791f23c/Why Modern Human Interactions Are So Hard to Film - The Atlantic2020-01-22T19:25:15+00:00
https://www.theatlantic.com/technology/archive/2016/09/116-years-of-text-on-film/498890/
robertogreco2016 texting messaging film television tv depiction screens smshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:250245fdd00a/How movies and TV give life to the mundane text message | Ars Technica2020-01-22T19:24:42+00:00
https://arstechnica.com/information-technology/2014/02/the-pathos-of-the-text-message/
robertogreco2014 texting messaging film television tv depiction screens smshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:704780ec9e95/'Pretty Little Liars': A history of film and TV texting - Film Daily2020-01-22T19:23:49+00:00
https://filmdaily.co/obsessions/history-tv-film-texting/
robertogrecotexting messaging film tv television depiction screens smshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:589546f1b4de/How should TV shows and movies depict texting? - The Verge2020-01-22T19:22:59+00:00
https://www.theverge.com/2016/7/12/12159636/texting-tv-shows-movies-the-mindy-project-house-of-cards
robertogrecotexting messaging film television depiction 2016 tv screens smshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:aa5eed188440/A Brief Visual History of On-Screen Text Messages in Movies and TV2020-01-22T19:22:35+00:00
https://www.flavorwire.com/453006/a-brief-visual-history-of-on-screen-text-messages-in-movies-and-tv
robertogrecotexting messaging film television 2014 tv depiction screens smshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:16b909670e59/A Brief Look at Texting and the Internet in Film - YouTube2020-01-22T18:50:10+00:00
https://www.youtube.com/watch?v=uFfq2zblGXw
robertogrecocinematography communication culture film constraint tv television 2014 everyframeapainting sherlock form texting sms messaging userinterface design depiction internet online storytelling display texthttps://pinboard.in/https://pinboard.in/u:robertogreco/b:49ccb4633464/Too anxious to press play2020-01-10T08:29:03+00:00
https://theweek.com/articles/883299/anxious-press-play
robertogreconavneetalang 2019 netflix streaming choice barryschwartz paradoxofchoice indecision time amazonprime primevideo hulu disneyplus apple tv television video culture elitism postmodernism highbrow lowbrow youtube distraction attentionhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:df3b97d8097b/Canales de tele [Chile]2019-10-25T18:49:45+00:00
http://pslabs.cl/tele.html
robertogrecochile tv television streaminghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:158e9cd7bd11/Plataforma Audiovisual - CNTV2019-10-24T20:33:19+00:00
https://www.cntv.cl/videoteca
robertogrecotelevision chile streaming tv serieshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:ae53e2f84ed6/The New Spiritual Consumerism - The New York Times2019-08-20T23:35:30+00:00
https://www.nytimes.com/2019/08/19/arts/queer-eye-kondo-makeover.html
robertogrecoconsumerism consumption amandahess capitalism wellness 2019 class queereye classism inequality materialism netflix television tv latecapitalism makeovers audrelorde self-care gwynethpaltrow goop soulcycle equinox fitness kimkardashian mariekondo therapy mentalhealth politics economics instagram isolation loneliness comfort wellness-industrialcomplexhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:392e37f50a14/You Wanted A List2019-08-18T20:47:13+00:00
https://www.youwantedalist.com/
robertogrecotools howwework recommendations interviews film television books technology applications music toolkitshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:9b2270fc72b4/Where Are All the Bob Ross Paintings? We Found Them. - Video - NYTimes.com2019-07-13T01:19:53+00:00
https://www.nytimes.com/video/arts/100000005865824/bob-ross-paintings-mystery.html
robertogrecobobross 2019 art documentary television tv via:javierarbonahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:5342a54ca6c6/