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    <title>Ruby Neri / Reminisce: Living Proof Radio. Ep.212. - YouTube</title>
    <dc:date>2026-05-19T06:46:54+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["Ruby Neri, also known by her graffiti name Reminisce, emerged as a prominent figure during the golden era of San Francisco’s graffiti scene in the 1990s. She immersed herself in the Bay Area’s graffiti culture, painting, shoplifting and hanging alongside figures such as KR, AMAZE, Barry McGee (TWIST), Margaret Kilgallen (RIP) & Alicia McCarthy; all of whom helped define the street graffiti & art scene of the time. 

Rather than a classic throw-up, her graffiti focused on riderless horses that appeared across the Mission District. Her horses became iconic and are considered a classic amongst the Bay Area scene.

By the mid-1990s, Neri shifted from graffiti to studio practice, pursuing an MFA at UCLA and exploring new media; particularly ceramics. Over time, she grew tired of the adjacent phenomena that come with the culture of graffiti. She moved away from graffiti to sculptural vessels and figurative ceramic forms. Her ceramic works, often marked by vibrant sprayed glazes and stylized female figures, maintained a connection to her past as Reminisce. In recent years, Neri has returned to painting, bringing her career full circle. Today, Neri’s work bridges the raw immediacy of graffiti with the refinement of fine art. She is a key figure in the evolution of Bay Area art from underground to institutional recognition."

[other versions/clips/segments:

"Her Art Was Built on Theft — Now It Hangs in Galleries"
https://www.youtube.com/watch?v=GOZNdGzB7E8

"The Graffiti Legends Who Changed San Francisco Forever"
https://www.youtube.com/watch?v=szWi8zHgAA8

"The Police Crack-Down: San Francisco Graffiti"
https://www.youtube.com/watch?v=7ttEM8wpYlg ]]]></description>
<dc:subject>rubineri 2025 graffiti missionschool art sanfranciso streetart artists arts barrymcgee margaretkilgallen aliciamccarthy 1990s bayarea</dc:subject>
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    <title>A Tale Of Two First Thursdays — Roborant Review</title>
    <dc:date>2026-02-16T04:08:22+00:00</dc:date>
    <link>https://www.roborantreview.com/reviews/a-tale-of-two-first-thursdays</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Perspectives: A series authored by art world professionals on the state of the arts."

...

"Before proceeding, I should interject that I have no intention of villainizing anyone at the TLCBD—since we opened our space they have been incredibly helpful and supportive of us every step of the way, and generally do a lot of important work in the neighborhood. Everyone I’ve met who works for them also, in their own way, genuinely cares for the Tenderloin and wants to see it thrive. I also understand that, especially in our current economic climate, organizations like the TLCBD need to take whatever funding they can get—public or private—and selectiveness is not a luxury everyone can always afford to exercise in the nonprofit sector. That being said, it has become apparent I have some major philosophical differences with them regarding what our neighborhood needs right now, and it’s my opinion that it isn’t a sleek makeover aimed at transforming it into a trendy and up-and-coming place to live. We’ve all seen what similar initiatives have done in neighborhoods like Bushwick in Brooklyn, and Boyle Heights in Los Angeles—and they almost exclusively result in erased cultures, higher rents, and ultimately displacement. 

All opinions aside, however, the move to bring that same money—and the same people behind DFT—into our neighborhood to manufacture this rebranding was something more than an ideological difference at this point—it was personal. If watching this cabal of billionaires and their money usurp the First Thursdays wasn’t hard enough, not being able to speak up or do anything about it for two years has given the umbrage I’ve carried plenty of time to ferment. This was, not to mention, compounded by the recognition of the greater motives at play—to further transform San Francisco into a playground for the ultra-wealthy along with their ensuing urban development and unchecked tech experimentation (e.g., Waymo). Offers to bolster and fold the First Thursday Art Walk into this “Larkin Street Revival” program struck me as a textbook example of Art Washing—because, of course, if efforts to “revive” and gentrify a commercial corridor are underway, what better place to start than with a monthly art walk?

Beginning on January 1st, 2026, the First Thursday Art Walk officially found itself without funding once again—and admittedly of my own volition this time. The TLCBD offered to try to find additional funding that did not come from Chris Larsen’s $5 million donation, but I decided that the affiliation, even if only by proxy, was too strong, and I was thus resolute in cutting my ties with them. I did, however, acknowledge that while I was the steward and the main organizer, I did not start nor own the Art Walk. It was a community event, and the community ought to decide what was best for it. If the community chose to take Chris Larsen’s money, I would not stand in their way—however, neither I nor my gallery would have any part in it. On January 27th, I called a meeting that brought together a congress of those of whom I considered the most active participants of the Art Walk—those who regularly organized events each month and had some level of investment in the growth of the First Thursdays. The objective was to educate everyone on the situation, share opinions, and discuss whether they as a whole wanted to accept this money, and if not, then what to do in the interim until alternative sources of funding were found. 

Among the dozen or so small business owners and representatives present, the consensus on whether to take the money was generally divided. A few people wholeheartedly stood behind my decision, while a few others were quite vocal in their beliefs that the money could benefit the community. Most, however, acknowledged both the pros and cons equally and expressed little more than indecision. One of the biggest arguments for accepting it was that the money was going to be allocated to the neighborhood anyway, and as the pre-existing small businesses here, we should be the ones to receive it and put it to use. An understandable perspective, but one that, for me at least, begins to break down in light of the increasingly exposed designs underway in the reshaping of our city to fit the wants and needs of a select few at the cost of many. And if we believe these billionaires are inherently unethical, along with their constant bypassing of democracy through “charity,” the question remains: how can we accept their contributions without incurring the moral and existential toll? 

While no conclusion was reached at the meeting, more or less everything was laid out on the table, and it was decided that the matter of accepting Chris Larsen’s money would be put to a vote in the coming weeks. This would give everyone time to do their own research and come to their own conclusions before making a final judgment. The Art Walk now sits in limbo, and the future of its governance rests in the hands of its most devoted participants. 

Go To Hell With Your Money, Bastards

Of all of my favorite pieces of dusty, twentieth-century art history lore, one of the perhaps most inspiring is the response of Danish artist and thinker Asger Jorn (co-founder of the COBRA group and Situationist International) to receiving the Guggenheim International Award in 1964. The esteemed award, which included a $2,500 prize, was promptly rejected by Jorn who, via telegram, immediately responded with “Go to hell with your money, bastard,” and a demand that public confirmation of his refused participation be made. In a day-and-age when selling out is not only increasingly acceptable, but the active goal of many artists and institutions, the sentiment of Jorn’s telegram rings for me now louder than ever. 

While the term “art washing” itself is relatively new, the practice has existed in many forms over the course of not just decades, but centuries. As early as the Renaissance, the aristocracy has used art to both launder any number of their own misdoings and as attempts to share credit for the achievements of greater minds than their own. Jorn most certainly saw past this veil, just as many now collectively recognize the sly employment of artists, muralists, galleries, and subcultures as tools for real estate speculation and development. Given such understanding, I would think the choice to not accept money from the likes of Chris Larsen, Daniel Lurie, or the Civic Joy Fund should be an easy one. 

The unfortunate reality, however, is that the reigning narrative of modern-day San Francisco just may no longer be one of conviction, compassion, and standing up to power that it has historically been touted for. That narrative has been replaced by one defined by mass surveillance, hostile anti-houseless architecture, and the full embodiment of our century’s tech-entrepreneurial response to Manifest Destiny. And the remaining pockets of genuine culture and community that exist here seem under constant threat themselves of either co-option, exploitation, or eventual displacement. For those of us who are still clutching onto some vision of the San Francisco we fell in love with however many years ago, the choice is now ours as to whom we align ourselves with. 

I know a lot of people view the Civic Joy Fund and their donors and affiliates as some sort of vital and even necessary force in the resuscitating of our city and in helping it to thrive. Others, like myself, see it as yet another arm of the technocratic billionaire class’s crushing stranglehold on the soul of San Francisco, but all the more nefarious in its masquerading as culture, equity, and inclusion. It is of my humble opinion that a city is not “thriving” when a small group of the ultra-wealthy are having to bankroll endless free street concerts and activations to try to make the city more fun for exactly the same class of people who helped decimate it in the first place—especially when those activations are co-opted and at the expense of pre-existing traditions like the Tenderloin & Lower Polk Art Walk. 

A city thrives when working-class families, individuals, and artists can afford to live in it and aren’t constantly suffocated by rent, rising costs of living, and the looming fear of eviction. A city thrives when workers, students, and small businesses are supported both by infrastructure and by demographics of people who not only inherit the city but are actively interested and engaged with it. San Francisco’s problem for too long has been pandering to an industry of people who are generally detached—and whose only incentives for living here lie in the close proximity to their tech jobs and the convenience of being able to order a near-infinite variety of meals from DoorDash while they isolate in the safety and comfort of their condos and can only be lured out with enormous (and free) block parties. 

As I write this, the corporate street fair known as DFT, about which I’ve hitherto been prohibited from speaking, continues to rage on at the start of each month, along with the endless other events and activations they’re trying to use to invigorate San Francisco and, in turn, preserve the investments of the city’s wealthiest shareholders. Meanwhile, the future of the First Thursday Art Walk—or at very least my involvement in it—is precarious. These recent events have led me to do some deep introspection about whether a gallery like ours, and a monthly art walk, can even exist at all in a neighborhood like the Tenderloin without, in some way—if even inadvertently—feeding the cycles of gentrification, no matter how intent we’ve become on resisting them. Looking back, I question whether my endeavors to work with the city at all have been the right idea, and whether my efforts would have matured better had they remained in spite of, rather than in collaboration with, these institutions shaped by conflicting incentives and entrenched in the power structures that govern San Francisco. 

Documenting this all has also prompted me to do some serious ruminating on not only my own complicity, but that of artists and galleries in general within these extractive economic systems we’re immersed in. Unless one keeps the creative work they do entirely divorced from commerce—and I praise the few that do—there is no practical way to vet every transaction that helps uphold our practices. As the adage goes, there is no ethical consumption under capitalism. This raises the question: when, and where do we then draw the line? For me, I’ve concluded it’s when my work risks being weaponized, either directly or indirectly, to perpetuate harm or promote the agendas of those I stand in moral opposition to. Witnessing what has happened in San Francisco over the past few years, I’ve grown to understand how challenging it can be for artists to evade such agendas, as they often arrive disguised as much-needed patronage and support, and prey on a financially vulnerable class of people. But that does not excuse us from having to ask ourselves these hard questions, and with what’s happening in our city, the time to be asking them is now.  

The closure of Moth Belly Gallery at this point may be all but imminent, but I’d much prefer that over having our legacy tainted by any affiliation to the rampant sterilization of this city and the billionaire money propelling it. Besides, five years is a long time to have run a space like ours, and it would be in line with the ephemeral nature of DIY, artist-run galleries to clock out around this time. If that means getting a regular job again, all the better—as I’m at a point where I’d rather do that than continue to be constantly beholden to the interests of others when it comes to the things that I cherish. And if that also entails the true end of my now 23-year tenure as a resident of San Francisco, I also accept that fate, and am thankful for having at least caught a short glimpse of the marvelous city San Francisco once was before being devoured by the mass corporatization of the twenty-first century."]]></description>
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    <title>Barry McGee &amp; Margaret Kilgallen in “Place” - Season 1 | “Art in the Twenty-First Century&quot; on Vimeo</title>
    <dc:date>2025-03-17T08:27:53+00:00</dc:date>
    <link>https://vimeo.com/1033148903</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Art21 proudly presents an artist segment, featuring Barry McGee & Margaret Kilgallen, from the "Place" episode in Season 1 of the "Art in the Twenty-First Century" series.

"Place" premiered in September 2001 on PBS.

This segment follows Barry McGee and Margaret Kilgallen to the local train yards where the artists point out their favorite markings and leave some of their own, contributing to a graphic conversation that spans train cars across the nation.

Margaret Kilgallen was born in 1967 in Washington, D.C., and lived in San Francisco, with her husband, Barry McGee, where she passed away in 2001. Learn more about the artist at: https://art21.org/artist/margaret-kilgallen


Barry McGee was born in 1966 in San Francisco, California, where he currently lives and works. Learn more about the artist at: https://art21.org/artist/barry-mcgee/ "]]></description>
<dc:subject>2002 barrymcgee art streetart graffiti folkart typograph lettering art21 sanfrancisco missiondistrict themission place trains trainyards rail railways railroads letterpress painting printmaking human imperfection money artworld access public missionschool margaretkilgallen softbank masayoshison cheguevara marxism truth abuse</dc:subject>
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<item rdf:about="https://www.ucpress.edu/books/ephemeral-histories/paper">
    <title>Ephemeral Histories: Public Art, Politics, and the Struggle for the Streets in Chile, by Camilo Trumper (2016) - University of California Press</title>
    <dc:date>2025-01-26T01:12:05+00:00</dc:date>
    <link>https://www.ucpress.edu/books/ephemeral-histories/paper</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["About the Book

Politics under Salvador Allende was a battle fought in the streets. Everyday attempts to “ganar la calle” allowed a wide range of urban residents to voice potent political opinions. Santiaguinos marched through the streets chanting slogans, seized public squares, and plastered city walls with graffiti, posters, and murals. Urban art might only last a few hours or a day before being torn down or painted over, but such activism allowed a wide range of city dwellers to participate in the national political arena. These popular political strategies were developed under democracy, only to be reimagined under the Pinochet dictatorship. Ephemeral Histories places urban conflict at the heart of Chilean history, exploring how marches and protests, posters and murals, documentary film and street photography, became the basis of a new form of political change in Latin America in the late twentieth century.

About the Author

Camilo D. Trumper is an Assistant Professor of American Studies and Latin American History at the University at Buffalo, SUNY.

Reviews

"Bold and original, built upon repeated acts of disciplinary transgression, Ephemeral Histories is a remarkable work of historical recuperation.  From graffiti and photography to architecture and urban planning, Trumper's range is astonishing. Bringing the physical space of Santiago--its streets and walls, its homes and neighborhoods--into sharp relief, Trumper reveals the array of forms, places, and everyday practices through which politics was made public in the turbulent eras of Allende and Pinochet. Rarely has the promise of interdisciplinarity been so vividly realized."— Raymond Craib, author of The Cry of the Renegade: Politics and Poetry in Interwar Chile

"With a sensitive eye for the ephemeral and the mundane, drawing from a diverse and neglected archive of public life, Trumper tells the story of a creative moment in Chilean and Latin American history, and explains the broad repression that followed it. His innovative approach to the public sphere offers new possibilities for a strongly conceptualized yet empirically rich history of politics and culture."— Pablo A. Piccato, Columbia University

"Trumper innovatively links familiar subjects to trailblazing and absorbing discussions of the UNCTAD building, photography, and posters during Salvador Allende’s “Chilean road to socialism,” providing great insight into the relationship between sociopolitical conflict, visual propellants and manifestations of discourse, and urban space. Ephemeral Histories is an original piece of scholarship that will push historians and other scholars to question some prevailing narratives on Chile during the late 1960s and early 1970s."— Patrick Barr-Melej, Ohio University"]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=ncH0-q9OXco">
    <title>The Situationist International (full documentary) - YouTube</title>
    <dc:date>2025-01-14T17:16:31+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=ncH0-q9OXco</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["On the Passage of a Few People Through a Rather Brief Moment in Time: The Situationist International 1956-1972

A video documentary combining exhibition footage of the Situationist International exhibitions with film footage of the 1968 Paris student uprising, and graffiti and slogans based on the ideas of Guy Debord. 

Directed and produced by Branka Bogdanov in 1989."]]></description>
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<item rdf:about="https://psyche.co/ideas/works-of-urban-graffiti-are-not-vandalism-but-public-monuments">
    <title>Works of urban graffiti are not vandalism, but public monuments | Psyche Ideas</title>
    <dc:date>2024-11-03T22:34:50+00:00</dc:date>
    <link>https://psyche.co/ideas/works-of-urban-graffiti-are-not-vandalism-but-public-monuments</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["They might appear to have little in common with statues or obelisks, but graffiti images serve a vital public function"
]]></description>
<dc:subject>graffiti rafaelschacter 2024 vandalism painting art architecture philosophy cities urban urbanism participation participatory streetart jennyholzer catherineopie monuments</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:cf54aac5e11e/</dc:identifier>
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<item rdf:about="https://www.newyorker.com/news/letter-from-silicon-valley/waymo-cars-and-honey-bears">
    <title>Waymo Cars, Honey Bears, and the Future of San Francisco | The New Yorker</title>
    <dc:date>2022-07-22T23:54:17+00:00</dc:date>
    <link>https://www.newyorker.com/news/letter-from-silicon-valley/waymo-cars-and-honey-bears</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Maybe this is what is meant by “tech culture.” A self-driving car named Sourdough ferries novelty-seeking passengers across the Inner Sunset while capturing footage that might be useful for the cops. A local artist scales by adopting political causes as if they’re software skins. At the grocery store, a man and I stand beside each other, deliberating over mustards—but I am running errands, and he is on the clock. Walking through the city, I wonder whose block parties, medical appointments, or conversations could someday be weaponized by law enforcement. Even if it’s not the end of privacy, or mystery, it marks a decline in imagination—a capitulation to a generic sensibility, and to a visual culture of copy-paste. It’s the aesthetic of software at scale, in every window, at every stoplight, on every city block."]]></description>
<dc:subject>sanfrancisco californianideology tech technology 2022 annawiener streetart fnnch privacy homogeneity whitening sfpd bigtech self-drivingcars cars urban urbanism policy governance sameness publiclife commons future privatization corporatism transportation uber lyft capitalism latecapitalism neoliberalism waymo cruise gm alphabet google generalmotors california siliconvalley robotaxis autonomousvehicles tesla police policing surveillance williams-sonoma sotheby's burningman honeybear art nfts politics bayarea iconography monetization covid-19 coronavirus pandemic postmates instacart technosolutionism nest ring amazon cameras latestagecapitalism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:27d7d706ed45/</dc:identifier>
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<item rdf:about="https://www.youtube.com/watch?v=_g2CaF12xxw">
    <title>How radical gardeners took back New York City - YouTube</title>
    <dc:date>2021-06-08T00:03:23+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=_g2CaF12xxw</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Seed bombs, the "tree lady of Brooklyn," and the roots of urban gardening. 

New York City looked a lot different in the 1960s and 1970s. A sharp economic decline and white flight meant there was mass disinvestment and urban decay, particularly in the city’s lower-income neighborhoods. It’s what Hattie Carthan and Liz Christy noticed in their communities when they each set out to revive their neighborhoods by making them greener. Ultimately, their radical acts of gardening would transform the landscape across New York City."]]></description>
<dc:subject>ranjanichakraborty missingchapter 2021 gardening guerillagardening streetart seedbombs nature plants multispecies hattiecarhan lizchristy nyc</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f1dada5609f8/</dc:identifier>
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<item rdf:about="https://www.somosla.net/">
    <title>Godfather of West Coast Graffiti | Somos LA</title>
    <dc:date>2021-01-27T23:32:41+00:00</dc:date>
    <link>https://www.somosla.net/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also:
https://www.instagram.com/chaz_bojorquez/
https://www.instagram.com/californialocos/
https://en.wikipedia.org/wiki/Charles_%22Chaz%22_Boj%C3%B3rquez ]]]></description>
<dc:subject>chazbojórquez design art graphicdesign lettering graffiti streetart</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:fdae1ae51a84/</dc:identifier>
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</item>
<item rdf:about="https://www.journals.uchicago.edu/doi/full/10.1086/526480">
    <title>The Radiant (Christ) Child: Keith Haring and the Jesus Movement | American Art: Vol 21, No 3</title>
    <dc:date>2019-04-15T00:02:20+00:00</dc:date>
    <link>https://www.journals.uchicago.edu/doi/full/10.1086/526480</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Keith Haring's pulsating, cartoon figures are immediately recognizable to most viewers and have become emblematic of the New York art world of the 1980s. Haring's art has been interpreted as an expression of the optimistic indulgence of this period, a representation of the New York club scene as well as homoerotic currents, and a visual tool for the campaign against AIDS. But one important aspect of his youthful experience has been largely overlooked—his 1970s engagement with the Jesus Movement. This teenage encounter left a powerful impact on Haring's overall ideologies and his pictorial vocabulary, beginning with the Radiant child “tag” he left in his early days as a graffiti artist. In his brief but intense painting career, he transformed source material from this charismatic religious group's visual culture into images that were relevant to his 1980s art world. In doing so, he retooled the Jesus Movement's redemptive imagery into more pessimistic and ambiguous statements—such as his figures with holes in their stomachs—and created an expression of apocalyptic belief suited to his time."]]></description>
<dc:subject>keitharing art mataliephillips 2007 radiantchild jesusmovement streetart religion graffiti</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0869359a3f33/</dc:identifier>
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<item rdf:about="https://radiantchild.weebly.com/the-radiant-child.html">
    <title>The Radiant Child - Jean-Michel Basquiat: A SAMO© Reference + Resource + Remembrance</title>
    <dc:date>2019-04-15T00:01:03+00:00</dc:date>
    <link>https://radiantchild.weebly.com/the-radiant-child.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Both these artists are a success in the street where the most critical evaluation of a graffito takes place. Jean-Michel is proud of his large SAMO Tag in a schoolyard, surrounded by other Tags on top of Tags, yet not marked over. This demonstrates respect for the artist as not just a graffitist but as an individual, the worth of whose Tag is recognized. There's prestige in not being bombed over. There are also fake SAMOS and Harings as well as a counter-Haring graffitist who goes around erasing him. The ubiquity of Jean-Michel's SAMO and Haring's baby Tags has the same effect as advertising; so famous now is that baby button that Haring was mugged by four 13-year-olds for the buttons he was carrying (as well as for his Sony Walkman.) The Radiant Child on the button is Haring's Tag. It is a slick Madison Avenue colophon. It looks as if it's always been there. The greatest thing is to come up with something so good it seems as if it's always been there, like a proverb. Opposite the factory-fresh Keith Haring is Jean-Michel's abandoned cityscape. His prototype, the spontaneous collage of peeling posters, has been there for everyone's ripping off. His earlier paintings were the logical extension of what you could do with a city wall. (For the moment he's stopped the collage.) His is a literal case of bringing something in off the street but with the element of chance removed. I'm always amazed at how people come up with things. Like Jean-Michel. How did he come up with the words he puts all over everything, his way of making a point without overstating the case, using one or two words he reveals a political acuity, gets the viewer going in the direction he wants, the illusion of the bombed-over wall. One or two words containing a full body. One or two words on a Jean-Michel contain the entire history of graffiti. What he incorporates into his pictures, whether found or made, is specific and selective. He has a perfect idea of what he's getting across, using everything that collates to his vision."]]></description>
<dc:subject>renéricard jean-michelbasquiat basquiat 1981 artforum art keithharing graffiti streetart samo</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8df1e3a259f3/</dc:identifier>
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<item rdf:about="https://en.wikipedia.org/wiki/Toynbee_tiles">
    <title>Toynbee tiles - Wikipedia</title>
    <dc:date>2018-08-11T21:07:33+00:00</dc:date>
    <link>https://en.wikipedia.org/wiki/Toynbee_tiles</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>toynbeetiles streetart tiles arnoldtoynbee</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:13670df47627/</dc:identifier>
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</item>
<item rdf:about="http://www.resurrectdead.com/">
    <title>Resurrect Dead - Trailer</title>
    <dc:date>2018-08-11T20:57:14+00:00</dc:date>
    <link>http://www.resurrectdead.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[Here, for now: https://vimeo.com/139745603 ]

"Strangeness is afoot. Most people don't notice the hundreds of cryptic tiled messages about resurrecting the dead that have been appearing in city streets over the past three decades. But Justin Duerr does. For years, finding an answer to this long-standing urban mystery has been his obsession. He has been collecting clues that the tiler has embedded in the streets of major cities across the U.S. and South America. But as Justin starts piecing together key events of the past he finds a story that is more surreal than he imagined, and one that hits disturbingly close to home."]]></description>
<dc:subject>documentaries documentary film justinduerr streetart towatch toynbeetiles arnoldtoynbee</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:045a229b30d5/</dc:identifier>
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<item rdf:about="https://www.juxtapoz.com/news/film/red-bull-arts-new-york-produces-rammellzee-it-s-not-who-but-what-examining-the-groundbreaking-artist/">
    <title>Juxtapoz Magazine - Red Bull Arts New York Produces “RAMMELLZEE: It’s Not Who But What,” Examining the Groundbreaking Artist</title>
    <dc:date>2018-06-03T03:41:07+00:00</dc:date>
    <link>https://www.juxtapoz.com/news/film/red-bull-arts-new-york-produces-rammellzee-it-s-not-who-but-what-examining-the-groundbreaking-artist/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Elaborating on the ornate and abstract visual language of wild style graffiti, Rammellzee decided to create his own Alphabet, arming the letter for assault against the tyranny of our information age. A visionary, polymath and autodidact, Rammellzee infused urban vernacular with a complex and hermeneutic meta-structure that was informed equally by the illuminated manuscripts of the Middle Ages, the history of military strategy and design, radical politics and semiotics.

A persistent and formidable figure in New York’s Downtown scene since he moved from his childhood home in the Rockaways and relocated to a studio in Tribeca in the late ’70s, Rammellzee garnered a legion of followers (notably including A-One, Toxic and Kool Koor) to his school of Gothic Futurism and stormed public consciousness with his performances in films like Charlie Ahearn’s Wild Style and Jim Jarmusch’s Stranger Than Paradise. His most famous collaboration, however, was with his one-time friend and life-long nemesis Jean-Michel Basquiat, who immortalized him in his masterwork Hollywood Africans and produced Rammellzee’s signature single “Beat Bop,” releasing it on his own label, Tar Town Records. To this day, it is considered one of the foundational records of hip hop. After enjoying much success in the art world in the ’80s, Rammellzee would turn his back on the gallery system and spend the rest of his life producing the Afrofuturist masterpiece The Battle Station, in his studio loft.

Guided by his treatise on “Ikonoklastik Panzerism,” the first manifesto he wrote while still a teen, Rammellzee was at once the high priest of hip hop and a profoundly Conceptual artist. In his expansive cosmology, born of b-boy dynamics, the wordplay of rap and the social trespass of graffiti, Rammellzee inhabited multiple personae in an ongoing performance art where identity and even gender became fluid and hybrid. Over the past two decades of his life, increasingly focused on his studio practice, he created a mind-blowing universe of Garbage Gods, Letter Racers, Monster Models and his surrogate form, the vengeful deity of Gasolier. Though his art, working with toxic materials, and lifestyle brought about an early death in 2010, his ideas and art remain a legacy we’ll be trying to figure out for generations to come. —Carlo McCormick"

[video on YouTube: https://www.youtube.com/watch?v=PjAfVHSeIvY ]

[See also:

"The Spectacular Personal Mythology of Rammellzee"
https://www.newyorker.com/magazine/2018/05/28/the-spectacular-personal-mythology-of-rammellzee

"The Rammellzee universe"
https://boingboing.net/2018/05/23/the-rammellzee-universe.html

"Art Excavated From Battle Station Earth" (2012)
https://www.nytimes.com/2012/02/26/arts/design/rammellzees-work-and-reputation-re-emerge.html

http://redbullartsnewyork.com/exhibition/rammellzee-racing-thunder/press/
https://en.wikipedia.org/wiki/Rammellzee ]]]></description>
<dc:subject>rammellzee via:subtopes nyc history art music 1970s artists video basquiat afrofuturism jimjarmusch charlieahearn gothicfuturism autodidacts polymaths jean-michelbasquiat middleages illuminatedmanuscripts streetart graffiti edg costumes performance glvo autodidactism</dc:subject>
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<dc:identifier>https://pinboard.in/u:robertogreco/b:ecb3db015263/</dc:identifier>
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<item rdf:about="http://www.sfmuralarts.com/">
    <title>San Francisco Mural Arts</title>
    <dc:date>2016-10-13T02:50:11+00:00</dc:date>
    <link>http://www.sfmuralarts.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["San Francisco is a virtual outdoor art gallery where city walls become the artist’s canvas and the unremarkable become works of art. And it's free for all to enjoy. SF Mural Arts is an online resource for those who are passionate about art and intrigued by the murals of San Francisco. The website highlights a collection of murals visible on city streets and those that are tucked away in the interiors of city buildings, and includes photos, locations, and details about each piece.
We welcome you to SF Mural Arts and hope you find the collection useful in your mural adventures!"]]></description>
<dc:subject>sanfrancisco murals art streetart</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:3dc535923480/</dc:identifier>
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<item rdf:about="https://www.streetartsf.com/">
    <title>Street Art SF</title>
    <dc:date>2016-10-13T02:49:28+00:00</dc:date>
    <link>https://www.streetartsf.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also: http://streetartsf.tumblr.com/
https://www.flickr.com/photos/streetartsf
https://twitter.com/streetArtSF ]]]></description>
<dc:subject>sanfrancisco streetart art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:81e8020c023e/</dc:identifier>
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    <title>8 Cities That Show You What the Future Will Look Like | WIRED</title>
    <dc:date>2015-09-26T01:46:40+00:00</dc:date>
    <link>http://www.wired.com/2015/09/design-issue-future-of-cities/</link>
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<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:45ec3fa6505a/</dc:identifier>
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<item rdf:about="http://www.javierderiba.com/works/category/floors">
    <title>Categorías: Floors - Javier de Riba</title>
    <dc:date>2015-07-08T15:55:07+00:00</dc:date>
    <link>http://www.javierderiba.com/works/category/floors</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>art javierderiba patterns floors streetart</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e2b41c0084e8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
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</item>
<item rdf:about="http://alsoshotoniphone6.tumblr.com/?og=1">
    <title>Also Shot on iPhone 6</title>
    <dc:date>2015-03-26T20:32:55+00:00</dc:date>
    <link>http://alsoshotoniphone6.tumblr.com/?og=1</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>iphone apple marketing iphone6 humor photography tumblrs shotoniphone streetart</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f7a6156a0bbe/</dc:identifier>
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</item>
<item rdf:about="https://streetart.withgoogle.com/">
    <title>Street Art Project, by Google Cultural Institute</title>
    <dc:date>2014-06-12T21:03:56+00:00</dc:date>
    <link>https://streetart.withgoogle.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["An ongoing collection of art from the streets."]]></description>
<dc:subject>maps mapping google streetart art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:994858d210d7/</dc:identifier>
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<item rdf:about="http://www.writerzblok.com/">
    <title>Writerz Blok</title>
    <dc:date>2014-05-13T22:40:24+00:00</dc:date>
    <link>http://www.writerzblok.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[""Call a kid a tagger and he’s a criminal. Help him become an artist and everything changes."

Art, like beauty, is in the eye of the beholder. What’s prized by one person, might be despised by another. What’s priceless to some, means little to others.

With street art this is even more the case. What some call vandalism, others see as bold, beautiful, and expressive. What some paint over, others want to frame.

About Writerz Blok
But on one thing, most agree. When graffiti is scrawled on a park bench, private business, or freeway overpass, it impacts community pride, spawns fear, and contributes to gang violence.

Indeed, graffiti is an ongoing problem in many of San Diego’s older urban centers, creating a dismal backdrop for even the brightest efforts at revitalization. In one such community, however, something entirely different is taking place. Graffiti is being used as a tool for the very transformation the neighborhood seeks.

In southeastern San Diego, four miles east of downtown, a vibrant street art culture is leading the way as a group of artists builds their skills and shares their talent, bringing young people into the heart of a community-led effort to turn brownfields and blight into projects of promise — while at the same time raising awareness and respect for graffiti as the art form it truly is."]]></description>
<dc:subject>art streetart sandiego josevenegas segiogonzalez</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:7729bd5e8092/</dc:identifier>
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</item>
<item rdf:about="http://www.kcet.org/arts/artbound/counties/san-diego/mexican-neomuralism-fernando-corona-alonso-delgadillo-rodrigo-villa-gloria-muriel.html">
    <title>Neomuralism at the Border | San Diego | Artbound | KCET</title>
    <dc:date>2014-05-02T21:21:40+00:00</dc:date>
    <link>http://www.kcet.org/arts/artbound/counties/san-diego/mexican-neomuralism-fernando-corona-alonso-delgadillo-rodrigo-villa-gloria-muriel.html</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>border borders sandiego tijuana mexico us murals art newmexico arizona streetart mexicali rodvilla alonsodelgadillo fernandocorona marcovera california glow</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:3dab38d7c1ad/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:borders"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sandiego"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:us"/>
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<item rdf:about="http://www.boamistura.com/">
    <title>boamistura, rocking since 2001</title>
    <dc:date>2014-04-25T04:21:34+00:00</dc:date>
    <link>http://www.boamistura.com/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>spain españa art artists boamistura streetart murals graffiti panamá brasil brazil mexico georgia southafrica madrid córdoba algeria venice zaragoza norway capetown berlin sãopaulo</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://hi.co/moments/577hwhk5">
    <title>The graffiti in Reykjavík is subtly different from elsewhere. – Reykjavik, Iceland — A Hi Moment</title>
    <dc:date>2014-04-24T17:47:22+00:00</dc:date>
    <link>https://hi.co/moments/577hwhk5</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Part of the difference is due to the difference in alphabet — there are characters used in the Icelandic language that slip off the Americanized tongue at first, but quickly become familiar the more you use them.

Đ or đ, for example, is a very similar sound to the American ‘th.’ Therefore, an excellent viking rapper catchphrase would be ‘Đug Lyfe.’

There are numerous accented words, which, like in many cultures, indicate where the emphasis should be placed on the word. My good friend Jóna’s name, for instance, is pronounced ‘YO-nuh,’ with the emphasis on the ‘o.’

In a fascinating twist (well, fascinating to me, because I’m accustomed to the Argentine Spanish ‘ll’ sound), Iceland’s ‘ll’ sound is a strange bit of tongue acrobatics, where you will sometimes pronounce it like a ‘tl’ (as in the street name ‘Blómvallagata,’ pronounced ‘BLOME-vat-la-gat-tuh’), and sometimes as a puff of air shot out the side of the mouth (like in the word ‘Gull,’ which is a popular beer brand here, and is pronounced something like ‘Gul-th,’ but with the ‘th’ shot out the side of the mouth, over a half-stiffened tongue).

This is just a short intro to the language, of course, and it is rich with interesting pronunciations and even more interesting words that we don’t have in English. But understanding these characters helps understand the street art here; their shapes are different, and often work vertically far better than the standard American English language. As such, you end up with something that works in three-dimensions, rather than just two, and the calligraphy (usually my least favorite genre of street art) ends up being far more rich with content and meaning."]]></description>
<dc:subject>iceland 2013 streetart colinwright language graffiti lettering alphabet reykjavík</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://motherboard.vice.com/read/the-graffiti-drone-an-interview-with-katsu">
    <title>The Drone That Will Change Graffiti: An Interview with KATSU | Motherboard</title>
    <dc:date>2014-04-11T19:41:47+00:00</dc:date>
    <link>http://motherboard.vice.com/read/the-graffiti-drone-an-interview-with-katsu</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>2014 drones droneproject katsu graffiti streetart</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:dee7b8e5ac62/</dc:identifier>
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<item rdf:about="http://www.theguardian.com/travel/2014/feb/07/valparaiso-chile-culture-art-city">
    <title>Chile cool: art, music and graffiti in laid-back Valparaíso | Travel | The Guardian</title>
    <dc:date>2014-02-19T06:58:27+00:00</dc:date>
    <link>http://www.theguardian.com/travel/2014/feb/07/valparaiso-chile-culture-art-city</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Chilean city of Valparaíso is alive with avant-garde culture and vibrant street art. Think mini Berlin by the seaside"]]></description>
<dc:subject>chile valparaíso 2014 art culture streetart music</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:33c288f160d1/</dc:identifier>
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<item rdf:about="http://www.theverge.com/2012/12/2/3718094/street-artist-nypd-drone-posters-arrested-surveillance">
    <title>Street artist behind satirical NYPD 'Drone' posters arrested | The Verge</title>
    <dc:date>2013-07-22T01:45:53+00:00</dc:date>
    <link>http://www.theverge.com/2012/12/2/3718094/street-artist-nypd-drone-posters-arrested-surveillance</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A street artist who hung satirical posters criticising police surveillance activities has been arrested after an NYPD investigation tracked him to his doorstep. With the help of a small crew, the artist now identified as Essam Attia had placed the fake Big Brother-style adverts in locations throughout Manhattan, using a fake Van Wagner maintenance van and uniforms to avoid detection.

In a video interview with Animal New York prior to his arrest, a voice-scrambled and silhouetted Attia explained that he placed the provocative ads to "create a conversation" about disturbing trends in police surveillance, alluding to recent efforts by the Department of Homeland Security to "facilitate and accelerate the adoption" of unmanned aerial drones by local police departments. The posters also followed recent expansions in NYPD surveillance powers which allow officers to monitor citizens by creating fake identities on social networking sites.

The NYPD's response seems to have proven Attia's point: months after forensics teams and a "counter-terrorism" unit was spotted on the scene, the NYPD last Wednesday successfully tracked down and arrested the 29-year-old art school vandal, who identified himself in the video as a former "geo-spatial analyst" serving US military operations in Iraq.

It's not the first time the NYPD has overreacted to unsanctioned public art. Earlier this year, the department arrested 50-year-old Takeshi Miyakawa after he illuminated the streets of Williamsburg, Brooklyn with harmless LED lanterns made from plastic "I Heart NY" shopping bags. The crackdown in Attia's case, however, seems to have more to do with the public embarrassment faced by the department as a result of the mock ads.

Attia now faces 56 counts of criminal possession of a forged instrument and grand larceny possession of stolen property for his spree last September, with an additional charge of weapons possession after officers allegedly found an unloaded .22 caliber revolver under his bed during the raid. As for the drones themselves, the NYPD has still not revealed any plans to use aerial robotic enforcers. But if the expanding list of FAA authorizations and documented use of drones by local police in Texas and Miami, Florida are any indication, it may be only a matter of time."]]></description>
<dc:subject>2012 drones droneproject surveillance police streetart</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://thedatefarmers.com/">
    <title>The Date Farmers /| Official Site | The Art Work Of The Date Farmers</title>
    <dc:date>2013-05-11T01:02:55+00:00</dc:date>
    <link>http://thedatefarmers.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Artwork by The Date Farmers echoes Mexican-American heritage rooted in California pop culture. Their paintings, collages and three-dimensional sculptures contain elements influenced by graffiti, Mexican street murals, traditional revolutionary posters, sign painting, prison art and tattoos. Living in the peaceful seclusion of the desert, the artists often travel across the border, into Mexicali and Oaxaca to scavenge for materials. With traces of ancient indigenous art, mushrooms, and mescal, the Date Farmers combine familiar pop iconography and corporate logos with figures from comics, folklore and Catholicism. Desert creatures such as coyotes, snakes, and scorpions appear frequently in their works as well as found materials like stamps, bottle caps, hand painted or collaged lettering.

The Date Farmers have a history that is just as compelling as their artwork. Originally from Indio, California, they met at an art gallery in Coachella Valley ten years ago. Marsea Goldberg of New Image Art gave them their first show, naming them The Date Farmers because Armando’s father owned a Date Farm in Coachella where Carlos worked, picking dates. Carlos’ mother was a migrant who once worked with civil rights leader Cesar Chavez—American activist and co-founder of the United Farm Workers—during the grape boycott of the 1970s. Through their unique perspective as American-born Chicanos, The Date Farmers explore topical subjects with a profound simplicity.

Artist Statement

Armando Lerma and Carlos Ramirez joined artistic forces after meeting at a Coachella Valley art gallery in 1998. In 2001 they entered the Los Angeles gallery scene as the Date Farmers with a show at New Image Art Gallery. Using found materials such as discarded signs, wood and corrugated metal, their work echoes Mexican-American heritage rooted in California pop culture. Their paintings, collages and three dimensional sculptures contain elements influenced by graffiti, Mexican street murals, Revolutionary posters, and traditional Oaxacan sign painting (which they were exposed to on a trip to Oaxaca, courtesy of Upper Playground).
Lerma explains, “Using stuff that was thrown away is Mexican ingenuity. People’s idea of art is that it’s really expensive and [made of] nice materials, but found objects are so abundant, they’re much easier and freeing for us.”

Works by the Date Farmers have been included in prestigious private collections such as those of: Arnold Lehman, Director of the Brooklyn Museum of Art, and Norman Rosenthal, Exhibitions Secratary of the Royal Academy of Arts in London. The pair has participated in numerous art fairs, in New York, Miami, LA, Chicago, and Stockholm, with International gallery exhibitions in Tokyo and London. They are currently showing at the Oakland Museum of Art. They were featured on Current TV."

[See also: http://www.kcet.org/arts/artbound/counties/riverside/date-farmers-chicano-pop-art.html ]]]></description>
<dc:subject>datefarmers armandolerma carlosramirez indio california streetart murals chicano coachellavelly artists</dc:subject>
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<item rdf:about="http://www.kcet.org/arts/artbound/counties/riverside/date-farmers-chicano-pop-art.html">
    <title>Date Farmers: Desert Detritus Becomes Chicano Pop Art | Riverside | Artbound | KCET</title>
    <dc:date>2013-05-11T00:42:41+00:00</dc:date>
    <link>http://www.kcet.org/arts/artbound/counties/riverside/date-farmers-chicano-pop-art.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The duo Armando Lerma and Carlos Ramirez grew up in Indio, a small town in the Sonoran Desert, near the desert void where General Patton once practiced tank maneuvers for North African battles of WWII. Lerma and Ramirez have deep roots in the region. Lerma's father owned a date farm, and Ramirez once worked there as a picker. Ramirez's mother collaborated with civil rights leader Cesar Chavez. But it wasn't until the late 1990s, that the artists met at a gallery show in the Coachella Valley and began sharing the influences that they amassed from their life experiences. They were Chicano, but also American. They lived alongside Native Americans and Mexican nationals, but travelled back and forth from the multicultural mélange of Los Angeles. Their works became records of this polymorphous identity--their transitive life existing in a liminal reality between cultures--collecting multicultural ephemera and detritus, and combining it into playful sculptural assemblage pieces."

[The Date Farmers website: http://thedatefarmers.com/ ]]]></description>
<dc:subject>datefarmers art artists indio riverside carlosramirez armandolerma chicano popart murals muralists streetart coachellavalley acegallery california video</dc:subject>
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<item rdf:about="https://vimeo.com/33532853">
    <title>Bruce Sterling - Symposium Playful Post Digital Culture (STRP 2011). on Vimeo</title>
    <dc:date>2012-02-20T08:51:27+00:00</dc:date>
    <link>https://vimeo.com/33532853</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>music renaissance science culture post-digital appleboutiqueworld cyberwarworld piracy softpower pepperspray drones robots china brasil india bollywoodcarnavalworld painting slumdogmillionaire dictatorchic streetart carart favelachic narco sweatshopworld hightech lowtech highart lowart speculative futurism futures technology art techart 2011 brucesterling brazil low-tech</dc:subject>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:low-tech"/>
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</item>
<item rdf:about="http://vimeo.com/35246173">
    <title>Mark Jenkins: Go Figure! on Vimeo</title>
    <dc:date>2012-02-06T04:32:56+00:00</dc:date>
    <link>http://vimeo.com/35246173</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[For me, the most interesting bit comes towards the end (8:57 and on) when Jenkins speaks about teaching, holding workshops, and sharing his technique…]

"The basic casting process is quite simple and I've taught it to like seven-year-olds and up. The learning curve is really low… And I don't even know if it's good, but they see my work and then they see the technique and a lot of people gravitate towards doing something that they've seen on my site, which is usually an outdoor installation.

You always hesitate to try to…teach. People can look at your work and get inspired, but if they look too long they end up creating your own work. And what seems to have work best…longer workshops in Russia…sometimes I've done projects…Getting used to being outdoors and using objects. It's more that they learn a perspective than learn… That seems to be the most valuable thing that they get out of it. Or even just learning a different way to see the city."]]></description>
<dc:subject>art 2012 perspective cities noticing learning style sculpture technique streetart markjenkins</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c53bb4c02381/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perspective"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:noticing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:style"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sculpture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technique"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:markjenkins"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://vimeo.com/22594157">
    <title>SAFFRON // 2 mins on Vimeo</title>
    <dc:date>2011-09-18T23:45:48+00:00</dc:date>
    <link>http://vimeo.com/22594157</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A documentary about the intersection of street art, politics, and human rights in Burma . With Shepard Fairey and Aung San Suu Kyi. 90 mins Dir. Jeffrey Durkin"

[Trailer (and film) has footage from the mural that we saw go up around the corner. Also here: http://vimeo.com/28177120 ]]]></description>
<dc:subject>sandiego southpark breadtruckfilms shepardfairey streetart 2011 2012 2010 documentary saffron</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f65e841224b0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sandiego"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:southpark"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:breadtruckfilms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shepardfairey"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2010"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:documentary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:saffron"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://fffff.at/qr-stenciler-and-qr-hobo-codes/">
    <title>QR Code Stencil Generator and QR Hobo Codes | F.A.T.</title>
    <dc:date>2011-07-21T07:12:24+00:00</dc:date>
    <link>http://fffff.at/qr-stenciler-and-qr-hobo-codes/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Yep, it’s a QR code stencil generator! We present QR_STENCILER, a free, fully-automated utility which converts QR codes into vector-based stencil patterns suitable for laser-cutting. Additionally, we present QR_HOBO_CODES, a series of one hundred QR stencil designs which, covertly marked in urban spaces, may be used to warn people about danger or clue them into good situations. The QR_STENCILER and the QR_HOBO_CODES join the Adjustable Pie Chart Stencil in our suite of homebrew "infoviz graffiti" tools for locative and situated information display."]]></description>
<dc:subject>design urban graffiti qrcodes stencils streetart hobos hobocodes symbols information annotation annotatedspeces hobosigns</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ecb3d5377da6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:qrcodes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stencils"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hobos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hobocodes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:symbols"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:information"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:annotation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:annotatedspeces"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hobosigns"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://vimeo.com/22591307">
    <title>Hip Hop Genius: Remixing High School Education on Vimeo</title>
    <dc:date>2011-05-18T05:57:18+00:00</dc:date>
    <link>http://vimeo.com/22591307</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["this video illustrates (literally!) the concept of Hip Hop Genius. these ideas are explored more fully in my book, Hip Hop Genius: Remixing High School Education (hiphopgenius.org)

the drawings were done by Mike McCarthy, a student at College Unbound (collegeunbound.org), a school that exemplifies many of the values espoused in the film. the entire video was shot in College Unbound's seminar space, where Mike has built a studio for his company Drawn Along (drawnalong.com)."]]></description>
<dc:subject>education learning politics economics creativity hiphop meaning meaningmaking dialogue pedagogy classideas conversation commonality engagement culture love identity meaningfulness ingenuity instinct confidence remixculture art music streetart graffiti resourcefulness genius sampling individualization projectbasedlearning collegeunbound change gamechanging flux flow freshness emergentcurriculum contentcreation schools unschooling deschooling mindset dialog pbl remixing</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:27da16db8f0b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:economics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hiphop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meaning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meaningmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dialogue"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pedagogy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conversation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:commonality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:engagement"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:love"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:identity"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ingenuity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:instinct"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:confidence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:remixculture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:resourcefulness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:genius"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sampling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:individualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:projectbasedlearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collegeunbound"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:change"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamechanging"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flux"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freshness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:emergentcurriculum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:contentcreation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:schools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mindset"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dialog"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pbl"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:remixing"/>
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</item>
<item rdf:about="http://blog.platoon.org/home/3/viewentry/1235/BERLIN__MISSING_WEIWEI.html">
    <title>PLATOON.cultural development | BERLIN · MISSING WEIWEI!</title>
    <dc:date>2011-04-09T22:00:56+00:00</dc:date>
    <link>http://blog.platoon.org/home/3/viewentry/1235/BERLIN__MISSING_WEIWEI.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["yesterday we started sticking this MISSING posters all over Berlin Mitte. after seeing your great appreciation we decided to make the PDF available for everyone who wants to get active and do the same.

you can download it HERE... however, if you are in the area just come to pick them up at our berlin headquarter and SPREAD THEM EVERYWHERE!!!

arresting people wont silence them, it will make their voices even louder!"

[Flickr set here: http://www.flickr.com/photos/platoon/sets/72157626324210795/ ]]]></description>
<dc:subject>aiweiwei china berlin protest 2011 humanrights streetart</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:9535e29df54c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aiweiwei"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:china"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:berlin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:protest"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humanrights"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://diecutstickers.com/">
    <title>DieCutStickers.com</title>
    <dc:date>2011-02-18T06:44:54+00:00</dc:date>
    <link>http://diecutstickers.com/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>stickers printing print glvo diecut diecutstickers projectideas streetart graphics graffiti via:ethanbodnar</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:17dac404b1b3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stickers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:printing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:print"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diecut"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diecutstickers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:projectideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graphics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:ethanbodnar"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.fastcompany.com/1616365/banksy-movie-prankumentary">
    <title>Here's Why the Banksy Movie Is a Banksy Prank | Fast Company</title>
    <dc:date>2010-12-26T06:53:24+00:00</dc:date>
    <link>http://www.fastcompany.com/1616365/banksy-movie-prankumentary</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["As a straight documentary, this film is a snoozefest, an artist's love note to himself written in spray paint on a public wall. But Banksy isn't quite a straight-ahead kind of artist. He's a character based on surprise and coyness, someone whose work catches us where we least expect it, hours after he's fled the scene. And as another of his ruses, Exit Through the Gift Shop is as fun and well-conceived as the Banksy persona itself."]]></description>
<dc:subject>banksy film art graffiti documentary prankumentary shepardfairey streetart exitthroughthegiftshop</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:aa0301f3e35c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:banksy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:documentary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:prankumentary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shepardfairey"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exitthroughthegiftshop"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.damninteresting.com/the-mysterious-toynbee-tiles">
    <title>Damn Interesting • The Mysterious Toynbee Tiles</title>
    <dc:date>2010-08-19T05:21:50+00:00</dc:date>
    <link>http://www.damninteresting.com/the-mysterious-toynbee-tiles</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In 1992, a chap in Philadelphia by the name of Bill O’Neill starting noticing strange tiles randomly embedded in local roads. They were generally about the size of a license plate, and each had some variation of the same strange message: “TOYNBEE IDEA IN KUbricK’s 2001 RESURRECT DEAD ON PLANET JUPiTER.” They varied a bit in color and arrangement, but they were all made of an unidentifiable hard substance, and many had footnotes as strange as the message itself, such as “Murder every journalist, I beg you,” and “Submit. Obey.” Some were accompanied by lengthy, paranoid diatribes about the newsmedia, jews, and the mafia."]]></description>
<dc:subject>via:britta toynbeetiles annotation geography streetart graffiti tiles howto tutorials messages waymarking wayfinding arnoldtoynbee</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d32efa8e8d5a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:britta"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:toynbeetiles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:annotation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:geography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tiles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howto"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tutorials"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:messages"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:waymarking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wayfinding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arnoldtoynbee"/>
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</item>
<item rdf:about="http://jeweledplatypus.org/cgi-bin/blosxom.cgi/text/augmentedreality.html">
    <title>jeweled platypus · text · Augmented reality for non-programmers</title>
    <dc:date>2010-08-18T17:54:10+00:00</dc:date>
    <link>http://jeweledplatypus.org/cgi-bin/blosxom.cgi/text/augmentedreality.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["When people care about the place where they live, they often end up helping make it a better place. But how do people get interested? It might help if the history of that place is brought to the surface, making its compelling stories more noticeable. A good local newspaper or blog can do this, but only if you find one and read it regularly. An augmented-reality mobile app might be able to do this instantly for anyone curious about their surroundings, but only if they have that device. What about for everyone? These are some stories about a place I like." …

"So I’d like to install some sidewalk plaques in IV! Traditional bronze markers would be very expensive (and require who knows what kind of permission and work to install), but there’s an alternative made with linoleum: messages in the style of Toynbee tiles, which are crackpot graffiti anonymously glued to asphalt roads in a few cities:"]]></description>
<dc:subject>comments islavista santabarbara ucsb brittagustafson annotation annotatedspeces space place meaning classideas tcsnmy cities history neighborhoods stories storytelling augmentedreality toynbeetiles graffiti streetart intelligentgraffiti noticings local yellowarrow blueplaques spaceinvader analog waymwaymarking ar arnoldtoynbee</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:08f6e0c59164/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:comments"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:islavista"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:santabarbara"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:space"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:storytelling"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:toynbeetiles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intelligentgraffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:noticings"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:local"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:yellowarrow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blueplaques"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:spaceinvader"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:analog"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:waymwaymarking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ar"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arnoldtoynbee"/>
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</item>
<item rdf:about="http://www.kpbs.org/news/2010/jul/15/shepard-fairey-street-art-and-viva-la-revolucion/">
    <title>Shepard Fairey, Street Art, And Viva la Revolución | KPBS.org</title>
    <dc:date>2010-07-16T05:20:26+00:00</dc:date>
    <link>http://www.kpbs.org/news/2010/jul/15/shepard-fairey-street-art-and-viva-la-revolucion/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The walls of San Diego have been known for Wyland's whales and Chicano murals. But as of this weekend, some of the world's most prolific street artists will be adding their work to our urban environment. It's all part of the Museum of Contemporary Art San Diego's new exhibit, "Viva la Revolución: A Dialogue with the Urban Landscape." We'll talk with the show's curator [Pedro Alonzo], along with Shepard Fairey, the artist behind the Obama Hope poster and Obey Giant, and French street artist, JR."
]]></description>
<dc:subject>shepardfairey vivalarevolución mcasd jr streetart sandiego 2010 graffiti</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:538806f1547b/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vivalarevolución"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mcasd"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jr"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sandiego"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2010"/>
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</item>
<item rdf:about="http://unurth.com/">
    <title>unurth | street art</title>
    <dc:date>2010-05-29T03:04:05+00:00</dc:date>
    <link>http://unurth.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Kinda like Wooster, but with larger images and a cleaner design. Great content, well tagged, has that auto-extend feature when you get to the end of the page, and a nice index view too.
]]></description>
<dc:subject>art streetart graffiti illustration culture stencils street design via:javierarbona tcsnmy glvo</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:20c3ffc25687/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:illustration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:street"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:javierarbona"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tcsnmy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.mcasd.org/exhibitions/616/viva-la-revolucion">
    <title>Viva la Revolucion: A Dialogue with the Urban Landscape - Museum of Contemporary Art San Diego</title>
    <dc:date>2010-05-28T06:51:10+00:00</dc:date>
    <link>http://www.mcasd.org/exhibitions/616/viva-la-revolucion</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A multifaceted exhibition that explores the dialogue between artists and the urban landscape, Viva la Revolución: A Dialogue with the Urban Landscape features works both in the Museum’s galleries as well as at public sites throughout downtown San Diego.

The exhibition includes a diverse range of 20 artists from 8 countries that are linked together by how their work addresses urban issues -- Akay (Sweden), Banksy (U.K.), Blu (Italy), Mark Bradford (U.S.), William Cordova (U.S.), Date Farmers (U.S.), Stephan Doitschinoff [CALMA] (Brazil), Dr. Lakra (Mexico), Dzine (U.S.), David Ellis (U.S.), FAILE (U.S.), Shepard Fairey (U.S.), Invader (France), JR (France), Barry McGee (U.S.), Ryan McGinness (U.S.), Moris (Mexico), Os Gemeos (Brazil), Swoon (U.S.), and Vhils (Portugal)."]]></description>
<dc:subject>art sandiego lajolla mcasd togo banksy barrymcgee datefarmers blu osgemeos invader swoon urban streetart missionschool</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6f3e74fd80e9/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sandiego"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:datefarmers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:osgemeos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:invader"/>
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</item>
<item rdf:about="http://www.youtube.com/watch?v=b5jEH8Knl-4&amp;feature=player_embedded">
    <title>YouTube - Chile Estyle (ESP SUBS)</title>
    <dc:date>2010-04-28T02:23:07+00:00</dc:date>
    <link>http://www.youtube.com/watch?v=b5jEH8Knl-4&amp;feature=player_embedded</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["El primer documental del Street Art Chileno. La historia y el presente de una tradición única en el mundo."
]]></description>
<dc:subject>chile chileestyle pabloaravena valparaíso santiago graffiti streetart film documentary history urban</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:3af5ab220f7b/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pabloaravena"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:valparaíso"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:santiago"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:documentary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.paula.cl/blog/arte/2010/04/27/estilo-chileno-callejero/">
    <title>Estilo chileno callejero | Blog - Paula</title>
    <dc:date>2010-04-28T02:21:24+00:00</dc:date>
    <link>http://www.paula.cl/blog/arte/2010/04/27/estilo-chileno-callejero/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["En 2007 Pablo estuvo en Chile...Fue ahí cuando se dio cuenta de que la escena del graffiti chileno era mucho más potente de lo que pensaba. “Yo estaba afuera y no sabía lo que estaba pasando en Chile”, dice. Ahí comenzó a conocer a gente que pintaba. Cuenta que lo que terminó de convencerlo fue haber leído el libro Street Art Chile, del experto en historia del arte Rodney Palmer. En él, Palmer ahonda en el tema del muralismo y el arte callejero en Chile haciendo una relación entre los murales del mexicano Siqueiros, que estuvo en Chile pintando en los años 40, la pintura de las brigadas políticas de la década del 60 y los actuales graffitis que vemos por toda la ciudad. “Yo creo que la tesis de la película es que en Chile hay una tradición única en el mundo que tiene que ver con una influencia directa del muralismo mexicano. El graffiti de los jóvenes de ahora ha ido un poco recuperando ese idioma y tirándolo para delante pero ahora con bombas de spray”
]]></description>
<dc:subject>chile art film santiago valparaíso streetart graffiti documentarypabloaravena bansky chileestyle rodneypalmer</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:57605c240f29/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:santiago"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:documentarypabloaravena"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bansky"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chileestyle"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rodneypalmer"/>
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</item>
<item rdf:about="http://www.flickr.com/groups/trustocorp/pool/">
    <title>Flickr: The TrustoCorp Pool</title>
    <dc:date>2010-02-27T20:20:03+00:00</dc:date>
    <link>http://www.flickr.com/groups/trustocorp/pool/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>art hacks random urban humor streetart trustocorp</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:9171908acdc5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hacks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:random"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:trustocorp"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.aloveletterforyou.com/">
    <title>A Love Letter For You</title>
    <dc:date>2010-02-22T06:59:13+00:00</dc:date>
    <link>http://www.aloveletterforyou.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Love Letter is a project by Stephen Powers with the City of Philadelphia Mural Arts Program and is sponsored by the Pew Center for Arts & Heritage through the Philadelphia Exhibitions Initiative.  Generous support provided by the Brownstein Group and Septa."
]]></description>
<dc:subject>stephenpowers design art urban blogs illustration typography streetart lettering graffiti philadelphia street arts murals tcsnmy missionschool</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e14cedf86af8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stephenpowers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blogs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:illustration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:typography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lettering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:philadelphia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:street"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arts"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tcsnmy"/>
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</item>
<item rdf:about="http://edu.blogs.com/edublogs/2010/01/personal-projects.html">
    <title>Personal projects are often worth more than professional ones. What's stopping you? - Ewan McIntosh | Digital Media &amp; Education</title>
    <dc:date>2010-01-23T20:22:51+00:00</dc:date>
    <link>http://edu.blogs.com/edublogs/2010/01/personal-projects.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["It's all too easy to relegate our personal projects to the bottom of the pile until "the day job" is complete. The result? We nearly always end up having to leave creative, fun, new projects behind in the interest of ticking someone else's boxes, when those same personal projects could be the very innovation that make the difference. Ji Lee was fed up with his life as an ad exec when he decided to engage the public in parodying that very same world, printing out 50,000 speech bubble stickers and placing them over ads around New York City. Over time, the public took the lead in inventing political or comical speech to make the parody. The ultimate parody in this project is, of course, that ad agencies used them to further promote their products. He spins a good yarn in his 99% video. A personal project that took Ji Lee's name to the world and helped him find a seat as Director of Google's Creative Labs."

[video: http://www.vimeo.com/8596045 ]

[related: http://gelconference.com/videos/2006/ji_lee/ ]]]></description>
<dc:subject>learning plp tcsnmy creativity fulfillment time work lcproject glvo play fun jilee boingboing viral graffiti streetart humor advertising ewanmcintosh joy</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:485ec30f4f3d/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lcproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:play"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fun"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jilee"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:boingboing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:viral"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:advertising"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ewanmcintosh"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:joy"/>
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</item>
<item rdf:about="http://www.woostercollective.com/2009/11/paredes_que_hablan_talking_walls_an_intr.html">
    <title>Wooster Collective: “Paredes que hablan” (Talking Walls) - An Introduction to 16 Street Artists in Latin America</title>
    <dc:date>2009-11-04T07:23:29+00:00</dc:date>
    <link>http://www.woostercollective.com/2009/11/paredes_que_hablan_talking_walls_an_intr.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Produced by INJAUS for I SAT, “Paredes que hablan” (Talking Walls) its a series of sixteen short films showcasing street artist in three cities of Latin America: Sao Paulo, Buenos Aires and Mexico City,

Included in the series. From Brazil Boleta, Orion, Speto, Titi Freak, Nunca. From Argentina Gualicho, Nerf, Jaz, Pum Pum. From México Seher, Sego, Neuzz, Saner, Watchavato.
Here's the first set, from Sao Paulo:"]]></description>
<dc:subject>streetart buenosaires argentina mexico mexicodf df brasil sãopaulo brazil mexicocity</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e93149ef3169/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:buenosaires"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:argentina"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mexico"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mexicodf"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:df"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brasil"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sãopaulo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brazil"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mexicocity"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://designswarm.com/blog/2009/10/11/a-city-experience-walls-as-canvases/">
    <title>designswarm thoughts » A City Experience: Canvases</title>
    <dc:date>2009-10-14T16:56:54+00:00</dc:date>
    <link>http://designswarm.com/blog/2009/10/11/a-city-experience-walls-as-canvases/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I’ve been thinking for a while about contributing to the latest design craze among my peers: cities. I’m not an architect but I like cities as a user, as a designer & I thought I’d write very short bursts about what I like about them, having lived for years in some of the best & most beautiful cities: Paris, Montreal, Milan, Amsterdam, London. I also think there’s a huge distinction to be made between travelling a lot & relocating often. It makes you actually taste the culture, get a model in your head of a city, the experience you have in it & what makes it great, special or horrible. Cities have voices, personalities, habits, just like the people who live in them. Hopefully I’ll write a little about each of those elements, but for this one, I’ll concentrate on graffiti or “tags”...My theory is that you can tell how well a city is doing creatively based on its walls. Graffiti sort of end up acting as a “creative industry barometer” of a more realistic sort for me."
]]></description>
<dc:subject>cities neo-nomads observation graffiti streetart via:preoccupations urban culture art glvo moving travel nomads measurement creativity</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6bb73a21b576/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:neo-nomads"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:observation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:preoccupations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moving"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:travel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nomads"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:measurement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
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</item>
<item rdf:about="http://www.artistsrespond.org/artists/rigo23/">
    <title>Rigo 23</title>
    <dc:date>2009-08-30T11:05:54+00:00</dc:date>
    <link>http://www.artistsrespond.org/artists/rigo23/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Associated with the vibrant San Francisco mural movement of the 1990s, Rigo is well known in the Bay Area for his eye-catching word murals painted in the highly graphic style of traffic symbols. In One Tree (1996), he placed the words within an oversized traffic arrow on the side of a building adjacent to a freeway entrance. The arrow points to a lone, frail-looking tree struggling to survive in a congested industrial setting, a reminder to the thousands who pass it every day of what is lost in the process of urbanization. Rigo is committed to working in the public sphere; he believes that by reaching the widest possible audience, art can send a powerful message. Issues Rigo has explored in his work range from the concern for the international worker in the new global economy to the incarceration of political prisoners to the treatment of Native Americans in the United States." 

[See also: http://en.wikipedia.org/wiki/Rigo_23 ]

[posted to: http://robertogreco.tumblr.com/post/175395790/teko-mbarate-struggle-for-life-and-sapukay-cry-for ]]]></description>
<dc:subject>artists portugal sanfrancisco glvo streetart rigo23</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:10fa91328656/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rigo23"/>
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</item>
<item rdf:about="http://chunnel.tv/street/854/powers-of-katsu/">
    <title>POWERS OF KATSU - Chunnel</title>
    <dc:date>2009-06-24T07:30:55+00:00</dc:date>
    <link>http://chunnel.tv/street/854/powers-of-katsu/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["If you live in NYC and walk with your eyes open, you've seen Katsu's skull grinning at you- from fire escapes, bus stops, urinals and now rooftops. In this chunnel exclusive, Red Bucket Filmmakers Nick Poe and Alex Kalman team up with the elusive Katsu to take Charles and Ray Eames' 1977 classic "Powers of 10" from outer space to the street."
]]></description>
<dc:subject>eames powersoften nyc graffiti video photography streetart scale</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b488d569d45f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:powersoften"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:video"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scale"/>
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</item>
<item rdf:about="http://www.coolhunting.com/archives/2009/03/pixao.php">
    <title>Pixação</title>
    <dc:date>2009-03-28T23:55:43+00:00</dc:date>
    <link>http://www.coolhunting.com/archives/2009/03/pixao.php</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Covering buildings throughout São Paulo, pixação is a style of graffiti native to Brazil and known for its simple, angular lines. In this episode of Cool Hunting Video, we tour the city streets with Joao Wainer, photographer and co-director of a documentary on the subject, who fills us in on the culture and history."
]]></description>
<dc:subject>pixação sãopaulo brasil graffiti streetart brazil</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:5d34069ff9c2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pixação"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sãopaulo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brasil"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brazil"/>
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</item>
<item rdf:about="http://gapersblock.com/ac/2009/01/11/whose-goons-are-these-anyway/">
    <title>Gapers Block : A/C : Chicago Arts &amp; Culture - Whose Goons Are These, Anyway?</title>
    <dc:date>2009-01-16T06:37:54+00:00</dc:date>
    <link>http://gapersblock.com/ac/2009/01/11/whose-goons-are-these-anyway/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Maybe you've seen these wheat paste faces grinning out at you as you grab a Red Eye or pass a doorway. You're not the only Chicagoan to take notice. There is an entire Flickr group dedicated to capturing and collecting the work of this prolific graffiti artist and speculating on his identity. "I dig the the goons. They are like off-brand, Third World Sesame Street-like characters from a show that you could only pick up on a scrambled channel." -- jugheadjones, via Flickr Now if only a crafty Etsy seller would turn these drawings into stuffed animals."
]]></description>
<dc:subject>glvo ego softies plush streetart chicago mysteries graffiti wheatpaste projectideas</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:10c2bc6e477c/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:softies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:plush"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chicago"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mysteries"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wheatpaste"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:projectideas"/>
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</item>
<item rdf:about="http://antiadvertisingagency.com/news/demand-a-readwrite-city">
    <title>The Anti-Advertising Agency » Demand a Read/Write City</title>
    <dc:date>2009-01-14T03:29:59+00:00</dc:date>
    <link>http://antiadvertisingagency.com/news/demand-a-readwrite-city</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Why is read/write better? Because you can consume, process, and respond. This is how we think critically. This is how we learn. You can talk back. You can express yourself. You don’t just consume expression, you create expression.]]></description>
<dc:subject>advertising engagement democracy graffiti activism streetart cities urban urbanism culture politics marketing art visual speech city</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:400508092787/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:advertising"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:engagement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:democracy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:activism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urbanism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marketing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:visual"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:speech"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:city"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://designmind.frogdesign.com/blog/disruptive-realism.html">
    <title>Disruptive Realism | Blog | design mind</title>
    <dc:date>2008-11-15T23:01:16+00:00</dc:date>
    <link>http://designmind.frogdesign.com/blog/disruptive-realism.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Disruptive Realism is an expression presented in an everyday context that disrupts peoples perceptions about different things. Expression can mean many things and it a way it's art but it's also much more expansive a term than just art." ... Examples: Bruno Taylor's swing at bus stop, Banksy's yellow street stripes extending into a flower and refrigerator kite in New Orleans (among others), Charlie Taylor's Improv Everywhere (Grand Central Station freeze), fake NY Times, Reverse Graffiti, Orson Well's War of the Worlds ... "humorous element to theor ability to play and have fun...engaging with the rest of the society [by] forcing them to break their patterns of thought ... stop their typical way in which they're going through the day and think about their particular situation even if they're not changing their habits ... maybe have a better day based on the instance... break people out of the pattern thinking."
]]></description>
<dc:subject>streetart dirsuptiverealism davehoffer frogdesign graffiti glvo disruptive arg improveverywhere humor fun orsonwells reversegraffiti banksy brunotaylor</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:97e258cfab9a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dirsuptiverealism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:davehoffer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:frogdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:disruptive"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:improveverywhere"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fun"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:orsonwells"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reversegraffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:banksy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brunotaylor"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vimeo.com/1324674">
    <title>Beautiful Losers film trailer on Vimeo</title>
    <dc:date>2008-08-07T06:57:01+00:00</dc:date>
    <link>http://www.vimeo.com/1324674</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Beautiful Losers celebrates the spirit behind one of the most influential cultural movements of a generation. In the early 1990's a loose-knit group of likeminded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip hop & graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the "establishment" art world, this group, and the subcultures they sprang from, have now become a movement that has been transforming pop culture. Starring a selection of artists who are considered leaders within this culture, Beautiful Losers focuses on the telling of personal stories...speaking to themes of what happens when the outside becomes "in" as it explores the creative ethos connecting these artists and today's youth."
]]></description>
<dc:subject>beautifullosers film documentary skateboarding art illustration graffiti streetart design learning diy identity glvo creativity youth biography mikemills barrymcgee harmonykorine aaronrose edtempleton jojackson deannatempleton stephenpowers thomascampbell cheryldunn chrisjohanson geoffmcfetridge shepardfairey skating skateboards margaretkilgallen missionschool</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:bbc6ae98b0d6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beautifullosers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:documentary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skateboarding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:illustration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:identity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:youth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:biography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mikemills"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:barrymcgee"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:harmonykorine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aaronrose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edtempleton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jojackson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deannatempleton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stephenpowers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thomascampbell"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cheryldunn"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chrisjohanson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:geoffmcfetridge"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shepardfairey"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skating"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skateboards"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:margaretkilgallen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:missionschool"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.landliving.com/articles/0000000995.aspx">
    <title>Land+Living: Detroit. Demolition. Disneyland.</title>
    <dc:date>2008-08-03T01:25:05+00:00</dc:date>
    <link>http://www.landliving.com/articles/0000000995.aspx</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The DDD Project targets the most visible abandoned homes, those visible to suburbanites who commute into Detroit and witness the burned out and forsaken neighborhoods. Two of the first nine houses painted by DDD have since been torn down by the City. There is something of the project that recalls Gordon Matta-Clark's (1, 2) "building cut" pieces; transforming deserted buildings with a simple gesture.]]></description>
<dc:subject>detroit streetart architecture matta-clark planning urbanism urban nature landscape public urbanprairie cities ruins decay art activism gordonmatta-clark</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:347bb2edd03b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:detroit"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:matta-clark"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:planning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urbanism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:landscape"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:public"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urbanprairie"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ruins"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:decay"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:activism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gordonmatta-clark"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://news.cnet.com/2300-13838_3-6242898-1.html">
    <title>Photos: 'Green' graffiti makes paint-free protests | CNET News.com</title>
    <dc:date>2008-07-24T04:19:51+00:00</dc:date>
    <link>http://news.cnet.com/2300-13838_3-6242898-1.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Street artists are increasingly turning to non-destructive, paint-free forms of graffiti to make a point without permanently defacing property. Their urban pranks and social protests engage mobile gadgets, open-source software, and online social networki
]]></description>
<dc:subject>graffiti streetart urban art</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:21ec42fa3541/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.flickr.com/photos/23526605@N00/sets/72157594241400279/">
    <title>Palo Alto Urban Petroglyph Project - a set on Flickr</title>
    <dc:date>2008-06-11T03:53:11+00:00</dc:date>
    <link>http://www.flickr.com/photos/23526605@N00/sets/72157594241400279/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["These petroglyphs were all photographed from one particular road in and near Palo Alto, CA. It seems that the roadworkers had some good fun--or a tradition, of laying down their extra tar. Enjoy."
]]></description>
<dc:subject>graffiti streetart glvo art urban urbanism petroflyphs</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8c7adfc8e623/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urbanism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:petroflyphs"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.projectnml.org/exemplars">
    <title>New Media Exemplar Library Overview</title>
    <dc:date>2008-06-09T10:52:01+00:00</dc:date>
    <link>http://www.projectnml.org/exemplars</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We invite you to browse our New Media Exemplar Library entries, listed above. Each exemplar features a series of video interviews with a professional media maker, organized by chapter."
]]></description>
<dc:subject>media newmedia pedagogy informationliteracy biggames nickbertozzi corydoctorow matthewlamb streetart radio blogging education sciencefiction comics vlogging janemcgonigal games gamedesign arg mattiaromeo ianbogost djspooky music dj videos creativity teaching literacy medialiteracy</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:96114f3e8a9d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:newmedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pedagogy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:informationliteracy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:biggames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nickbertozzi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:corydoctorow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:matthewlamb"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:radio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blogging"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sciencefiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:comics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vlogging"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:janemcgonigal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamedesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mattiaromeo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ianbogost"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:djspooky"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dj"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:videos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teaching"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:literacy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:medialiteracy"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://leapfrog.nl/blog/archives/2008/05/27/urban-procedural-rhetorics-transcript-of-my-twab-2008-talk/">
    <title>Urban procedural rhetorics — transcript of my TWAB 2008 talk (Leapfroglog)</title>
    <dc:date>2008-06-02T22:43:51+00:00</dc:date>
    <link>http://leapfrog.nl/blog/archives/2008/05/27/urban-procedural-rhetorics-transcript-of-my-twab-2008-talk/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Although I have great faith in the hackers & makers of this world, I do not think things need to be made harder for them than they already are. You can all (partly) influence the future shape of mobile technologies. I have one simple request: Please make
]]></description>
<dc:subject>play games urbanism ubicomp cities urban arg gaming interaction surveillance public theory gamechanging activism via:adamgreenfield mobs flashmobs space place creativity innovation psychology parkour skateboarding location location-based ubiquitous streetart graffiti gamedesign interface ux skating skateboards</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ac4fe3ab86b2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:play"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urbanism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ubicomp"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gaming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interaction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surveillance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:public"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:theory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamechanging"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:activism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:adamgreenfield"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mobs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flashmobs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:place"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:innovation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:psychology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:parkour"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skateboarding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:location"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:location-based"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ubiquitous"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamedesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interface"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ux"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skating"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skateboards"/>
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</item>
<item rdf:about="http://torontoist.com/2008/04/humber_or_life.php">
    <title>Torontoist: Humber; Or, Life in the Woods</title>
    <dc:date>2008-04-29T17:13:34+00:00</dc:date>
    <link>http://torontoist.com/2008/04/humber_or_life.php</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This year, a more cryptic stencil has appeared on the Humber Bay Arch Bridge, boldly proclaiming "ISBN 486-28495-6" for all to see and ponder. This International Standard Book Number turns out to be a paperback edition of Henry David Thoreau's Walden; Or
]]></description>
<dc:subject>isbn books thoreau graffiti streetart</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:61c085f39af4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:isbn"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thoreau"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
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</item>
<item rdf:about="http://www.woostercollective.com/2008/03/wooster_followup_joshua_allen_harris_inf.html">
    <title>Wooster Collective: Wooster Follow-Up: Joshua Allen Harris' Inflatable Sculptures</title>
    <dc:date>2008-04-04T01:37:12+00:00</dc:date>
    <link>http://www.woostercollective.com/2008/03/wooster_followup_joshua_allen_harris_inf.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The response we got after posting inflatable bear photos last week was amazing. We couldn't be happier to follow it up w/ these 2 wonderful videos...by the artist, Joshua Allen Harris. After watching the videos, we love the project even more..."
]]></description>
<dc:subject>animals art inflatable nyc sculpture sculptures streetart glvo inflatables subways</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c5a71a16264f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:animals"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inflatable"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sculpture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sculptures"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inflatables"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:subways"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.we-make-money-not-art.com/archives/2008/03/billboard-liberation-fronts-ta.php">
    <title>Billboard Liberation Front's talk at Vooruit, Ghent - we make money not art</title>
    <dc:date>2008-03-21T02:52:19+00:00</dc:date>
    <link>http://www.we-make-money-not-art.com/archives/2008/03/billboard-liberation-fronts-ta.php</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Some of the key rules of their billboard improvement actions: - Make alterations that will make people smile not something that will make them angry, - Less is more. The best improvements are those that require only to alter a single letter to change the
]]></description>
<dc:subject>advertising art propaganda pranks graffiti streetart activism wmmna culture</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e281f24bb94d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:advertising"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:propaganda"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pranks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:activism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wmmna"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
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</item>
<item rdf:about="http://www.artjammer.com/">
    <title>Jorge Rodriguez Gerada - artjammer.com</title>
    <dc:date>2008-02-24T03:39:54+00:00</dc:date>
    <link>http://www.artjammer.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Portraits in charcoal (gestures, sketches? – not in the least) people, until now anonymous, scale the walls of buildings in our cities, in a format that we can begin to describe as gigantic. Yes, they are gigantically defying, proud, dignified. More so
]]></description>
<dc:subject>art artists drawing graphics graffiti nyc streetart gerada</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:af6914e948e4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:drawing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graphics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gerada"/>
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</item>
<item rdf:about="http://www.graffitomag.cl/">
    <title>Graffito Magazine</title>
    <dc:date>2007-11-05T07:42:43+00:00</dc:date>
    <link>http://www.graffitomag.cl/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>graffiti chile magazines streetart</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8ee937ca0cf6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chile"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:magazines"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.faunadiseno.com/tind/%C2%BFquienes/">
    <title>This is NOT design » ¿Quienes?</title>
    <dc:date>2007-11-05T07:34:13+00:00</dc:date>
    <link>http://www.faunadiseno.com/tind/%C2%BFquienes/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Esta es una lista de los expositores confirmados a This is NOT design. Te invitamos a visitar sus sitios web."
]]></description>
<dc:subject>chile design graphics motion streetart graffiti art print</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:9dd8c4931d97/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chile"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graphics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:motion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:print"/>
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</item>
<item rdf:about="http://www.behance.net/Gallery/energie-in-motion/42738">
    <title>energie in motion on the Behance Network</title>
    <dc:date>2007-11-02T08:52:53+00:00</dc:date>
    <link>http://www.behance.net/Gallery/energie-in-motion/42738</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["this is our first lightwriting video, it is a journey to german citys. we did it for a 360° video projection, the theme of the event was "Energy In Motion" and the client was "Deutscher Ärzte Verlag"."
]]></description>
<dc:subject>animation art graffiti light motion paintings photography streetart urban drawing</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:be4782a19e52/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:animation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:light"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:motion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paintings"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:drawing"/>
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</item>
<item rdf:about="http://www.brocoli.cl/blog/">
    <title>Brocoli - Arte por Naturaleza</title>
    <dc:date>2007-10-29T09:13:09+00:00</dc:date>
    <link>http://www.brocoli.cl/blog/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>chile art graffiti culture streetart toys design</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8be2e6d51570/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chile"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:toys"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
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</item>
<item rdf:about="http://www.elkelp.cl/">
    <title>KELP www.kelp.cl | Graffiti at the next level. Business &amp; Innovation. Graffiti Chile</title>
    <dc:date>2007-10-29T09:05:38+00:00</dc:date>
    <link>http://www.elkelp.cl/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[http://www.elkelp.cl/ <and> http://www.kelp.cl/news/
]]></description>
<dc:subject>chile graffiti blogs streetart</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:06d2a0e0a158/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chile"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graffiti"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blogs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetart"/>
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</item>
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