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    <title>Italy's Radical Solution to Extreme Inequality - YouTube</title>
    <dc:date>2026-07-05T05:51:03+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=dQMZR64G_eM</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Behind Italy’s beauty (and parmesan) is a radical tradition of cooperatives. In some areas, they make up nearly a fifth of the GDP. We went to Emilia-Romagna, one of the richest regions in the country, to investigate how Italy’s workers built a more democratic economy. 

Many thanks to the Bologna Film Commission and the City of Reggio Emilia for the support and for the assistance."]]></description>
<dc:subject>economics cooperatives emilia-romagna emiliaromagna reggioemilia labor work hierarchy 2025 moreperfect union inequality workers ownership power equality production italia italy verazamagni business consolidation billionaires socialism mussolini benitomussolini fascism control grassroots governance resistance corporations corporatism legcoop law legal profits history coops wealth social socialcoops socialcooperatives decisionmaking finance snupotapinassi privateequity firenze florence marcora marcoralaw francescoborgomeo struggle solidarity globalization johnrussell democracy ilariabertinelli rural farming farmers agriculture stefanocacchioli paolobarbieri cplconcordia sharing cooperation community society danielemontroni wealthhoarding manufacturing collaboration</dc:subject>
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    <title>Academia: The Answers We Don't Offer - by Timothy Burke</title>
    <dc:date>2026-07-04T12:22:27+00:00</dc:date>
    <link>https://timothyburke.substack.com/p/academia-the-answers-we-dont-offer</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I’m interested in the emerging academic consensus that remote work, like the Covid-19 lockdowns that pushed it forward as an option, has some hidden social and psychological costs.

At least for me, this kind of finding is where a fair number of people who used lawn signs to declare that we should all “trust the science” quietly pack away those signs and forego that guidance. It seems evident now that we should all have been much more worried about the economic aftershocks of small business failures and the political consequences that might follow from that and that we should have worried a lot more about the psychological and social fallout of manorial isolation in residential spaces inhabited by families, close friends, or roommates only.

The failure to publicly map those considerations in to a balanced technical or scientific evaluation of policies has badly wounded public health institutions around the world, but particularly in the United States. RJK Jr. I think would have never even gotten within sniffing distance of any form of political power but for this kind of miscalculation.

A recent NYT op-ed by two economists, Emma Harrington and Natalia Emanuel, argues that they’ve gone from being strong advocates of remote work as an option for many white-collar workers to seeing a need to sharply restrict its prevalence. I think their reasoning is sound, shaped by data showing a sharp rise in psychological precarity and seeing a broader span of evidence that people are feeling socially isolated in ways that may be exacerbating forms of partisan alienation, general anomie, and collective despair.

The diagnosis seems right to me but I wonder about the therapy. Harrington and Emanuel’s previous enthusiasm for remote work was based on the fact that many people say they prefer it to being in the office. That at least requires a lot of attention before anybody embraces making everybody come back to the same workplace. What is it that people don’t like to the point that they might cling to remote work even if they might recognize some of its negative effects?

The easiest issue to grasp, particularly (I would hope) for economists, is that for many people remote work is in net terms more affordable. It not only eliminates the costs (and tensions) of a daily commute, it also frees people to live in a wider variety of places. Which touches on some of the points about affordability and housing that came up in my last newsletter—if you can live in a cheaper area that you also like which is hours or more from where your company or organization is headquartered, you’ve solved a major problem that mainstream policy and the existing economy are otherwise unresponsive towards. There are other affordances in many cases. Child care, at least for kids who are school age, often becomes both cheaper and easier if both parents are able to work remotely. Meals are often cheaper, especially for people who have substantial dietary restrictions.

I think another NYT op-ed, by Adam Grant and Marissa Shandell, got at far more profound issues with the centralized workplace as an alternative to remote work. There’s a recent problem that many organizations downsized or deferred maintenance during the pandemic so that returning workers find themselves crowded together in buildings that are physically more uncomfortable or unpleasant to be in, dealing with employers who refuse to recognize that they are dumping all those former costs back on their employees in an era of stagnant compensation. That’s a smaller subset of what Grant and Shandell focus on, which is that many middle managers and office bosses want everybody back because its their jobs on the line if it turns out that everybody can produce as much or more as before remotely without a boss constantly coming by their cubicle to hassle them. The need to boss people, as Grant and Shandell see it, is not just self-protective of the status and position of managers but is a psychological need for the kind of person who typically becomes a manager, that many people in these positions are motivated by narcissism and other “dark triad” drives, about the “ego, power and drives” of American bosses.

That’s certainly how many white-collar workers almost legendarily experience being supervised, remotely or otherwise, and that experience is a hundred times worse when it’s about someone physically proximate to you. What a lot of people discovered is that remote work made that experience more bearable. But I think you can extend beyond what Grant and Shandell see in the data.

What I think a lot of Americans have come to feel with new intensity is that hell is other people. Bosses are the worst part of that, but there’s also the co-workers who steal lunches, talk loudly all the time, tell creepy stories, ogle and harass, take credit for work they didn’t do, backstab peers in pursuit of advancement, stick their nose into business that isn’t theirs, or just generally rub the wrong way through no particular fault of their own. Work is the place where you’re with people you never chose to be with, pursuing ends that at least some folks might feel diffident towards, but also shot through with existential risks to your prosperity and well-being. In the United States, most people are a few months of paychecks away from losing their homes or apartments and have their healthcare directly tied to ongoing employment.

I think white-collar workers came alive during the pandemic to the fact that not only is the sociality of work not the sociality they crave, but that all other kinds of sociality that were once tied to a protected block of time we called “leisure” or “private life” have been badly eroded over the last three decades.

Harrington and Emanuel mention Robert Putnam’s famous work Bowling Alone as a path-breaking and early recognition of this loss of civic life. Given that, it’s kind of heart-breaking that we have come to a point where the path ahead gets articulated as “come back to a shared workplace in order to have some kind of shared social reality” or “stay remote and at least avoid the social and psychological harms that many associate with office labor”.

Casting back to my essay from last week on my frustrations with the epistemological shortcomings of conventional social science, this is another one of the shortcomings of the kind of social science that tries to inform institutional and governmental policy. This kind of work always confines itself to what is imagined as being possible within the contemporary moment, no matter how cramped the space of the possible might be as it is understood by the people making the policies and holding the purse-strings. Hardly anyone in this kind of intellectual space finishes their analysis by calling for a social movement, for political and social organizing, for change from the ground up.

Because if the diagnosis is “many of us are suffering psychologically in the isolation of remote work and many of us are losing basic emotional and relational skills to the general detriment of our society”, then surely there are other imaginable therapies besides “look to the workplace to provide what you’re losing, regardless of how precarious, unpleasant and costly life in the workplace might be.” Putnam’s therapeutic suggestions in Bowling Alone are the weakest part of the book, but even from the title alone, he showed that he understood that what we really need is time for ourselves together that is not about work—that is about play, that is about worship, that is about expression, that is about family, that is about joy, that is about ideas and dreams of what could be.

Workplaces have occasionally pretended that they could contain all of that social interaction—often when they self-congratulatorily anoint themselves as “communities”—but the last two decades have stripped most of that pretense away. The foosball tables and well-appointed cafeterias have disappeared even from Silicon Valley, the mock tolerance for open conversation and undirected exploration has been withdrawn.

There’s a problem that not even revived bowling leagues or quizzo teams could solve. Putnam and his enthusiasts at least help us think about something better than “get back to the office, everybody”, but at the core of Putnam’s thought is the idea that we make community best when we are forced to make connections with people we haven’t chosen and wouldn’t prefer to be around. Behind that thought lurks two decades of mainstream sociological narratives in books like Bill Bishop’s The Big Sort: that Americans are suffering from spending too much time with people who are too much like themselves. This is the sort of advice that conventionalized thinkers, usually self-satisfied centrists who write op-eds in major American newspapers, love to give and love to stage. “Talk to people with different views than your own! Reach across partisan divides! Learn to appreciate viewpoint diversity!”

It’s not that they are wrong, either morally or practically. We aren’t mixing enough socially, we are living in more and more bounded kinds of enclaves, our socioeconomic boundaries are hardening as our inequality deepens, we are becoming not only socially inept but also almost unintelligible across certain kinds of everyday epistemological orientations. The problem with Putnamesque ideas about maintaining a healthy sociality that is not confined to work is usually that the person calling for that mixing is themselves not particularly adept at doing so, and often has an incredibly banal understanding of the actually-existing pluralism of social difference in America. The Putnamesque centrist knows what we ought to do, has excessive confidence that they are doing it, but doesn’t really grasp what it would actually entail.

And that’s where I think conventional left appreciations of diversity also run into issues. We tend to think that a sociality that put us into contact with the widest variety of lived experiences, of national and religious and ethnic backgrounds, of temperaments and outlooks, would be the sociality beyond work and beyond the safe civics of Putnam that we all really need and want.

We don’t have a vocabulary for recognizing that the interpersonal, emotional and psychological friction many of us experience at work would exist even in a sociality that was ideally pluralistic. That what remote work and manorial isolation during the pandemic showed some of the people who experienced the strongest forms of that isolation is that it is a pleasure to not have to deal with many people whether that’s in public spaces, in civic life or at work.

Simply being with people who mirror your cultural preferences and even your emotional bent is not a relief. The narcissism of small differences is able to make those social worlds just as painful as many others. What I think no social scientist—or perhaps any other kind or flavor of thinker—is presently speaking to is how do we find people who are different to us whose difference we find enlightening, productive, pleasant, generative, enticing, or transformative?

I am sure that you are more likely to uncover how to do that in a bowling league than a cubicle farm. I am also sure that discovering that art has something to do with the variety of opportunities you are given to be in the presence of real people in materially real circumstances, that it is something you don’t learn via a prescribed path or single technique but in terms of putting enough small bets onto a lot of tables. That requires, at a minimum, time that is clawed back from work, but it also requires a vast regeneration of third spaces in a society almost completely enclosed by the private world of the family and the deformed anti-public created by neoliberalism. We need community centers and parks and libraries and block parties and new civic rituals, we need loitering and hanging out, we need time that has no purpose but to be where other people are and purposes that have no justification other than making social worlds. We need buildings with shared kitchens for all residents, we need free adult education in underused offices. You name it—but what we don’t need is the only thing that a certain kind of social analysis allows itself to envision in facing a looming problem, which is to settle work as the only thing which can define our social belonging."]]></description>
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    <title>Dancing the Revolution: From Dancehall to Reggaetón - YouTube</title>
    <dc:date>2026-07-01T08:27:07+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=cgPns2rB238</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this documentary created for Dancing the Revolution: From Dancehall to Reggaetón, scholars and artists from Kingston, Jamaica, and San Juan, Puerto Rico, discuss the power of dancehall and reggaetón as transformative music genres and cultural movements. Interspersed with footage from inside dancehalls and clubs, the exhibition video brings you into the energetic spaces that have inspired countless artists across decades.   

Dancing the Revolution: From Dancehall to Reggaetón is a major exhibition that explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art—two dynamic genres that have transcended their grassroots origins to shape global culture. From Kingston to San Juan through Panama, New York City, and London, Dancing the Revolution positions music and dance as a revolutionary practice for collective liberation rooted in the struggle against colonial oppression.

Dancehall and reggaetón are not only musical genres but cultural practices and powerful expressions of resistance and joy—reminders of the Caribbean’s centuries-old traditions of dance and music as means of liberation and protest rooted in Black Atlantic history and culture. Dancing the Revolution showcases pivotal moments and themes from these histories, starting with the sound system, a mobile disco that embodies both a community experience and a vital civic institution.

Presenting work across varied mediums, Dancing the Revolution includes painting, sound sculptures, installations, photographs, and video, showcasing how artists have been and continue to be inspired by these histories and the visual forms that emerge from them. The exhibition features more than forty contemporary artists, including Isaac Julien, Edra Soto, Alberta Whittle, Carolina Caycedo, and Lee “Scratch” Perry. A special commissioned mixtape project by Juan Rivera invites visitors to learn about the evolution of these popular genres in Panama and hear the iconic songs that have paved the way for the global phenomenon of reggaetón.

Dancing the Revolution considers music and dance as powerful tools for sexual and political liberation. The exhibition’s title is inspired by the shifting RPMs (revolutions per minute) that mark the tempo and history of Caribbean popular music, as well as by the historic events now known as the Verano del 19, or Summer of 2019, in San Juan, Puerto Rico; multisectoral protests demanding the resignation of then-Governor Ricardo Roselló. On July 17, the same day that Roselló resigned, LGBTQ+ and feminist activists led perreo combativo, or “combative twerking” on the steps of San Juan Cathedral, transforming reggaetón’s characteristic dance into a form of political protest. This reclamation of public space through dance—an act deeply rooted in dancehall history and culture—demonstrates how music and dance can serve as bold acts of collective resistance and emancipation.

Dancing the Revolution: From Dancehall to Reggaetón is curated by Carla Acevedo-Yates, former Marilyn and Larry Fields Curator and Director of Curatorial Initiatives, with Cecilia González Godino, former Marjorie Susman Curatorial Fellow, Iris Colburn, Curatorial Associate, Nolan Jimbo, Assistant Curator, and nibia pastrana santiago, Curatorial Consultant. The exhibition is designed by SKETCH | Johann Wolfschoon, Panamá."]]></description>
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<item rdf:about="https://time.com/article/2026/03/12/otrovert-new-personality-type/">
    <title>Are You an Otrovert? What to Know About the New Personality Type</title>
    <dc:date>2026-06-27T22:40:27+00:00</dc:date>
    <link>https://time.com/article/2026/03/12/otrovert-new-personality-type/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via: https://lsa.umich.edu/psych/news-events/all-news/faculty-news/are-you-an-otrovert--what-to-know-about-the-new-personality-type.html ]

"Perhaps you've never wanted to join an intramural basketball league. Maybe you don't identify with a political party or religion. There's a new personality type that might speak to those who don't feel the need to belong to groups: otroverts.

Dr. Rami Kaminski, a psychiatrist in New York City, developed the idea of the otrovert after he spent years observing patients who seemed to share a similar set of traits. He coined the term—otro, coming from the Latin root for “other,” and vert, the Latin verb for “turn toward”—in his 2025 book The Gift of Not Belonging: How Outsiders Thrive in a World of Joiners.

Otroverts are people who embody the quality of not wanting to belong to a group, says Kaminski, who identifies as an otrovert. They’re not social outcasts, though. “Unlike those with relational disorders, otroverts are empathetic and friendly, yet struggle to truly belong in social groups, despite no apparent behavioral distinctions from well-adjusted individuals,” Kaminski writes in his book.

Kaminski says otroverts exist outside of the “extrovert-introvert spectrum.” Instead, otroverts—who often appear extroverted, Kaminski says—are defined by a feeling of otherness. They are often warm, friendly, and well-liked people, he says; they simply struggle to feel comfortable in group settings, even though others would probably not be able to tell.

Are you an otrovert?

Kaminski has developed a free online test that can help you find out. Just keep in mind that otroversion is not a diagnosis, and personality types are squishy and often overlap. Here are the hallmark traits of otroversion that Kaminski identifies:

• They’re not communal. Otroverts aren’t typically “joiners”—they usually don’t join sororities or fraternities, organized religion, social groups, political parties, or intramural sports leagues. They’d prefer to get coffee with a friend, say, than attend a book club.

• They’re observers. Although they can easily chat with people at parties or events, otroverts often report feeling more like observers than participants.

• They don’t conform. Otroverts like to stand out; they’re often not interested in pop culture or the latest trends. They like what they like, and they don’t care about others’ opinions of them.

• They’re independent thinkers. Otroverts tend to have strong opinions and convictions—they can’t be easily swayed by others.

• They enjoy deep personal connections. At a work holiday party, for instance, an otrovert might rather have a deep, meaningful conversation than engage in small talk about the weather.

• They prefer solo work. Otroverts would rather be self-employed or work independently than on a team.

The messiness of personality

Although many people might identify with this new category—or another one—“it’s pretty clear at this point, just empirically, that there’s no such thing as ‘personality types,’” says Colin DeYoung, a professor of psychology and director of the DeYoung Personality Lab at the University of Minnesota. “There aren’t clear categories of people; what there are are dimensions that people continually fall along.”

These dimensions, called the Big Five personality traits, include things like extraversion, agreeableness, conscientiousness, openness, and neuroticism. Although they’re important, these dimensions don’t capture every last aspect of personality, says Aidan Wright, a professor of psychology and psychiatry at the University of Michigan whose work centers on personality.

Wright says it’s unlikely that otroversion is a brand-new personality type that’s just been discovered; instead, otroverts probably embody a particular configuration of traits from the broader personality landscape. “Do these people exist? Yes, absolutely,” Wright says. “Are they a special type that is different in the same way we think about the difference between a cat and a dog? I would say almost certainly not.”

Yet identifying with a set of personality traits can be valuable. Whether it’s the Big Five metric, the Myers-Briggs Types Indicator, or the Enneagram system, people are often drawn to the idea of having a specific personality type. “It organizes your thinking, and it gives you something that explains how and who you are,” Wright says.

DeYoung agrees. “I think the human mind naturally gravitates toward these kinds of categorical distinctions,” he says. “And it’s useful for the purposes of finding other people who are similar to you or understanding other people.”

No matter how you exist in the world—as an extrovert, introvert, otrovert, or some other vert that has yet to be named—it’s crucial not to go it alone. “It’s so important for us to connect to each other and to have meaningful relationships,” says Thea Gallagher, a clinical psychologist and associate professor at NYU Langone Health. Research shows that “we need two to three social relationships where we feel seen and understood. Make sure you’re doing that—wherever you fall in these categories.”"]]></description>
<dc:subject>2026 otroversion introversion extroversion outsiders personality psychology otherness ramikaminski empathy cv social socializing relationships belonging notjoining nonjoiners jamiefriedlanderserrano myers-briggs enneagram colindeyoung theagallagher joining joiners</dc:subject>
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<item rdf:about="https://www.researchgate.net/publication/404046247_OTROVERSION_RETHINKING_SOCIAL_ENGAGEMENT_BEYOND_THE_INTROVERT-EXTROVERT_DICHOTOMY">
    <title>(PDF) OTROVERSION: RETHINKING SOCIAL ENGAGEMENT BEYOND THE INTROVERT–EXTROVERT DICHOTOMY</title>
    <dc:date>2026-06-27T09:25:34+00:00</dc:date>
    <link>https://www.researchgate.net/publication/404046247_OTROVERSION_RETHINKING_SOCIAL_ENGAGEMENT_BEYOND_THE_INTROVERT-EXTROVERT_DICHOTOMY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Personality research has traditionally explained patterns of social behaviour through the binary framework of introversion and extraversion, later expanded by the notion of ambiversion. Yet these classifications do not adequately capture individuals who participate effectively in social environments while maintaining a deliberate psychological distance from group identity. This paper introduces and elaborates on the concept of the “otrovert,” derived from the Spanish word otro, meaning “other,” to describe individuals who engage with social groups but do not rely on collective belonging for their sense of identity or validation. Through a conceptual and interdisciplinary analysis, the study examines how otroversion may represent a distinctive orientation toward social participation characterised by reflective autonomy, selective engagement, and intellectual independence. Drawing upon scholarship from personality psychology, emotional intelligence research, organisational behaviour, and educational theory, the paper situates the concept within broader discussions of cognitive diversity and social participation. It further contextualises the idea historically by demonstrating how both global and Indian intellectual traditions have long recognised the contributions of individuals who remained intellectually independent while engaging constructively with society. By examining implications for classrooms, workplaces, and collaborative environments, the study argues that recognising otrovert tendencies can help institutions better value reflective contributors whose insights often emerge from observation, analysis, and selective participation. While acknowledging that otroversion remains a conceptual construct requiring empirical validation, the paper proposes it as a useful interpretive framework for understanding forms of social engagement that fall outside conventional personality typologies. Recognising such orientations can contribute to more inclusive educational practices, more balanced organisational cultures, and a broader appreciation of cognitive diversity in contemporary society."]]></description>
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    <title>The Otherness Institute | Take the test - The Otherness Institute</title>
    <dc:date>2026-06-27T09:22:06+00:00</dc:date>
    <link>https://www.othernessinstitute.com/the-otherness-scale/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>otroversion introversion extroversion outsiders personality 2026 psychology otherness ramikaminski empathy cv social socializing relationships belonging notjoining nonjoiners joining joiners</dc:subject>
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<item rdf:about="https://en.wikipedia.org/wiki/Otrovert">
    <title>Otrovert - Wikipedia</title>
    <dc:date>2026-06-27T09:21:35+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["Otrovert[needs English IPA] is a neologism coined by New York psychiatrist Rami Kaminski for a proposed personality style described in popular media as involving a persistent sense of being an outsider in group settings, even when the person is socially included, and a preference for selective, one-to-one connections over group affiliation.[1][2]

Origin

Kaminski introduced the term in his 2025 book, The Gift of Not Belonging,[3] and it appears in his writing about belonging, social identity, and what he described as "otherness".[4] The term comes from the Spanish word otro, meaning “other". Media accounts have linked the term to the established introversion and extraversion framework, while presenting it as focused more on group identity and affiliation than on sociability alone.[5][1]

Description

An otrovert is someone who feels like an eternal outsider in groups, even when they are friendly and socially capable.[6] Media descriptions of "otroverts" commonly emphasize emotional independence from groups, original thinking, low interest in joining or in adopting group rituals,[7][8] and a tendency to seek depth in a small number of relationships rather than broad group belonging.[2][9][10][11][12]

Reception

Since the release of Kaminski's book, the term has circulated internationally in lifestyle, health and psychology news coverage and commentary.[13][14][15][1] Commentators described it as a concept that broadens our understanding of personality types and ways of being human[16] and suggests that otroversion is the personality trait that defies groupthink, breaking the introvert/extrovert binary.[17] Some commentators and psychologists quoted in the media have described otroversion as a recent hypothesis rather than an established category in academic personality psychology.[2][18]"]]></description>
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<item rdf:about="https://lsa.umich.edu/psych/news-events/all-news/faculty-news/are-you-an-otrovert--what-to-know-about-the-new-personality-type.html">
    <title>Are You an Otrovert? What to Know About the New Personality Type | U-M LSA Department of Psychology</title>
    <dc:date>2026-06-27T09:21:23+00:00</dc:date>
    <link>https://lsa.umich.edu/psych/news-events/all-news/faculty-news/are-you-an-otrovert--what-to-know-about-the-new-personality-type.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[full text here:
https://time.com/article/2026/03/12/otrovert-new-personality-type/ ]

"Perhaps you've never wanted to join an intramural basketball league. Maybe you don't identify with a political party or religion. There's a new personality type that might speak to those who don't feel the need to belong to groups: otroverts.

Dr. Rami Kaminski, a psychiatrist in New York City, developed the idea of the otrovert after he spent years observing patients who seemed to share a similar set of traits. He coined the term—otro, coming from the Latin root for “other,” and vert, the Latin verb for “turn toward”—in his 2025 book The Gift of Not Belonging: How Outsiders Thrive in a World of Joiners.

Otroverts are people who embody the quality of not wanting to belong to a group, says Kaminski, who identifies as an otrovert. They’re not social outcasts, though. “Unlike those with relational disorders, otroverts are empathetic and friendly, yet struggle to truly belong in social groups, despite no apparent behavioral distinctions from well-adjusted individuals,” Kaminski writes in his book.

Kaminski says otroverts exist outside of the “extrovert-introvert spectrum.” Instead, otroverts—who often appear extroverted, Kaminski says—are defined by a feeling of otherness. They are often warm, friendly, and well-liked people, he says; they simply struggle to feel comfortable in group settings, even though others would probably not be able to tell.

Are you an otrovert?

Kaminski has developed a free online test that can help you find out. Just keep in mind that otroversion is not a diagnosis, and personality types are squishy and often overlap. Here are the hallmark traits of otroversion that Kaminski identifies:

• They’re not communal. Otroverts aren’t typically “joiners”—they usually don’t join sororities or fraternities, organized religion, social groups, political parties, or intramural sports leagues. They’d prefer to get coffee with a friend, say, than attend a book club.

• They’re observers. Although they can easily chat with people at parties or events, otroverts often report feeling more like observers than participants.

• They don’t conform. Otroverts like to stand out; they’re often not interested in pop culture or the latest trends. They like what they like, and they don’t care about others’ opinions of them.

• They’re independent thinkers. Otroverts tend to have strong opinions and convictions—they can’t be easily swayed by others.

• They enjoy deep personal connections. At a work holiday party, for instance, an otrovert might rather have a deep, meaningful conversation than engage in small talk about the weather.

• They prefer solo work. Otroverts would rather be self-employed or work independently than on a team.

The messiness of personality

Although many people might identify with this new category—or another one—“it’s pretty clear at this point, just empirically, that there’s no such thing as ‘personality types,’” says Colin DeYoung, a professor of psychology and director of the DeYoung Personality Lab at the University of Minnesota. “There aren’t clear categories of people; what there are are dimensions that people continually fall along.”

These dimensions, called the Big Five personality traits, include things like extraversion, agreeableness, conscientiousness, openness, and neuroticism. Although they’re important, these dimensions don’t capture every last aspect of personality, says Aidan Wright, a professor of psychology and psychiatry at the University of Michigan whose work centers on personality.

Wright says it’s unlikely that otroversion is a brand-new personality type that’s just been discovered; instead, otroverts probably embody a particular configuration of traits from the broader personality landscape. “Do these people exist? Yes, absolutely,” Wright says. “Are they a special type that is different in the same way we think about the difference between a cat and a dog? I would say almost certainly not.”

Yet identifying with a set of personality traits can be valuable. Whether it’s the Big Five metric, the Myers-Briggs Types Indicator, or the Enneagram system, people are often drawn to the idea of having a specific personality type. “It organizes your thinking, and it gives you something that explains how and who you are,” Wright says.

DeYoung agrees. “I think the human mind naturally gravitates toward these kinds of categorical distinctions,” he says. “And it’s useful for the purposes of finding other people who are similar to you or understanding other people.”

No matter how you exist in the world—as an extrovert, introvert, otrovert, or some other vert that has yet to be named—it’s crucial not to go it alone. “It’s so important for us to connect to each other and to have meaningful relationships,” says Thea Gallagher, a clinical psychologist and associate professor at NYU Langone Health. Research shows that “we need two to three social relationships where we feel seen and understood. Make sure you’re doing that—wherever you fall in these categories.”"]]></description>
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<item rdf:about="https://www.usatoday.com/story/life/health-wellness/2026/06/23/otrovert-personality-type-explained/90645422007/">
    <title>What is an otrovert? The new personality type, explained</title>
    <dc:date>2026-06-27T09:17:22+00:00</dc:date>
    <link>https://www.usatoday.com/story/life/health-wellness/2026/06/23/otrovert-personality-type-explained/90645422007/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Don't feel like the terms "introvert" or "extrovert" exactly fit your personality? Do you always feel like an outsider, more broadly? You may align more with a newer label called an "otrovert."

“Otroversion is an emerging personality type characterized by relating to the world as an 'eternal outsider,'" Mary Odafe, licensed clinical psychologist and clinical science liaison at online platform Modern Health, told USA TODAY.

Coined by New York City psychiatrist Dr. Rami Kaminski, the term describes individuals who are ultra-independent social observers who exhibit empathy and enjoy deep individual connections but lack the ability or interest in belonging to social groups, Odafe, who holds a doctorate in clinical psychology, explained.

These social groups may include clubs, political parties, sports teams or associations, according to Kaminski's website "The Otherness Institute."

The term is making waves on social media, too. A clip of a podcast host describing the term has gained more that 1.5 million views on TikTok, while others are taking to the app to share how the term is resonating with them.

This differs from the personality types most people are familiar with, introverts and extroverts, which largely correspond with whether socializing leaves you drained or energized. Instead, otroverts have a "deep-rooted belief system that they do not identify with any specific group, ideology or 'hive mind,'" explained licensed professional counselor Michelle Smith.

Though otroverts can find it difficult to maintain friendships that demand frequent social engagement, that doesn't mean these individuals have no healthy or meaningful connections, Smith added.

"Otroverts tend to really value their deep one-on-one connections with others," she said.

The Otherness Institute adds they can be quite charming and funny when in a “comfortable zone" − just don't expect them to enjoy noisy or crowded places.

This type of "otherness" is not a cognitive or emotional disorder, according to The Otherness Institute, just a less common personality trait that should be celebrated, not "fixed."

"Otroverts are empathic and friendly, with no problem creating loving relationships. In fact, there is no obvious distinction from any well-adjusted individual," the website notes. "We want to help otroverts embrace their non-belonging rather than to 'teach' them how to belong."

While more research and documented evidence of this personality trait is important, those who identify with it "may find a sense of satisfaction in learning that they are alone, together," Odafe added."]]></description>
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<item rdf:about="https://www.theatlantic.com/ideas/2026/06/ai-tutor-education-human-investment/687678/">
    <title>AI Can’t Fix the Student-Motivation Problem - The Atlantic</title>
    <dc:date>2026-06-27T06:26:04+00:00</dc:date>
    <link>https://www.theatlantic.com/ideas/2026/06/ai-tutor-education-human-investment/687678/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["It turns out bots aren’t great teachers."

[archived: https://archive.is/noKrS ]]]></description>
<dc:subject>ai artificialintelligence jennyanderson mikegoldstein teaching howwteach edtech technology chatbots llms schools schooling motivation salkhan salmankhan khanmigo openai samaltman learning howwelearn children students khanacademy kristendicerbo laurenceholt tutoring inequality ronferguson achievementgap criticalthinking rolandfryerjr maryburns social justinreich coopeartion care caring community condusion attention</dc:subject>
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<item rdf:about="https://psyche.co/videos/the-hidden-rules-of-the-game-that-dictate-how-we-navigate-the-world">
    <title>The hidden rules that dictate how we navigate the world | Psyche Videos</title>
    <dc:date>2026-06-26T13:29:47+00:00</dc:date>
    <link>https://psyche.co/videos/the-hidden-rules-of-the-game-that-dictate-how-we-navigate-the-world</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["How free are we really, if human behaviour embodies the complex, intertwined webs of society and history?"

...

"Pierre Bourdieu: habitus

The hidden ‘rules of the game’ that dictate how we navigate the world

When someone enters adulthood, how do they distinguish an outlandish dream from a life they can reasonably expect to build? When someone enters a party, how can they navigate that complex social landscape without making a fool of themselves? For the French sociologist Pierre Bourdieu (1930-2002), the answers to these questions were found in the elaborate, subconsciously encoded ‘rules of the game’ that shape our lives: a system he called the habitus. While these hidden maps of possibility differ from person to person, they’re nonetheless intertwined with the complex webs of society and history. In this short, the UK video essayist Lewis Waller of the YouTube channel Then & Now offers an accessible introduction to the idea. He also explores criticisms of the concept and examines how it has shaped research on the relationship between class and behaviour in the decades since Bourdieu first introduced it."

[direct link to video:

“Introduction to Bourdieu: Habitus”
https://www.youtube.com/watch?v=WvzahvBpd_A

“In this introduction to Pierre Bourdieu, I look at a number of his key concepts: Habitus, Field & Cultural Capital, while focusing primarily on habitus. First I contextualize Bourdieu's sociology in the debates between structuralism, existentialism, and postmodernism. I look at how Bourdieu can help us understand emotions, class and children's health inequalities.”]]]></description>
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<item rdf:about="https://www.businessinsider.com/ai-social-scene-curated-offline-events-dinner-parties-2026-6">
    <title>AI's Social Scene Is Shifting to Curated Offline Events, Dinner Parties - Business Insider</title>
    <dc:date>2026-06-26T01:15:39+00:00</dc:date>
    <link>https://www.businessinsider.com/ai-social-scene-curated-offline-events-dinner-parties-2026-6</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[In which the AI-saturated tech space is slowly rejecting its own dogfood of optimization, scalability, and slop. They seem to be slowly re-inventing the humanities and liberal arts that they skipped and derided.]

"If "taste" is the buzzword in the AI world right now, then IRL events have become the best way to demonstrate it.

As AI becomes more competitive and taste — the idea of having superior aesthetic judgment — emerges as a key differentiator, AI companies and young founders are hosting intimate, curated gatherings — often dinner parties — to cultivate cool and build real-world communities.

<blockquote>Hosting an intimate dinner in sf for lore builders.

    Founders, narrative architects, writers, world builders. Humans at the intersection of storytelling x culture x craft x storytelling x philosophy x design.

    Keeping it to <10. Who should be in the room? 🫶
    — Joumana (@JoumanaElomar) June 23, 2026 [https://x.com/JoumanaElomar/status/2069509402437222482 ]</blockquote>

Many of these curated events follow a similar blueprint: a promo that looks like an A24 film poster and grainy, film-like photos that make it feel more like a 90s-era house party than a tech founders' event.

"I think trusted (human) curation is so important now, even more than ever," said Michelle Fang, who leads Stripe Startups, a program offering financial support and resources to early-stage, venture-backed companies, and has a weekly newsletter that rounds up in-person tech events in San Francisco.

Fang said that when she first started the newsletter in 2023, she posted an average of 20 to 30 in-person events a week. That number has now risen to 70 to 80 a week.

"There's been a noticeable shift in both the frequency and types of events happening in SF, especially over the past year," she said.

AI has accelerated this trend dramatically, she said, as the AI boom brings an influx of talent who want to establish their community in the city.

While some of the events Fang has listed are traditional building workshops and hackathons, others include Pilates classes, peptide tasting parties — the latest self-optimization craze — and "intentionally curated" dinners.

It's a vibe shift from the large happy hours and networking events that defined post-pandemic tech socializing, said Fang. These smaller events don't require a big budget or venue, and with the speed of AI growth, people want to make sense of new concepts and the changes happening in real time, she said.

[image: "Dinner table with bowls of sushi and edamame at an event hosted by coworking and tech events startup Verci's / Verci, a coworking space and events startup, hosts monthly dinners and workshops for members.  Ami Yoshimura/Verci"]

'Taste is a new core skill'

The taste conversation kicked off earlier this year when Y Combinator cofounder Paul Graham wrote in a post on X that, as AI democratizes building, "taste will become even more important."

Two days later, OpenAI President Greg Brockman cemented the catchphrase on X, writing that "Taste is a new core skill." Since then, it's led the tech world to hyperfocus on AI companies and founders who are winning the taste battle.

Alongside the taste discourse, being offline has become a status symbol. Having the ability to de-digitalize is seen as a luxury and a way to connect with people more authentically, with in-person events being a means to achieve this, especially for those whose working lives already revolve around AI.

<blockquote>peak bengaluru and bangerlore pic.twitter.com/1imEhjhCBX
    — prerna (@Prerrrrna_) June 7, 2026 [https://x.com/Prerrrrna_/status/2063545613632037129 ]</blockquote>

An event "only for hot people and nerds" in Bangalore, which appeared to be in collaboration with the early-stage Bangalore-based consumer tech company Faff, made the rounds on X earlier this month. The vibe is artfully arranged cheese boards, trendy cocktail menus (with AI puns), and grainy photos.

Ami Yoshimura, the 23-year-old cofounder of Verci, a members club and coworking space in New York, hosts events such as rooftop parties and multi-day retreats for founders and creatives. "Relationships, aesthetics, and telling a story" have become crucial ways to stand out in the hyper-competitive AI industry, he said.
Small parties, big bucks

It's not just San Francisco that is seeing this event boom.

<blockquote>new york tech week highlights:1. went blind into an event hosted by @join_ef and successfully met a group of really cool people with 0 degrees of mutual connection2. met/made some really good friends from url ➡️ irl shoutout fonzi and corgi team3. ended off the week with a… pic.twitter.com/CA3h0mwmLe
    — sara kong (@saraknggg) June 8, 2026 [https://x.com/saraknggg/status/2064047927702782454 *]</blockquote>

Katia Ameri, a partner at A16z who spearheads Tech Week in San Francisco, LA, and New York City, wrote on X last month that New York was so far the largest Tech Week in history by events and attendees. The LA and San Francisco equivalents are coming up later this year.

Eliza Wu, cofounder of Corner, a social mapping app that describes itself as "Google but social," wrote in a post on X that there were over 600 RSVPs for a panel she was hosting at New York Tech Week.

Leading AI companies are also taking note. In April, Anthropic posted a brand events lead role in San Francisco, with a salary of up to $400,000.

There are four open marketing events positions at Anthropic, while OpenAI has two open positions for events, commanding over $200,000 salaries with options to gain equity too.

<blockquote>Anthropic is paying up to $400,000 a year for an events role.They're looking for someone to own the execution of brand experiences that translate Anthropic's values into physical moments.This person will produce everything from intimate thought-leadership gatherings to… pic.twitter.com/SWvmSarclY
    — Andrew Yeung (@andruyeung) April 26, 2026 [https://x.com/andruyeung/status/2048545188608364593 ** (archived: https://www.are.na/block/47316282 )]</blockquote>

Andrew Yeung, an ex-Google and Meta product lead turned event host and angel investor, wrote on X in response to the job advert that it shows Anthropic understands that "they need to create visceral, unforgettable IRL experiences that make complex technology feel accessible and human."

"The massive opportunity now is offline, analog, in-person," he said.

But while the taste that goes into hosting a party is human, we are living in an AI world — and as with your job applications, an AI screener might still be standing between you and an invitation.

Wu, the cofounder who hosted a New York Tech Week event with 600 RSVPs, said she turned to Claude to winnow down her guest list.

She said she prompted the chatbot to scan through potential attendees' social posts to identify "markers of excellence" and to suss out the "quality of their thoughts."

With the help of Claude, only 300 people made the cut."

[* full text of https://x.com/saraknggg/status/2064047927702782454:

<blockquote>new york tech week highlights:

1. went blind into an event hosted by @join_ef and successfully met a group of really cool people with 0 degrees of mutual connection
2. met/made some really good friends from url ➡️ irl shoutout fonzi and corgi team
3. ended off the week with a bang at vega (shoutout ben & maddie)

i think when it boils down to WHAT constitutes a good event, it varies based off what your specific persona is trying to get out of it.

for me, events with well-catered hospitality that are more intimate (without just randomly throwing people together sloppily) call out more to me because you make more solidified relationships. 

likewise, it’s good to put an online face to a name because that alone can unlock so much trust and future opportunities.

see you soon nyc!</blockquote>

** full text of https://x.com/andruyeung/status/2048545188608364593

<blockquote>Anthropic is paying up to $400,000 a year for an events role.

They're looking for someone to own the execution of brand experiences that translate Anthropic's values into physical moments.

This person will produce everything from intimate thought-leadership gatherings to large-scale industry activations.

The top AI research lab in the world recognizes that to cross the chasm and reach everyday consumers, they need to lean into hospitality. They need to create visceral, unforgettable IRL experiences that make complex technology feel accessible and human.

They understand that digital channels are getting increasingly saturated. Every feed is flooded with AI content... every inbox is overflowing.

The massive opportunity now is offline, analog, in-person.

The companies that win in the next decade won't just have the best product but the most emotional in-person presence and the most compelling storytelling.

If you're in events, experiential marketing, or brand activations, this is your moment. The biggest tech companies in the world are betting on you.

[two images of the job posting]</blockquote>]]]></description>
<dc:subject>ai artificialintelligence siliconvalley technology 2026 royashahidi small humanities liberalarts culture taste anthropic claude aislop paulgraham elizawu corner saraking amiyoshimura joumanaelomar michellefang stripestartups social events community aibubble gregbrockman openai status offline online socialmedia internet katiaameri a16z andreessenhorowitz andrewyeung google meta nytechweek sanfrancisco society analog</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=YXqOev4m3vc">
    <title>Wang Hui | What is equality? - YouTube</title>
    <dc:date>2026-06-11T23:00:08+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=YXqOev4m3vc</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What does equality mean in a world shaped by multiple languages, cultures, religions, and civilizations?

Wang Hui, Professor at Tsinghua University in Beijing and one of the most influential contemporary intellectuals, reflects on equality not as an abstract principle, but as a question rooted in the historical formation of societies, in everyday forms of coexistence, and in the possibility of imagining a shared future beyond the limits of the nation-state.

Starting from the concept of a “trans-systemic society”, Wang Hui examines communities in which different languages, beliefs, ethnicities, and cultural traditions are not external to social life, but become internal components of it. From the multi-ethnic villages of southwestern China to the long history of Chinese civilization, his analysis challenges nation-centred interpretations of history and invites us to understand identity as plural, dynamic, and interconnected.

The conversation then turns to the limits of modernity: nationalism, the linear idea of progress, ecological crisis, and the tension between modern knowledge systems and traditional forms of wisdom. Within this framework, Wang Hui revisits the concept of tianxia — “all under heaven” — as a way to rethink equality through justice, interdependence, and the relationship between human life and nature.

Rather than offering a fixed definition, the video opens a broader question: how can equality be reimagined in a world that is already deeply interconnected, yet still structured by division, hierarchy, and dependence?"]]></description>
<dc:subject>wanghui 2026 china equality religion language civilization tianzia justice interdependence nature beliefs ethnicity culture traditions sociallife social history pluralism interconnected interconnectedness nationstates future hierarchy division dependence coexistence dependency</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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    <title>Pluralistic: Refining humanity (05 Jun 2026) – Pluralistic: Daily links from Cory Doctorow</title>
    <dc:date>2026-06-07T00:57:07+00:00</dc:date>
    <link>https://pluralistic.net/2026/06/05/defining-humanity/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["One of the best ways to evaluate your own understanding of a subject is to attempt to explain it to someone else. Through explaining things, we discover how much of the "totally obvious" world is actually full of ambiguity, mystery and contradiction.

There's a great bit in Rowan Atkinson's historical sitcom Blackadder that illustrates this principle. In "Ink and Incapability" Blackadder and friends have accidentally burned the only copy of Samuel Johnson's original dictionary of the English language. To cover up their mistake, they decide that they will recreate the dictionary themselves. However, they founder on the first word they try to define, "A":

<blockquote>Blackadder: Let's start at the beginning, shall we? First: 'A.' How would you define 'A'?

    Prince George: Ohh…'A' (continues this in background). Oh, I love this! I love this! Quizzies! Erm, hang on, it’s coming. Ooh, crikey, erm, oh yes, I’ve got it!

    B: What?

    PG: Well, it doesn’t really mean anything, does it?

    B: Good. So we're well on the way, then. "'A'; impersonal pronoun; doesn't really mean anything."</blockquote>

I mean, what does "A" mean? The Oxford English Dictionary has more than a dozen definitions, and just the first one runs to more than 1,500 words:

https://archive.org/details/the-oxford-english-dictionary-all-volumes_202208/The%20Oxford%20English%20Dictionary%20Volume%201%20-%20A%20to%20B/page/n25/mode/2up

Now, normal life involves a lot of explaining things to other people. You have to explain your problems to customer service reps, who have to explain why they can't solve those problems to you. You need to explain to your loved ones why you want to leave your toothbrush in the shower, and they have to explain why they hate having your toothbrush in the shower. These explanation-exchanges teach you as much as they teach the person you're locked in dialog with. The reasons for leaving your toothbrush in the shower may seem totally obvious to you, and your partner's inability to understand this reveals the assumptions you've never even considered.

For the past four decades, an increasing proportion of the population have spent an increasing proportion of their lives explaining things to machines that have no assumptions or shared context: computers. What we call "programming a computer" is really "breaking down a thing that seems obvious to you into increasingly simple instructions that will be followed to the letter."

Computers are like the genies of legend, bloody-minded literalists who will do exactly what you say, in the way that is perversely furthest from what you mean. To get a computer to do anything, you must first understand it to a degree that far exceeds the understanding needed to explain something to any other human, even a small child.

To take just one example: yesterday, I was on a plane, and the seatback video started cycling through its video-on-demand offerings. All of the movie titles that began with "the" were rewritten to put "the" at the end of the title (for example, "The Sting" was written as "Sting, The"). It's obvious why the system's designer had done this: we expect to find movies whose titles begin with "The" alphabetized under their second word ("The Sting" should appear between "Star Wars" and "Story of a Love Affair"; not between "The Godfather" and "The Untouchables").

I remember when I learned this from my elementary school's teacher-librarian, when I was seven and my class got a tutorial on the school library's card catalog. The librarian explained this principle to us in a matter of minutes, as part of a longer set of instructions, and still, it stuck with me forever.

But here we are, 48 years later, and we still haven't standardized a way to get computers to grasp this foundational principle of alphabetization. Many different databases handle this, to be sure, but it's so inconsistent across so many platforms that someone at the head-end of the video distribution system that feeds American Airlines' VOD system decided, "Fuck it, I'm just gonna put the 'The' at the end of these titles."

Computers are stupid, in other words, which means that the people who program them have to have smarts enough for both of them. Unfortunately for our entire species and civilization, the software industry has historically valued skill at writing efficient and reliable software over writing software that adequately reflects reality. There is an entire genre of lists that illustrate the problem with this; the "falsehoods programmers believe" lists:

https://github.com/kdeldycke/awesome-falsehood

From "names of people" and "street addresses"; from "prices" to "time"; from "email addresses" to "phone numbers"; the "awesome falsehoods" lists are awesome because they reveal how much subtlety and complexity is lurking in these seemingly simple and intuitive concepts. This subtlety and complexity might never emerge through the process of trying to teach a person about them, but when you try to teach a computer about them, you have to confront them in all their awesome fuggliness.

That's because humans have context, agency and flexibility. Sure, the person who designs a form with a blank for "name" might never have met a Malagasy person whose first name is Randriamananjararadofabesata, but in the pre-digital world, when Madagascar Slim met a public official who had to transcribe his name onto a paper form, that official could simply draw an arrow in the margin next to the "name" blank, turn the form over, and write out all 28 characters on the reverse:

https://en.wikipedia.org/wiki/Madagascar_Slim

Computers can't do this. If the programmer doesn't know about Malagasy first names, the computer doesn't know about them either, and the only person who can "teach" the computer about these names is a programmer with access to the code for the database, who has to manually alter the code, compile it, and distribute it to everyone who uses it.

This is partly why digitization has been accompanied by a rise in people asserting that they exist on spectrums rather than in binaries. There were always people whose names, genders, races, and other biographic "immutables" changed, or failed to fit within the blanks on the forms. When those people's realities ran up against failures in the system's abstractions, they could petition a bureaucrat to turn the paper over and write an explanatory note, or to write really small to fill in a blank:

https://pluralistic.net/2023/02/02/nonbinary-families/#red-envelopes

Getting a human official to turn the paper over and write something that didn't fit in the blank is a personal challenge. It requires that a subject convince the person who controls the form to make an exception. This isn't always easy, but officials on the front lines necessarily deal with reality, and they can't get their jobs done unless they're capable of interpreting the necessarily incomplete procedures they operate under to fit things as they really are.

But a computer doesn't have any agency or context or flexibility. If the computer says your name isn't valid, you can't argue the computer into accepting it. The only way to get a digital world to acknowledge your existence is to campaign for systemic change. A trans person might (with great difficulty, to be sure) convince the regional registrar to white-out an old X on one "gender" box and mark a new X in the other box. But the only way to make that change in a software system that has been programmed to treat the "gender" field as immutable is to change society itself.

In this way, computers are machines for teaching us what we don't know about ourselves. They require that we interrogate and faithfully recreate our personal tacit knowledge, and they require that our societies interrogate their tacit presumptions as well. When you are forced to turn your tacit knowledge into explicit knowledge, you're also forced to confront how many broken assumptions lurk inside your reasoning. At best, it's a clarifying process.

Computers don't just clarify what we know and how we organize our society: they also clarify what we are. There are lots of things that we have supposed that a computer would never do, because we believed that these things required something that only humans could do.

Take chess: there are more possible chess games than there are hydrogen atoms in the universe, so brute-forcing chess by running all possible games is a technological impossibility. The best human chess players do something we don't quite understand, mixing their recollections of previous games with rules-of-thumb about the best strategies, with "creativity" (whatever that is) that lets them spontaneously develop new strategies. We can easily get a computer to memorize all the known-good chess sequences and all the rules of thumb, but we don't know what "creativity" is, so we can't encode it as a series of instructions.

But thanks to breakthroughs in machine learning and its successor, "deep learning," we have created chess-playing software that can beat every human, partly by assaying gambits that we would term "creative" if they originated with a human player.

What we make of this new fact is controversial. For many people (myself included), this is a refinement: it tells me that behaviors that are indistinguishable from "creativity" can, at least some of the time, be created by mechanical processes, and the mere fact that a machine does something that appears "creative" doesn't mean that machines are human.

For others, the fact that a mechanical system can evince a behavior that we would call "creative" in a human doesn't mean that we defined "creativity" too broadly, it means that we defined "human" too narrowly, and now we have made a machine that is, at least partially, a person.

I think this is the wrong conclusion to draw, for reasons that Ted Chiang sets out with luminous brilliance in a recent Atlantic article entitled "No, Artificial Intelligence Is Not Conscious":

https://www.theatlantic.com/philosophy/2026/06/no-artificial-intelligence-is-not-conscious/687378/

(If you're hitting the paywall on that one and you're on Firefox, you can try my favorite trick: switch to "Reader Mode" and hit "reload" – your mileage may vary.)

For all the reasons Chiang articulates, I think that drawing the "personhood" line to include machines is a technical mistake, but it's worse than that. Admitting machines to the "personhood" club is a tactical mistake, on par with the mistake we made when we admitted corporations to the personhood club. We should absolutely consider expanding personhood to incorporate living things, including animals and ecosystems, but at the same time, we must purge these dead, artificial constructs from the club:

https://pluralistic.net/2026/04/15/artificial-lifeforms/#moral-consideration

There is a way in which the recognition of new capabilities in machines parallels the recognition of new capabilities in animals other than ourselves. When those animals manage to do things that we once thought were the exclusive province of humans, we (should) take that as an opportunity to refine our conception of humanity. We're not "the animals that use tools" or "the animals that make plans" or "the animals that recognize themselves in mirrors," because there are other animals that do those things. We are an "animal that uses tools"; not the animal that does so.

Likewise, if we thought that some activity was unique to humans, or to living beings, and we manage to get a machine to replicate that activity, we should revise our view of the activity – not our view of the machine. Creative breakthroughs in chess are not "a thing that requires a human mind," they're "things that can be done by human minds and by machines."

Edsger Dijkstra once famously asked "can a submarine swim?"

https://www.cs.utexas.edu/~EWD/transcriptions/EWD08xx/EWD898.html

Submarines and fish and humans and dolphins all propel themselves through water by different means. But when an animal swims, it does something that is different from what a submarine does. The submarine has no intention, while (complex multicellular) animals swim to pursue goals. Building machines that propel themselves through water is very useful, but it's not the same thing as creating life. In some ways, it's better than creating life: for one thing, we owe other living things moral consideration that is not due to machines. Harnessing a machine to accomplish our own goals is more morally clear than controlling living things to achieve those goals. By the same token, creating machines that can do some of the tasks that we ask of other humans can be the superior moral course. I'd rather have a machine remove mines from a minefield than getting humans to do it.

But beyond this moral relief, creating machines is a fantastic way to learn more about ourselves – making explicit our tacit knowledge, our implicit social assumptions, and the limitations of our conception of what sets us apart from the rest of the universe.

One way in which AI is exceptional is in how it undermines this principle. Conventional software techniques struggled to produce a program that could identify objects in photographs. It turns out that defining all the visual correlates of "cat" is even harder than defining the letter "A." Deep learning techniques solved this previous insoluble problem by relieving us of the job of making explicit all the implicit factors that we deploy when distinguishing an image of a "cat" from an image of a "dog" or a "tiger" (or a "tractor").

Instead of forcing humans to engage in introspection until we'd made a list of every factor we use to identify cat pictures, we simply identified pictures of cats and fed them to a program that tried to find the commonalities among them. The more pictures we fed to that program, the better it got at identifying cats. Today, we have programs that can reliably distinguish an image of a cat from an image of a tiger cub!

This represents a major breakthrough in the power of computers to perform useful work for us, but it's also a huge regression in computers' role in forcing us to make our tacit thought processes explicit through systematic introspection. That's probably fine: we didn't create computers to make us introspect, we created them to do useful work for us. All things considered, it might be better to have genies who grant our wishes according to the spirit of our words, not their letter.

AI may not force us to render our implicit thoughts as explicit instructions, but it absolutely forces us to reconsider and narrow the realm of the numinous. Our own creativity is still delightful and important, but the fact that this squishy, amazing process can (sometimes) be replicated by procedural machines changes the definition of living things. We're "a thing that can produce creative outcomes" but not "the things that can produce creative outcomes." The machines aren't being creative (any more than a submarine is swimming) but they're outputting things that we used to only achieve by means of creativity.

An AI that does something that used to require creativity is fulfilling my favorite of Brian Eno and Peter Schmidt's Oblique Strategies: "Be the first person to not do something that no one else has not done before":

https://stoney.sb.org/eno/oblique.html

Just as bosses fantasize about AI bringing about a worksite without workers, and Zuckerberg is trying to build social media without socializing, and politicians want a bureaucracy without bureaucrats, we can sometimes use AI to produce creative outcomes without creativity:

https://pluralistic.net/2026/05/27/unnecessariat/#rubbuts-stole-my-jerb

That isn't to say that AI art is any good. AI may produce things that are aesthetically interesting, but it can't produce things that mean anything:

https://pluralistic.net/2026/06/02/must-we-pretend/

But art isn't the only realm that we apply creativity to. There are plenty of outcomes that we've always believed we couldn't bring about without applying creativity. AI – like all software – is making us realize that an ingredient we once deemed uniquely essential turns out to have substitutes. AI can sometimes accomplish things without us explaining how we do them. That relieves us of a useful but difficult chore – but in so doing, it forces us (yet again!) to revisit what sorts of things are needed to do the things that matter to us, and therefore, what makes us special."]]></description>
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<item rdf:about="https://www.thenewatlantis.com/publications/the-future-belongs-to-those-who-resist-it">
    <title>The Future Belongs to Those Who Resist It — The New Atlantis</title>
    <dc:date>2026-06-06T11:13:15+00:00</dc:date>
    <link>https://www.thenewatlantis.com/publications/the-future-belongs-to-those-who-resist-it</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Magnifica Humanitas is an inspiring invitation. But its focus on war, unemployment, and oligarchy misses the more insidious threat: that AI will turn the human experience itself into slop."

...

"With AI, we have a chance to learn from and correct our mistakes. If we fail to pass the test a second time, there is every indication that the results will be even more catastrophic.

“Teaching them to decide when and for what purpose it ought not to be used” will not be enough. Because we are dealing with technologies of ubiquity, only communities — with their power to embed alternative defaults in a shared life, to offer alternative social networks and create unambiguous guardrails through social norms — will constitute meaningful units of resistance to the worst of AI’s possible effects on our habits of thought, judgment, communication, and conviviality.

There are important policy interventions on the table, especially regarding young people’s exposure to AI in pedagogical contexts and at formative times in their life. Strong stances from the major mainstream institutions of American life would also be wonderful. But I suspect there is little point in waiting around for either D.C. or Harvard to lead the way.

We need schools, families, fraternal organizations, reading groups, secret societies, oratories, shared houses of civility — a thousand cells as diffuse and decentralized as all those compounding micro-engagements by which the image of a boot stomping on a human face forever is now being replaced with that of a human face slack-jawed and dribbling on itself. These cells of resistance will be different from one another. They may involve a semi-annual meeting, and they may involve the whole of life. They can be organized around reading Boethius or reciting limericks, sharing meals or shooting guns. Some will correspond only by letter. Some will employ Claude to manage their mailing lists. What all will have in common is: an insistence that we, and only we, will decide how we live; an explicit prohibition on new technologies in the spaces and activities where they gently and slowly degrade us; and a pledge to hold each other to the path we have jointly chosen.

This, I think, is where Magnifica Humanitas will prove most inspired and invaluable in the years to come. Regardless of whether the powers that be heed the pope’s injunctions and warnings, that striking opening image will be available to all the faithful, and to every person of goodwill. If you find yourself in a ruin, staring at the crumbling remnants of a wall and the world it protected, what do you do? You assemble your people, you stake out a section, and you start to build."]]></description>
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<item rdf:about="https://www.blackbirdspyplane.com/p/why-we-stand-in-lines-for-treats">
    <title>Why are we addicted to standing in line for treats?</title>
    <dc:date>2026-06-03T07:55:36+00:00</dc:date>
    <link>https://www.blackbirdspyplane.com/p/why-we-stand-in-lines-for-treats</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["It’s tempting to say that Millennials invented the QTBAT. But it’s more precise to say that QTBATs were invented by market forces during the rise of Millennial purchasing power, in tandem with a historic flood of economy-reshaping zero-interest-rate-policy funny money.

Zoomers, who have never known any other way, inherited QTBATs from Millennials and, using social media, spread them everywhere like dandelion fluff. Any business that sells treats and looks cute is one hit TikTok away from QTBAT Valhalla.

By contrast, stereotypical Gen-Xers never wanted much to do with lines, insofar as lines bespoke popularity, inauthenticity, and an overall unpalatable normie cheuginess back when it was still called “being square.”"

...

"The Four Reasons People Queue up for Treats

1. The QTBAT is egalitarian. You don’t need a ton of money or elite connections to score a Japanese-style Basque cheesecake “everyone is talking about.” You just need to wait your turn. There are people who pay other people to wait for them, and there are entire resale economies centered on coveted non-perishable treats. But while that is bleak, it doesn’t undo the intrinsically egalitarian nature of the line. (At least until the airportification of all life is complete and they figure out how to put “platinum-tier” expedited lines everywhere.)

2. We aspire to spend our time meaningfully. And the QTBAT confers an aura of meaningfulness onto the experience of, e.g., buying a delicious frozen yogurt. What was once mind-numbing garbage time becomes an activity. You stood in line for that frozen yogurt for 32 minutes, coursing with frustration, impatience, excitement and purpose, the purpose being: To eat the treat so many other people clearly hold in such high esteem that I must wait in line behind them in order to eat it. That this aura of meaningfulness is so often a mass hallucination — self-evidently perverse, circular and illusory — is clearly not a deal-breaker.

3. The QTBAT is not virtual. It emerged in the early 2000s, coincident with the rise of the broadband internet and the profound changes it wrought on life. During the same stretch of time when “Third Places” and other ways to enjoy physical space in the company of others came under mounting threat, the QTBAT came into being and thrived. Even when we can join a hyped new ramen spot’s check-in list remotely, on Yelp, plenty of us neglect to do that and just show up and wait instead.

In a QTBAT we can see the beautiful human impulse to be out in public around other people. But we can also see the torched market prerogative that seeks to funnel all human interaction into vectors defined above all else by opportunities for commerce and extraction. Sitting in a park with friends doesn’t put money in anyone’s pocket. The QTBAT is business-friendly hanging — loitering with intent to purchase.

Dizzyingly, the distinction between virtual and IRL can blur in the QTBAT. How many people in line to buy a bagel from Apollo choose to pass the time on their phones, where various entities pop up on screen and try their best to get them to buy other things while they wait? And how many line-waiters feel compelled to open up Twitter or IG or TikTok and 🥴 whip up a little content about how they are waiting in line at Apollo 😵‍💫? (No shots at Apollo — truly excellent bagels.)

This blur notwithstanding, I think the QTBAT is at root a reaction against the rampant virtualization of life. And this leads into the final and most powerful reason, as I see it, for the power of the Queue to Buy a Treat:

4. The QTBAT speaks, however poorly, to our ancient desire for community, for gatherings, for pilgrimages, for fellowship. When I mentioned this to a friend the other day, his thoughts immediately turned to the decline of religious life under the secular neoliberal order. “People used to wait in line at church to take the Eucharist,” he noted: The weekend came, people gathered in a house of worship to pray, to sing, to ponder the eternal, then they got in a long line and waited for someone to serve them a baked good, which was a wafer, which was the body of Christ.

There is no singing and no praying at the new bakery downtown which sells the cute tote bags. The eternal we ponder as we wait in line there, if we ponder it at all, is a murky morass. At the end of the line, if we’re lucky, a perfectly laminated, perfectly photogenic salted-cherry kouign amann awaits us.

Who leaves which line hungrier?"]]></description>
<dc:subject>lines generations genx generationx geny generationy millennials genz zoomers generationz queues qtbat consumptions consmuperism meaning community gatherings social pilgrimages fellowship religion churchgoing blackbirdspyplane</dc:subject>
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<item rdf:about="https://www.washingtonpost.com/lifestyle/2026/05/19/how-talking-strangers-can-make-us-happier/">
    <title>How talking to strangers can make us happier - The Washington Post</title>
    <dc:date>2026-05-28T07:08:56+00:00</dc:date>
    <link>https://www.washingtonpost.com/lifestyle/2026/05/19/how-talking-strangers-can-make-us-happier/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[archived:
https://archive.is/xnTRV ]
"Nick Epley was commuting to work at the University of Chicago when he looked across the train and wondered: Why are all these people sitting elbow to elbow ignoring each other?

Epley, a professor of behavioral science, thought about how very lonely people are, and he challenged himself to strike up a conversation with the woman sitting next to him. It changed his life — and led him to write the book “A Little More Social: How Small Choices Create Unexpected Happiness, Health and Connection.”

After reading it, I decided to try the experiment myself.

For the past month, on my commute to work, at kids’ birthday parties with my daughter, in the elevator at the office and on the street while walking my dog, I’ve been challenging myself to talk to strangers. Would it actually feel good, or just awkward?

I’ve always been a fairly outgoing person, but the idea of talking to strangers and befriending acquaintances still made me feel anxious. As I contemplated opening my mouth to talk to the stranger sitting next to me on a nearly-silent bus, I felt as if my jaw was sealed shut by fear. What if she didn’t want to talk to me? What if I said the wrong thing, or she felt like I was bothering her?

I asked Epley whether he ever felt that fear, too.

“I still do sometimes, but it dulls a lot,” Epley said.

Of course, it isn’t always advisable to talk to strangers. Epley said you should never do so if you feel unsafe.

But in dozens of studies involving more than 30,000 people, he and other researchers have found that people are happier when they are more social. Even if they consider themselves introverts. Even if they fear that reaching out to another person will be embarrassing.

In one study, Epley found that after having a conversation with a stranger, people predict that a future conversation with another stranger will be more enjoyable. But that effect fades pretty quickly.

“It’s not like you go out and have a nice conversation with somebody in the elevator and [the anxiety] disappears,” Epley said.

[embed]

The main reason people feel uneasy about socializing, he said, is that we focus on the wrong thing. We worry about what we’ll say rather than how we’ll say it. This was certainly true for me.

I worried more about whether I would remember a neighbor’s name than I did about whether I would seem kind. But it turns out, the research shows that if I’m warm and outgoing, it doesn’t really matter that much what I say.
If you’re friendly first, that will probably be reciprocated.

This applies to introverts, too

One of the most surprising findings in the research on happiness is that introverts and extroverts alike feel better when they act like extroverts. This was so perplexing to social scientists that for years they looked for some cost to pretending to be more outgoing than we feel.

Maybe introverts would be more exhausted after acting extroverted? It turns out that everyone gets tired after being social, the same way everyone gets tired after going for a run.

“Introverts and extroverts differ in their expectations, their beliefs about what’s going to happen,” Epley said. “And, therefore, the habits they get into.”

Because when introverts think they won’t enjoy a conversation with a stranger, they often don’t strike one up — so they miss out on the opportunity to be proved wrong, he said.

Talk, don’t text

For many people, the ability to text rather than call has relieved a lot of social anxiety. But texting doesn’t make us feel as connected as talking.

Epley said this is for two reasons: One, texting is asynchronous, meaning you aren’t getting immediate feedback from the other person, and they aren’t getting it from you.

If someone is smiling and nodding as you talk, you feel reassured that they’re enjoying the conversation as much as you are, and vice versa.

The other factor is the human voice.

“Typing is just the words,” Epley said. “Your voice, though, contains intonation and variability, it’s dynamic. That dynamism increases understanding of what I’m saying so I can communicate sincerity versus sarcasm, for instance. I can signal my intent through the sound of my voice.”

In Epley’s research, he and his colleagues asked people to reach out to an old friend either by text or a phone call. While people predicted that the phone call would be more awkward, they reported enjoying it more than texting.

“Most people, we found in our experiments, said they would prefer to reach out and type to their old friend. But in fact, when we randomly assigned them, the people who had the best conversations and felt the most connected were those who actually talked,” Epley said.

Social connection is an everyday choice

My biggest takeaway from the research and my own experiment is that being social is a habit, not a trait. So I’ve been trying to resist the urge to keep to myself, even when I fear a conversation.

Nothing particularly revelatory has come out of any one interaction I’ve had since I started doing this (except a tip I got about where to park near the office.) I facilitated a game of peek-a-boo between my toddler and a kind stranger on the Metro. I bonded with another parent over how our kids repeat everything we say — even the words we really shouldn’t say.

The thing that has been most surprising is how good these tiny moments of connection have made me feel.

On my bus commute one morning, I interrupted a woman next to me who was reading a book and asked her whether she was enjoying it. As much as I worried I would bother her, I saw her light up at the question. She told me about the series she was reading and how it was much better than the TV show.

It never feels completely comfortable to strike up a conversation with a stranger, but for me, the payoff has been worth it. And the research says it will be for you, too."]]></description>
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<item rdf:about="https://aeon.co/essays/children-need-stress-and-discomfort-in-order-to-grow-up">
    <title>Children need stress and discomfort in order to grow up | Aeon Essays</title>
    <dc:date>2026-05-11T20:07:13+00:00</dc:date>
    <link>https://aeon.co/essays/children-need-stress-and-discomfort-in-order-to-grow-up</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The emotional and practical skills of adulthood can only be learned from (appropriate) levels of discomfort and stress"]]></description>
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<item rdf:about="https://open.spotify.com/episode/11zlpahmklfgr8YOUrtLnY">
    <title>Sara Hendren: Who Is the Built World Actually Built For? - Art of Inquiry | Podcast on Spotify</title>
    <dc:date>2026-05-05T14:11:09+00:00</dc:date>
    <link>https://open.spotify.com/episode/11zlpahmklfgr8YOUrtLnY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Sara Hendren didn't start out in engineering. She started as a visual artist, then moved into cultural history, studying objects, artifacts, and what they say about the world that made them. Then life brought her into pediatric spaces filled with a new kind of object: gadgets and tools designed for a child's body, yes, but also doing quiet therapeutic work, covered in butterflies and bugs, useful and expressive all at once. She found herself asking: what is an object broadcasting beyond its user? What does it mean that eyeglasses get sold as fashion while hearing aids are hidden away as clinical? That was the moment everything snapped together, her training in the history of artifacts, the politics of disability, and the material culture of prosthetics all converging at once. In this free-flowing conversation, Sara walks us through the space between mechanical design and design for expression, why the logical and meticulous side of making art and the creative side of meaningful engineering are really the same instinct. As the world asks more and more from its engineers, Sara brings it all back to a question that feels more urgent than ever: can a designed object change not just how we move through the world, but how we see it?"

[via:
https://ablerism.micro.blog/2026/04/29/i-had-fun-speaking-on.html

"I had fun speaking on the Art of Inquiry, a podcast created by two Northeastern engineering students interested in the arts and humanities. My strange career path, my mentor Krzysztof Wodiczko introducing me to interrogative design, raising a child with Down syndrome, studio + lab culture, more."]]]></description>
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<item rdf:about="https://patrickfarenga.substack.com/p/learning-yes-of-course-education">
    <title>Learning? Yes, of course. Education? No thanks.</title>
    <dc:date>2026-04-26T08:05:02+00:00</dc:date>
    <link>https://patrickfarenga.substack.com/p/learning-yes-of-course-education</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[part 2:
https://patrickfarenga.substack.com/p/learning-of-course-education-no-thanks ]

"The legal reasons for forcing people to attend school, created in the 19th century and still in operation today, are based on the logic that school attendance creates good citizens, good workers, and provides a place where children can be while their parents work. While compulsory school laws can be cited for its part in increasing literacy and math skills, these increases are also due to forces outside of school, such as families, tutors, and friends, the growth of mass media, guilds and unions, museums, public libraries, and government and business policies that increase people’s wellbeing and skills. There is little evidence that just graduating elementary, high school, or college makes people better citizens or workers.

Nonetheless, we continue to promote education as the solution for nearly all our problems without questioning if education, as we’ve structured it, is the best way to help children learn and adults to teach. We can question the tools of education—curricula, evaluation, teacher training—but we can’t question the reason education exists as an institution that takes up so much of our time and money: “How would society progress without education?”

Teaching and learning are human activities that existed long before they became professionalized and regulated into education. But learning skills and knowledge for personal gain is no longer the emphasis for getting a degree. School has become the vehicle for education to create social justice, better jobs, better living, better morals, more intelligent government policies. Higher education, in particular, is where you learn how to change the world!

[screenshot]

Nonetheless, bad citizens and workers continue to graduate and influence society. Further, as many school critiques note, schooling often reproduces social class differences and promotes herd behavior over independent democratic engagement.

The usual efforts to reform school—more schools, more intensive curricula—continue to be insufficient. The National Assessment of Educational Progress (“the Nation’s Report Card”) shows that U.S. student performance has been stalled or slightly down in reading, math, and science for the past 20 years.1 Plus, the introduction of system-wide school practices, such as New Math in the 1960s or the Units of Study reading program in 2003, often confuse or diminish learning for many students (and confounds some teachers too!).

Higher education is no better. Legacy admissions and nepotism undermine the chances for less wealthy but more worthy students to get into elite schools. Further, a large and growing number of published academic research is being challenged or revoked based on citing fake studies and plagiarism.2 It is no surprise that students use AI and paper mills to write research papers and essays since their elders do so and get rewarded for it.

Why is it so hard for schools to fix these problems? Perhaps it is due to Upton Sinclair’s observation: “It is difficult to get a man to understand something, when his salary depends on his not understanding it.”

Dr. Seymour Sarason, in his book The Culture of the School and the Problem of Change (Allyn and Bacon, 1971), argues that school reforms confront existing behavioral and programmatic regularities, yet the intended outcomes are seldom clearly stated and often disappear during the change process. As a result, reforms frequently reproduce old practices. Sarason writes, “It certainly was not an intended outcome of the introduction of new math that it should be taught precisely the way the old math was taught. But that has been the outcome, and it would be surprising if it were otherwise. … Discerning overt behavior or programmatic regularities requires that one look at the school culture from a nonjudgmental, non-interpretive stance, a requirement that is not natural to us. We are so used to thinking about what other people are thinking that we pay little attention to what is there to see. (PF: My emphasis.) (p.3)

Though it is obscured by educators’ claims that schooling is the only way children can learn to be productive citizens in modern times, if we remove school’s rose-tinted glasses we can see that compulsory education’s main purpose—to make children obey authority—is well documented through history and research. If education can get off this track and focus on a mission of enabling and appreciating learning in all its forms, instead of just results from inside school, we can start to see what else is possible besides more intensive instruction and forced attendance.

This has been the impetus for many people to create their own schools, such as Bronson Alcott in the 19th century US and A.S. Neil (UK), Maria Montessori (Italy,) and Rudolph Steiner (Germany) in the 20th. These founders saw that children learn in many different modes and places, and though they have different methods and theories for teaching and learning and, in some cases, have become expensive private schools, they are all still suspect in the eyes of professional educators.

What, exactly, does education mean? Aaron Falbel wrote how John Holt defined education:

<blockquote>In 1982, a British interviewer asked John Holt how he defined the word “education.” He responded: “It’s not a word I personally use. … The word “education” is a word much used, and different people mean different things by it. But on the whole, it seems to me what most people mean by “education” has got some ideas built into it or contains certain assumptions, and one of them is that learning is an activity which is separate from the rest of life and done best of all when we are not doing anything else and best of all in places where nothing else is done–learning places, places especially constructed for learning. Another assumption is that education is a designed process in which some people do things to other people or get other people to do things which will presumably be for their own good. Education means that some A is doing something to somebody else B. I guess that, basically, is what most people understand education to be about” The interviewer pressed John further: “Very well, but what is your definition?” John replied: “I don’t know of any definition of it that would seem to me to be acceptable. I wrote a book called Instead of Education, and what I mean by this is instead of this designed process which is carried on in specially constructed places under various kinds of bribe and threat. I don’t know what single word I’d put [in its place]. I would talk about a process in which we become more informed, intelligent, curious, competent, skillful, aware by our interaction with the world around us, because of the mainstream of life, so to speak. In other words, I learn a great deal, but I do it in the process of living, working, playing, being with friends. There is no division in my life between learning, work, play, etc. These things are all one. I don’t have a word which I could easily put in the place of “education,” unless it might be “living.”3</blockquote>

Children and adults have lived and learned successfully in the flow of community and family life throughout human history without compulsory schooling. We know that people who are talented or knowledgeable can share their wisdom with others in a variety of settings, not just in special places reserved for professional teaching and learning. But our laws, customs, and mind sets have been directed away from our heritage of learning towards the regime of instruction.

John Holt’s book Instead of Education: Ways to Help People Do Things Better provides not just an analysis of the limits of schooling but also examples of other places, institutions, people, and experiences that exist or could be created for children and adults to learn and grow throughout their lives. What also makes this book interesting is how it ends with a call for people to take their children out of school and teach them in their homes and local communities if the schools are not helping their children. This statement led people from around the world who were already teaching their own children to contact John, and this became the impetus for him to found Growing Without Schooling magazine in 1977.

John was certainly influenced by Illich’s work and book Deschooling Society (Harper & Row, 1971) and he moved his own work from theory to practice when he founded Growing Without Schooling magazine in 1977. 49 years have passed since GWS was founded and homeschooling has grown from the 25,000 estimate John used in 1981 to an estimate of 3.5 million children taught at home in the United States in 2026.4 John hoped school, like a business seeing it’s sales decline, would alter its course and let families that want to use school on an as-needed basis to do so.

Holt wrote about children learning in their communities, in play, sports, projects, and theatrical efforts, from neighbors, friends, and family, and places like the Peckham Center in London—a combined medical research and health support program with a lively community center/cafeteria/gymnasium for working class adults and children. Rather than try to incorporate these and other ideas that expand what education can be, our government and school policymakers continue to double down on the existing structure: more tests, more instruction, and more after-school tutoring to make sure students stay focused on task.

One thing most school administrators and teachers agree upon is that children need more time in school, which became terribly clear during the pandemic. Few educators thought to provide children with social or learning opportunities outdoors during the pandemic, in a schoolyard or public park. Instead they decided to keep students glued to their computer screens while they were being marched through the school curriculum in their homes. This shows how devotion to theories of education subsume common sense about what engenders learning, self-esteem, and social activity, which are entwined.

I’m reminded about all this due to a provocative education policy paper I read in NORRAG, the Global Education Center of the Geneva Graduate Institute: Fighting Against Education: No Alternatives Within the Educated Mind. The authors are united as “Le Goliard: A collective, nomadic, de-professionalized intellectual who wanders erratically on the fringes of dominant certainties and institutions.” It is a strong polemic, as these quotes show:"]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=CK5y9N1kuNk">
    <title>Ten years of &quot;Alaska&quot;: Maggie Rogers on going viral and singing for 200,000 protestors - YouTube</title>
    <dc:date>2026-04-18T04:31:04+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=CK5y9N1kuNk</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Ten years ago, Maggie Rogers was a senior at NYU, scrambling to finish a song for a music production class she was close to failing. The guest critic that week happened to be Pharrell Williams. She played him "Alaska," a track she'd written in about fifteen minutes. It is a bit of folk songwriting crossed with the electronic music she'd fallen for studying abroad. Pharrell told her he'd never heard anything that sounded like it. Someone was filming. The clip went viral, and it launched Maggie into pop stardom. 

Maggie Rogers has released three studio albums, earned a Grammy nomination for Best New Artist, and gone back to school to pick up a master's from Harvard Divinity School, where she studied the spirituality of public gatherings. And in the last few months she's been as visible offstage as on — advocating for free speech in DC, performing for 200,000 people at a protest in Minneapolis alongside Joan Baez, and delivering a haunting performance during the final run of The Late Show with Stephen Colbert, which CBS is ending in May.

This week host Charlie Harding got to sit down with Maggie live at Chelsea Studios, in front of a room of current NYU students. It’s the same school, ten years later, now with Charlie in the professor's chair and Maggie as the visiting artist.

VIDEO: Caleb Hinojosa https://www.calebhinojosa.com/

CHAPTERS
00:00 Introduction
01:14 Alaska Origin Story
03:50 Lyrics Then And Now
05:50 Can Viral Happen Again
06:30 Choosing Slow Growth
10:08 Advice For Sudden Fame
11:29 Writing After Pharrell
13:20 Colbert Finale Performance
15:55 Free Speech And Protest Era
17:31 Activism as Art
18:11 Protesting a Broken System
19:25 Fear into Music
22:07 What Makes a Protest Song
24:28 Starting the Foundation
25:23 Rest and Record Making
28:11 Creative Rest Time
30:24 Writing vs Collaboration

SONGS DISCUSSED
Maggie Rogers "Alaska"
Maggie Rogers "Better"
Maggie Rogers "One for My Baby (and One More for the Road)" (cover of Fred Astaire original)
Maggie Rogers "Different Kind of World"
Marvin Gaye "What's Going On"
Bob Dylan "The Times They Are a-Changin'"
USA for Africa "We Are the World""]]></description>
<dc:subject>maggierogers 2026 music songwriting musicmaking pharrell charlieharding switchedonpop fame lyrics virality stephencolbert activism art fear protest rest creativity writing collaboration howwewrite howwework protestsongs hope artmaking courage well-being wellbeing oppression donaldtrump freespeech utopia resistance dancing community solidarity togetherness social meaning meaningmaking systems change adaptability innovation growth life living meditation slow time productivity stockandflow rejuvenation goals work divinityschool gradschool society education conviviality solitude process prince spirituality joanbaez</dc:subject>
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<item rdf:about="https://resonantcomputing.org/">
    <title>Resonant Computing Manifesto</title>
    <dc:date>2026-04-14T22:07:09+00:00</dc:date>
    <link>https://resonantcomputing.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["There's a feeling you get
in the presence of
beautiful buildings and bustling courtyards.
A sense that these spaces
are inviting you to slow down,
deepen your attention, and be
a bit more human.

What if our software could do the same?

***

We shape our environments, and thereafter they shape us.

Great technology does more than solve problems. It weaves itself into the world we inhabit. At its best, it can expand our capacity, our connectedness, our sense of what's possible. Technology can bring out the best in us.

Our current technological landscape, however, does the opposite. Feeds engineered to hijack attention and keep us scrolling, leaving a trail of anxiety and atomization in their wake. Digital platforms that increasingly mediate our access to transportation, work, food, dating, commerce, entertainment—while routinely draining the depth and warmth from everything they touch. For all its grandiose promises, modern tech often leaves us feeling alienated, ever more distant from who we want to be.

The people who build these products aren't bad or evil. Most of us got into tech with an earnest desire to leave the world better than we found it. But the incentives and cultural norms of the tech industry have coalesced around the logic of hyper-scale. It's become monolithic, magnetic, all-encompassing—an environment that shapes all who step foot there. While the business results are undeniable, so too are the downstream effects on humanity.

With the emergence of artificial intelligence, we stand at a crossroads. This technology holds genuine promise. It could just as easily pour gasoline on existing problems. If we continue to sleepwalk down the path of hyper-scale and centralization, future generations are sure to inherit a world far more dystopian than our own.

But there is another path opening before us.

***

Christopher Alexander spent his career exploring why some built environments deaden us, while others leave us feeling more human, more at home in the world. His work centered around the "quality without a name," this intuitive knowing that a place or an architectural element is in tune with life. By learning to recognize this quality, he argued, and constructing a building in dialogue with it, we could reliably create environments that enliven us.

We call this quality resonance. It's the experience of encountering something that speaks to our deeper values. It's a spark of recognition, a sense that we're being invited to lean in, to participate. Unlike the digital junk food of the day, the more we engage with what resonates, the more we're left feeling nourished, grateful, alive. As individuals, following the breadcrumbs of resonance helps us build meaningful lives. As communities, companies, and societies, cultivating shared resonance helps us break away from perverse incentives, and play positive-sum infinite games together.

For decades, technology has required standardized solutions to complex human problems. In order to scale software, you had to build for the average user, sanding away the edge cases. In many ways, this is why our digital world has come to resemble the sterile, deadening architecture that Alexander spent his career pushing back against.

This is where AI provides a missing puzzle piece. Software can now respond fluidly to the context and particularity of each human—at scale. One-size-fits-all is no longer a technological or economic necessity. Where once our digital environments inevitably shaped us against our will, we can now build technology that adaptively shapes itself in service of our individual and collective aspirations. We can build resonant environments that bring out the best in every human who inhabits them.

***

And so, we find ourselves at this crossroads. Regardless of which path we choose, the future of computing will be hyper-personalized. The question is whether that personalization will be in service of keeping us passively glued to screens—wading around in the shallows, stripped of agency—or whether it will enable us to direct more attention to what matters.

In order to build the resonant technological future we want for ourselves, we will have to resist the seductive logic of hyper-scale, and challenge the business and cultural assumptions that hold it in place. We will have to make deliberate decisions that stand in the face of accepted best practices—rethinking the system architectures, design patterns, and business models that have undergirded the tech industry for decades.

We suggest these five principles as a starting place:

1. Private: In the era of AI, whoever controls the context holds the power. While data often involves multiple stakeholders, people must serve as primary stewards of their own context, determining how it's used.

2. Dedicated: Software should work exclusively for you, ensuring contextual integrity where data use aligns with your expectations. You must be able to trust there are no hidden agendas or conflicting interests.

3. Plural: No single entity should control the digital spaces we inhabit. Healthy ecosystems require distributed power, interoperability, and meaningful choice for participants.

4. Adaptable: Software should be open-ended, able to meet the specific, context-dependent needs of each person who uses it.

5. Prosocial: Technology should enable connection and coordination, helping us become better neighbors, collaborators, and stewards of shared spaces, both online and off.

We, the signatories of this manifesto, are committed to building, funding, and championing products and companies that embed these principles at their core. For us, this isn't a theoretical treatise. We're already building tooling and infrastructure that will enable resonant products and ecosystems.

But we cannot do it alone. None of us holds all the answers, and this movement cannot succeed in isolation. That's why, alongside this manifesto, we're sharing an evolving list of principles and theses. These are specific assertions about the implementation details and tradeoffs required to make resonant computing a reality. Some of these stem from our experiences, while others will be crowdsourced from practitioners across the industry. This conversation is only just beginning.

If this vision resonates, we invite you to join us. Not just as a signatory, but as a contributor. Add your expertise, your critiques, your own theses. By harnessing the collective intelligence of people who earnestly care, we can chart a path towards technology that enables individual growth and collective flourishing."]]></description>
<dc:subject>manifestos computing computers software ethics technology christopheralexander privacy ai artificialintelligence ecosystems adaptability society social connection coordination collaboration sharedspaces online internet web data power</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=6yl6JpVZTdM">
    <title>The Care Economy is the Everything Economy - with Emma Holten - YouTube</title>
    <dc:date>2026-04-04T07:44:45+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=6yl6JpVZTdM</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Emma Holten is an economist from Denmark who has written the book Deficit: How Feminist Economics Can Change Our World. Holten details how much of what we consider ‘the economy’ is really underpinned by care of various kinds, mostly done by women. This is very much in line with my own interests around GDP and austerity, as I think our prevailing economic analysis devalues the unseen and leads to policies which hurt people, hurting the economy too. Emma and I had an excellent chat that I think was one of my best on this channel, I hope you all enjoy it!"]]></description>
<dc:subject>emmaholten unlearningeconomics feminism economics 2025 economy society gdp austerity care caring carework careeconomy health healthcare childcare gender hobbes adamsmith johnlocke illness thomashobbes reality humanism relationships social bodies embodiment politicaleconomy sickness unemployment labor work workers culture culturalhistory history quantification numbers statistics data information neoliberalism markets capital capitalism power lobbying influence socialscience socialsciences ideology sexism truth women understanding exclusion aging prices pricing efficiency simnplification methods method inequality diversity externalities coherence disabilities disability predicitons conservatism stabilization predictability equilibrium equilibriumtheory climate climatechange globalwarming change climatecrisis nurses nursing publicsector healthworkers rachelreeves essentialworkers values pandemic covid-19 coronavirus marketvalues qualitative purpose profit profits carecrisis nature environment sustainability uk e</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=FRxBCd4q9Lc">
    <title>Why modern life is designed to keep you anxious — and what to do about it | The Gray Area - YouTube</title>
    <dc:date>2026-03-03T06:43:41+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=FRxBCd4q9Lc</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We use the word “anxiety” to describe stress, dread, worry, panic, even vibes. Which just goes to show: We really don’t know what anxiety is, or where it comes from, or what we’re supposed to do with it.

Today’s guest is philosopher Samir Chopra, author of Anxiety: A Philosophical Guide. Chopra argues that anxiety is a permanent feature of being human and the price of being a free, self-conscious creature in an uncertain world. Sean and Samir talk about the difference between fear and anxiety, why modern life seems engineered to keep us on edge, and what Buddhism, existentialism, and Freud can teach us about the anxious mind.

Host: Sean Illing (@SeanIlling)
Guest: Samir Chopra, author of Anxiety: A Philosophical Guide

1:22 What is anxiety?
9:30 Are we an anxious generation?
13:05 Buddhism and anxiety
18:55 Acceptance vs. resignation
22:05 The existentialist view on anxiety
26:50 Freud and the psychoanalytic view of anxiety
30:23 How can philosophy help you with anxiety?
31:56 Practical advice for dealing with anxiety"

[Lauren Berland, affect theory, and cruel optimism not mentioned within, but I was thinking of all that as I listened, so those tags are for that.]]]></description>
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    <title>Instrumentalisation is making everything a means to an end | Aeon Essays</title>
    <dc:date>2026-02-24T18:02:56+00:00</dc:date>
    <link>https://aeon.co/essays/instrumentalisation-is-making-everything-a-means-to-an-end</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["From art to religion to sex, instrumentalisation has drained away intrinsic value. But life is about more than material benefits"

...

"Intrinsic human goods include all the things that make life worth living without need of any further justification. To ask of them ‘What’s the point?’ would be to miss the point. They are the point. We cannot give arguments for why they are valuable; we can only describe what makes them valuable and hope others recognise their worth. For example, we can say that a day spent in the forest should be appreciated first and foremost because it makes us recognise the wonder of being alive and marvel at the natural world. To play or watch a sport is to participate in or witness the struggle and delight of attempting to bring mind and body together more seamlessly than in the rest of life. Learning a foreign language is a gateway into another culture that allows you to communicate with members of it and access its literature and media. All these things enrich our lives and broaden our experience, which is valuable even if it doesn’t add a second to your lifespan or delay dementia by a day. If you see them as a means to boost your mental, emotional or physical strength for future times that may or may not be as meaningful, you are taking your focus away from what is valuable here and now. Life isn’t a training for the future. It’s a game that’s already started, and time is running out."

...

"The relationship between intrinsic and extrinsic value is complex, and one of the problems of instrumentalisation is that it seeks to flatten and simplify it. It encourages us to identify what is most useful, and then separate it from, and prioritise it above, what is of ultimate value. In doing so, it often diminishes or destroys the very benefits it promises to maximise.

Take social connection. I have just heard of a study that says that doing anything – even reading – is better for us when we do it with others than alone. This message is now widely broadcast and understood, so people know that conviviality is important for their mental and physical health. But one of the most valuable features of friendship and community is how they take us out of concern for ourselves and make us more aware of the needs of others. To get the most out of socialising we need to do it in the right spirit, choosing to be with other people because we care for them and they for us, because we find them stimulating, because we enjoy being part of a collective experience or endeavour. So if we choose to mingle only for reasons of our personal wellbeing, we are probably not going to get the benefits that socialising usually brings.

Instrumentalisation has the illusion of efficiency because it promotes the direct pursuit of practical things that we all want. But often this turns out to be counterproductive. More often than not, you will fail to get the claimed benefits of an activity if getting them becomes your primary motivation. What look like shortcuts turn out to be short circuits, undermining what they seek to achieve.

If instrumentalisation is such a profound mistake, why have we made it? After all, we do not deliberately set out to strip meaning from our most valued activities or treat friends as psychic enhancers. Instrumentalisation has its roots in several connected features of Western modernity.

The Enlightenment brought to fruition an idea of the primacy of the sovereign, autonomous individual, one that had deep roots in classical and Christian thought. Over the centuries, this idea has become a kind of common sense. Each person is supposed to be the master of their own destiny, the author of their own life story. Self-expression and self-determination are seen as essential for being an authentic self.

Enlightenment thinkers were correct to promote greater individual freedom in an age when power was wielded by the few over a subjugated majority. But human beings are also social animals and can never be entirely autonomous. Modernity’s mistake is to lose sight of this, placing all the emphasis on personal liberty and not enough on our interdependence. This has led to an exaggeration of the importance of autonomy that has pushed the prizing of individuality too far. The result is atomisation: a world in which our separateness from others has become excessive.

This atomised world has several features, all of which encourage instrumentalisation. First, it promotes an illusion of control. Encouraged to feel autonomous, we lose sight of the fact that there is much over which we have no power. The world unfolds, opening up opportunities and throwing spanners in the works in equally random measure. We are not even in full control of ourselves. We had no say in our fundamental constitutions: our dispositions, personalities, gifts and limitations. We have no direct access to the hidden springs of thought and volition and cannot just choose what we like or what we believe.

But primed to think of ourselves as free and autonomous, we imagine that we can manipulate the world to achieve whatever we want. Happiness, health and success are all ours for the taking, just as long as we make the right choices. And so the world becomes a series of levers to be pulled and buttons to be pushed, all to yield to our wills. In short, everything can and must be a means to whatever ends we choose, because that is what we think self-determination requires.

In the era of late capitalism, our autonomous agency has increasingly been expressed through our status as consumers. Freedom is above all the choice of how to spend our money, with the promise that everything we need can be obtained in exchange for cash. The consumer mindset has affected how we relate to everything, not just the things we buy. The result is that the world has become essentially transactional, meaning that everything is an instrument for getting something else. It is no coincidence that dating apps give the impression that we are shopping for partners because we approach even relationships with the consumer framing. Politics has also become a trade for votes in which the electorate and politicians believe that the winner takes all, like the highest bidder in an auction, and damn those who backed the losing side. Democracy should be a way of managing competing demands, not giving the winners everything they want. Voting should be about having your say, not getting your way. But in the new consumer mindset, votes buy power, they no longer mandate responsibility.

Another deep cultural source of instrumentalisation is the reductionism that has surreptitiously seeped into our culture from natural science. Reductionism is the idea that the way to understand how things work is to break them down into their constitutive parts. It’s an idea that served natural science well for centuries. But a clue as to its limitations comes in its relative failure in the social sciences. Economies, societies and psychologies cannot be explained by simple mechanistic processes. We have learned that, even in the natural sciences, you can explain only so much by taking things apart, and that it is equally – sometimes more – important to see how systems work as a whole.

Behind much instrumentalisation is a crude reductionism that ignores systems and focuses on elements within it. The richness of an experience, such as being in the outdoors, is reduced to a means to stimulate blood flow or release hormones. Art, which stirs a large variety of often conflicting emotions, is prized purely for its capacity to evoke certain good ones. Social bonds, which cause pain and heartache as well as joy, are reduced to sources of emotional support.

Combine an inflated belief in personal autonomy, a transactional consumer mentality and a reductionist attitude to how things work, and it is inevitable that we treat the world as a collection of resources we can plunder to promote our own wellbeing. The tragedy is that when we do so, we neglect rather than serve our deepest needs.

What would our culture look like if we were to reverse the instrumentalisation of everything? Of course, we would still do many things as means to ends. We would also be happy to agree that many of the good things in life bring us instrumental benefits too. But we would see these as welcome side-effects, not their purposes. A deinstrumentalised world would be one in which we would attend more to what is of value right here, right now.

Take friendship. The personal benefits we get from others are real, but they should not be the reason for being with them. Relationships are valuable because we value the people in them, not because spending time with them releases endorphins in our brains. David Hume corrected this error more than two centuries ago when he wrote: ‘I feel a pleasure in doing good to my friend, because I love him; but do not love him for the sake of that pleasure.’ To reject instrumentalisation is to understand that feeling good often follows from living well, but it is not what living well consists in.

To appreciate things for their own value instead of what they might bring us is liberating. It frees us from the internal pressure always to make sure that what we are doing serves some further purpose, to justify our days in terms of the future credits that we accrue from them. Living life to the full means fully appreciating what life brings, not trying to extract bankable benefits from it. It leaves us able to recognise that the good life is something we can live every day, in small ways as well as big. Most importantly, it tells us that the things and people we love are enough in and of themselves and don’t need to serve any further function to justify devoting time and care on them. To be in this world realising that life is its own end is the key to attaining its fullness."]]></description>
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<item rdf:about="https://www.frontporchrepublic.com/2026/02/localism-against-tribalism/">
    <title>Localism Against Tribalism - Front Porch Republic</title>
    <dc:date>2026-02-18T16:29:39+00:00</dc:date>
    <link>https://www.frontporchrepublic.com/2026/02/localism-against-tribalism/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We ought to see localism not as an accomplice to the tribalism that’s everywhere rising, but as an antidote to it."

...

"On Sunday mornings I play the organ at St. John’s Episcopal Church. At St. John’s, they’re welcoming and affirming and all the rest. Their big thing is “kindness.” Every year they devote a whole month to being kind. The priest is a woman.

On Thursday evenings I take our oldest son to Awana Club at Arbor Oaks Bible Chapel. At Arbor Oaks they think marriage is for men and women, and that men can’t become women. They have lay elders instead of priests. At the Sunday morning service, only men are allowed to address the congregation.

On Tuesdays my wife Elisa takes the kids to “Adventure Club.” Every week, whatever the weather, 5-10 families spend all day exploring a different state park. Elisa started Adventure Club a few years ago. The people who come run the gamut, from a pastor’s wife to an astrologer.

On weekdays, I teach at one of the local colleges, where my office sits in the middle of a hallway. On my left are the economists. There’s a bad Catholic who mostly believes in free markets and a couple who grew up in communist Romania and really believe in free markets. On my right there’s a historian who writes about racism and a philosopher who started our local chapter of the Democratic Socialists of America.

Around Christmastime I took the boys to the city orchestra’s holiday concert. The pianist was our son’s piano teacher. The director of the children’s choir was the cantor at St. John’s. In the audience were not a few of my colleagues, including the theologian who grew up in an intentional Christian community and the aforementioned Romanian economists, whose memories of communism might make them a little suspicious of “intentional communities.”

All this mixing is pretty normal in our town. When I’m out and about, I’m always running into friends and acquaintances who are all interestingly different from each other. Of course if you put them all into a room and told them to talk politics or religion, “interesting” might not be the right word for what would happen. But everybody’s neighborly, and it doesn’t feel false or strained.

Sometimes I think Dubuque might be a bit special. I grew up in or around another midwestern city of a similar size (about 60,000), but the social connections there never felt so dense. It’s also possible that I’m the weird one. I’m pretty intellectually promiscuous. Maybe my circle is more diverse than the circles of the people in my circle, and none of them would recognize what I’m talking about. But even if one or both of those things is true, I don’t think it can be the whole story.

We moved here from Boston. Before Boston we lived in Portland (Oregon). Before that it was Seoul, South Korea, and before that it was Toronto. I grew up on a family farm in Indiana, but I’ve spent a lot of my life in big cities, many of them among the vaunted “global” cities that get celebrated in The Economist. Never in any of those places did I encounter so many meaningfully different points of view as I encounter here in this decidedly non-global town. Different views were all around me, I’m sure. But I didn’t encounter them. It was like the ocean and the thirsty man. Water, water, everywhere, and not a drop to drink. In the global cities, I was practically swimming in “diversity.” If I wanted to know just how much diversity there was, I could look up the stats and congratulate myself for floating around serenely in the middle of it all. But it wasn’t easy to do anything besides know about it. So it mostly stayed an “it”—a fact, an abstraction, a non-thing that was “out there” to be known. In Dubuque, where life is smaller, “it” is more often flesh and blood. All those people I’m always running into have names that I know, and they know mine. Here, diversity is something I can actually taste.

I’m not about to say that people in small places are necessarily better at “real diversity” than people in big places. Maybe if I didn’t encounter what was there in those global cities, that’s on me, not on the cities. Partly this must be true. When I look back on how I lived then, I see plenty of missed opportunities to connect. And when I look at people I know now who still live in big places, I see many of them doing a better job than I did of building a complex social life that crosses all kinds of lines. Nor do I regret the time I spent in those places, even if my older self knows what my younger self might have done differently. Adventuring and exploring are good things. And there are lots of good things that can only exist when enough people come together in one place. The Dubuque Symphony Orchestra is great, but it can’t perform Mahler’s 8th.

But the dominant prejudice goes in the opposite direction, and what I do want to say is that it’s just that: a prejudice. We’ve been taught by a lot of our stories to imagine small places as homogenizers. A lot of us have in our heads a black-and-white film-set diner where the locals are eternally turning en masse to stare silently at the stranger who disturbs their regular morning argument about the new traffic light on main street. H. L. Mencken is doing a voice-over narration, which is very funny and makes us feel very good about not being interested in traffic lights. There are lots of zingers about “yokels” and “morons,” and at some point he quotes Marx about “rural idiocy” while saliva drops from the open mouths of the badly dressed white men at the counter.

When the dominant prejudice is challenged, the challenger is often an equally reductive counter-image of small-town coziness in which there are no strangers because everybody knows your name. The Mencken idea is that small places are soul-crushingly boring because nobody’s allowed to be different. The anti-Mencken idea is that small places are nurturing and protective because nobody’s being pressured to stand out. It’s never a very satisfying debate because it’s just a contest between competing generalities. The winner gets to determine the emotional valence that gets instinctively attached to a caricature of a reality far richer and more complicated.

A better conversation would counter the dominant prejudice against small places with an emphasis on just how different people in small places can be from one another. I don’t mean this in the usual sense, which is that every single person is the center of an unrepeatable story, and it’s just a question of whether you’re attentive enough to notice what makes us all unique. That’s true enough, but it’s the sort of high-brow cliche that novelists like to trot out when they’re trying to explain why everybody should read novels. I happen to agree that everybody should read novels, and that this is one of the reasons. If you read widely enough, you learn that when you know how to look at it, the life of a contented housewife in Peoria becomes just as compelling as the life of a striving artist in New York. But that way of defending small town life from big city prejudice can give too much ground to the prejudice, and too much credit to the novelist. It argues that under the surface there’s diversity in small places, and that you’ll see it if your vision is sharp enough. The stronger argument is that there’s actually plenty of diversity on the surface, and that it takes wilful blindness to overlook it.

That’s the point of those examples I opened with. None of the differences between the people I mention are hard to parse. It’s simple, big-picture stuff, the kinds of social cleavages and ideological divides that sort people into camps and parties and keep the demographers busy shoveling fresh statistics to the talking heads. You can easily predict who most people at St. John’s voted for, and who most people at Arbor Oaks voted for, without knowing them as individuals. Certainly it’s better to know people as individuals, and I’m not entirely convinced that demography isn’t of the devil. But tribes are real, and as long as they are, it helps to realize that small places can contain multitudes as well as any global city.

Or maybe they can contain them even better. In its more negative sense, “tribal” is a pretty good word for what seems to be unfolding now on the grander stage of the nation and its bigger cities. I don’t know what recently happened in Minneapolis, for example. But when the stage is this big, it doesn’t really matter. All that matters is which tribe I trust to tell me what happened in a city I’ve never visited. And I trust the tribe I want to win. I don’t want them to win because I trust them; I trust them because I want them to win. My trust is a political resource I want them to have. Because they’re my tribe. That’s it.

That’s tribalism. Not the fact that tribes exist, but the relentless reduction of every question about “the facts” to one that can be answered by that fact. And the truly countercultural claim is that this reduction is something that happens more easily when the scale of political life is big than when it’s small.

Part of the Mencken story about local life is that tribalism flourishes when people don’t have enough contact with members of other tribes, and that this cross-tribal contact is harder to experience in small places than in big ones. The best response isn’t to accept the premise but then to insist that in small places it’s easier to get to know people more deeply, as individuals. That’s probably not even true. If your aim is to connect on that level, then by definition you should be able to do it in a big place as well as in a small place, since people are individuals either way. No, the best response is to insist that it might actually be easier in small places to meet people on the more superficial level, as members of other tribes.

If that’s true, then localism takes on more urgency the more tribalistic we get. We ought to see localism not as an accomplice to the tribalism that’s everywhere rising, but as an antidote to it. And it’s not an antidote that depends on the moral quality of the locals. What I’m talking about here is structure, not character. Localism works against tribalism not because people who live in small places are saints who love their enemies (they’re not), but because they’re literally more likely to meet their enemies in contexts in which their enmities are irrelevant. On the local level, it’s just as easy to have your tribal differences, but it’s a lot harder for them to become the most important thing, which is what leads to tribalism.

But we ought to be intentional about it, too, especially if we call ourselves localists, as opposed to just being locals. We didn’t really plan to get involved with two very different kinds of churches, but I think it’s good that we are, and now we try to actively cultivate our relationships in both places. Elisa doesn’t exactly control who comes to Adventure Club (it’s pretty self-selecting), but she certainly wanted it to become what it is, and she does a lot of work to make it work. I didn’t choose my colleagues at work, but I’m glad they exist. (Not getting to choose is an important part of all this; a lot of the tribalism we face now is downstream of having too much control over who we interact with.) Maybe that’s the most important thing: that you actually come to like all this random hobnobbing with “the Other.” It’s just good clean fun to run into people you know, even and especially if they’re on the other side of the Big Issues. When tribal differences don’t degenerate into tribalism, it’s possible to enjoy them.

Real “diversity” isn’t some dramatic idea that you loudly believe in. It’s a simple, everyday pleasure. Seek it out. And realize that you’re more likely to find it when the stage is small."]]></description>
<dc:subject>localism adamsmith 2026 local small conflict difference urban urbanism cities dubuque iowa boston portland oregon seoul prejudice social socirty hlmencken tribalism</dc:subject>
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<item rdf:about="https://aeon.co/essays/we-cooperate-to-survive-but-if-no-ones-looking-we-compete">
    <title>We cooperate to survive. But, if no one’s looking, we compete | Aeon Essays</title>
    <dc:date>2026-02-16T00:14:08+00:00</dc:date>
    <link>https://aeon.co/essays/we-cooperate-to-survive-but-if-no-ones-looking-we-compete</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["An age-old debate about human nature is being energised with new findings on the tightrope of cooperation and competition"

...

"This proclivity for developing new strategies to compete is part of the social brain hypothesis, originally formulated by the psychologist Nicholas Humphrey. In his seminal paper on the topic in 1976, Humphrey argued that the primary function of the human intellect is to navigate the social, rather than the physical, environment.

One implication of the social brain hypothesis is the assumption that every society hosts opportunistic people who may follow local norms for only as long as it is beneficial to do so. Elsewhere, I have called these people ‘invisible rivals’. For example, religious zealots and political adherents across the world may observe all the rules linked with their group – whether ritual or ideological – until they reach a position of power. Thereafter, they can exploit others and act selfishly as it suits them. This may help to explain why studies show that people with psychopathic tendencies are more likely to enter positions of power, for example in corporate or political systems. Following rules without believing in them is an effective strategy for gaining power.

Admittedly, these arguments make our world sound hopeless. It’s tempting to think that, if the story of human evolution isn’t the rosy picture of cooperation, fairmindedness and mutual aid championed by thinkers for more than a century, we can’t expect much from our future. There are just too many problems – from raging inequality and low public trust to a rapidly warming planet and the growing risk of technology like AI – to hope that a species with a dark and ignoble past can overcome itself and create a better future.

I think, however, that this pessimism is misplaced, and that facing ourselves honestly is the first and most important step we can collectively take. This requires adopting a realistic perspective about the kind of animal that Homo sapiens is. First, we are not inherently cooperative but have the capacity for cooperation – just as we have the capacity for exploitation and selfishness. What matters at the individual level is the way we choose to behave towards others.

Second, just as there is no such thing as a cooperator, there is no such thing as a free-rider. These are behaviours that we apply in models and experiments for convenience. How people behave – and critically, how we describe social behaviours – is a matter of circumstance. The same person who behaves ethically in one circumstance may not do so in another, as research into moral credentialing shows. Our behavioural plasticity, or ability to adapt the way we act to context, is one of our defining features. The evolved psychological processes driving our decisions cannot be captured by simplistic models or games. Anyone can be an invisible rival.

That is precisely why local social norms matter so much. If cooperation isn’t a fixed trait but a fragile, context-dependent outcome, then the real question is what kinds of environments make it easier to do the right thing – and harder to get away with quiet defection. The Nobel laureate Elinor Ostrom argued that local social norms are the bedrock of any serious effort to promote cooperation: look at how people behave in their immediate surroundings to understand their methods for restraining unbridled selfishness. Just as organisms evolve immune defences against selfish cells that quietly undermine the whole, societies need norms – and the institutions that uphold them – that can detect and restrain rivalries that flourish out of sight.

Fostering community-level interdependence – and the norms that evolved to help them function cooperatively – is therefore essential for combatting the exploitation that results from invisible rivalry. Never try to enforce cooperation from above. Instead, just as the economist Noreena Hertz argues we should replace ‘greed is good’ maxims in the capitalist framework with a community-oriented, cooperation-promoting mindset, appreciating that we are all better off when we work together is the critical insight needed for building a prosocial and equality-focused environment for the future.

Education is where this begins, not as moral uplift but as collective self-knowledge: it helps us see our own temptations clearly and translate that insight into practical scaffolding – laws, schools and civic rules that reward cooperation and raise the costs of exploitation. Cheating will never vanish, and some people will always look for an edge, but our distinctive intelligence lies as much in recognising exploitation and organising against it as in exploiting in the first place. Invest in that knowledge and in the local institutions that make fairness both appreciated and rewarded, and we will widen the space in which cooperation and equality can endure."]]></description>
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<item rdf:about="https://www.joanwestenberg.com/communities-are-not-fungible/">
    <title>Communities are not fungible</title>
    <dc:date>2026-02-12T06:28:32+00:00</dc:date>
    <link>https://www.joanwestenberg.com/communities-are-not-fungible/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["There's a default assumption baked into how Silicon Valley builds products, and it tracks against how urban planners redesign neighbourhoods: that communities are interchangeable, and if you "lose" one, you can manufacture a replacement; that the value of a group of people who share space and history can be captured in a metric and deployed at scale.

Economists have a word for assets that can be swapped one-for-one without loss of value: fungible. A dollar is fungible. A barrel of West Texas Intermediate crude is fungible.

...A mass of people bound together by years of shared context, inside jokes and collective memory is not.

And yet we keep treating communities as though they are.

When a platform migrates its user base to a new architecture, the implicit promise is that the community will survive the move. When a city demolishes a public housing block and offers residents vouchers for market-rate apartments across town, the implicit promise is that they'll rebuild what they had.

These promises are always broken, and the people making them either don't understand why, or they're relying on the rest of us being too blind to see it.

What Robert Moses got wrong...

Robert Moses displaced an estimated 250,000 people over the course of his career, razing entire neighbourhoods to make way for expressways and public works projects. The defence of Moses, then and now, is utilitarian: more people benefited from the infrastructure than were harmed by its construction. The calculus assumed that the displaced residents could form equivalent communities elsewhere, and the relationships severed by a highway cutting through a block were replaceable with relationships formed in a new location. Jane Jacobs spent much of her career arguing that this was catastrophically wrong. The old neighbourhood was not a collection of individuals who happened to live near each other; it was a living organism with its own immune system and its own way of metabolising change. When Moses bulldozed it, he killed a community and scattered the remains.

Jacobs understood that the value of a community isn't in the people as discrete units. The value is in the specific, unreproducible web of relationships between them. You can move every single resident of a street to the same new street in the same new suburb and you will not get the same community, because community is a function of time and ten thousand microtransactions of reciprocity that nobody tracks and nobody can mandate.

...and what economists miss

In a model, agents are interchangeable. Consumer A and Consumer B have different preference curves, yes, but they respond to the same incentive structures in predictable ways. Community is what you get when agents stop being interchangeable to each other. When Alice doesn't need "a neighbour" but needs that neighbour, the one who watched her kids that time, the one who knows she's allergic to peanuts. The relationship is specific, and specificity is the enemy of fungibility.

This is why so many attempts to "build community" from scratch end up producing something that looks like community but functions like a mailing list. The startup that launches a Discord server and calls it a community // the coworking space that holds a monthly mixer and calls it a community etc. What they've actually built is a directory of loosely affiliated strangers who share a single contextual overlap.

That's a starting condition for community, but it's not community itself, and the difference is like the difference between a pile of lumber and a house. The raw materials are necessary but wildly insufficient.
When platforms die, communities don't migrate

The internet has run this experiment dozens of times now, and the results are consistent. When a platform dies or degrades, its community does not simply migrate to the next platform, it fragments, and the ones who do arrive at the new place find that the social dynamics are different, the norms have shifted, and a substantial number of the people who made the old place feel like home are gone. LiveJournal's Russian acquisition scattered its English-speaking community across Dreamwidth and eventually Twitter. Each successor captured a fraction of the original user base and none of them captured the culture. The community that existed on LiveJournal in 2006 is extinct and cannot be reassembled. The specific conditions that created it, a particular moment in internet history when blogging was new and social media hadn't yet been colonised by algorithmic feeds and engagement optimisation, no longer exist.

You can see the pattern in Vine's death and the migration to Snapchat x TikTok, with Twitter's degradation and the scattering to Threads, Bluesky and Mastodon. In every case, the platform's architects // successors assumed that the product was the platform and the community was an emergent feature that would re-emerge given similar conditions. They had the relationship exactly backwards. The community was the product and the platform was the container, and when the container breaks, the product spills and evaporates, and some of it is lost forever.
Dunbar's layers + the archaeology of trust

Robin Dunbar's research on social group sizes tells us that humans maintain relationships in rough layers: about five intimate relationships, fifteen close ones, fifty good friends, and a hundred and fifty meaningful acquaintances. These aren't arbitrary numbers; they mirror cognitive and emotional bandwidth constraints that are probably neurological in origin. What Dunbar's model implies about community is underappreciated. If a community is a network of overlapping Dunbar layers, then each member's experience of the community is unique, shaped by where they sit in the web. There is no "the community" in any objective sense. There are as many communities as there are members, each one a different cross-section of the same social graph, and this means that when you lose members, you lose entire subjective communites that existed literally nowhere else.

When a Roman town was abandoned, the physical structures decayed at different rates. Stone walls lasted centuries while textiles vanished in years. The social structure of a community decays the same way when it's disrupted. The institutional relationships, the stone walls, might survive: people will still know each other's names and professional roles. The close friendships might last a while, held together by active effort. But the ambient trust, the willingness to lend a tool without being asked or to tolerate a minor annoyance because you've built up enough goodwill to absorb it, that's the textile, and it goes first. Once it's gone, what's left = a skeleton that looks like a community but has lost the capacity to function like one.

Why "build a new one" doesn't work

There's a fantasy popular among technologists and policymakers that community can be engineered. That if you identify the right variables and apply the right interventions, you can produce community on demand. This fantasy has a name in the urbanist literature: it's called "new town syndrome," after the observation that Britain's postwar new towns, carefully designed with all the amenities a community could need, produced widespread anomie and social isolation in their early decades. Stevenage had shops, schools, parks and pubs. What it didn't have was history. The residents had no shared past and no slowly accumulated social capital. They had proximity without context, and proximity without context is a crowd.

The same problem pops up in every domain where someone tries to instantiate community from a blueprint. Corporate culture initiatives and neighbourhood revitalisation programs tend to optimise for the visible markers of community, events and shared spaces, while ignoring the invisible substrate that makes those markers meaningful. It's like building an elaborate birdhouse and assuming birds will come, and when they don't, the birdhouse builders typically conclude that they need a better birdhouse, rather than questioning wether birdhouses are how you get birds.

You can't rerun the history

The destruction of a community is largely irreversible. You can rebuild a building and you can replant a forest and, given enough decades, get something that resembles the original ecosystem. But a community that took twenty years to develop its particular structure of norms and mutual knowledge cannot be regrown in twenty years, because the conditions that shaped it no longer exist. The people are older, the context has changed, and the specific convergance of circumstances that brought those particular individuals together in that particular configuration at that particular time is gone. Communities are path-dependent in the strongest possible sense: their current state is a function of their entire history, and you can't rerun the history.

Ursula K. Le Guin wrote in The Dispossessed about the tension between a society that valued radical freedom and the structures that emerged organically to make collective life possible. Her protagonist, Shevek, discovers that even in a society designed to prevent the accumulation of power, informal hierarchies and social obligations develop on their own, shaped by nothing more than time and proximity. Le Guin understood that community structure isn't designed, it's deposited, like sediment, by the slow accumulation of interactions that nobody planned and nobody controls.
So what do we actually owe existing communities?

If communities are non-fungible, if they can't be replaced once destroyed, then every decision that disrupts an existing community carries a cost that is systematically undervalued. The cost doesn't show up in a spreadsheet because it's not a line item, it's the loss of a particular, specific, irreproducible social configuration that provided its members with things that can't be purchased on the open market: ambient trust and the comfort of being known.

Displacement - whether physical or digital - is more expensive than anyone budgets for. The burden of proof should fall on the displacer, not the displaced, to demonstrate that the benefits of disruption outweigh the destruction of social capital that took years or decades to accumulate. And the glib promise of "we'll build something even better" should be treated with the same scepticism as a contractor who promises to replace your load-bearing wall with something decorative. It is, to be frank, bullshit.

Communities are not resources to be optimised and they're not user bases to be migrated. They're the accumulated residue of people choosing, over and over again, to remain in a relationship with each other under specific conditions that will never, ever recur in exactly the same way.

Treating them as fungible is idiotic, and we have been far too willing to let it happen unchallenged."]]></description>
<dc:subject>jawestenberg 2026 community communities fediverse robertmoses siliconvalley online internet web socialmedia relationships neighborhoods janejacobs economics economists behavior discord platforms dreamwidth livejournal migration twitter optimization algorithms snapchat tiktok bluesky mastodon threads robindunbar socialgraph stevenage urbanism urbanplanning ursulaleguin ursulakleguin thedispossessed hierarchy hierarchies social society displacement distruption skepticism</dc:subject>
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<item rdf:about="https://www.theguardian.com/news/ng-interactive/2026/jan/29/what-technology-takes-from-us-and-how-to-take-it-back">
    <title>What technology takes from us – and how to take it back | AI (artificial intelligence) | The Guardian</title>
    <dc:date>2026-02-08T07:56:42+00:00</dc:date>
    <link>https://www.theguardian.com/news/ng-interactive/2026/jan/29/what-technology-takes-from-us-and-how-to-take-it-back</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Decisions outsourced, chatbots for friends, the natural world an afterthought: Silicon Valley is giving us life void of connection. There is a way out – but it’s going to take collective effort]]></description>
<dc:subject>2026 rebeccasolnit technology society externalities privacy attention communication ai artificialintelligence mentalhealth luddism neoluddism luddites neoluddites gathering connection disconnecting socialmedia internet web online efficiency productivity profits convenience friction slow democracy withdrawal discord human humanism karenhao love sherryturkle sociology psychology well-being wellbeing cluely meta google googleglass chatgpt openai edmondrostand cyranodebergerac relationships conviviality siliconvalley corporations corporatism tyranny embodiment social mollycrockett dalailama activism spirituality humans humanity capitalism togetherness carissavéliz ethics therapy maytaleyal loneliness consciousness deeptime scale nature dehumanization resistance eveyday</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://www.nytimes.com/2026/02/04/opinion/baby-laugh-developmental-milestone.html">
    <title>Opinion | What a Baby’s Laugh Actually Tells Us - The New York Times</title>
    <dc:date>2026-02-05T04:52:17+00:00</dc:date>
    <link>https://www.nytimes.com/2026/02/04/opinion/baby-laugh-developmental-milestone.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A kid’s first joke reveals a complex mind."

[archived:
https://archive.ph/lGN6B ]

“Laughter and humor are fundamental to how babies learn about and participate in the world.”]]></description>
<dc:subject>laughter babies communication social 2026 learning howwelearn chilren humor</dc:subject>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=2yVJffNplJc">
    <title>The New Satanic Panic Is Here - YouTube</title>
    <dc:date>2026-01-24T17:16:13+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=2yVJffNplJc</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also:
https://www.usermag.co/p/the-new-satanic-panic-is-here ]

"Are Smartphones & Social Media Really Causing a Teen Mental Health Crisis?

Are smartphones and social media actually destroying teen mental health, or is this just another moral panic? I critically examine the growing narrative that phones, apps, and screen time are responsible for rising anxiety, depression, and harm among teenagers. 
 
These claims, popularized by politicians, journalists, interest groups like the Heritage Foundation, and authors like Jonathan Haidt (The Anxious Generation), are being used to justify mass surveillance laws, deplatforming marginalized people, and implementing policies that actually harm kids and reward big tech. 
 
They allow lawmakers to scapegoat users, and institute draconian surveillance laws instead of enacting meaningful regulation. Haidt and others boosting this moral panic have pushed debunked claims about how social media can turn kids LGBTQ. Haidt has pushed false and misogynistic claims that young liberal women suffer from more "anxiety." He is on the board of Bari Weiss' unaccredited reactionary right wing University. 

Using peer-reviewed studies, media analysis, and real-world examples, this episode breaks down:

- Why smartphones became the default scapegoat for teen mental health
- How correlation is repeatedly confused with causation
- Ho weak and misleading data is driving major public policy decisions
- How moral panics spread through podcasts, news media, and social platforms
- Who is actually harmed by phone bans and social media crackdowns
- Why girls, LGBTQ youth, and marginalized teens are the most harmed

I also explore how internet scares like the Momo Challenge illustrate the dangers of fear-based policy making, and why banning technology doesn’t solve any of the root issues of kids' mental health issues like social isolation, economic stress, lack of mental health care, and inequality.

If you’re interested in:

- Teen mental health
- Social media & smartphones
- Internet culture and moral panics
- Education policy and school phone bans
- Digital rights and youth safety

this video will challenge what you’ve been told by the mainstream media, but please keep an open mind!"]]></description>
<dc:subject>taylorlorenz 2026 socialmedia jonathanhait web internet online mentalhealth conservatism censorship inequality momochallenge smartphones moralpanic mashablackburn lgbtq policy bariweiss heritagefoundation anxiety reactionaries screentime depression teens youth research media technology change history novels comicbooks comics telephones phones television tv radio fredricwertham children childhood adolescence addiction beepers columbine videogames games gaming bans tiktok isolation fear danahboyd mobility walkability suburbia freetime leisure homework play parenting panic surveillance economics wealthdisparity work labor pandemic covid-19 coronavirus misogyny rightwing right recession economy unemployment instability capitalism publicpolicy poverty precarity guns stress mainstreammedia social connection</dc:subject>
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</item>
<item rdf:about="https://www.noemamag.com/the-mythology-of-conscious-ai/">
    <title>The Mythology Of Conscious AI</title>
    <dc:date>2026-01-14T21:23:01+00:00</dc:date>
    <link>https://www.noemamag.com/the-mythology-of-conscious-ai/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Why consciousness is more likely a property of life than of computation and why creating conscious, or even conscious-seeming AI, is a bad idea."]]></description>
<dc:subject>consciousness ai artificialintelligence computation life living anilseth 2026 blakelemoine google davidchalmers geoffreyhinton technology llms openai chatgpt anthropic claude deepmind alphafold hallucinations experience siliconvalley aibubble adambecker computers computing brain neuroscience neurobiology alanturing history algorithms software hardware walterpitts warrenmcculloch stephenkleene neuralnetworks mindware wetware biology silicon carbon autopoiesis intelligence chaitanyachintaluri timvogels generativeentrenchment neuroons alfrednorthwhitehead philosophy turingglasses antikytheramechanism cybernetics timvangelder systems systemsthinking cognition cognitivescience science mind functionalism johnsearle being self interoception emotions moods metabolism materiality simulation instantiation nickbostrom psychology social uncertainty ethics machines syntheticbiology kant mustafasuleyman microsoft yoshuabengio shannonvallor bodies embodiment stoneage descartes sherryturkle lamda immanuelkant</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:9858b5102d17/</dc:identifier>
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</item>
<item rdf:about="https://walkingtheworld.substack.com/p/why-the-us-cant-have-nice-things-a6d">
    <title>Why the US can't have nice things, part 2</title>
    <dc:date>2026-01-10T20:43:30+00:00</dc:date>
    <link>https://walkingtheworld.substack.com/p/why-the-us-cant-have-nice-things-a6d</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Or a small travel tale"

...

"[image: "My Sofia Subway. I love the colors!"]

Thursday morning I woke in downtown Sofia, leisurely drank my coffee, and jumped on the metro that took me directly to the airport. In less than an hour I was at the gate for my flight to Germany, where I transferred to the JFK-bound Lufthansa.

If all went well, I’d land at 8:30 p.m., clear passport control, and be in Port Authority1 in time to get the last bus (11 p.m.) upstate, so I could be in my own bed a little after midnight2.

All I needed to do that was for the flight to land on time, and passport control to take under an hour and a half.

The first happened, the second didn’t even come close. To describe Terminal One passport control Thursday night as a shitshow is unfair to shitshows, which are at least darkly entertaining. This was instead bureaucratic hell: lines of exhausted travelers snaking out into dreary linoleum hallways, festooned with disconcerting and anachronistic cheery posters welcoming us to NY, all managed by TSA employees, who, while trying their best, were in over their heads.

It took close to an hour to even reach the main hall, and then another hour shuffling slowly like a broken army to the ten or so border security agents. It wasn’t until well after ten p.m. that I was done, so I went with my fallback plan of crashing at a friend’s house in the Rockaways, via the AirTrain and the A train3.

After a few hours of sleep, I got up to take the 4:39 a.m. A train to Port Authority, to catch the first bus home (7 a.m.).

The train, to its credit, since it was near the terminus, was on time.

But it was filthy and mostly empty, except for three or four homeless guys per car sleeping/passed-out, so the dozen of us waiting chose our seats carefully, positioning ourselves as close to each other (for safety) and as far away from the sprawled out guys and their piles of trash, puddles of urine, and other liquids spotting the floor.

At each subsequent stop the train slowly filled, until it was standing room only, with everyone crowded together trying not to deal with the guys sprawled out taking up five plus seats.

I was seemingly the only person on the train who didn’t have to take the early train, the only person “slumming it.” All the other riders were coming from late shifts or going to early shifts, carrying their tool bags, hard hats, work lanyards, gym bags of work clothes, but all of us were united in fatigue and quiet frustration with the squalor and passed out guys taking up so much space.

Including lots of women loaded down with bags of Christmas gifts and groceries, who clustered in the rare spots that weren't too gross, where they didn't feel too threatened.

After about ten stops another guy, coated in old vomit, and carrying a cane, his pants down to near his knees, came on, and went up to each sleeping/passed-out guy and hit them on the legs, and yelled at them to "move on, give rest of us some space," or something like that.

Everyone pretended it wasn't happening, hoping it wouldn’t go south, focusing instead on the floor or their phones.

And nothing “bad” did happen (this time), beyond a few raised voices and shouts, and some pantomime air punches. By a little after six I was standing in Port Authority (there are no seats in Port Authority, which is another story) waiting for my bus home.

This wasn’t a big deal for me, especially the long passport control line. While I really wish the US, and JFK in particular, would smooth out their system and bring it up to global standards, flying internationally is still a luxury, and complaining about it can be a bit elitist.4

[image: "Every subway station in Korea has clean bathrooms"]

This particular subway ride also wasn’t a big deal, at least for me, since nothing really bad happened, and once again, I don’t have to take the subway. I have the cash to opt out of the whole AirTrain to subway to bus home thing. I also have the cash, and resources to get TSA global entry.

I don’t do either because the reason I travel as I do, besides being a lazy cheapskate, is I’m not trying to remove myself from the average experience. I’m trying to see, and understand a little, the world as most people see and understand the world.

And the lesson from my last travel day home is, the US, and especially NYC5, is broken. Especially compared to the rest of the world, especially considering our wealth.

Having garbage-strewn subways that effectively serve as mobile homeless shelters and mental intuitions, is no way to run a subway system, or a city. It isn’t fair to anyone, especially the riders, who don't have the money to not take the subway.

It also isn’t fair to the homeless, who are being encouraged (or at least not discouraged) to sleep and hang on crowded trains, maximizing the chances that really bad stuff happens, both from them and to them. The Daniel Penny Jordan Neely case is a perfect example of this.

It is like we are creating the perfect conditions for a nasty backlash against addiction, mental illness, and homelessness.

[image: "Istanbul’s system is also fantastic"]

I’ve written many times over about how jarring it is to come home from trips overseas, often from much poorer places, like in this case Bulgaria, where the subways and buses, and other public spaces and resources, are cleaner, safer, and nicer. Where workers simply wanting to get to their jobs don’t have to deal with navigating the mentally ill, addicted, and desperate.

I don’t know what the long term solution is. For the passport control, there are policy changes that can be made to “fix” it. Yet, as I’ve written before about why the US can’t have nice things, we have much bigger cultural problems.

A functional public transit system that’s safe, clean, and effective, is a fundamental and essential nice thing. Especially for the US, where our larger cities are basically two tiered, with a wealthy downtown professional class that relies on inexpensive labor with long commutes (without the resources to drive) who work early/late shifts.

Ride a NYC subway from the outer boroughs at 4 a.m., and you’ll see it’s jammed with overnight construction workers, office custodial crews, nannies, restaurant staff, hotel employees, etc. The “help” coming into and out of the city.

The recent decline in the subway system hits them the hardest, as almost everything bad that happens in the city does. They can’t pay money to hide from the changes.

We are now firmly a low-trust society, and that’s especially dangerous because social trust impacts everything. Every facet of life, and it can’t simply be legislated back. You can’t “fix” culture through a few house bills, because it isn’t just a top down problem, but a pervasive all encompassing thing.

Social trust is also extraordinary important to maintain, because like a ratchet wheel, once it comes undone, it spins quickly out of control, and getting it wound back is a long, arduous, and complex process, that requires moving it tighter one painful ratchet at a time.

Right now in the US, the social trust ratchet wheel has come completely undone.

Let’s hope we can stop it from spinning too much further out of control, but given all I’ve seen in my travels both here and overseas, I’m not particularly hopeful of that, because the first step is realizing something is wrong, and right now a lot of the US seems determined to deny we have a problem, one Uber at a time and one “that’s someone else’s issue” at a time.

[Footnotes]

1 - It takes a little over an hour to get to Port Authority from JFK via AirTrain, and then the A or E.

2 - I don’t check bags, because I never check bags, because I travel light. Like everyone should, if they can.

3 - The AirTrain at Terminal one is under construction, so I had to ride it to another terminal, to then change to the Howard Beach bound train, where I could catch an A train.

4 - That’s less and less true, especially in NYC, where a lot of travelers are middle-class families coming and going to visit relatives overseas.

5 - There's been a lot of exaggeration of the problems in NYC, but it has gotten a lot worse over last few years, especially for those who have the least, who rely on buses and subways, and are trying their best to be decent citizens."]]></description>
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<item rdf:about="https://walkingtheworld.substack.com/p/europe-is-healthier-than-us">
    <title>Europe is Healthier than US - Chris Arnade Walks the World</title>
    <dc:date>2026-01-10T20:33:07+00:00</dc:date>
    <link>https://walkingtheworld.substack.com/p/europe-is-healthier-than-us</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["It's just harder to see that, because Americans look in the wrong place."

...

"The above picture, from a cafe where I rested after a sixteen-mile walk, isn’t anything special. Neither is the town it’s in, Tournon-sur-Rhône, which is my least favorite of the string of mid-sized and smaller towns I stayed in along the Rhône Valley. It’s a loud town, a result of the old expressway, Route Nationale 86, funneling through it, and France’s love of motocross, which means young men sans mufflers.

Yet even in Tournon, on a boring Wednesday afternoon, there was an active social scene, a communal sense of needing to be, if not directly with other people, then at least near them.

Tables of friends, colleagues, couples, families, came and went. Those alone, mostly older regulars, came to sit, watch the world, and chat with other regulars and the wait staff. They were alone in name only. They had their place, quiet literally as I later found out when I realized I’d taken the corner seat of a different regular, who I offered to switch with, but they declined with a smile, muttering something I hoped translated as “I may be set in my ways, but I’m not THAT set.”

I was there for three hours, and while I was alone, I never felt lonely. I also didn’t order much, and I never felt rushed. The French understand the value of sitting for a long time, around others, while doing seemingly nothing.

After this cafe, I went to four others, some packed, others close to empty, but none depressing, because people being social is rarely depressing since it’s central to human happiness. Loneliness, isolation, having no community to be a part of — that’s depressing. That is the kind of despair, akin to being in solitary confinement, that can quickly reach existential levels. To people doing the singular human thing of killing themselves, either slowly with dangerous levels of toxic drugs, or quickly with guns.

The cafe culture, which I saw every day, in every community along the Rhône Valley, is just one example of a very healthy French culture. Of a communal-ism driven not by getting something material from it (work connections!), but rather from being part of a collective, with a shared understanding of who you are, why you are that, and why it’s good to be that. We are French, and this is why we do what we do, and it’s good. It’s a sense of self so ingrained, it’s not explicitly recognized. The water you swim in, but don’t notice.

That sense of knowing who you are, and that you’re a valuable part of something bigger than yourself, that is good, is fundamentally different from the US, where being you, the maximal you that you can possible be, one defined by your own flavor of uniqueness, is central.

Europe, or at least large parts of Europe, is very different from the US in this way, and it’s healthier. You can see that in suicide and mortality statistics, but you can also see it with your own eyes, if you spend time shuttling between the two.

As I’ve emphasized in almost all my essays from walking around the world, we Americans are not a healthy bunch, not physically, or more importantly, mentally. We are a sick and getting sicker country. We have an unnaturally high level of mental illness, both diagnosed, and not. We are addicted to medicines, both legal and illegal, to try and cope with it. We are so far from content that we are currently killing ourselves in record numbers.

Especially if you adjust for how much stuff we have, which is the American argument for America. We have more stuff, which naturally means we are better. But contentment, or happiness, or fulfillment, is in my mind the correct measure of better.

This is my third essay comparing US to Europe, which is the sex scenes of travel writing — usually cringe, usually vapid, but boy oh boy does it sell. The prior two, “US is better than Europe!”1 [https://walkingtheworld.substack.com/p/us-is-better-than-europe ] and “America does not have a good food culture” [https://walkingtheworld.substack.com/p/america-does-not-have-a-good-food ], are two of my most read essays.

So I guess I shouldn’t have been surprised when a recent post of mine on Notes ended up going as viral as something can go on Notes. Like most social media posts, it was a hastily typed thought lacking nuance, which after an hour I wished I’d written differently. Regardless, I stand by it, and want to use this essay to amend it, while defending its central point.

Here is what I wrote then,

<blockquote>I’ve engaged in this debate before, but anyone who doesn’t see that Europe is so much culturally richer, and healthier, than the US is missing that culture is fundamentally about communities, and the social.

When most people talk about Europe’s culture legacy, and superiority, they point to cathedrals, museums, and such.

But it’s not about the physical (although it makes the stage more dramatic), it’s about the work/life balance. About third spaces that encourage being around people, in a way that’s deeper than a brutal transactionalism.

US is about the individual, to a hyper degree. Everyone is so focused on being emancipated from everything, freed from any “outdated” obligations, that they end up in an empty loneliness.

It’s depressing to come back, after traveling. To see so many communities of one, all trying to figure out why their life feels so empty.

Yes. There is still the social and communal in the US. That’s human nature to build it. But we make it harder to do. Our culture just isn’t conducive to communities.</blockquote>

My first amendment is to recognize that saying Europe versus the US is far too simplified since each contains multitudes. Especially Europe, where Germany is different from France, and within France, Paris different from Valence, and within Paris, Le Marais different from Aubervilliers.

For what I’m discussing though, the most important European difference is between Paris and Valence. Or in Germany, between Frankfurt and Bochum, and in Belgium, between Brussels and Mechelen.

The most common way Americans see Europe is through its biggest cities, and yet that’s the least representative way to understand it. Especially the neighborhoods in those big cities they spend time in.

Big city Europe is in the process of being conformed, changed, and ultimately smoothed into a generic boring singular entity. A soulless Americanization that’s accelerated dramatically over the last few decades. It’s a process driven by globalization, tourism, and secular capitalism.2 What has resulted is a McEurope — a chain of big cities where chunks of each are the same. The branding of the franchises might be a tad different, the scenery a little altered, but these chunks serve up the same bland and drab experience.

The downtowns of cobble stone streets lined with the same stores selling runners, sex toys, raw paninis under glow lamps, absurdly caloric sweets, and whatever else tourists splurge on to feel special.

There is the one dirty plaza of check the box cafes which feels like EPCOT center cosplaying, with signs in English, and almost no regulars, beyond that one stubborn and ancient local, who through the force of time, has crafted their singular island of special.

There isn’t much dignity left in these “historic downtowns” most of it lost by the rush to monetize the mobs. The Hen and Stag parties flown in on Ryan Air. The pub crawls. The line of well scrubbed Americans and Asians scurrying behind a hatted scold yelling into a megaphone and holding a tiny red flag.

Some of the historic buildings, especially the Cathedrals, still have a dignity and heft, cultural buttes in a desert eroded by pagan winds, which can only last so much longer, since many have given over to being museums more than houses of worship. A check mark on tourist lists to justify a day of binge drinking. Attending mass in these churches means pushing your way through these packs of heathens who, if they stick around, watch the service with the bemused glee of a 19th-century anthropologist in Papua New Guinea. It wasn’t good then, and it’s not any better now.3

What McEurope is lacking the most, or what is hardest to see, is the communal-ism that’s central to European culture.

Thankfully though, McEurope is confined to a few neighborhoods, although they are by far the most visited ones. It’s very easy to get away from them, and once away, you will find that a healthy European culture is almost everywhere else, especially the smaller towns. In spades. That’s why my single suggestion for visiting Europe is to get out of the most visited big cities, which contain the largest number of most visited neighborhoods, and go to some random mid-sized town. Some place like Valence in France4, that also, like Paris, has a long history, an ancient and sublime Cathedral, yet hasn’t entirely succumbed to the global forces trying to flatten the world.

There you see the care Europeans still give to living. The care given to being a valued member of something larger than themselves. To being part of a group. To eating well, to relaxing well, to working with a purpose beyond making mint.

The flattening forces sloshing around the world are mostly viewed in economic terms. It’s mostly talked about as big global brands and franchises sweeping across the globe, knocking everything down around it.

There’s a truth to that, although they are symptom of a larger illness, which is ideological and also very American5.

It’s the idea of individual liberation. The idea that everyone needs to be emancipated from everything. Everyone needs to find and fly their freak flag. They need to find their true self and be it. Even if that means severing ties with family, friends, church, Nation, anything and everything that came before. Those are provincial, backwards, and holding you back.

That is the purpose of life. To be free. Yet it’s a perverse goal, a broken Telos, that can only be seen as positive if you have a abnormal sense of what it means to be human. To be human is to be social. The ancient Greeks knew it, the Medievalist knew it, and even the early Liberals knew it, but it’s us moderns who’ve somehow forgotten it.

Once you understand that, then you further understand that the American definition of freedom ends in a state of despair, and nobody should seek that. Much less entire cultures.

True freedom isn’t being so emancipated that you are isolated, it’s the opposite — being part of a group and knowing where you fit in and are valued. Be that a church, a cafe, a family, a club, or a Nation.

In that sense, Europe, outside of the overly visited but insignificant McEurope parts, is freer, and healthier than the US. Most of the rest of the world is.

The second amendment I’d make to my Note is a better explanation of the last paragraph,

<blockquote>Yes. There is still the social and communal in the US. That’s human nature to build it. But we make it harder to do. Our culture just isn’t conducive to communities.</blockquote>

Before I stared walking around the world I spent over a decade focusing on poverty, addiction, and despair in the US. My book Dignity was a result of that work.

During those years I got called the “McDonald’s guy” because I highlighted how much community exisited in them.

The salient point wasn’t that there’s something unique about McDonald’s, or America, but that humans are social animals. We need community so much that we will even build it in environments not intended for it.

Or to put it another way, if you provide humans with a landscape of banal franchises, they will form communities, and construct meaningful relationships, in them.

Think again about McDonald’s. The designed purpose was as a ruthlessly efficient way to get food, whittled down to its most transactional basic. You go in, you get calories, you leave, in as short a time as possible.

Yet, McDonald’s has evolved into community centers, where people even meet to pray, because people require and need that. To their credit, the corporation has recognized this, and changed how they approach their customers, although the higher driving goal is still efficiency.

Fast food franchises are not unique. I’ve seen that need for community in every space I’ve been. From trap houses in the Bronx, to homeless camps under bridges, to donut stores in LA. People form social groups wherever there’s more than one person. It’s one of the quarks of human existence. A cardinal building block6.

Yet in the US, and in McEurope, we view it as something to move beyond. Especially the intellectual class, who have an outsized role in policy and business decisions.7

That doesn’t mean the public doesn’t stop being social, rather it means they have to go out of their way to build connections.

America might have a broken culture, one ideologically committed to individual freedom, but we are still social, but not necessarily in the healthiest ways. Without functional communities to be members of, many, out of desperation, end up gravitating to dysfunctional ones.

Without church, they go to the drug traps; without cafes, bars; without families, politics; without sports clubs, gangs; without friends, angry online forums.

Some, a sadly growing minority, fail completely to find anything to be part of and end up in a state of complete antisocial perversion. A state of depression, confusion, emptiness, and then violence, against others and themselves.

A state that for too many ends in suicide, either quickly, or slowly one needle at a time.

That is a freedom turned into a tyranny of emptiness.

***

[Footnotes]

1 - Given that headline clashes with this essay (so far) I ask that you read it. It’s both a tongue in cheek headline, but also a different way of looking at how people see the two places.

2 - I know that reeks of buzzword thinness, but it’s true, although in less cartoonish of a way than usually thought about. It’s about an ideological mindset that sees materialism, and individual liberty, as key to human flourishing. I don’t believe that, as I hope to explain further below in the essay.

3 - I’ll never forget excitedly heading to the Cologne Cathedral, only to find a party of 20 or so British women on a Hen party weekend twerking in front of it for a Instagram post

4 - I could suggest many many others. I chose Valence only because it was where I ended my last trip. Avignon for instance, despite having one small McEurope neighborhood, is still a great place.

5 - Most of the things a lot of American tourists, especially on the left, like about Europe — health care, good public transport, walkable cities, less focus on cars, etc — are downstream of the European communal-ism. They are a result of the US focus on rugged individualism.

6 - That is also true in what I call McEurope. There is still community there, in those “soulless” downtowns, it’s just harder to find, and harder to form.

7 - I’m not suggesting the public, or normies, are also not responsible for a lot of our problems. This isn’t an elite only problem. Individualism isn’t only a belief of the intellectuals, although that’s where it originated, and that’s who is most responsible for the propagation of it. But ideas, unlike Economics, do trickle down, and at this point, a rugged, destructive, individualism is central to what the US is.

At it’s best, when tempered with organic community, it’s the American Dream. At worst, it’s constant fighting, constant blame, constant depression."]]></description>
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<item rdf:about="https://walkingtheworld.substack.com/p/modern-life-is-good-actually">
    <title>Modern life is good actually</title>
    <dc:date>2026-01-10T20:22:03+00:00</dc:date>
    <link>https://walkingtheworld.substack.com/p/modern-life-is-good-actually</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Perfection is impossible to achieve, but we might as well keep aiming for it."

...

"It is easy to read this newsletter and think I don’t like modern life, because I focus most of my walks on the disenfranchised (regions and people), but despite our problems, life is as good as it has ever been. Especially if you play the game of “imagine you’re randomly born anywhere in the world.” At almost every point in the past that would mean an above-average chance you would be birthed into poverty, hardship, pain, want, and violence, and your adult life (assuming you made it to that) would be a struggle to stay alive and satiated.

That includes the past of my childhood, in the 60s and 70s, which while it didn’t come with endemic poverty or want (certainly not for me, although there were pockets of deep want, shotgun shacks without running water, and children who went to school in the same outfit every day because that is all they had), it was much poorer, and certainly less enchanting.

My childhood wasn’t normal (we traveled constantly) but when I was home, in our small Florida town1, it was punctuated with long periods of immense boredom. The only books available were those sanctioned by the few libraries, all far from home, and only movies those that came to our theater (seven miles away), a new one once every two weeks.

We filled in that time by playing, including war, if we found enough neighborhood kids, first with imaginary guns, and then when that got to be too frustrating (I shot you, no you didn’t, yes I did) we moved up to BB guns, then pellets, to settle once and for all the who-shot-who disputes. Injury, like maybe losing an eye, was shrugged off as a risk, one that could be mostly eliminated by wearing heavy clothes and perhaps swim goggles, but those cut down your vision, so everyone agreed to not aim for the head, something we mostly accomplished.

That sounds romantic I know, especially to writers, who imagine they would play less war and read more, and while I did a lot of that because my parents had a great library, most people didn’t, and couldn’t. Instead they filled it in with drugs, fights, absurd made-up dramas, mostly about who liked who, and watching whatever slop the three channels provided, regardless of quality.

Organic childhood play, of zooming around town on bikes, crashing into trees, has its moments, but besides the dangers, like the seven year old neighbor who set himself on fire and only survived after six months in the hospital2, it’s not something I would want to force on a kid as the singular option. We had no other options, and options are good.

And I was near the apogee of wealth as an American, a privilege I saw when traveling. A majority of the world lived in grinding poverty, and even those that didn’t, faced periodic and protracted hardships.

South Korea, which is now a wealthy country, when I visited it in the seventies, was dirt poor. As in kids pooping on the streets poor, and meat only a few meals a month poor, which if you know Korean cuisine, is rather different.

Again, one of the most underappreciated things about the recent past was how common boredom was. When I was twelve we went to visit my brother who was living in rural Philippines, working with the local rice farmers. It made my life in Florida seem enchanting by comparison. Everyone was so bored that Friday night fun was getting drunk and shooting rats with shotguns, or on special occasions, walking into town to go to the cockfights where everyone was drunk and at least ten fistfights would break out, and then a week later someone’s wound would go septic and they had to be driven, with great fanfare, into the local hospital where it would be touch and go.

Again, there was something romantic about that I guess, especially for writers, but give me Netflix and an annoying bespoke IPA instead, especially if that is all there is.

Adulation of the past is a misunderstanding of the past, either because of childhood nostalgia, or out of ignorance. Almost every age looks back and says, “it was better than”, and while that can be true, especially around tragedies like wars, in the long run it keeps getting better.

For instance, this is from Barbara Tuchman’s “The Proud Tower3” about the pre WW1 world, and as she writes, the idea that the pre war world was a golden age, was something they believe later in life, not at the time of that golden age.

[screenshot (highlighted portion between **:

<blockquote>"It is not the book I intended to write when I began. Preconceptions dropped off one by one as I investigated. The period was not a Golden Age or Belle Epoque except to a thin crust of the privileged class. It was not a time exclusively of confidence, innocence, comfort, stability, security and peace. All these qualities were certainly present. People were more confident of values and standards, more innocent in the sense of retaining more hope of mankind, than they are today, although they were not more peaceful nor, except for the upper few, more comfortable. Our misconception lies in assuming that doubt and fear, ferment, protest, violence and hate were not equally present. **We have been misled by the people of the time themselves who, in looking back across the gulf of the War, see that earlier half of their lives misted over by a lovely sunset haze of peace and security. It did not seem so golden when they were in the midst of it. Their memories and their nostalgia have conditioned our view of the pre-war era but I can offer the reader a rule based on adequate research: all statements of how lovely it was in that era made by persons contemporary with it will be found to have been made after 1914.**"
</blockquote>]

I especially struggle taking seriously the “modernity sucks” people who lay the blame on technology and seem to idolize the pre-industrial past. Modern technology is wonderful, and our current problems are not because of the machines, but in how we use them.

I was reminded of this with my recent health issue—when a blood test showed I had a risk of prostate cancer, and within two months I was able to walk into a clinic, have a biopsy, and then walk out two hours later, and within a week find out the growths were non-cancerous, and even had they been, my chances of survival were very high.

Modern medicine alone should be reason enough to understand how fortunate we are to be living now, surrounded by technology. At almost any other period of time, having made it to sixty in good health would be a great accomplishment, rather than the normal, and I would be nearing the end of my life, rather than having a decent chance of being here two or more decades4.

That is a lesson I learned early, from my grandmother, who grew up on a Michigan milk farm, loved going into the grocery store and getting Velveeta cheese5, loved her modern conveniences, and would laugh at the “back to nature” hippies as having no idea how hard life was then. Especially as she had lost her husband at the age of thirty-eight, who dropped dead from a blood clot that had gone to his brain, something modern medicine almost certainly would have caught before it killed him.

The problem with modern technology isn’t that it exists, but in how we use it, especially in highly individualistic societies such as the US, which is to go off on our own, into even more solitary lives, removed from community. It is an accelerator of an already existing problem. You can see that in Asian societies with a long-standing cultural emphasis on the communal, such as Vietnam, China, and Indonesia, where a thriving social life still exists, despite the phones.

Technology has enriched our lives in so many ways—extending them, lessening pain and suffering, and providing endless diversions—that having to argue that it is in fact a net good seems like an argument that shouldn’t have to be made, yet a “simpler, more rustic, less technologically advanced” lifestyle is one of those images that always has strong appeal, because we romanticize the simple, while forgetting that the simple has never been easy. The romantic appeal of pre-modern life might be about staying busy through constant toil, but actually growing your own food without machines, washing clothes without machines, and keeping your children alive without machines is not easy. Those are immensely hard, painful, and come with a lot of despair.

It’s interesting that the people most bothered by technology in the West, and most drawn to a prior lifestyle, are the highly individualistic and idiosyncratic intellectuals—not the “normies,” who when given the chance to choose overwhelmingly want the lifestyle anti-modern elites believe is so destructive.

Poor people especially understand something that anti-modernist romantics don’t, which is that every choice involves tradeoffs, and the tradeoff between our current problems and past problems isn’t close.

Show a Cambodian peasant, or a farmer in rural Indonesia, the neon lights and indoor plumbing of Phnom Penh or Jakarta, and they will drop their hoe in a second, happily throw away their low-tech supposedly idyllic life, cram onto a bus and move to be simply near them, even if that means living in a shack on the edge of town. That so many of them are drawn to the spectacle, like moths to a flame, is why these cities in the third world are swelling to the world’s largest, engorged with people seeking more glamorous lives.

The outskirts of Ulaanbaatar is another example of this. The Ger district, extensive and polluted slums that ring Mongolia’s capital, is where thirty percent of the country lives, having tripled in the last thirty years. Not by force, but because people have shown that they prefer being crammed together, next to hospitals, gaming centers, malls packed with Korean electronics, and the bright lights of the city, to the thousand year old long-standing tradition of being out in the sticks, with your Ger, horses, and a Prius6.

People, when allowed to choose, embrace modernity — because they see it as liberation from the hard, bland, boring life of poverty.

The counterargument is that they have not been allowed to choose, because of globalization, and the forces of a capitalism that’s made their past lifestyle impossible. There is truth to that. Policy crafted to maximize production without regard to communal consequences has not surprisingly resulted in more stuff but also devalued the communal7. This isn't the only reason for the rural exodus, and not, I think, the primary one, but it's certainly a large part of the story.

Economic transitions, from agricultural to industrial, and then from low tech industrial to higher tech industrial, always come with a great deal of turmoil, and displacement, that should and can be better managed, but as to whether it's “worth it”, I come down on the side of yes it is. Which I understand isn’t necessarily the most popular side in the online debate.

All of these issues, of progress versus tradition, were debated in England, during the Industrial Revolution, and occupied most of the country’s politics from 1650 to 1850s, and while that period saw a great deal of displacement, confusion, and pain, it also saw an immense increase in living standards. Today, only a few eccentrics argue that things were better before the Industrial Revolution than after, although in the grand calculation of moral right, it certainly came at a significant cost in human suffering.

Debating those questions will never end, and won’t be settled, but it is all academic because you can’t stop progress, that isn’t how humans work. You can manage it so the transition is less unsettling, and that is where the focus should be, not on denying that in totality it is the correct direction.

That modern life, especially the technology, has enabled governments to expand control of its citizens is another good argument, because as China shows, it is partly true, but as a whole package technology is the enemy of authoritarianism, not its friend, because it allows everyone to be informed. That repressive regimes limit what modern inventions the citizens can have, especially blocking the internet, should be evidence enough, that they see modern life as a threat.

That’s not to say modern life doesn’t come with new problems, and that technology can’t be used for ill, but all of that pales in comparison to what people faced in the past. It’s helpful to remember that every now and then.

We cannot ever eliminate despair, because living, while filled with the good, is also hard. There is no utopia, not here on earth at least, and the fruitless quest to try and achieve it is why humans can’t stop progressing, and why they also won’t stop believing it was better before.

The imperfection of the human condition, and our humble place in the universe, can never be eliminated. Not by more and more machines, and also not by denying the additional good they do bring, but only by an acceptance of our limitations.

In that way I suppose I side more with the nostalgics than the full-on modernists, who at least grasp most of that, but then fail to recognize that even a fallen person seeks and needs material comfort.

We might never be able to achieve perfection, but we might as well keep aiming for it, and that means continuing to try and move forward, rather than back, because humans, and living, is fundamentally good. "]]></description>
<dc:subject>chrisarnade 2026 modernity life living perfection barbaratuchman past history korea philippines florida us technology medicine phnompenh jakarta indonesia cambodia cities urbanism urbanization urban modernitychina community communities sociallife social society lifestyle ulaanbaatar mongolia liberation policy production globalization industrialrevolution displacement confusion pain authoritarianism humancondition</dc:subject>
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    <title>Four Years of Walking the World</title>
    <dc:date>2026-01-10T20:03:26+00:00</dc:date>
    <link>https://walkingtheworld.substack.com/p/four-years-of-walking-the-world</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["If you want to extend the metaphor of culture as the result of elites playing SimCulture, then you also need a model for your Sims. What are they? What is a person? I believe humans have an inherent purpose or telos, which provides (at least in my view) a clear definition of what makes life fulfilling. I can’t give you a precise answer, because I don’t believe I’m smart enough, but I do think that it’s about the spiritual. That is, material wealth alone will never be fulfilling. There needs to be something transcendent. Something beyond the here and now.

When I was doing the press rounds for Dignity, I realized I needed one take-home lesson, one platitude, that summarized what I’d learned from ten years talking to people all over the US, and my answer was, “Everyone wants to be a valued member of something larger than themselves,” and I still believe that, but I would now amend it to end with “something larger than themselves that transcends this material world.” Or, something that lives on for eternity.

To pontificate for a little bit more, I’m leaving in two days for China, and I believe no matter what else I think about the CCP, they do understand all of this. Maybe not the Catholic part, but the idea that there is an elite who build culture and that elite should have a goal in mind. The CCP of course sees themselves as that elite, and as I’ve written before, that self-recognition is, in my opinion, better than pretending, like the West does, that elites don’t shape culture, and consequently they don’t take their “jobs” seriously, so they don’t really know, or understand, what they want. What I believe Western elites want, judging from their policies and rhetoric, is maximum individual freedom for everyone. Which I believe is an incoherent telos. People are social creatures, and are only understandable within the context of a community, and so maximum individual freedom is a misguided goal. It feels good for most of the ride, but you’re going in the wrong direction, towards isolation, and away from the meaningful. It’s like driving in a really snazzy convertible deeper and deeper into the desert; the ride feels great until at some point you realize you’re utterly alone, which is immensely depressing."]]></description>
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<item rdf:about="https://andypetro.substack.com/p/the-quiet-erosion-of-us">
    <title>The Quiet Erosion of Us - Short Stack</title>
    <dc:date>2025-12-30T20:15:21+00:00</dc:date>
    <link>https://andypetro.substack.com/p/the-quiet-erosion-of-us</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["On Losing the People-ness of a Place"

...

"Community doesn’t disappear all at once.

It fades the way old paint does. First, the bright flakes go, then the undertones, until one day you look up and realize you’re staring at a color that no longer remembers what it used to be. And that’s when the question finally crystallizes with enough weight to ask aloud:

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.

Where did the community go in my community?

I don’t mean the municipality. Municipalities can keep right on existing long after the people inside them stop knowing one another. I don’t even mean the familiar slogans about “supporting local businesses” and “loving where you live,” as if community were something you could conjure with a well-designed flyer. I mean the real thing; the people-doing-life-together thing; the stumble-upon-your-neighbor thing; the “Hey, since you’re here…” thing. The thing every human creature was made for long before zoning laws and borough councils existed.

When I say “community,” I mean the connective tissue of a place. And Beaver County, where I’ve lived all my life, once had a lot of that tissue. Strong cords of it. Not perfect, not idyllic, not Rockwellian, but unmistakably human.

So where did it go?

Like everything significant, the answer is slow, layered, and feels a bit like grief.

Those who remember the mills running, B&W, J&L, Crucible…and the constellation of shops that orbited them…don’t romanticize the heat or the danger or the shift work. But they do remember something undeniably communal: a town that had a center of gravity. A place where men knew one another because they had to depend on one another. A place where quitting time spilled people into the streets and diners and bowling alleys…not back into isolated pockets of climate-controlled boredom.

When those mills closed, something sturdier than steel quietly gave way. The economy changed, yes. But the deeper casualty was an erosion of encounter. Fewer reasons to gather. Fewer occasions to overlap. Fewer causes that bound our ordinary lives into something shared.

Factories didn’t create community, people did.

But the factories provided the occasion for that community to thicken, for acquaintances to mature into friendships, and for friendships to become something like belonging.

Now, in the absences left behind, the question isn’t whether the past was better. It’s whether the present is still capable of giving birth to the kind of humanity we actually need.

The slow vanishing of community might have stopped there, plateaued, leveled, if not for the Great Enemy of Togetherness: Convenience.

Convenience, as we currently experience it, is not merely a feature of modern life. It has become a habitat, a worldview, a reflex. It promises frictionless living, but the truth is that friction is how humans connect. People are like stones in a riverbed: it’s the rubbing, the bumping, the awkwardness, the proximity that smooths us, shapes us, prepares us for life in the real world.

But now?

We’ve learned to sand off the edges of ordinary human experience until we barely touch each other at all.

DoorDash can bring us dinner.

Amazon can bring us the world.

Streaming can bring us entertainment custom-fitted to our narrowest preferences.

And our gas stations, once places you actually had to go inside, now offer touchscreen burritos because the last thing we need is a conversation with the teenager behind the counter.

We used to have slogans like “You deserve a break today—so get up and get away.”

Today the spirit of the age has updated it to something like, “Sit still. We’ll come to you. Don’t trouble yourself with humanity.”

The old commercials invited us out.

The new ones coax us inward - endlessly.

It isn’t that DoorDash or Amazon are evil. It’s that they train us into habits where we stop needing each other. And once we stop needing each other, we forget how to know each other. Which is to say: we forget how to be human in the vocational sense of the word.

Oddly enough, we still love the aesthetics of community.

We adore the annual festivals, the parade routes, the Christmas lights strung across town squares. We post nostalgic photos of Main Street, gather our kids for the tree lighting, and tell ourselves that the place still hums with the energy it used to.

But look closer.

We love the look of tradition without the labor of it. We enjoy the scenery of community without the inconvenience of stepping into it. And why? Because somewhere deep down, we have begun to treat communal life like a performance…something put on for us to enjoy, not something we must help create.

We want the trappings of belonging without the obligations of belonging.

It’s all very American, very modern, and very lonely.

Community is not magic; it’s muscle.

It forms when people bump into each other often enough that they stop being strangers. It forms when someone has to wait in line behind you, or when you share the same pew for twenty-five years, or when you buy the same cup of coffee from the same person who remembers (and possibly judges) your order.

It forms when you can’t curate your way out of the mundane, because the mundane is where the kingdom of God most often hides.

But in a world where we curate everything - our playlists, our feeds, our shopping carts, our meals - we have slowly curated ourselves out of the presence of others.

We are losing the liturgy of proximity.

Theologians sometimes talk about God as Emmanuel, God with us, as if nearness were not just a divine attribute but a divine strategy. Jesus came not as a concept but a body. Not as a delivery service but a presence. Not as a product but a person.

Real community always follows this pattern: show up, stay a while, belong.

And we’re forgetting how.

Beaver County is just the test case I know best.

I’ve lived in its towns, taught in its schools, shopped in its stores, watched its families succeed and fail, celebrated its small-town victories, and mourned its quiet losses.

But what’s happening here is happening everywhere.

Ask folks in Montana.

Ask folks in Tennessee.

Ask folks in the suburbs of Chicago or the rural edges of Maine.

Ask them if they know the people who live three doors down. Ask if they’ve had dinner with neighbors this year. Ask if they’ve built a life with the people around them or a lifestyle that replaces them.

The warning is this:

A community that no longer practices being a community will eventually forget how.

The critique is this:

We have outsourced the ordinary acts of neighborliness to algorithms, gig apps, and convenience industries whose only interest in us is our purchasing predictability. They will not build towns for us. They will not build belonging for us. They will not build love for us. They cannot.

And the call is this:

We have to practice being people again.

Nothing dramatic. Nothing heroic. Nothing that deserves a plaque or ribbon cutting. Just simple, old-fashioned nearness.

Go out.

Buy your coffee in person.

Pick up your own dinner.

Try strolling instead of scrolling.

Attend the school play even if you don’t have a kid in it.

Go to the game.

Walk downtown.

Say, “Hello.”

Learn a name.

Stay long enough for something unscheduled to happen.

Because community isn’t built on events; it’s built on habits.

And habits are built on small decisions that say, “I will live here with these people, not beside them.”

The truth is, we don’t need the old days back.

We need the old disciplines back.

At the heart of all this is something simple and sacred:

people are meant to be known. We are meant to be threaded into the lives of others, to belong to a place, to be recognized by name, to have our stories intertwined with the stories around us.

A convenience economy can give us everything but that.

But a community…rebuilt slowly, stubbornly, faithfully…can give us the one thing no app can:

a sense that we are part of something larger, older, and more beautiful than ourselves.

And that’s worth walking out the front door for."]]></description>
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<item rdf:about="https://www.joanwestenberg.com/thin-desires-are-eating-your-life/">
    <title>Thin Desires Are Eating Your Life</title>
    <dc:date>2025-12-29T20:58:50+00:00</dc:date>
    <link>https://www.joanwestenberg.com/thin-desires-are-eating-your-life/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The defining experience of our age seems to be hunger. 

We're hungry for more, but we have more than we need. 

We're hungry for less, while more accumulates and multiplies.

We're hungry and we don't have words to articulate why.

We're hungry, and we're lacking and we're wanting.

We are living with a near-universal thin desire: wanting something that cannot actually be gotten, that we can't define, from a source that has no interest in providing it.

The distinction between thick and thin desires isn't original to me.

Philosophers have been circling this territory for decades, from Charles Taylor's work on frameworks of meaning to Agnes Callard's more recent writing on aspiration.

But the version I find most useful is simple:

A thick desire is one that changes you in the process of pursuing it.

A thin desire is one that doesn't.

The desire to understand calculus versus the desire to check your notifications are both real desires, and both produce (to a degree) real feelings of satisfaction when fulfilled.

But the person who spends a year learning calculus becomes someone different, someone who can see patterns in the world that were previously invisible, who has expanded the range of things they're capable of caring about, who has Been Through It.

The person who checks their notifications is, afterward, exactly the same person who wanted to check their notifications five minutes ago.

The thin desire reproduces itself without remainder.

The thick desire transforms its host.

I want to be careful here because this is a claim that can easily slide into unfalsifiable grumpiness about Kids These Days.

But there's a version of it that I think is both true and important.

The business model of most consumer technology is to identify some thick desire, find the part of it that produces a neurological reward, and then deliver that reward without the rest of the package.

Social media gives you the feeling of social connection without the obligations of actual friendship.

Pornography gives you sexual satisfaction without the vulnerability of partnership.

Productivity apps give you the feeling of accomplishment without anything being accomplished.

In each case, the thin version is easier to deliver at scale, easier to monetize, and easier to make addictive.

The result is a diet of pure sensation.

And none of it seems to be making anyone happier.

The surveys all point the same direction: rising anxiety, rising depression, rising rates of loneliness even as we've never been more connected.

How could this be, when we've gotten so good at giving people what they want?

Maybe because we've gotten good at giving people what they want in a way that prevents them from wanting anything worth having.

Thick desires are inconvenient.

They take years to cultivate and can't be satisfied on demand.

The desire to master a craft, to read slowly, to be embedded in a genuine community, to understand your place in some tradition larger than yourself: these desires are effortful to acquire and impossible to fully gratify.

They embed you in webs of obligation and reciprocity.

They make you dependent on specific people and places.

From the perspective of a frictionless global marketplace, all of this is pure inefficiency.

And so the infrastructure for thick desires has been gradually dismantled.

The workshops closed, the congregations thinned, the apprenticeships disappeared, the front porches gave way to backyard decks and studio apartments and the coveted Micro Homes where you could be alone with your devices.

Meanwhile the infrastructure for thin desires became essentially inescapable.

It's in your pocket right now.

Grand programs to Rebuild Community or Restore Meaning seem to founder on the same logic they're trying to escape.

The thick life doesn't scale.

That's the whole point.

So: bake bread.

The yeast doesn't care about your schedule.

The dough will rise when it rises, indifferent to your optimization.

You'll spend an afternoon doing something that cannot be made faster, producing something that you could have bought for four dollars, and in the process you'll recover some capacity for patience that the attention economy has been methodically stripping away.

Write a letter, by hand, on paper.

Send it through the mail.

The letter will take days to arrive and you won't be able to unsend it or edit it or track whether it was opened.

You're creating a communication that exists outside the logic of engagement metrics, a small artifact that refuses to be optimized.

Code a tool for exactly one person.

Solve your friend's specific problem with their specific workflow.

Build something that will never scale, never be monetized, never attract users.

The entire economy of software assumes that code should serve millions to justify its existence.

Making something for an audience of one is a beautiful heresy.

None of this will reverse the great thinning.

But I've started to suspect that the thick life might be worth pursuing anyway, on its own terms, without needing to become a movement.

The person who bakes bread isn't trying to fix the world. They're not making any attempt to either dent or undent the universe.

They're trying to spend a Sunday afternoon in a way that doesn't leave them feeling emptied out.

They're remembering, one loaf at a time, what it feels like to want something that's actually worth wanting."]]></description>
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<item rdf:about="https://matthewbattles.substack.com/p/for-want-of-a-story">
    <title>For want of a story - by Matthew Battles</title>
    <dc:date>2025-12-24T06:40:59+00:00</dc:date>
    <link>https://matthewbattles.substack.com/p/for-want-of-a-story</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In the violence of our moment, can the pattern of trust hold?"

...

"As the recent semester drew to a close, I found myself wondering, what is the pattern of the college class? What is its compact, its qualities; what world does it come from or constitute? My friend S. and I have been discussing “pattern languages,” the concept of which comes from the work of architect Christopher Alexander, who developed this understanding of the “timeless way of building” with collaborators Sara Ishikawa, Murray Silverstein, and others at Berkeley’s Center for Environmental Structure in the 1970s. Interestingly, there isn’t a “classroom” pattern per se in their 1977 book, A Pattern Language, though such education-related patterns as NETWORK OF LEARNING and SHOPFRONT SCHOOLS are proposed there. Though they feel as though they preexist, that they are not invented but discovered, patterns are less archetypes than aspirations. Open, porous, and radically accessible, so many of them seem to assume relations of trust as a deep resource.

But what of the class itself—that “social institution – workgroup” (patterns 80–86) in which we find ourselves, twelve or twenty or ninety or two hundred students and an instructor, thrown together into this space of expectation, this envelope of institutional mandate, normative hierarchy, and hope for the future, which is the university? Increasingly, I’m aware how little of what happens here, how little of what it means or will come to mean, is determined by that envelope: by the role of higher education in society, say, or the importance of accrued expertise, or the promise of potential.

The writer Paul Elie defines pilgrimage as “a journey taken in light of a story.” To call a class a journey feels shopworn; to call it a pilgrimage, however enlivens it, I think. As pilgrims, we thirteen or thirty-three or ninety-nine go forth in search of the story we will share. Success in the classroom, I’m coming to understand, isn’t a “journey” with the institution as the ship, but is bound up with the discovery of our shared story. Though the story exists before we coax it into presence, this crucially is a beginning and not an end.

The idea of a shared story has fallen on hard times, however. Scandalized by master narratives, we have sought after a seeming lightness in jettisoning the weight of story, falling back on that normative envelope—the “we believe in” of class, college, science, truth; of institution, and order, and rubric. Under the sign of the journey, the class becomes less a pilgrimage than the concourse of some shadowy station, all of us bustling toward our private trains, our own special destinations—a grade, a degree, a job, a like, an evaluation.

The story is patient, however; it waits at the edges of those shadows; it asks only for trust in its discovery. Trust is the pilgrim’s path: trust that sustenance will be offered along the way; trust that one’s fellow pilgrims will teach us and fortify us; trust that we have a guide who recognize the pattern of the way well enough to know its marks even in a changed land. Often the teacher will be this guide, though sometimes someone else from the fellowship will stand and say, just here, I know the way. Their ferocity, their fiat, depends on the trust, however. We all depend on it.

In class, this constellation of trust, this shelter, is the pattern we follow, the habit in which we attire ourselves. The coming-together is ephemeral, and yet it’s the nature of the pattern, and of the stories in light of which we venture forth, to linger long after our fellowship comes to its formal end.

The pattern of the class—the coming together, the rustle of papers, the settle and the setting forth—nurtures this trust, frames it and enfolds it. The pattern is no guarantee, though it will hold the trust with so much more intimacy and strength than any institutional envelope. For we must give ourselves to trust. It is in the nature of the gift.

The story we seek was here before the blossoming of the trust. But if the story is to be found or coaxed forth, this flowering happens before the story may be found. We might have glimpses of the story, the way a pilgrim’s shadow pinioned in the mist will feel like a fellow traveler; the way a deer will browse slowly ahead on the path, attentive even in its disinterest, in its being before and beyond us. Long before the story is caught or drawn close, however, the trust must bloom. And the one who would be silent finds strength of voice; and the one who would speak first finds the silence and helps to hold it open.

When trust trembles on a knife’s edge and the story keeps its distance, there is a dusky chill of enormity in the air. As pilgrims, we ply the edge of that uncertainty, the abyss of it. And sometimes, as we have been told, the abyss looks back; sometimes, the abyss finds its own dark ferocity. In this transit, so much depends on the silent one; the silent one carries such a weight. And we begin to wonder—will the silent one break? Is it in the nature of this silent one to break?

For my class and me this term, the pattern held; the speaker and the silent one came together to carry and to compensate, and the story stole forth and fed from our hands. And yet we were reminded how fragile, how vulnerable, the pattern remains. In the advent of this vulnerability, I felt keenly how the trust has been failed again and again in our time. And I felt the pressure of that failure take the form of fear.

S. reminds me how little we rely in patterns, now, with the modern injunction to make it new giving rise to the existential injunction to find one’s own story. We’re all stumbling through the dusky station, it’s near to midnight, and the last trains are leaving without us. And yet I think it in the nature of the pattern to do its work even in the ruins; that out of the pattern’s matrix, the primordium of the story may open and unfurl and offer itself as gift. We must accept the gift, however, if the pattern is to hold, if its language is to persist. And in trust, S. suggests, in its conjugation of courage and humility, we may find a doorway open to virtue as well.

So the gift is received in trust, a trust that is no mere given, no contrivance of doors and keycards, of who gets in and who is kept out. It’s something we make and hold together. I don’t think that even violence can destroy the pattern. But it makes living into the trust of it ever harder. For the story again and again is uprooted and cast aside. And it is there that violence grows, not in the broken envelope, but in the disturbed soil where the story once grew."]]></description>
<dc:subject>matthewbattles teaching howweteach pedagogy education highered highereducation learning howwelearn christopheralexander shopfrontschools networkedlearning paulelie pilgrimage workgroups social fellowship trust patterns apatternlanguage 2025 saraishikawa murraysilverstein presence process sharedstory story shelter intimacy uncertainty vulnerability</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=IVvnLTvwcfY">
    <title>Racconta Ismaele - Trailer - YouTube</title>
    <dc:date>2025-12-08T01:49:22+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=IVvnLTvwcfY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Quattro episodi per esplorare il mondo sommerso dei cetacei, dei loro suoni, dei loro rapporti sociali.

Partendo dalla storia della baleneria e passando per l’arte, la filosofia, la scienza. Il tutto ripercorrendo la rotta del Pequod e di Moby Dick, il libro mondo di Melville che racchiude tutto. 

“Racconta Ismaele” è un podcast di Chora Media in collaborazione con Palazzo Ducale di Genova, realizzato in occasione della mostra “Moby Dick – La Balena. Storia di un mito dall’antichità all’arte contemporanea”, curata insieme a TBA21

Scritto e raccontato da Simone Pieranni

In collaborazione con Leonardo Mazzeo e Tommaso De Lorenzis"

[See also:

https://palazzoducale.genova.it/mostra/moby-dick-la-balena/

"Da secoli l’uomo è stato affascinato dalle balene e, fin dall’antichità, sono nati miti e leggende, credenze e racconti che ne hanno messo in luce la natura simbolica e ambivalente: da una parte esseri mostruosi in grado di inghiottire navi e portare distruzione, dall’altra creature benevole, regine dell’oceano.

Una delle più grandi icone letterarie è Moby Dick, il romanzo di Herman Melville pubblicato nel 1851. In esso, il capitano Achab insegue ossessivamente una gigantesca balena bianca in una storia piena di simbolismo e riflessioni filosofiche.

Palazzo Ducale di Genova ospita una grande mostra collettiva che prende le mosse proprio dal capolavoro dell’autore americano e ne scandaglia le molteplici interpretazioni sia storiche che simboliche: dalla lotta tra l’uomo e la Natura al conflitto tra il bene e il male, dai sentimenti di passione e vendetta ai temi del viaggio e della scoperta.

Partendo proprio da questa molteplicità, Moby Dick – La Balena, costruisce un percorso che accompagna il visitatore alla scoperta di un universo artistico multiforme passando dall’arte medievale a quella più contemporanea, dalla storia della navigazione all’illustrazione.

La mostra presenta grandi installazioni video, sculture, arpioni, tele, fotografie e incisioni che indagano i grandi temi di questa straordinaria opera attraverso un viaggio tra epoche storiche, punti di vista e adattamenti. Si parte dall’arte visiva, ma si approda alla musica, al cinema, alla scienza e alla biologia grazie il filtro della letteratura.

Dalla prima edizione italiana dell’opera con la celebre traduzione di Cesare Pavese alla riproduzione di una capanna della tradizione Inuit, dalla riproduzione audio dei misteriosi “canti” delle balene a preziose stampe giapponesi raffiguranti scene di caccia. E poi imbarcazioni, ornamenti con denti di balena e grandi installazioni artistiche che, con ipnotiche immagini a colori, faranno guardare l’oceano… con gli occhi di Moby Dick.

I temi della mostra si intrecceranno con la storia marinara della città di Genova e con il Santuario Internazionale dei Cetacei del Mar Ligure.

La mostra si avvale dei contributi, oltre che della rete dei Musei civici di Genova, anche di molte altre prestigiose istituzioni museali e culturali tra cui il MUCIV (Museo delle Civiltà di Roma), il Museo e Real Bosco di Capodimonte di Napoli, l’Opificio delle Pietre Dure di Firenze, la Triennale di Milano, Gallerie d’Italia di Milano e il MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto.

Chora Media produrrà un podcast di quattro puntate con interventi di musicisti, registi teatrali, attori, scrittori e gli stessi artisti presenti in mostra. I quattro episodi racconteranno uno degli aspetti del nostro rapporto con le balene: bellezza, conflitto, mito, ricerca.

I temi dell’esposizione, infine, verranno approfonditi da un ricco programma di conferenze e di laboratori educativi per famiglie e studenti, oltre a visite guidate e workshop tematici.

Ad arricchire la mostra, un’esperienza immersiva cinematografica originale in Virtual Reality ispirata a Moby Dick, a cura della società WAY Experience. L’esperienza, della durata di circa 15 minuti, ricostruisce alcune scene chiave della storia a bordo del Pequod e accompagna lo spettatore attraverso le tappe fondamentali del viaggio: la vita dell’equipaggio sulla nave, l’incontro con la Balena Bianca e il leggendario confronto finale tra Achab e Moby Dick.

Artisti in mostra

A Constructed World, Mario Airò, John Akomfrah, Elisabetta Benassi, Guy Ben-ner, Agostino Bonalumi, Dadamaino, Tacita Dean, Mark Dion, Giovanni Gariboldi, Clara Hastrup, Carsten Holler, Emilio Isgrò, Joan Jonas, Francesco Jodice, Claudia Losi, Jumana Manna, Piero Manzoni, Arturo Martini, Fausto Melotti,` Marzia Migliora, Mauro Panichella, Pino Pascali, Paola Pivi, Alberto Rosselli, Thomas Ruff, Libero Rutilo, Elena Konig Scavini, Mario Sturani, Turi Simeti, Teresa Solar, Alberto Tadiello, Wu Tsang, Janaina Tschäpe, Cosima Von Bonin, Dominique White, Ines Zenha"

https://palazzoducale.genova.it/pdf/mostra_mobydick/guida-moby-dick-it.pdf
https://www.paolamanfredi.com/eventi/moby-dick-palazzo-ducale-genova/
https://nosalpes.eu/fr/2025/11/15/moby-dick-mythe-art-et-nature-au-palais-ducal-de-genes/
https://www.artein.it/moby-dick-palazzo-ducale/

***

EPISODES

"Racconta Ismaele Ep.1 - La balena nella storia"
https://www.youtube.com/watch?v=1pF1EoCPAuE

"Dai primi uomini che la guardavano con sospetto e ammirazione, fino a quando non si è pensato che potesse essere non solo fonte di cibo, ma di soldi: ripercorriamo la storia del complicato rapporto tra uomo e balena, che oggi cerca di trovare un nuovo equilibrio."

"Racconta Ismaele Ep.2 - La balena come conflitto"
https://www.youtube.com/watch?v=hRhYxvIMTBs

"Se oggi consideriamo la balena una creatura da proteggere, è perché per tanti anni l’abbiamo considerata come un oggetto da sfruttare, smembrare, usare a nostro piacimento. Dal ponte di comando del Pequod, la balena è stata sempre sinonimo di conflitto: con lei, ma anche con noi stessi."

"Racconta Ismaele Ep.3 - La balena come mito"
https://www.youtube.com/watch?v=1uTqVcQthpI

"Achab l’ha fatta diventare la sua ossessione, trascinando i marinai con sé fino alle viscere dell’oceano. La balena è simbolo e icona ancor prima di Moby Dick. A partire dal mito di chi, come Giona, in quel ventre c’è stato. E ne è poi uscito per raccontarlo."

"Racconta Ismaele Ep.4 -La balena come ricerca"
https://www.youtube.com/watch?v=RQU0XjlisuA

"Come la nave che salpa dal porto e solca i mari, la ricerca del senso è il motore dell’essere umano. Alcune volte abbiamo provato a trovarlo pure negli abissi, tra creature così diverse da noi: alieni, sì, eppure allo stesso tempo così simili. Chissà se abbastanza da poterci entrare in contatto."]]]></description>
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<item rdf:about="https://mail.cyberneticforests.com/what-was-chatgpt/">
    <title>What Was ChatGPT?</title>
    <dc:date>2025-12-01T20:02:10+00:00</dc:date>
    <link>https://mail.cyberneticforests.com/what-was-chatgpt/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A Chatbot Optimized for Social Distance

Three years after the launch of ChatGPT, we can finally speak in hindsight about what it was and how it came to be. Its meteoric rise shocked the world, gathering more users in less time than any product launch in history. But that specific moment was unlike any other history for other reasons: namely, it was one of the deadliest years for a global pandemic mostly associated with 2020. It was a period where the use of social media had peaked, with users largely abandoning algorithms that amplified divisive content as engagement bait. 

To understand the meteoric rise and the shift in the tech industry, we should examine the context surrounding it. The collective experience of the COVID-19 pandemic has largely been erased or minimized from narratives of our political, economic and technological situation. In many ways, the collective attention, and fear, has shifted from a conversation about the embodied concerns of a contagious, murderous disease to a collective fascination and horror with the unembodied abstraction of “artificial intelligence.” 

Might the absence of social information in our lives, and the rise of a deeply politicized and hostile political environment on social media, have contributed to the collective desire for something so simple as a chat?"

Chatting Through the Window

Generative AI entered the public imagination with the 2019 release of GPT 2, with OpenAI's limited release to researchers over “misinformation concerns” foreshadowed the hype that we'd see with every model ever-after.

By the time GPT 3 was introduced in 2020, the press responded to the model with waves of fear and enthusiasm. The Verge called it “auto-complete,” but also suggested it was “the first step” toward creating artificial general intelligence, or AGI. The Facebook and SpaceX investor Delian Asparouhov called it “a race car for the mind,” comparing it to “10,000 PhDs that are willing to converse with you,” but also noted that it was, again, fundamentally auto-complete: “a context-based generative AI.”

The 2022 release of GPT 3.5 was not a revolution in language models, squeaking by with scaling improvements to the then two-year-old GPT 3. But when ChatGPT was launched on November 30, 2022, it offered a key interface tweak to GPT 3.5. By pairing GPT 3.5 with it's unreleased 'Superassistant' chat interface and training it on dialogue, OpenAI transformed a tool built for auto-completion into one that appeared to answer questions. The prompt no longer read as text to be extended, but as a message awaiting a reply—though the underlying process hadn’t changed at all. ChatGPT shifted the user’s relationship to text, moving the prompt from a 'piece of writing for the model to finish' to a 'question calling for an answer'.

OpenAI claims ChatGPT captured 100 million users in two months, making it one of the fastest software adoption stories in history. With it came a kind of breathlessness: In The New York Times, Kevin Roose referred to it as “a highly capable linguistic superbrain,” while The Guardian predicted “[p]rofessors, programmers and journalists could all be out of a job in just a few years.”

The hype cycle had begun.

In response to ChatGPT, Alphabet would fold Google Brain into DeepMind and pivot to applied research, a move designed “to ensure the bold and responsible development of general AI,” Alphabet CEO Sundar Pichai announced in a 2023 blog post. DeepMind’s lead scientist, Geoffrey Hinton, would quit two weeks later to warn the world of the risks of superintelligence. 

At Meta, the “general intelligence” fever supplanted the much-ridiculed “metaverse” strategy that had led the company to rename itself from its social media product (Facebook) just 18 months earlier. Days before ChatGPT launched, the company was forced to take down its Galactica model demo after 72 hours of generating fake scientific papers. As Alphabet announced its AI plans, Meta CEO Mark Zuckerberg would fire 10,000 employees to make room for a pivot to AI in what he called “our year of efficiency.” 

In two short months, ChatGPT had realigned the entire orientation of the tech industry. 

Imagining a Mind

The Large Language Model crammed into a chat interface transcended a successful tech launch and, in Silicon Valley, confirmed the mysticism surrounding the AI project. The interface suggests a conversation, and many imagined someone else on the other end of the line. Months before ChatGPT was launched, media reported that Blake Lamoine, a Google employee, was convinced by his conversations with Google’s internal chatbot, LaMDA, that it was capable of sentient thought. He was soon fired. 

At OpenAI, Ilya Sutskever (then OpenAI’s chief scientist) was having a similar reaction to the still-secretive GPT 4. Karen Hao, in Empire of AI, writes that before the launch of ChatGPT, Sutskever and Geoffrey Hinton discussed the imminent arrival of artificial general intelligence based on GPT 4’s performance. (Hinton has said he believes chatbots are capable of subjective experiences). 

“We now have machines that can mindlessly generate words,” linguist Emily Bender told the Washington Post at the time, “but we haven’t learned how to stop imagining a mind behind them.”

According to Hao’s reporting on OpenAI, nobody anticipated ChatGPT would become the success that it was. Their focus was on scaling up models to meet their standards of “general intelligence.” But ChatGPT’s sweep of the world suggests that these models did not need to be intelligent to find a user base, they needed to simulate a social experience. Language generated in the absence of a mind is like Diet Coke: a temporary satiation, a substitution for actual nutrition. But Diet Coke sells, and ChatGPT reached 100 million users in under two months. As of November 2025, that number sits at 800 million users per week. 

The context of those early months, the starting point of this optimization loop we've been trapped in ever since, can tell us a lot.
So Much Information That’s Missing

In November of 2022, the world was emerging from an ad hoc social experiment. Patchwork social isolation was still in effect, masking was common, and we'd had a false start on a return to normalcy that summer only to be met with a deadly Omicron wave. 2022 saw some of the deadliest days of the Covid-19 epidemic. 

There is a deep reluctance to acknowledge the radical difference between the world that went into lockdown and the world that came out of it. Tech companies became accidental infrastructure: Zoom was school, DoorDash was a grocery store, Animal Crossing was the bar and Netflix was the cinema. None of them remotely compensated for the sudden deconstruction of the social world that sustains the ongoing story we call our lives.

An oral history of the COVID-19 pandemic from 2023 in The New York Times reminds us of what the time felt like:

<blockquote>“A clinical psychologist near Union Square, reflecting on the transition to remote therapy, says: ‘I miss seeing the shadows that my patients cast onto the floor of my office. ...And I miss kind of having some sense of where they were by the smells that come in the door.’ He goes on, ‘I just feel like there’s so much information that’s missing.’ A contact tracer explains, ‘I was honestly surprised with how many people are just happy to get to talk on the phone’ — even to someone calling to alert them that they might have a deadly disease.”</blockquote>

COVID-19 was a mass traumatic event that increased symptoms of post-traumatic stress disorder across the world. In Spain, a survey found that “a quarter of the participants have reported symptoms of depression (27.5%), anxiety (26.9%) and stress (26.5%), and as the time spent in lockdown has progressed, psychological symptoms have risen.” Nearly a third of US adults showed evidence of “elevated depression” in 2022, an increase over the previous year, especially concentrated in the least wealthy.

It's possible that the chatbot is one of the lasting transformations of our social life from the pandemic. The pivot to frame Large Language Models as intelligent may just blind us to how most users really see them: as social. 

Chatbots as Social Media Substitute

Increased social media and forum posting is understood as a compensatory behavior among those who feel lonely or depressed. Other studies have confirmed that talking to chatbots makes us feel better, albeit temporarily, about negative emotions: they can provide “virtual social interactions” and simulate “a level of empathetic responsiveness” which, through a lower risk of rejection and judgment, can feel safer than taking risks with real people. 

A recent survey has shown that nine percent of LLM users reported using them for “casual conversation and companionship,” while 25% said their chatbot “cheers them up” and 22% say the models seems to express empathy. A Washington Post review of leaked ChatGPT chats found that “10 percent of the chats appear to show people talking to the chatbot about their emotions,” though the data they analyzed was limited to publicly shared conversations. If these statistics held up, however, that would mean 72 million people use ChatGPT for social interaction and 200 million for emotional comfort (“cheering up”). 

This matters, because the design of Large Language Models operates as a feedback loop with the user base. Every word a commercial LLM selects is influenced by a calibration process, where responses are tuned to human feedback. Because of the scale of use cases and the interconnected nature of these models, tuning responses to fit one kind of conversation style ("helpful assistant") has ripple effects throughout the model.

But what are we tuning to? Models become optimized to better perform at what people already use them for. Interactions its users desire and engage in become more desirable, causing users to engage more, creating more interactions from which to optimize. 

What if ChatGPT came just six years before, into a different social context? Would it be optimized to different use cases? We shouldn't overstate the pandemic as the sole factor of how AI has come to be defined, but we shouldn't ignore it, either. ChatGPT may have changed the world, but the world had already changed. Companies took what we needed most at that historic moment and optimized machines to give it to us, kicking off a feedback loop that continues to define it.

It seems people want to talk to someone, and yet, to be alone. Here's a recent ad for Amazon's Alexa, revealing how these machines are optimized, and sold, for social distance. 

What Was ChatGPT?

What was ChatGPT? Perhaps it was a side effect of the coronavirus: a technology that emerged against an ongoing denial of collective trauma, adapted to a historic moment in ways that persist beyond it. ChatGPT came into a world where proximity to others was correlated with the risk of death, as online connection was besieged by hostile political polarization, when everything was unmoored in ways no language could capture. It emerged at a time when loneliness felt essential to survival. 

What captured our imaginations during that time, in response to the failure of language to describe our experiences, was ChatGPT. With no inner life, ChatGPT could relentlessly pave over the failure of words to describe our own anxieties. Its bursts of conversational text matched the limits of anxious attention spans. It shifted when we got bored, and we owed it no apologies. It agreed with any position we took. In our lapses of executive function, it could create a plausible bare minimum checklist for us to get through the day.

With the rising volume of slop — or buttons to conjure it — painted over every digital surface, I'm reminded of my own pandemic coping strategy: blasting music to drown out the silence. ChatGPT is a stereo turned to the max of language: full of distortion, but clarity is not the point. The point is to create a little space where we don't need to think."]]></description>
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<item rdf:about="https://www.noemamag.com/the-moral-authority-of-animals/">
    <title>The Moral Authority Of Animals - NOEMA</title>
    <dc:date>2025-11-25T16:49:51+00:00</dc:date>
    <link>https://www.noemamag.com/the-moral-authority-of-animals/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["For millennia before we showed up on the scene, social animals — those living in societies and cooperating for survival — had been creating cultures imbued with ethics."]]></description>
<dc:subject>2025 jaygriffiths philosophy ethics multispecies morethanhuman animals social society culture fransdewaal sarahbrosnan marcbekoff coyotes dogs honesty justice fairness morality behavior chimpanzees indigeneity indigenous templegrandin biomimicry wolves ojibwe anishinaabe firstnations skybear cree chisasibicree caribou petermiles politics rolemodels democracy thomasseeley birds anthropomorphism babboons mongooses kinship human humans modernity wildness wildlife conscience humor language friendship spirituality art mother-love home capitalism genocide ecocide worldview enlightenment socialmedicine paulzak goodness cats mentalhealth morals health canids primates grooming</dc:subject>
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<item rdf:about="https://www.pnas.org/doi/10.1073/pnas.1404212111">
    <title>Embers of society: Firelight talk among the Ju/’hoansi Bushmen | PNAS</title>
    <dc:date>2025-11-17T19:11:49+00:00</dc:date>
    <link>https://www.pnas.org/doi/10.1073/pnas.1404212111</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Significance
Control of fire and the capacity for cooking led to major anatomical and residential changes for early humans, starting more than a million years ago. However, little is known about what transpired when the day was extended by firelight. Data from the Ju/’hoan hunter-gatherers of southern Africa show major differences between day and night talk. Day talk centered on practicalities and sanctioning gossip; firelit activities centered on conversations that evoked the imagination, helped people remember and understand others in their external networks, healed rifts of the day, and conveyed information about cultural institutions that generate regularity of behavior and corresponding trust. Appetites for firelit settings for intimate conversations and for evening stories remain with us today.

Abstract
Much attention has been focused on control of fire in human evolution and the impact of cooking on anatomy, social, and residential arrangements. However, little is known about what transpired when firelight extended the day, creating effective time for social activities that did not conflict with productive time for subsistence activities. Comparison of 174 day and nighttime conversations among the Ju/’hoan (!Kung) Bushmen of southern Africa, supplemented by 68 translated texts, suggests that day talk centers on economic matters and gossip to regulate social relations. Night activities steer away from tensions of the day to singing, dancing, religious ceremonies, and enthralling stories, often about known people. Such stories describe the workings of entire institutions in a small-scale society with little formal teaching. Night talk plays an important role in evoking higher orders of theory of mind via the imagination, conveying attributes of people in broad networks (virtual communities), and transmitting the “big picture” of cultural institutions that generate regularity of behavior, cooperation, and trust at the regional level. Findings from the Ju/’hoan are compared with other hunter-gatherer societies and related to the widespread human use of firelight for intimate conversation and our appetite for evening stories. The question is raised as to what happens when economically unproductive firelit time is turned to productive time by artificial lighting."

[via:
https://social.ayjay.org/2025/11/17/from-a-anthropological-study-by.html ]]]></description>
<dc:subject>anthropology light fire 2014 pollywiessner african firelight behavior humans sotrytelling imagination creativity evolution gossip culture trust anatomy social hunter-gatherers society</dc:subject>
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</item>
<item rdf:about="https://2ndbreakfast.audreywatters.com/ai-grief-observed/">
    <title>AI Grief Observed</title>
    <dc:date>2025-11-13T04:53:10+00:00</dc:date>
    <link>https://2ndbreakfast.audreywatters.com/ai-grief-observed/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["These remarks were delivered this evening at the Creatively Critical Tech Speaker Series at Illinois State University. 

---

"There is no good way to say this."

These are the opening words of Yiyun Li’s latest book Things in Nature Only Grow about life after the death by suicide of both of her sons.

"There is no good way to say this." My heart goes out to you if you too have had this sentence spoken to you. "There is no good way to say this" is a sentence always followed by very bad news.

(It is, I recognize, an unsurprising way to start a talk by yours truly, someone who has made a career out of describing education technology as very bad news. "There is no good way to say this." It's also an admission on my part that what I want to talk about tonight are thoughts that are quite tentative, quite tender. My husband asked me, "is it a good talk?" And I had to say, "I don't know!")

Let me read the first few paragraphs of Li's memoir, more than just that first sentence, in part because it is a radical radical book on death and endurance and acceptance (and typically, I think, we see "acceptance" as the antithesis of "radical." As complacence, as surrender).

> There is no good way to say this — when the police arrive, they inevitably preface the bad news with that sentence, as though their presence had not been ominous enough. The first time I heard the line, I knew already what was about to be conveyed. Nevertheless, I paid attention to how the news was delivered: the detective insisted that I take a seat first. I sat down at the dinner table, and he moved another chair to the right distance and sat down himself. No doubt he was following protocol, and yet the sentence — there is no good way to say this — struck me as both accurate and effective. It must be a sentence that, though nearly a cliché, is not often used in daily conversation; its precision has stayed with me.

> The second time, having guessed the news about to be delivered, I did not give the sentence a moment’s thought. I did not wait for the detective to ask me to sit down, either. I indicated a chair where my husband should sit and took the other chair in the living room. My heart already began to feel that sensation for which there is no name. Call it aching, call it wrenching, call it shattering, but they are all wrong words, useless in their familiarity. This time, the four policemen all stood.”

"There is no good way to say this." There is no easy way to talk about this. There are acceptable words, I suppose, but they are never "good," never remotely satisfying or comforting -- not to say, not to hear.

By "this," I mean death obviously. By "this," I also mean other traumas, other endings. By "this," I mean what might feel like or look like the end of education – an end not spoken about with the solemnity of the policemen but rather with a real jubilation from technologists and venture capitalists, who gloat about disruption.

I want to start here – by “here,” I mean the recognition that there is no good way to talk about death, no good way to talk about grief, even though I am going to try very hard to do so: to talk about grief – mine, yours, students’, teachers' – and tie it to “artificial intelligence.” I want to talk about grief and “the end." I want to talk about the end of the world – I don't, really; I want to talk about what feels like the end of the world and what might be, should we continue to build data centers, invest in this rapacious technology, and ignore climate change, literally the end of the world; I want to talk about the destruction of the future (our own, our children's), about the end of democracy, the end of education.

I want to talk about loss. A loss that is, perhaps, an abandonment. Perhaps an abdication. An absence. An erasure. A trauma. Death, mass death -- literal and metaphorical.

“There is no good way to say this.” I have read a lot of memoirs about dying and about grieving. Joan Didion’s The Year of Magical Thinking, of course. Geraldine Brooks’ Memorial Days. C. S. Lewis’s A Grief Observed (a phrase I’ve borrowed for the title of this talk). Michelle Zauner’s Crying in H Mart. Helen Macdonald’s H is for Hawk. I could go on and list so many wonderful, painful books. And yet, despite some of the greatest writers having tried, “there is no good way to say this” -- I know this. I know this intimately. Yet I still search for some good words to have been said, to have been written. Words to comfort. Words to find meaning. Words to make sense. Words to not feel so utterly alone, at the abyss abyssmal, because those we love most have left us, and the future we thought we would share is gone too.

“There is no good way to say this," the police told Yiyun Li. I don’t think that the coroner said those exact words to me, although he might have, when, in May 2020, I received the phone call that my own son had died. I do not remember the words, but I remember the feeling. Everything tilting and spinning and spiraling down. The blood drains, your stomach sinks. All words and feelings of such profound, indescribable, unspeakable loss.

May 2020 was, if you’ll recall, the early days, the early weeks of the COVID lockdown. I was in Oakland, California; Isaiah was in Seattle, Washington. He died alone in his apartment of an opioid overdose.

A few weeks later, OpenAI released GPT-3.

Our tools are cultural not merely technological, so while many people want to frame the emergence of generative AI as simply the latest development in the long history of computers, of artificial intelligence -- transformers, neural networks, tokens, and so on -- we have to remember that what emerges is not just a matter of engineering. It's a matter of markets and politics and ideology and culture.

I think it matters that GPT was released during the COVID pandemic (and ChatGPT shortly "after"), when many of us were stuck at home, isolated and interacting with one another almost entirely through screens.

I think it matters that all this talk about the potential for "AI" to do our jobs comes after labor made some important (albeit tentative) gains during this period: the whole notion of "essential worker"; the successful push for unionization in some sectors; the astonishment from many parents after trying to facilitate their own children's schooling -- all those “teachers should be paid hundreds of thousands of dollars a year” posts on social media; demands during and after the pandemic to continue to work from home, to have more control over space and place and time. AI is a backlash. AI is anti-worker.

I always feel the need to remind people that neither robots nor AI are coming for our jobs. But management probably is.

I think it matters that this latest AI push, with generative AI's penchant for “bullshit,” follows on the heels of growing mis- and disinformation campaigns online. This was precisely the realization many people had come to after Donald Trump's first election as President and during his first term in office. And this was precisely what LLMs have been trained upon.

I think it matters that the technology industry relies on deception and obfuscation and markets its new bullshit machines right as the leaders of this country have openly embraced being liars, cheats, and frauds, have openly rejected knowledge and expertise.

I think it matters that as we have lost faith in institutions over the course of the past few decades -- in the church, in the media, in schools, in science, in medicine (particularly in public health and in vaccines) -- that we are now promised an oracle that can deliver instant and easy answers.

I think it matters that AI -- so utterly opaque in its algorithmic predictions and decision-making -- is the ultimate unaccountability machine.

We expect more from technology than we do from each other, the psychologist Sherry Turkle wrote in her book Alone Together in 2011. I think it matters that trust and solidarity have been eroded for a while now (if they ever really existed or were encouraged in this country).

I think it matters that economic inequality has in the last few decades exploded, that the promises to students in particular – get good grades and you'll get into a good school, graduate from a good school and you'll get a good job – feel pretty empty.

AI is a "normal technology," the artificial intelligence professors Arvind Narayanan and Sayash Kapoor (authors of AI Snake Oil) have argued. But what we have come to see as "normal" is, in fact, utterly abhorrent, abysmal. Yiyun Li writes a lot in her book on learning to inhabit the abyss of grief. What does it mean to normalize the abyss?

AI is the symptom of a broken world. AI is the symptom; and AI is the disease.

Generative AI emerged during a global pandemic -- a global trauma of mass death (1.2 million people in the US died of COVID, and about 7 million globally -- these are, no doubt, figures that undercount how many actually died of the disease, let alone those like my son who died during that time period of other causes -- overdoses, suicide, murder, and deaths related and unrelated to the pandemic).

Mass trauma, mass death and, as such, mass grieving. But it was, at the time and still to this day, a grief interrupted, a grief buried, a grief denied, a grief (contrary to C. S. Lewis's phrasing) unobserved. We were often not able to bury our dead, not able to hold funerals, not able to have wakes, not able to observe the rituals of death, not able to gather, to bring food, to hold and comfort one another.

And when we were told the pandemic was over -- it hasn't really ended; the World Health Organization says there were around 150,000 cases of COVID reported in the last month -- we didn't deal with our trauma. We didn't deal with our grief. We were supposed to bury our feelings; we were supposed to forget. It was back-to-school, back to work, back to "normal."

Or some “new normal,” now with AI – a technology that we didn't want, that we didn't ask for, and that we're told we cannot refuse.

Of course, that's not quite right. We can refuse.

One more correction: there was, in fact, a massive demonstration of grief – an outpouring of grieving in public – during COVID; and that was the Black Lives Matter movement, the protests that occurred in cities throughout the country particularly after the murder of George Floyd. This grief was not private or hidden; it was collective. This grief was not just personal, expressed by those impacted directly by racism and police violence; it demanded from protestors and onlookers, empathy, solidarity. This grief was expressive – even as we are always told with protest, as with grief, that that is not the “good way” to say it. The grief of Floyd’s death – and all the deaths – was not sufficient. It was not simply a marker or memorial of death; but it was an act of life, an act of repair. It was a demonstration of love and loss and fury; it was a commitment to the future.

And again, technology is cultural, ideological not simply technological.

It matters that generative AI emerged with or alongside -- you can decide the preposition you prefer -- a politics that is openly hostile to Black Lives Matter, that opposes diversity, equity, and inclusion. It matters that Silicon Valley companies were among the first to backtrack on their DEI initiatives, were happy to stand with Donald Trump when he proclaimed that AI needed to be purged of "ideological biases," purged of "woke."

Generative AI is, with or without Trump's executive orders, a backlash to diversity, equity, and inclusion, a reinscription of the words and images of white supremacist, heteronormative, Western, English-speaking capitalist patriarchy. That is the corpus that large language models have been trained on -- "the canon" (with all the copyright violations that that has entailed) as well as "the Internet" (thousands and thousands and thousands and thousands of YouTube videos and YouTube comments and Reddit posts and -- with apologies to anyone this might include here this evening -- lots of very mediocre freshmen essays on the theme of family in Romeo & Juliet or the role of "states' rights" in the US Civil War).

In response to a radical outpouring of love, loss, life, grief -- expressed together, embodied, on the streets -- we were presented with, forced to use in so many cases, a technology that severs us from creative expression, dignity, and truth. There is no choice, we're told. "Get over it." "Move on."

One of the problems with grief, as Yiyun Li argues in her memoir, is that it's been described as a set of stages one moves through, as something that has a beginning and, significantly, an end. You will eventually, people try to tell you, "get over it." This is Elizabeth Kubler-Ross's famous formulation: grief as a series of emotions that move from denial to anger, then bargaining, then depression, and finally acceptance. And even if we might've revised this progression somewhat since she published her book On Death and Dying in 1969, society still gives mourners (and not just as workers) a very limited amount of time "to deal with it" before they're expected to "move on."

“There is no rush,” Yi writes, “as I will have every single day, for the rest of my life, to think about Vincent and James, outside time, outside the many activities of everyday life.”

> And this, among other reasons, is why I am against the word “grief,” which in contemporary culture seems to indicate a process that has an end point: the sooner you get there, the sooner you prove yourself to be a good sport at living, and the less awkward people around you will feel. Sometimes people ask me where I am in the grieving process, and I wonder whether they understand anything at all about losing someone. How lonely the dead would feel, if the living were to stand up from death’s shadow, clap their hands, dust their pants, and say to themselves and to the world, I am done with my grieving; from this point on it’s life as usual, business as usual.

> I don’t want an end point to my sorrow. The death of a child is not a heat wave or a snowstorm, nor an obstacle race to rush through and win, nor an acute or chronic illness to recover from. What is grief but a word, a shortcut, a simplification of something much larger than that word?

Of course, we like thinking of things in stages. We like the order, we like to frame our world, our understanding of time this way -- in hours and days and seasons. We ritualize these -- indeed, that is one of the reasons why our inability to conduct the traditional practices associated with death and dying made our grief during COVID even more unbearable. Without rites and rituals, you cannot “move on.” You cannot grow or shift or change. You are stuck in the past. You are stuck.

The anthropologist Victor Turner used the term “liminality” to describe the one of the key phases of rites of passage, those rituals that mark transition – not just transition into the “afterlife,” for example, but transition into adulthood or into marriage or into society. This liminal phase, as he called it, was “betwixt and between” – a period where you are in the process of becoming something new, but you’re not that new person yet, nor are you the person you were any longer. Liminality, Turner argued, was a sort of limbo – but in that limbo, something really transformational happens – something radical even in the most conservative and traditional ritual practices. Liminality is a time – and to be fair, this can be a very very very brief moment, depending on the rite of passage – of solidarity and equality and unity. Protests, for example, are liminal spaces.

Education, I’d argue, also has elements of this liminality. It is a rite of passage, a ritual of becoming – you enter a child, a “fresh man” and you leave an adult. We have retained some older parts of these rituals – the cap and gown obviously, moving the tassel from one side of your head to the other. But there's more to it than just these practices. You have to believe, I’d argue, in that transformation to be able to commit yourself to the time, to the work. (Socially, culturally, politically, we have to believe it is worthwhile to send children to school, to send them to college.)

But much to the detriment of learning, let alone to the survival of educational institutions, we have seen education redefined as something else -- as a product, not a process. As certification, not transformation. The liminality has been shattered; instead of ritual, society has demanded “outcomes” and “optimization.”

I don’t say any of this out of nostalgia for a once-upon-a-time when college was good. Educational institutions -- whether at the K-12 or the university level -- have always always been deeply flawed, highly exclusionary, full of all sorts of machineries of bullshit. These are, as Michel Foucault reminded us, sites of discipline -- disciplining bodies and minds.

But by dismantling educational institutions -- and AI is really just the latest act in a long long history of dismantling -- we are also dismantling that space for shared practice and purpose, for shared understanding -- “communitas,” Turner called it.

The technology industry -- indeed, capitalism -- prefers “individualization” and “immediacy.” Certainly, it pays lip service to "community" -- Mark Zuckerberg's blah blah blah about Facebook connecting the world. When Google says it wants to organize the world's information and make it "useful," this is a very different mission than the university's. The tech industry's allegiance is to surveillance capitalism, to profit and power, not to knowledge and certainly not to people.

What we are experiencing now -- with AI, with the defunding of public education and public research, with deportations and surveillance -- is more trauma, more loss, more grief. There is no silver lining here, as Yiyun Li reminds us, as much as that's offered as some tepid consolation.

Grief, to reiterate, involves a loss of identity, a loss of the future -- how we imagined things would be, who we imagined we'd become. And there is no good way to say this: it will get worse. And grief doesn't get any easier -- not with the passage of time, not with the number of times one experiences it.

There is no good way to say this. And yet we must always try.

I can only say this, and it's not good, it's not sufficient. It's not really a satisfying way to wrap up this talk. But here we go...

Grief is an expression of love. We grieve because we love, and that love does not end with death. I grieve for my son. I will grieve forever. I grieve for the future we will not share.

When I talk to teachers and students alike, I hear such grief as well: grief about what AI threatens to do education, what it's already done to the work of teaching and the work of learning, the work of research and reading and writing.

We grieve because we love. We grieve because we care. We grieve because we know that the machines do not, and that the community we try to foster -- on campus, in the classroom, in our scholarly works -- is threatened with erasure. We grieve because we fear forgetting; we worry that people will forget what is beautiful and what is difficult and what is joyous and what is horrible about education. We worry that, if we do not grieve, we give up the struggle to go on, to persevere, to live.

But we do not, we should not grieve alone. We should not be made to feel alone, feel crazed by our grief, feel crazed for grieving. We can, we should grieve together, grieve in public, grieve in protest. Such is comfort – "com" + "fort," a word that means "with" + "strength."

Technologies are often wielded in ways meant to imply that humans are weak, messy, slow, stupid, replaceable.

We are strong, messy, awkward, flawed, irreplaceable. All of us.

Our strength comes, in part, from this vulnerability, from our humanity. Together in the flesh. Not isolated, individualized thru some algorithm. We cannot allow systems and practices and machinery to foreclose this humanity, to automate the decisions, the expressions, the explorations that we turn to and that we struggle with in education, in this imperfect but liminal space of learning.

"There is no good way to say this" but to say this: AI is the antithesis of education. It is the antithesis of the future. As such, it is a kind of epistemological death, and I recognize -- thanks to capitalism and neoliberalism and imperialism and racism -- we have long been surrounded by such efforts; we are grieving already. And yet, we go on.

One final note that I think I'd be remiss not to state, even though there is no good way, or rather no polite way to say this:

Some men (and I do mean mostly men) would rather spend trillions of dollars on an idea that is financially, technologically, morally, and environmentally unsustainable, they’d rather destroy democracy and destroy education and destroy the planet than just get therapy.

Thank you."]]></description>
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<item rdf:about="https://daily.jstor.org/on-the-meaning-and-value-of-public-spaces/">
    <title>On the Meaning and Value of Public Spaces - JSTOR Daily</title>
    <dc:date>2025-11-12T06:23:41+00:00</dc:date>
    <link>https://daily.jstor.org/on-the-meaning-and-value-of-public-spaces/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What is public space? How is it produced, and why is that production important for our social and political lives?"

[See also:

"Perspectives on Public Space: A Reading List

This list introduces some of the main debates about public space, from park politics to political protest, public expressions of sexuality to safety and security."
https://daily.jstor.org/perspectives-on-public-space-a-reading-list/ 

Full series here:
https://daily.jstor.org/series/perspectives-on-public-space/ ]]]></description>
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</item>
<item rdf:about="https://www.theatlantic.com/magazine/2025/12/ai-companionship-anti-social-media/684596/">
    <title>AI Is Not Your Friend - The Atlantic</title>
    <dc:date>2025-11-11T06:13:13+00:00</dc:date>
    <link>https://www.theatlantic.com/magazine/2025/12/ai-companionship-anti-social-media/684596/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The social-media era is over. What’s coming will be much worse."]]></description>
<dc:subject>socialmedia damonberes 2025 internet web online ai artificialintelligence chatbots meta markzuckerberg dehumanization social society friendship socialization</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:fbb039a9a491/</dc:identifier>
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</item>
<item rdf:about="https://placesjournal.org/article/extralibrary-loan-making-civic-infrastructure/">
    <title>Extralibrary Loan: Making the Civic Infrastructure We Need</title>
    <dc:date>2025-11-02T20:52:41+00:00</dc:date>
    <link>https://placesjournal.org/article/extralibrary-loan-making-civic-infrastructure/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Amid a war on public knowledge, libraries are pushing outward, enlarging the commons through new configurations of civic and creative life."

...

"We don’t need fancy, new buildings to create civic synergies or build community news networks. But thinking spatially and programmatically can help us imagine what’s possible, which partners should be invited in, how the logistics of sharing are structured, what spaces of exception and refuge will be carved out. We should think, too, about topologies of fortification: how these allied institutions and partnered programs can be more deeply rooted in their communities, and, through their entanglement and embeddedness, less vulnerable to isolated attack. Banding together, they demonstrate the value of civic adjacencies. And scaling up — to an urban or regional-logistical scale — they form new networks of solidarity: improvisatory extra-institutional loans, systems of sharing, fugitive infrastructures, shadow libraries, joint trusts, collective practices of hope, expansive undercommons necessary in this dark era."]]></description>
<dc:subject>shannonmattern 2025 libraries journalism place infrastructure civics creativity knowledge publicknowledge kellyjensen bookriot lukesutherland susanorlean heatherchaplin us jousrnalism whatsapp information social terryparrisjr maga ala librarians hannawiemer donaldtrump socialarchitecture everylibrary wisdom resources politics media newdeal forums johnstudebaker wpa makewith kateharlow mediaecosystems hanifabdurraqib engagement privacy integrity sustainability surveillance extraction distraction monetization collections ai artificialintelligence inevitability solidarity bannedbooks newsrooms mediacommons commons katherinevictoriacoffield seattle sandiego nyc brooklyn ballard missoula montana museums nypl undercommons collectives mutualaid resistance refusal trusts</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:dba7ad9f651c/</dc:identifier>
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</item>
<item rdf:about="https://jacobin.com/2025/10/solo-dining-communal-meals-us">
    <title>Americans Are Abandoning the Communal Meal</title>
    <dc:date>2025-10-30T19:49:57+00:00</dc:date>
    <link>https://jacobin.com/2025/10/solo-dining-communal-meals-us</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Consuming food all by oneself is an anomaly in the history of human civilization, a deviation from millennia of tradition. And more and more Americans are doing it."]]></description>
<dc:subject>2025 meaganday meals social tradition civilization society isolation us conviviality davidriesman bowlingalone robertputnam bryceevans uk breakingbread silviorodríguez antonemartinho-truswell</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d5d3573a64f0/</dc:identifier>
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<item rdf:about="https://arxiv.org/abs/2510.01395">
    <title>[2510.01395] Sycophantic AI Decreases Prosocial Intentions and Promotes Dependence</title>
    <dc:date>2025-10-26T22:07:09+00:00</dc:date>
    <link>https://arxiv.org/abs/2510.01395</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Both the general public and academic communities have raised concerns about sycophancy, the phenomenon of artificial intelligence (AI) excessively agreeing with or flattering users. Yet, beyond isolated media reports of severe consequences, like reinforcing delusions, little is known about the extent of sycophancy or how it affects people who use AI. Here we show the pervasiveness and harmful impacts of sycophancy when people seek advice from AI. First, across 11 state-of-the-art AI models, we find that models are highly sycophantic: they affirm users' actions 50% more than humans do, and they do so even in cases where user queries mention manipulation, deception, or other relational harms. Second, in two preregistered experiments (N = 1604), including a live-interaction study where participants discuss a real interpersonal conflict from their life, we find that interaction with sycophantic AI models significantly reduced participants' willingness to take actions to repair interpersonal conflict, while increasing their conviction of being in the right. However, participants rated sycophantic responses as higher quality, trusted the sycophantic AI model more, and were more willing to use it again. This suggests that people are drawn to AI that unquestioningly validate, even as that validation risks eroding their judgment and reducing their inclination toward prosocial behavior. These preferences create perverse incentives both for people to increasingly rely on sycophantic AI models and for AI model training to favor sycophancy. Our findings highlight the necessity of explicitly addressing this incentive structure to mitigate the widespread risks of AI sycophancy."]]></description>
<dc:subject>ai artificialintelligence sycophancy behavior myracheng cinoolee pranavkhadpe suunyyu dyllanhan danjurafsky society flattery manipulation deception harm relationships social</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:bca066241017/</dc:identifier>
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</item>
<item rdf:about="https://thebaffler.com/latest/high-agency-individuals-vincent">
    <title>High-Agency Individuals | James Vincent</title>
    <dc:date>2025-10-21T04:02:43+00:00</dc:date>
    <link>https://thebaffler.com/latest/high-agency-individuals-vincent</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>jamesvincent 2025 ageny buzzwords optimization efficiency business ai artificialintelligence employment government governance elonmusk technology bigtech statistics anthonybourdain agenct luigimangione culture society hype ralphwaldoemerson michelfoucault foucault epictetus entrepreneurship entrepreneurialism individualism work workers labor ianhacking siliconvalley maxread techright rightwing farrright nerdreich reactionaries neoreactionaries dictatorship nvidia amd us china danwang neoliberalism empathy social morality dostoevsky</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ea698eac0920/</dc:identifier>
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<item rdf:about="https://chrismarino.substack.com/p/the-death-of-the-cool">
    <title>“THE DEATH OF THE COOL” - by Chris Marino</title>
    <dc:date>2025-10-19T22:14:14+00:00</dc:date>
    <link>https://chrismarino.substack.com/p/the-death-of-the-cool</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Theory of the Networked Individual #3

This is the third essay in a series on digital identity, culture, and social life. The first part takes up an essay by art critic Sean Tatol. The second part examines a play by playwright Matt Gasda. The third part, the heart of the essay, develops an account of digital experience and identity, which culminates in the ‘death of the cool’. Thank you sincerely for reading."

[See also:

"THEORY OF THE NETWORKED INDIVIDUAL #1
The private, the social, the public, the transcendent"
https://chrismarino.substack.com/p/theory-of-the-networked-individual 

"THEORY OF THE NETWORKED INDIVIDUAL #2
An inquiry into the origins of this ‘type’"
https://chrismarino.substack.com/p/theory-of-the-networked-individual-f33 ]

"The cool as a cultural logic does not easily coexist with digital technology, for it emerges out of a dialectic of privacy and social immersion largely incompatible with digital experience. The cool is the product of neither the isolated individual (that would be sincerity, or outsider art) nor social convention (that would be tradition, or just banal imitation), but of the dynamic movement between these two poles. It is on the one hand outwardly attuned, involving a calculated, intentional performance before an audience, one informed by detailed knowledge of prevailing styles, ideas, and sounds. But it comes on the other hand out of the experience of inwardness – of solitary hours, in one’s studio or at one’s desk, in daydreams and soliloquies and private mirror poses. Cool entails a persona, a meticulously cultivated look and attitude, but such approval-seeking must be tempered by the appearance of self-involved immersion in one’s activity: playing music, making art, even walking down the street. Such attentiveness and responsiveness to the ‘now’, in efforts to belong, distinguish oneself, and create the ‘next’, give the cool its qualities of timeliness and relevance. The digital, however, disrupts this dialectic of self and society by weakening each of these poles, and offering instead an experience suspended hazily between them. The home is colonized by infinite conduits of information and engagement, which shift the mind away from one’s body, thoughts, and immediate environment, and into the happenings and opinions of the outside world. At the same time, social situations are transformed by the presence of pocket-sized networked screens, which act as escape valves for interpersonal energy, directing drive out into cyberspace instead of concentrating it in the crowded rooms constitutive of subcultures. As attention in all contexts becomes diffused across real and virtual spaces, the experience of ‘presence’ becomes increasingly rare, and the faculties for both private imagination and responsive social performance steadily atrophy. With these developments comes the death of the cool."]]></description>
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<item rdf:about="https://pablohelguera.substack.com/p/primordial-place">
    <title>Primordial Place - Beautiful Eccentrics</title>
    <dc:date>2025-10-18T06:38:17+00:00</dc:date>
    <link>https://pablohelguera.substack.com/p/primordial-place</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The term “Third Place,” coined in 1989 by sociologist Ray Oldenburg to describe a space that is neither home nor work but somewhere in between, offering a balance of comfort and structure conducive to social life, sparked what might be called a small terminological movement. Once it entered mainstream use, others sought to expand his framework with further categories in later decades: the “Fourth Place” of hybrid, co-working environments of the 2010s—spaces emblematic of the Creative Economy mindset, where physical presence blends with digital connection; and, later, the “Fifth Place,” which emerged from the 2020 pandemic, when Zoom and other platforms normalized virtuality as a social space.

Yet none of these terms quite capture the space I have long intuited. It is not predominantly social, though it may not be entirely private; it is a space of safety and freedom, though not necessarily a fortress; it is accessible, but not woven into daily routine. I call it the primordial place—a sanctuary that precedes, rather than follows, the others.

The primordial place differs from home in that it is not the site of daily dwelling, nor the stage for routine activities such as cooking, sleeping, or cleaning. Instead, it is defined by the sense of safety and freedom it affords—a quality that makes it, to a certain extent, a sanctuary. The word sanctuary, whose recent political usage has revived its resonance, derives from the Medieval French sanctuaire, originally referring to church spaces where fugitives were shielded from arrest. The kind of immunity offered by the primordial place, however, is not legal but temporal: it frees us from the demands of time. Existing in a broader, atemporal dimension, it is precisely this suspension of time that enables us to perceive the past with greater clarity and to ground our identities in relation to it.

The primordial place is also different from the workspace in that it is not meant for the daily toil; while it is a place where work can happen, the work produced there is done not as employment but as a personal labor of love and the creative freedom this pursuit brings.

A close historical analogue may be the Renaissance studiolo: a small chamber devoted to study and reflection. Over time, the studiolo evolved into a proto-Wunderkammer, where collections of objects reflected the preoccupations of their owner. In its intimacy and freedom from the pressures of daily life, and also in how the environment served as a portrait of the owner, it functioned much like the primordial place.

Perhaps this is why museums hold such appeal: instinctively, we seek their hidden corners and hushed chambers, those spaces where we can slip into private communion. When I worked at the Art Institute of Chicago, I often gravitated during lunch breaks to the least frequented galleries: the muted medieval rooms, Tadao Ando’s darkened chamber of Japanese screens, the Thorne Miniature Rooms with their dollhouse-scale visions of history. Though public, these spaces created moments of seclusion, briefly allowing one to feel like their rightful custodian.

The primordial place is not reducible to solitude, however. It is a crucible of reflection, where safety enables generativity. Its meaning lies in a constellation of ideas: Gaston Bachelard’s phenomenology of intimate enclosures; Virginia Woolf’s demand for a room of one’s own; bell hooks’s “homeplace” as a site of resistance; and Donald Winnicott’s concept of the “holding environment,” the psychic and physical safety that allows the self to emerge. At their intersection lies the primordial place: private yet porous, protective yet expansive.

It is marked by inviolability and symbolic density. Even in public settings, one can conjure its presence—a fleeting fantasy that an entire gallery belongs only to oneself. Its threshold quality transforms the ordinary into the extraordinary. Memory deepens here, layering itself into meaning and allowing thought to unfurl with unusual clarity.

For me, the primordial place takes concrete form in my mother’s apartment in Arlington Heights, Illinois. It is, in its way, a family museum: two-hundred-year-old books, paintings, photographs, decorative objects I have known since childhood. Each fragment—the shoehorn my father once used, a hotel matchbox, a tiny plasticine witch sculpted by my aunt—may appear trivial to others, yet for me they shimmer with meaning. They awaken me, and I awaken them. Time softens and stretches, anchoring me in the past while opening new possibilities for thought.

The pricelessness of primordial spaces lies, in part, in their fragility. We often carry the awareness that the places where we find communion will not last forever: one day their elements will disperse and vanish. Perhaps for that reason, we instinctively search for other sites that might fulfill a similar role. I was reminded of this when visiting the Lingyin Buddhist temple in Hangzhou this year—an 8th-century complex that has been burned down and rebuilt many times across its history. In Zen thought, material loss does not equate to spiritual loss; rebuilding becomes an affirmation rather than a denial. Likewise, as we grow older, we begin to seek surrogate primordial places, spaces that might compensate for, or gently replace, the ones we have lost.

In recent years, we have all been contending with the encroaching dehumanization of technology: the collapse of public and private boundaries, the overstimulation of digital life, the surveillance of our every move. Under these pressures, our singularity erodes, dissolving into a bland, indistinct whole. Against this tide, the primordial place—whether real or imagined—becomes indispensable. It is what allows us to retain a sense of who we are. Yet it is rapidly disappearing, and with it vanishes the ground of selfhood.

Marcus Aurelius, in his Meditations (IV.3), wrote: “People seek retreats for themselves, in the country, by the sea, or in the mountains. You are very much in the habit of yearning for these same things. But all this is entirely unphilosophical, when it is possible for you to retreat into yourself at any hour you wish. Nowhere can a person find a more peaceful and untroubled retreat than in their own soul.” His words illuminate what I have come to recognize: that the primordial place is not only an external sanctuary, but also an inward one.

This is why I find it essential, every few months, to return to such a place. It serves as both a home base and a vantage point—a mountain lookout from which I can glimpse my life at twenty thousand feet, perceiving its contours with clarity and equanimity. It is there, in that sanctuary of retreat, that I can reclaim the privacy, safety, and perspective needed to live meaningfully in a world intent on eroding them. It is there that I return, again and again, to the primordial place."]]></description>
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<item rdf:about="https://pablohelguera.substack.com/p/partita-for-ghost-ladder-and-insect">
    <title>Partita for Ghost Ladder and Insect Eyes</title>
    <dc:date>2025-10-18T05:48:48+00:00</dc:date>
    <link>https://pablohelguera.substack.com/p/partita-for-ghost-ladder-and-insect</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Using artistic means for non-artistic ends."

...

"A

In 2005, I was invited by the members of the Mexican collective Laboratorio 060 (then composed of Javier Toscano, Daniela Wolf, Lourdes Morales, and Gabriella Gómez-Mont) to participate in a site-specific project that brought together international artists and the community of Frontera Corozal, Chiapas — a small town on the border between Mexico and Guatemala, along the Usumacinta River, deep in the Lacandon jungle.

B

I often think of the late Marjorie Perloff, whose brilliance I had the privilege to witness firsthand and whose book Wittgenstein’s Ladder has long served as a quiet compass. In that remarkable study, she demonstrated how the philosophy of language could illuminate the strangeness and beauty of poetic form — how the scaffolding of thought might itself be art.

Lately I have been preoccupied with a reversal of Wittgenstein’s metaphor. In the realm of art, contrary to his suggestion, we cannot throw the ladder away. The ladder — the process, the experience, the unfolding of thought and action — is not a means to an end but the very substance of the work. Yet our museums and markets, fixated on the permanence of the object, continue to discard the ladder, mistaking its residue for the work itself.

A

The Frontera project, about which I have written elsewhere, was among the first socially engaged art initiatives in Mexico and profoundly shaped my thinking about audience engagement. Some of the artists included in the project were Aníbal López, Bubu Negrón, Miguel Ventura, and many others.

The project’s interventions ranged from public works to provocative performances that generated puzzlement in the community. At times I think they saw us as a group of crazy tourists that were doing eccentric rituals, but at the same time we connected with them in ways that transcended language and our respective universes. I spent time with Chol children in a grade school, Primaria Torres Bodet, where the students wrote their own short stories (in Chol).

The project was, in every sense, complex — impossible to summarize here — but one challenge stands out: how to convey the story of what had happened in Frontera to those who had not been there. After a number of years, the collective eventually produced a documentary, but even the documentary does not manage to fully convey the intricacies of the project.

Writing workshop with students at the Escuela Primaria Federal Bilingüe Jaime Torres Bodet, Frontera Corozal, Chiapas, 2006 (Javier Toscano on the right side of the photo).

B

Wittgenstein viewed language as a ladder to be discarded once understanding had been reached. The art world, perhaps unwittingly, absorbed this idea by fetishizing the finished object. Museums and markets celebrate completed things rather than fulfilled intentions — as if the endpoint of artistic labor were a permanent object rather than a temporary state of comprehension.

The most meaningful artistic processes I have witnessed do not culminate in the object but move through it: the object becomes a prop, a marker, a trace of an encounter. To throw away the ladder, in this sense, is to discard the very work we seek to understand.

This misunderstanding — the elevation of the remnant over the realization — has shadowed much of modern and contemporary art. The avant-garde already attempted to dissolve the boundary between means and ends: Kaprow’s happenings, Lygia Clark’s relational objects, and Tania Bruguera’s arte útil all sought to locate meaning in acts rather than artifacts. Yet the museum, compelled by its custodial logic, continues to frame these works through the detritus they left behind. It behaves like Wittgenstein’s reader who climbs the ladder and then displays it in a vitrine — forgetting that its purpose was to enable ascent, not to be preserved as an object of study.

This institutional tendency betrays a deeper epistemological discomfort: the anxiety that, without the object, we lose our coordinates of value, authorship, and permanence. Against that anxiety, the task of both pedagogy and art may be to learn how to dwell within process — to recognize that the fleeting, dialogical, or collective experience is not a prelude to the work but its fullest form of existence.

A

In 2008, when I had the chance to invite Laboratorio 060 to exhibit in New York, at the CUE Foundation, and they sought to present an anthology of their past projects, the question of how to present Frontera Corozal returned. Javier Toscano proposed something radical in its simplicity: to have a person stationed in the gallery at all times, a living storyteller who would narrate aspects of the project — to embody what could never be contained in images or video. Financial limitations made it impossible, but the idea stayed with me. It remains, to my mind, one of the most eloquent metaphors for what museums and educators must learn to do: to animate the absent process, to make visible the invisible scaffolding of art through presence and narration.

Often I think that this is precisely what educators already do, albeit without formal acknowledgment: we serve as living interpreters of what the artwork cannot say for itself.

B

Perhaps what requires closer attention is not our misunderstanding of the ladder but our fear of letting it go. The art object is not merely an aesthetic artifact; it is a kind of security blanket. It reassures collectors of possession, scholars of focus, museums of purpose. The object anchors the otherwise unstable realm of artistic process, providing a surface upon which value and authorship can be inscribed. Without it, the canon loses its stage set, the archive its evidence, and the institution its promise of permanence.

Artists are not innocent in this arrangement. During creation, our attention belongs to the immediacy of process — the question, the exchange, the experiment. Yet, with time, the temptation to translate the ephemeral into consecrated form becomes irresistible. Photographs, certificates, relics of social projects: these become the tokens that secure our place in the narrative we once sought to unsettle. Thus, we too sustain the system that mistakes the ladder for the ascent, allowing documentation to stand in for the experience itself.

The question, then, is twofold. First: how might artists resist the gravitational pull that turns inquiry into artifact, action into documentation, and experiment into inventory? Can an artwork exist as a process of knowing that refuses to collapse into ownership yet sustains itself socially and economically? Perhaps the task is not to destroy the object but to destabilize it — to transform it from relic to relay, from residue to condition.

Second: the greater challenge may fall upon the institutions built to enshrine artists. Museums, designed to protect objects, must now tell the stories of works that resist objecthood. They must narrate gestures meant to vanish and teach audiences to encounter art that exists more in time than in space. Doing so requires an epistemological shift: from the museum as a container of artifacts to the museum as a mediator of processes.

This might mean collecting protocols rather than things, treating exhibitions as rehearsals rather than finales, and valuing the interpretive labor of the public as part of the work’s afterlife. Preservation may sometimes take the form of facilitation rather than possession. The true continuity of art may lie not in its objects but in its capacity to generate renewed forms of experience across time.

Museum education, I believe, holds a unique key to this dilemma. If curatorial practice is bound to the object, education is bound to the encounter. Through interpretation, activation, and conversation, educators can reveal what I call the museum’s ghost ladders — the vanished structures of process and inquiry that once supported the finished work but now haunt its display.

A

I remember one night in the Lacandon jungle during the Frontera project, sitting on a porch after dinner as waves of sound—cicadas, crickets, and other unseen creatures—rose and fell around us. The air was thick with humidity and the layered chorus of the forest. At one point, I noticed a large tarantula near my feet and instinctively recoiled, startling myself. The locals burst into laughter at my reaction, assuring me that these spiders were entirely harmless. The conversation then turned to the presence of all living beings around us that we were not aware about. A local then suggested I place a flashlight beside my temple and point it toward the trees, an area that was absolutely pitch dark. When I did, thousands of tiny glimmers blinked back — the reflections of innumerable insects’ eyes hidden in the dark.

That image returns to me whenever I think about the unseen processes that underlie the artworks we display: the invisible ladders that structure the visible world.

Fugue

James Joyce once wrote in Ulysses: “What is a ghost? One who has faded into impalpability through death, through absence, through change of manners.”

The processes of art, too, sometimes fade into a kind of impalpability — through institutional habit, curatorial absence, and changing manners of art-making. Yet their eyes still shimmer in the dark.

To recognize them is to acknowledge that the work of art is never finished, that the ladder remains even when unseen. Our task, as artists and educators, is to sensitize others to their presence — to make them glimpse, if only for a moment, those innumerable ghost ladders watching us climb, gleaming like the eyes of the jungle, reminding us that art itself is the act of ascent."]]></description>
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<item rdf:about="https://www.tokyoweekender.com/entertainment/middle-aged-man-trading-cards-go-viral-in-japan/">
    <title>Middle-Aged Man Trading Cards Go Viral in Rural Japan Town</title>
    <dc:date>2025-10-18T02:53:32+00:00</dc:date>
    <link>https://www.tokyoweekender.com/entertainment/middle-aged-man-trading-cards-go-viral-in-japan/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Why kids in Fukuoka are obsessed with collecting cards with middle-aged men on them"]]></description>
<dc:subject>cards carddecks tradingcards 2025 ynessarahfilleul everyday games play gaming japan culture social rural fukuoka baseballcards</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://sfstandard.com/2025/10/17/chinatown-housing-tech-worker/">
    <title>He earns $200K at Microsoft. Why does he live in an SRO in Chinatown?</title>
    <dc:date>2025-10-17T20:50:57+00:00</dc:date>
    <link>https://sfstandard.com/2025/10/17/chinatown-housing-tech-worker/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Lei Huang moved into a low-income Chinatown apartment as a social experiment. Then he found a new community."]]></description>
<dc:subject>sanfrancisco chinatown 2025 community social society sros immigrants inequality isolation connection technology food</dc:subject>
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<dc:identifier>https://pinboard.in/u:robertogreco/b:d47c4ff207fa/</dc:identifier>
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<item rdf:about="https://www.youtube.com/watch?v=akFY7iUR8pY">
    <title>The Politics of Ghosting: Dominic Pettman on Absence, Intimacy, and Digital Life - YouTube</title>
    <dc:date>2025-09-30T05:26:13+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=akFY7iUR8pY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What does it mean to live in a world where relationships can vanish overnight, without explanation or closure? In this episode, Acid Horizon speaks with cultural theorist Dominic Pettman about his new book Ghosting: On Disappearance (Polity Press). Together we explore how ghosting unsettles intimacy, accountability, and narrative finality, reaching beyond dating apps into friendships, families, workplaces, and politics. Along the way we trace ghosting as both a form of psychic violence and a survival tactic, a symptom of our digitally mediated lives and a mirror of deeper patterns of absence in contemporary culture.

[See also the book: 

Ghosting: On Disappearance, by Dominic Pettman (2025)
https://www.politybooks.com/bookdetail?book_slug=ghosting-on-disappearance--9781509569946

Abandonment is as old as time, but ghosting is a modern twist on this ancient experience. It translates this age-old phenomenon into our modern world of screens, delete buttons and blocking options. Ghosting is not only an unpleasant experience, or cowardly act, but a symptom of our increasingly spectral – that is, mediated and virtual – relationship to the world. The overabundance of new modes of communication has invited an almost infinite number of contacts and conversations. At the same time, it has also offered an unprecedented opportunity for ignoring messages from others. And just as we invented the car crash when we invented automobiles, we also encouraged ghosting when we created the internet.

Ghosting creates an empty space in our minds: a space faithfully tracing the silhouette of the one who ghosted us. But unlike traditional ghosts, today’s ghosters simply disappear, leaving behind a form of haunting that is closer to mourning: mourning for someone who is not in fact dead. In putting a kind of preemptive mourning into our everyday affairs, ghosting tells us much about the current human relationship – or non-relationship – to a shared sense of mortality, purpose, and spirit.   

This book – the first sustained analysis of ghosting – traces the source of this vexed experience to, and through, our current media ecology, technological networks, political landscape, collective psychology, romantic mantras, and deep sense of social neglect."]]]></description>
<dc:subject>acidhorizon ghosting 2025 dominicpettman relationships communication disappearance culture society mourning morality mediaecology dating friendship intimacy accountability closure narrative pscyhology absence abandonment spectralpresence presence philosophy finality resolution politics culturalstudies media death digital internet online web self vulnerability melancholia crueloptimism laurenberlant grief desire rejection smartphones zombies quietquitting emotions attachment gaslighting atomization isolation nicoledular patriarchy manosphere onlinedating modernity ghosts spirits hauntings whiteflight blocking twitter economics capitalism ghostkitchens social inequality withdrawal rapture socialresponsibility time markfisher latecapitalism collapse y2k siliconvalley dunbarnumber luddites luddism neoluddites neoluddism socialmedia resistance hangingout marshallmcluhan massinformation informationage giorgioagamben spectacle gender latestagecapitalism</dc:subject>
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</item>
<item rdf:about="https://jasmi.news/p/32-notes-on-ai-and-writing">
    <title>32 notes on AI &amp; writing - by Jasmine Sun - @jasmi.news</title>
    <dc:date>2025-09-26T05:17:29+00:00</dc:date>
    <link>https://jasmi.news/p/32-notes-on-ai-and-writing</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["the models must read because they cannot live"

...

"I had the recent pleasure of recording a podcast with the lovely Ian Leslie
on AI and writing. I’ll share it when it’s out (here it is!), and in the meantime, jotted down some quick reflections during my flight home from London:

1. AI is better than most humans at producing prose. In a couple years, it will be better than most “professional writers” as well.

2. Most text is not creative. Emails, policy papers, reported news. It does not desire to surprise or delight. It aims to convey ideas and information as clearly as possible.

3. It is inevitable—given this reality and these incentives—that most people will soon use AI to write most things.

4. Writing is a small, simple word for a very expansive task. There’s coming up with ideas, conducting interviews and research, presenting it all in an engaging way.

5. (Most jobs that seem easy to automate are deceptively complex.)

6. Current AI is not very inventive. I’ve never had it come up with an essay idea I thought was good.

7. It’s not clear how much this quality is inherent to LLMs, versus an optimization tradeoff made in favor of other things—reliability, professionalism, obedience, predictability. What if the RLHFers were professional curators and magazine editors? What if the models were permitted to hallucinate more?

8. Many of our best artists hallucinated. Some even found chemical routes to do it.

9. “I thought AlphaGo was based on probability calculation, and that it was merely a machine,” said Lee Sedol after his loss. “But when I saw this move, I changed my mind. Surely, AlphaGo is creative. This move was really creative and beautiful.”

10. Implicit in his quote: The statistical and the beautiful cannot coexist.

11. I’m still not over the fact that I have 24 hour access to a machine that has memorized and synthesized the entire internet’s worth of information.

12. None of us know how to know this much.

13. LLMs help with writer’s block, even when its suggestions suck. Insipid sentences are the best motivation to write inspired ones.

14. I prefer my human collaborators to my AI ones. But only one is consistently available at 3am.

15. AI hallucinates, humans misremember. Yet neuroscience suggests that memory and imagination are one and the same. As Demis Hassabis’s PhD thesis found, amnesiacs make shoddy novelists.

16. ChatGPT catches me in a lie approximately as often as I catch it.

17. Why do readers read? Sometimes, it’s to extract a particular piece of information. Other times, it’s to be entertained. Increasingly, it’s to borrow a particular author’s judgment and worldview.

18. Writing instructors love to talk about “stakes.” Competent prose isn’t enough. A story must answer: Why does this matter to the author, the reader, the world at large?

19. Pop is equally a story of the star and the song. Breakups, love affairs, addiction, deceit—the stuff of gossip rags creates the stakes.

20. We watch Olympic swimmers not because it’s fun to spectate, but to marvel at the frontiers of human achievement. Knowing we could never do it, imagining how relentlessly they worked to get there, how many early morning practices and weekend meets. Nobody wants to see a robot play sports.

21. I prefer my authors to have bodies, to live and walk and sweat in the world.

22. Most internet culture criticism is bad. You can tell when a writer doesn’t go outside.

23. I have viewed AI artworks I thought were good. Here, here, here. They strike me because I have no idea how to do the same. Their outputs so far from default slop, so distinct in their human perspective.

24. Artistic merit comes from that feeling of awe—at the distance between what the artist achieved versus what I could elicit from the same materials. You see past the tools and into a mind.

25. David Hockney: “Rembrandt spent days, weeks painting a portrait. You can go to a museum and look at a Rembrandt for hours and you’re not going to spend as much time looking as he spent painting—observing, layering his observations, layering the time.”

26. Power Broker heads talk as much about Robert Caro as his biographical subject. He is the mythical man who turned every page.

27. Art is a showcase of excess.

28. Mercor will pay you $50/hour to write about your hobbies. “Tabletop games, collecting, art, niche sports, fashion, cooking, etc.” Requirements: “1000s of hours spent.” The models must read because they cannot live.

29. Writing purely for the AI has no stakes. It’s text without audience, motive, purpose.

30. How much of the world does language contain?

31. Next token prediction is underratedly hard.

32. I start most essays not knowing how they will end."]]></description>
<dc:subject>2025 ai artificialintelligence writing jasminesun howwewrite creativity hallucinations alphago leesedol llms writersblock reading howweread collaboration social human humans art imagination davidhockney prediction mercor robertcaro thepowerbroker culture criticism demishassabis memory neuroscience optimization excess</dc:subject>
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    <title>The Rise and Fall of Urbit | Compact</title>
    <dc:date>2025-09-24T17:35:48+00:00</dc:date>
    <link>https://www.compactmag.com/article/the-rise-and-fall-of-urbit/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["As Urbit collapsed, I came to realize that the fantasy of individual sovereignty on which it was built is essentially anti-political. It regards political and social ties—the fabric of cooperation—as mere bondage. It assumes that pure self-reliance is both desirable and feasible; in my experience, it is neither. Our dependence on others does not make us less human. On the contrary, it defines us as social beings. 

Urbit’s anxious disavowal of dependency appealed to rugged “power-users” eager to exit MEGACORP for the freedom of the digital frontier. By offering users ownership of “galaxies,” “stars,” and “planets,” it promised a virtual liftoff from earth and into outer space. But the same fantasy that attracted users contributed to Urbit’s dysfunctional governanc. It obscured the role played by concrete human relationships in the real world in operating and maintaining this (and any) technology. As a result, Urbit has come to resemble Web 2.0: an enshittified infrastructure controlled by a small handful of actors immune to democratic accountability. If Yarvin’s political vision proved to be an unsound model for governance for a company, one can only imagine how it would play out on the scale of a country. 

Urbit missed its opportunity to become a novel platform for internet governance. But it isn’t quite dead yet. Perhaps from its remnants, a “more beautiful computer” may yet emerge. Even in the realm of hyperstition, no prophecy is self-fulfilling, no monarchy eternal. If a technology has emancipatory potential, it is not the would-be feudal lords who will realize it: It is the community of power-users, the weirdos and dreamers—working together—who will bring it to fruition."]]></description>
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    <title>Gabriel Salazar explica la crisis del pueblo chileno | Chile en Voz Alta: un cuarto de siglo - YouTube</title>
    <dc:date>2025-09-20T18:19:41+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=R7mA1P7I8nw</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["El Premio Nacional de Historia Gabriel Salazar habla sobre el Chile popular, la pérdida de futuro de la juventud y la crisis de representación.

Con 89 años, el historiador repasa su vida y reflexiona: “Llevamos 200 años eligiendo presidentes sin mandato del pueblo”."

[See also:
https://www.theclinic.cl/2025/09/20/gabriel-salazar-historiador-la-tragedia-nuestra-es-que-llevamos-200-anos-eligiendo-presidentes-senadores-y-diputados-sin-mandato-del-pueblo/ ]]]></description>
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<item rdf:about="https://www.newyorker.com/culture/infinite-scroll/are-you-experiencing-posting-ennui">
    <title>Are You Experiencing Posting Ennui? | The New Yorker</title>
    <dc:date>2025-09-11T17:57:36+00:00</dc:date>
    <link>https://www.newyorker.com/culture/infinite-scroll/are-you-experiencing-posting-ennui</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Sharing casual moments from our lives on social media doesn’t seem to make sense the way it used to."]]></description>
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    <title>Why the &quot;Coffee Pod&quot; is the Dumbest Product Ever Made... - YouTube</title>
    <dc:date>2025-09-03T19:11:40+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["A Discussion around the Coffee Pod, the history of Coffee and the Coffee Industry. How did the simple act of removing a few steps to the coffee making process create both a thriving new enterprise (and inconvenience?)"]]></description>
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<item rdf:about="https://www.samholden.jp/p/is-a-city-alive">
    <title>Is a city alive? - by Sam Holden</title>
    <dc:date>2025-09-03T04:01:30+00:00</dc:date>
    <link>https://www.samholden.jp/p/is-a-city-alive</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["From the rights of nature to the right to the city"

...

"“To be urban is to be analog,” I wrote in that piece, by which I meant that urban subjectivity should be rooted in an awareness of the self as interwoven with the environment and other people. Our ability to feel that way is being undone by material changes in urban space, and the way that digital technology increasingly mediates and shapes how we move through and inhabit urban places.

This is also why in my own projects in the city, I am preoccupied with the urban commons, a concept that exists not so much as a physical reality as a relation between people and their environment. As commons are encroached upon, as the city is rebuilt into spaces of prescribed function, the urban experience becomes shallow and passive, and the same death spiral Macfarlane sees in nature sets in: You raze the forest, you lose the cloud and the rain. You lose the rain and cloud, you kill the river. You kill the river — and all life leaves. This is why the destruction of Tokyo’s bathhouses has always felt to me like the killing of the city itself.

Although the ecological and moral stakes may seem lower, in a better world urban commons would be protected alongside rivers and other ecosystems from the state and market forces that objectify and extract value from them (see Lefebvre and Harvey). The city’s aliveness does not simply equate to superficial measures of economic activity or density of use, in the way that an Ecuadorian cloud forest is profoundly more alive than a eucalyptus plantation, or how the cascade of one of Macfarlane’s sentences is animate in a way that a chatbot’s limp string of regurgitated tokens never will be. Unfortunately, just as the natural world and human culture are being degraded, so too does much contemporary development relentlessly extract what remains of the city’s life-force in the pursuit of narrower purposes.

In Japan, we are blessed with another clear piece of evidence of the city’s aliveness: festivals. Which is a better mental model for explaining how locally rooted rituals and cultural traditions persist across centuries and generations: that people animate the city, or that the city animates its people? At least when I participate or am immersed in streets that overflow with sudden vitality, it makes me feel like Macfarlane’s young son when asked to weigh in on the adults’ debate over the life of rivers—why ask such a silly question? of course a city is alive.

The great thing about a festival is how, for a limited moment, it reveals latent possibilities of human sociality, and opens a portal onto another way the city can be. Festivals are thrilling because they suggest there are indeed escapes from the deadening of the city, and answers to the problem Macfarlane identifies: somehow we need to find new kinds of imagining, new ways of being that will leave us less alone in this world…our aliveness, as well as all life that lies beyond the human, is at stake in this."]]></description>
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    <title>The sovereign individual and the paradox of the digital age | Aeon Essays</title>
    <dc:date>2025-08-21T21:13:32+00:00</dc:date>
    <link>https://aeon.co/essays/the-sovereign-individual-and-the-paradox-of-the-digital-age</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Data has created a new and paradoxical social order: the promise of emancipation is made possible by classifying everything"

...

"What is happening here is more than an abstract flow of information. It is more than a means of surveillance. It is more than a price mechanism. Rather, it’s as if the air traffic control and insurance commission functions of the IBM 650 have been fused, shrunk, and wholly generalised. This is the real computing revolution. Much of what we do is immediately authenticated as we do it, stored as data, classified or scored on some sort of scale, and deployed in real time to modulate some outcome of interest – usually, the behaviour of a person, or a machine, or an organisation."

...

"The resulting patterns are what we think of as social structure – a sort of ordinal society, where computer-generated outputs become guideposts for choices. In the economic sphere, for example, these methods help set wages and work schedules. They calculate rents, price insurance, and determine eligibility for social services. They facilitate new forms of rent-seeking, and accelerate the development of new asset classes that can be sold on financial markets. They have also changed the relationship between individuals and the groups they form and belong to. They organise the flow of information, the distribution of social influence, and the means of political mobilisation."

...

"Friedrich Hayek’s book The Road to Serfdom (1944) warned that government control of the economy would destroy individual freedom and inevitably lead to tyranny. Today’s predicament is different. The tyranny may come, instead, from digital platforms that enhance individualism and interpersonal competition to such a degree that our ability to form meaningful social bonds and to act together has been fundamentally altered. We are now travelling down a road to selfdom, where we must cultivate and attend to distinctive digital identities, develop our own understanding of the world, and hope to harness technology to carve out spaces of personal sovereignty and domination."

...

"Beyond identifiability, the more insistent question is one of authentic identity: who are you, really? The ordinateurs want to know. To help us unlock this information, they have transformed it into a matter of public record, to be shared proudly and widely. Social media companies skilfully exploit our thirst for sociability and our romantic ideals of self-realisation. They relentlessly encourage individuals (and organisations, too) to publicly express their core commitments and enrol allies to validate them.

The compulsion to authenticity frequently backfires. Being exposed as inauthentic can be devastating to reputations and livelihoods. The sociologist Angèle Christin has described savage online battles between vegan influencers who push the envelope of vegan purity or expose their rivals as secret meat-eaters. Other authenticity traps are more ominous, as when organisations use social media feeds as public proof of who we truly are – an agitator, a gangster, a covert terrorist. In his book Ballad of the Bullet (2020), the ethnographer Forrest Stuart found big gaps between the performances that drill musicians put up for social media consumption and the more banal reality of their lives. Young people making themselves look tough to sell music on YouTube may learn the hard way that law enforcement officers and judges tend to interpret these signs literally, rather than seeing them as the status games and identity play that they most likely are. Similarly, the Trump administration’s reliance on tattoos as one easily harvested, measurable piece of evidence of gang membership takes an often superficial marker and turns it into a datapoint in a deportation scoring system. And in a country where the government has taken it upon itself to use people’s professed views against it in immigration proceedings, the effect is chilling. Self-disclosures and social connections that until recently were sources of pride and support suddenly become potential liabilities.

Authenticity traps multiply in other ways, too. Generative AI increasingly blurs the boundaries between real and synthetic texts, images and sounds. Traditional concerns about inauthentic or misinterpreted performances have given way to more fundamental questions about truth. Hopeful startups raise millions of dollars to develop ‘cheat on everything’ AI tools, and jobseekers can artificially generate their application materials and even fake their job interviews. All of this has the effect of shifting emphasis from authenticity to authentication, from demonstrating the truth of one’s identity to proving the reality of one’s testimony. The question is no longer whether an identity is genuine (‘Is that really you?’) or even authentic (‘Who is the real you?’) but whether each element of your digital presence is unmediated by artificial intelligence (‘Is it really you?’) This emergent regime of authentication transforms interactions from a set of performances to be judged into a series of actions to be verified by machines at every step.

Being a legitimate self now requires one to be publicly identifiable, authentic and, increasingly, fully authenticated. What began as a celebration of individual uniqueness that avidly encouraged the production of digital evidence is evolving into an elaborate system of verification that will treat any trace as a potentially suspect record. As fake versions of ourselves start to circulate, we may soon find ourselves caught in endless cycles of proving and defending the reality of our own existence, submitting ourselves more and more to a machinery of institutionalised scepticism that would have repulsed the early internet’s champions of identity play and experimentation."

...

"

What happens when authenticated, epistemically egocentric selves enter the world of politics? If you are an authentic, self-directed individual, your greatest cultural fear is of being swallowed up by mass society, just as your greatest political fear is of surveillance by an authoritarian state. These fears are still very much with us. But in a world chock-full of socially recognised categories and authenticated identities, new dilemmas present themselves. On the individual side, everything – public behaviours, statements, metrics – can potentially become a source of difference, and thus of identity. On the organisational side, the data that users generate will lump or split them in increasingly specific, fleeting and often incomprehensible ways. The more precise social classifications are on either side or both, the more opportunities arise for moral distinctions and judgments.

The main casualty is the possibility of broad-based, stable political alliances. The more citizens are treated, individually, as objects of market intervention, the more disaggregated politics becomes. Traditional voter-targeting began with a political message and sought out individuals receptive to it. The rise of big data reverts this logic, starting from the cultural dispositions of electorates and building resonant messages from the ground up."

...

"When he wrote to IBM France in 1955, Jacques Perret had one slight reservation about his chosen name for the new machine:

<blockquote>The downside is that ordination refers to a religious ceremony [to ordain]; but the two fields of meaning (religion and computing) are so distant and the ordination ceremony known, I believe, to so few people that the inconvenience is perhaps minor. Besides, your machine would be ordinateur (and not ordination).</blockquote>

Professor Perret was more correct than he knew. In the 70 years since he baptised it, the descendants of the Model 650 have indeed taken on quasi-religious functions in modern society. Computers authenticate our souls and find our innermost truths. They shape our search for meaning in a disorienting and fragmented world. They foster new forms of political communion and sectarian schism. Above it all, stands the sovereign individual – the embodiment of modern selfdom, served by the ordinateur’s ruthless logic and its power, while it lasts, to manufacture gold out of bits."]]></description>
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    <title>Whales and Dolphins Interact More Often Than Scientists Thought, Engaging in Mutual Play, Study Suggests</title>
    <dc:date>2025-08-21T02:14:36+00:00</dc:date>
    <link>https://www.smithsonianmag.com/smart-news/whales-and-dolphins-interact-more-often-than-scientists-thought-engaging-in-mutual-play-study-suggets-180987198/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Researchers analyzed nearly 200 videos and photographs documenting interactions between the various kinds of cetaceans"]]></description>
<dc:subject>whales cetaceans 2025 multispecies morethanhuman play social sarahashemi</dc:subject>
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<dc:identifier>https://pinboard.in/u:robertogreco/b:4c870dd4c353/</dc:identifier>
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<item rdf:about="https://medium.com/@mackinnon.jesse/no-one-left-to-talk-to-loneliness-in-the-age-of-algorithmic-capitalism-e33e10946bc2">
    <title>No One Left to Talk To: Loneliness in the Age of Algorithmic Capitalism | by Jesse MacKinnon | Aug, 2025 | Medium</title>
    <dc:date>2025-08-20T18:09:51+00:00</dc:date>
    <link>https://medium.com/@mackinnon.jesse/no-one-left-to-talk-to-loneliness-in-the-age-of-algorithmic-capitalism-e33e10946bc2</link>
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</item>
<item rdf:about="https://www.publicbooks.org/our-golden-age-of-reading-online/">
    <title>Our Golden Age of Reading (Online) - Public Books</title>
    <dc:date>2025-08-20T00:50:54+00:00</dc:date>
    <link>https://www.publicbooks.org/our-golden-age-of-reading-online/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>angelinaeimannsberger 2025 internet web online reading howweread digital federicopianzola digitalsocialreading social socialreading sarahbrouillette zakiyadalilaharris rfkuang emilyhenry tessmcnulty fiction safiyaumojanoble safiyanoble simonemurray goodreads wattpadd ao3 archiveofourown technology genz generationz plato gutenbergparenthesis hyperparatextuality affinity fanfiction affect aestheticjudgement aesthetics startrek genre pierrebourdieu johnguillory powerrelations platforms platformcapitalism capitalism cognition hope culture society zoomers</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c8046c24e1d2/</dc:identifier>
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</item>
<item rdf:about="https://pmc.ncbi.nlm.nih.gov/articles/PMC8749887/">
    <title>The Social Lives of Free-Ranging Cats - PMC</title>
    <dc:date>2025-08-10T15:03:09+00:00</dc:date>
    <link>https://pmc.ncbi.nlm.nih.gov/articles/PMC8749887/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Simple Summary
Cats are ubiquitous in human spaces. Cats live in our homes and on our streets and occupy a variety of social environments. However, scientists still disagree on the social nature of free-ranging cats (FRCs). This paper aims to review the relevant literature on the social behavior of FRCs and includes which behaviors have been observed and the main findings of each study. The findings of this review indicate that the relationships between FRCs are not random, are socially complex, and deserve further study. The body of literature that currently exists provides an excellent foundation for future work. Further research in this area can help further illuminate the social lives of FRCs.

Abstract
Despite the diversity of social situations in which cats live, the degree to which free-ranging cats (FRCs) are social is still debated. The aim of this review is to explore the literature on the social behavior of FRCs. A search of two major databases revealed that observations of intraspecies and interspecies social interactions have been conducted. The intraspecific social dynamics of FRCs differ based on group of cats surveyed. Some groups display strong social bonds and preferential affiliations, while other groups are more loosely associated and display little to no social interaction. Factors impacting FRC conspecific interactions include cat body size, cat social rank, cat individuality, cat age, relationship to conspecific (kin/familiar), cat sex, level of human caretaking, presence of food, the health of the individual, or sexual status of conspecifics. Interspecies interactions also occur with humans and wildlife. The human’s sex and the weather conditions on the day of interaction have been shown to impact FRC social behavior. Interactions with wildlife were strongly linked to the timing of cat feeding events. These findings support the idea that FRCs are “social generalists” who display flexibility in their social behavior. The social lives of FRCs exist, are complex, and deserve further study.

Keywords: Felis silvestris catus, cat, free-ranging cat, social behavior, cat colony, social generalist"]]></description>
<dc:subject>cats kristynvitale 2022 pets animals morethanhuman multispecies social feral companionspecies human-animalrelations human-animalrelationships domestication</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2e6955e76ee7/</dc:identifier>
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    <title>One Way Parents Can Fight the Phone-Based Childhood - The Atlantic</title>
    <dc:date>2025-08-08T18:28:13+00:00</dc:date>
    <link>https://www.theatlantic.com/ideas/archive/2025/08/kids-smartphones-play-freedom/683742/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Children who were raised on screens need more freedom out in the real world."

...

"One common explanation for why children spend so much of their free time on screens goes like this: Smartphones and social-media platforms are addicting them. Kids stare at their devices and socialize online instead of in person because that’s what tech has trained them to want.

But this misses a key part of the story. The three of us collaborated with the Harris Poll to survey a group of Americans whose perspectives don’t often show up in national data: children. What they told us offers a comprehensive picture of how American childhood is changing—and, more important, how to make it better.

In March, the Harris Poll surveyed more than 500 children ages 8 to 12 across the United States, who were assured that their answers would remain private. They offered unmistakable evidence that the phone-based childhood is in full force. A majority reported having smartphones, and about half of the 10-to-12-year-olds said that most or all of their friends use social media.

This digital technology has given kids access to virtual worlds, where they’re allowed to roam far more freely than in the real one. About 75 percent of kids ages 9 to 12 regularly play the online game Roblox, where they can interact with friends and even strangers. But most of the children in our survey said that they aren’t allowed to be out in public at all without an adult. Fewer than half of the 8- and 9-year-olds have gone down a grocery-store aisle alone; more than a quarter aren’t allowed to play unsupervised even in their own front yard.

Yet these are exactly the kinds of freedoms that kids told us they long for. We asked them to pick their favorite way to spend time with friends: unstructured play, such as shooting hoops and exploring their neighborhood; participating in activities organized by adults, such as playing Little League and doing ballet; or socializing online. There was a clear winner.

[chart]

Children want to meet up in person, no screens or supervision. But because so many parents restrict their ability to socialize in the real world on their own, kids resort to the one thing that allows them to hang out with no adults hovering: their phones.

Since the 1980s, parents have grown more and more afraid that unsupervised time will expose their kids to physical or emotional harm. In another recent Harris Poll, we asked parents what they thought would happen if two 10-year-olds played in a local park without adults around. Sixty percent thought the children would likely get injured. Half thought they would likely get abducted.

These intuitions don’t even begin to resemble reality. According to Warwick Cairns, the author of How to Live Dangerously, kidnapping in the United States is so rare that a child would have to be outside unsupervised for, on average, 750,000 years before being snatched by a stranger. Parents know their neighborhoods best, of course, and should assess them carefully. But the tendency to overestimate risk comes with its own danger. Without real-world freedom, children don’t get the chance to develop competence, confidence, and the ability to solve everyday problems. Indeed, independence and unsupervised play are associated with positive mental-health outcomes.

Still, parents spend more time supervising their kids than parents did in the 1960s, even though they now work more and have fewer children. Across all income levels, families have come to believe that organized activities are the key to kids’ safety and success. So sandlot games gave way to travel baseball. Cartwheels at the park gave way to competitive cheer teams. Kids have been strapped into the back seat of their lives—dropped off, picked up, and overhelped. As their independence has dwindled, their anxiety and depression have spiked. And they aren’t the only ones suffering. In 2023, the surgeon general cited intensive caregiving as one reason today’s parents are more stressed than ever.

Kids will always have more spare hours than adults can supervise—a gap that devices now fill. “Go outside” has been quietly replaced with “Go online.” The internet is one of the only escape hatches from childhoods grown anxious, small, and sad. We certainly don’t blame parents for this. The social norms, communities, infrastructure, and institutions that once facilitated free play have eroded. Telling children to go outside doesn’t work so well when no one else’s kids are there.

That’s why we’re so glad that groups around the country are experimenting with ways to rebuild American childhood, rooting it in freedom, responsibility, and friendship. In Piedmont, California, a network of parents started dropping their kids off at the park every Friday to play unsupervised. Sometimes the kids argue or get bored—which is good. Learning to handle boredom and conflict is an essential part of child development. Elsewhere, churches, libraries, and schools are creating screen-free “play clubs.” To ease the transition away from screens and supervision, the Outside Play Lab at the University of British Columbia developed a free online tool that helps parents figure out how to give their kids more outdoor time, and why they should.

More than a thousand schools nationwide have begun using a free program from Let Grow, a nonprofit that two of us—Lenore and Jon—helped found to foster children’s independence. K–12 students in the program get a monthly homework assignment: Do something new on your own, with your parents’ permission but without their help. Kids use the prompt to run errands, climb trees, cook meals. Some finally learn how to tie their own shoes. Here’s what one fourth grader with intellectual disabilities wrote—in her own words and spelling:

<blockquote>This is my fist let it gow project. I went shoping by myself. I handle it wheel but the ceckout was a lit hard but it was fun to do. I leand that I am brave and can go shop by myself. I loved my porject.</blockquote>

Other hopeful signs are emerging. The New Jersey–based Balance Project is helping 50 communities reduce screen time and restore free play for kids, employing the “four new norms” that Jon lays out in The Anxious Generation. This summer, Newburyport, Massachusetts, is handing out prizes each week to kids who try something new on their own. (Let Grow has a tool kit for other communities that want to do the same.) The Boy Scouts—now rebranded as Scouting America, and open to all young people—is finally growing again. We could go on.

What we see in the data and from the stories parents send us is both simple and poignant: Kids being raised on screens long for real freedom. It’s like they’re homesick for a world they’ve never known.

Granting them more freedom may feel uncomfortable at first. But if parents want their kids to put down their phones, they need to open the front door. Nearly three-quarters of the children in our survey agreed with the statement “I would spend less time online if there were more friends in my neighborhood to play with in person.”

If nothing changes, Silicon Valley will keep supplying kids with ever more sophisticated AI “friends” that are always available and will cater to a child’s every whim. But AI will never fulfill children’s deepest desires. Even this generation of digital natives still longs for what most of their parents had: time with friends, in person, without adults.

Today’s kids want to spend their childhood in the real world. Let’s give it back to them."]]></description>
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    <title>The Art of Walking / My cerebrum is mind and my toe is mind: Thyrza Goodeve Walks with Ernesto Pujol – ASAP/Review</title>
    <dc:date>2025-08-04T20:28:33+00:00</dc:date>
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