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    <title>Tanhā &amp; Our Modern Consumerism – On my Om</title>
    <dc:date>2026-03-14T05:24:06+00:00</dc:date>
    <link>https://om.co/2026/03/13/tanha-our-modern-consumerism/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Buddhists call this Tanhā. Loosely translated it means craving. Tanhā is the addiction to wanting itself. Not the object. The wanting. What makes it hard to see is that the seeking loop feels like aliveness. The browsing, the imagining, the anticipating. It produces an energy that feels like engagement with life.

These days we call it FOMO, the fear of missing out. It is the algorithmic, bastard child of Tanhā. Social media didn’t invent this. It surely industrialized it. Every pen post, every rotation photo, every “new pen day” thread is engineered to make your current pen feel insufficient. Not because it is. Because the platform needs you to keep scrolling.

The cost of infinite options is that you never fully inhabit any of them. You hold everything lightly because the exit is always visible. Nothing becomes what it could be if you stayed.

It is ironic. Till recently, I had been using a version of the same camera I started taking photos with over a decade ago. My new camera is a more constrained version of the original. I know it intimately. Like the crook of the hand of a beloved with whom you have walked many walks that go nowhere, but end up somewhere. I know the images before they are captured.

I am also the same person who ruthlessly edited his wardrobe down to one hundred pieces, where the new one comes only when something has to go. It is a restricted palette of colors, choices, and clothing that are determined from knowing myself, what I like, and why I like things a certain way. It is unusual to be so precise in one thing and yet wayward in the other.

The person who writes with one pen for ten years knows things about it. I should know. I used the same pen from 1990 through the turn of the century before buying a new one, to celebrate the new century. So, I should know better. Yet, the whole modern social edifice is built on the new, the novel, and the next."]]></description>
<dc:subject>ommalik consumerism consumption buddhism tanhā fountainpens shopping familiarity craving loneliness solitude desire</dc:subject>
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    <title>We Had 400 People Shop For Groceries. What We Found Will Shock You. - YouTube</title>
    <dc:date>2025-12-09T17:38:50+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=osxr7xSxsGo</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["EXCLUSIVE: We uncovered a secret corporate scheme to raise grocery prices. 

We found that Instacart is using AI algorithms to charge customers different prices for the same items. The scary part? It's not just online. It's in physical grocery stores, too."]]></description>
<dc:subject>economics 2025 food business shopping inflation pricefixing collusion instacart uber linkhan groceries profits profit safeway walmart amazon wholefoods algorithms data</dc:subject>
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    <title>You are not immune to shopaganda | The Verge</title>
    <dc:date>2025-12-08T19:05:01+00:00</dc:date>
    <link>https://www.theverge.com/cs/features/836456/influencers-tiktok-debt-shopaganda</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Behind every influencer is an army of the influenced, many adrift in debt and mass-produced clutter. The platforms need influencers and influencers need audiences — but what the influenced need is not so simple. Behind every influencer is an army of the influenced, many adrift in debt and mass-produced clutter. The platforms need influencers and influencers need audiences — but what the influenced need is not so simple."]]></description>
<dc:subject>miasato 2025 internet web shopping socialmedia online influencers debt performance economics clutter consumerism consumption platforms monetization commerce commercialization youtube meta facebook instagram mrbeast alixearles anoinettehocbo marketing ads advertising brookeerinduffy thorsteinveblen veblengoods conspicuousconsumption power influence socialpower projectpan overconsumption</dc:subject>
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    <title>How the creator economy destroyed the internet | The Verge</title>
    <dc:date>2025-12-08T18:59:41+00:00</dc:date>
    <link>https://www.theverge.com/cs/features/810002/influencers-creator-economy-special-series</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["JimmyJimmy Donaldson, better known as MrBeast, has the most popular YouTube account with over 450 million subscribers, or a little over 1 in 16 people in the world. His success with high-production, high-output stunt videos have made him the aspirational model for independent content creators everywhere: the actualization of the promise that, thanks to the internet, gatekeepers no longer stand in the way of viral fame and the riches that supposedly come with it.

Some might say that the extraordinarily famous content creators at the top represent the exception that proves the rule, but even Donaldson, no matter how agape his algorithm-pandering maw, can’t actually make money from YouTube. Financial documents revealed that the content arm of the MrBeast empire is a tremendous money loser — three straight years in the red, including a whopping negative $110 million in 2024. In fact, today all of those viral videos are just a marketing front for the real MrBeast business: a line of mediocre chocolate bars, available at your local Walmart. If the dream was that content creators were supposed to forge a new way to make money, the reality is that they’re relying on the oldest method: selling millions of people crap they don’t need.

In this series, The Verge dives into the ever-shifting, ever-fucked-up incentives that fuel the content machine across TikTok, Instagram, and YouTube. There was a time when the internet wasn’t constantly trying to sell us things. Now, what was once mostly contained to large commerce giants has encroached on every nook and cranny of the web. It’s eating the internet, swallowing the web whole and all of us with it. Maybe that’s why MrBeast’s mouth is always wide open."

[articles:

"Knock it off!" by Mia Sato
https://www.theverge.com/cs/features/709635/knock-it-off

"﻿Getting copied is devastating — but not necessarily illegal. Who owns what in an era of unprecedented mass consumption?"

"Hot subpoena summer" by Kat Tenbarge
https://www.theverge.com/cs/features/804409/perez-hilton-lively-baldoni-subpoena

"The convoluted saga of Justin Baldoni, Blake Lively, and It Ends With Us is still raging on social media, thanks to influencers."

"News Daddy ❤️ New York Times 🤡" by Victoria Le
https://www.theverge.com/cs/features/818380/college-students-news-sources-tiktok-instagram-newsdaddy

"College students are choosing TikTok and Instagram over newspapers and magazines. And though they know social media is rife with misinformation, they still won’t give it up."

"Stop, Shop, and Scroll" by Mia Sato
https://www.theverge.com/cs/features/836456/influencers-tiktok-debt-shopaganda

"Behind every influencer is an army of the influenced, many adrift in debt and mass-produced clutter. The platforms need influencers and influencers need audiences — but what the influenced need is not so simple.""]]></description>
<dc:subject>internet web online economics miasato kattenbarge victoriale ip intellectualproperty misinformation news tiktok instagram influencers commercialization monetization socialmedia justinbaldoni blakelively copying consumerism consumption shopping audience</dc:subject>
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    <dc:date>2025-11-12T18:51:40+00:00</dc:date>
    <link>https://walklistencreate.org/2025/11/12/walking-in-supermarkets/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Annemarie Lopez visits her local supermarket and reflects on unheroic everyday walking."]]></description>
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<item rdf:about="https://i-d.co/article/the-emperors-new-grocer/">
    <title>The Emperor’s New Grocer</title>
    <dc:date>2025-11-09T17:42:22+00:00</dc:date>
    <link>https://i-d.co/article/the-emperors-new-grocer/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["New York’s hottest status symbol is a grocery store selling nothing."

...

"Andrea Hernández, creator of the popular Substack Snaxshot—aptly dubbed by The New York Times the Nostradamus of snacking—has another name for stores like Erewhon: Hypebeast grocers. “It doesn’t seem like there’s enough in the store to make sense.” Hernández tells me, “There’s a difference between selling gourmet items versus selling the hype around the grocery store itself. Erewhon is the Supreme of grocery stores. The $30 smoothie I must try… They create an aura of scarcity.” The phenomenon is international. In Seoul, Monday Morning Market drops groceries like capsule collections.

In stark relief, Hernández describes our parents’ buying habits. They went to the store, and then got out. The big choice in the cereal aisle would be buying a private label (ShopRite’s own) over a name brand (Barilla) for the sake of affordability and value. Then, “Along comes our generation, growing up with social media and inheriting the behaviors of affordable affluence. It’s the lipstick effect.” You may not be able to afford a Birkin, but you can go and try a $20 strawberry at Erewhon and post about it in the same way. Whether you eat the berry at all, actually, doesn’t matter.

How many people can really afford to do a full shop at one of these stores? In 2023 New York Magazine ran a sobering profile about the Angelinos going into debt to afford their Erewhon habit—people fixated both on the potential wellness benefits and the potential upward mobility Erewhon has to offer. Hernández remarks, “It’s depressing to think that this is the way that we are able to kind of have that same dopamine hit of keeping up with the Joneses, but it’s like, what’s in your grocery cart?” 

After the development of the first self-service grocery store Piggly Wiggly in 1916, packaging began to take on a more and more significant role in how we eat. There was an attempt to make products you might otherwise pass up in a grocery aisle more attractive. Now, with the advent of social media, branding, aesthetic intrigue, and hype are everything. “It’s the Trojan-horsing of aesthetics, the yass-ification of everything. Like, why does a can of beans have to look like that?” says Hernández. As she points out, Happier Grocery even offers transparent bags with the logo—like a walking display case for your carefully selected nut milks and pre-washed salad. 

The issue, Hernández feels, is that we’ve “shaped grocery stores in our clout-chasing image.” She explains, “We’re the apex consumers, and we’re treating grocery stores like luxury stores. Everything around us has to signal something because of social media.” Nussdorf, however, is skeptical of how Erewhon and its direct competitors’ clout chasing will translate to a New York audience: “I don’t think these smoothies with these influencers or designers in New York City that some of these other competitors are doing is making them that much money.”

These “HypeMarts” have more shared DNA with Balenciaga or Telfar than they do with a Whole Foods, relying on scarcity, drops, and branding for business. Beyond acting like clothing brands, these grocery stores also have their own clothing brands. Hernández tells me, “Happier grocery sells $120 jackets. Erewhon has been dropping, like, merch capsules.” Happier Grocer was created by a former Marc Jacobs designer and is owned by the same team that runs the W.S.A. building in FiDi and S.A.A. in Bushwick—two fashion hot spots—and the luxurious Cayman Heights hotel Palm Heights. Flamingo Estate, a popular lifestyle brand that sells a $80 jar of dried strawberries, has the tagline “Mother Nature is the last great luxury house.”"

...

"Culturally, as our grocery stores have trended sparer, so too have our bodies. For the past two years, publications across the world have published, repetitively and without satisfaction, about whether being ultra thin was “back.” According to CNN, as of 2024 1-in-8 American adults has taken Ozempic or another GLP-1. For Hernández these grocery stores represent the final evolution of consumerism: When you see groceries not as a necessity but as luxury good.  “It’s fucking dystopian as hell at a time where you have food inaccessibility, and people are having to DoorDash or eat Taco Bell because it’s cheaper than going to the grocery store. In Austin, there’s a store that’s opening soon with underground delivery because it’s cheaper and doesn’t have any overhead costs.” The brand (can we even call it a store?) is called Goods and advertises two-minute grocery delivery via “underground delivery” sent to a pickup lane near you. Hernández speculates, “Maybe we are going to start getting more groceries from underground tunnels, and then only if you can afford it, you’re gonna go have that luxury experience of going to an actual grocery store.” If that all sounds like a pipe dream, then it’s worth noting that when Erewhon debuts a new product, they often set up a selfie station with vegetables as the photo backdrop. Hernández, who grew up shopping at local markets in Honduras, turns somber: “We cannot unlearn convenience. We’re basically cosplaying being able to connect with what nurtures us.”"]]></description>
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<item rdf:about="https://www.sherryning.com/p/youre-overspending-because-you-lack-values">
    <title>You're overspending because you lack values</title>
    <dc:date>2025-11-06T19:14:31+00:00</dc:date>
    <link>https://www.sherryning.com/p/youre-overspending-because-you-lack-values</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Overconsumption is a spiritual problem, not a money problem. Lessons about desire from "Spirited Away"."

...

"One morning in January, I woke up and it was like a spell had been broken the way I looked around my room and saw how dull everything was, not because it was lacking but because of how full it was of stuff.

Stuff I didn’t particularly love. Stuff with no serious meaning to it. Stuff I didn’t care about. Stuff that, if you had secretly tossed, I wouldn’t even realize went missing. Stuff I bought because it was trendy at the time, because my friend had it, because I had seen attractive influencers my age brag about it on Instagram, and it made me think that I could be her.

So, I did a bit of Marie Kondo-ing and produced a few large bags of clothes and trinkets and stuff for donation. Standing in front of all my stuff, it hit me that all of it used to be money, and all of that used to be time. I was standing in front of the metabolic waste of my existence, materialized. I was looking at the amount of my time, therefore my life, that had been turned into garbage. And the worst part is that I could’ve prevented it.

***

A movie scene that has stuck with me for years comes from Spirited Away, where Chihiro finds her parents turned into pigs. It’s comical to describe, but when you put yourself in her shoes, it’s terrifying: it’s every child’s nightmare to lose their parents to a force they can’t control. The panic she feels in that scene speaks to me deeply, the feeling of watching your loved ones do something that you know is wrong but being called “silly” when you try to stop them.

[image]

Materialism isn’t inherently evil; it can be gorgeous through the frames of abundance or art. Miranda Priestly’s “stuff” monologue from The Devil Wears Prada, for example, shows how material creates jobs, fuels culture, and shapes history. Miyazaki’s plates of food are dramatically overblown and colorful and delicious, but Chihiro’s parents don’t think about what they consume, only about how much. When she confronts them, her father shrugs: “It’s okay. I have my credit card and some cash.”

This is the mindset that will make you waste your life away into bags of garbage: the idea that shopping is a material issue, and overconsumption is a budgeting problem, rather than a spiritual problem. It’s easy to be Spirited Away, whisked into another world operated by desires that come from ads and friends and fleeting trends. Your appetite for novelty and your fear of missing out sucks the joy out of you—the more you eat, the hungrier you are. The more you spend, the more vapid you feel. You lack spirit, not another fashion identity. You don’t need another aesthetic, you need stronger values.

***

The title Spirited Away in Japanese is Sen to Chihiro no Kamikakushi, and kamikakushi means “hidden by the gods,” a folk belief where people mysteriously vanish into another realm. This film is about magical abduction and losing your identity. Chihiro loses her name and becomes “Sen”: to be spirited away is like being stolen from yourself, forgetting who you are under the influence of forces like greed, fear, anger—and who’s to say that emotions aren’t magical? That desires aren’t demonic possessions of the mind (“demonic” meaning “godlike divisive superfactor” in Greek)? Who’s to say that feeling horny isn’t its own kind of spell? We literally use “mania” and “craze” to describe the way people desire something: Beatlemania, the craze with Labubus, matcha being ‘all the rage’.

[image]

Lust, for example, is the feeling of wanting something really badly. It doesn’t have to be a carnal desire but it’s about a possessive craving that ends in a feeling of collapse, an appetite that, once appeased, reveals its emptiness:

<blockquote>Lust is the deceiver. Lust wrenches our lives until nothing matters except the one we think we love, and under that deceptive spell we kill for them, give all for them, and then, when we have what we have wanted, we discover that it is all an illusion and nothing is there. Lust is a voyage to nowhere, to an empty land, but some men just love such voyages and never care about the destination.

—Bernard Cornwell</blockquote>

Shopping has this effect on me, the voyage is more satisfying than the destination. There is such thing as post-purchase clarity: the moment when you buy something trendy and you suddenly sober up to how much you don’t care about it (let alone like it); you just want to be seen having it.

Who is No-Face?

Spirited Away is most known for the character with the least lines: a masked ghost who can conjure gold. He has no backstory, we only know that he is banned from entering the bathhouse. Chihiro, out of kindness, lets him in. No-Face is refused service at first, but the staff quickly compromise their values upon seeing his gold. They serenade him, “Welcome the rich man. He’s hard for you to miss. His butt keeps getting bigger, so there’s plenty to kiss!” while they fight for the gold nuggets that plop out of his fat hands. Then, he devours the workers in despair when he realizes their kindness is bought, and only Chihiro is genuine.

[image]

The painful part of loneliness is the realization that most people are ass-kissers and friendship is rare. Likewise, people feel the most alienated when they suddenly sober up to the fact that most of their desires are herd-driven, that most of them are no where close to the truth, if they even have a clear enough sense of what that is that matters to them. It’s like waking up from a trance state and realizing, What have I done to myself? I certainly felt this way standing in front of my garbage bags. Loneliness, alienation, addictions and self-defeating loops—these are not material problems, but ‘desire’ problems.

I’m finally coming to understand what Girard meant by,

“All desire is a desire for being.”

We think we want things, but every desire points to a way of life, a kind of person we long to become. Objects seduce us not with their utility but with their promise of transcendence—status, attention, belonging. That’s why No-Face has no face: he is desire itself, the appetite to become, the emptiness that consumes while wishing it were someone else.

Money reveals this: In Roman mythology, the temple of Juno Moneta was both sanctuary and mint (it’s where we get the words “money” and “monetary”). To strike a coin was to sanctify it with divine authority, so it circulated as both economic and spiritual power. It still does: money organizes meaning. Fiat currency works because we collectively believe it means something—fiat literally “let it be” in Latin—its meaning assigned by our shared narrative. And because money is tethered to desire, it doesn’t just reflect value; it follows it. It’s the pull of eyes when a sports car glides down a street. It’s Bernard Arnault, CEO of LVMH, saying “when you create desire, profits are a consequence.” Shopping is not independent from the spiritual realm that strips away our names, and it’s a very literal form of kamikakushi.

When we feel the weight of our limits, we start reaching toward idols to imitate, goals to chase, places to explore, people to meet. What we’re really chasing is a sense of immortality or infinity, something that lives longer than we ever will. We want to be remembered long after we’ve left a conversation, the company, the world.

Desire is never about the object itself. If it were, once you acquired it, the desire would vanish. Yet, your wardrobe keeps getting stuffier while you still find yourself with nothing to wear. Desire is about what the object seems to promise us: a fuller, richer existence. This is why Marie Kondo’s “spark joy” test is great: it reframes consumption as discernment. It asks whether an object raises your spirit or weighs it down. Left unchecked, your possessions take away your freedom to be who you are. As Fight Club says, “The things you own end up owning you.”

***

Every now and then, I feel my value system collapsing under the seduction of Alo’s knitwear sets through their windows. Overall, none of this is about “how to spend less”, it’s about the freedom to just be… you.

<blockquote>You are not your job, you’re not how much money you have in the bank. You are not the car you drive. You’re not the contents of your wallet. You are not your fucking khakis.

—Chuck Palahniuk (Fight Club)</blockquote>

Stronger values make you spend more mindfully because they shift the axis of desire. When you know what you worship—what you actually stand for and who you want to become—everything gets tested against that vision. Values act like a sieve: they filter out the empty cravings that come from comparison and they let through only the things that genuinely serve your spirit. Without values, desires lead you astray by following ads and algorithms and the envy of friends—a state commonly known as “being distracted”.

The scariest part of Chihiro watching her parents turn into pigs is that they could’ve simply walked away. The unattended food stalls feel like a test of whether one can resist charming distractions. Like the family in Spirited Away, you’re rarely forced to follow one desire over another (until you choose wrongly, and only later realize what you’ve done, if you realize it at all). But if you aim at your highest value—placing no other gods above it, coveting nothing of your neighbor’s—you free yourself from the distractions that split your soul and can refocus your being on becoming who you want to be."]]></description>
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    <dc:date>2025-10-19T20:38:16+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["It’s only in recent history that freedom has come to mean having a huge array of choices in life. Did we take a wrong turn?"]]></description>
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    <title>The simplest, hardest way to &quot;live like a local&quot;</title>
    <dc:date>2025-09-30T18:21:34+00:00</dc:date>
    <link>https://andrewsamtoy.substack.com/p/ten-ways-to-live-like-a-local-anywhere</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Recently, people have sent me messages asking for travel insight about specific cities I have either lived in or been to. Often, these messages ask me if I have any advice about how the sender can “live like a local.” The wording and intent are always the same: the sender wants to avoid “touristy” things and, instead, experience the destination as a long-term resident would.

The thing is, nobody ever actually wants to “live like a local” when they are traveling. Instead, they want to live like a romanticized, idealized version of a local that they have in their head, which generally means that they want advice on how to have a luxurious, personal experience that makes them feel like they are in a dream culture while they are away from their normal lives for a few precious days. In addition, they generally don’t want to be reminded of their utter foreign-ness; really, they want to be separated from other foreigners.

But for anyone who really wants to “live like a local,” the real anwser to these requests is simple, but not easy. Here are ten universal tips for how to actually live like a local no matter where you go.

[image: "Local transportation, Kerala, India"]

1. Get a Visa that allows you to work, preferably with a route to citizenship.

If you want to understand local life, you will need to work, which means you will first need to get a visa that allows you to work legally.* One wonderful result: this will also allow you to stay in a place longer than a typical tourist. This visa could be a skilled worker visa, temporary worker visa, training or research visas, remote worker visas - you get the idea. Besides work, this visa will generally allow you to open a bank account, sign a lease for an apartment or house, pay taxes, and maybe even get a driver’s license. By hook or by crook, then, you need to get a visa that allows you to stay and make a living.

[image: "Stamford Raffles Statue, Singapore. He was a migrant worker."]

2. Use the Visa to get at least one job.

In most of the places I have gone, locals have at least one job, and, sometimes, two or three. Some of them are simply making money to survive; some are pursuing their passions; others are working multiple side hustles (backyard chickens for eggs, taking in sewing, etc.) to just make a few extra cents, knowing that a diversified income stream might help in hard times. To really live like a local, you need to do the same - get a job, no matter what that job might be (as long as it’s local - remote working for a “distributed” company doesn’t count). Having at least one source of income will also help you better understand things like local taxes, payment systems, work culture, bargaining, and the financial pressures that locals face. Plus, you get to make money! Whatever the job, working a local job is the second step to really living like a local.

[image]

3. Work really, really hard.

In London, people hustle two jobs just to be able to afford a closet-sized room; floor space that extends beyond the foot of their bed is often a sign of a connection to organized crime (or oil money). In New York, banks are under pressure to cap their junior worker office hours to something like 70 hours a week; in China, and indeed in much of Asia, 70 hours a week sitting at a desk sounds like a cute vacation compared to the drudgery of their low-paid factory jobs. In Cairo and Chicago, Lusaka and Luanda, Boston and Bangkok, people keep their noses to proverbial (and sometimes literal) grindstones.

You get the idea. Locals often work extremely hard to survive wherever they are living. If you want to live like a local, you will have to as well. The third step, then: hustle as hard as you do back at home to make a living.

[image: "I met this guy at 11 p.m. in Kochi, India. He was selling vegetables in a market. He also had a day job in a shop, and was a lead actor in a local television show - his moustache helped him land a role as a gullible police chief."]

4. Learn the language

Learning the local language is non-negotiable. It’s not enough to have a few key words or phrases poorly memorized from a guidebook - you’ll need to be able to plead with a parking officer to not give you a ticket, ask the butcher how spicy the sausages are, understand what the bus driver is telling you to do with your shopping bags when the bus is crowded, and be a part of the inside jokes at work. Even if your job is to speak your native tongue, you need to learn to communicate in a different one; learning the local language is critical to going to a new place and “living like a local.”

[image]

5. Know where to shop

Harrod’s, Liberty, Selfridges - I don’t have the numbers, but I would bet that these stores aren’t profitable because London residents shop at them. Instead, their broadest customer base is likely tourists who want to walk out of their storied doors with ostentatious shopping bags that show others that they have shopped somewhere fancy. I’d bet the same applies to the Hermes and Louis Vuitton stores in Paris, or the Prada and Zegna stores in Milan; the clerks won’t be speaking English or Mandarin by accident.

When people want to live like a local, they want to be told to go to the fancy shops, because they often imagine that locals - at least in Europe - have extravagant lifestyles. But. The bulk of Londoners won’t get onions at Fortnum and Mason, and the majority of actual Parisians aren’t walking around with Birkin bags. Instead, for food, they will go to Tesco or Carrefour; for clothes, they probably shop at H&M or Mango. Perfume? Sephora, or maybe just whatever is available at the local pharmacy. Other daily needs? Sigh…probably Amazon.

The lesson: if you really want to live like a local, avoid luxury shopping binges; they won’t serve you. Instead, follow the crowds and go mass-market. It’s what the locals do.

[image: "Bangkok. The most wonderfully friendly and delicious fruit stand I have ever been to."]

6. Get stuff.

I don't mean, have things that you collect – I mean, accumulate, accumulate, accumulate. We live in an age of material abundance, and people everywhere, whether we're talking about California or Crete or Cambodia, accumulate lots of stuff, and don't get rid of it. If you want to really live like a local, forget about traveling light, or minimizing your footprint. When you find those local stores, go into debt supporting them.

7. In your free time, don’t go out. Instead, drink at home while binge-watching Netflix.

The vast majority of people, no matter where they are, spend a huge amount of their free time at home, staring at screens, regardless of whether they are with their families or alone. They don’t read books; they don’t go to exhibitions; they don’t join clubs. They look at their screens, often watching videos made by people who live completely different lives thousands of miles away.

If you really want to live like a local, try as much as possible to do the same – don't go out to the theatre, don't go to museums, don't go on tours to learn anything. Opportunity to engage with real people? Skip it. Chance to build a community, however temporary? Pass. Instead, buy a couple of bottles at the grocery store around the corner, take them home, and focus on a screen.

(Like the one you’re looking at right now.)

[image]

8. Walk down the street staring at your phone.

Similar to six: none of this “seeing the world around you” or “interacting with other people” malarky. No matter where you are, no matter what the culture is, hordes of people now walk down the street staring at the their phones, ignoring everyone and everything around them. You might be in the most beautiful, vibrant, interesting place in the world, and you can bet that people are not paying attention to it because of social media. If you want to live like a local, do the same. You get bonus points if you also have noise-cancelling headphones on so that sound and sight - the two most important senses for perceiving danger - are mostly taken away from you.

[image]

9. Rage against bureaucracy and an inefficient government.

Local and national governments everywhere seem to be run by complete morons, people who should not be trusted with their own credit cards, much less a sizeable budget or real power over others. You’ll soon start seeing problems with potholes, trash collection, public transportation, construction corruption - the list goes on and on. It’s important to know exactly what the problems are with wherever you are so that you can move on to step ten…

[image]

10. Leave.

Of the fifty people I was closest to from high school in San Diego, California, I know of four who stayed in the 619 area code. When I lived in LA, my closest friends planned to go to Portland, Chicago, Boston, and New York for more sophisticated culture or more interesting work, forgetting that half of the people in California are refugees from these colder cities. In Barcelona, people talked openly about going to Berlin or London (or, secretly, Madrid), where there was more opportunity; people in Berlin and London dream of moving to Barcelona for the weather and lifestyle. In Cleveland, people wanted to live two hours south, in Columbus, which they believed (accurately) was safer and more prosperous; when I visited Columbus, people talked longingly of moving to Cleveland, which they believed (accurately) was way more fun and interesting. People in Budapest couldn’t believe I was from California; why didn’t I stay there, in such a beautiful place? And people in Scotland regularly ask why I left America, while Americans think I am a genius to get out and establish a life in a place that isn’t batshit crazy.

No matter where people are, it seems that they want to leave, that the grass is always greener. So, if you want to really be like a local, ignore the good things about where you live. Don’t love where you are and don’t appreciate what you have. Instead, covet whatever it is that people have elsewhere, and do whatever you can to go somewhere else for at least a while - and possibly forever, if you can get the right visa.

That’s it. If you really want to live like a local someplace you are traveling, it’s a simple path, but not always easy. Thoughts? Pop them below. "]]></description>
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    <title>Best Made Co. – Best Made Company</title>
    <dc:date>2025-08-22T20:45:07+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["OUR PHILOSOPHY

Deep satisfaction can come from making a quality product: honing your craft, obsessing over every detail, and transforming a raw material into a functional, beautiful object. 

Likewise, satisfaction can come from using a quality product: cutting with a well-balanced knife, writing in your favorite notebook, or wearing a jacket that fits just right. These objects make you feel better – you just look forward to using them. And as you use them, you become familiar with how they work, you learn about their materials and how to repair and maintain them. Over time, you make these objects your own.

Making, buying, using, and owning quality products should uplift everyone at every stage of a product’s life. In the disposable age of planned obsolescence, prioritizing quality is a responsible and optimistic path forward.

WHO WE ARE

Since 2009, we’ve made quality apparel and tools – products integral to work  and adventure. We source the highest quality materials and partner with some of the finest makers to create fewer products, better.

We have always been obsessed with quality. But quality is elusive, so much depends on the beholder. Through our eye, and for a product to be branded “Best Made”, it has to check a few boxes:

1. Utility: a product should function and serve a valuable purpose (big or small).

2. Durability: a product should stand the test of time; it should be both physically durable, and emotionally durable (i.e., desirable). 

3. Relevance: a product should meet real world needs in a meaningful way.

4. Responsibility: a product should benefit the people who make it and their communities, and have as little impact on the environment as possible.

5. Wonder: a product should have intangible qualities that defy expectations.

There is no formula here. So often it just boils down to holding one of our axes, or wearing one of our jackets– at which point you’ll know what we mean by “Best”.

WHERE WE COME FROM

I grew up on a small farm in Canada. I spent my early career as a designer living in New York City. In 2009, I founded Best Made. Our first product was an axe: an evocative artifact of my past, the oldest tool known to humankind, the paragon of utility.

With the axe as our perch, we went on to develop many products, including first-aid kits, hand-spliced ditty bags, a bomb-proof waxed jacket, cloth extension cords, and a base layer made in the USA from American wool.

Like clockwork, every Wednesday at noon we’d send an email announcing our latest new product. Who knew what would be released next week? Sometimes I didn’t even know. This was the early days of e-commerce. Back then our business model was in service to this wonderfully eclectic assortment, united by our obsession with quality. 

Soon enough we opened stores in New York City and Los Angeles, and we were sending our catalog the world over. Our product assortment and our business model got bigger and more refined, and I got more ambitious. I brought in investors, and together we set our sights to be the next great American outfitter. And so, we grew – and eventually our business grew apart from what once made us so special. 

I couldn’t reconcile what we’d become, and I made the tough decision to leave. Soon after the company was disbanded and sold. I went on to write a book, which felt like my farewell ode to the axe, and to Best Made. I moved to the country and built a new workshop. I taught myself to sew and slowly but surely, I reconnected with craft and working with my hands.

And then, in July 2023, I received a phone call.

The call was an offer to buy Best Made back. I was intrigued, but as reality set in, I panicked: how could I start all over? How could I do this without my team? It would never be the same again. It would never be the same again indeed. And that’s exactly why it was worth doing. Times have changed, but the values my team and I worked so hard to instill — this quality-driven mission — is more relevant than ever. 

In October 2023, I got my company back. Soon after, I put out a call to my old team, and we met at Tom & Jerry’s, my favorite bar in New York City. Together we raised a few glasses to Best Made. And then it was time to get back to work.

– Peter Buchanan-Smith, Founder

WHERE WE'RE GOING

As we rebuild, we’re doing so from the ground up. The joy, the reward, and the meaning of our work are more wrapped up in the process of making, and less in the outcomes. Rebuilding Best Made is itself a process of making, and that will take some time. 

In many ways, we’re a brand-new company, and in many ways, we’re not. We get to be both at once. We have fifteen years under our belts, but we plan to take Best Made to places we’ve never been before. As we forge ahead, we do so with certain goals:

1. Our Product. We’re relaunching with an axe, but there is a steady stream of new products on their way, including classic Best Made favorites, iterations and improvements on past products, and brand-new developments. There will be more emphasis on apparel, particularly outerwear and workwear, as well as on the materials that go into making our apparel. We hope to expand into new product categories. 

The Best Made constellation of products will be united not just by quality, but also by environmental and ethical standards. We’re more committed than ever to sourcing locally grown materials and/or materials manufactured in the USA. This gives us close access to our product’s development and the labor conditions under which they’re made. We also work locally because we believe that the act of making quality products uplifts communities close to home.

We take pride in our materials and manufacturing partnerships – the most critical components of our success. As we grow, we’re committed to the implementation of accountability protocols and certifications. We will find every opportunity we can to optimize our supply chain, lower our waste, and minimize our carbon footprint. We also plan to offer our customers an internal resource for the repair, restoration and maintenance of their purchases.

2. Our community. Best Made has always been grounded in human experiences. Our first product – the axe – was designed to inspire our customers to spend more time around the campfire. Our products are designed to be used, maintained, and repaired by human hands. Likewise, our products are made by human hands. Going forward we will build community around craft, and through the use, knowledge, and making of our products. Our future hinges on dialogue with our customers, and we’re excited to pick back up with them: the makers, adventurers, tinkerers, and curiosity seekers. We’ll forge this new chapter together. 

3. Our channels. We are committed to a holistic and deliberate approach to retail, and this includes the introduction of our short– and long-supply assortment strategy. A notebook or a pair of socks can be manufactured on a larger scale. A hand-forged axe – not so easy. By offering our products in short-supply, in limited editions, or on a prerelease basis, we minimize waste, we virtually eliminate the burden of unwanted inventory, and we uphold quality. 

Our products are designed to last. They are meant to be used – not upgraded or replaced every other year. By organizing and publishing our past products in our online product Archive, we hope to empower our customers with information about what they own – where the product came from, the materials used to make it, and how to care for that belonging – and in doing so we extend our product’s life even further. 

We have plans for a robust repair program, and we hope to bring our famous workshop and restoration series back. We want Best Made to be experienced in a more tactile form, and that will also include print publications, and eventually a return to brick-and-mortar stores.

4. Our company: The quality of our products and our customers' experience will always be our main priorities: both come before the scale of our company or the pace at which we grow. We are independently owned and operated. We are committed to slow and deliberate growth that does not jeopardize our philosophy or our goals. 

Best Made has been given an unparalleled opportunity to grow from our mistakes and forge ahead in new, unchartered directions. We’re just getting started. We’re in this fertile process of starting over, and that process could last months, even years – hopefully a lifetime."]]></description>
<dc:subject>madeinamerica madeinus gifts shopping clothing accessories apparel notebooks gear utility wonder durability responsibility relevance peterbuchanan-smith handmade craft craftsmanship materials making manufacturing makers sewing waste supplychain repair restoration maintenance workwear appearel</dc:subject>
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<item rdf:about="https://www.sfchronicle.com/bayarea/article/grocery-stores-online-shopping-20775964.php">
    <title>Bay Area grocery habits are changing supermarket store designs</title>
    <dc:date>2025-07-27T21:24:23+00:00</dc:date>
    <link>https://www.sfchronicle.com/bayarea/article/grocery-stores-online-shopping-20775964.php</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>groceries grocerystores sanfrancisco rachelswan 2025 elcerrito bigboxstores safeway wholefoods amazon albertsons ecommerce shopping instacart nicholasbloom daverochlin covid-19 coronavirus pandemic stephaniejohnson scottbaker janaobradovic 2020 santiagogallino delivery deliveries traderjoes costoco retail</dc:subject>
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<item rdf:about="https://www.beyondthedial.com/post/e32-the-aesthetic-revolution-will-be-beautiful/">
    <title>Podcast Insights E17 - The Aesthetic Revolution (Will Be Beautiful) - BEYOND THE DIAL</title>
    <dc:date>2025-07-24T23:13:12+00:00</dc:date>
    <link>https://www.beyondthedial.com/post/e32-the-aesthetic-revolution-will-be-beautiful/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What started as a cute aphorism has grown into a socio-economic theory. Allen works his way through the assumptions that make up this theory, drawing on personal memory, Marxist and Anarchist failures, Pan-Indigenous Environmentalism, and, of course, horological love. The goal? Nothing short of transforming Late Capitalism through our built-in human love of Beauty."

[Also here:
https://podcasts.apple.com/us/podcast/insights-e17-the-aesthetic-revolution-will-be-beautiful/id1472733566?i=1000474649630
https://open.spotify.com/episode/350bhPLlRJLgrDipWJzcVI ]]]></description>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=eAdjgEGRIz4">
    <title>America's Shopping Addiction! - YouTube</title>
    <dc:date>2025-04-27T18:29:41+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=eAdjgEGRIz4</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["For decades, the American consumer has powered not just the world's biggest economy but the entire global economy. According to the World Bank – Americans make up around one third of global consumer spending but are only 4% of the global population.  We should only be so surprised by this – Americans are amongst the most productive workers in the world and thus are amongst the best paid – the fact that they are both busy and highly paid makes them naturally big consumers."]]></description>
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<item rdf:about="https://www.rootsoffight.com/">
    <title>Roots of Fight</title>
    <dc:date>2025-02-10T22:07:55+00:00</dc:date>
    <link>https://www.rootsoffight.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Roots Of Fight™ is a media, lifestyle and apparel brand that celebrates the improbable achievements of today’s most legendary athletes, innovators, and cultural icons. Our mission is to create high-end art, apparel, and experiences that do justice to each figure’s unique battle for greatness. Each story we tell depicts the unending fight at the root of every human triumph."]]></description>
<dc:subject>gifts shopping clothing sports athletics sweatshirts apparel</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://www.watchcrunch.com/red.john/posts/guys-we-ve-been-exposed-in-the-first-chapter-no-less-34134">
    <title>Guys, we’ve been exposed. In the first Chapter, no less. | WatchCrunch</title>
    <dc:date>2025-01-28T20:39:43+00:00</dc:date>
    <link>https://www.watchcrunch.com/red.john/posts/guys-we-ve-been-exposed-in-the-first-chapter-no-less-34134</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["[image of a book page with the first paragraph highlighted]

The Righteousness of Entitlement... 37

One solution to the problem of unnecessary purchasing is to justify it as collecting so, not surprisingly, collecting of every kind is on the increase. Flow much more satisfactory for the ordinary shopper to be reclassified as a collector, with the term's suggestion of professorial expertise and connoisseur's discrimination, and for the useless junk to become collectibles, a word suggesting not unjustifiable extravagance but canny investment. And the compulsive purchaser of books and CDs can do even better. Buying these is not shopping but 'building a library'.

Travel is also based on expectation. The new place will be different in so many unexpected ways, inspirationally exotic, and a new transfigured self will be born. But the new place, though probably warmer, is still just another place, with sky, buildings, people and trees and the dreary old fretting self has insisted on coming along for the trip. In The Art of Travel Alain de Botton tells a story about a Caribbean holiday with a girlfriend. Before setting off, they dream of a new harmony inspired by beaches, blue seas, palm trees and magnificent sunsets, hut, as soon as they arrive, they end up arguing about the size and appearance of their restaurant desserts. They both get the same dessert but his portion is better presented whereas hers is bigger. She swaps them over and justifies pleasing herself by claiming she is pleasing him. They quarrel and return to the hotel in a resentful sulk, oblivious to the glorious scenery that was supposed to inspire them.5° We have all had experiences like this — and conveniently forgotten them. For the next holiday is already lined up and will surely bring true bliss."

[image of the cover of the book:

The Age of Absurdity: Why Modern Life Makes It hard to be Happy, by Michael Foley
https://www.theguardian.com/books/2010/feb/21/the-age-of-absurdity-foley
https://www.theguardian.com/books/2010/apr/10/age-absurdity-modern-life-foley
https://books.google.com/books/about/The_Age_of_Absurdity.html?id=6MpGPQAACAAJ
https://www.amazon.com/Age-Absurdity-Modern-makes-Happy/dp/1847396275

"In a wry take on how contemporary culture is antithetical to happiness, Michael Foley paints a philosophical but hugely entertaining portrait of the cultural landscapeand comes up smiling

The good news is that the great thinkers from history have proposed the same strategies for happiness and fulfillmentthe bad news is that these turn out to be the very things most discouraged by contemporary culture. This knotty dilemma is the subject of Michael Foley's wry and accessible investigation into how the desirable states of well-being and satisfaction are constantly undermined by modern life. He examines the elusive condition of happiness common to philosophy, spiritual teachings, and contemporary psychology, then shows how these are becoming increasingly difficult to apply in a world of high expectations. The common challenges of earning a living, maintaining a relationship, and aging are becoming battlegrounds of existential angst and self-loathing in a culture that demands conspicuous consumption, high-octane partnerships, and perpetual youth. Ultimately, rather than denouncing and rejecting the age, Foley presents an entertaining strategy of not just accepting but embracing today's worldfinding happiness in its absurdity."]

[See also, where the same quote is posted in the comments:

https://www.watchcrunch.com/Niek1991/posts/are-we-sometimes-mistaking-watch-collecting-for-consumerism-717108
https://pinboard.in/u:robertogreco/b:7ae578b0c90f ]]]></description>
<dc:subject>collections collecting consumerism consumption capitalism michaelfoley shopping accumulation</dc:subject>
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<item rdf:about="https://www.watchcrunch.com/Niek1991/posts/are-we-sometimes-mistaking-watch-collecting-for-consumerism-717108">
    <title>Are We Sometimes Mistaking Watch Collecting for Consumerism? | WatchCrunch</title>
    <dc:date>2025-01-28T20:28:19+00:00</dc:date>
    <link>https://www.watchcrunch.com/Niek1991/posts/are-we-sometimes-mistaking-watch-collecting-for-consumerism-717108</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I’ve noticed a trend in the watch community that I can’t help but reflect on. It seems like many collectors are picking up a new watch almost every month, and while I completely understand the thrill of acquiring something new, I wonder if this constant cycle risks turning our passion into simple consumerism.

For me, collecting watches is about more than just owning as many pieces as possible. It’s about connecting with them, enjoying them, and creating memories with them.

When we’re constantly chasing the next piece, are we really giving ourselves the time to appreciate what we already have?

I’m not saying we shouldn’t buy new watches—after all, they’re a huge part of our passion—but maybe we should take a step back and ask ourselves: Are we buying out of love for the craft or just for the dopamine rush of something new?

Let’s take our time, enjoy what we have, and create stories with the watches that are already in our collections. I think in the long run, that’s where the real satisfaction lies.

What are your thoughts?"

[from the comments:

@red.john:

"I’ll just repost something I’ve read months ago (The Age of Absurdity by Michael Foley) [first paragraph highlighted]:"

<blockquote>One solution to the problem of unnecessary purchasing is to justify it as collecting so, not surprisingly, collecting of every kind is on the increase. How much more satisfactory for the ordinary shopper to be reclassified as a collector, with the term's suggestion of professorial expertise and connoisseur's discrimination, and for the useless junk to become collectibles, a word suggesting not unjustifiable extravagance but canny investment. And the compulsive purchaser of books and CDs can do even better. Buying these is not shopping but 'building a library'."

Travel is also based on expectation. The new place will be different in so many unexpected ways, inspirationally exotic, and a new transfigured self will he born. But the new place, though</blockquote>

more of that page posted here:
https://www.watchcrunch.com/red.john/posts/guys-we-ve-been-exposed-in-the-first-chapter-no-less-34134
https://pinboard.in/u:robertogreco/b:a074753af2f2 

See also:

The Age of Absurdity: Why Modern Life Makes It hard to be Happy, by Michael Foley
https://www.theguardian.com/books/2010/feb/21/the-age-of-absurdity-foley
https://www.theguardian.com/books/2010/apr/10/age-absurdity-modern-life-foley
https://books.google.com/books/about/The_Age_of_Absurdity.html?id=6MpGPQAACAAJ
https://www.amazon.com/Age-Absurdity-Modern-makes-Happy/dp/1847396275

"In a wry take on how contemporary culture is antithetical to happiness, Michael Foley paints a philosophical but hugely entertaining portrait of the cultural landscapeand comes up smiling

The good news is that the great thinkers from history have proposed the same strategies for happiness and fulfillmentthe bad news is that these turn out to be the very things most discouraged by contemporary culture. This knotty dilemma is the subject of Michael Foley's wry and accessible investigation into how the desirable states of well-being and satisfaction are constantly undermined by modern life. He examines the elusive condition of happiness common to philosophy, spiritual teachings, and contemporary psychology, then shows how these are becoming increasingly difficult to apply in a world of high expectations. The common challenges of earning a living, maintaining a relationship, and aging are becoming battlegrounds of existential angst and self-loathing in a culture that demands conspicuous consumption, high-octane partnerships, and perpetual youth. Ultimately, rather than denouncing and rejecting the age, Foley presents an entertaining strategy of not just accepting but embracing today's worldfinding happiness in its absurdity."]]

]]></description>
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<item rdf:about="https://www.mrporter.com/en-us/journal/lifestyle/life-lessons-people-tokyo-japan-style-food-24538500">
    <title>Lifestyle: 33 Ways To Improve Your Life, Japanese Style | The Journal | MR PORTER</title>
    <dc:date>2025-01-12T00:56:46+00:00</dc:date>
    <link>https://www.mrporter.com/en-us/journal/lifestyle/life-lessons-people-tokyo-japan-style-food-24538500</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Tokyo is a city of extremes. The beating heart of Japan – at least since it took over from Kyoto as the country’s capital in 1868 – it is now the largest metropolis in the world, a forest of glassy skyscrapers, inner-city temples and hidden ramen shops, not to mention some of the best menswear on the planet. A short walk around Shibuya will leave even the most style-conscious man from elsewhere feeling entirely underdressed. Why else do you think MR PORTER stocks so many Japanese brands?

Still, to the uninitiated, Tokyo – and by extension Japan as a whole – can be an inscrutable place. How do so many people live on top of each other? Why is the food so good? And why are people so well-dressed? Here, a few of our favourite Japanese experts (and experts on Japan) divulge a few ideas on what we can learn from life in the Japanese capital, and beyond.

01. Enjoy the silence
Tokyo might be home to nearly 14 million people, but apart from the jingles you’ll hear at the train stations and in the convenience stores, it can be surprisingly quiet. “Very few people speak on the trains,” says Mr Paul McInnes, senior editor of Tokyo Weekender magazine, who has lived in the city since 2000. “It’s a wonderful way to have some quiet space and think about your day.”

02. Be happy in your own company
Tokyo can be a lonely place, but it’s also somewhere that people have learned how to deal with being alone. “People just don’t worry about doing something on their own and it doesn’t feel weird because everyone’s doing it,” says Ms Kaori Oyama, a Tokyo-based producer who used to work for Beams in London – and is more than happy to go solo dining. “You can go to the cinema or go and eat ramen and not have to wait for someone to come with you.”

03. Be a detail-oriented shopper
One secret to that aforementioned knack for being well-dressed? It’s all in the details. “The Japanese mentality is very detail oriented,” says Mr Eiichiro Homma, the founder of Tokyo-based menswear brand nanamica. “When it comes to small things like the inner shirt or shoes and accessories, that’s what we focus on.” From fabric to silhouette, pay attention to it all.

04. Find your inner otaku
If there’s one thing the Japanese have mastered, it’s how to have an overly specific hobby – and we’re not just talking anime and manga. “There are so many galleries and museums dedicated to some unbelievable niches,” says McInnes. “Tobacco & Salt Museum, Meguro Parasitological Museum, ramen museums, cup ramen museums!” It’s testament to Japan’s all-in approach when it comes to doing something you love. So, if you have a passion, no matter how individual, this is your cue to follow it.

05. Appreciate your connection to nature…
“Japan’s connection to nature is a deep and integral part of its cultural heritage,” says Mr Max Mackee, the British-Japanese CEO of Kammui, an outdoors-focused travel platform (founded alongside Japanese streetwear legend Mr Hiroshi Fujiwara). “Japanese indigenous beliefs held that spirits reside in all natural objects that must be respected and revered.”

06. …And be inspired by it
“Nature is a source of inspiration, from the various festivals, or matsuri, to social activities like cherry blossom viewing enjoyed throughout the year,” Mackee says.

07. Be mindful of every moment
“Japanese culture has always valued the state of ‘mindfulness’,” Mackee says. “This shows up in various parts of Japanese culture, from traditional Buddhist meditation practices, to the consideration and respect shown to others.” The transience of cherry blossom season in April is the clearest example of this: “They bloom only for a very short moment, and that moment passes.”

08. Get your rice right
“We never boil and drain our rice,” says Ms Emily Lucas, Producer at MR PORTER, who grew up in Tokyo. The Japanese way to do it? “Always start by soaking it first (to rinse off the starch), then add it to your rice cooker or pot. You can cook it in a regular pot, but for extra points invest in a donabe, or Japanese clay pot. I use the knuckle method to measure the ratio between rice to water. Cook for 15 mins, then leave to rest for 20 – you’re left with perfect fluffy rice. Not wet or soggy rice that you get if you just boil and drain.”

09. Revel in variety
“Japanese food always has a range of different dishes, so you can eat a lot of different types of food in one meal,” Lucas says. “Japanese breakfast alone often offers more vegetables and nutrition than the average Western meal. I particularly enjoy the element of slow living and taking the time to sit down and enjoy a proper meal in the morning.”

10. Invest in a good pair of slippers
“No shoes in the house – this is a given,” Lucas says. “Even barefoot in the house is frowned upon. Slippers, always.”

11. Don’t answer your phone in public
Next time your phone rings in a crowded area, consider hitting mute. “Public phone calls are a big no-no in Japan and on the train and bus you’ll often hear announcements warning against it,” Lucas says. “This is a courtesy to other people – no one wants to hear your phone chat, especially first thing in the morning on the way to work.”

12. Take inspiration – but with respect
The Japanese are perhaps the world’s best cultural appropriators. From curry to omelettes to fashion, Japan takes from other cultures and makes it their own. Just look at how KAPITAL makes better denim in Okayama than the American denim that inspired it. “In Japan, we excel in applied science,” Homma says. “We can’t go from zero to one, but if we can find one, then we can go straight to 200.” Again, referencing that detail-oriented mindset, he says: “If the Japanese make a garment, it’s usually higher quality and detail oriented. It becomes more sensitive.”

13. Get in tune with the seasons
As people in the country love to tell you, Japan has four seasons. So do a lot of other places, you might think, but it’s taken particularly seriously here in everything from food to decorations. “Japanese are very keen on seasonal ingredients, from fruits in summer to the oden, which pervades every konbini [store] during autumn and winter,” McInnes says. “Even the beer-can designs receive an update such as the cherry blossom designs in late March and April.”

14. Steel your sense of discipline
For Mr Kodo Nishimura, a Buddhist monk, LGBTQIA+ activist and the author of This Monk Wears Heels, the key thing that he learnt growing up in Japan was self-discipline. “Especially when I was in training to become a monk, we had to chant for hours and hours every day for three weeks,” he says. “One time, I started coughing non-stop and spat blood, another time, almost fell asleep standing up while chanting. What I learnt from these tough experiences is that, even if something looks impossible, it is possible. My ability is beyond my imagination.”

15. Balance out city life with the outdoors
“In the big city, everything is available 24 hours a day,” Homma says. “It’s very convenient on one side, but it’s a very fixed, ready-made life.” To combat life in the concrete jungle, outdoor pursuits have become increasingly popular in Tokyo – Homma goes sailing at the weekends. “I can feel the vibes of the Earth. If I go sailing on Saturday, I can forget about everything from Monday to Friday and forget about work, it’s how I regenerate my mind.”

16. Take your trash home
One of the main things the rest of the world can learn from Japanese culture? “Cleanliness,” says Ms Kylie Clark, a consultant and specialist in all things Japan. “Japanese sports fans have become known for cleaning up stadiums after matches, and one of the many things that strikes visitors to Japan is how clean it is. It’s not difficult to take responsibility for our own trash and surroundings.”

17. Bathe at night
“I think we take more baths and showers than everyone else,” says Mr Taka Miyake, founder of Tokyo-based skincare brand euer. “And we always bathe at night, so that your sheets stay clean. Some of my friends never ever skip having a bath. Even if they get home super drunk, they’ll still have a bath or shower before getting into bed.”

18. Get yourself an onsen routine
Public bathing is also big in Japan, which is why you’ll find so many onsen, or hot springs, across the country. A good skincare and haircare routine when bathing is a must, and not just for hygiene reasons. “It’s not only cleaning your own body, but cleaning your mental state and your soul as well,” Miyake says.

19. Become a Konmari minimalist
“People don’t generally get to live in spacious apartments, especially in Tokyo, so people think more minimalist here,” Miyake says. He references Ms Marie Kondo (known here as Konmari), the minimal cleanliness expert known for vapourising anything that doesn’t “spark joy”. It’s a clever way to stay clutter-free. “We can’t live in wide spaces, so we know how to live in a small space” Miyake says. “I just stopped buying things that aren’t necessary. I know I’ll throw it away because it’s not going to fit, and I want to keep things tidy.”

20. Become a super-queuer
“On the busy train platforms in Tokyo, we always try to keep a line,” Miyake says. “Even at a bar when you’re waiting to get a drink, we queue up.” And we thought the British loved a queue.

21. Revel in being cheap
Cheap is not a dirty word in Japan – and it’s not a byword for bad quality either. “There’s a word in Japanese called puchipura, which means cheap cosmetics that are still high quality,” Miyake says. “It’s about adjusting your lifestyle to your budget, but still enjoying luxuries when you can.”

22. Quality over quantity, every time
On the other hand, the occasional splurge is important. “People invest in things here and like to save up for something special,” Oyama says. This could be a cashmere coat or leather jacket that they’ll keep for decades, or just a solid pair of gloves. “Income isn’t generally that high in Japan, but at the same time people have more discipline with their money.”

23. Maintain your clothes
And when you have saved up to buy something special, take care of it. “It’s like if we buy a great pair of shoes or even a knife and mend it as we use it, and maintain it,” Oyama says. “People are really good at being respectful for things.”

24. Love the small stuff
This approach is rooted in Japanese culture in general, in nature, but also in things that have been lovingly crafted by hand. “It’s the way we kind of think there’s a soul even in small objects, so we treat them better,” Oyama says.

25. Be reliable
Japan might not be as punctual as its reputation suggests (“My friends are always late to meet me,” Oyama says). But people generally keep their promises. “If you call a plumber, they’ll come in immediately,” she adds. “It’s not always the case, but generally in Japan, people care more about other people’s time.”

26. Always follow the rules
Japan loves rules. Suffocating? Yes, but it makes the machine run smoothly. “People love to follow rules here,” Oyama says. “It can be tiring, but at the same time it means that generally you know what to expect.”

27. Don’t talk to strangers
“People just don’t talk to strangers here, so it means spontaneous things don’t really happen,” Oyama says. “On the one hand, it’s quite sad. But at the same time, we respect each other’s space, which can be a good thing, too.”

28. Get into washoku
Traditional Japanese food, known as washoku, is some of the healthiest in the world. “We study about healthy eating and nutrition at school and we learn cooking from six years old [at school],” Nishimura says. From onigiri (rice balls) to soba (buckwheat noodles), there are plenty of washoku staples that are easy to find globally and make nutritious additions to any diet. “Japanese food helps people to stay healthy and keeps us looking youthful inside and out,” Nishimura says. “My recommendation is to replace soda with iced green tea.”

29. Drink your sake with pizza
Looking for the perfect pairing for your margherita? “Try a junmai-style sake with pizza,” says Clark, who is a certified sake sommelier. “The umami in the tomatoes and cheese are a great match with the umami in sake.” She has some other useful sake-pairing tips, too: “For light fish dishes, mussels, or oysters, try a sparkling sake or a fruity junmai daiginjo. Red wine drinkers should look for the words kimoto and yamahai on the label, as sakes made using these traditional production methods tend to be bold and complex.”

30. Always bring back a gift
Never show up empty-handed after a trip. “I am a big fan of the Japanese custom of buying local food and drink when travelling, otherwise known as omiyage,” Clark says. “I’ve adopted this custom on a more personal scale, seeking out things to bring home to support local producers whenever I travel, like yuzu kosho from Japan, chilli peanut butter from the Netherlands (it’s a big thing there), or a bottle of Wye Valley mead from a trip to Wales.”

31. Try shiatsu
Japan might have done a good job of exporting its culture when it comes to sushi and Studio Ghibli, but Japanese-style massage – also known as shiatsu – is less-widely known. “It’s like acupuncture, but uses finger pressure instead of needles,” Clark says. “Seek out a practitioner in your nearest city and try it.”

32. Grow your own shiso
Shiso is a herb ubiquitous in Japanese cuisine, that has a unique and vibrant flavour. It’s easy to find if you’re in Japan, but can be expensive elsewhere. “So, grow your own,” Clark says. “I have so much of it growing here in London that I make jars of miso-shiso pesto with it.”

33. Always hand in lost property
Everyone’s heard the stories – you lose your wallet in Japan, and it finds its way back to you without a single yen missing, at least most of the time. “You just can’t lose your stuff in Japan,” Miyake says. “People pick it up and hand it to the police station, even your phone and wallet. It’s about having respect for another person’s things.”"]]></description>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=LU2QBuLSuHM">
    <title>My $400 AI shopping haul: how AI is changing the way we shop - YouTube</title>
    <dc:date>2024-03-25T20:53:25+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=LU2QBuLSuHM</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Generative artificial intelligence is all over the online shopping space — but has that actually made the experience better? The Verge reporter Mia Sato did a try-on and review of clothes by the AI fashion brand Finesse. And afterwards, she tested AI-powered e-commerce tools that generate images and product descriptions. Presented by Intel #AI #Technology

Read more: https://www.theverge.com/24087909/ai-shopping-tools-fashion-tech-finesse-pebblely-ecommerce 

00:00 Intro
00:35 AI shopping tools
02:19 Finesse and AI fashion
04:48 Generative AI in other retail spaces
05:54 Our Finesse order arrives
06:07 Finesse try-on section
09:06 Using Pebblely AI shopping tool to resell our Finesse haul
10:26 Auto Generating our product description on eBay
11:21 Did AI Improve our shopping experience?"]]></description>
<dc:subject>ai generativeai artificialintelligence 2024 miasato shopping ebay etsy finesse retail socialmedia bigdata renderings instagram manufacturetopurchase fashion clothing apparel doordash knitting crafting amazon fastfashion shien teemu aliexpress pebblely textgeneration genai</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ac5fb06c5427/</dc:identifier>
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</item>
<item rdf:about="https://info.hands.net/en/">
    <title>Hands [Tokyu Hands]</title>
    <dc:date>2024-01-21T00:13:57+00:00</dc:date>
    <link>https://info.hands.net/en/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Our concept is "Create your own life in your own way with what is available within reach."
We believe that is the most valuable part of living.

We have entered an age where, along with the Internet, we can get our hands on various items easily and quickly.
However, this is precisely the reason why it is necessary more than ever for us to provide each customer with the chance to make new discoveries and pick products according to their own unique perspectives in order to create a "creative lifestyle".

"You can find anything here" "Nowhere can match our prices"
Moving from a uniquely Japanese "everyday" to "special"
HANDS continues to deliver the opportunity to encounter new things, experiences, and people by offering a wide range of products.
Visit during your trip to Japan to find your very own "original"!"

[via:
https://remakepod.org/episode/070-che-wei-wang-and-taylor-levy-the-design-practice

See also:

"21 Reasons Why This Japanese Department Store Puts American Stores To Shame"
https://www.buzzfeed.com/eviecarrick/tokyu-hands-department-store-japan

"There are certain things that are just better in Japan. And one of them is the amazing department store Tokyu Hands."

https://en.wikipedia.org/wiki/Hands_(store)

"Hands Inc., known as Hands (ハンズ, Hanzu), is a Japanese department store formerly known as Tokyu Hands. Hands is now part of Cainz [ja] (itself a member of the Beisia Group [ja]). Tokyu Hands opened their first store in Shibuya, Tokyo in 1976 as a DIY (Do-It-Yourself) store, hence the logo with two hands, and the emphasis on crafts and materials for projects.[1]

The name Tokyu Hands was in reference to its then parent company, the Tokyu Group keiretsu. Cainz acquired the brand in March 2022 and renamed the store Hands.[2]

Today, Hands focuses on hobby, home improvement and lifestyle products. At the Shibuya flagship store, products include toys, games, novelty items, gift cards, gift wrap, costumes, bicycles, travel products (such as luggage and camping gear), hobby materials, household hardware, tools, do-it-yourself kits, pet supplies, office supplies and stationery; calligraphy, painting, drawing supplies, furniture, lighting, home appliances, and storage solutions.[buzzword]

Most branches offer free workshops (in Japanese) and have demonstrations running on various floors during busy periods (weekends and holidays). There is a delivery service available for purchases that cannot be taken home on the day.

The Ikebukuro location featured a cat café called Nekobukuro, or "Cat's House", one of the first in the city to do so. For an additional admission fee, customers could visit with some 20 cats in the cafe. However, the Ikebukuro location underperformed as a whole and was closed on October 31, 2021.[3]"]]]></description>
<dc:subject>shopping japan tokyo stores design gifts shibuya shinjuku shinsaibashi ginza tokyuhands</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=EdL85EP7s5M">
    <title>Your Amazon Returns Are Thrown in the TRASH - YouTube</title>
    <dc:date>2023-12-23T06:13:20+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=EdL85EP7s5M</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["So-called "free returns” aren’t free at all. In this video, I share the surprising truth about the lies corporations tell you to make you buy more, and what REALLY happens when you send it all back. 

SOURCES:
Consumers spend 1 trillion in 2022: http://tinyurl.com/yzfvb69t
A fifth of holiday spending done online: http://tinyurl.com/muv56j7p
Sales up 37% since pandemic: http://tinyurl.com/54ejzx7n
Amazon bought Zappos for 1.2 billion: http://tinyurl.com/2twu5htr
Consumers consider free returns most favored: http://tinyurl.com/3dp6633s
Consumers will pay more for free shipping: http://tinyurl.com/y2ct3sdj
Etsy instructed vendors to raise prices to disguise shipping fees: http://tinyurl.com/y2ct3sdj
Amazon Prime has 200 million members: http://tinyurl.com/4cd8e6fk
We return up to 40% of what we buy: http://tinyurl.com/2twu5htr
A minimal amount of returns ever make it back to the shelf: http://tinyurl.com/2twu5htr
“Apparel is like vegetables”: http://tinyurl.com/2twu5htr
34 billion pounds of textile waste: http://tinyurl.com/ytspevcv
Fashion industry destroys product to avoid resale: http://tinyurl.com/3bee84wa
Mountain of clothes in Chilean Desert: http://tinyurl.com/mr938t8x
Robots can’t sew: http://tinyurl.com/4jabjmz8
Child Labor: https://www.youtube.com/watch?v=_ve6BqXzbjw
Amazon delivery drivers pee in bottles: http://tinyurl.com/4fydumyx
Amazon warehouse workers pee in bottles: http://tinyurl.com/5ebdu6ea
Returns in landfills nearly doubled since 2019: http://tinyurl.com/32z37ufr
Some brands have their own secondhand stores: http://tinyurl.com/4pz72p7v
Lululemon founder blames women for see through pants: https://abc7news.com/archive/9317396/
Lululemon founder isn’t opposed to child labor: http://tinyurl.com/ycktb4er
Lululemon founder dishonest with SEC: http://tinyurl.com/2v6nx8yw"]]></description>
<dc:subject>amazon shopping waste shipping returns adamconover 2023 capitalism zappos chile atacamadesert disposability fashion fastfashion psychology landfills consumption us apparel shoes pandemic lululemon jeffbezos amazonprime childlabor labor exploitation atacama</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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</item>
<item rdf:about="https://www.theparisreview.org/blog/2023/08/30/passionate-kisses-the-soundtrack-at-cvs/">
    <title>The Paris Review - Passionate Kisses: The Soundtrack at CVS - The Paris Review</title>
    <dc:date>2023-09-03T03:28:28+00:00</dc:date>
    <link>https://www.theparisreview.org/blog/2023/08/30/passionate-kisses-the-soundtrack-at-cvs/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Hell is other people’s music. But whose music is the CVS soundtrack? The store’s music vendor is Mood Media, formerly Muzak. While that company made its name with what we’d today call original content—light instrumentals composed for background listening—it eventually pivoted into the playlist business, curating “channels” of already-existing vocal pop music for their clients."

...

"If you spend enough time shopping at CVS and listening to CVS-inspired playlists, you may begin to wonder if some rogue programmer is introducing subversive material into the mix. One Kinks song in the rotation tells of local cultural institutions being turned into supermarkets, and then parking lots. Domestic frustrations figure prominently. On the subreddit dedicated to the store, where overworked employees compare notes, one of the most discussed and most reviled songs is Mary Chapin Carpenter’s very nineties cover of Lucinda Williams’s “Passionate Kisses.” It’s a song about wanting more than the basic necessities—in other words, more than convenience store stuff. The chorus is a question: “Shouldn’t I have all of this, and passionate kisses from you?” Desperation creeps in as the song lopes along. The last verse finds the singer shouting, “Give me what I deserve, ‘cause it’s my right.” The consensus among CVS veterans seems to be that all this is “vapid and irritating,” if unintentionally funny at times. One employee reports that a coworker with an unrequited crush on her manager stares wistfully at the object of her affection for the duration of the song whenever it comes on. Another shares a vignette: “I vividly remember being violently hungover on a cold winter morning in New England, passionate kisses playing loudly in the background as someone’s grandma slowly searched her purse for coupons, fluorescent lights inescapable as I prayed for a swift end to my existence. Hell is real and I’ve lived it.”"]]></description>
<dc:subject>music cvs shopping algorithms 2023 via:javierarbona mitchrherieau soundtracks musak</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f9b558f7a95d/</dc:identifier>
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<item rdf:about="https://www.youtube.com/watch?v=nXUbkhl_uuQ">
    <title>The Real Cause of Poverty with Matthew Desmond - Factually! - 215 - YouTube</title>
    <dc:date>2023-06-21T20:36:46+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=nXUbkhl_uuQ</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The United States is one of the wealthiest nations on the planet, so why is it that our poverty rates surpass those of so many other countries? In this episode, sociologist Matthew Desmond shares a hard truth with Adam: we are constantly reinforcing wealth inequality in invisible ways. The good news is that we're capable of divesting from the ways we may inadvertently contribute to the system."]]></description>
<dc:subject>matthewdesmond poverty us 2023 adamconover waronpoverty history economics inequality sociology society affluence wealth policy housing taxes labor work evictions debt landlords stockmarket corporations dividends ownership land homes segregation investment investments wealthinequality indexfunds capitalism rent renting mortgages exploitation vulnerability security precarity unions shopping solidarity politicalwill children homeless homlessness finance banking losangeles government responsibility individualresponsibility structuralreform anxiety prosperity selfishness neighborliness communities community politics values fear abundance scarcity eviction</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f0bc81b7c84b/</dc:identifier>
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<item rdf:about="https://wolfstreet.com/2023/06/13/westfield-walks-from-mall-in-san-francisco-after-having-walked-from-malls-in-florida-screws-cmbs-holders-said-in-2021-itll-dump-all-malls-but-suddenly-blames-san-francisco/">
    <title>Westfield Walks from Mall in San Francisco, after Walking from 2 Malls in Florida &amp; others. Screws CMBS Holders, Said in 2021 it’ll Dump All Malls, but Suddenly Blames San Francisco? | Wolf Street</title>
    <dc:date>2023-06-13T15:44:09+00:00</dc:date>
    <link>https://wolfstreet.com/2023/06/13/westfield-walks-from-mall-in-san-francisco-after-having-walked-from-malls-in-florida-screws-cmbs-holders-said-in-2021-itll-dump-all-malls-but-suddenly-blames-san-francisco/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>malls wolfrichter 2023 sanfrancisco westfield retail economics brickandmortar online web internet shopping florida tulsa oklahoma behavior investment finance</dc:subject>
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</item>
<item rdf:about="https://jomc.substack.com/p/murder-by-bookcase">
    <title>murder by bookcase - by Joanne McNeil - All My Stars</title>
    <dc:date>2023-06-07T17:10:26+00:00</dc:date>
    <link>https://jomc.substack.com/p/murder-by-bookcase</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What I liked about it was it captured how eBay transformed shopping in the aughts, which I haven't seen discussed as much as say, Napster to music. For a time, eBay was a cheat code: if you were patient enough and clever with search terms—anything you wanted, you could find eventually at a price within in your budget, it seemed.

And on the selling side, there were people making money—resellers like Amoruso, finding on-trend clothing in thrift stores. They would make the pieces look desirable on eBay with detailed listings and great photography with their most model-looking friends modeling. (Random thing I remember: you'd find storefronts like Nasty Gal not by searching for "vintage" but for "sienna" because Sienna Miller was THE fashion icon of the moment for her basic boho style. Typical listings would have a subject line like, "Vintage Faux-Calfskin Fringe Boots. sOooo SiEnNa!!!”)

I don't care about the building the girlboss empire stuff, but wow, do I miss when eBay was good. In 2006 — when the show begins — I was living in a group house, sleeping on whatever bed the previous tenant had left. Beside me were stacks of thrift store sci-fi novels. (I vividly recall having to cut mildew off the sides of two Thomas Disch paperbacks that I hadn't read yet because I knew I was unlikely to find those books again). Years later I would learn that Jeremy Hammond was one of my roommates but that I don't remember him at all—that there were roommates I didn't even know—says everything about my living situation at the time.

And despite this, I had Prada shoes in my closet, Narciso Rodriguez dresses, Gucci bags. (I hate that this sentence makes me sound materialistic but these were things I searched for and found). That’s what was hanging in the closet in my room in my shitty group house. I was struck by the craftsmanship of the pieces, the quality of the fabrics and the full-grain leather. I regularly wore outfits that retailed for what could have covered a year's worth of my rent. The spoils of eBay tricks: saving searches for a designer's name spelled wrong (“narscisco”), getting broken things — broken zippers that could easily be fixed, stains that could be hidden with a new hemline, etc. And if I didn't like the clothing that came in the mail, or if I got tired of it: I'd take better photos of it, write better copy for a listing, and sell it for more than I paid for (never could-make-a-living-off-this money, but, go-out-to-eat-several-times-a-month money).

It never occurred to me that reselling would scale—that seemingly thousands of people would try to build their own Nasty Gal types of empires. Thrift stores are just about useless now. Prices are jacked up for the Poshmark and Mercari resellers and the inventory is likely already clogged up with fast fashion Shein garbage, even Goodwill scans donations for good stuff it can put up on its own auction sites.

This is not the end of the world. Not in the least. But, yeah I really wish for women in their twenties making minimum wage to find a $3,000 dress for a couple bucks every once in a while, like I did then."]]></description>
<dc:subject>joannemcneil 2023 ebay thriftstore internet prices thrifting shopping clothing fashion fastfashion reselling goodwill auctions poshmark mercari christopherhitchens bookcases books bookshelves sophiaamoruso storage</dc:subject>
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<item rdf:about="https://datasociety.net/library/amazons-trickle-down-monopoly/">
    <title>Data &amp; Society — Amazon’s Trickle-Down Monopoly</title>
    <dc:date>2023-04-30T01:39:42+00:00</dc:date>
    <link>https://datasociety.net/library/amazons-trickle-down-monopoly/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this report, Moira Weigel tells the story of a group of hidden intermediaries who have played key roles in making Amazon one of the most powerful corporations in the world, while remaining mostly invisible to customers: third-party (3P) sellers.

Critics of Amazon’s monopoly have often emphasized how the company eliminates competition. This report highlights how Amazon’s scale has also given rise to new kinds of small businesses — ones optimized for Amazon. Industry analysts estimate that, in 2021, there were more than 6 million unique sellers active on Amazon and that at least 2,000 new sellers opened accounts every day.* To these sellers, Amazon holds forth the possibility of a trickle-down monopoly. But to seize the opportunities of Amazon’s global expansion involves considerable vulnerability. To succeed, 3P sellers must behave like miniature Amazons — without access to the capital that Amazon commands, insight into much of the company’s data, or the ability to make claims when they suffer harm.

Weigel establishes a typology and chronology of Amazon sellers, and explores the ambivalent realities of building a “small business” under the conditions that Amazon has created and controls. She argues that Amazon’s dominance of online search and global logistics has not (only) hurt or helped small businesses so much as transformed them. Drawing on hundreds of hours of interviews with sellers in North America, China, and Southeast Asia, Weigel reveals how Amazon’s platform has restructured the social relations that comprise the global retail industry and set new rules for conducting business.

Amazon’s Trickle-Down Monopoly shows that it is by eliciting and constraining the agency of small business owners — rather than simply eliminating them — that Amazon has gained its power over global retail. In the process, countless small businesses across the world have made themselves in Amazon’s image. Given the long-standing economic and ideological supports for small business in the United States and beyond, and the changes that Amazon continues to enact for 3P sellers, the question remains: just how much time, value, resources, subsidies, profits, and loyalty does this transformation allow Amazon to claim as their own?"]]></description>
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<item rdf:about="https://podcasts.apple.com/us/podcast/best-of-ruth-ozekis-enchanted-relationship-to-minds/id1548604447?i=1000571550798">
    <title>The Ezra Klein Show: Best Of: Ruth Ozeki’s Enchanted Relationship to Minds and Possessions on Apple Podcasts</title>
    <dc:date>2022-12-05T03:10:14+00:00</dc:date>
    <link>https://podcasts.apple.com/us/podcast/best-of-ruth-ozekis-enchanted-relationship-to-minds/id1548604447?i=1000571550798</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also:
https://www.nytimes.com/2022/01/25/opinion/ezra-klein-podcast-ruth-ozeki.html

transcript:
https://www.nytimes.com/2022/01/25/podcasts/transcript-ezra-klein-interviews-ruth-ozeki.html ]

"Today we're taking a short break and re-releasing one of our favorite episodes from 2022, a conversation with the novelist and Buddhist priest Ruth Ozeki. We'll be back with new episodes next week!

The world has gotten louder, even when we’re alone. A day spent in isolation can still mean a day buffeted by the voices on social media and the news, on podcasts, in emails and text messages. Objects have also gotten louder: through the advertisements that follow us around the web, the endless scroll of merchandise available on internet shopping sites and in the plentiful aisles of superstores. What happens when you really start listening to all these voices? What happens when you can’t stop hearing them?

Ruth Ozeki is a Zen Buddhist priest and the author of novels including “A Tale for the Time Being,” which was shortlisted for the Booker Prize, and “The Book of Form and Emptiness,” which I read over paternity leave and loved. “The Book of Form and Emptiness” is about Benny, a teenager who starts hearing objects speak to him right after his father’s death, and it’s about his mother, Annabelle, who can’t let go of anything she owns, and can’t seem to help her son or herself. And then it’s about so much more than that: mental illnesses and materialism and consumerism and creative inspiration and information overload and the power of stories and the role of libraries and unshared mental experiences and on and on. It’s a book thick with ideas but written with a deceptively light, gentle pen.

Our conversation begins by exploring what it means to hear voices in our minds, and whether it’s really so rare. We talk about how Ozeki’s novels begin she hears a character speaking in her mind, how meditation can teach you to detach from own internal monologue, why Marie Kondo’s almost animist philosophy of tidying became so popular across the globe, whether objects want things, whether practicing Zen has helped her want less and, my personal favorite part, the dilemmas posed by an empty box with the words “empty box” written on it.

Mentioned:
The Great Shift by James L. Kugel

Book recommendations:
When You Greet Me I Bow by Norman Fischer
The Aleph and Other Stories by Jorge Luis Borges
Vibrant Matter by Jane Bennett

This episode contains a brief mention of suicidal ideation. If you are having thoughts of suicide, call the National Suicide Prevention Lifeline at 1-800-273-8255 (TALK). A list of additional resources is available at SpeakingOfSuicide.com/resources."

[See also:
https://www.listennotes.com/podcasts/the-ezra-klein-show/best-of-ruth-ozekis-cEL9YtiVWnB/ ]]></description>
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<item rdf:about="https://podcasts.apple.com/us/podcast/beyond-horology-podcast/id1549388407?i=1000538216849">
    <title>Beyond Horology Podcast: Why We Collect Watches with guest psychiatrist Erik Nilzèn 🇸🇪 on Apple Podcasts</title>
    <dc:date>2022-11-20T00:28:12+00:00</dc:date>
    <link>https://podcasts.apple.com/us/podcast/beyond-horology-podcast/id1549388407?i=1000538216849</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this episode Niko talks watches, addiction and number of reasons why we get so deep in the watch collecting hobby with psychiatrists and fellow watch nerd Erik Nilzèn.
Visit Doing Time Blog here: www.doingtime.se/

Visit Erik’s Instagram here:
https://www.instagram.com/doktornsklockor/

We welcome your rating on Apple Podcast, as well as your feedback, questions and recommendations via DM on our Instagram!
https://instagram.com/beyondhorologypodcast"

[Also here:

https://www.listennotes.com/podcasts/beyond-horology/why-we-collect-watches-with-43tidTps-J5/

https://open.spotify.com/episode/2jmUfEM65bZAPlw7l5QizH

https://anchor.fm/beyond-horology/episodes/Why-We-Collect-Watches-with-guest-psychiatrist-Erik-Nilzn-e18ka72 ]]]></description>
<dc:subject>watches collections collecting eriknilzèn 2021 hobbies mortality time aesthetics brain memory possessions objects light shape forms sound smells allthesenses talismans memories connections howwethink living learning pasttimes self-worth self-importance expertise value why whywelearn belonging community communities socialmedia enabling forums self-assertion shopping anxiety values consumerism validation status vanity success signaling flexing stories ego expression self-expression desire obsession longing expectations sweden fulfillment investment culture clothing accessories stress influence budget homages settling watchenthusiasm fomo image images illusions longevity durability fashion trends trendiness limitededitions manipulation addiction behavior consumption depression overconsumption procrastination relationships escape respect work lifebalance balance watchcollecting</dc:subject>
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<dc:identifier>https://pinboard.in/u:robertogreco/b:3f9621dd3470/</dc:identifier>
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</item>
<item rdf:about="https://sfstandard.com/arts-culture/guide-map-best-san-francisco-thrifting-thrift-stores-resale-vintage/">
    <title>The Standard Guide to Thrifting in San Francisco</title>
    <dc:date>2022-08-22T04:50:48+00:00</dc:date>
    <link>https://sfstandard.com/arts-culture/guide-map-best-san-francisco-thrifting-thrift-stores-resale-vintage/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>sanfrancisco shopping thriftstores thrifting apparel maps mapping</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6197a4549976/</dc:identifier>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=0yNjUFEuW18">
    <title>The Extraordinary King of Luxury Fashion - YouTube</title>
    <dc:date>2022-06-11T20:59:49+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=0yNjUFEuW18</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["To outsiders, luxury fashion is a curious industry where consumers seem to irrationally shell out hundreds and thousands of dollars for sneakers, handbags, wallets, or T-shirts.  

But take a step inside, and you’ll find the world of high fashion is more like Game of Thrones with  Italian, English, and French houses like Gucci, Louis Vuitton, YSL, and Balenciaga fighting to be the king.  For the houses that get to sit on the throne, they don’t last for long.  

Brands like Versace, Tony Burch, and Coach once dominated in the 2000’s.  Fast to the 2020’s and today’s top players are Gucci, Louis Vutton, YSL.  Now what if I told you that there’s a high fashion brand that’s more lucrative and successful than Gucci, YSL, Moncler, and Louis Vutton? 

A brand who only sells its products to a carefully curated list of only its highest spending customers, takes no preorders, refuses to expand inventory, or scale production.  A brand whose products are so elusive that they appreciate thousands of dollars and are often resold for profit.   A brand that does not allow returns, refunds, or exchanges.  A brand who has remained independent, manufactures by hand, spends the least on marketing, and yet grosses close to what Gucci makes every year.   

That brand is Hermès and they are the current king in high fashion. Hermès operates their business with a playbook and style that no other brand can even come close to emulating."]]></description>
<dc:subject>hermès 2022 luxury markets fashion brands branding rationality irrationality gucci louisvuitton balenciaga versace ronyburch coach moncler exclusivity marketing supply manipulation yvessaintlaurent ysl highfashion sneakers handbags clothing lvmh kering flexing licensing endorsement wholesale resale sponsorship genz millennials consumerism consumption shopping trends sales retail brandambassadors media socialmedia handmade efficiency scale slow craft craftsmanship assemblylines lessismore change elusiveness worthiness loyalty brandloyality france speed technology automation profits business manufacturing geny generationz zoomers generationy</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:7dd0412387b7/</dc:identifier>
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    <title>Items for sale by kytwatches123 | eBay [Sells restored Bulova Accutron watches]</title>
    <dc:date>2021-12-25T05:53:23+00:00</dc:date>
    <link>https://www.ebay.com/sch/kytwatches123/m.html?_nkw=&amp;_armrs=1&amp;_ipg=&amp;_from=</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[this seller via
https://www.youtube.com/watch?v=84u0_MTIic4 ]]]></description>
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<item rdf:about="https://www.vice.com/en/article/3abd3j/the-funko-pop-is-the-mascot-of-nerd-imperialism-that-will-outlive-us-all">
    <title>The Funko Pop! Is the Mascot of Nerd Imperialism That Will Outlive Us All</title>
    <dc:date>2021-12-22T06:01:39+00:00</dc:date>
    <link>https://www.vice.com/en/article/3abd3j/the-funko-pop-is-the-mascot-of-nerd-imperialism-that-will-outlive-us-all</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via:
https://twitter.com/parismarx/status/1473167406201819140

"“I feel like I’m being crushed by an unstoppable wave of nerd imperialism, a steamrolling of pop culture by corporate franchises that want to reduce everything to product lines of episodic stories that never end.”

He also spoke to Adrian Midwood of @plasticoceansca, who said, “Basically, I would just look at this as crap. It serves zero purpose. And I don't even understand how it brings anyone any joy. It's just marketing, it baffles me. I mean we've got so much crap.”

“To this grumpy old man [videos of people ‘hunting’ for Funko Pops] looked like something from a dystopian science fiction novel, where citizens have to compete to prove they’re the most loyal corporate subjects by documenting their shopping trips to big brand stores.”

I don’t own a Funko Pop, but Tim’s article captures how I feel about children’s toys more broadly and the incredible waste created by parents and relatives buying kids mountains of plastic toys that eventually go to the dump, and many feel there’s no alternative."]]]></description>
<dc:subject>internet capitalism imperialism environment funkopop collections collecting 2021 consumerism culture parismarx dystopia shopping toys waste giftgiving adrianmidwood corporatism branding hype</dc:subject>
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<item rdf:about="https://theconvivialsociety.substack.com/p/ill-with-want">
    <title>Ill With Want - by L. M. Sacasas - The Convivial Society</title>
    <dc:date>2021-07-18T01:26:26+00:00</dc:date>
    <link>https://theconvivialsociety.substack.com/p/ill-with-want</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“Illich understood what I think most of us are unwilling to accept. Endless wanting will wreck us and also the world that is our home. By contrast, our economic order and the ostensible health of our society is premised on the generation of insatiable desires, chiefly for consumer goods and services. Your contentment and mine would wreak havoc on the existing order of things. “That’s enough, thanks,” is arguably a radical sentiment. Only by the perpetual creation of novel needs and desires can economic growth be sustained given how things presently operate.1 So just about every aspect of our culture is designed to make us think that happiness, or something like it, always lies on the other side of more.

This happens in countless ways, obvious and otherwise. Naturally, the advertising industry comes to mind, as does the shape to which it has bent the internet and consumer technology, the evident goal of so much of which is to induce a state of thoughtless, automated consumption. In a recent newsletter, “The Shopping Cure,” Anne Helen Petersen explored the compulsion to buy and accumulate stuff that’s been fostered by technologies of frictionless consumption. Every conceivable activity or hobby one sets out to enjoy becomes an occasion to buy stuff: “They transform from sites of actual pleasure and diversion to means of self-betterment, performance, and constant improvement, even if that ‘leveling up’ is manifested solely through the constant acquisition of gear.”

But, alongside of the crass consumerism we might associate with the ad industry—to which, of course, we likely fancy ourselves immune—we need to add all the forms of manufactured neediness targeted by Illich, who claimed that “in a consumer society there are inevitably two kinds of slaves: the prisoners of addiction and the prisoners of envy.”2 These would be, to repurpose a phrase, the ideal subjects of a consumerist regime.

In Illich’s view, modern institutions—including, for example, education, transportation, and medicine—had the (possibly unintended) consequence of deskilling the person and generating dependence on professionalized services. “Deskilling” is my word. Illich talked about a loss of competence and autonomy (always, though, in the service of mutual inter-dependence). We must come to believe that there is, in fact, very little that we can do for ourselves. We must learn to turn to professionals and institutions for every possible need or problem we encounter. Our communities, too, must be uprooted so that we do not discover the possibility that certain of our needs might be best met by the goodwill of our neighbors, because, after all, that won’t grow the GDP. The vernacular domain, Illich’s term for “the activities of people when they are not motivated by thoughts of exchange,” must be stamped out. Indeed, we must come to believe that wanting more forever, and wanting what only others can supply for a price, is just the natural human condition rather than a culturally induced proclivity or compulsion.

Ultimately, Illich came to believe that little would get better—for the environment, for society, for our own personal well-being—unless we could critically reconsider and overturn the dominant cultural “certainties” underwriting modern institutional and social life. And one of these certainties, crudely put, is that we need more, with an emphasis on both need and more. Illich, I believe, would have us question both the idea that we need more and that we need at all. Or to put this differently, he would at least have us think critically about the nature and source of our ostensible neediness.3

Illich puts this quite forcibly and memorably in the opening paragraphs of Deschooling Society, where he writes that “the institutionalization of values leads inevitably to physical pollution, social polarization, and psychological impotence: three dimensions in a process of global degradation and modernized misery.” “I will explain,” he goes on to say, “how this process of degradation is accelerated when nonmaterial needs are transformed into demands for commodities.”

Strikingly, a variation of the reduction of the person to a mere consumer appears in some of the rhetoric about the future of AI and automation. If you listen to some of those who presume that automation will eliminate a significant swath of jobs, you’ll find that the purported upshot will be really cheap stuff, and maybe you throw in UBI to make sure people can get a minimal amount of that cheap stuff. Just now I’m less intersted in the questionable viability of these claims than I am in the underlying assumption that people could, and perhaps should, be satisfied with a life defined by cheap stuff and endless entertainment. As Illich also put it, “There will be a further increase of useful things for useless people.”

Don’t miss that line about nonmaterial needs being transformed into demands for commodities. I’ve mentioned it before, but let’s pause over it one more time. This is one of the most perverse effects of contemporary society. People need food, water, shelter, etc. These are, of course, material needs we cannot do without. Profound suffering accompanies their absence. But there are other critical needs which are nonmaterial in nature and thus cannot be simply manufactured and distributed. Your list and mine of what these might be will differ in the details of the enumeration, but I suspect we would both agree that such needs exist and that their absence also entails profound suffering. Material deprivations manifest materially. You can see when someone is being starved. Nonmaterial deprivations typically manifest non-materially. Someone who looks perfectly healthy may bear a crushing load of loneliness, desperation, or anxiety. I would argue that while modern societies may be particularly adept at the satisfaction of material needs4, they are also structured so that nonmaterial needs are more likely go unmet. These two tendencies are not unrelated. The relative degree of success on the material front depends upon conditions that undermine the satisfaction of nonmaterial needs.

Meanwhile, junk piles up everywhere, usually and conveniently just out of sight for most of the consumer class, in landfills that spew methane into an already compromised global ecosystem and our oceans and waterways. Very little is built to last. Consume, dispose, repeat is the order of the day. Farmers have to fight for the right to repair their own equipment. The art and practice of maintenance atrophies.5 The average home has almost tripled in size over the last half century, and, despite this, storage facilities proliferate in suburban settings to accommodate all the stuff that doesn’t fit in these expansive homes. And every purported cure to this problem involves another services, another purchase, another technique proffered by a professional class or the influencer set.

This is, frankly, no way to live. In the 1970’s, Illich foresaw two alternatives: “Faced with these impending [ecological/social] disasters, society can stand in wait of survival within limits set and enforced by bureaucratic dictatorship. Or it can engage in a political process by the use of legal and political procedures.” But even then, Illich knew the prospects were dim: “Ideologically biased interpretations of the past have made the recognition of political process increasingly difficult.” Moreover, he argued, liberty had come to mean a right to unlimited access to modern technologies and their products.

In later years, he would come to believe that the problem ran much deeper than even he had understood. It was built into patterns of thought and cultural trajectories that were centuries in the making, generating “certainties” that were incredibly difficult to overturn. Nonetheless, the stark clarity of the options he laid out in the early 70s remains compelling. On the one hand, there was what Illich termed “managerial fascism,” the “bureaucratic management of human survival,” which he found “unacceptable on both ethical and political grounds.”

On the other hand, there was the unlikely possibility that people might turn to what Illich called a convivial rather than industrial mode of production and accept the sacrifices this entailed. “To formulate a theory about a future society both very modern and not dominated by industry, it will be necessary to recognize natural scales and limits,” Illich argued. “Once these limits are recognized,” he concluded, “it becomes possible to articulate the triadic relationship between persons, tools, and a new collectivity. Such a society, in which modern technologies serve politically interrelated individuals rather than managers, I will call ‘convivial.’” These limits would certainly mean that we must refuse the key axiom of consumer society: what we want, we should have.

“This price cannot be extorted by some despotic Leviathan,” Illich cautioned, “nor elicited by social engineering.” Instead, he believed that “people will rediscover the value of joyful sobriety and liberating austerity only if they relearn to depend on each other rather than on energy slaves.” Energy slaves was Illich’s unique term for technologies that were designed to work for us rather than for us to work with. Meaningful, self-directed work was, in Illich’s view, one of those nonmaterial needs that were essential to human well-being.

There are many critical tasks before us. But, it seems to me, few are more important than confronting and inverting the assumptions about human well-being, which presently order consumer society. I know many will argue that changing individual behavior is a naive and insufficient response to any of the various dimensions of the present crisis. I don’t know, honestly. That’s true enough in certain respects. But it seems to me that a more profound naiveté sustains the idea that things will get better without a radical reordering at a massive scale of how we, the relatively comfortable and affluent, live our lives. Of course, it’s much easier to believe that all will be well and that we can carry on more or less as we have. As James Hunter once wrote in a very different context, “We want what we cannot possibly have on the terms that we want it.”

Illich is sometimes taken to be a hopelessly impractical thinker whose proposal could never be implemented in the so-called “real world.” Perhaps, but this tends to ignore the possibility that he was nonetheless right. It is also true the Illich is sometimes read as a dour critic of modern industrial society eager to return us to some pre-modern age. This misses the point entirely. Illich was not a romantic, and he is often explicit about the futility of romanticizing the past. But even more importantly, the apparent severity, from the perspective of consumerist assumptions, was, in fact, a pathway to the experience of life-giving community, environmental health, meaningful work, social solidarity, and personal well-being. The austerity he championed (following Thomas Aquinas not 21st century technocrats) is a precondition for friendship and joyfulness, and its end is eutrapelia, or graceful playfulness.”]]></description>
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<item rdf:about="https://bookshop.org/">
    <title>Bookshop</title>
    <dc:date>2020-01-29T09:41:46+00:00</dc:date>
    <link>https://bookshop.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[https://twitter.com/AndyHunter777/status/1222180101544120321

“bookshop.org launched our beta today! We hope to provide an alternative to Amazon affiliate programs that support independent bookstores AND media that covers books! We will be improving it every week this spring, but it works right now, so please visit & buy a book!”]]></description>
<dc:subject>books shopping amazon bookstores independent</dc:subject>
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<item rdf:about="https://www.theguardian.com/lifeandstyle/2020/jan/03/empty-promises-marie-kondo-craze-for-minimalism">
    <title>The empty promises of Marie Kondo and the craze for minimalism | Life and style | The Guardian</title>
    <dc:date>2020-01-03T16:51:53+00:00</dc:date>
    <link>https://www.theguardian.com/lifeandstyle/2020/jan/03/empty-promises-marie-kondo-craze-for-minimalism</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“From the ‘KonMari method’ to Apple’s barely-there design philosophy, we are forever being urged to declutter and simplify our lives. But does minimalism really make us any happier? By Kyle Chayka”

…

“The most famous proponent of minimalism – or at least minimalism as a lifehack – was probably Steve Jobs. In a famous photograph from 1982, Jobs sits on the floor of his living room. He was in his late 20s at the time, and Apple was making $1bn a year. He had just bought a large house in Los Gatos, California, but he kept it totally empty. In Diana Walker’s photo, he is seen cross-legged on a single square of carpet, holding a mug, wearing a simple dark sweater and jeans – his prototypical uniform. A tall lamp by his side casts a perfect circle of light. “This was a very typical time,” Jobs later remembered. “All you needed was a cup of tea, a light and your stereo, you know, and that’s what I had.” Not for him, the usual displays of wealth or status. In the photo he looks content.

Yet the image of simplicity is deceptive. The house Jobs bought was huge for a young, single man with no use for that excess space. Wired magazine later discovered that the stereo setup resting in the corner would have cost $8,200. The lone lamp that illuminates the scene was made by Tiffany. It was a valuable antique, not a utilitarian tool.

Not only is simplicity often less simple than it looks, it can also be much less practical than it seems. People often conflate the phrase “form follows function” – the idea that the external appearance of an object or building should reflect the way that it works – with the self-conscious appearance of minimalism, as in Jobs’s house or the design of Apple’s iPhone. But Jobs’s empty living room was not particularly usable. Instead of the mantra that “form follows function”, Jobs echoes a slogan that could be glimpsed not long ago in one upscale New York shop front: “Fewer, better.” Possess the best things and only the best things, if only you can afford them. It was better to go without a couch than buy one that wasn’t perfect. That commitment to taste might be rarified, but it probably did not endear Jobs to his family, who might have preferred a place to sit.

Apple devices have gradually simplified in appearance over time under designer Jony Ive, who joined the company in 1992, which is why they are so synonymous with minimalism. By 2002, the Apple desktop computer had evolved into a thin, flat screen mounted on an arm connected to a rounded base. Then, into the 2010s, the screen flattened even more and the base vanished until all that was left were two intersecting lines, one with a right angle for the base and another, straight, for the screen. It sometimes seems, as our machines become infinitely thinner and wider, that we will eventually control them by thought alone, because touch would be too dirty, too analogue.

Does this all really constitute simplicity? Apple devices have only a few visual qualities. But it is also an illusion of efficiency. The company strives to make its phones thinner and removes ports – see headphone jacks – any chance it gets. The iPhone’s function depends on an enormous, complex, ugly superstructure of satellites and undersea cables that certainly are not designed in pristine whiteness. Minimalist design encourages us to forget everything a product relies on and imagine, in this case, that the internet consists of carefully shaped glass and steel alone.

The contrast between simple form and complex consequences brings to mind what the British writer Daisy Hildyard called “the second body” in her 2017 book of the same name. The phrase describes the alienated presence that we feel when we are aware of both our individual physical bodies and our collective causation of environmental damage and climate change. While we calmly walk down the street, watch a film or go food shopping, we are also the source of pollution drifting across the Pacific or a tsunami in Indonesia. The second body is the source of an unplaceable anxiety: the problems are undeniably our fault, even though it feels as if we cannot do anything about them because of the sheer difference in scale.

Similarly, we might be able to hold the iPhone in our hands, but we should also be aware that the network of its consequences is vast: server farms absorbing massive amounts of electricity, Chinese factories where workers die by suicide, devastated mud pit mines that produce tin. It is easy to feel like a minimalist when you can order food, summon a car or rent a room using a single brick of steel and silicon. But in reality, it is the opposite. We are taking advantage of a maximalist assemblage. Just because something looks simple does not mean it is; the aesthetics of simplicity cloak artifice, or even unsustainable excess.

This slickness is part of minimalism’s marketing pitch. According to one survey in a magazine called Minimalissimo, you can now buy minimalist coffee tables, water carafes, headphones, sneakers, wristwatches, speakers, scissors and bookends, each in the same monochromatic, severe style familiar from Instagram, and often with pricetags in the hundreds, if not thousands. What they all seem to offer is a kind of mythical just-rightness, the promise that if you just consume this one perfect thing, then you won’t need to buy anything else in the future – at least until the old thing is upgraded and some new level of possible perfection is found.”]]></description>
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<item rdf:about="https://popula.com/2018/12/18/stuck-in-the-shopping/">
    <title>Stuck in the Shopping – Popula</title>
    <dc:date>2019-12-22T04:50:05+00:00</dc:date>
    <link>https://popula.com/2018/12/18/stuck-in-the-shopping/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The obvious idea is that you will be forced to buy something you don't want, perhaps through sheer fatigue.

If you want to understand economic progress in the 21st century, go into one of the world’s thousands of huge new shopping malls. Be sure to choose one in a “developing country,” that is, any nation besides the world’s 20-30 richest. That gives you about 150 options. Better yet, let’s pick a specific mall—the Grand Indonesia in Jakarta, the capital of the world’s 4th most populous country. Go to a specific spot, the exit, and wait for a taxi.

It’s standing here, trying to re-integrate your body into the world outside the mall, that you can have the experience that is truly emblematic of globalization, the pinnacle of human development, the experience toward which almost all of modern civilization is hurtling, at great cost.

Emerging from the cold, air-conditioned hallways of the mall itself, you breathe in the hot, humid pollution. You walk to the back of a long line of people waiting for cars to split off from gridlock traffic. You stare at your phone for 20 minutes or so. The line doesn’t move much, and the smog and stress are so overpowering, you consider just giving up and letting gravity pull you back inside, where you can wander aimlessly for 20 more minutes, maybe have a cinnamon roll. You’ve done this—all of it—before. A couple of your line-comrades succumb and head back in.

Because inside, within a space built entirely for private consumption, things sort of work. Outside, all of the systems that are meant to deliver public goods—transportation, clean air, open space, education, safety from harassment—don’t work at all. In much of the developing world, it’s insane to even assume they are supposed to work. You must be from another world, or from the past. The goal, now, is to build those malls and get inside.

This line is important because to be standing here, you must command an amount of wealth that is unimaginable for most people in this country. To be standing here at all is to be incredibly rich, and technically, enjoying your leisure time. You have the cash to splurge at a nice mall, and you are waiting to splash out for a motorcar taxi, rather than take a bus, or motorcycle. It means you have become rich enough to buy yourself out of the bullshit, at least for a little while.

There is something about the political economy of development, something about the states governing most of the world, that makes them perfect factories for creating these malls and pretty bad at everything else. Mostly, these states are theoretically powerful, but extremely porous to private interests. If you take the incentives of big property developers, the possibility for politicos to skim off the top, a surplus of “empty” land, and a bit of new pocket money spread among a growing consumer class and pour them all into the matrix of contemporary liberal capitalist development, it’s going to spit out a 3-5 story air-conditioned building with lots of places to buy hot pretzels. The same recipe isn’t going to yield new public transportation systems, or educational investments, or even sidewalks.

During Brazil’s most recent boom years (2005-2012, RIP), workers built so many malls, or shoppings, as they say in Brazilian Portuguese, that it became easy, later, to find giant, half-empty buildings far from much else—except for other big malls. But even during all the years of economic growth, there was no improvement in public safety and certainly not enough investment in socially-useful infrastructure. All the money went to new washers and dryers and crap, or piled up in the secret bank accounts of the mega-elite, who could always run away to Miami and Portugal when things went to shit. As small and medium-sized cities around the world “develop,” a mall is often the sign that your area has finally made it. This often means the mall will take on the role that parks, or beaches, or even living rooms play in rich countries. In much of the world,even if you are morally or aesthetically repulsed by malls, you have no choice but to enter for many of your basic activities. In Indonesia, the mall will also become a cultural center, host to things like frequent live concerts whose output echoes horribly through the giant building with the acoustics of, well, a mall.

The music is pop-American approximately 100% of the time. In the world’s largest Muslim-majority nation, the only non-American voices you will hear over the radio speakers (Ed Sheeran is a very notable, perhaps emblematic, example) will have at least been recorded by the American entertainment industrial complex. In these malls, you will not hear Indonesian music. You will not hear Japanese music, or anything from Asia. No European or Latin American music. It will all have been packaged and sold in the USA.

If you are in an Indonesian mall at the end of the year, you will see Christmas decorations in the North American style. Despite all the complaints about a putative “War on Christmas” in the U.S., the reality is that Christmas Culture has conquered even the world’s largest Muslim-majority country, and really, the whole world. Christianity is a recognized minority religion in Indonesia, but that’s not why malls have Christmas music. It’s because that music is what they are meant to play. Malls may not be so fashionable anymore in the rich world that created them, but that’s what Jakartans are getting, and they fucking definitely will be listening to English-language songs about Santa Claus.

Of course, the very phenomenon of the mall itself is American. The things evolved out of the early 20th-century U.S. department stores, which were nationally homogenized by corporate expansion and then transformed into, or abandoned for, suburban re-creations of the downtown shopping experience as white people abandoned city centers. From Main Street to Mall, by Vicki Howard, recounts this evolution, and importantly—for me, at least—gives the origin story of the central escalator system. The idea, she writes, was to“permit customers to move in a continuous flow,” which elevators did not. When Philadelphia’s Gimbel Brothers built their lavish 12-story addition in 1927, it included two sets of up-and-down escalators in the center of the building.

Mall-makers these days have added a special twist to that escalator system. They are now arranged and configured to actually trap you inside the mall.

I spent much of 2018 in Central Java, interviewing the survivors of mass anti-communist violence unleashed in 1965 and used as the foundation for the modern crony capitalist state. It was emotionally difficult work, and I had to go to my local mall constantly: to go to the gym, or see Crazy Rich Asians, or see Searching, or eat mediocre sushi. To move up the levels and reach your destination, you have to take one escalator on the West side of the building, then walk all the way across the cavernous space to another on the East side, and then walk back again, to another escalator. The obvious idea is that you have to walk by all those shops and donut places, and will be forced to buy something you don’t want, perhaps through sheer fatigue.

Then after you get to the top and spend your money, you’ll find that there are no escalators going back down. You might as well just move in. The best you can do is to find the one big ramp packed with a line of people, carefully pushing their shopping carts and their strollers downhill. But at least you can push wheels down this one. A shopping mall I frequented for many years in downtown São Paulo, Shopping Light, took this logic to an even more aggressively ridiculous extreme. After a certain floor, all the escalators go up. Once you have finished buying your phone charger (that turns out later is actually a fake phone charger, just some plastic in the shape of a phone charger, that does not work at all) you are stuck, until finally you find that there is a tiny stairwell, literally hidden behind big closed doors, that you can use to get back to the ground floor.

If you are disabled, or have even felt what it’s like to be injured for a few weeks, this kind of shit is an obvious act of cruelty. And it’s everywhere in the “developing world.” Many new South American airports feature arrivals terminals that intentionally dump you into the middle of an enormous Duty Free store with no apparent exits, leaving you, lost, harried, with no recourse except to give in and chomp down into three kilos of Toblerone. I would do anything to meet the architects that designed these places, and to confront them. I’m fully able-bodied, and even at my most spry, these kinds of spatial tricks make me more infuriated than anything else that has happened to me in the last ten years. You can shoot at me, rob me, shut off my electricity for a week, and at least I will get it. None of that enrages me as much as making me take those extra steps across a part of a building that shouldn’t exist at all, that was built poorly on purpose, with human blood, sweat, and tears, in the attempt to make me give in and waste my money and harm my body with something that shouldn’t exist, either.

But I admit, when this red-hot rage comes over me, the sweet iced coffee and Cinnabon help me get through it."]]></description>
<dc:subject>vincentbevins 2018 malls indonesia globalism sameness commercialism materialism shopping cities development brasil brazil srg jakarta sãopaulo shoppingmalls urban urbanism</dc:subject>
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<item rdf:about="https://darntough.com/">
    <title>Darn Tough Vermont - Premium Merino Wool Socks, for more than hiking</title>
    <dc:date>2019-02-07T19:39:12+00:00</dc:date>
    <link>https://darntough.com/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>socks clothing shopping clothes gifts</dc:subject>
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<item rdf:about="https://www.nytimes.com/2018/11/19/fashion/shopping-malls-asia.html">
    <title>Libraries, Gardens, Museums. Oh, and a Clothing Store. - The New York Times</title>
    <dc:date>2018-11-27T05:49:15+00:00</dc:date>
    <link>https://www.nytimes.com/2018/11/19/fashion/shopping-malls-asia.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Shopping areas in Asia are about the experience, not just the retail sale.]]></description>
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<item rdf:about="https://www.shopsimonlimon.com/">
    <title>Simón Limón</title>
    <dc:date>2018-08-28T05:22:05+00:00</dc:date>
    <link>https://www.shopsimonlimon.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Located in the Barrio Logan Art District of San Diego, CA Simón Limón is a curated retail showroom and creative space that will promote independent contemporary artists and designers who are bringing forth new and interesting ideas to the conversation. 

The space will act as a platform for passionate “artipreneurals” to showcase and sell their work, seek advice, and collaborate. The space will be furnished with goods made by artist from both north and south of the San Diego border creating a space without borders. In an effort to educate individuals on the importance of ethical fashion and purchasing practices we will be hosting monthly workshops in differing mediums where people can explore their creative side and learn the processes that go into creating the goods they purchase.

Creating this space will not only directly benefit and support our local artist and maker but it will also benefit our community as a whole by promoting the growth of small businesses within San Diego and enrich our community."]]></description>
<dc:subject>bariologan sandiego shopping art design</dc:subject>
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</item>
<item rdf:about="https://www.vialibri.net/">
    <title>viaLibri ~ Rare Books - Resources for Bibliophiles, Librarians and Collectors</title>
    <dc:date>2018-07-20T18:56:49+00:00</dc:date>
    <link>https://www.vialibri.net/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The World's Largest Marketplace for Old, Rare & Out-of-Print Books"

[via: https://www.nytimes.com/2018/07/18/technology/personaltech/tech-reporter-does-not-use-tech.html ]]]></description>
<dc:subject>books search shopping</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:3dc1c022cd1c/</dc:identifier>
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<item rdf:about="https://www.youtube.com/watch?v=3AhSNsBs2Y0">
    <title>A Cluttered Life: Middle-Class Abundance - YouTube</title>
    <dc:date>2018-06-04T04:14:09+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=3AhSNsBs2Y0</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["(Visit: http://www.uctv.tv) Follow a team of UCLA anthropologists as they venture into the stuffed-to-capacity homes of dual income, middle-class American families in order to truly understand the food, toys, and clutter that fill them. Series: "A Cluttered Life: Middle-Class Abundance" [11/2013] [Humanities] [Show ID: 25712]"

[via: https://twitter.com/xraytext/status/999109157612646406 ]

[See also: Life at Home in the Twenty-First Century: 32 Families Open Their Doors
http://www.ioa.ucla.edu/press/life-at-home 

and "Americans can spend a majority of their time in a few spaces in their home and still want large homes"
https://legallysociable.com/2018/06/03/americans-can-spend-a-majority-of-their-time-in-a-few-spaces-in-their-home-and-still-want-large-homes/

via: https://twitter.com/amandakhurley/status/1003283050782810113 ]]]></description>
<dc:subject>us consumerism consumption hoarding possessions excess 2013 children toys accumulation shopping families homes housing abundance ethnography</dc:subject>
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<item rdf:about="http://fakespot.com/">
    <title>Fakespot | Analyze and identify fake reviews</title>
    <dc:date>2016-11-25T00:57:31+00:00</dc:date>
    <link>http://fakespot.com/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>amazon reviews crapdetection shopping via:sebastienmarion</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://medium.com/@dianakimball/pragmatic-shopping-62125ed93a8e#.e523d683f">
    <title>Pragmatic Shopping — Medium</title>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["I resented shopping until I got good at it. I got good at it by overthinking it. This is the story of how that happened and what I learned from it."]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=Z1eBlGcsSR8">
    <title>Don't Get Screwed Buying A Used Car | Donut Media - YouTube</title>
    <dc:date>2016-05-14T22:08:41+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=Z1eBlGcsSR8</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Before you buy a used car, there’s a lot of things to check-out before you drive away with your new baby. Check every inch of the car; be thorough, be smart, don’t get screwed!"

[See also:
https://kottke.org//16/05/how-not-to-get-screwed-buying-a-used-car ]]]></description>
<dc:subject>cars usedcars 2016 shopping howto</dc:subject>
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<item rdf:about="http://nextconf.eu/2015/10/keynote-how-will-we-live/">
    <title>How Will We Live? | NEXT Network</title>
    <dc:date>2015-10-04T07:51:40+00:00</dc:date>
    <link>http://nextconf.eu/2015/10/keynote-how-will-we-live/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Those with the least power to shape the future suffer its worst consequences of its manifestations."

[Text, slides, and videos here: 
http://superflux.in/blog/howwillwelive
https://medium.com/@anabjain/how-will-we-live-d9baf00acac9#.lmc9kxsed ]]]></description>
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<item rdf:about="http://www.nytimes.com/2015/03/19/arts/artsspecial/for-the-walker-art-center-a-shop-that-peddles-evanescence.html">
    <title>For the Walker Art Center, a Shop That Peddles Evanescence - NYTimes.com</title>
    <dc:date>2015-03-20T04:54:21+00:00</dc:date>
    <link>http://www.nytimes.com/2015/03/19/arts/artsspecial/for-the-walker-art-center-a-shop-that-peddles-evanescence.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Visitors to the gift shop at the Walker Art Center in Minneapolis will soon be able to buy something a little more esoteric, alongside their Chuck Close posters and Pantone mugs. “On Mother’s Day,” the promotion might go, “how about a new ringtone calibrated by the composer Nico Muhly, just for stressful family calls?”

Maybe Dad or Sis would enjoy an instruction manual for a technology that has yet to be invented — or, to unwind, a vacation property with a short commute, on the virtual network Second Life. Even more accessible is a series of images from the photographer Alec Soth, sent via Snapchat and meant to disappear moments later.

These items are all wares from Intangibles, a conceptual art pop-up store that the Walker, the contemporary-art and performance center, plans to unveil on Thursday. Created by Michele Tobin, the retail director of its gift shop, and Emmet Byrne, the museum’s design director, it is in equal parts a digital bazaar with pieces priced to sell, and an exhibition, of sorts, with curated original artworks.

It upends the logic of a regular shop. “The priority isn’t ‘get as much as you can for that item in the marketplace,’ ” Ms. Tobin said. “The priority becomes the artist’s intention and what we all think is right for that work.”

Sam Green, an innovative documentary filmmaker, will charge $2,500 to create a hybrid video-performance piece specific to the buyer. The ringtone compositions by Mr. Muhly, the modern classical arranger and musician, are $150 each. The Snapchat photos by Mr. Soth, the recipient of a 2013 Guggenheim fellowship, are priced low at his request — $100 for 25 of them.

In the tradition of Conceptual art, documentation of the process is part of the point. “A lot of people won’t be purchasing actual products,” Mr. Byrne said, so “we want the online representation to be just as compelling as the objects themselves.”

The Walker sees Intangibles as blurring the boundaries between art, shopping and media. It’s hardly the first such effort: Eliding commerce and art, mass and high culture, was in vogue long before the advent of Keith Haring’s Pop Shop, the SoHo store that sold clothing and other items with his work from 1986 to 2005. (It still operates online.) This month, Red Bull Studios, a gallery and performance space in Chelsea, opened the Gift Shop, its own artist-led store. But to have a museum shop peddle ideas, rather than artsy T-shirts or coveted décor, is a digital-age twist.

The experiment is also an acknowledgment that artists, especially those well versed in technology, are more comfortable in entrepreneurial roles. Where it once might have been anathema, or at least deeply uncool, for an artist to consider marketing and audience engagement — let alone inventory codes — salability and consumer savvy are now frequently embedded in original work. And not necessarily at the behest of art dealers or curators; as artists engage with potential collectors via Instagram or YouTube, they are becoming shrewd digital marketers and self-promoters. And there seems to be no shame in that.

…

The work of Martine Syms, a multimedia artist based in Los Angeles who explores identity, race and communication, is exhibited more often than sold; she refers to herself as “a conceptual entrepreneur” who creates “machines for ideas,” a riff on Sol LeWitt’s vision of Conceptual art. “I think of entrepreneurship as a way of creating value,” she said.

That sentiment was echoed in a more alarmist tone by the critic William Deresiewicz in a recent essay in The Atlantic titled “The Death of the Artist.” It’s no wonder, he suggests, that so many “creators” these days work in multimedia. “The point is versatility,” he wrote. “Like any good business, you try to diversify.”

For Ms. Syms, 26, a graduate of the School of the Art Institute of Chicago who supports herself through freelance graphic design work, multimedia is simply a language she grew up speaking, and digital tools are a source of freedom. She has worked with galleries but is happy to showcase her work online or in do-it-yourself publications. The traditional gallery system “doesn’t give you a lot of control over your work or your audience,” she said.

“Especially for myself, a woman of color, I think that a lot of times, these systems aren’t really interested in what I’m doing or what I’m saying,” Ms. Syms added. “A lot of times, I would rather create my own world.”

For Intangibles, Ms. Syms will perform in the guise of her fictional one-woman band, Maya Angelou, on the voice mail of her buying public; the piece will be accompanied by an online blurb about the so-called band, which has yet to record a note. Ms. Syms said she didn’t want to deal directly with her customers — “I feel I’m already bad enough on the phone” — and that she likes the evanescence of voice mail, which is often automatically deleted after a certain period. (In “Surround Audience,” the current New Museum Triennial, she also has a room-size installation dealing with the shifting norms of sitcoms.)

That many of the items for sale in Intangibles are interactions rather than objects does not surprise Christine Kuan, chief curator for Artsy, the online art platform. With the growing commercialization of the art world and daily life ever more tethered to devices, “people want life experiences and memories that aren’t mass-produced for consumption, that are special and created by an artist,” she said. “It’s a kind of consumerism that is a little bit of anti-consumerism.”

Mr. Soth, whose photojournalism has been featured in The New York Times Magazine, views Snapchat as a way to engage with the changes in photography as a medium. “For me, it’s about stopping time, documenting the world, preserving it,” he said in a telephone interview from his home in Minneapolis. His 12-year-old daughter was nearby, glued to her cellphone and, he said, “communicating, as we speak, in pictures.”

For her, photography is “simply conversation,” Mr. Soth said. “And I think that’s fascinating and terrifying.”

An early adopter of many new technologies who has also started a small publishing imprint — “I either dabble with these things or I just say, ‘My time’s over’ ”— Mr. Soth, 45, explained why he didn’t want his work for Intangibles, called “Disappear With Me,” to be expensive. “When it’s less about economics, I feel freer to experiment,” he said.

Proceeds from the projects will be split between the artists and the museum. A few artists, like Ms. Syms, deferred to the Walker on pricing, which in some cases gave the organizers pause: how to assign a monetary figure to a brief message from the ersatz singer of a fake band? Ultimately, said Mr. Byrne, the design director, “we really thought that sticking to the logic of the marketplace would add some rigor. And we also knew that we are giving a better profit-share rate than galleries.” (The voice mail messages are $10 each.) Many of the artists involved said they were in it less for the money — though they viewed that exchange as a necessary part of the deal — than for the creative inspiration. The designer and engineer Julian Bleecker and the Near Future Laboratory, a research company that typically charges thousands of dollars for corporate consultations, will produce briefs on items that do not yet exist (some future antibiotic’s warning label, for example, for $19.99) — what he called “design fiction.”

There are a few literal objects, like the extra parts and doohickeys that end up in a junk drawer, marketed as “Box of Evocative Stuff,” but Mr. Bleecker said the project was mostly a conceptual provocation “to get a larger public audience to think more deeply about the implications and conveniences of new technology.”

“I’m hoping that, with a commitment of $19, we’ll have a conversation,” he said."]]></description>
<dc:subject>walkerartcenter nearfuturelaboratory alecsoth 2015 designfiction art design intangibles emmetbyrne micheletobin martinesyms entrepreneurship museums museumshops shopping commerce media culture highbrow lowbrow andreasangelidakis architecture julianbleecker adamharvey speculativefiction criticaldesign conversation newinc snapchat performance interaction christinekuan artsy identity hibrow</dc:subject>
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<item rdf:about="http://www.mcmaster.com/">
    <title>McMaster-Carr</title>
    <dc:date>2012-12-11T05:18:14+00:00</dc:date>
    <link>http://www.mcmaster.com/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>catalog tools shopping diy parts design electronics materials glvo supplies hardware</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:43ee9ec5affe/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:parts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:electronics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:materials"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:supplies"/>
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</item>
<item rdf:about="http://www.alibaba.com/">
    <title>Manufacturers, Suppliers, Exporters &amp; Importers from the world's largest online B2B marketplace - Alibaba.com</title>
    <dc:date>2012-11-14T19:58:50+00:00</dc:date>
    <link>http://www.alibaba.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Tom Coates asks (https://twitter.com/tomcoates/status/268802674709897216 ):

I've forgotten the name of an awesome online shop for buying electronics and components directly from China. Anyone remember?

Matt Jones responds:

dunno if you mean http://alibaba.com , but that's not just electronics. It's everything. http://www.alibaba.com/product-tp/127994942/Grade_Mazut_100_Fuel_oil.html [Grade Mazut-100 Fuel oil] …

alibaba.com/product-gs/510660942/DSKJ063_chain_mails.html [DSKJ063 chain mails] …

 http://www.alibaba.com/product-gs/625108038/2012_New_design_amusement_park_equipment.html [2012 New design amusement park equipment roller coaster] …

alibaba.com/product-gs/549001158/Black_Disco_Pants_Adult.html [Black Disco Pants Adult]…]]></description>
<dc:subject>alibaba ecommerce wholesale manufacturing suppliers shopping trade business china</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:af7948e352af/</dc:identifier>
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</item>
<item rdf:about="http://www.codinghorror.com/blog/2012/05/buying-happiness.html">
    <title>Coding Horror: Buying Happiness</title>
    <dc:date>2012-09-17T06:21:54+00:00</dc:date>
    <link>http://www.codinghorror.com/blog/2012/05/buying-happiness.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Despite popular assertions to the contrary, science tells us that money can buy happiness. To a point…

Emotional well-being also rises with log income, but there is no further progress beyond an annual income of ~$75,000…

But even if you're fortunate enough to have a good income, how you spend your money has a strong influence on how happy – or unhappy – it will make you. And, again, there's science behind this…

What is, then, the science of happiness? I'll summarize the basic eight points as best I can, but read the actual paper (pdf) to obtain the citations and details on the underlying studies underpinning each of these principles.

1. Buy experiences instead of things…

2. Help others instead of yourself…

3. Buy many small pleasures instead of few big ones…

4. Buy less insurance…

5. Pay now & consume later…

6. Think about what you're not thinking about…

7. Beware of comparison shopping…

8. Follow the herd instead of your head…"

[Interesting references in some comments]]]></description>
<dc:subject>impulsepurchases impulse-control impulsivity dangilbert poverty mazlow'shierarchyofneeds income helping comparisons comparisonshopping shopping delayedgratification consumerism cv consumption 2012 money wealth research science via:aaronbell experiences well-being jeffatwood codinghorror insurance psychology stumblingonhappiness happiness wellbeing</dc:subject>
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</item>
<item rdf:about="http://www.youtube.com/watch?v=XAVCtT_y4js">
    <title>A (Real) Conversation with Bryan Cranston - YouTube</title>
    <dc:date>2012-09-08T22:01:21+00:00</dc:date>
    <link>http://www.youtube.com/watch?v=XAVCtT_y4js</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In the fall of 2010, a PR rep invited me to the set of THE HANDLERS (an Atom.com-now-Comedy-Central web series) to interview Bryan Cranston about the production and maybe sneak some BREAKING BAD questions in. 

It might, to date, be the best interview I've ever done. NOT because of any interview skill I have, but because I expected to only get 10 minutes of his time, and so only had 10 minutes of questions prepared. However, when my 10 minutes were up, I expected the crew to pull him away, and THEY DIDN'T.

I don't know what you would do if you were sitting opposite Walter White without anything to ask, but my solution turned out okay: I asked him questions about his life. And he answered, and in doing so revealed himself to be the coolest, most genuine guy. 

So please enjoy me being very awkward with Bryan Cranston. Who, at least in 2010, was very much the best."]]></description>
<dc:subject>aging kindredspirits cv creating groceryshopping shopping lessthings whatmatters making living life breakingbad interviews 2012 experiences possessions things bryancranston</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:32c9260708f4/</dc:identifier>
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</item>
<item rdf:about="http://wearecolorblind.com/article/on-buying-clothes-the-color-of-asphalt-and-price-tags/">
    <title>On buying clothes, the color of asphalt and price tags. » We are Colorblind</title>
    <dc:date>2012-08-02T17:07:21+00:00</dc:date>
    <link>http://wearecolorblind.com/article/on-buying-clothes-the-color-of-asphalt-and-price-tags/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In the end I used a combination of learned information (buildings are gray, building roads costs money) and cultural context (industrialism is gray, nature is green – asphalt is not nature) to decide on the color of the shirt I was holding"]]></description>
<dc:subject>colour culture accessibility disability colourblindness clothes shopping asphalt via:TomC disabilities clothing</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:096d719afaf3/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:asphalt"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:disabilities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clothing"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theatlanticcities.com/arts-and-lifestyle/2012/07/shopping-mall-turns-60-and-prepares-retire/2568/">
    <title>The Shopping Mall Turns 60 (and Prepares to Retire) - Arts &amp; Lifestyle - The Atlantic Cities</title>
    <dc:date>2012-07-18T22:59:49+00:00</dc:date>
    <link>http://www.theatlanticcities.com/arts-and-lifestyle/2012/07/shopping-mall-turns-60-and-prepares-retire/2568/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["About a third of our malls are still thriving, and those are the biggest, newest ones. But America is no longer building many new highways, which means we’ve stopped creating prime new locations for mall development. Some of the earliest amenities of the enclosed mall—air-conditioning!—no longer impress us. And the demographics of suburbia have changed dramatically. Malls draw the largest share of their customers from teenagers, and the baby boomers who largely populate suburbia no longer have teenagers at home.

For all these reasons, the suburban mall of Gruen’s plan appears to be victim of more than just the recession. Dunham-Jones, who has tracked this trend in her book Retrofitting Suburbia, estimates that more than 40 malls nationwide have been targeted for significant redevelopment. And she can count 29 that have already been repurposed, or that have construction underway."

[via and more: http://www.laphamsquarterly.org/deja_vu/2012/07/mall-madness.php ]
]]></description>
<dc:subject>grueneffect dayton detroit ellendunham-jones 2012 consumptionpatterns consumption victorgruen cities architect architecture urbanism urban trends shopping suburbs us malls shoppingmalls via:maxfenton</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b4e0f2b4e424/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shoppingmalls"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:maxfenton"/>
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</item>
<item rdf:about="http://doublebreakstore.com/">
    <title>DOUBLE BREAK</title>
    <dc:date>2012-04-11T05:04:24+00:00</dc:date>
    <link>http://doublebreakstore.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Double Break is a gallery and shop located right next to San Diego’s Balboa Park. We feature monthly art exhibitions, books, design objects, gifts, clothing, jewelry, cards, and more!"]]></description>
<dc:subject>glvo gifts shopping california galleries art sandiego</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:714b864ffb03/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gifts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:california"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:galleries"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
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</item>
<item rdf:about="http://blog.speculist.com/scenarios/the-coffee-shop-take-over.html">
    <title>The Speculist » Blog Archive » In the Future Everything Will Be A Coffee Shop</title>
    <dc:date>2012-02-20T00:28:43+00:00</dc:date>
    <link>http://blog.speculist.com/scenarios/the-coffee-shop-take-over.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Eventually you could have local campuses becoming places where MITx students seek tutoring, network, & socialize—reclaiming some of the college experience they’d otherwise have lost.

Phil thought this sounded like college as a giant coffee shop. I agree. Every education would be ad hoc. It would be student-directed toward the job market she’s aiming for.

This trend toward…coffeeshopification…is changing more than just colleges:

Book Stores Will Shrink to Coffee Shops…

The Coffee Shop Will Displace Most Retail Shops…

Offices Become Coffee Shops…Again…

What Doesn’t Become a Coffee Shop?…

…houses of worship…

What will remain other than coffee shops? Upscale retail will remain…[for] experience…Restaurants remain. Grocery stores remain.

Brick and mortar retail stores will be converted to public spaces. Multi-use space will be in increasing demand as connectivity tools allow easy coordination of impromptu events…"
]]></description>
<dc:subject>restaurants multipurpose multi-usespace impromptuevents events coffeeshopification thirdspaces thirdplaces howwelearn howwework work enlightenment stevenjohnson amazonprime amazon shopping espressobookmachine coffeehouses coffeeshops coffee on-demandprinting highereducation higheredbubble highered information reading ebooks stephengordon future retail deschooling unschooling sociallearning self-directedlearning mitx mit learning srg glvo 2011 colleges education opencoffeeclubdresden 3dprinting ondemand ondemandprinting bookfuturism books cafes openstudioproject universities</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b057e1e02917/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:multi-usespace"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:impromptuevents"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coffeeshopification"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thirdplaces"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:enlightenment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stevenjohnson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:amazonprime"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:espressobookmachine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coffeehouses"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coffeeshops"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coffee"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:on-demandprinting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:highereducation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:higheredbubble"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:information"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ebooks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stephengordon"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unschooling"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:self-directedlearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mitx"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mit"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:srg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colleges"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:opencoffeeclubdresden"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:3dprinting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ondemand"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bookfuturism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cafes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:openstudioproject"/>
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</item>
<item rdf:about="http://www.tortoisegeneralstore.com/">
    <title>Tortoise General Store</title>
    <dc:date>2012-01-10T08:06:24+00:00</dc:date>
    <link>http://www.tortoisegeneralstore.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["When we visited one of the islands in Hawaii, we came across a "general store".

It was very local and community-based, which we rarely saw in Los Angeles. Nowadays with big chain stores spread in the cities, you can get decent variety of products with decent service anywhere you go.

But when we walked into the small "general store" we felt a very friendly, established presence in its local community.
In the "general store", their products were what was minimum required in daily life. Less variety of what big chain stores carried. But we felt that was just enough.

At "TGS / Tortoise General Store", based on Tortoise' basic philosophy, we would like to introduce wider, more "general" service, not just products.

We like to create a "General Store" that may not be "cool" but a place where it feels familiar, or be unique in its own way."

[See also: http://www.tortoiselife.com/ AND http://www.tortoiselife.com/trts/ ]

[Reminds me of Yuzu, once a favorite place in Pasadena]]]></description>
<dc:subject>losangeles gifts home japanese japan shopping</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:644fbb62f398/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:home"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:japanese"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:japan"/>
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</item>
<item rdf:about="http://www.nytimes.com/2011/12/29/fashion/men-shop-in-bulk.html?pagewanted=all">
    <title>Men Shop in Bulk - NYTimes.com</title>
    <dc:date>2011-12-30T18:50:06+00:00</dc:date>
    <link>http://www.nytimes.com/2011/12/29/fashion/men-shop-in-bulk.html?pagewanted=all</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["WOMEN shop, men stockpile. That’s one theory, anyway, of how men buy clothes differently from women. If women see shopping as an opportunity, a social or even therapeutic activity, the thinking goes, then men see it as a necessary evil, a moment to restock the supply closet.

At the risk of perpetuating sex stereotypes, the archetype may have been Steve Jobs. When Mr. Jobs died in October, he left behind not only a peerless legacy, but a closet full of identical black cotton turtlenecks by Issey Miyake. “If he loved a shirt, he’d order 10 or 100 of them,” his sister, the author Mona Simpson, said in her eulogy.

It was an obsession that many men could relate to. Here, stylish New Yorkers reflect on their wardrobe hoarding."

[via http://kottke.org/11/12/the-men-who-shop-in-bulk ]]]></description>
<dc:subject>2011 comfort habits harrybelafonte marcussamuelsson clothesshopping clothing apparel fashion scottcampbell paulsevigny paulbirardi billyreid christopherbollen jonathangalassi gabeschulman gregfoley ianbradley fabienbaron chuckclose michaelwilliams graydoncarter uniforms personaluniforms stockpiling cv shopping women men gender pesonaluniforms uniform</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6ccbfd96e55b/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:habits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:harrybelafonte"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marcussamuelsson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clothesshopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clothing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:apparel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fashion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scottcampbell"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paulsevigny"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paulbirardi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:billyreid"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:christopherbollen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jonathangalassi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gabeschulman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gregfoley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ianbradley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fabienbaron"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chuckclose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:michaelwilliams"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graydoncarter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:uniforms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:personaluniforms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stockpiling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cv"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:women"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pesonaluniforms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:uniform"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://quarterly.co/">
    <title>Quarterly Co.™</title>
    <dc:date>2011-09-18T05:20:53+00:00</dc:date>
    <link>http://quarterly.co/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["…new way to connect w/ the people you follow & find interesting. We spend so much of our lives connecting w/ people online that we forget the value of tangible interactions that happen in the real world. Quarterly wants to bridge that gap by allowing anyone to subscribe to influential contributors and get physical items in the mail from them. It is like a magazine, but instead of receiving words on a page, our subscribers receive actual items that tell a compelling story crafted and narrated by the contributor.

What kind of stuff will I get? A blend of original, exclusive, & consumer items that are timeless, practical, exciting, & fly under the radar. We don’t want to fill up your house w/ clutter, & we’re mindful of the waste that each of us generate every day. But we also recognize that consumption isn’t inherently bad, it’s just a matter of making smarter choices about the things we surround ourselves with.

Each product should reflect on the person who selected it…"]]></description>
<dc:subject>design quarterly retail subscriptions geoffmanaugh mariapopova tinarotheisenberg swissmiss alexismadrigal lizdanzico shopping gifts</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:685276040fa9/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:retail"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:subscriptions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:geoffmanaugh"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mariapopova"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tinarotheisenberg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:swissmiss"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alexismadrigal"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gifts"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://en.wikipedia.org/wiki/Gruen_transfer">
    <title>Gruen transfer - Wikipedia</title>
    <dc:date>2011-08-15T23:30:52+00:00</dc:date>
    <link>http://en.wikipedia.org/wiki/Gruen_transfer</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In shopping mall design, the Gruen transfer is the moment when a consumer enters a shopping mall and, surrounded by an intentionally confusing layout, loses track of their original intentions. It is named for Austrian architect Victor Gruen (who disavowed such manipulative techniques). Recently, the Gruen transfer has been popularised by Douglas Rushkoff.

The Gruen transfer is the moment when consumers respond to "scripted disorientation" cues in the environment. Spatial awareness of their surroundings plays a key role, as does the surrounding sound, art, and music. The effect of the transfer is marked by a slower walking pace."]]></description>
<dc:subject>design culture architecture psychology retail shopping via:bopuc manipulation disorientation confusion behavior victorgruen gruentransfer malls douglasrushkoff scripteddisorientation</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:7b0c3416e98e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:psychology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:retail"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:bopuc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:manipulation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:disorientation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:confusion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:behavior"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:victorgruen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gruentransfer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:malls"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:douglasrushkoff"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scripteddisorientation"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://thegreat-divide.com/">
    <title>The Great Divide — Welcome</title>
    <dc:date>2011-07-29T04:30:24+00:00</dc:date>
    <link>http://thegreat-divide.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Great-Divide is an online shop that brings together a carefully curated portfolio of product for the discerning gent.

The Great-Divide seek out specific brands that reflect the talent and craft that go into making them, we are both proud and honoured to work with these brands and product, chosen because we love them, and we believe you will too.

The Great-Divide's offering will be concise and attractive.

We won't bombard you.

We will tailor our offering to make shopping with us a stress free pleasure.

The Great-Divide reflects our love of clothing, art, culture and quality."

[via: http://nerdboyfriend.com/2011/07/jean-cocteau-2/ ]

[Best line: "We will tailor our offering to make shopping with us a stress free pleasure."]]]></description>
<dc:subject>shopping clothes clothing thegreatdivide</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ce91c2dc73a9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clothes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clothing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thegreatdivide"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://snarkmarket.com/2011/6567/comment-page-1#comment-20169">
    <title>All hail the humble component « Snarkmarket</title>
    <dc:date>2011-01-16T22:50:17+00:00</dc:date>
    <link>http://snarkmarket.com/2011/6567/comment-page-1#comment-20169</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Frank Chimero: "I like the term steadfast for these components [durable], and calling the more ephemeral technologies “hot-swap” because you swap them out without shutting down the system."]]></description>
<dc:subject>steadfast hot-swap robinsloan frankchimero shopping plannedobsolescence longevity plannedlongevity durability ephemeralization electronics clothing media snarkmarket</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0e0882a43f1a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:steadfast"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hot-swap"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robinsloan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:frankchimero"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:plannedobsolescence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:longevity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:plannedlongevity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:durability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ephemeralization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:electronics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clothing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:snarkmarket"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://casillas.hotexpress.cl/">
    <title>Worldwide courier service - Casillas en Miami - Hot Express</title>
    <dc:date>2011-01-03T12:47:07+00:00</dc:date>
    <link>http://casillas.hotexpress.cl/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[See also: http://www.zerozen.com/blog/como-comprar-en-ebay-si-no-vives-en-usa-primera-parte/ AND http://twitter.com/HotExpress AND http://www.zancada.com/mi-primera-compra-por-casilla-en-miami-paso-a-paso-para-dummies/ AND http://www.cooperativa.cl/prontus_nots/site/artic/20080620/pags/20080620180539.html]]></description>
<dc:subject>miami amazon ecommerce chile shopping</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0c723085a797/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:miami"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:amazon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ecommerce"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chile"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://flowingdata.com/2010/12/24/why-the-other-lines-always-seem-to-move-faster-than-yours/">
    <title>Why the other lines always seem to move faster than yours</title>
    <dc:date>2010-12-28T00:04:32+00:00</dc:date>
    <link>http://flowingdata.com/2010/12/24/why-the-other-lines-always-seem-to-move-faster-than-yours/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Erlang found out how many telephone lines the company needed, given the average number of calls per hour. Similarly, you can figure out how many checkout lines you need, given the average number of customers. It turns out the best arrangement is to have a single line, and the next customer goes to the next available register. There's less chance of blockage from a single delay.<br />
But people don't like doing that apparently, and so assuming random selection, ending up in the slow line comes down to simple probability.<br />
<br />
Another way to think about this problem is in terms of time. You wait when you're in a slow line. You move when you're in a fast line. So the longer amounts of time spent waiting feel more significant (even though it might be a single pick) than when you made the fast picks."]]></description>
<dc:subject>psychology shopping theory mathematics queues queingtheory perception math</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0582c73c9569/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:psychology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:theory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mathematics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:queues"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:queingtheory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perception"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:math"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.industrialliquidators.com/">
    <title>Industrial Liquidators :home</title>
    <dc:date>2010-12-27T04:08:13+00:00</dc:date>
    <link>http://www.industrialliquidators.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Industrial Liquidators is a surplus retail and wholesale outlet. We also buy closeouts. We have retail stores for our  products as well as a warehouse opento the public to buy shelving, work benches and our larger equipment! We buy and sell items such as: Shelving, Industrial Surplus, electronics, test equipment,laboratory equipment, office equipment, machinery, components, government surplus, excess inventory...etc."]]></description>
<dc:subject>electronics sandiego shopping glvo projects make making surplus laboratories tools technology tcsnmy supplies furniture components machinery</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:667bc559e727/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:electronics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sandiego"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:projects"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:make"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surplus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:laboratories"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tcsnmy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:supplies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:furniture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:components"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:machinery"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://surplus.ucsd.edu/">
    <title>UCSD Surplus Sales Online - Home</title>
    <dc:date>2010-12-27T04:06:24+00:00</dc:date>
    <link>http://surplus.ucsd.edu/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>ucsd surplus sandiego shopping electronics glvo projects make making laboratories tools technology tcsnmy supplies furniture components machinery</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8ef7eaf61169/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ucsd"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surplus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sandiego"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:electronics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:projects"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:make"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:laboratories"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tcsnmy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:supplies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:furniture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:components"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:machinery"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://bennygold.com/">
    <title>Benny Gold</title>
    <dc:date>2010-12-19T22:50:23+00:00</dc:date>
    <link>http://bennygold.com/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>clothing skateboarding bikes bennygold codyhudson sanfrancisco shopping skating skateboards</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:1ccd0c5a0e18/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clothing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skateboarding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bikes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bennygold"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:codyhudson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skating"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skateboards"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://kioskkiosk.com/">
    <title>KIOSK - Interesting things from interesting places</title>
    <dc:date>2010-12-05T05:04:54+00:00</dc:date>
    <link>http://kioskkiosk.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["ARCHIVE: JAPAN, SWEDEN, MEXICO, GERMANY, FINLAND, 8 for 2008 + 1, HONG KONG<br />
AMERICA 1, 9 for 2009, AMERICA 2, Provence, Portugal, Groundhog Day, Iceland, America 3"]]></description>
<dc:subject>art culture design accessories gifts shopping japan sweden mexico germany finland iceland us international global provence france hongkong</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:356bd96fbc2c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:accessories"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gifts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:japan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sweden"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mexico"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:germany"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:finland"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:iceland"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:us"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:international"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:global"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:provence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:france"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hongkong"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://gravelandgold.com/">
    <title>Gravel &amp; Gold</title>
    <dc:date>2010-11-26T17:39:06+00:00</dc:date>
    <link>http://gravelandgold.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Gravel & Gold is a shop in the Mission District of San Francisco run by three ladies, Cass, Lisa, and Nile. We sell useful goods from stand-up makers—hand-picked vintage and new things to wear, to adorn, to hear, to read & write, to furnish, and to love up. We like to know where our things come from and to directly support the people who create them."]]></description>
<dc:subject>sanfrancisco shopping gifts boutique diy fashion design clothing retail glvo via:robinsloan art handmade make</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:50668d442df0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gifts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:boutique"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fashion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clothing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:retail"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:robinsloan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:handmade"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:make"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.boutiques.com/">
    <title>Boutiques.com</title>
    <dc:date>2010-11-22T03:33:04+00:00</dc:date>
    <link>http://www.boutiques.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Boutiques.com is a personalized shopping experience, brought to you by Google, that lets you find and discover fashion goods through a collection of boutiques curated by taste-makers -- celebrities, stylists, designers, and fashion bloggers. Boutiques uses visual technology to help fashionistas discover and shop their look and creates the opportunity for designers to showcase their collections and latest inspirations online.<br />
<br />
Boutiques.com is built on technology developed by our team of fashion experts who work with engineers to “teach” our computer systems to understand various patterns, pairings, and genre definitions. When signed into your account, Boutiques.com learns about your style and preferences and in turn, provides you better results and recommendations over time. Ultimately, Boutiques.com will provide shoppers with a much richer and interactive shopping experience and help drive traffic to retailers' websites."]]></description>
<dc:subject>boutiques boutiques.com google online clothes clothing design shopping fashion webservice 2010 style</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:872bca8abcb0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:boutiques"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:boutiques.com"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:google"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clothes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clothing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fashion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webservice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2010"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:style"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://sdspace.org/">
    <title>San Diego Space Society</title>
    <dc:date>2010-10-18T18:01:57+00:00</dc:date>
    <link>http://sdspace.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The San Diego Space Society (“SD Space”) was founded in 2008 with the purpose of raising awareness and educating the general public to the benefits of human exploration of space and San Diego’s role in space development, as well as to the idea of creating a spacefaring civilization within our lifetimes.

General meetings are held regularly at the Serra Mesa library, and SD Space members participate in many other local space events. Details of each meeting will be posted to the calendar. The general public is welcome to attend any meeting or event listed on this site.

SD Space is headquartered at the Space Travelers Emporium [http://emporium.sdspace.org/ ], a storefront and workshop in the South Park neighborhood."]]></description>
<dc:subject>sandiego space southpark spacetravel travel hackerspaces education organizations gifts shopping lcproject workshops glvo edg srg local exploration spaceexploration</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f9c9789ddd98/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sandiego"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:southpark"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:spacetravel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:travel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hackerspaces"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:organizations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gifts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lcproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:workshops"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:srg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:local"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exploration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:spaceexploration"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.getuncommon.com/">
    <title>This is Uncommon</title>
    <dc:date>2010-09-27T22:33:14+00:00</dc:date>
    <link>http://www.getuncommon.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Uncommon makes the most well-designed, highest quality customizable products available. Our proprietary 3D TATT™ (Thermo-Active Transdermal Technology™) process ensures durable, long-lasting, high resolution imagery on every product we imprint. We then package your art with care and ship it quickly and safely to your door."]]></description>
<dc:subject>iphone ipod accessories gifts uncommon shopping products printing illustration diy design custom art fabrication webdesign via:russelldavies webdev</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:7af1cd17670d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:iphone"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ipod"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:accessories"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gifts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:uncommon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:products"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:printing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:illustration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:custom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fabrication"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:russelldavies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdev"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.thisspecimen.com/">
    <title>Specimen</title>
    <dc:date>2010-09-19T05:52:42+00:00</dc:date>
    <link>http://www.thisspecimen.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Specimen is created by Mark Quint, owner of Quint Contemporary Art gallery in San Diego, CA.

Specimen is an online store that sells art and curiosities.

Specimen's inventory (other than the art) is primarily used and vintage, but there are some new items slipped in every so often.

Specimen runs weekly specials, highlights guest selections, buys and trades objects and maintains a wish list for our collector friends.

Specimen is about objects that deserve a second look, closer inspection and a good home."

[Alternate URL: http://www.specimen.bigcartel.com/ ]]]></description>
<dc:subject>markquint quintgallery sandiego art curiosities togo todo shopping vintage collections collecting</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:441509220035/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:markquint"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:quintgallery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sandiego"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curiosities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:togo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:todo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shopping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vintage"/>
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