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    <title>Hope You Like Burning Man Sculptures: the tech oligarch who picks the art that goes in public in SF - YouTube</title>
    <dc:date>2026-07-11T09:58:42+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA[[Related: https://www.sfexaminer.com/culture/private-funding-of-public-art-prompts-questions-about-intent/article_89b311c0-108a-4464-b676-73548d51471f.html ]

"Max Blue is one of San Francisco's few remaining art critics in legacy media (see: his column in SF Examiner); he also contributes regularly to Hyperallergic. 

Max gives the best brief introduction of the big art movements San Francisco is most well known for, and names names including: 

BXP, the company that benefited from the Vaillancourt fountain's removal) 

CIA Operation Mockingbird, the US government's mission to spread abstract expressionism across the globe

KAWS's hold on the Instagram background niche 

Randall Kline, SF Jazz founder behind the upcoming low-income artists' housing on Market Street

Sid Sijbrandij, the tech billionaire and art patron flooding public space with Burning Man installations

Max Blue: https://maxbluewriter.com

Max's Substack: https://maxblue.substack.com/

Max for the San Francisco Examiner: https://www.sfexaminer.com/culture/private-funding-of-public-art-prompts-questions-about-intent/article_89b311c0-108a-4464-b676-73548d51471f.html

Max for Hyperallergic: https://hyperallergic.com/author/max-blue/

Episodes: 

Hanky Code Art NSF Trash Cans with Christen Cioffi: https://www.patreon.com/sadfrancisco/posts/bonus-e2-watch-78664457  

The Technofascist Plan for an Elite City in Solano County with Anna Kirsch: https://www.patreon.com/sadfrancisco/posts/audio-planning-f-107037093  

Sad Francisco is produced by Toshio Meronek."]]></description>
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    <title>An Abundance of Influence | The Nation</title>
    <dc:date>2026-07-10T20:41:48+00:00</dc:date>
    <link>https://www.thenation.com/article/politics/abundance-movement-yimbyism-big-tech/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A group of YIMBY Big Tech donors took over San Francisco politics. Now they’re setting their sights on the rest of the country."

[archived: https://archive.is/hh0V9 ]]]></description>
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<item rdf:about="https://sf.gazetteer.co/does-your-flour-even-lift-bromate">
    <title>Does your flour even lift, bromate?</title>
    <dc:date>2026-07-10T05:58:07+00:00</dc:date>
    <link>https://sf.gazetteer.co/does-your-flour-even-lift-bromate</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[Boichik
https://boichikbagels.com/
https://maps.app.goo.gl/HPqWdbR1mwZe1yNK7 (Presidio Heights (and other locations, original in Berkeley))

The Laundromat
https://www.thelaundromatsf.com/
https://maps.app.goo.gl/HPqWdbR1mwZe1yNK7 (Outer Richmond)]

"While the bagel capital of the America approaches a ban on bromated flour, San Francisco’s top bagelmakers are way ahead of them"

...

"Bagelmakers across New York are staring down the barrel of a big change to their dough recipes. A ban on bromated flour, widely regarded as a quintessential ingredient for bagel and pizza dough, is currently sitting on the governor's desk. In California, that change is even more imminent: Our ban goes into effect on January 1, 2027.

Luckily for us, some of the buzziest San Francisco bagel establishments already work without it. 

Bromated flour makes dough stretchy, springy, and consistent. It’s known to give bagels that perfect balance of lift and chew. It’s also one of several chemical additives that have been used in bakery flours to eliminate some of the guesswork involved with proofing, as it makes dough less susceptible to changes in temperature and humidity. 

James Lok, co-founder of Schlok’s, calls bromated flour “the ultimate cheat code,” but doesn’t use it in his NoPa or FiDi shops. Using it “objectively reduces the error rate and the personnel training time.” Despite being made from “such a simple recipe,” bagels can be challenging “with so many technical elements.”  

“There’s so much to think about,” he said.

The California Food Safety Act (also known as the “Skittles Act”), signed in 2023, put into place a total ban on potassium bromate, the additive in bromated flour. In studies dating as far back to the 1980s, potassium bromate has been linked to kidney and thyroid cancer in rats. It’s because of these studies that the additive has been eliminated from much of the world’s food supply, including total bans in Canada, the United Kingdom, the European Union, China, India, and many other countries. 

The Associated Press reports that it’s currently used in an estimated 80 percent of commercial bakeries in New York. However, in California, that number seems significantly smaller thanks to Proposition 65, which mandates that businesses disclose their use of products that may expose customers to chemicals linked to cancer or reproductive harm.

“Ultimately, it was a conscious decision to not use [bromated flour] once we understood the legislation and California,” said Schlok’s co-founder Zack Schwab. “Will people buy bagels with a cancer warning? Because that's the philosophical question here, even if they taste better, or the texture and the rise are better?”

Many of SF’s top-rated and long-lined bagel businesses have shied away from bromated flour. Even SF’s longest-running bagel shop, House of Bagels, doesn’t use bromated flour.

Berkeley-based Boichik Bagels, which were ranked the best in the US by The New York Times, have never used bromated flour in their bagels. Founder and CEO Emily Winston uses organic flour from Central Milling, which does not contain potassium bromate. 

“I'm a Berkeley foodie and I was fully planning on having fancy ingredients because it made sense to me. So I never actually looked into using other flour,” she said. “I didn't come from the professional baking world, so I really had no idea. I just was like, ‘This flour is delicious’ and it kind of checked all the boxes for me.”

The Outer Richmond’s The Laundromat also uses organic, un-bromated flour from Central Milling for their bagels and pizza. Co-owner Kevin Rodgers worked at an organic farm before opening his restaurant: “That was definitely the foundation for using food responsibly and using ingredients responsibly, and making sure that no chemicals and anything like that are involved,” he said. 

“It's also just a very different methodology and philosophy in California, where ingredients are paramount,” Rodgers continued. “Especially San Francisco, there are some really great restaurants whose big focal point is sourcing everything responsibly.” 

Unbromated craft flours are typically sold at a higher price point, which may be why SF’s boiled dough rings are notably more expensive than New York City’s. (Though Rodgers, who is from New York, just returned from a trip east and said bagels in Manhattan will run you $2.50 these days.) That being said, while New Yorkers are bracing for higher bagel prices should the potassium bromate ban go into effect, SF’s scene will be virtually unimpacted. 

“It definitely is more expensive than a standard, un-organic flour. One of my mentors owns a bagel shop in Wisconsin and when I told him what I was paying for a sack of flour, he just about fell over,” said Jersey-born Winston. “But it makes a fantastic bagel.” 

The New York State legislature voted this year to pass the Food Safety and Chemical Disclosure Act, which is currently awaiting Governor Kathy Hochul’s signature. If passed, businesses would have a one-year period to comply, as well as some additional time to work through unexpired stock. A similar bill has been introduced in New Jersey. (Disclosure: My family owns a bagel shop on the Jersey Shore called Bageleddi’s.)

Whether Albany and Trenton push a ban forward is still up in the air, though consumer awareness is growing. 

The American Bakers Association, the largest trade organization for commercial bakers, in January launched a voluntary industry pledge to phase out potassium bromate by the end of this year. More people online are inquiring what flour brands do not contain potassium bromate, and where in their cities they can find bagels and pizza without a side of the purported carcinogen. 

“In the Bay Area, we're probably not going to see a change,” said Boichik’s Winston. “But I think it's going to be interesting elsewhere.”"]]></description>
<dc:subject>bagels sanfrancisco food restaurants outerrichmond richmonddistrict 2026 nyc flour baking presidioheights berkeley concord losgatos santaclara fillmore financialdistrict paloalto larkspur oliviapeluso bromatedflour</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://acedsf.org/william-leidesdorff-mural">
    <title>William Leidesdorff Mural</title>
    <dc:date>2026-07-10T05:34:00+00:00</dc:date>
    <link>https://acedsf.org/william-leidesdorff-mural</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Beyond the Sea – The Life and Legacy of William Leidesdorff 

Twin Walls Mural Co’s mural aims to celebrate the life and legacy of William Alexander Leidesdorff, a founding father of San Francisco and the Bay Area. A biracial man, he was an exceptional social, economic, and political leader in the pre-gold rush era of San Francisco. We wanted to celebrate his legacy and passion for community, innovation, and adventure as it lives on through the city’s diversity and spirit.

The mural starts with his birth on the island of St. Croix and the beginning of his incredible journey with his 106lb Schooner “Julia Ann” on abstract waves of the Pacific Ocean currents that flow throughout the composition. A ship’s steering wheel acts as a halo behind Captain Leidesdorff and above, a map with fleur-de-lis which depicts his journey to New Orleans. It is there that he became a master of vessels. He often sailed between New Orleans and New York. Eager to head west, he purchased the Julia Ann, which took him on his voyage to the Pacific into a beautiful cove, that was then known as Yerba Buena cove, but would later become San Francisco. It is here that he begins his trade route. The sugar cane to his right represents some of the trade to and from Hawaii, Yerba Buena, Panama, St. Croix, Brazil, Chile, and Sitka, Alaska.

The compass symbolizes his life and travels as a master sailor and merchant. The map of Rancho Rio de los Americanos represents his connection with California, which was, at the time, still Mexico, the land the Mexican government gave him, and his title and position as Vice Consul to Mexico. Captain Leidesdorff purchased the “Sitka” from Alaska. She was the first steamboat to sail on the San Francisco Bay and in California. Later becoming “Rainbow,” the Sitka followed the Sacramento River even after discovering gold.

The mural then flows to Leidesdorff’s legacy and poignant events in US history before and after his death. These include the building of the first hotel in San Francisco, the land he donated to open the first public school there, having the Declaration of Independence read for the first time in California, and the Gold Rush, as depicted by Black and Asian men at a site. This includes one of the three black 49ers who came over as slaves and created their own successful business hauling supplier to remote mining camps.  Chinese and Philippine railroad workers are included to honor those who helped to build California and acknowledge the proximity of the mural to Chinatown.

After his death, Leidesdorff’s remains were placed in the front entrance of Mission Dolores. From there, the journey continues to present-day San Francisco and into our future. The three individuals in the boat depict a future where San Franciscans can steer their own futures, the future looking brighter, more open and green. 

[embed: https://www.youtube.com/watch?v=GgFdbinwk30 ]

Twin Walls Mural Company

Elaine Chu and Marina Perez- Wong are the dynamic duo behind the mural arts collaboration Twin Walls Mural Company (TWMC). They believe in the power of visual narratives to capture and reflect a community's history, struggles, dreams, and intentions. San Francisco natives, Elaine and Marina, met at the Ruth Asawa San Francisco School of the Arts in 1997 and instantly formed a friendship. They began painting murals with Precita Eyes Muralists Association under the guidance of muralist Susan Kelk Cervantes. Each mural they worked on collaboratively made them realize that they work like twins when painting. 

They formed TWMC in 2013 and have since designed and painted over 40 murals in the Bay Area and New York City. Elaine and Marina are both motivated by the healing of current and generational trauma and the transformation of the viewer and themselves through visual language, color, and collaboration. Together their partnership continues to flourish with intricate visual stories of hope, balance, and community. Their work reflects growing up in the Bay Area, celebrating the women and individuals who inspire them and the changes they wish to manifest through bright colors and semi-realism."

[Map: https://maps.app.goo.gl/TG1AkAU867dNHpFH8 ]]]></description>
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<item rdf:about="https://missionlocal.org/2026/07/review-cantoo-latin-asian-rotisserie-offers-tasty-fusion/">
    <title>Review: Cantoo Latin Asian Rotisserie offers tasty fusion</title>
    <dc:date>2026-07-10T04:55:44+00:00</dc:date>
    <link>https://missionlocal.org/2026/07/review-cantoo-latin-asian-rotisserie-offers-tasty-fusion/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also:
https://cantoosf.com/
https://www.sfgate.com/food/article/cantoo-chinese-venezuelan-food-sf-18599314.php
https://missionlocal.org/2025/07/cantoo-restaurant-venezuelan-chinese-food/
https://www.thebolditalic.com/heres-where-i-love-to-eat-in-the-tenderloin/
https://www.thebolditalic.com/boundary-pushing-asian-food-at-two-newcomers-taiwanese-inspired-piglet-co/
https://www.sfchronicle.com/food/restaurants/article/rotisserie-chicken-price-flavor-20379457.php ]]]></description>
<dc:subject>food restaurants sanfrancisco chinese venezuelan 2026 mariaascarrunz cristinawufeng</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://www.catranslation.org/sf-literary-hub/">
    <title>A New Cultural Anchor - CAT Center</title>
    <dc:date>2026-07-09T16:45:17+00:00</dc:date>
    <link>https://www.catranslation.org/sf-literary-hub/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["For 26 years, the Center for the Art of Translation has brought the world’s voices to readers like you. We’ve made the work of literary translators visible through our award-winning book publisher Two Lines Press, by bringing poetry translation into classrooms through our education program, and by hosting hundreds of events with international authors and translators—all without a permanent home of our own.

That’s about to change."

[See also (embedded video):

"Center for the Art of Translation: A Literary Community Hub in San Francisco"
https://www.youtube.com/watch?v=mig1lA8aaJQ

"The Center for the Art of Translation (CAT) is launching a capital campaign to transform a historic building in San Francisco into a permanent literary home—a cultural anchor for a city that desperately needs places where people can gather around ideas, not algorithms. Help us create a public space where cultures and languages meet."

via:
https://lithub.com/the-center-for-the-art-of-translation-is-getting-a-permanent-home-in-san-francisco/ ]]]></description>
<dc:subject>2026 centerfortheartoftranslation sanfrancisco writing howwewrite classideas education reading howweread 2027 citylights jazminabarrera oliviasears literature fiction translation paulyamazaki michaelholtman aaroncoleman</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://www.kqed.org/arts/13991360/new-monuments-san-francisco-shaping-legacy-sfac">
    <title>Artists Are Filling SF With Monuments to Ordinary People | KQED</title>
    <dc:date>2026-07-09T16:34:38+00:00</dc:date>
    <link>https://www.kqed.org/arts/13991360/new-monuments-san-francisco-shaping-legacy-sfac</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Artists are creating temporary monuments to ordinary people as part of the Shaping Legacy project."]]></description>
<dc:subject>sanfrancisco via:javierarbona 2026 shapinglegacy monuments art kalebduarte christophercolumbus goldengatepark francisscottkey juníperoserra ulyssessgrant greatmigration fultonplaza labor frankhappensberger indigeneity indigenous angelacarrier adriánarias locuraandanaísazul ariana-martinez-cruz afatasitheartist staceycarter parqueniñosunidos georgefloyd 2020 guatemala honduras elsalvador mexico reginajoségalindo marilynbororbor miaeverollow jameslick memorials memory paleter@ potrerodelsol statues</dc:subject>
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<item rdf:about="https://sfstandard.com/2026/07/02/america-s-250th-empire-founded-sf-has-warning/">
    <title>America’s 250th: The empire that founded SF has a warning for us | The San Francisco Standard</title>
    <dc:date>2026-07-04T13:12:00+00:00</dc:date>
    <link>https://sfstandard.com/2026/07/02/america-s-250th-empire-founded-sf-has-warning/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In his classic 1963 study “Imperial Spain 1469-1716,” J.H. Elliott argues that the decline of the empire was caused by a number of factors, including an economic crisis brought on by an endless procession of ill-conceived wars; an ossified society dominated by a reactionary church and clinging to dysfunctional ideals; a stagnant intellectual life characterized by a rejection of science and the Enlightenment; extreme nativism and an obsession with racial purity; a society divided between the very rich and the vast majority, who were very poor; rampant cronyism; and a procession of incompetent monarchs. 

Hmm. Does any of this sound familiar? 

Let’s start with unnecessary wars. If there was a single event that started the Spanish empire on its death spiral, it was King Philip II’s disastrous decision to send an “Invincible Armada” to attack England in 1588. Philip and the Spanish church were filled with holy zeal to smite the English infidels. A Jesuit prelate named Pedro de Ribadeneira wrote, “I consider this enterprise the most important undertaken by God’s Church for many hundreds of years. Every conceivable pretext for a just and holy war is to be found in this campaign. … This is a defensive, not an offensive war; one in which we are defending our sacred religion and our most holy Roman Catholic faith.” The invasion abjectly failed, the ships destroyed by a combination of English cannon, fires, and storms, at a cost of 10 million ducats — three-fourths of Philip’s annual budget. 

Wars imposed an insupportable financial burden on Spain, and its rejection of science and the Enlightenment prevented it from advancing alongside European nations that were open to new ideas. Spain’s stagnant intellectual climate was epitomized by a notorious episode that took place during the reign of Philip IV. When a junta of theologians was summoned to opine upon a proposed canal linking the Manzanares and the Tagus rivers, it declared that if God had intended the rivers to be navigable, He would have made them so. When progressive Spaniards embraced the humanist ideas of the free-thinking Dutch scholar Erasmus, the Inquisition, the powerful ecclesiastical institution charged with maintaining Catholic orthodoxy, accused him of heresy and forced him to recant his sins publicly and spend a year in seclusion in a monastery. Crucially, Elliott argues that Spain created the Inquisition precisely because Spain was more racially and religiously diverse than other European countries: “The intermingling of Christians, Jews, and Moors had created religious and racial problems of unparalleled complexity and had prompted the organization of a tribunal dedicated to a solution along the only lines that seemed feasible — the imposition of orthodoxy.” The Inquisition was driven not just by hatred of alien beliefs but by fear that even the slightest deviation from orthodoxy might open the floodgates to widespread heresy. 

The Inquisition’s obsession with ferreting out heretics was indistinguishable from its obsession with exposing and denouncing those who were racially impure; namely, Jews and Moriscos, descendants of the Moors who conquered Spain in the 8th century and ruled it for centuries. Spain’s obsession with racial purity, or limpieza de sangre (“purity of blood”), drove it to expel first its Jews, in 1492, then its Moriscos, between 1609 and 1614. The Spanish crown feared, for good reason, that even Jews or Muslims who had converted to Catholicism often secretly clung to their old beliefs. But political and economic reasons also played a role. Many Jews had attained high positions in finance and trade, and some Spanish resented their success. Similarly, many so-called Old Christians (as opposed to the Moriscos, who were known as “New Christians”) disliked the Moriscos for, as Elliott writes, “spending too little, working too hard, and breeding too fast.” 

Both expulsions had negative effects on the Spanish economy. So disastrous was the effect of the expulsion of the Moriscos that in 1633, the royal confessor wrote, “It is a very short time ago since the Moriscos were expelled — an action which did such harm to these kingdoms that it would be a good idea to have them back again, if they could be persuaded to accept our Holy Faith.” But as Elliott writes, “[W]hat was done could never be undone. The regime of the Duke of Lerma [the favorite of King Philip III, who effectively governed Spain during Philip’s reign] was never one to give much thought to the morrow, and the expulsion of the Moriscos aptly symbolized its general outlook in its total disregard for economic realities, its determination to adopt the easiest solution when confronted by admittedly intractable problems, and its tendency to give way before popular and sectarian pressures. Here was a regime that, at a time when Castile stood most in need of government, was content to follow where others led, a government that preferred panaceas to policies and had nothing but high-sounding phrases and empty gestures to offer a society that desperately needed a cure for its many ills.” 

Spain in the age of empire suffered from extremes of wealth and poverty: It had virtually no middle class. The writer Gonzalez de Cellorigo lamented in 1600, “Our republic has come to be an extreme contrast of rich and poor, and there is no means of adjusting them one to another. Our condition is one in which we have rich who loll at ease, or poor who beg, and we lack people of the middling sort, whom neither wealth nor poverty prevents from pursuing the rightful kind of business enjoined by natural law.” Elliott notes that Spain lacked what other European countries were developing: “a middling group of solid, respectable, hard-working bourgeois to bridge the gap between the two extremes.” Elliott argues that Spain’s potential middle class was lured away from productive activities by a desire to emulate the lazy, decadent aristocracy. As he writes, they “had committed the great betrayal. They had been enticed away by the false values of a disorientated society — a society of ‘the bewitched, living outside the natural order of things.’ The contempt for commerce and manual labor, the lure of easy money from investment in censos and juros [financial instruments that further drained Spain’s collapsing economy], the universal hunger for titles of nobility and social prestige — all these … had persuaded the bourgeoisie to abandon its unequal struggle, and throw in its lot with the unproductive upper classes of society.”

Spain’s decline was exacerbated by the rise of so-called validos, or royal favorites, who for decades wielded the real power in the royal court — and used their influence for massive self-enrichment. We’ve already noted the disastrous decision by one of the most prominent of these favorites, the Duke of Lerma, to expel Spain’s Moriscos. Lerma not only gorged himself at the royal trough; he was also particularly prone to being conned by even more outrageous grifters. “Lerma’s choice of confidants was uniformly disastrous,” Elliott writes. “Easily deceived by plausible rogues, he elevated to positions of great importance the most unsavory characters.” Don Pedro Franqueza, a bureaucrat tasked by Lerma to run the treasury, stole almost unbelievable amounts of money from the royal coffers and managed to obtain the title of Count of Villalonga before he was caught in 1607. Once arrested, Don Franqueza was charged with no fewer than 484 offenses, including fraud, misappropriation, bribery, extortion, embezzlement of public funds, document forgery, violation of state secrets, influence peddling, and concealment of assets. He was sentenced to life in prison and forced to  repay 1.5 million ducats, about a fifth of the Crown’s average annual expenditure. 

Finally, some of Spain’s monarchs, especially the ones who were in power during the empire’s swan song, were even worse than the validos. Sovereigns like Carlos IV, who was interested only in hunting, and his despotic, vindictive son Ferdinand VII were dreadful rulers whose incompetence led Napoleon to depose them both. Historian Stanley G. Payne described Ferdinand — during whose 19th century reign Spain lost most of its empire and whose later period is referred to as “the Ominous Decade” — as “in many ways the basest king in Spanish history. Cowardly, selfish, grasping, suspicious, and vengeful, D. Fernando seemed almost incapable of any perception of the commonwealth.” 

Spain’s decline was a long time in the making. When Anza proudly planted the Spanish flag on San Francisco soil in 1776, the great empire he represented had been rotting from within for more than a century and a half. But few could have predicted that it would collapse as suddenly as it did.

The United States isn’t Spain. But for anyone who follows the news, the parallels are inescapable — and ominous."]]></description>
<dc:subject>garykamiya sanfrancisco history imperialism empire spain españa 2026 us donaldtrump politics decline war validos inquisition economics society idelas science inequality cronyism monarchy division nativism racialpurity race whitesupremacy</dc:subject>
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<item rdf:about="https://logicmag.io/out-of-place/mapping-black-dispossession-in-san-francisco-with-ralowe-t-ampu-and-eric-a/">
    <title>Mapping Black Dispossession in San Francisco with Ralowe T. Ampu and Eric A. Stanley</title>
    <dc:date>2026-07-04T09:30:16+00:00</dc:date>
    <link>https://logicmag.io/out-of-place/mapping-black-dispossession-in-san-francisco-with-ralowe-t-ampu-and-eric-a/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This conversation between UC Berkeley professor Eric A. Stanley and abolitionist organizer Ralowe T. Ampu maps cycles of displacement in San Francisco. Ampu traces the ongoing removal of Black life from her arrival in 1996—a year that also marks the election of the city’s first Black mayor, Willie Brown, and its first tech boom—to the present. Foregrounding the ways Black politicians spearheaded the dispossession of San Francisco’s Black communities, and drawing on a storied history of organizing against these violent modes of urban planning, Ampu provides unique insight into the everyday implications of computation as a municipal project. "]]></description>
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<item rdf:about="https://psmag.com/news/kings-garbage-76228/">
    <title>The Kings of Garbage, or, The ADL Spied on Me and All I Got Was This Lousy Index Card - Pacific Standard</title>
    <dc:date>2026-07-04T08:53:20+00:00</dc:date>
    <link>https://psmag.com/news/kings-garbage-76228/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In 1993 the Anti-Defamation League was accused of espionage, illegal surveillance, theft, and the treasonous sale of classified information to a foreign government. I was one of their victims."]]></description>
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<item rdf:about="https://podcasts.apple.com/gb/podcast/the-adls-forgotten-spy-ring-scandal-and-the/id1385121108?i=1000638138328">
    <title>The ADL’s Forgotten Spy Ring Scandal and the South African Apartheid Regime with Mark Ames –Parallax Views with J.G. Michael – Apple Podcasts</title>
    <dc:date>2026-07-04T08:44:07+00:00</dc:date>
    <link>https://podcasts.apple.com/gb/podcast/the-adls-forgotten-spy-ring-scandal-and-the/id1385121108?i=1000638138328</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["On this edition of Parallax Views, Mark Ames, journalist and co-host of the popular podcast Radio War Nerd w/ John Dolan (aka Gary Brecher), joins the show to discuss his 2014 NFSFWCORP piece "The Kings of Garbage, or, The ADL Spied on Me and All I Got Was This Lousy Index Card". Due to his anti-apartheid activism at Berkeley, Mark Ames found out in the 90s that he'd been spied upon by the ADL. His file listed him marked him as a "Pinko".

This leads us into the story of Roy Bullock, an investigator who spied on anti-Apartheid activists for the Anti-Defamation League and the South African apartheid regime. Working with SFPD intelligence officer Tom Gerard (who also had a spooky background involving CIA dirty wars in Latin America), Bullock was involved in all kinds of skullduggery, including a case that almost led to the murder of a Simon Wiesenthal Center researcher so that an ADL researcher could take his job and make some extra cash. It's a wild story that involves a spy ring within the ADL spying on American anti-apartheid activists. This also takes us into a discussion of how the Irwin Sewell and the ADL had dossiers on antifascist researchers like Chip Berlet of Political Research Associates, the relationship between Israel and South African apartheid, the ADL's shift from focusing on far-right movement like the John Birchers to left wing activists in Berkeley and Arab Americans, the Arab American Anti-Discrimination Committee and the car bombing assassination of Palestinian activist Alex Odeh, Abe Foxman (national director of the Anti-Defamation League from 1987 to 2015), the FBI (and LA Times?) vs. the ADL, ADL CEO Jonathan Greenblatt's embrace of Elon Musk (and curious comments comparing him favorably to noted antisemite Henry Ford), ADL spying on black Americans like former Congressman Ron Dellums, the ADL as part of the National Security State, philosemitic antisemitism, Israel as being its own worst enemy, the canceling of author and journalist Vincent Bevins in Germany, and more."

[See also:
https://parallaxviews.podbean.com/e/mames/ 

"The Kings of Garbage, or, The ADL Spied on Me and All I Got Was This Lousy Index Card" by Mark Ames (2014)
https://psmag.com/news/kings-garbage-76228/

"In 1993 the Anti-Defamation League was accused of espionage, illegal surveillance, theft, and the treasonous sale of classified information to a foreign government. I was one of their victims."]]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=PaHezWcgCXM">
    <title>Jonathan Weber: City on the Edge with Quentin Hardy - YouTube</title>
    <dc:date>2026-07-04T08:24:59+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=PaHezWcgCXM</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Jonathan Weber joins us to discuss his book,  Technology, Politics, and the Fight for the Soul of San Francisco, with Quentin Hardy.

Recorded at Green Apple Books on the Park on July 1, 2026.

About City on the Edge

The definitive and “captivating” (Marty Baron, author of Collision of Power) story of San Francisco’s meteoric transformation into a global capital of technology, and how the same creative and political forces that gave rise to its boom nearly engineered its collapse.

At the dawn of the 1990s, San Francisco was a beautiful if troubled mid-sized metropolis. It was still reeling from the AIDS epidemic and the Loma Prieta earthquake, its economy stuck in a post-industrial slump. Once considered to be the capital of the American West, and later the beating heart of the global counterculture, the mythic, fog-shrouded city at the edge of the continent faced an uncertain future.

But in that very moment, a band of free-thinking technologists, immersed in the creative zeitgeist of the city, were inventing the contemporary internet. San Francisco would undergo an epic political, social, and economic transformation as it claimed the title of tech capital of the world. Local politicians, including Gavin Newsom and Kamala Harris, advanced to the national stage. An unlikely marriage of underground culture and technological optimism gave rise to the annual reverie known as Burning Man.

This should have been a happy story for San Francisco. But as the city’s tech economy roared, a host of urban ills lurked in the shadows: homelessness, drug addiction, mental illness, and a crippling lack of new housing. The city’s famous left-wing political establishment struggled to get its arms around the problems, becoming a punching bag for President Trump and the new right. When the pandemic arrived in 2020, it created new crises and laid old ones bare, shattering a “City Family” that had ruled politically for more than thirty years and prompting a sharp rightward turn by the once-liberal tech industry."]]></description>
<dc:subject>jonathanweber quentinhardy sanfrancisco history technology politics policy 1990s dotcomboom dotcombust gentrification lomaprietaearthquake economics conunterculture californianideology capitalism gavinnewsom kamalaharris burningman libertarianism homelessness fdrugs drugaddiction mentalillness society left establisment donaldtrump 2020 pandemic covid-19 coronavirus technindustry</dc:subject>
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<item rdf:about="https://bayareacurrent.com/sf-city-fc-fans-on-the-local-and-global-forces-tarnishing-the-beautiful-game/">
    <title>SF City FC Fans on the Local and Global Forces Tarnishing the Beautiful Game</title>
    <dc:date>2026-07-03T09:40:46+00:00</dc:date>
    <link>https://bayareacurrent.com/sf-city-fc-fans-on-the-local-and-global-forces-tarnishing-the-beautiful-game/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["“It would be great if it was just pure and beautiful soccer.”"

[See also:

LA BAHÍA DE FRISCO
https://www.instagram.com/labahiadefrisco/

The Kezar Union
https://www.instagram.com/kezarunionsf/
Independent youth supporters group/ultras @sfcityfc
Direct your complaints to - kezarunionsf@gmail.com
For the city, for the club ✌️😶‍🌫️

Faultline Offenders
https://www.instagram.com/faultlineoffenders/
𝔰𝔣 𝔠𝔦𝔱𝔶 𝔣𝔬𝔬𝔱𝔟𝔞𝔩𝔩 𝔠𝔩𝔲𝔟 ⚫️🟡
HOME OR AWAY…
WE’LL RUIN YOUR DAY

North Side Kezar
https://www.instagram.com/northsiderssfcityfc/
Est2015.Weirdos,Degenerates,Morons,Scumbags,Assholes,Satan Worshippers & Lowlife Commie Filth. NoPigeon•No Party•NoPasaran.SFCityFC Ultras

YOFC
https://www.instagram.com/the_yofc/ ]]]></description>
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    <title>Citations Needed: News Brief: Despite 9-Figure Infusion from Silicon Valley, Abundance Still Seeks Popular Support</title>
    <dc:date>2026-07-02T01:36:19+00:00</dc:date>
    <link>https://citationsneeded.libsyn.com/news-brief-despite-9-figure-infusion-from-silicon-valley-abundance-still-seeks-popular-support</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this news brief, we catch up with Dylan Gyauch-Lewis, senior researcher at the Revolving Door Project, to discuss Abundance's PR problems, why this latest neoliberalism rebrand isn't catching on and how Silicon Valley billionaires still see 'Abundance' as their best chance to counter populist forces in the Democratic Party."]]></description>
<dc:subject>cintationsneeded abundance abundancemovement abundancenetwork billionaires neoliberalism capitalism economics democrats elections dylangyauch-lewis revolvingdoorproject abundanceinstitute regulation deregulation siliconvalley chrislarsen accountability greatmantheory power maga donaldtrump datacenters ai artificialintelligence abundanceagenda sanfrancisco thinktanks 2026 yimby yimbyism yimbys unions policy federalistsociety libertarianism washingtondc left nyc degrowth ideology cities nimby environment growth nimbys meta facebook energy infrastructure democracy fundraising dogma zackrosen californiayimby housing landlords steveballmer andrewcarnegie philanthropicindustrialcomplex philanthropy charitableindustrialcomplex charities dustinmoskovitz johnarnold mattyglesias billgates populism crypto cryptocurrencies law legal inequality manhattaninstitute mississippi mississippimiracle education schools schooling califorina privatization nimbyism</dc:subject>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=6iLf2h_fo-w">
    <title>We Uncovered The Master Plan That Peter Thiel Doesn't Want You To See - YouTube</title>
    <dc:date>2026-07-01T07:23:08+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=6iLf2h_fo-w</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Peter Thiel is funding a plan to build privatized city-states everywhere from Gaza and Venezuela to small towns in California.

The goal is to replace governments with for-profit companies.

We investigated how Thiel's scheme is already reshaping democracy across the world."]]></description>
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<item rdf:about="https://www.chaatcornersf.com/">
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<item rdf:about="https://runtimewire.com/article/om-malik-taught-silicon-valley-to-read-itself">
    <title>Om Malik taught Silicon Valley to read itself - RuntimeWire</title>
    <dc:date>2026-06-27T07:09:28+00:00</dc:date>
    <link>https://runtimewire.com/article/om-malik-taught-silicon-valley-to-read-itself</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A personal remembrance of the GigaOm founder, True Ventures partner and writer who made Silicon Valley legible, including the late-night founder exchange that showed how his media machine worked."

...

"Om Malik (@Om), the journalist, GigaOm founder, photographer and True Ventures partner whose work tracked the commercial internet from dial-up optimism to AI saturation, died on June 24 at Stanford Hospital after what his family described as a long health journey with his heart, according to a post on On my Om. He was 59.

His family said he was surrounded by family and friends. The post asked readers to share remembrances in comments or on his social accounts, which is exactly right for Malik: he turned a personal site into a public room before the internet turned every public room into a feed.

Here is the part where I break the fourth wall, because the usual obituary distance would be dishonest. I was one of the founders trying to get his attention. In March 2008, late at night, I pitched GigaOm on Ping.fm, the social publishing startup, asking whether the publication wanted to run the story of our new iPhone interface and help give away beta signups. Malik replied within minutes, shortly after 11 p.m.: "can you outline what Ping.fm does? I would love to chat more, but would like to get an idea as to what its all about. :-)"

That exchange was small. It was also the whole system in miniature. A founder could reach the editor directly. The editor was awake. The story was not filtered through a communications department, a conference stage or a banked embargo calendar. Malik helped build that operating system for Silicon Valley media: fast, conversational, porous, technically literate and dangerously close to the companies it covered.

Malik was not just one of the people who covered Silicon Valley. He became one of the people Silicon Valley used to understand itself. That was the gift and the complication of his career. He was a reporter, then a founder, then a venture investor, and he never entirely gave up any of those identities. He could spot a network shift early because he had spent decades watching pipes, protocols, business models and human ego interact at close range. He could also be too close to the machine he covered, a tension that defined the blog era he helped build.

Born and raised in Delhi, Malik earned an undergraduate degree in chemistry from St. Stephen's College before moving through journalism jobs in India, London, Eastern Europe and New York. On his About page, he described himself as a San Francisco-based writer, photographer and investor who had spent three decades in the trenches of Silicon Valley and had been writing about the commercial internet since its birth. Before GigaOm, he worked at Business 2.0, Forbes.com, Red Herring and Quick Nikkei News, and wrote for outlets including The New Yorker, Fast Company, Wired and The Wall Street Journal.

The early biography matters because Malik did not enter technology as a cheerleader. He came through telecom, broadband and infrastructure, the unglamorous substrate under the consumer internet. His 2003 book, Broadbandits: Inside the $750 Billion Telecom Heist, examined the excesses and fraud around the telecom bubble. That made his later enthusiasm for networks more useful. He understood that every platform story had a bill attached, and usually a creditor somewhere in the frame.

The blog as company

Malik started GigaOm as a one-person technology blog in 2001 and, with seed funding from True Ventures, turned it into a media company and research business. True later wrote that shortly after closing its first fund in 2006, it gave Malik a $25,000 check with the note, "Use this to make your dreams come true," and then committed to fund GigaOm's Series A after a formal pitch meeting.

That origin story became part of both Malik's legend and GigaOm's eventual cautionary tale. The company was built like the startups it covered. It carried the ambition of venture-backed scale into a journalism business that depended on advertising, research, events and an audience sophisticated enough to care about cloud infrastructure before cloud infrastructure was obvious.

GigaOm was not as loud as TechCrunch and not as institutional as the business press. Its best work lived in the middle: close enough to startups to see the seams, technical enough to follow the architecture, skeptical enough to resist the worst demo-day theater. If you were building in that era, you knew what a GigaOm mention meant. It meant someone who understood the stack might take you seriously.

That is why the late-night Ping.fm exchange belongs in the story. It is not here as nostalgia. It shows the market structure Malik helped create. Founders had direct channels to writers. Writers had direct channels to readers. Publications could move at startup speed because they were startups. The upside was intimacy and signal. The downside was that everyone stood a little too close to everyone else.

Malik stepped away from day-to-day writing and became a full-time partner at True Ventures in 2014. TechCrunch, covering the move at the time, wrote that Malik was leaving professional journalism after years of the 24-hour news cycle, and quoted him saying the constant stream had come at a personal cost. The move formalized what had already been true for years: Malik was no longer only an observer of founders. He had become one.

The collapse that shadowed the legend

The hardest part of Malik's legacy is GigaOm's 2015 failure. The company shut down abruptly in March of that year after saying it was unable to pay its creditors in full. Staff lost jobs. The archive and brand later changed hands. For readers and employees, the shutdown was not an elegant sunset. It was the sudden stop that exposes how fragile even respected media institutions can be when they borrow the financing logic of the companies they cover.

The numbers were not small. A Recode account republished by the Benton Institute for Broadband & Society reported that GigaOm had raised around $40 million in equity and debt over eight years, including about $5 million from a 2011 venture debt round, and that by the end of 2014 it was spending about $400,000 a month on rent and interest payments. The Guardian later framed the closure as a lesson in what happens when a niche journalism business takes on Silicon Valley's growth expectations without Silicon Valley's software margins.

That is the bad part, and it should not be airbrushed. Malik's creation proved that a technology publication could be born on the web, build authority without legacy distribution and compete with trade magazines and newspapers on its own terms. It also proved that influence, respect and smart coverage do not automatically produce a durable balance sheet. In the end, GigaOm became a warning to every founder-journalist who believed audience love, investor money and events revenue could be fused into a stable media company.

The investor-writer contradiction

Malik's second act at True Ventures was cleaner financially but messier editorially. True's profile says he became a venture partner in 2008, a partner in 2014 and partner emeritus in 2020, investing in networking and infrastructure technologies while guiding the firm on technology trends. His own bio lists investments and board roles tied to companies such as Ditto, Petasense, Academia.edu, Socialcast, Lexity, Glider, MessageMe, Storehouse, TwinPrime, Over, Opendoor and IntentionNet.

That placed him in the same contradiction occupied by several blog-era figures: the people with the best taste in startups often had the strongest incentives around startups. Malik managed that tension better than most because his writing, especially in later years on On my Om, became less about scoops and more about judgment. He wrote about technology, photography, business cycles, health, memory and the human cost of living inside the network. He preferred the long arc to the launch post. He was still a participant, but his best work did not read like portfolio maintenance.

His eye for early signals was real. TechCrunch called him one of the forefathers of professional tech news blogging and noted that he was among the first bloggers to cover Twitter's launch and to break the news of TechCrunch's acquisition by AOL. Malik later revisited his own early Twitter experience in a 2020 On my Om essay, writing that he may have been the first non-employee user after Noah Glass told him about the service outside a San Francisco party. That memory captured both the innocence and the eventual exhaustion of the social web: a hungry reporter stepping outside for nicotine, hearing about a strange messaging product, publishing a post, then watching the whole internet reorganize itself around the behavior.

What he leaves behind

Malik's place in Silicon Valley lore is not that he built the biggest media company, made the most money as an investor or won every prediction. He did not. His significance is that he made technology legible at the moment the industry learned to narrate itself in real time.

He belonged to the generation that sat between magazine-era business reporting and the permanent feed. He knew the old discipline of beat reporting, the new speed of blogging and the founder psychology underneath both. He could be sentimental about tools and ruthless about hype. He loved networks, but he also understood that networks eat attention, sleep and health.

That final point was not abstract. Malik wrote publicly that a major heart attack in 2007 changed his focus and priorities. His family's statement this week gives that part of his life a final, blunt punctuation. The heart story was not a side note to the work. It shaped the quieter, more reflective Om of the past decade: the photographer of minimal landscapes, the writer skeptical of jargon, the investor more interested in durable shifts than noise.

I keep coming back to that 11 p.m. reply because it explains why so many founders, writers and investors are stopping today. Malik did not just write about the internet. He behaved like the internet when the internet still felt like a place where a direct question could open a door. He was curious, fast, opinionated and present.

The Valley will remember Malik because he was there early, but that undersells him. Plenty of people were early. Malik mattered because he understood that being early was not enough. You had to connect the technical fact to the business consequence, the business consequence to the human one, and the human one back to the story people told themselves about progress. That was his beat. It remains the beat everyone else is still trying to cover."]]></description>
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    <title>Q&amp;A: Glen Galaich on his new philanthropy book, 'Control'</title>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["President of large San Francisco foundation on his new book, ‘Control,’ and why big giving falls short"]]></description>
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https://www.prisonlegalnews.org/news/2024/oct/15/nailing-down-top-cop-kamala-harris-criminal-justice-reform/ "]]></description>
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<item rdf:about="https://www.businessinsider.com/ai-social-scene-curated-offline-events-dinner-parties-2026-6">
    <title>AI's Social Scene Is Shifting to Curated Offline Events, Dinner Parties - Business Insider</title>
    <dc:date>2026-06-26T01:15:39+00:00</dc:date>
    <link>https://www.businessinsider.com/ai-social-scene-curated-offline-events-dinner-parties-2026-6</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[In which the AI-saturated tech space is slowly rejecting its own dogfood of optimization, scalability, and slop. They seem to be slowly re-inventing the humanities and liberal arts that they skipped and derided.]

"If "taste" is the buzzword in the AI world right now, then IRL events have become the best way to demonstrate it.

As AI becomes more competitive and taste — the idea of having superior aesthetic judgment — emerges as a key differentiator, AI companies and young founders are hosting intimate, curated gatherings — often dinner parties — to cultivate cool and build real-world communities.

<blockquote>Hosting an intimate dinner in sf for lore builders.

    Founders, narrative architects, writers, world builders. Humans at the intersection of storytelling x culture x craft x storytelling x philosophy x design.

    Keeping it to <10. Who should be in the room? 🫶
    — Joumana (@JoumanaElomar) June 23, 2026 [https://x.com/JoumanaElomar/status/2069509402437222482 ]</blockquote>

Many of these curated events follow a similar blueprint: a promo that looks like an A24 film poster and grainy, film-like photos that make it feel more like a 90s-era house party than a tech founders' event.

"I think trusted (human) curation is so important now, even more than ever," said Michelle Fang, who leads Stripe Startups, a program offering financial support and resources to early-stage, venture-backed companies, and has a weekly newsletter that rounds up in-person tech events in San Francisco.

Fang said that when she first started the newsletter in 2023, she posted an average of 20 to 30 in-person events a week. That number has now risen to 70 to 80 a week.

"There's been a noticeable shift in both the frequency and types of events happening in SF, especially over the past year," she said.

AI has accelerated this trend dramatically, she said, as the AI boom brings an influx of talent who want to establish their community in the city.

While some of the events Fang has listed are traditional building workshops and hackathons, others include Pilates classes, peptide tasting parties — the latest self-optimization craze — and "intentionally curated" dinners.

It's a vibe shift from the large happy hours and networking events that defined post-pandemic tech socializing, said Fang. These smaller events don't require a big budget or venue, and with the speed of AI growth, people want to make sense of new concepts and the changes happening in real time, she said.

[image: "Dinner table with bowls of sushi and edamame at an event hosted by coworking and tech events startup Verci's / Verci, a coworking space and events startup, hosts monthly dinners and workshops for members.  Ami Yoshimura/Verci"]

'Taste is a new core skill'

The taste conversation kicked off earlier this year when Y Combinator cofounder Paul Graham wrote in a post on X that, as AI democratizes building, "taste will become even more important."

Two days later, OpenAI President Greg Brockman cemented the catchphrase on X, writing that "Taste is a new core skill." Since then, it's led the tech world to hyperfocus on AI companies and founders who are winning the taste battle.

Alongside the taste discourse, being offline has become a status symbol. Having the ability to de-digitalize is seen as a luxury and a way to connect with people more authentically, with in-person events being a means to achieve this, especially for those whose working lives already revolve around AI.

<blockquote>peak bengaluru and bangerlore pic.twitter.com/1imEhjhCBX
    — prerna (@Prerrrrna_) June 7, 2026 [https://x.com/Prerrrrna_/status/2063545613632037129 ]</blockquote>

An event "only for hot people and nerds" in Bangalore, which appeared to be in collaboration with the early-stage Bangalore-based consumer tech company Faff, made the rounds on X earlier this month. The vibe is artfully arranged cheese boards, trendy cocktail menus (with AI puns), and grainy photos.

Ami Yoshimura, the 23-year-old cofounder of Verci, a members club and coworking space in New York, hosts events such as rooftop parties and multi-day retreats for founders and creatives. "Relationships, aesthetics, and telling a story" have become crucial ways to stand out in the hyper-competitive AI industry, he said.
Small parties, big bucks

It's not just San Francisco that is seeing this event boom.

<blockquote>new york tech week highlights:1. went blind into an event hosted by @join_ef and successfully met a group of really cool people with 0 degrees of mutual connection2. met/made some really good friends from url ➡️ irl shoutout fonzi and corgi team3. ended off the week with a… pic.twitter.com/CA3h0mwmLe
    — sara kong (@saraknggg) June 8, 2026 [https://x.com/saraknggg/status/2064047927702782454 *]</blockquote>

Katia Ameri, a partner at A16z who spearheads Tech Week in San Francisco, LA, and New York City, wrote on X last month that New York was so far the largest Tech Week in history by events and attendees. The LA and San Francisco equivalents are coming up later this year.

Eliza Wu, cofounder of Corner, a social mapping app that describes itself as "Google but social," wrote in a post on X that there were over 600 RSVPs for a panel she was hosting at New York Tech Week.

Leading AI companies are also taking note. In April, Anthropic posted a brand events lead role in San Francisco, with a salary of up to $400,000.

There are four open marketing events positions at Anthropic, while OpenAI has two open positions for events, commanding over $200,000 salaries with options to gain equity too.

<blockquote>Anthropic is paying up to $400,000 a year for an events role.They're looking for someone to own the execution of brand experiences that translate Anthropic's values into physical moments.This person will produce everything from intimate thought-leadership gatherings to… pic.twitter.com/SWvmSarclY
    — Andrew Yeung (@andruyeung) April 26, 2026 [https://x.com/andruyeung/status/2048545188608364593 ** (archived: https://www.are.na/block/47316282 )]</blockquote>

Andrew Yeung, an ex-Google and Meta product lead turned event host and angel investor, wrote on X in response to the job advert that it shows Anthropic understands that "they need to create visceral, unforgettable IRL experiences that make complex technology feel accessible and human."

"The massive opportunity now is offline, analog, in-person," he said.

But while the taste that goes into hosting a party is human, we are living in an AI world — and as with your job applications, an AI screener might still be standing between you and an invitation.

Wu, the cofounder who hosted a New York Tech Week event with 600 RSVPs, said she turned to Claude to winnow down her guest list.

She said she prompted the chatbot to scan through potential attendees' social posts to identify "markers of excellence" and to suss out the "quality of their thoughts."

With the help of Claude, only 300 people made the cut."

[* full text of https://x.com/saraknggg/status/2064047927702782454:

<blockquote>new york tech week highlights:

1. went blind into an event hosted by @join_ef and successfully met a group of really cool people with 0 degrees of mutual connection
2. met/made some really good friends from url ➡️ irl shoutout fonzi and corgi team
3. ended off the week with a bang at vega (shoutout ben & maddie)

i think when it boils down to WHAT constitutes a good event, it varies based off what your specific persona is trying to get out of it.

for me, events with well-catered hospitality that are more intimate (without just randomly throwing people together sloppily) call out more to me because you make more solidified relationships. 

likewise, it’s good to put an online face to a name because that alone can unlock so much trust and future opportunities.

see you soon nyc!</blockquote>

** full text of https://x.com/andruyeung/status/2048545188608364593

<blockquote>Anthropic is paying up to $400,000 a year for an events role.

They're looking for someone to own the execution of brand experiences that translate Anthropic's values into physical moments.

This person will produce everything from intimate thought-leadership gatherings to large-scale industry activations.

The top AI research lab in the world recognizes that to cross the chasm and reach everyday consumers, they need to lean into hospitality. They need to create visceral, unforgettable IRL experiences that make complex technology feel accessible and human.

They understand that digital channels are getting increasingly saturated. Every feed is flooded with AI content... every inbox is overflowing.

The massive opportunity now is offline, analog, in-person.

The companies that win in the next decade won't just have the best product but the most emotional in-person presence and the most compelling storytelling.

If you're in events, experiential marketing, or brand activations, this is your moment. The biggest tech companies in the world are betting on you.

[two images of the job posting]</blockquote>]]]></description>
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<item rdf:about="https://www.zitounasf.com/">
    <title>Zitouna | Tunisian Cuisine | San Francisco, CA</title>
    <dc:date>2026-06-25T22:44:34+00:00</dc:date>
    <link>https://www.zitounasf.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also:
https://www.instagram.com/zitounasf/
https://www.yelp.com/biz/zitouna-san-francisco-3 ]]]></description>
<dc:subject>sanfrancisco food restaurants midrichmond richmonddistrict middleastern mediterranean tunisian</dc:subject>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["El Mansour is a celebrated Moroccan dining experience in San Francisco, blending authentic Moroccan flavors with immersive ambiance and nightly belly dance performances. Established in 1975, the restaurant crafts handmade breads, sauces, and traditional tagines to transport guests to the heart of Morocco."

[See also:
https://www.yelp.com/biz/el-mansour-restaurant-san-francisco
https://www.instagram.com/elmansour_sf/ ]]]></description>
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    <title>It happened here: When the American Front marched on Haight Street</title>
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<item rdf:about="https://www.foglinesf.com/p/a-walking-tour-of-surveillance-infrastructure-in-san-francisco">
    <title>A Walking Tour of Surveillance Infrastructure In San Francisco</title>
    <dc:date>2026-06-23T08:28:59+00:00</dc:date>
    <link>https://www.foglinesf.com/p/a-walking-tour-of-surveillance-infrastructure-in-san-francisco</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We're all looking down at our phones, but what's looking down at us?"

...

"When you walk around the city, you'll notice almost everyone is looking down at their phones. I do it myself sometimes. While we're looking down at our own devices, we rarely notice the devices that are looking down at us.

If you look up, you start to notice just how often you're being watched. Inspired by a 2019 Seattle piece, I set out to map the different types of surveillance tech in San Francisco as of 2026. I wanted to know more about where these devices are and what they do. Who owns them? Where is the data stored and how can it be used?

Come with me on a walking tour of surveillance infrastructure in San Francisco. We'll pan, tilt, and zoom our way through the city, stopping by bullet cameras, turrets, face scanners, Flocks, StingRays, robotaxis, domes, and police drones. We’ll also stop at a few famous historic sites, including the buildings of both the watchers and the watchdogs. Our tour ends at the RTIC, the real-time aggregator used by SFPD's own surveillance network.

Every piece of tech in this network was approved individually as a sensible fix to a specific problem. Individually, many of them seem harmless. But together, they feed a networked system we never would have approved all at once. If at any point in our tour you feel uneasy, relax. We are doing this to protect you."]]></description>
<dc:subject>surveillance sanfrancisco 2026 flock</dc:subject>
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    <title>Samin Nosrat’s Favorite Places to Eat in San Francisco | Where the Chefs Eat | Condé Nast Traveler - YouTube</title>
    <dc:date>2026-06-20T12:20:56+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=rdTo0m2_zhU</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Chef Samin Nosrat joins Condé Nast Traveler to guide you through San Francisco’s must-try food spots. From the city’s best mission-style tacos at La Taqueria, and traditional Cambodian cuisine at Lunette, to the Japanese izakaya Rintaro, discover the flavors that define San Francisco’s vibrant food scene.

Read more about Samin's favorite spots in SF - https://www.cntraveler.com/story/where-the-chefs-eat-samin-nosrats-favorite-san-francisco-restaurants

00:00 Intro
00:26 La Taqueria
04:13 Lunette
09:51 Gott’s
10:47 Rintaro"]]></description>
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<item rdf:about="https://www.sfchronicle.com/food/restaurants/article/indian-mangoes-bay-area-aumpi-22300030.php">
    <title>Where to find rare Indian mangos in the Bay Area</title>
    <dc:date>2026-06-19T22:07:12+00:00</dc:date>
    <link>https://www.sfchronicle.com/food/restaurants/article/indian-mangoes-bay-area-aumpi-22300030.php</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[archived: https://archive.is/usGTM

See also (short video): https://www.instagram.com/reel/DZqp8kIJtae/ ]

"I was cruising through Fremont when a sign advertising “premium Indian mangos” compelled me to pull over. I knew the tales of South Asian mangos, which celebrated their splendor — and the difficulty of the quest to obtain them in most of the U.S., where they are available only once a year at food festivals or community meet-ups, or through underground networks. Often you’ll have to order in bulk, far in advance and sometimes even meet the dealer in the airport cargo bay.

AumPi is an Indian mango purveyor sandwiched between a 7-Eleven and a DMV Express. The interior is little more than an office crammed with mango boxes, which sit in clustered stacks against the walls, some as high as 6 feet tall.

The mangos included kesar, a varietal from western India’s Gujarat region that’s prized for its soft yellow-orange flesh, named after the Gujarati word for “saffron,” and rasalu, from Andhra Pradesh in the south, which is eaten in a specific manner due to its high fiber content: Less eaten than drunk, it’s massaged to loosen the pulp, allowing you to slurp juice from the fruit’s end.

The kesar has an intoxicating aroma that’s almost citrusy. Its flesh is soft, nearly gelatinous; its sweetness is bright, with sly notes of licorice. The best bit is the pit, which is incredibly satisfying to bite into as the flesh practically liquifies. Juicier still was the rasalu, with a mellow sweetness that almost bordered on creamy. I was surprised by how much liquid I was able to extract — enough to fill up a pint glass and then some. These were some of the best mangos I’ve ever had. 

A doctor by trade, Madhuri Chapadia, started AumPi in 2018 because she passionately missed mangos, which she grew up eating “day and night” in Junagadh, a city in Gujarat surrounded by mango farms. “We used to have mangos all over, almost in every bedroom,” she said. In the early years, customers ordered through Facebook, and she delivered boxes across the Bay Area. During the COVID-19 pandemic, she sold them from her home, but for the past four years she’s run the operation out of the office in Fremont.

Chapadia sources directly from farmers in India. Of the dozen varieties on offer, the best-seller is the alphonso, often called the king of mangos, followed by kesar, often called the queen. On the website, the mangos are sold by the box, which is available for local pick up or can be shipped. Local Bay Area delivery is free. Prices range from $55 to $70, depending on the variety; if you just want a couple of loosies, the shop sells individual mangos, which factors out to about $4-$6 per fruit.

AumPi will only be open until the end of June, which marks the end of mango season — and the start of India’s monsoon season, which roughly lasts until September. It will return next April."]]></description>
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<item rdf:about="https://prospect.org/2026/06/12/new-documents-detail-nine-figure-silicon-valley-funded-abundance-movement/">
    <title>New Documents Detail Nine-Figure, Silicon Valley–Funded Abundance Movement - The American Prospect</title>
    <dc:date>2026-06-14T20:21:38+00:00</dc:date>
    <link>https://prospect.org/2026/06/12/new-documents-detail-nine-figure-silicon-valley-funded-abundance-movement/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Prospect has obtained a fundraising pitch and historical manifesto from inside the movement."]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=P4hdwRleEIk">
    <title>Thrasher x Spitfire Present: SAN FRANCISCO BURNING - YouTube</title>
    <dc:date>2026-06-12T22:13:58+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=P4hdwRleEIk</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["No filler, all fire. We locked in a heavy roster to film a full-length entirely within San Francisco city limits. Nick Michel, Jeff Carlyle, Diego Todd, Rob Bootes, Miles Silvas and many more embraced the challenge. Enjoy."]]></description>
<dc:subject>sanfrancisco 2026 skateboarding skating nickmichel jaffcarlyle diegotodd milessilvas frankgerwer pedrodelfino daikihoshino cyprusblanco tfunk chrisathans ishodwair kentourano jakeanderson yutohorigome lildre tylerpacheco nielsbennett breanageering unafarrar nilegibbs jackcurtin andrewreynolds aimuyamazuki tiagolemos tallessilva nikolaipiombo jeffcarlyle alexglenney simonbannerot emilelaurent antoniodurao gabrielsummers andrewfiene michaelschiedt marshallmanuel bigt dillonkrull seangreene willowvogesfernandes ivanglenney taihoutokura eddiecernicky robbootes finnpope austinkanfoush elissastreamer nickmatthews granttaylor daanvanderlinden cruisemosberg ajfrick</dc:subject>
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    <dc:date>2026-06-12T00:39:44+00:00</dc:date>
    <link>https://sfstandard.com/2026/06/11/mayor-daniel-lurie-nonprofit-money-campaign-finance-believe-in-sf/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A newly unearthed document shows a mayor-linked group plans to spend big on his priorities through 2027. Its funders are unknown."]]></description>
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<item rdf:about="https://48hills.org/2026/06/some-hard-factual-truth-about-the-needless-brutality-of-the-lurie-budget/">
    <title>Some hard, factual truth about the needless brutality of the Lurie budget - 48 hills</title>
    <dc:date>2026-06-12T00:17:58+00:00</dc:date>
    <link>https://48hills.org/2026/06/some-hard-factual-truth-about-the-needless-brutality-of-the-lurie-budget/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["My social media feeds are filled with posts that say San Francisco’s budget is “bloated,” that the city spends more per-capita than most other city, and that there must be terrible mismanagement here.

There is, indeed, mismanagement and waste in San Francisco. There is no such thing as a $16 billion budget, in the public sector or the private sector, that doesn’t have some waste. (A friend who worked for a prominent US business for many years, including in management, told me once that he was proud he never fired anyone: “This is a big corporation, and we can always find something for someone to do to keep their job, even if they aren’t really good at anything.” His reviews always cited his exceptional management skills.)

But that’s not the point. Let’s look at some comments:

<blockquote>San Francisco’s government is bringing in a staggering $20,000 to $24,000 per capita, with an annual budget of roughly $16 billion spread across a population of around 750,000 to 830,000 residents. This per-capita government revenue and spending is among the highest in the country, dwarfing the figures of other major municipalities. Yet despite that we have a close to a billion deficit. How is that possible? Perhaps we have an issue of mismanagement?</blockquote>

I have heard this argument many times before. Joe Eskenazi, who now works for Mission Local, did a long piece in 2010 saying the SF was the worst run city in the US, citing the per-capita costs of public services.

I worked with an intern who had extensive background in economics, and we proved him largely wrong. I have reprinted my Bay Guardian story below. Then we all went on Forum and debated it.

Good times.

Some important points on the cost of local government: SF is a city and county, the only one in CA, so handles two types of government expenses. We have both a sheriff and a police department; no other city in California pays for both. You get arrested in the city of LA, the LA County sheriff holds you in jail; the LA County district attorney prosecutes you. The LA County public defender takes your case. None of that is in the LA City budget.

People who live in Berkeley and Oakland take AC Transit to get around. AC Transit is a distinct agency, with its own board and budget. That doesn’t show up in the budget of Alameda County’s cities. In SF, Muni is entirely a city and county agency, and every penny it costs is in the city budget.

We run a massive public hospital and a skilled nursing facility; both bring in much of their budget from Medicare and insurance, but the full cost—not adjusted for revenue, that’s another line—is still in the city “budget.”

We run an airport, that costs the taxpayers nothing; the full $1.5 billion budget is paid for by the airlines. But it’s still in the city “budget.”

Philadelphia is also a city and county, with an airport (run by a separate authority—not in the city budget) and a robust transit system (run by the Southeast Pennsylvania Transit Authority, so full cost is not in the Philly city budget).

New York has two airports, under the budget of the Port Authority of New York—not in the city budget.

You get the point: For a lot of technical reasons, San Francisco counts as part of its budget a lot of things that other cities provide, but that aren’t in the municipal fund.

We have to pay city workers well, or we wouldn’t have any: Three tech booms embraced by two generations of mayors have driven up the cost of living so high that teachers, cops, firefighters and other crucial workers can’t live here on “ordinary” civil service pay. Meanwhile, 60 billionaires live here and pay the city very little in taxes (thanks to Prop. 13, many pay only a tiny fraction of the worth of their homes in property taxes.)

If you actually do the math, and I have done this, when you remove SFO, the Port, SF General’s Medicare funding, etc., SF’s budget per capita is about the same as most large cities.

Meanwhile, San Francisco has, with about the same money as other large cities, taken on a lot of things that the federal government used to fund, like affordable housing, HIV services, public health for indigent people, and public education. (The SF Public Schools are not in the city budget, nor is City College, but the city’s General Fund gives money to both.)

You want to look at “waste?” The most overpaid city employees are not providing social services. They are cops and deputy sheriffs, making so much money on overtime that it’s hard to believe they could possibly work that money hours.

So the budget is not about waste and bloat; it’s about priorities. Lurie wants cops and “clean” streets to serve the technorati, not the working people who live here.

A final note: The city’s budget deficit, including Muni’s deficit, could easily be eliminated with a simple city income tax on the top 5,000 richest residents.

Here, since the web links went down when the former owners closed the Bay Guardian, is the text of our story from 2010:

The truth about San Francisco’s budget 

Guess what? SF actually spends about what other big cities do 

By Melanie Ruiz and Tim Redmond 

“San Francisco,” SF Weekly recently proclaimed, “is arguably the worst-run big city in America.” That’s a hell of a claim — the levels of corruption and mismanagement in urban America are legendary. But the Weekly‘s Benjamin Wachs and Joe Eskenazi set out to prove their case — with a series of mostly anecdotal points that looked at the usual targets: Nonprofits. Unions. And one senior Newsom administration staffer who pretty much everyone agrees was a horrible manager. 

We were tempted to just let it go. Sure, there’s plenty of incompetence and waste in the Newsom administration. There’s a need for more accountability in some of the nonprofits that get city money. The police union got too big a raise in 2007. 

That pattern also exists in a lot of other big cities. You wanna make a big headline by claiming SF is the very worst? Whatever. 

But the heart of the Weekly‘s factual analysis was a chart that purports to show that San Francisco spends vastly more per capita than other “comparable” cities. That’s a claim we hear all the time, one that the more conservative political forces constantly use to argue against higher taxes (and in favor of big spending cuts). So it’s worth exploring a little further. Because when you look at all the facts, the Weekly analysis is just wrong. 

Comparing cities is a complex task — urban areas in America are governed in very different ways. You can’t, for example, compare San Francisco to any other city in California because San Francisco is the only combined city and county. Get arrested in Berkeley, and the Alameda County sheriff locks you up, the Alameda County district attorney prosecutes you, the Alameda County public defender takes your case, and the Alameda County courts adjudicate it. And if you win, you ride home on AC Transit — a separate system that isn’t in the budget of either the city or the county. 

In San Francisco, all those things are in the same city budget. 

But Wachs and Eskenazi decided to get beyond that. “Any time someone tries to point out that San Francisco has serious systemic problems, the response (from the Mayor’s Office, from city bureaucrats, and sometimes even from city activists) is that ‘San Francisco is both a city and a county,’ as if that explained everything,” Wachs told us in an e-mail. ”So the comparison was already being made as part of the city’s defense: San Francisco is a city-county, and what appear to be systemic problems are actually just features of being a city-county. 

“We proved that isn’t the case: San Francisco’s per capita spending is significantly out of line even when compared to other large city-counties.” 

Actually, it’s more than just the city-county distinction. The large cities-counties SF Weekly chose are so dramatically different in the services they do — and don’t — provide that the comparison comes close to being meaningless. Ken Bruce, a partner in the Harvey Rose Accountancy Firm, which serves as San Francisco’s budget analyst and does similar work in other cities, is no fan of wasteful spending. But he told us he wasn’t impressed with the Weekly chart: “I have yet to see a rigorous analysis done comparing San Francisco to other cities,” he said. 

And the way the Weekly added up the numbers was, at best, misleading. 

For starters, San Francisco runs (and includes in its city budget) an airport, port, public transit system, county hospital, and skilled nursing facility (Laguna Honda), for a total of more than $2 billion. None of the comparison cities do all those things. Or rather, some do those same things — but they aren’t in the local budget. 

In Philadelphia, for example, the public transit system is a regional agency. Philly chips in $63 million from its general fund to help the Southeast Pennsylvania Transit Authority (SEPTA). SF pays almost three times that much to run its own Muni, because the overhead costs are included in the local budget. Philly taxpayers spend much more than $63 million on SEPTA — it just comes out of a different budget and funding stream, so it isn’t in the figures the Weekly used. Denver’s transit system is regional too, and thus not in the city-county budget. 

In Indianapolis, the city transit system, Indygo, is far less complicated than ours. Jenny Brown, a spokesperson for Indygo, told us she was amazed her city was being compared to San Francisco: “Our transit system is not in the same league as yours,” she said. 

Philadelphia also does not pay for a county hospital or include its port or airport in its budget. Neither does Denver. 

There’s also a difference in most municipalities between the general fund (locally allocated spending) and the total budget, which includes federal and state money, self-sustaining departments, etc. In Philadelphia that’s a big distinction — more than $3 billion a year — but the Weekly compared Philly’s general fund to SF’s total budget (something Wachs admitted to us was his mistake). 

So we took this a step further. First, in Chart A, we compare apples to apples — general funds to general funds. It turns out SF and Philly are relatively close in per capita spending. Then we adjusted the budgets to account for the fact that SF includes in its budget a lot of services other cities and counties budget somewhere else. That makes all the comparison cities a lot closer. 

But can you really compare San Francisco — with its diverse and complex population and urban problems — to Indianapolis or Nashville? Even Denver? If even the folks in Indianapolis think that’s kind of bogus, we figured we could do better. So we set out to find some cities that make a more fair comparison. We included Philadelphia, but added Los Angeles and Chicago (New York, by the way, is so big, so complex, and has so many counties, boroughs, and budget items, that it’s not fair to compare that city to any other — even though is would help our case). To account for the city-county issue, we added to the L.A. and Chicago city budgets a percentage of the L.A. County and Cook County, Ill. spending equal to each city’s percentage of the county population. (Not a perfect yardstick, but pretty close). 

As Chart C shows, all four big cities are within about 30 percent of each other in terms of per capita spending. 

But there’s another big factor — cost of living. The vast majority of the budgets of these cities goes to employee pay and benefits — and it stands to reason that a city with a higher cost of living would have to pay its employees more. And San Francisco has by far the highest cost of living (according to the latest figures from the Council for Community and Economic Research’s ACCRA Cost of Living Index) of all the cities in this chart. 

So we adjusted per capita spending by the cost of living index (SF = 169, L.A. 145.4; Philadelphia, 124.1; and Chicago, 110.8) and discovered that in fact all four big cities spend roughly the same per capita — although San Francisco spends the least. 

So is San Francisco a service-rich city (like L.A., Philadelphia, and Chicago)? Absolutely. Is SF’s spending far out of whack with what other similar municipalities spend? No, not at all. All things considered, it’s a little low. 

PS: The Weekly spent much of its article attacking the lack of accountability in the city’s $500 million’ worth of nonprofit spending. That’s a huge issue, but oddly, the Weekly didn’t quote a single person who supports the system San Francisco uses to distribute services through nonprofits. 

We’ve been critical of many individual nonprofits, and some are over-funded, wasteful, and of dubious value. But overall, as labor activist Robert Haaland told us: “The fact that an individual nonprofit isn’t performing up to standard doesn’t mean that the services aren’t needed.” 

And there are many who say the San Francisco model is, in fact, a national standard. Margaret Brodkin, former director of the Mayor’s Office for Children, Youth, and Families, helped develop the current system of nonprofit accountability in that office. She has been invited to speak all over the country about the standards and data system they developed. “Others have replicated the data system we had in place. It’s held up as a national model, the data system as well as the standards,” she explained. 

So it’s not so simple — and to use a few anecdotes and some inaccurate and misleading figures to call San Francisco the worst managed city in the nation is, well, a bit of a stretch. To say the least."]]></description>
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    <title>The middle school miracle: How an SF school went from ‘carnage’ to a waitlist | The San Francisco Standard</title>
    <dc:date>2026-06-07T01:00:28+00:00</dc:date>
    <link>https://sfstandard.com/2026/06/06/sfusd-willie-brown-middle-school-miracle/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The $54 million Willie Brown Middle School was to be the pride of SFUSD. Then it cracked apart. Now its principal has led a once-unthinkable turnaround."]]></description>
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<item rdf:about="https://buttondown.com/monteiro/archive/how-to-use-no-as-a-complete-sentence/">
    <title>How to use NO as a complete sentence • Buttondown</title>
    <dc:date>2026-06-06T05:08:46+00:00</dc:date>
    <link>https://buttondown.com/monteiro/archive/how-to-use-no-as-a-complete-sentence/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This week’s question comes to us anonymously:

I did my job fine before AI came along. Now my workplace ‘suggests’ we use it. How do I say no?

Sigh. Fuck. Fine. OK. Buckle up.

Let’s talk about the 1990 Texas governor’s race.

In 1989, I moved from Philadelphia to Austin for graduate school. Having grown up in the middle of an East Coast city and suddenly finding myself in what was still, at the time, either a small city or a big town—depending on your world view—was… jarring. It was neither better, nor worse. It was just… different. So mostly I watched. I watched how other people behaved. I watched how other people interacted with one another. And I looked for cues on how to behave in this new place. (First parenthetical aside: In Philadelphia, when two people cross on the sidewalk you nod. The nod is an acknowledgement of safe passage. Much like clinking glasses during a toast started as proof that I had not poisoned your drink, nodding was reassurance that I was not going to turn around and stab you after we’d crossed. I was raised to nod. My first morning in Texas, I went for a walk to explore my new neighborhood and someone came walking in my direction. Just as I was preparing to nod, he bolted out “Good morning!” in a loud reassuring way not unlike Foghorn Leghorn, had Foghorn been raised a little further west. So that was new. In San Francisco, where I live now, people neither nod nor say “Good morning!” They purse their lips, as if they’re disappointed that they aren’t crossing paths with someone of a higher net worth.)

Shortly after I moved to Austin, Texas decided to elect a new governor. Mainly because the current governor, who is not important to this story, got caught with his hand in the wrong cookie jar. The Democrats decided to run Ann Richards, who I knew nothing about at the time, but certainly grew to admire. The Republicans, for their part, decided on a good-ole-boy cattle rancher from Midland named Clayton Williams. (Second parenthetical aside: At this point in history, this point being 1990, Texas had elected exactly one (not a typo) Republican governor since Reconstruction. One. So when they tell you that Texas has historically been a deep red state that is bullshit. It has recently elected a slew of Republicans, which is as much about gerrymandering as it is about any change in voter sentiment. Much like when California is described as a solid blue state and I remind people that we gave the world both Richard Nixon and Ronald Reagan, which my neighbors love being reminded of, even as they vote for Daniel Lurie and vote down propositions to tax billionaires fairly.) (Wait, open the parenthetical back up. As long as we’re here—I should make note that Ann Richards, Molly Ivins, and Barbara Jordan were, at one point, the strongest political trinity in the state of Texas, and I have no particular reason to name all three of them today, but I enjoy doing it, and you should read up on all three of them.)

Anyhoo… Clayton Williams was very much a Texas “good ole boy” who made lots of money on oil, cattle, telecom, and other Texas-like businesses. He liked smiling, shaking people’s hands, being on television, and telling jokes. For her part, Ann Richards also enjoyed those things, and as an added bonus enjoyed—and excelled at—civil service. The media, both state and national, had a great time with the campaign, dubbing it “Claytie vs The Lady” (cringe). This all came to a grinding halt when Clayton Williams decided to kick the ball into his own goal and pronounced—unprovoked, mind you—that rape was like the weather and that "if it’s inevitable, just relax and enjoy it.” In 1990, even in Texas, this was enough to kill a campaign. Which it did. Ann Richards went on to be a fine governor. (Fun fact: her daughter Cecile Richards went on to be the president of Planned Parenthood from 2006–2018. Sadly, we’ve lost them both.)

Now why the fuck did I just write three long paragraphs about the Texas gubernatorial campaign when I’m supposed to be writing about AI? Because the language we are using about AI adoption is very similar to how Clayton Williams described rape.

“It’s happening whether you want it or not.”

“Better get on board if you know what’s good for you.”

“If you want to keep working here, this is what it takes.”

“It’s inevitable, just relax and enjoy it.”

Am I comparing AI to rape? I am not. I am, however, comparing the language we use when discussing AI adoption to the language of rape culture. It’s the language of coercion. Language that implies a lack of choice and reminds you of the power those who are using it have over you. A lack of agency. It’s language that does not rely on consent, but instead the idea that we are bereft of choices, so we might as well get with the program. A program which is being foisted on us by—if you take a look at the group photo—men. And not just men, but men who like to cozy up to—and hand awards to—a convicted rapist. (Third parenthetical aside: in 2002, when the AI bubble was still a misfiring synapse in Marc Andreesen’s very large head (probably a result of eating a twin in utero) an AI Summit was held in the Virgin Islands. Specifically in the Virgin Island that was home to Jeffrey Epstein, which was convenient because the summit happened at his retreat. And yes, he footed the bill. The fact that Jeffrey Epstein was curious about a technology that eliminated consent should surprise no one.) These are not men with a lot of introspection. In fact, they proudly tout their lack of introspection. Which is a mark of a sociopath.

We’ve talked a lot about whether AI is “good” or “bad” and we should continue to do so. But it’s also worth having a conversation, or two, or a thousand, about how—and why— it’s being rolled out, at this particular moment in time, by this particular set of people, for whom the language of coercion appears to come naturally. And why people are fighting back against it.

Designers are notoriously disloyal, which I mean as a positive. Let me explain. When I was coming up as a designer, we used Photoshop to do all of our comps, a tool famously not made for doing comps. But it worked, if not perfectly. Every few years another tool would come around to knock Photoshop off its perch, we would try it for a few days, and inevitably sigh and go back to Photoshop. Not out of loyalty, mind you. But because whatever the other tools offered weren’t enough to offset the learning curve. Until the day Figma showed up. We tried it, and the majority of designers never looked back. Entire companies switched to Figma seemingly overnight. And here’s the important part: this didn’t happen because of some top-down mandate, but because the workers found a tool that made their job easier. It was, for the most part, a worker-driven shift. Like I said, we’re disloyal. We’re happy to adopt tools that make our lives easier.

And while there are certainly workers who’ve embraced AI tools—I’ll let them provide their own reasoning elsewhere—what I’m seeing is the opposite of a worker-driven shift. Management is driving the shift to AI. And it’s going as well as you’d expect. Let me give an example, in addition to this week’s question.

A few weeks ago I was talking to a friend who works at a fairly well-regarded company in San Francisco. They’re an engineer. They’ve been working as an engineer at this company for a few years. They enjoy what they do, they enjoy working with their team, and from what they’ve told me, they do their job well. I believe them. A few months ago they received a mandate from management to start using Claude, and everyone got their allotment of tokens. Sure, they were open to it. So they asked management for guidance.

“How do you want us using it?”

“What can it help us to do better?”

“Where are you seeing room for improvement, and how do you see Claude helping us improve in those areas?”

These are good questions. They’re not the questions of haters or boosters. They’re questions of workers open to doing their jobs better. The answers they got back from management only qualified as answers because they immediately followed a question. They were told that from now on their jobs would be measured by how much they used Claude. I’m sure lots of readers are nodding along right now because they’re either in that situation, or sitting at home in the aftermath of that situation. For reasons that had nothing to do with the workers’ efficiency, or client satisfaction, or anything that even vaguely resembled the ghost of a metric, the entire team had to change how they worked, and the tools they used, for secret reasons. Naturally, morale took a nosedive.

“It’s happening whether you want it or not.”

Earlier this week I did a Q&A with the graduating class at Glasgow School of Art. I love talking to students. But more importantly, I like listening to students. I want to know what they care about. I want to hear their concerns. I’ve been doing an annual Q&A with this particular school for a few years now. Usually their questions come in a range of topics. This year there was one topic. They were concerned about AI. And again, it wasn’t whether AI was good or whether AI was bad, but how AI was being used to decimate a workforce they were about to enter. Most of them feel like they’re graduating into a field where they’re no longer welcome. We have a new generation of people who want to do the work, they’re excited to do the work, they want to prove they can do the work.

We’re going to lose these kids.

One of the things the students mentioned is they go out into social media and see “design leaders”—people they look up to—talking about how this shit is inevitable, and how it’s coming whether you want it or not, how we’re going to get left behind if we don’t comply, etc., etc., etc. And it makes them feel hopeless. Of course it does. This field (or fields, whatever) is now describing the future in the language of coercion. Because this appears to be something that the leaders in this field are very comfortable with. Force. They look out over a decimated workforce, struggling to pay their rent and they call it abundance. (For who?!)

These fucks have decided that the future is already written, and that it is written in their favor. These sad sociopathic fucks are attempting to write a future where everything and everyone behaves in a way that benefits them. Where no one gives them lip. Where no one tells them no. Where no one defies them. Where consent has been taken off the table. Where they can get what they want, from who they want, when they want it.

And that you should just “relax and enjoy it” when they thrust their vision of a future upon you. For which I would like to remind you that very few of you had any idea who Clayton Williams was before you read this essay. Because he was a loser. And because the future remains unwritten.

TL;DR: “No” is—and has always been—a complete sentence."]]></description>
<dc:subject>mikemonteiro ai artificialintelligence 2026 texas annrichards mollyivins sanfrancisco california ronaldreagan richardnixon claytonwilliams barbarajordan 1990 cecilerichards choice agency resistance sociopathy jeffreyepstein figma tools design claude work labor marcandreessen photoshop</dc:subject>
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<item rdf:about="https://sf.gazetteer.co/alimentari-aurora-is-offering-the-biggest-little-meal-in-potrero-hill">
    <title>Alimentari Aurora is offering the biggest little meal in Potrero Hill</title>
    <dc:date>2026-06-05T23:28:46+00:00</dc:date>
    <link>https://sf.gazetteer.co/alimentari-aurora-is-offering-the-biggest-little-meal-in-potrero-hill</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The tiny, beloved Italian provisions shop has brought back space for two lucky diners to enjoy tinned fish, charcuterie, cheeses, and whatever else the team cooks up"

...

"Dario Barbone opened his Potrero Hill provisions shop Alimentari Aurora (1415 18th St.) in 2020 after operating it as a pop-up inspired by his nonna. Aurora’s walls are lined with special grocery products from across Europe. Barbone keeps it simple: paninis in the afternoon; apéro dishes in the evening; and tinned fish, dry goods, funky chips, charcuterie, and chocolate all day long. 

The 250-square-foot deli relies on its parklet for seating. In a place this tiny, Barbone and his team weren’t interested in a traditional sit-down experience. They wanted something smaller. Much smaller.

As of this week, Aurora has brought back its only two indoor seats for adventurous eaters seeking an intimate experience. 

“It's more like being part of the place rather than just spending money at the place,” said Barbone, who opened up the seating as part of a spring cleaning revamp of his six-year-old shop. 

The two street-facing bar seats are for those ready to “ride the evening” with the Aurora crew, Barbone said. The star dish will be tinned fish omakase: Diners select a tinned delicacy such as barnacles in brine, Sicilian anchovies, or Spanish mussels, and Barbone will rizz it up with the help of whatever delicious ingredients are available that day in the deli case. Guests are also invited to bring their own wine from neighbor Ruby while feasting on one of Aurora’s paninis or focaccias, charcuterie, and cheeses just as the kitchen cuts into them for the first time. There might also be some special dishes and off-menu tinkerings. 

Be prepared to listen to the honest sounds of a kitchen team. “We play music that is not on the algorithm or the top charts. You might come here on the night that we play death metal, or you might try to come on the night where we play drum and bass, jungle, techno,” said Barbone. 

Tinned fish omakase is a $10 upcharge on whatever tin you select. The full price of this bespoke experience will vary depending on what he’s serving, though Barbone says it will always be affordable: “I love horizontal tables, not vertical.” Reservations are accepted. 

Barbone offered a similar experience in the early days of Alimentari Aurora, but eventually covered that surface with dry goods and stock. Following Barbone’s announcement, customers on social media celebrated the return of the chef’s table: “Best seats in town.” 

This tiny experience is all about creating a special experience for regulars and newbies alike. “Maybe you come here every Friday, you sit down, you make friends. You become friends with the staff here,” Barbone said. “You become more accustomed to our products. You might taste stuff that you wouldn't necessarily buy,” he said. “It's very focused. It's me and you.” 

For those hoping to dine with more than one other person, Barbone is also considering hosting a Thursday night chef’s table experience at Alimentari Aurora’s younger big sister, Studio Aurora, a 2,000-square-foot space at Valencia and 14th Streets. 

As for exactly what nights the chef’s table will be open for guests at Alimentari Aurora, Barbone is keeping it casual.  “It’s like natural leavening or natural fermentation. Let's see what happens with it. I don't want to put too much pressure on it.”"]]></description>
<dc:subject>potrero food restaurants groceries provision sanfrancisco oliciapeluso 2026 tinnedfish cheese charcuterie italian</dc:subject>
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    <title>Largest Community Owned Football Club! - YouTube</title>
    <dc:date>2026-06-05T22:47:20+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=frVkIBTabpw</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>sanfrancisco football futbol sports 2026 soccer diegotorres sanfranciscocityfc sfcfc sfcityfc</dc:subject>
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<item rdf:about="https://www.sfexaminer.com/news/community/coastal-commission-grant-funds-new-sf-ymca-nature-program/article_6be65603-07b8-4d14-9d23-779a12586d5f.html">
    <title>Coastal Commission grant funds new SF YMCA nature program | Community | sfexaminer.com</title>
    <dc:date>2026-06-05T06:16:38+00:00</dc:date>
    <link>https://www.sfexaminer.com/news/community/coastal-commission-grant-funds-new-sf-ymca-nature-program/article_6be65603-07b8-4d14-9d23-779a12586d5f.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The YMCA of Greater San Francisco said it will use thousands of dollars in state-grant money to launch an outdoor-exploration program beginning this fall, that will connect residents across different neighborhoods and generations

The nonprofit announced last month that it received a yearlong $50,000 grant from the California Coastal Commission to implement its new program, Waves of Wisdom: Intergenerational Coastal Stewards.

The first cohort of the new 14-week program will meet this October, bringing together youths from the Bayview-Hunters Point YMCA and active older adults from the Mission YMCA. 

As part of the debuting program, participants will engage in coastal ecology and nature-based learning activities. The YMCA said Waves of Wisdom will let young San Franciscans build leadership, facilitation and environmental-education skills, while older adults will get to engage in the accessible exploration of beaches, wetlands, tide pools and shoreline habitats.

The Coastal Commission’s Whale Tail Grant program funds projects that connect residents to the state’s coast and its watersheds, with focuses on education, stewardship and outdoor experiences. 

YMCA COO Erin Clark said the program is being designed “around the idea that nature can be a powerful bridge between people.”

Waves of Wisdom will bring members to the Presidio, where they will explore coastal areas within the national-park site. 

The yearlong grant, which takes effect in August, will fund two 14-week cohorts, the second of which will meet in the spring. YMCA employees said they hope the program will benefit participants by strengthening their community bonds, reducing social isolation and enhancing their overall well-being through cross-generational connections.

The youths from Bayview-Hunters Point will come from the workforce-development program at Burton Academic High School. As part of Waves of Wisdom, the students will participate in a naturalist-in-training program that will offer instruction on becoming certified nature specialists.

Youths in the program will also meet with older adults at the Mission YMCA. Together, each cohort will go on three field trips to coastal locations and participate in activities that include birdwatching, shared meals, nature walks and ecological observations.

Donna Glass, the YMCA’s senior director of brand communications, said most students in Burton High’s workforce-development program receive stipends for their work. Money from the Whale Tail grant doesn’t cover that amount, so the YMCA is actively raising money to fund the $599-per-student stipend. Those interested in supporting student stipends can contact the Presidio YMCA, Glass said.

Jessica Lie, an analyst in the Coastal Commission’s grants and education program who served as the primary coordinator for this year’s grant program, said that it is “incredibly exciting to support organizations doing the on-the-ground work of connecting communities with their California coast.”

Glass said the youths eligible for the program tend to lack access to outdoor activities, while the older adults tend to be underrepresented. 

As part of this grant cycle, the Coastal Commission partnered with the Ocean Protection Council to help fund the program. Funds also came from California Climate Investments, which supports projects that reduce emissions, strengthen local economies and improve public health and the environment, especially in disadvantaged communities.

In a statement, Coastal Commission Public Education Program Manager Annie Kohut Frankel said interest from applicants showed her colleagues that “there’s clearly an overwhelming need for this funding.”

Every time the first cohort of students gather together later this year, Clark said, participants will be entering into an environment where they gain more knowledge of nature and also “learn from each other.”

“It’s a beautiful example of how the YMCA creates belonging and connection, all within one of the most extraordinary landscapes in the world,” Clark said."]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=LU7swT_Fp08">
    <title>Rainbow Girls | Award-Winning LGBTQ+ Short Film - YouTube</title>
    <dc:date>2026-06-01T05:08:08+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=LU7swT_Fp08</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["When San Francisco's tech boom pushes them to the margins, a group of friends decide to push back, staging an audacious heist that turns luxury into resistance. 

Rainbow Girls
Dir. Nana Duffuor
https://www.rainbowgirlsfilm.com/

"With Rainbow Girls, writer-director Nana Duffuor crafts a tale of resistance against gentrification and systemic inequality, infusing it with infectious energy through three empowering characters." - S/W Curator, Céline Roustan

FULL REVIEW: https://www.shortoftheweek.com/2026/04/20/rainbow-girls/

CREDITS

STARRING:
Jai Stephenson
Sis Thee Doll
Céline Jackson
Nava Mau

Written & Directed by Nana Duffuor
Produced by Raman Nimmala

Co-Producers:
Jackson Gravagno
Nurie Kali Mohamed

Executive Producers:
Cheryl Dunye & Jingletown Films
Nana Duffuor
Nava Mau
Sarah A. Schoellkopf
Shane King Zackery

Associate Producers:
Dina Soliman
Lynn Nice
Dr. Nesba Ama Frimpong
Tiffany Dockery

Director of Photography Evan Weidenkeller
Edited by Sowj Kudva
Production Designer Olivia Kanz
Hair & Make-up Dex Simmons
Stylist Kara Fabella
Production Sound Mixer Jocelle Bautista
Post-Supervisor Guang Ren
Colorist Kyunchan Min
Music Composer Saman Khoujinian
Music Supervisor Jarret Poindexter

SUPPORTING CAST:
Joseph Amster
Greg Tyesi
Julian McCarthy
Halili Knox
Maxi Zubi
Conrad Cheeks
Alana Jacobs
Elijah Macias
Reproduced on this channel with the permission of the filmmakers."

[via Jared Ball :https://www.youtube.com/watch?v=KbSbtilM5nQ ]]]></description>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["To revive SF’s core, rich donors and public agencies are pouring tens of millions of dollars into events and projects, but SF officials can’t say what’s working. ‘We don’t have good data.’"]]></description>
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<item rdf:about="https://www.huntington.org/education/digital-classroom-resources/artist-spotlight-sargent-claude-johnson">
    <title>Artist Spotlight: Sargent Claude Johnson | The Huntington</title>
    <dc:date>2026-05-30T20:42:17+00:00</dc:date>
    <link>https://www.huntington.org/education/digital-classroom-resources/artist-spotlight-sargent-claude-johnson</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Discover Sargent Claude Johnson, the first Black Modernist artist from the West Coast to gain national acclaim. He made a national impact as part of the Harlem Renaissance, even though he lived in the Bay Area and not in the movement’s center of Harlem in New York City."]]></description>
<dc:subject>sargentjohnson art bayarea sanfrancisco moernism</dc:subject>
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<item rdf:about="https://www.sfmoma.org/watch/sargent-johnson-on-surviving-the-great-depression/">
    <title>Sargent Johnson on surviving the Great Depression · SFMOMA</title>
    <dc:date>2026-05-30T20:40:42+00:00</dc:date>
    <link>https://www.sfmoma.org/watch/sargent-johnson-on-surviving-the-great-depression/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Artist Sargent Johnson discusses creating a relief wall for George Washington High School in San Francisco as part of the Works Progress Administration during the Great Depression.]]></description>
<dc:subject>sargentjohnson greatdepression wpa sanfrancisco</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8c7159dcfac7/</dc:identifier>
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<item rdf:about="https://quintinmecke.substack.com/p/housing-is-the-test">
    <title>Housing Is the Test - by Quintin Mecke, SF CCHO</title>
    <dc:date>2026-05-29T03:09:28+00:00</dc:date>
    <link>https://quintinmecke.substack.com/p/housing-is-the-test</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We are not poor. We are unequal. And the people who benefit from that confusion are spending tens of millions to keep it that way."]]></description>
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<item rdf:about="https://delacity.org/">
    <title>DeLaCity</title>
    <dc:date>2026-05-29T02:59:56+00:00</dc:date>
    <link>https://delacity.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Our team

Antonio is the Owner and Creative Director for DeLaCity. We believe in supporting our homies so most of our production is done by SF Natives.  Our go to Screen Printer is Zeus Cano with Frisco Ink. We have an in house seamstress, Graffiti specialist and Brand Ambassador Goomba as well as also working with many other community businesses such as Xpress Prints, Gorilla Graf Printing , Off Top, 13 Gallons and more! 

Our history

DeLaCity is a streetwear brand that focuses on preserving Frisco culture through clothing, events and music! We were birthed out of the love for San Francisco community and released our first project on 4.15Day 2019 est. Frisco Forever. We want to share our experiences with the world so that everyone knows what it means to be "DeLaCity". 

Our style

Our style reflects the city living lifestyle.  Beanies and Hoodies are our staples. We are inspired by local hip hop, culture and art. Our local underground Frisco Hip Hop Scene has truly embraced us and you will see us featured music videos for artists such as Grand-O, DJSAY, Professa Gabel, OBN Emony, Stunnaman02 and Frisco Daze."]]></description>
<dc:subject>sanfrancisco gifts apparel hoodies sweatshirts clothing beanies</dc:subject>
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<item rdf:about="https://www.kqed.org/news/12084932/as-the-bay-area-prepares-for-world-cup-a-san-francisco-team-looks-for-a-way-forward">
    <title>As the Bay Area Prepares for World Cup, A San Francisco Team Looks For a Way Forward | KQED</title>
    <dc:date>2026-05-27T21:01:45+00:00</dc:date>
    <link>https://www.kqed.org/news/12084932/as-the-bay-area-prepares-for-world-cup-a-san-francisco-team-looks-for-a-way-forward</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["San Francisco City FC fans worry that local soccer is becoming increasingly driven by politics and financial motives. As the team plays its last full season at Kezar Stadium, fans are also cutting ties to the 2026 FIFA World Cup a few weeks before the Bay Area hosts games."]]></description>
<dc:subject>sanfrancisco sports sanfranciscocityfc sfcfc soccer football futbol 2026 daniellurie kezarstadium bayarea worldcup goldencityfc politics muni sfcityfc sfmta</dc:subject>
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<item rdf:about="https://medialab.sciencespo.fr/en/news/de-lideologie-californienne-a-lideologie-texane-conservatisme-religion-et-extractivisme-au-sein-du-secteur-des/">
    <title>From Californian to Texan Ideology: Conservatism, Religion and Extractivism in the Tech Sector | médialab Sciences Po</title>
    <dc:date>2026-05-23T22:57:21+00:00</dc:date>
    <link>https://medialab.sciencespo.fr/en/news/de-lideologie-californienne-a-lideologie-texane-conservatisme-religion-et-extractivisme-au-sein-du-secteur-des/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["On the occasion of a special session co-organized with the CNRS Center for Internet and Society, the médialab seminar welcomes Fred Turner (Stanford University). He will offer a critical reading of the ideological transformations underway in the American tech world, from California’s libertarian utopia to the more conservative ideology now embodied by Texas.

Abstract

As they leave California for Texas, major digital companies are doing more than looking for new spaces. Their leaders (Elon Musk, Larry Ellison, Joe Lonsdale...) are settling in a state where religion plays a major role, in a Bible Belt dominated by oil billionaires. Texan politics can be summed up in a few words: tax refusal, deregulation, and the narrative of a new frontier populated by “those who are willing to take the necessary risks.” 

Just like oil, digital technologies, including AI and cryptocurrencies, as well as space exploration, depend on public funding and environmental leniency to thrive. So why not take power directly? Tech leaders are now pursuing that path, following in the footsteps of speculative oil investors. 

How did the digital world move from the Californian ideology, where entrepreneurialism was mixed with the legacies of counterculture, to the Texan ideology, shaped by a rejection of any interference except that of the Gospels, and where great, deserving men are seen as working in the name of God? 
Biography  

After a career in journalism in Boston and teaching at MIT and Harvard, Fred Turner is now Professor and Chair of the Department of Communication at Stanford University.

His research explores the relationships between media technologies and cultural transformations, with a particular focus on the role of emerging media in shaping American society since World War II.

He is the author of three influential books: The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network and the Rise of Digital Utopianism, and Echoes of Combat: The Vietnam War in American Memory.

Fred Turner’s work has received numerous academic awards and has been translated into French, Spanish, German, Polish and Chinese."

[direct link to video: https://vimeo.com/1137645914

See also:
https://newbooksnetwork.com/fred-turner-on-countercultures-cybercultures-and-californian-and-texan-ideologies
https://thebaffler.com/salvos/the-texan-ideology-turner ]]]></description>
<dc:subject>fredturner 2025 siliconvalley californianideology texanideology california texas billionaires fortresses tescreal libertarianism elonmusk gigafactory tesla capitlaism latecapitalism technology billionaites oligarchy climate climatechange environment globalwarming richardbarbrook andycameron sanfrancisco 1960s couunterculture 1990s extraction extractivism bunkers christianity billygraham religion politics race racism neoliberalism economics misogyny christiannationalism policy web internet online dotcomboom dotcombust johnperrybarlow newtgingrich newright rightwing farright right freemarkets freemarketfundamentalism conservatism idealism poverty austin markzuckerberg facebook meta us tiktok google joelonsdale tennessee memphis fbi fairbanks alaska louisiana covid-19 pandemic coronavirus gregabbott rickperry hooverinstitution labor energy water electricity regulation deregulation housing taxes taxation antiwoke newdeal universities colleges academia highered highereducation margaretatwood petrobaptists fossilfu</dc:subject>
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<item rdf:about="https://newbooksnetwork.com/fred-turner-on-countercultures-cybercultures-and-californian-and-texan-ideologies">
    <title>Fred Turner on Countercultures, Cybercultures, and Californian and Texan Ideologies - New Books Network</title>
    <dc:date>2026-05-23T22:56:29+00:00</dc:date>
    <link>https://newbooksnetwork.com/fred-turner-on-countercultures-cybercultures-and-californian-and-texan-ideologies</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Peoples & Things host, Lee Vinsel, and guest host, Paula Bialski, Associate Professor of Digital Sociology at University of St. Gallen, talk to Fred Turner, Harry and Norman Chandler Professor of Communication at Stanford University, about his classic 2006 book, _From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism_. They briefly explore the arc of Fred’s career and revisit the book in the spirit of asking what has changed in digital ideology since the book’s publication, including with the role of Silicon Valley elites in the second Trump Administration, Elon Musk’s role in DOGE, and the (perhaps only brief) turn of digital technology elites moving from California to Texas. Since this conversation was recorded in April 2025, Fred’s essay, “The Texan Ideology,” has been published in The Baffler: https://thebaffler.com/salvos/the-texan-ideology-turner "

[See also: 
https://medialab.sciencespo.fr/en/news/de-lideologie-californienne-a-lideologie-texane-conservatisme-religion-et-extractivisme-au-sein-du-secteur-des/
https://vimeo.com/1137645914 ]]]></description>
<dc:subject>fredturner 2026 siliconvalley californianideology texanideology california texas billionaires fortresses tescreal libertarianism elonmusk gigafactory tesla capitlaism latecapitalism technology billionaites oligarchy climate climatechange environment globalwarming richardbarbrook andycameron sanfrancisco 1960s couunterculture 1990s extraction extractivism bunkers christianity billygraham religion politics race racism neoliberalism economics misogyny christiannationalism policy web internet online dotcomboom dotcombust johnperrybarlow newtgingrich newright rightwing farright right freemarkets freemarketfundamentalism conservatism idealism poverty austin markzuckerberg facebook meta us tiktok google joelonsdale tennessee memphis fbi fairbanks alaska louisiana covid-19 pandemic coronavirus gregabbott rickperry hooverinstitution labor energy water electricity regulation deregulation housing taxes taxation antiwoke newdeal universities colleges academia highered highereducation margaretatwood petrobaptists fossilfu</dc:subject>
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</item>
<item rdf:about="https://bayareacurrent.com/ai-slop-startups-sputter/">
    <title>AI Slop Startups Like “Delve” Will Never Beat the Fraud Allegations</title>
    <dc:date>2026-05-22T08:30:26+00:00</dc:date>
    <link>https://bayareacurrent.com/ai-slop-startups-sputter/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Tech Billboard Decoder: Buzzy San Francisco-based startup Delve promises ‘AI-native compliance,’ turns out to be a house of cards."]]></description>
<dc:subject>wendyliu delve 2026 ai artificialintelligence fraud business aibubble compliance technology billboards sanfrancisco b2bslop slop ycombinator economics greptile plivo lovable llms disruption</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:60ebdab66263/</dc:identifier>
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<item rdf:about="https://bayareacurrent.com/email/7316d30c-7a7b-41ff-b347-1884b072b18c/">
    <title>It doesn't have to be this way.</title>
    <dc:date>2026-05-22T08:27:58+00:00</dc:date>
    <link>https://bayareacurrent.com/email/7316d30c-7a7b-41ff-b347-1884b072b18c/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The tech capitalists are frighteningly good at colonizing public space. There's all those tech billboards, of course. But I also recently learned of AI Alley, a stretch of Howard Street in downtown SF that Anthropic has rebranded after acquiring an office there. And apparently techies are calling Hayes Valley with all its hacker houses Cerebral Alley? It's bold to claim any thought is taking place there. But what really gets me is calling the South Bay "Silicon Valley." It makes tech capitalism seem so endemic to the Bay Area that it's literally part of the geography...

But it's not. The Bay is beautiful. As a New Yorker, I can confidently say San Francisco is the most charming city in our wild, wild nation. Where else do you have that many vistas?? And while the first major tech company might have been founded in Palo Alto in 1909, there is literally a 1,076-year-old redwood tree in El Palo Alto. That is what's been here, and that's what will stay here."]]></description>
<dc:subject>colonization names naming sanfrancisco history 2026 ai artificialintelligence wenyliu paloalto nature trees redwoods hayesvalley siliconvalley geography soma rebranding publicspace billboards technology bigtech anthropic</dc:subject>
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</item>
<item rdf:about="https://www.theatlantic.com/ideas/2026/05/waymo-self-driving-cars/687119/">
    <title>Save the Taxi Drivers - The Atlantic</title>
    <dc:date>2026-05-11T20:12:53+00:00</dc:date>
    <link>https://www.theatlantic.com/ideas/2026/05/waymo-self-driving-cars/687119/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["People Who Don’t Like People Are Making All of Our Decisions: Robotaxis are the beginning."

[archived: https://archive.is/fBr8e ]

"In the beginning, God created Man and Man created cities. And from these cities sprang forth a service to cart Man around: the taxi. And it was good. So good that, over centuries, it barely changed. Visitors to ancient Rome could hail a cisium. In 17th-century France, they could take a fiacre. And 19th-century England had the hackney coach. Automobiles eventually replaced horse-drawn carriages, but other than that, the experience remained the same: Passengers hailed a driver who would help them load their luggage and perhaps make small talk about the city while ferrying them to their destination.

Then, in 2009, Man made the ride-share app. And it was very good. Many of the nuisances of taxis that had seemed unavoidable were eliminated overnight. Waiting in the cold with your hand in the air scanning for available cabs? Drivers refusing to take you somewhere after you’d already gotten in their vehicle? Cabs refusing to stop because of your race? Losing items, never to see them again? All problems that were gladly ushered into the past. The act of schlepping around a city was changed forever.

Ride-sharing has its own flaws: surge pricing in inclement weather, incessant rate hikes, late or canceled rides. But in all of the ways I’ve imagined improving upon the modern taxi, eliminating drivers themselves has never crossed my mind. And yet, the powerful minds of Silicon Valley and the investors who fund them are trying to do just that.

Earlier this year, Tesla, which already has a driverless-taxi service, announced that its Gigafactory in Texas would begin producing robotaxis devoid of steering wheels or pedals. Waymo, the Alphabet-owned driverless-taxi service that launched commercially in 2020, recently raised $16 billion, and plans to expand into more than 20 cities. In November, Los Angeles and San Francisco, where Waymos were already operating, started allowing the vehicles to travel on highways and to certain airports. Waymo now has its sights set on America’s taxi mecca: New York City.

The pitch for driverless taxis follows the familiar contours of many of Silicon Valley’s recent technological advances: We should all be excited about a “dream” from the future finally being realized. The thrill of inevitable progress! A safer, easier tomorrow!

Driverless taxis are the next step toward tech’s hopes for broad adoption of driverless cars in general. Uri Levine, a co-founder of Waze, predicts that Generation Beta will not drive. “A generation after that,” he told Business Insider, if you tell a young person “that you used to drive cars yourself, they will not believe you.” One of the arguments for self-driving cars is that they would be free of the human errors that lead to crashes. “It’s going to be such a great technology,” Sebastian Thrun, the roboticist and former head of Google’s self-driving project, said recently. “Think of the 1.2 million lives we lose each year (to car crashes), mostly because they’re not paying attention. Think if we could get some of those lives back.”

That number is correct. But that figure is global, and more than 90 percent of the fatalities occur in low- and middle-income countries (ones that are not part of Waymo’s or Tesla’s expansion plans). Trade organizations such as the Autonomous Vehicle Industry Association, which advocates for “the safe and timely deployment of autonomous driving technology,” insist that driverless cars will save lives. But groups such as the Union of Concerned Scientists are more skeptical, pointing out that “studies have shown that automated vehicles are less able to detect people of color and children.” They also worry that the cars could “displace millions of people employed as drivers, negatively impact public transportation funding, and perpetuate the current transportation system’s injustices.”

More certain than safety are profits. When companies talk about safety, it’s not just because they care about people, but because they want to sell their product. Self-driving cars are projected to be an $87 billion industry by 2030. And the robotic “passenger economy,” which includes driverless taxis and robot deliveries, could generate as much as $7 trillion by 2050.

Chances are slim that the average American will benefit much financially from any of that money. But we will lose something, as Big Tech yet again destroys human interaction and calls it “convenience.”

Most of us live in silos, clustered together with people whose jobs, educations, incomes, languages, and faiths are similar to or the same as our own. We have few occasions to brush against other ways of living, few ways to interact with people of different backgrounds. These moments are meaningful and rare, and the taxi cab is one place where they regularly happen.

Every new city that I visit comes with a personalized introduction from a taxi driver. Like the guy who used to do stunts in Hollywood and now has to pick up shifts driving cabs who regaled me with tales of stars and action movies in a more flush time in Los Angeles. Or the 60-something Navy vet who took up driving after his restaurants closed during the pandemic. He drove me to the airport in Pittsburgh and told me about having recently connected with a son he never knew he had, who’d found him on Ancestry.com. Or the young driver from Pakistan who was nervously preparing for his upcoming wedding. He got some free advice, as well as a nice tip.

Many of these drivers are immigrants. Many are people whom the economy has left behind—people who started driving to supplement day jobs and struggling businesses, or because they’re juggling caregiving responsibilities. Perhaps, Big Tech thinks that riders won’t miss them when they’re gone. Drivers can be annoying. They can talk too much. They can play music you don’t like. But they can also be generous and kind and surprising. Human interaction, imperfect as it is, is what makes us human.

And maybe that’s the problem for the titans of Silicon Valley. Compared with robots, humans take a lot of effort. “I cannot imagine having gone through figuring out how to raise a newborn without ChatGPT,” Sam Altman, the CEO of OpenAI, said recently. Artisan, an AI start-up, advertises its services with the explicit slogan “Stop Hiring Humans.” We are living in the ultimate revenge of the nerds, driven by a crew of socially awkward tech bros who won’t stop until the society that they never quite fit into is obliterated.

Do we want these people dictating profound changes in our society? Technology advances, in part, because a small number of entrepreneurs or scientists get really hyped about something, and another small number of investors gets even more hyped about the massive financial opportunities that development represents. But the rest of us do have a say: We have a choice as to whether we want to adopt that technology or not. We can consider our preferences, and the long-term societal implications. We can resist the old-fashioned corporate greed that gets wrapped in the language of pro-humanistic societal advancement and care.

For two decades, I have watched us blindly fall for one sales pitch after another. Every app and advancement comes shrouded in promises of “progress” and “connectivity” and “convenience.” And in many early cases—such as the invention of ride-sharing apps—Silicon Valley truly did deliver a better mousetrap. But we’re getting diminishing returns. We are living in Silicon Valley’s future now, and we are lonelier, more anxious, and more polarized than ever before. Are the mousetraps better? Safer? Who knows. But the mice inside are miserable."]]></description>
<dc:subject>robotaxis waymo xochilgonzalez automation taxis 2026 ai artificialintelligence siliconvalley uber ridesharing tesla avs safety profit profits cities samaltman openai technology technofascism misery greed society care humanism humans human google nyc losangeles sanfrancisco surgepricing</dc:subject>
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</item>
<item rdf:about="https://bsm.sfdpw.org/urbanforestry/">
    <title>Street Tree Map</title>
    <dc:date>2026-05-10T20:41:05+00:00</dc:date>
    <link>https://bsm.sfdpw.org/urbanforestry/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A project of San Francisco Public Works' Bureau of Urban Forestry"]]></description>
<dc:subject>maps sanfrancisco trees</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2bee97ca1f28/</dc:identifier>
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<item rdf:about="https://missionlocal.org/2026/05/my-mission-medicine-for-nightmares-co-owner-and-poet-josiah-luis-alderete/">
    <title>My Mission: bookstore co-owner and poet, Josiah Luis Alderete</title>
    <dc:date>2026-05-09T15:44:50+00:00</dc:date>
    <link>https://missionlocal.org/2026/05/my-mission-medicine-for-nightmares-co-owner-and-poet-josiah-luis-alderete/</link>
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<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:72c245bd5d95/</dc:identifier>
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<item rdf:about="https://www.youtube.com/watch?v=TkN2jQRnHsY">
    <title>San Francisco Public Library Past, Present and Future : Celebrating 30 Years Under the Nautilus - YouTube</title>
    <dc:date>2026-05-07T07:43:00+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=TkN2jQRnHsY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["San Francisco Public Library leaders past, present and future will offer a look back at the 30 years since the "new" Main Library opened, its early vision, current success and future possibilities.

A panel of visionaries and policy makers will discuss how the Main Library came to be, how it has evolved, and the challenges and power for the future. 

Featured speakers include Steven Coulter, former Library Commission president, Dale Carlson former Commissioner and Chair of the San Francisco Library Foundation, City Librarian Michael Lambert, Chief of Public Services Dolly Goyal and Main Library Manager Naomi Jelks."]]></description>
<dc:subject>sanfrancisco libraries publiclibraries sfpl 2026 history stevencoulter dalecarlson michaellambert dollygoyal noamijelks democracy information nicholsonbaker freedom</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=6JLyR8Hlfe0">
    <title>Landlords loathe land trusts, rent strikes, taxes with Kyle Smeallie - YouTube</title>
    <dc:date>2026-05-07T06:20:12+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=6JLyR8Hlfe0</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Sad Francisco is produced by Toshio Meronek and edited by Tyger Ligon.

Until Land Back, there's land trusts. Kyle Smeallie from the San Francisco Community Land Trust on removing land from the speculative market and the clutches of real estate industrialists.

San Francisco Community Land Trust
https://sfclt.org/

Proud Stutter (Maya's podcast)
https://www.proudstutter.org/ "]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=1Z4k_vDovbY">
    <title>The New Luddites: Why People Are Destroying Surveillance and AI Infrastructure - YouTube</title>
    <dc:date>2026-05-05T03:36:47+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=1Z4k_vDovbY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This week, we talk to Brian Merchant, author of Blood in the Machine, about a rash of people physically destroying AI and surveillance infrastructure. Brian puts this wave of attacks in the historical context of the Luddites, who are notoriously misunderstood and fought for worker protections against automation during the Industrial Revolution. Over the last few months, we have seen people in San Francisco and Los Angeles torch Waymos, bash delivery robots with baseball bats, destroy Flock cameras, and threaten AI data centers and the politicians championing them. This type of political violence doesn’t and cannot occur in a vacuum, it happens because people feel they are being taken advantage of and that their representatives aren’t listening to them. Given the current state of things, we can likely expect more of these sorts of attacks to occur.

Blood In The Machine: https://www.bloodinthemachine.com

00:00 Brian Merchant Introduction
02:04 Who were the Luddites?  
04:26 Modern tech backlash (AI, robots, Waymo)  
07:23 Waymo burnings & surveillance fears  
09:39 Automation, labor, and delivery robots  
12:25 Core issue: no public say in tech adoption  
15:31 Were the Luddites successful?  
19:04 Flock cameras & surveillance backlash  
27:18 Dunwoody case: public outrage vs officials
31:25 “No social contract” with tech companies
36:00 AI, data centers & inevitability narrative
39:24 History of techno-backlash
42:20 AI distrust, job fears & PR problem
45:28 Inequality & resentment toward Big Tech
47:08 Political future of AI regulation"]]></description>
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<item rdf:about="https://www.motherjones.com/environment/2024/12/car-free-disability-congestion-walkable-cities/">
    <title>Do Car-Free Zones Hurt Disabled People? We Asked Experts. – Mother Jones</title>
    <dc:date>2026-04-29T05:21:15+00:00</dc:date>
    <link>https://www.motherjones.com/environment/2024/12/car-free-disability-congestion-walkable-cities/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["City planners and advocates are seeing “accessibility used as a political football.”"]]></description>
<dc:subject>walking pedestrians accessibility juliamétreaux vancouver britishcolumbia sanfrancisco disabilities disability annazivarts cars seattle maddyruvolo nyc sarahkaufman walkability goldengatepark inequality via:javierarbona transit transportation congestion</dc:subject>
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<item rdf:about="https://www.thenerdreich.com/peter-thiel-flees-to-argentina/">
    <title>Peter Thiel Flees to Argentina As Trump Falters</title>
    <dc:date>2026-04-26T06:48:34+00:00</dc:date>
    <link>https://www.thenerdreich.com/peter-thiel-flees-to-argentina/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Antichrist enthusiast flies south"

...

"Last year, tech fascist guru Curtis Yarvin warned that Trump’s Silicon Valley supporters should prepare to flee the United States in case Democrats retake power. Now, one of Yarvin’s key followers—Palantir co-founder and Antichrist enthusiast Peter Thiel—appears to be heeding his advice.

Thiel has purchased a new mansion in an affluent section of Buenos Aires, according to the New York Post. The billionaire plans an extended stay in Argentina, according to the Buenos Aires Herald, and he met with Argentine President Javier Milei this week.

“Thiel, the 58-year-old founder of online payments processor PayPal and AI company Palantir, is reportedly planning to stay in the country for two months,” reported the Herald on April 23. “He is mostly in a US$12 million house he bought in Barrio Parque, an affluent suburb in Buenos Aires City, local media reported. Thiel and his husband, Matt Danzeisen, saw Milei in Casa Rosada at 2 p.m., together with the country’s Foreign Minister, Pablo Quirno.”

The Herald notes the German-born billionaire’s extremist politics: “The ideology he champions is called the ‘Dark Enlightenment’—a proposed alliance between autocrats and AI accelerationists to manage societies as if they were corporations.”

American tech fascists have rallied in support of Milei, a chainsaw-waving anarcho-capitalist zealot who is known for claiming to communicate with the ghost of a dead dog, as well as for imposing disastrous policies on the country’s economy. Milei claims credit for reducing inflation, but his popularity has dropped to 36% as people struggle to survive.

“[T]he drop in inflation is certainly not a victory for Argentine productivity,” writes political economist Can Cinar. “It’s a byproduct of a deliberate and engineered collapse in people’s wages. Milei hasn't fixed the engine of Argentina's economy, he has simply turned it off.”

Things are going so badly under the libertarian economist’s leadership that, late last year, the Trump administration authorized a $20 billion lifeline for Milei’s flailing administration. There was a catch, however: Trump’s offer required Argentina’s voters to support Milei’s party in the country's midterm elections (they did).

Thiel’s decision to establish a beachhead in Buenos Aires comes as Trump sinks to record-low popularity and the Republican Party heads toward a likely defeat in U.S. midterm elections. It’s the latest move for Silicon Valley's most prominent apocalypse enthusiast, who seems to be wandering the earth anxiously in search of refuge. Over the past few years, he has drifted from San Francisco to Los Angeles to Miami. His plans to create some kind of doomsday estate in New Zealand appear to have fizzled.

(Argentina has a peculiar history as a refuge for rootless fascists. After World War II, it became a primary destination for Nazi war criminals fleeing prosecution via the so-called “ratlines.”)

Thiel believes that the United States—and most nation-states—will experience a dramatic collapse in the 21st century as technological advances create widespread economic and political chaos. His beliefs were largely inspired by The Sovereign Individual: How To Survive and Thrive During the Collapse of the Welfare State, a 1997 book which predicted that crypto and AI would collapse the existing world order. It advised savvy investors—a new class of so-called “cognitive elites”—to prepare for this reality by acquiring extra passports and exiting the USA for remote parts of the world.

“Thinly populated regions with temperate climates, and a large endowment of arable land per head, like New Zealand and Argentina, will also enjoy a comparative advantage because they enjoy high standards of public health and are low-cost producers of foods and renewable products,” wrote James Dale Davidson and William Rees-Mogg in The Sovereign Individual.

“A good marker for the viability of cities is whether those living at the core of the city are richer than those on its periphery,” they wrote. “Buenos Aires, London, and Paris will remain inviting places to live and do business long after the last good restaurant closes in South Bend, Louisville, and Philadelphia.”

Davidson and Rees-Mogg made many failed doomsday predictions. But this did not harm their standing with Thiel. When The Sovereign Individual was republished in 2020, he wrote the foreword. He appears to still be following the book’s advice.

“Buenos Aires is only the latest square on what amounts to a meticulously constructed global hedge,” reported the New York Post. “Thiel has spent years assembling a portfolio of residences, passports, and legal presences across multiple continents. In New Zealand, he secured citizenship—a process that drew considerable scrutiny given how rapidly it was granted—and with it, residency access across the Pacific corridor including Australia.” 

In addition: “Thiel subsequently acquired a Maltese passport, granting him full freedom of movement across the European Union.”

News of Thiel’s latest home comes as Palantir faces massive public blowback for publishing a 22-point fascist manifesto. In addition, OpenAI CEO Sam Altman—a Thiel protégé who keeps promising that AI will destroy most jobs—recently had a Molotov cocktail thrown at his mansion in San Francisco.

The Sovereign Individual predicted a violent backlash against socially destructive technologies, which may explain why Thiel and his friends are so obsessed with doomsday preparations. In 2016, Altman told the New Yorker he was stockpiling guns, gold and gas masks in Big Sur, and also had plans to flee with Thiel to New Zealand.

If history is any indicator, Thiel will not find happiness in Argentina and will continue touring the globe to preach his own personal brand of apocalypse. But his decision to publicly decamp to Latin America at the height of his power suggests that he, like Yarvin, lacks confidence in the Trump regime."]]></description>
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<item rdf:about="https://sfstandard.com/2026/04/25/best-dim-sum-san-francisco/">
    <title>13 best spots for dim sum in San Francisco, according to a panel of pros | The San Francisco Standard</title>
    <dc:date>2026-04-26T00:29:40+00:00</dc:date>
    <link>https://sfstandard.com/2026/04/25/best-dim-sum-san-francisco/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Where chefs and restaurant owners go for the most delicate soup dumplings, bounciest rice rolls, and crispiest Peking duck, from Chinatown to Forest Hill."]]></description>
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<item rdf:about="https://missionlocal.org/2026/04/brooke-jenkins-new-york-post-chesa-boudin-larry-krasner/">
    <title>No, Brooke Jenkins does not have an on/off switch for crime</title>
    <dc:date>2026-04-21T06:24:13+00:00</dc:date>
    <link>https://missionlocal.org/2026/04/brooke-jenkins-new-york-post-chesa-boudin-larry-krasner/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Crime is dropping precipitously nationwide. Criminologists have theories why. But, hey, so does the New York Post."]]></description>
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<item rdf:about="https://www.kqed.org/news/12080455/san-franciscos-skyline-shines-but-earthquake-risk-remains-120-years-after-1906">
    <title>San Francisco’s Skyline Shines, but Earthquake Risk Remains 120 Years After 1906 | KQED</title>
    <dc:date>2026-04-19T05:03:54+00:00</dc:date>
    <link>https://www.kqed.org/news/12080455/san-franciscos-skyline-shines-but-earthquake-risk-remains-120-years-after-1906</link>
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<item rdf:about="https://freddiedeboer.substack.com/p/the-school-reformer-accountability">
    <title>The School Reformer &quot;Accountability Era&quot; Narrative Simply Does Not Add Up</title>
    <dc:date>2026-04-18T22:31:35+00:00</dc:date>
    <link>https://freddiedeboer.substack.com/p/the-school-reformer-accountability</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The PISA declines visible in American math and reading scores over the 2003–2022 period aren’t remotely anomalous; they’re part of a near-universal pattern among wealthy, developed democracies. In particular, the Netherlands, Finland, Belgium, Canada, and Australia - that is, countries with many economic and social similarities but radically different curriculum philosophies, funding structures, pedagogical traditions, etc - all show trajectories strikingly similar to that of the United States. (In fact Finland, long held up as the gold standard of education reform and frequently invoked as a rebuke to American approaches, has seen some of the steepest reading declines in the developed world.) If policy and pedagogy were the primary drivers of American underperformance, one would expect American trends to diverge from those of peer nations, to look distinctively bad in ways that track distinctively American choices. Instead, what the data show is convergence: a broad, shared downward drift across the developed world that almost certainly reflects forces operating above the level of any individual nation’s classroom policy. Pinning these trends on American policy choices, without accounting for why virtually identical trends appear in countries that made very different choices, is not serious analysis.

What could those “forces operating above the level of any individual nation’s classroom policy” be? Well, I was just telling you not to make broad claims about the causes of widespread changes in educational metrics without strong evidence. But what do I suspect? I suspect that it’s related to the fact that children and adolescence have, in the past ten or fifteen years, almost universally adopted a kind of technology that has unique capacity to suck up their attention, drain their mental energy, and waste their time. I think in a decade we’re going to have very strong evidence that it was always the smartphones.

Which means that, once again, American teachers and schools are not guilty of the horrible crimes against children’s potential that they have been accused of. Then again, “accountability” was always less about education policy in the substantive sense and more of a political and moral narrative. Demanding accountability allowed elites to believe that compassion consisted of demanding more from teachers who were asked to do the impossible and students struggling against major socioeconomic barriers. But politicians and neoliberal wonks found that this profoundly unfair behavior towards public educators could be effectively rebranded as high expectations. Accountability rhetoric allowed politicians to posture as champions of children while systematically undermining the working conditions of teachers and narrowing the curriculum to whatever could be cheaply measured. We allowed pundits to talk endlessly about “what works” to improve test scores while refusing to confront the most basic empirical fact in all of education: that schools are downstream of society, not the other way around."]]></description>
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<item rdf:about="https://48hills.org/2026/04/the-best-and-worst-of-ca-housing-policy-on-display-at-ucla-conference/">
    <title>The best and worst of CA housing policy, on display at UCLA conference - 48 hills</title>
    <dc:date>2026-04-17T06:58:42+00:00</dc:date>
    <link>https://48hills.org/2026/04/the-best-and-worst-of-ca-housing-policy-on-display-at-ucla-conference/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Some rational discussion based on facts, and some Yimby presentations with no facts"]]></description>
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<item rdf:about="https://www.theverge.com/ai-artificial-intelligence/911778/ai-violence-sam-altman-home">
    <title>The attacks on Sam Altman are a warning for the AI world | The Verge</title>
    <dc:date>2026-04-15T06:51:57+00:00</dc:date>
    <link>https://www.theverge.com/ai-artificial-intelligence/911778/ai-violence-sam-altman-home</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The vast majority of AI resistance is nonviolent, but recent attacks highlight the risk."]]></description>
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<item rdf:about="https://www.bloodinthemachine.com/p/why-the-ai-backlash-has-turned-violent">
    <title>Why the AI backlash has turned violent - by Brian Merchant</title>
    <dc:date>2026-04-15T03:52:54+00:00</dc:date>
    <link>https://www.bloodinthemachine.com/p/why-the-ai-backlash-has-turned-violent</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["And why it's probably only going to get worse from here."]]></description>
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    <title>How THIS Street Shaped San Francisco’s Most Iconic Buildings - YouTube</title>
    <dc:date>2026-04-11T20:46:40+00:00</dc:date>
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<item rdf:about="https://email.kcrw.com/raymond-saunders-david-zwirner">
    <title>How California shaped Raymond Saunders</title>
    <dc:date>2026-04-08T07:00:07+00:00</dc:date>
    <link>https://email.kcrw.com/raymond-saunders-david-zwirner</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In 1994, the visual artist Raymond Saunders sat down for a rare interview [https://californiarevealed.org/do/2eeab704-26a7-4527-994c-e3fac527b317 ] with the San Francisco Museum of Modern Art. The Pittsburgh-raised painter had called the Bay Area home for nearly 30 years by that point, living close enough to Oakland’s California College of the Arts (CCA) — where he taught painting — that he could stop by his home for lunch before returning to campus. The conversation reveals that Saunders didn’t move to San Francisco to become enmeshed in the freewheeling art scene of the late 1960s; as he explained in the interview, California spoke to him for a different reason. “California felt physical to me in the way that there was land, sky, water, in a relationship and light, and it was warm,” he said. “I prefer to be in California really for just those reasons, that I like how it feels.”

The artist, who died last year at 90, was perhaps best known for creating collage-style canvases on chalkboard-black backgrounds. East Coast artists influenced his development, but it was in California where he harnessed a distinctive physicality, spaciousness, and emotiveness in his work. An exhibition at David Zwirner in East Hollywood, now in its final weeks, culls together 10 of Saunders’ abstract and assemblage-style paintings, along with ephemera he amassed, rightfully positioning him as an important California artist. What distinguishes Saunders’ paintings is that his work is not “just emotional-feeling, but really textured,” says Ebony L. Haynes, who curated the exhibition, Raymond Saunders: Notes From LA, his first solo show in the city in over a decade. “There’s a presence to the materials and the work and the composition that perhaps he was able to realize, or really feel and work through, in a place like California.”

[image: "A painting by Raymond Saunders features half of which looks like a chalkboard, the other like white paper. On top are squiggles and dribs and drabs of paint. / Raymond Saunders, We Try, 1985. (Estate of Raymond Saunders)"]

Saunders was born in 1934 in Homestead, Pennsylvania, just outside Pittsburgh. While taking art classes in public school, he was drawn to the sense of play inherent within artistic creation. These ways of learning inspired Saunders, who believed these methods were just as legitimate as an elite arts education, which he also pursued — attending the Carnegie Institute of Technology (now Carnegie-Mellon) and the California College of Arts and Crafts (which became CCA).

Haynes says that Saunders was intrigued by the idea of someone without formal training making a mark and appreciated artists like Cy Twombly, who didn’t hew to realism or formal styles. These influences converged in his own improvisational painting techniques, with Saunders relying on instinct and his own curiosities to carve out a singular lane for himself. Among these proclivities: A lifelong fascination with collecting postcards, buttons, and letters, in addition to the found objects he frequently collaged onto his paintings (some of which are displayed in the gallery, alongside his paintings). A constant of Saunders’ vocation as an educator involved opening up his studio so that students could learn from one another, himself included.

One of the largest and most striking pieces in the Zwirner show, It Wasn’t Easy Being a First Grader (1979/1984) — at top — takes the childhood art class as the subject of the painting itself: On a deeply saturated cornflower-blue canvas, there are exploratory squiggles, as well as the inclusion of whole crayons pasted onto the piece. The rigors of that era are also seen in the inclusion of familiar notebook lines, the same ones where school-aged children practice writing their name in cursive ad nauseam, with Saunders intricately spelling out “Raymond” near the top of the work. Chalky sketches of stick figures abound in another canvas, We Try (1985), situated alongside delicate drawings of vases and pomegranates, a riot of spray paint drips cutting through the chalkboard-esque backdrop.

[image: "A mostly black canvas features a collage at top with the numerals "1983." Below are squiggles of gray spraypaint. / Raymond Saunders, Untitled, 1983. (Estate of Raymond Saunders)"

Identity was also a critical, albeit fraught, strain in Saunders’ work. In the late 1960s, the artist made a name for himself by resisting the art world’s insistence that he — by virtue of his artmaking and his identity as a Black man — adhere to a specific formal tradition. Later in the decade, Saunders penned a now-famous pamphlet, Black Is a Color, wherein he rejected a Black artistic canon as described by Ishmael Reed, a poet active in the Black Arts Movement. In it, Saunders asked why he, and his fellow artists who happened to be Black, should be considered outliers rather than part of the broader pantheon of artmaking. “I feel like he had a dream of really just being a true artist's artist, and he couldn't remove his identity as a Black man from that, nor did I think he wanted to,” says Haynes. “But I think his practice was in balancing those two prongs: of exploring the kind of painting and art and mark-making he was most interested in, while balancing how the world saw him and he saw himself.”

Yet Saunders rarely weighed in on the way his work was received, at least publicly. He preferred to lead a quiet life: teaching in the Bay Area, decamping to Paris for the summer, where he had a home, and rarely discussing his work, even among friends. Despite his prolific output and influence, Saunders was never a towering figure like some of his contemporaries. “His exhibition history is more expansive and consistent than so many artists I know of showing in New York in the ‘60s,” says Haynes. “He was around and present and able to sustain himself as an artist. But I feel like he's not somebody written about in a chapter of an art history book.” Zwirner’s show presents a new way into the conversation about this unique painter’s salient body of work."]]></description>
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<item rdf:about="https://www.kqed.org/news/12078602/in-a-tech-hub-like-the-bay-area-why-do-bart-announcements-sound-so-ancient">
    <title>In a Tech Hub Like the Bay Area, Why Do BART Announcements Sound So Ancient? | KQED</title>
    <dc:date>2026-04-08T06:34:59+00:00</dc:date>
    <link>https://www.kqed.org/news/12078602/in-a-tech-hub-like-the-bay-area-why-do-bart-announcements-sound-so-ancient</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Bay Area Rapid Transit — or BART — was a brand new, cutting-edge transportation system when it opened in 1972. Since then, its reputation has become a bit less high-tech. And while riders hear a variety of voices making announcements throughout the BART system, there are two that sound different — robotic, synthesized voices, one male and one female, that sound like they are from yesteryear.

And at least one rider has taken particular note.

“I never understood what it was saying,” Bay Curious listener Jimmy Tobin said.

It seems like a blatant contradiction to him that trains running through communities at the heart of the AI boom sound like they’re from the first computers ever made. He wants to know why these robotic announcements have never been updated."]]></description>
<dc:subject>bart sanfrancisco bayarea trains sound 2026 anadealmeidamaral</dc:subject>
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    <title>Oakland and the Ghosts of Urbicide</title>
    <dc:date>2026-04-06T19:45:24+00:00</dc:date>
    <link>https://placesjournal.org/article/oakland-and-the-ghosts-of-urbicide/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A specter of Blackness haunts Oakland, California, lingering palpably in cultural and material landscapes that have been shaped by generations of Black Oaklanders."]]></description>
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