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    <title>The 100 Greatest Bird Names of All Time - by Robert Francis</title>
    <dc:date>2026-06-03T06:24:49+00:00</dc:date>
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    <title>It doesn't have to be this way.</title>
    <dc:date>2026-05-22T08:27:58+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["The tech capitalists are frighteningly good at colonizing public space. There's all those tech billboards, of course. But I also recently learned of AI Alley, a stretch of Howard Street in downtown SF that Anthropic has rebranded after acquiring an office there. And apparently techies are calling Hayes Valley with all its hacker houses Cerebral Alley? It's bold to claim any thought is taking place there. But what really gets me is calling the South Bay "Silicon Valley." It makes tech capitalism seem so endemic to the Bay Area that it's literally part of the geography...

But it's not. The Bay is beautiful. As a New Yorker, I can confidently say San Francisco is the most charming city in our wild, wild nation. Where else do you have that many vistas?? And while the first major tech company might have been founded in Palo Alto in 1909, there is literally a 1,076-year-old redwood tree in El Palo Alto. That is what's been here, and that's what will stay here."]]></description>
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    <title>Stop naming buildings (and streets, and parks, and ships, and mountains) after people</title>
    <dc:date>2026-03-23T20:36:48+00:00</dc:date>
    <link>https://fritinancy.substack.com/p/stop-naming-buildings-and-streets</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Eventually, inevitably, someone will decide that your well-meaning gesture was a terrible error."]]></description>
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    <title>It’s Time To Kill the Hero</title>
    <dc:date>2026-03-23T20:30:11+00:00</dc:date>
    <link>https://www.coyotemedia.org/kill-the-hero-cesar-chavez-rene-redzepi/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["On Cesar Chavez, René Redzepi, and all the men we make excuses for in the name of the greater good."

...

"This week, we bore witness to the fruits of a 5-year-long investigation by New York Times reporters into allegations of sexual misconduct, grooming, and rape by venerated labor activist Cesar Chavez. Labor organizations like the United Farm Workers have scrambled to distance themselves from Chavez, while several California cities and towns are grappling with what to do about all the streets, parks, and schools named after a man who raped young girls.

Just a little over a week ago, the food world roiled as dozens of harrowing stories exposed one of its “gods” — the celebrated chef René Redzepi, of Copenhagen’s Noma — as an artist-tyrant. For years, the New York Times and former employees reported, he choked, stabbed, and berated staff members; profited handsomely from unpaid labor; and threatened to have employees and their families deported from Denmark. Redzepi has since stepped away from the management of its pop-up in Los Angeles, though he remains with the company.

These cases are, of course, different in very meaningful ways. Yet both men have been central figures in the modern food system, operating from opposite ends: Redzepi in the world of fine dining; Chavez, among the laborers producing the food that ends up in the world’s kitchens.

[image: "a white man in a grey chef's apron in front of a tan wall that reads 'noma'" / caption : "René Redzepi outside the Noma pop-up in Australia in 2016. (City Foodsters, CC BY 2.0 via Wikimedia Commons)"]

Fastening them together is the idea that we need heroes and geniuses so badly that the harm they cause other people simply doesn’t matter. Is it enough to “cancel” disappointing heroes like Chavez and Redzepi and then continue to avert our eyes from whoever comes next? Or can we try to interrogate the urge to repeatedly create new gods, and new victims, out of a misguided sense that it’s all “worth it,” somehow, for the sake of art or progress or the greater good?

In her piece on Noma for The New Yorker, critic Helen Rosner writes,

<blockquote>“Noma’s influence is essential to the story of the violations that took place there. A stint at Noma is the highlight of any cook’s résumé, the culinary equivalent to singing at the Met or dancing with the Bolshoi or interning at The Paris Review. It’s easy to understand why thousands of people clamored to work there, and why, once a lucky few made it in, they might have found it difficult to complain, or to criticize, or to leave.”</blockquote>

You put up with being shoved, with being threatened, all for the sake of surviving the experience and seeing the words “Noma alum” next to your name when you finally start your own thing. You stand outside in a circle with your fellow cooks, stonefaced as you watch your chef, this god among men, scream at your coworker for the sin of putting on music that he doesn’t like. You wipe your colleague’s blood off the sharp edge of a metal counter and continue on with dinner service. You do this for the prestige: your ticket to something better. 

Over the past many decades, Chavez’s survivors, including labor leader Dolores Huerta, were forced into a similar calculation — but in this case, it was their pain versus the movement that gave them, their families, and their communities hope and a sense of greater purpose. Via the New York Times:

<blockquote>“Ms. Murguia, Ms. Rojas and Ms. Huerta said they struggled for years about whether to tell their stories publicly. Some of those closest to them begged them not to, arguing that it could not be a worse time to attack a Latino hero, when immigrants were facing widespread detention and deportation and the political rights of Hispanics seemed to many to be under assault.”</blockquote>

In an individualistic society, this is a tragically rational exchange, whether done consciously or not. 

[image: "a black and white photo of Cesar Chavez, a Mexican American man, speaking into a microphone, with two men standing on either side of him in dark berets" / caption: "Cesar Chavez flanked by two Brown Berets, speaking at a Los Angeles peace rally in 1971. (Los Angeles Times, CC BY 4.0 via Wikimedia Commons)"]

Most of us have, at some point, looked away. We’ve kept buying the records, visiting the “important” restaurants, citing the books, attending the retrospectives, taken selfies with the cardboard cutouts. We’ve told ourselves that the art or the meal or the experience exists separately from the person. We have all, in some form, paid into the system that makes these men feel protected. That’s not a reason for guilt so much as a reason for honesty about what we're actually dealing with here.

It’s no coincidence that these men thrived while stepping on the necks of people that our system casts as readily exploitable: Latinas, immigrants, and members of the working class. These abusers relied on their victims caring so deeply about larger movements that they were willing to put up with being abused, dismissed, and disbelieved. And even with all of the evidence against Redzepi, there are still plenty of people in the food industry that are fine with publicly slobbering all over his boots. (Including the owner of San Francisco’s Birdsong! Hi!)

In the pursuit of justice, exposing the behavior of bad actors like René Redzepi and Cesar Chavez is an important start. But if our long-term goal is to prevent these things from happening again, it’s essential to question the institutions that made these men feel secure enough in their importance that they could hurt people with impunity. In a more collectively oriented society, charismatic egotists wouldn’t be so load-bearing that threatening them would be an existential catastrophe. They would just be parts of a greater whole.

The reminders of our system’s priorities live in the street names, the awards, the documentaries, and all of the everyday celebratory apparatus that surrounds us. A detail from the New York Times investigation that has stuck with me is one woman’s recounting of being propositioned by Chavez while sitting with him in his camper. “At one point, she said, Mr. Chavez pointed to a street sign outside bearing his name and suggested that he could use his influence to get something named for her if she slept with him.”

On social media, I’m already seeing calls to replace Chavez’s name with other people’s names on schools, parks, and streets. They’re missing the point.

We need to kill the hero — before the hero dooms us all."]]></description>
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    <title>Why these birds need a new name - YouTube</title>
    <dc:date>2026-03-20T17:46:24+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=OL4lCBPWUbs</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Nearly 150 North American bird names have not aged well, ruffling feathers in the ornithological world and revealing deep roots in colonial legacies. Keen birders explore what's really in a name?"

[See also:

"What’s in a name? New documentary explores the history of bird names
Documentary film producer Aliza Sovani discusses her latest film Bird Names and the importance of changing bird names associated with harmful legacies"
https://canadiangeographic.ca/articles/whats-in-a-name-new-documentary-explores-the-history-of-bird-names/ "]]></description>
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<item rdf:about="https://thefrisc.com/if-were-renaming-schools-and-it-looks-like-we-are-we-have-a-natural-suggestion-2fea9e36c548/">
    <title>If We’re Renaming SF Schools, We Have a Natural Suggestion</title>
    <dc:date>2026-02-26T04:21:47+00:00</dc:date>
    <link>https://thefrisc.com/if-were-renaming-schools-and-it-looks-like-we-are-we-have-a-natural-suggestion-2fea9e36c548/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["All humans are flawed — the ones we name schools for, and the ones doing the naming. So let’s stop pretending and go in a different direction."

...

"Let’s put this right on the table: We don’t have a big problem with renaming some San Francisco schools.

That said, there have been big problems: The timing sucks. The San Francisco Unified School District should wait until the pandemic is over and the district’s budget is in order. Also the process has been, at times, laughable, as the conversation we hosted last week made clear.
Never miss a story. Get The Frisc in your inbox.

Some names on the chopping block are questionable and merit much more debate, with some actual historians involved. We could also go on for days about how the Board of Education has become less a body devoted to helping our city’s kids, and more a platform for grandstanders and ambitious seekers of higher office; several have already made that leap. That’s ample fodder for another column.

But let’s not quibble about getting rid of the name of a guy who helped wipe out the native Californian population (Junípero Serra), or the school superintendent who didn’t want Chinese people in San Francisco schools (James Denman).

Barring a wholly unexpected intervention, renaming is going to happen. But any human being offered up as an exemplar, worthy of a school marquee, is just that, a human being. Today’s folk hero could land on tomorrow’s shit list for crimes, slights, attitudes, and other skeletons exhumed from various closets. No one’s a saint, no matter what the pope decrees. Hell, even César Chávez has gotten the revisionist treatment. Who’s next?
This 100% SF journalism needs your support. We can't do this work without you.

To avoid going through this again in a generation, we have a suggestion. Any new school name should be guaranteed to get no side-eye in 10, 20, or 30 years. So let’s honor what’s great about San Francisco, without qualification or debate: our natural surroundings, including our native plants and animals. Their monikers are completely appropriate, and completely uncontroversial, though they might get mistaken for the latest IPAs at your local microbrewery.

(A hat tip to Kim-Shree Maufas, a member of the school renaming committee, who mentioned during our discussion last week that the committee has received multiple suggestions for this type of approach.)

Here are 15 of the highest profile schools, renamed, followed by many more candidates if you need more ideas. Feel free to mix and match with more schools to be renamed.
Elementary schools

Alamo Elementary becomes Lobos Creek Elementary.

Commodore Sloat Elementary becomes Sandpiper Elementary.

Dianne Feinstein Elementary becomes Red Tail Elementary.

Jefferson Elementary becomes Monarch Elementary.

John Muir Elementary becomes Redwood Elementary.

Junipero Serra Elementary becomes Yerba Buena Elementary.

Sutro Elementary becomes Seal Rock Elementary.
Middle schools

Everett Middle becomes Manzanita Middle.

Herbert Hoover Middle becomes Sunset Heights Middle.

James Denman Middle becomes Dungeness Middle.

Presidio Middle becomes Golden Gate Middle.
High schools

Balboa High becomes Bay Laurel High.

Lincoln High becomes Ocean Beach High.

Lowell High becomes Farallon High.

Washington High becomes Lands End High.
 
[image: "Sandpiper Elementary instead of Commodore Sloat Elementary? At least naming the mascot would be easy. (Photo: Britta/Creative Commons)"]

A potpourri of potential names

Fauna

Garter Snake
Barn Owl
Coyote
Chorus Frog
Newt
Hummingbird
Great White Shark
Mountain Lion
Humpback
Coho
Steelhead
Nurse Shark
Leopard Shark
Sand Crab
Xerces Blue
Clapper Rail
Seagull
Woodpecker
Snowy Plover
Geology/Geographic Features

Serpentinite
Mile Rock
El Polin
Agate
Basalt
Chert
Flora

Lupine
Poison Oak
Douglas Iris
Blackberry
Huckleberry
Madrone
Star Lily
Poppy
Cypress
Oak
Buckeye
Ceanothus"]]></description>
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<item rdf:about="https://www.experimental-history.com/p/the-decline-of-deviance">
    <title>The Decline of Deviance - by Adam Mastroianni</title>
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    <link>https://www.experimental-history.com/p/the-decline-of-deviance</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Where has all the weirdness gone?"]]></description>
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<item rdf:about="https://www.instagram.com/reel/DO5dQ5RjMXL/">
    <title>@mumbipoetry on Instagram</title>
    <dc:date>2025-09-23T18:50:49+00:00</dc:date>
    <link>https://www.instagram.com/reel/DO5dQ5RjMXL/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["from Mbiti’s sasa and zamani in 1969 to today’s decolonial thinkers, let’s take a little journey and trace the timeline together through the shifting grammars of African temporality 🌍🫶🏿"

[See also:

https://www.instagram.com/mumbipoetry/reel/DNkmHt_MyK5/

"big 28!!! this season I celebrate all the moments of my sasa & zamani which have influenced who I am today, & the community that continues to shape me 🤍 what new name would you give me this season? 🫶🏿🫶🏿🌍🌍"]]]></description>
<dc:subject>johnmbiti philosophy time africa decolonization temporality mumbipoetry identity names naming change sasa zamani kenya oyèrónkẹ́oyěwùmí oyeronkeoyewumi</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=CFaTxvlMWuY">
    <title>The Wisdom of Not Knowing (with Pico Iyer and Nathan Gardels) - YouTube</title>
    <dc:date>2025-09-16T17:16:11+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=CFaTxvlMWuY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We live in a culture hooked on speed and certainty. Hot takes, quick fixes, and algorithms that claim to know us better than we know ourselves. Yet despite all the information at our fingertips, the world seems to make less sense by the day.

In this episode, renowned travel writer Pico Iyer describes how globalization – which offered up the mirage of a global monoculture – has instead led to a clash of civilizations and identity. For Pico, wisdom resides not in mastery but in doubt. From his decades of constant travel to his retreats in silence, Iyer describes how humility and stillness can open a clearer view of the world than certainty ever could.

Chapters
0:00 Intro
2:15 What’s in a Name
4:28 Travel and Stillness
7:19 The Contemplative Life
9:02 The Mirage of Globalization
14:06 The Inward Clash of Civilizations
17:36 The Nation of No Nation
24:24 The Return of the Strong Gods
26:54 Science, Spirituality, and the Dalai Lama
31:36 Leonard Cohen and the Half-Known Life
40:50 Ego and Undeludedness
43:00 Living in the Moment
46:41 Fire and Impermanence
52:19 The Danger of Certainty"]]></description>
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<item rdf:about="https://www.beyondthedial.com/post/e31-spiritual-materialism-how-watches-take-on-significance-and-meaning/">
    <title>Podcast Insights E16 - Spiritual Materialism: How Watches Take On Significance and Meaning - BEYOND THE DIAL</title>
    <dc:date>2025-07-24T23:12:10+00:00</dc:date>
    <link>https://www.beyondthedial.com/post/e31-spiritual-materialism-how-watches-take-on-significance-and-meaning/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["On the surface, owning a watch isn’t a complex thing. Dig a little deeper into our motives for owning any given watch, and things get complicated fast. Allen explores the mental gymnastics involved in picking out your next watch, and he explores everything from the study of human motives, to why so many watch nerds hate on Invictas, and more."

[Also here:
https://podcasts.apple.com/us/podcast/insights-e16-spiritual-materialism-how-watches-take/id1472733566?i=1000472834936
https://open.spotify.com/episode/3ZyTLTvJ8JfY9J4LJc3Dwu ]]]></description>
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</item>
<item rdf:about="https://www.beyondthedial.com/post/the-power-of-right-now-why-i-wear-a-watch-while-motorcycling/">
    <title>Opinion The Power of Right Now: Why I Wear A Watch While Motorcycling - BEYOND THE DIAL</title>
    <dc:date>2025-07-24T20:31:49+00:00</dc:date>
    <link>https://www.beyondthedial.com/post/the-power-of-right-now-why-i-wear-a-watch-while-motorcycling/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["As I escape time’s shackles, my watch keeps track of the time on my behalf. In this way, my watch is a fine companion, a trusty sidekick, and a friend.

For over 30 years I’ve ridden motorcycles to quiet my mind. On a really good ride the deep silence of speed engulfs me, the edges of my being dissolve, and linear time gives way to Eternity, The Oneness, The Right Now. Experiencing The Right Now has been one of very few solaces from my rather relentless worrying about the future and regretting the past, both hallmarks of the clinically bummed brain obsessing over linear time.

Clinical research is emerging that supports my thesis that motorcycling – and really any kinetic experience that requires heightened balance and focus – can have measurable mental health benefits. Today we see kinesthetic therapies emerging that favor movement (rather than talking) as a path to downgrading traumas and reducing depression. At age 50, l now consider my misspent youth skiing, skateboarding, cycling, surfing and so on as an effective – perhaps life-saving – self-medication regimen. Without those risky endeavors to delivered me into The Right Now, I’d have likely wound up addicted and dangerously depressed, as too many of my dear friends have.

As such, My Ducati is a mental health machine. Leaning Bianca (my Supersport S) and now Rosie (my Panigale V2) into a turn at “spirited” speeds leaves no room for rumination; the result is a much quieter mind, better chemical balances in the old noggin, and the lasting effects of wiring up new neural pathways. All of this is good for me.

What’s The Watch Got To Do With It?

I adore the philosophical weirdness of experiencing gaps in the flow of linear time while my watch carries on recording how long I’ve been “out there.” My watch and I set off on the same objective journey, but I escape time while my watch does nothing but measure it. By suggesting that my watch has a subjective experience, I’m indulging in anthropomorphism. I don’t believe my watch actually has a consciousness, but I think it all the time. I also talk to my Ducati, Rosebud, with whom I’ve developed a rather sensual relationship. To hide these somewhat embarrassing anthropomorphic thoughts, however, would be to hide what brings my watches to life when I ride.

By anthropomorphizing my watches, I give them personalities, and by giving them personalities I transform them into something truly relatable: imaginary friends. I don’t name my watches, as I do my motorcycles, but I do tend to speak to my watches using nicknames. “What’s up Rollie?” I might mutter while strapping on my Datejust. “Hey Bre Bre,” I’ve said while picking up my Bremont Diver. And I have called my Nomos “Norman” from time to time. It’s really only by assigning my watches human personalities that I come to truly bond with them.

I’ve been assigning consciousness to my watches since I was around 7-years-old and received my Timex Boys Diver. Kids definitely anthropomorphize their toys and other objects, and I did this with my Timex, which accompanied me on long solo outings on Lake Erie where I often (and somewhat purposefully) lost track of time. I talked to the watch. It was my friend and my partner in adventure.

The irony of my childhood Timex is that my father meant for it to help me keep track of time, yet eventually I seemed to lose track of time more easily while wearing the watch precisely because it would do the timekeeping while I blissfully tuned out linear time and indulged The Right Now. I distinctly remember feeling less worried about being home late (and getting grounded) because the watch was keeping track for me, but being less vigilant meant I’d forget to check the watch. Getting me anywhere on time was a hopeless endeavor.

Today, at age 50, I strap on a watch, get on the Ducati, and head out into The Right Now just as I did as a kid. I leave worry and regret behind as I unite my body and mind to navigate twisting roads at spirited speeds. As I exit time’s shackles, my watch keeps track of the time on my behalf. In this way, my watch is a fine companion, a trusty sidekick, and a friend. At the end of a spirited ride, I feel that I, Bianca, and my watch have buzz-cuddled on oxytocin, blissed-out on delayed serotonin and dopamine re-uptake, and enjoyed the rush and flush of adrenaline. We stand tall after our rides, refreshed, clear-headed, and ready for life.

Whatever The Opposite of Nostalgia Is

My bond with my watch while motorcycling is not forged through nostalgic memory-making but through repeated indulgences of The Right Now. It’s entirely an inward experience, psychedelic even. Riding has become so subjective, so personal, that I have come to believe that the machines that accompany me on these risk-taking adventures are the only ones who can truly know what I experience on the bike. I trust my Ducati to get me through the corners with elan, and I trust my watch to take care of linear time for me while I get swept into The Right Now and reap the ensuing mental health benefits of racing down a twisty road. This is how I bond with my watches, as partners in adventures that quite literally maintain my sanity."]]></description>
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    <title>Trump wants news outlets to get on board with “Gulf of America” — or else. Will they? | Nieman Journalism Lab</title>
    <dc:date>2025-02-13T19:10:01+00:00</dc:date>
    <link>https://www.niemanlab.org/2025/02/trump-wants-news-outlets-to-get-on-board-with-gulf-of-america-or-else-will-they/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The White House’s move to block AP’s reporters over its house style has turned a debate about language into one about power."
]]></description>
<dc:subject>maps mapping journalism gulfofmexico donaldtrump 2025 ap language names naming geography</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ed3bb0007523/</dc:identifier>
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<item rdf:about="https://www.curbed.com/article/co-naming-a-street-causes-many-fights-in-nyc.html">
    <title>Co-naming a Street Causes Many Fights in NYC</title>
    <dc:date>2025-01-03T00:15:05+00:00</dc:date>
    <link>https://www.curbed.com/article/co-naming-a-street-causes-many-fights-in-nyc.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["It Ain’t Easy Co-Naming a Street Naming a block for someone is meant to be an honor. Mostly it’s a mess."]]></description>
<dc:subject>streets names naming urban urbanism franhoepfner nyc cities co-naming</dc:subject>
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<dc:identifier>https://pinboard.in/u:robertogreco/b:ee730c45cc81/</dc:identifier>
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<item rdf:about="https://web.archive.org/web/20220929224714/http://notokensjournal.com/non-fiction/overflowing-reflections-on-my-name/">
    <title>Overflowing: Reflections on My Name : No Tokens</title>
    <dc:date>2024-10-28T19:11:16+00:00</dc:date>
    <link>https://web.archive.org/web/20220929224714/http://notokensjournal.com/non-fiction/overflowing-reflections-on-my-name/</link>
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<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://arcade.kofflerarts.org/article/if-statues-must-fall-taxonomy-must-also-fall/">
    <title>If Statues Must Fall, Taxonomy Must Also Fall | Koffler Centre of the Arts</title>
    <dc:date>2024-08-08T20:00:33+00:00</dc:date>
    <link>https://arcade.kofflerarts.org/article/if-statues-must-fall-taxonomy-must-also-fall/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[A conversation with Brazilian artist Giselle Beiguelman about her exhibition Botannica Tirannica—now showing at Koffler Arts—and understanding the colonial imagination.
]]></description>
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<item rdf:about="https://warnercnr.source.colostate.edu/elephants-have-names-like-people/">
    <title>Elephants have names for each other like people do, new study shows - Warner College of Natural Resources</title>
    <dc:date>2024-06-12T01:19:27+00:00</dc:date>
    <link>https://warnercnr.source.colostate.edu/elephants-have-names-like-people/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Colorado State University scientists have called elephants by their names, and the elephants called back."

[See also:

"CSU Study Finds Elephants Have Names Like People"
https://www.youtube.com/watch?v=pSdfv9uWdCg

"Colorado State University researchers used machine learning to confirm that elephant calls contained a name-like component identifying the intended recipient, a behavior they suspected based on observation. When the researchers played recorded calls, elephants responded to calls that were addressed to them by calling back or approaching the speaker."

"Elephants Have Names for Each Other, Study Finds"
https://e360.yale.edu/digest/elephant-names-study ]

]]></description>
<dc:subject>2024 elephants names naming communication morethanhuman wildlife multispecies animals</dc:subject>
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<item rdf:about="https://www.thestopgap.net/ai-names-of-global-militaries/">
    <title>&quot;Where's Daddy&quot; or Ghost Bat? The 11 Cutest AI Military Killing Programs</title>
    <dc:date>2024-04-10T01:28:07+00:00</dc:date>
    <link>https://www.thestopgap.net/ai-names-of-global-militaries/</link>
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<item rdf:about="https://guidetoiceland.is/connect-with-locals/michael-chapman/the-mysterious-minds-of-the-icelandic-naming-committee">
    <title>Naming Names | The Mystery of the Icelandic Naming Committee &amp; Other Cases. | Guide to Iceland</title>
    <dc:date>2024-03-13T03:27:09+00:00</dc:date>
    <link>https://guidetoiceland.is/connect-with-locals/michael-chapman/the-mysterious-minds-of-the-icelandic-naming-committee</link>
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<item rdf:about="https://www.nordicnames.de/wiki/List_of_rejected_Icelandic_female_names">
    <title>List of rejected Icelandic female names - Nordic Names</title>
    <dc:date>2024-03-13T03:26:41+00:00</dc:date>
    <link>https://www.nordicnames.de/wiki/List_of_rejected_Icelandic_female_names</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>iceland names naming</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:5796b502877c/</dc:identifier>
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<item rdf:about="https://radiolab.org/podcast/zoozve">
    <title>Zoozve</title>
    <dc:date>2024-01-28T06:58:42+00:00</dc:date>
    <link>https://radiolab.org/podcast/zoozve</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["As co-host Latif Nasser was putting his kid to bed one night, he noticed something weird on a solar system poster up on the wall: Venus had a moon called … Zoozve.  But when he called NASA to ask them about it, they had never heard of Zoozve, and besides that, they insisted that Venus doesn’t have any moons.  So begins a tiny mystery that leads to a newly discovered kind of object in our solar system, one that is simultaneously a moon, but also not a moon, and one that waltzes its way into asking one of the most profound questions about our universe:  How predictable is it, really? And what does that mean for our place in it?"

[See also:

story on Twitter with images to illustrate
https://twitter.com/latifnasser/status/1750952860131729544

Wikipedia article for "(524522) 2002 VE68":
https://en.wikipedia.org/wiki/(524522)_2002_VE68

"On January 26, 2024, Radiolab aired an episode about the asteroid, which co-host Latif Nasser first noticed on his kid's solar system poster, where it was referred to by the misnomer "Zoozve" derived from the artist misreading "2002VE." This led to a submission to officially name the asteroid, which is currently under review."

Wikipedia article for "Three-body problem"
https://en.wikipedia.org/wiki/Three-body_problem ]

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    <title>Cal? Berkeley? What should UC Berkeley be called? #shorts - YouTube</title>
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<item rdf:about="https://www.npr.org/2023/11/14/1212661071/andre-3000-album">
    <title>André 3000's first album in 17 years, 'New Blue Sun,' is out now : NPR</title>
    <dc:date>2023-11-17T16:31:56+00:00</dc:date>
    <link>https://www.npr.org/2023/11/14/1212661071/andre-3000-album</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[NB: The transcript on the page is not complete: parts of the audio are not transcribed.

Too much to quote, so just this piece as a taste.]

"You've talked in recent years about having social anxiety disorder and how the need for isolation compounded that even further. Which, first of all, I want to say is so refreshing to me that we, as Black men, especially, are starting to be just more transparent with each other about mental health. But the fact that this album wasn't made in isolation and was a very collaborative process, can you talk more about how that gave you that sense of freedom and helped you get unstuck a little bit?

Yeah, totally. The environment was really important. And we're listening to each other, we're responding to each other, we're supporting each other at certain times. And that's the sound, so it's kind of mirroring real life. That's why I say when I describe it, which is hard to really describe, it's a full living, breathing album because it's fully alive. We didn't sketch it out.

And as far as anxiety and that kind of thing, yes, I have been diagnosed with that. But I realized that, like, life is life, man. Our grandparents didn't have these terms to describe these things, you know? They didn't have these diagnoses to describe these things. They may have been going through similar things, but they just had to live through it. That's what it is. Life is life and life will come at you in different ways, and it's for you to pay attention to what's happening. I don't feel worse or better than anybody else. I feel like what comes to you is for you.

I just use it as an instrument, just like it uses me. I wouldn't be here if it wasn't for these, what they call "ailments" and all this kind of stuff. I don't want to lean on it. And a lot of times, because now we have a name for it, we're starting to lean on these names and kind of like really dig into these names and really just try to just figure yourself out. And I'm not sure if sometimes you may give yourself a disservice once you start calling the boogeyman, the boogeyman. Then you start looking for it. So it's like, just live and take it day by day, man. Everything won't be great. The only thing I can say: Learn how to ride the roller coaster. The best thing you can do is learn how to ride the roller coaster with your hands up."]]]></description>
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<item rdf:about="https://www.theverge.com/2023/10/26/23931825/google-search-local-seo-thai-food-near-me-maps">
    <title>The restaurant nearest Google - The Verge</title>
    <dc:date>2023-10-27T06:56:14+00:00</dc:date>
    <link>https://www.theverge.com/2023/10/26/23931825/google-search-local-seo-thai-food-near-me-maps</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Thai Food Near Me, Dentist Near Me, Notary Near Me, Plumber Near Me — businesses across the country picked names meant to outsmart Google Search. Does it actually work?"]]></description>
<dc:subject>google seo internet phonebooks 2023 attention names naming business search googlemaps</dc:subject>
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<item rdf:about="https://carvin.github.io/sf-street-names/">
    <title>SF Street Names</title>
    <dc:date>2023-09-09T04:03:56+00:00</dc:date>
    <link>https://carvin.github.io/sf-street-names/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[Name the streets to fill up the maps and see the percentage of the city you can cover.]]]></description>
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    <title>The Yale Review | Elleza Kelley: &quot;Ordinary Allurements&quot;: Christina Sharpe’s reading lessons</title>
    <dc:date>2023-06-13T20:34:36+00:00</dc:date>
    <link>https://yalereview.org/article/elleza-kelley-ordinary-allurements</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Black writing, from W.E.B. Du Bois to John Keene, is full of rebellious paratexts rearing up from the margins and backs of books—epigraphs, footnotes, endnotes, indexes, and appendices that subvert, interject, and critique. These para­texts echo black inhabitations of space: they refuse to be subor­dinated. Epigraphs become musical notation; glossaries invoke spirits; appendices map other worlds. In Édouard Glissant’s 1989 Caribbean Discourse, a single footnote upends the entire forma­tion of the West: “The West is not in the West,” it declares from the subterranean depths of the page. “It is a project, not a place.” Across the smooth surface of the master narratives to which they are keyed, black notes disturb and disarrange.

For writer and professor Christina Sharpe, these eruptive oper­ations tell us what it is to live “life under these brutal regimes.” Her new book, Ordinary Notes, is structured as a series of 248 numbered reflections of varying lengths, collected for the reader like a handful of gems—or, as Gwendolyn Brooks’s Maud Martha describes dan­delions, “jewels for everyday” and “ordinary allurements.” Sharpe gathers many threads across these notes, moving freely among subjects and methods. Archival photographs, contemporary art­works, public memorials, and news clippings intermingle with sto­ries of Sharpe’s childhood and family, creating new arrangements for thinking about black living and dying. Sharpe’s notes are less invested in mounting a singular, unified argument than in offering lessons in attentiveness. They are a vehicle for the preservation and transmission of “beauty’s knowledge.” I am reminded of the image that concludes Brent Hayes Edwards’s essay “Evidence”: Zora Neale Hurston passing into her reader’s care an emptied “brown bag of miscellany” and “the jumble it held.” “You take this, emptied out, strewn and scattered,” Edwards writes. “What do you find in the pieces?” If Sharpe’s previous books, Monstrous Intimacies: Making Post-Slavery Subjects and In the Wake: On Blackness and Being, theo­rized the ongoingness of antiblack violence and its attendant grief, Ordinary Notes wonders what we do with that grief.

Above all, Sharpe asks us to become better readers, moti­vated not by extraction and violence, but by regard and tender­ness. Practices of reading form the book’s infrastructure. Many of Sharpe’s notes document her childhood love of literature, which developed under the care of her mother, Ida Wright Sharpe, to whom Ordinary Notes is dedicated. What begins as a survival tactic—sustaining Sharpe through racial violences, big and small, growing up in Wayne, Pennsylvania and attending a majority-white Catholic school—evolves into a theory of reading that dis­rupts antiblackness, which Sharpe characterized in In the Wake as the “weather,” the “totality of our environments.” “The reading life, the beauty-filled one,” she writes in Ordinary Notes, “was central to the livable internal life my mother tried to carve out for us and to equip us to make for ourselves.” Her mother’s lessons in “the read­ing life” were aesthetic lessons, reaching beyond text: “This atten­tion to a Black aesthetic made me: moved me from the windowsill to the world.” In this way, the book’s notes might function in turn as reading lessons imparted by Sharpe, illuminating the power of narrative to make and unmake worlds.

This reading practice is key to what is perhaps the book’s most significant intervention: its form, which not only generatively extends Sharpe’s claims but also offers (and authorizes) new meth­ods for doing scholarship. Ordinary Notes is a big book full of small gestures. No note is more than a few pages long; many notes are a single sentence, each taking up its own page. This means the book, though imposing in size, is full of white space. Sharpe converts the reader’s own modes of engagement, compelling us to zoom in as if on a poem, loop back as if circling a sculpture, slow down as if studying scripture. In the seemingly excessive margins, we find a place to breathe and rest. Formal errancy has always offered writ­ers a way to conjoin theory and method in the study of black life, which is always more, and other, than academic study. Here, per­haps, as Toni Morrison writes about Faulkner’s Absalom! Absalom!, “the structure is the argument.”

Sharpe invites us to read Ordinary Notes in this longer tradi­tion of black assemblage and assembly. When she writes, “Roy DeCarava’s The Sound I Saw, a book of photographs and text, is filled with everything,” she is telling us something about her own book. We might also consider it kin to recent multigenre compen­dia like Arthur Jafa’s A Series of Utterly Improbable, Yet Extraordinary Renditions, Ariella Aïsha Azoulay’s Potential History: Unlearning Imperialism, Teju Cole’s Blind Spot, and Morrison’s now classic The Black Book, in which word warps and wraps over image. Likewise, Sharpe’s practice of assembly in Ordinary Notes operates by what John Akomfrah calls “affective proximity,” a logic of resonance rather than temporal or thematic sequence.

The book’s loose joints and unfinished edges allow the voices of fellow writers and artists to enter like a chorus. Note 203 takes the form of call and response, reproducing several pages’ worth of replies to a question Sharpe posed on Twitter: “What book or books produced a feeling you wanted or needed to feel?” Citations weave seamlessly throughout the book but are also often treated as a note’s precious center. The book itself is the acknowledgement and the bibliography: K’eguro Macharia, Saidiya Hartman, Jessica Marie Johnson, Zakiyyah Iman Jackson, Keeanga-Yamahtta Taylor, Adrienne Kennedy, Chinua Achebe, and so many more appear by name—scraps of cloth pieced into the quilt of the story. This poly­vocal gesture is reminiscent of Hartman, who writes in the “Note on Method,” which opens her influential book Wayward Lives, Beautiful Experiments, “The italicized phrases and lines are utterances from the chorus. This story is told from inside the circle.” We get the sense that Sharpe is after a similar effect, but instead of the smoothly inlaid italics of Hartman’s prose, Sharpe’s patchworked notes allow for adjacency—a collage of voices, overlapping, exchanging, listening.

The central voice belongs to Sharpe’s mother, from whom she first learned to appreciate beauty as a response to and provisional haven from violence. In one of the book’s most stunning notes, “Note 51: Beauty is a Method,” Sharpe extends Hartman’s proposi­tion in Wayward Lives that beauty “is a way of creating possibility in the space of enclosure, a radical act of subsistence, an embrace of our terribleness, a transfiguration of the given.” Beauty takes Sharpe somewhere that may seem surprising: a scene of quotidian police violence in her hometown. A white woman has called the cops on a black teenager, Chicki Carter, claiming to have seen a rifle in the outline of his rake. But the beauty Sharpe wants to show us is not the police’s invasion of the neighborhood. The beauty is this: “We gathered in our front yards, on the sidewalks, and in the road; we ran after the police cars; and we witnessed and insisted loudly that Chicki had done nothing wrong.” The beauty is care.

In a pivot that is emblematic of Sharpe’s broad sweep and deft movement between scales, this scene of communal resistance leads back to her family home: “Knowing that every day that I left the house, many of the people whom I encountered did not think me precious and showed me so, my mother gave me space to be pre­cious—as in vulnerable, as in cherished.” Her mother is also a vora­cious reader and creator of beautiful things—a purple gingham dress, Christmas ornaments, a carefully arranged garden bursting with flowers and herbs. She instilled in her daughter the value of “Attentiveness whenever possible…even if it is only the perfect arrangement of pins.”"]]></description>
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    <title>Signs of Saturn: the transition of the Enicar logo | Time for a Change</title>
    <dc:date>2022-08-12T02:02:28+00:00</dc:date>
    <link>https://enicar.org/2017/12/08/signs-of-saturn-the-transition-of-the-enicar-logo/</link>
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<item rdf:about="https://www.sfgate.com/bayarea/article/Footprints-of-history-on-the-streets-of-S-F-5551633.php">
    <title>Footprints of history on the streets of S.F.</title>
    <dc:date>2022-03-10T08:20:25+00:00</dc:date>
    <link>https://www.sfgate.com/bayarea/article/Footprints-of-history-on-the-streets-of-S-F-5551633.php</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["San Francisco has 2,657 named streets, from A Street to Zoo Road, from the celestial Polaris Way to the poetic Recycling Center Access Road.

Hidden behind these names is a cornucopia of fascinating stories - streets named after rogues, cons and murderers; names that commemorate bits of historical trivia; names that are zany in-jokes; even names that came about because of racism-tinged citizen campaigns.

Here are 10 of the weird or wonderful tales lurking behind San Francisco's street names.

Avalon Avenue: Until 1907, this Excelsior District street was called Japan Street. It was changed to the King Arthurian "Avalon" during the wave of anti-Asian sentiment that included the notorious Chinese Exclusion Act of 1882. Two nearby streets were also changed: India became Peru, and China was transformed into Excelsior.

Cora Street: This Visitacion Valley street disconcertingly commemorates the lynched killer Charles Cora, a central figure in the most notorious dual-murder and vigilante justice case in San Francisco history.

Cora was a gambler and the consort of the most beautiful prostitute of the Gold Rush era, Belle Ryan. In 1856, after U.S. Marshal William Richardson's wife made disparaging comments about Ryan, Cora gunned down Richardson in a saloon.

Cora had the misfortune to be in jail when a corrupt supervisor, James Casey, mortally wounded a popular newspaper editor named James King of William. The shooting gave rise to a vigilante movement, and when the editor died of his injuries, thousands of men marched to the Broadway jail, aimed a cannon at the door, and demanded that the jailer hand over Casey and Cora. Days later, the two men were hanged.

Green Street: Talbot Green was a wealthy merchant who had come to California with the first overland expedition to cross the Sierra, the 1841 Bartleson-Bidwell party.

He was such a popular San Franciscan that one of the city's early east-west streets, Green Street, was named after him, and in 1851 he was about to run for mayor. Then he attended a subscription ball at Apollo Hall on Pacific Avenue.

While dancing, he was accosted by a lady who had known him back in Philadelphia and addressed him by his real name - Paul Geddes. It turned out that Geddes had hurriedly decamped from Philadelphia after robbing a bank and headed to the ends of the Earth, a description that fit pre-Gold Rush San Francisco quite nicely, to reinvent himself as the charming Talbot Green.

The ballroom exposure ended "Green's" mayoral candidacy and his career in San Francisco. But Green Street remains, a permanent reminder of the fraudulent name of this latter-day Don Draper.

Java Street: This little street in Ashbury Heights is named after the fourth-largest island in the Indonesia archipelago.

As Louis K. Loewenstein notes in "Streets of San Francisco: The Origins of Street and Place Names," which gives capsule histories of 1,200 of the city's street names, Java played a key role in San Francisco's early caffeinated history. All the coffee consumed in the city was shipped from Java, until a crop failure in the 1850s led the city's joe-swillers to switch to beans from Costa Rica.

Kramer Place: Most street names commemorate people or events that have some claim to fame. But there are a few charmingly homely ones, named after forgotten but once-beloved neighborhood figures.

This North Beach alley is named after Jacob Kramer, who ran a grocery store near here in 1856. After his death, his family operated it until the 1906 earthquake and fire.

Laguna Street: This Spanish name recalls a vanished freshwater lake near Greenwich and Gough streets known as Washerwoman's Lagoon because much of the town's laundry was done there. (In the earliest days of the Gold Rush, laundry was so expensive that many 49ers simply threw their dirty shirts away, creating the bizarre spectacle of a city whose ground was covered with shirts.)

By 1882, Washerwoman's Lagoon had become a polluted, stinking cesspool and was finally filled in.

Mark Lane: This little downtown byway is named after Mark Aldrich, who played a major role in the most famous episode in the history of the Mormon Church.

As an Illinois state senator in the 1830s, Aldrich persuaded Church of Latter-day Saints founder Joseph Smith and his Mormon followers to rent some land from him. After Aldrich and Smith had a falling out that resulted in Aldrich's going bankrupt, a mob stormed the jail where Smith was being held and killed him and his brother.

Aldrich, who was commander of the local militia, was accused of ordering his men to kill Smith and was tried for murder. After being acquitted, he made his way to San Francisco.

He didn't make much of a mark here, which makes it odd that he had not one but two San Francisco streets named after him. The other, Aldrich Alley in the Financial District, was later renamed Ambrose Bierce Alley.

Petrarch Place and Laura Street: One of the most famous love affairs in all of literature was the passion of the great humanist writer Petrarch for a woman named Laura, whom he saw in church one April day in 1327.

Their unconsummated affair is aptly memorialized by the cruel location of these two streets. Petrarch Place is in the Financial District. Laura Street is 5 miles away in the Outer Mission, and there is no expressway to her heart.

Precita Avenue: This charming street, near the site of an old stream at the foot of Bernal Heights, bears without a doubt the most depressing name of any street in San Francisco, and possibly in the world. It means "condemned to hell" in Spanish.

Windsor Place, Castle Street: Someone with a fondness for the British royal family must have named these adjacent alleys high atop Telegraph Hill. Windsor Castle is one of the most famous royal residences.

Next week, Portals of the Past will look at the one of the weirdest nomenclature battles of all time, the Spanish street-name controversy of 1909."]]></description>
<dc:subject>2014 sanfrancisco streets names naming history garykamiya</dc:subject>
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<item rdf:about="https://www.theverge.com/2022/3/4/22960011/farewell-from-dieter-bohn">
    <title>A heartfelt farewell from Dieter Bohn - The Verge</title>
    <dc:date>2022-03-04T20:46:32+00:00</dc:date>
    <link>https://www.theverge.com/2022/3/4/22960011/farewell-from-dieter-bohn</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[direct link to video:
https://www.youtube.com/watch?v=RznEIlnzLxQ ]]]></description>
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<item rdf:about="https://www.hodinkee.com/articles/does-a-hard-to-say-name-affect-watch-sales">
    <title>HODINKEE asks, are hard to pronounce brand names tough on sales?</title>
    <dc:date>2022-03-03T01:41:59+00:00</dc:date>
    <link>https://www.hodinkee.com/articles/does-a-hard-to-say-name-affect-watch-sales</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>watches names naming words language perception jackforster 2022 timex rolex jaeger-lecoultre casio citizen seiko iwc vacheron-constantin</dc:subject>
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<item rdf:about="https://futuress.org/magazine/named-after-men/">
    <title>Named After Men</title>
    <dc:date>2022-02-26T23:07:30+00:00</dc:date>
    <link>https://futuress.org/magazine/named-after-men/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Colonial exploitation and egocentric bragging at the roots of the botanical sciences."

...

“naming choices once more erased the plant’s exuberance and connection to its ecosystem, and instead, paid homage to male figures”

...

"Other than a chance for egocentric bragging, giving plants names of persons is a social device used to strengthen relationships with other peers or to acknowledge affiliations, as well as to express affection to relatives, and appreciation for patrons."

...

"Unfortunately, naming plants after “colonizers” is still common practice in the botanical sciences. In 2021, German and Belgian scientists from the Koblenz-Landau University have identified a new tree species from the mahogany family that can attain up to 30 meters in the Rwanda mountain rainforest. According to a Spiegel.de reportage, the proud scientists defined their “discovery” of a new tree species in the 21st century as a “real sensation.” However, by naming it Carapa wohllebenii, they followed a dated 18th century naming approach. The name is a homage to the German forester and best-seller author Peter Wohlleben “in recognition of his passion and his engagement for trees, forests, and nature conservation.”

This attitude is especially outrageous in light of the violent colonial history of Rwanda, which was part of the German East Africa colony from 1899 until the German defeat in World War I. During this period, Germany started to instigate racial divisions in the Rwandan society, a practice also adopted and refined by Belgium after WWI. The ideology of racial superiority spread by Germans and Belgians would culminate in the 1994 Rwandan genocide in which more than 800,000 Tutsi people were killed. With this gesture, German scientists missed a big opportunity of celebrating Rwandan survivors and their efforts to reconstruct their country and protect biodiversity.

Scientific plant names must be unique and are only accepted as valid after being published in a scientific journal. Moreover, the names must be in accordance with the guidelines presented in the International Code of Nomenclature for algae, fungi, and plants, also known as the Shenzhen Code. Once a name has been given to a plant, it can rarely be changed. Exception to this rule is when a plant species is moved from one genus to another by a taxonomist—that is, a scientist specialized in classifying organisms according to their morphological and physiological attributes. The renaming of a plant must be judged by a committee from the International Association for Plant Taxonomy, which is responsible for safeguarding the code.

The code, however, is more concerned with keeping order in the categorization of species and ensuring the correct usage of Latin suffixes and orthography. According to paragraph 23.2, “The epithet in the name of a species may be taken from any source whatever, and may even be composed arbitrarily.” From this perspective, the code could be described as “content agnostic.” As expressed in paragraph 51.1, “A legitimate name must not be rejected merely because it, or its epithet, is inappropriate or disagreeable, or because another is preferable or better known (but see Art. 56.1 and F.7.1), or because it has lost its original meaning.”"

...

"It is not necessary to go that far to recognize the importance of this tree to the people of the Amazon Forest. Once the beauty and the depth of this relationship is unveiled, it might sound ridiculous that the Brazil nut’s scientific name pays homage to a random friend of Humbold. Furthermore, generalizing to a whole country the kinship relation of indigenous peoples of the Amazon Forest with Bertholletia excelsa is, in essence, honoring the same state that continues to expropriate their lands and to exterminate them.

Fortunately, a new generation of scientists is trying to change this paradigm. In 2020, a petition sent to the American Ornithological Society (AOS) in the US demanded the renaming of bird scientific and common names that honor colonialists and genocides. The clamor was acknowledged by the association, and they committed to address this issue in the months to come. Another attempt to use the scientific naming system for good is made by the young Brazilian biologist Pedro Henrique Cardoso, from the Federal University of Rio de Janeiro. Cardoso celebrates two indigenous leaders in the name of the plants he found during his field work in Central and Southeast Brazil.

Lippia krenakiana honors the activist, philosopher, and author Ailton Krenak, “praising the importance of indigenous peoples in the conservation of our biodiversity,” says Cardoso. Lippia stachyoides var. guajajarana commemorates the activist, ambientalist, and politician, Sônia Guajajara, who was in 2018 the first indigenous person in the history of Brazil to run for Vice President. These initiatives show that changes aiming for more welcoming, equitable and decolonized sciences are not only necessary, but possible—and desperately needed."]]></description>
<dc:subject>names naming science colonization colonialism plants tailinhares 2022 history brazil brasil indigeneity indigenous rules standards categorization conventions germany belgium africa southamerica rwanda botany futuress</dc:subject>
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<item rdf:about="https://anthropostures.substack.com/p/the-ever-given-matter-out-of-place">
    <title>The Ever Given: matter out of place - Anthropostures</title>
    <dc:date>2021-03-30T02:26:21+00:00</dc:date>
    <link>https://anthropostures.substack.com/p/the-ever-given-matter-out-of-place</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Here, this morning, the matter out of place in my room seems much humbler and less consequential. And yet—of what is it comprised? Lost hair and shed skin, my own and that of my beloved companions, human and nonhuman; pollen, in search of new life, blown in on Spring winds; ground bits of our tools and materials, food and drink. When do coffee grounds become dirt? Somewhere along the way from cracking the lid of the jar to putting the sodden filter in the compost bin, grounds escape, go vagrant, scatter across the tile. I think of the care put into the coffee trees, the ferment of the beans, the long transit over oceans. Matter seems always out of place, and yet it’s also always just where it needs to be."]]></description>
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<item rdf:about="https://www.teachingbooks.net/pronunciations.cgi">
    <title>Author &amp; Illustrator Pronunciation Guide | TeachingBooks</title>
    <dc:date>2020-08-31T19:08:12+00:00</dc:date>
    <link>https://www.teachingbooks.net/pronunciations.cgi</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A collection of brief recordings of authors and illustrators saying their names."
]]></description>
<dc:subject>names language pronunciation authors books audio</dc:subject>
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<item rdf:about="https://birdnamesforbirds.wordpress.com/">
    <title>Bird Names For Birds | Because birds don't need eponymous or honorific common names.</title>
    <dc:date>2020-08-04T16:43:09+00:00</dc:date>
    <link>https://birdnamesforbirds.wordpress.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The concern about eponymous and honorific common bird names is not new. But the movement to see these names changed is.

Eponyms (a person after whom a discovery, invention, place, etc., is named or thought to be named) and honorific common bird names (a name given to something in honor of a person) are problematic because they perpetuate colonialism and the racism associated with it. The names that these birds currently have—for example, Bachman’s Sparrow—represent and remember people (mainly white men) who often have objectively horrible pasts and do not uphold the morals and standards the bird community should memorialize.

The vast majority of eponymous common names were applied to birds by European and American naturalists during a period of time known as colonialism, when (primarily) European countries subjugated, exploited, and populated territories held by non-white peoples. To legitimize this endeavor, the concept of race as a classification system was developed, and the white “race” and civilization were considered superior to all others. The impacts of colonialism were global, and the false concept of race used to justify colonialism resulted in the reality of racism, a reality which has structured societies, interactions, and even survival ever since.

Eponymous common names are essentially verbal statues. They were made to honor the benefactor in perpetuity, and as such reflect the accomplishments and values that the creator esteemed. We are not bound by either the intention or the regard; we should make decisions about who and what we honor based on our own values, values that create a more equitable world for all. By continuing to use eponymous common bird names, we continue to reference and honor our distressful colonial heritage and the racism that was a direct consequence of this malicious exploitation. This is unacceptable, and we must do better.

Concerned individuals have been following the system and structure used by the American Ornithological Society (AOS), and specifically it’s North American Classification and Nomenclature Committee (NACC), for years by submitting formal proposals following NACC guidelines requesting that certain bird species with problematic common names be changed.

Despite these efforts, there has never been a proposal accepted for equity, diversity, and inclusion (EDI) reasons. 

Current events in 2020 have renewed societal emphasis on social justice and have shown that the time to reevaluate is now, and are largely why this initiative formalized. We are overdue individually, as groups and communities, and as a society to reevaluate our biases, remove barriers of all kinds, and be better. 

Bird Names For Birds—both the initiative and the actual bird names—will not end racism. It won’t even end all of the EDI problems within the bird community. However, it is one step. It is one problem that the bird community can be self-aware of, acknowledge, and rectify. 

The following events in 2020 transpired: 

On June 22 a letter with 182 co-signers was sent to leadership at AOS and the NACC, the entity controlling North American bird taxonomy and nomenclature. We requested that they acknowledge the role that eponymous common bird names play in perpetuating the effects of colonialism, and asked that they indicate first steps to address this issue by close of business on August 15 (the last day of NAOC 2020—a date chosen since AOS council meetings will take place that week and there will be a large focused audience). 

You can read the letter and who it was addressed to here: http://bit.ly/RequestAOSChangeBirdNames 

AOS released a statement on June 30, a week after receiving our letter. It did not directly address #BirdNamesForBirds, but instead focused on re-reviewing one species (McCown’s Longspur) and leaned into their current process and guidelines—particularly on determining how offensive or harmful a name is. However, the subjectiveness inherent in this approach, particularly when adjudicated by a group of white people, is problematic. 

You can read the June 30 statement here: https://americanornithology.org/statement-on-mccowns-longspur-naming-issue/ 

Instead, the ornithological and birding communities should simply say no to all eponymous common names. It’s more than just McCown’s Longspur—it’s Townsend’s Warbler, and Audubon’s Oriole, and even Wilson’s Plover, since Alexander Wilson exploited Indigenous people’s help and knowledge. There are ~150 eponymous English common bird names in North America, and there is not one good reason to keep them. There are folks behind the initiative who are doing incredible research on each and every one of these people, and the findings are shocking.

You can see the collated list of North American eponymous species names here: https://bit.ly/CurrentBirdNames 

Our original letter to the AOS has become a petition, because this is a bird community issue. Birds are everywhere. Their names impact anyone and everyone—ornithologists, birders, ecologists, even people who hear birds referenced on TV or in movies. 

Our focus is strictly on English common names. We are not changing scientific names, we are not replacing English names with Indigenous names (except for some Hawaiian language cases), and we are not offering any name alternatives at this time (although proposals for the NACC are being written that offer previously published alternate names). 

You can read and sign the petition here: http://bit.ly/BirdNamesForBirdsPetition

AOS put out another statement on July 8 that directly referred to the petition. The statement’s synopsis is that the issue of eponymous common bird names has been publicly acknowledged and that they have committed to releasing another statement at the end of NAOC 2020, as we had requested. 

You can read that statement here: https://americanornithology.org/whats-in-a-name-more-than-you-might-think/ 

We now wait for the next statement. In the meantime, the group behind this initiative continues to do work in various areas as stated above—from writing proposals for these bird species to doing research on each of the individuals that these names are honoring to ongoing communication efforts.  

You can view various resources and articles that discuss bird names and other related topics here: https://bit.ly/BirdNameArticles 

Follow on Twitter and Instagram: @BirdNames4Birds

Hashtag: #BirdNamesForBirds"]]></description>
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<item rdf:about="https://www.latimes.com/world-nation/story/2020-02-12/a-mexican-mans-fight-to-reclaim-the-name-california">
    <title>Should Baja California Sur be called &quot;California&quot;? Some say yes - Los Angeles Times</title>
    <dc:date>2020-02-16T22:55:22+00:00</dc:date>
    <link>https://www.latimes.com/world-nation/story/2020-02-12/a-mexican-mans-fight-to-reclaim-the-name-california</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>california mexico lascalifornias bajacalifornia altacalifornia 2020 bajacaliforniasur bajacalifornianorte place names naming tourism baja cuauhtémocmorganhernández</dc:subject>
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<item rdf:about="https://en.wikipedia.org/wiki/Haruka_(given_name)">
    <title>Haruka (given name) - Wikipedia</title>
    <dc:date>2020-02-16T00:09:09+00:00</dc:date>
    <link>https://en.wikipedia.org/wiki/Haruka_(given_name)</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“Haruka is a unisex Japanese given name.

Haruka can be written using different kanji characters and can mean:

春香, “spring, fragrance”
春花, “spring, flower”
晴香, “sunny weather, fragrance”
遥花, “distance, flower”
春佳, “spring, good, fine, etc.”

The name can also be written in hiragana (はるか) or katakana (ハルカ).”

[via: 
"At California’s Soka University, for example, a single name appears more than once across the Buddhist liberal-arts school’s roughly 110 freshmen, close to half of whom are from outside the U.S.—there are two Harukas."

https://www.theatlantic.com/education/archive/2019/09/college-freshmens-most-popular-names/597934/ ]]]></description>
<dc:subject>japan japanese names naming unisex gender soka sua sokauniversityofamerica</dc:subject>
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<item rdf:about="https://www.theatlantic.com/education/archive/2019/09/college-freshmens-most-popular-names/597934/">
    <title>College Freshmen’s Most Popular Names - The Atlantic</title>
    <dc:date>2020-02-15T22:44:06+00:00</dc:date>
    <link>https://www.theatlantic.com/education/archive/2019/09/college-freshmens-most-popular-names/597934/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["At California’s Soka University, for example, a single name appears more than once across the Buddhist liberal-arts school’s roughly 110 freshmen, close to half of whom are from outside the U.S.—there are two Harukas."]]></description>
<dc:subject>names naming us sokauniversityofamerica sua soka 2019 children trends</dc:subject>
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<item rdf:about="https://www.cca.qc.ca/en/events/71562/octobering">
    <title>Octobering</title>
    <dc:date>2020-01-28T06:50:38+00:00</dc:date>
    <link>https://www.cca.qc.ca/en/events/71562/octobering</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["After the Russian Revolution, the new Bolshevik government conceived a system of socialist rituals and civic ceremonies to encourage a new and modernist culture. For example, instead of baptism, babies were “octobered” and given names like Electrifikatsia (Electrification) to represent the values of the new society.

Rituals and ceremonies—through special images, gestures, objects, and spaces—have always guided and continue to reinforce our social values. They impact our emotions and shape how we see the world. In this workshop, we will investigate the values that present-day rituals reinforce and we will challenge them.

We will start by renaming ourselves with an Octobering ceremony. Then we’ll invent a new ritual or anti-celebration for the kind of world we want to live in. Where should it take place? What kinds of tools are needed? And what architecture?

Join us to prototype rituals and ceremonies for a new world."]]></description>
<dc:subject>octobering names naming prototyping ritual rituals ceremonies ceremony celebration modernism culture baptism celebrations socialvalues</dc:subject>
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<item rdf:about="https://twitter.com/NewNaratif/status/1030118113080049664">
    <title>New Naratif on Twitter: &quot;This is something we’ve been working on—a style guide for different Southeast Asian names that takes into account what’s more familiar and appropriate for each culture. This is what we have so far:… https://t.co/DSNJsjAZhI</title>
    <dc:date>2019-04-13T21:11:31+00:00</dc:date>
    <link>https://twitter.com/NewNaratif/status/1030118113080049664</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[attached images]]]></description>
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<item rdf:about="https://www.kalw.org/post/how-many-bay-area-place-names-have-you-been-mispronouncing#stream/0">
    <title>How many Bay Area place names have you been mispronouncing? | KALW</title>
    <dc:date>2019-01-28T05:49:11+00:00</dc:date>
    <link>https://www.kalw.org/post/how-many-bay-area-place-names-have-you-been-mispronouncing#stream/0</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Accent marks are missing all over the Bay Area. Many neighborhoods and streets are named after Spanish explorers. Some of those names once had accent marks. But now, without them, we don’t know if we’re saying them right. Listen to the different ways these residents pronounce the name of their neighborhood in San Francisco.

“The Portola,” said one person who placed the stress on the POR. “I call it Portola district,” said another, who placed the stress on the TO.  “Portola,” said another who stressed the POR. “The Portola district,” said another woman who stressed the TO.

This name once had an accent mark. Once it disappeared, the original pronunciation went with it. And so did its history.

“I guess that’s the traditional Italian name?” suggested one resident. “Um, Portola, what's his, I forget his first name?” wondered another. “I didn't know it was named after a person?” mused another resident.

“The people in the 1920s that came to this neighborhood pronounced it Portola,” said Rayna Garibaldi, putting the stress on the POR.

Garibaldi is a San Francisco native, born and raised here. You know the slim history book with the old photo on the cover that you see in a lot of neighborhoods? She wrote it and it’s called, San Francisco’s Portola.

According to the book, immigrants from Italy and Malta and Jews from Europe settled here in the 1920s. Their pronunciation, Portola, with the stress on the POR, caught on. That’s what Garibaldi grew up with. She says that in her lifetime she’s seen the neighborhood change. That pronunciation is now fading away.

“Now people who come here new from other parts of the city or other countries say Portola,” with stress on the TO, she said.

Garibaldi is talking about people like me. I stress the TO in Portola. That’s how I’ve always heard it pronounced. But after talking to Garibaldi, I started to wonder about Portola and how it should be pronounced. To find out, we need to look into our California history.

Don Gaspar de Portola was a Spanish explorer. Historians believe he discovered the San Francisco Bay in the 1700s. He was also the first Governor of Spanish-ruled California, before it was a state.  After the miners struck gold and San Francisco rapidly grew, most people living here didn’t know about Portola. And those that did, forgot about him.

“This piece of California history was a little bit obscure. The back pages in the history books, so to speak,” explained local historian John Freeman.

Freeman said that in 1909, San Francisco quickly rebuilt itself after the big earthquake and fires. It wanted to throw a 5-day carnival to relaunch the city as a destination for business and tourism.

“They were searching around for a theme, a set of colors, and something to hang their festival on,” he said. They settled on the 140th anniversary of Portola’s discovery of the San Francisco Bay and called it the Portola Festival.

Suddenly, San Francisco was enamored with Portola. In postcards advertising the event, he looked rugged, with wavy hair spilling out from under a plumed hat, a sash over his shoulder and a long sword by his side. But as talk of the festival spread, a vexing question emerged. According to Freeman, the chair of the festival committee was giving a speech when he pronounced Portola three different ways.

“One of the principals of this particular meeting says, `excuse me sir, how do we pronounce the name?’” Freeman said, “`We need to officially decide how we should pronounce the name.’”

The organizers began an extensive search for Portola’s signature. Dispatches were sent to Spain and Mexico. They wanted to know if, and where, he put the accent mark in his name, so they could pronounce it right. In the meantime, how to say Portola went viral, in a 1909 way. Letters poured into the The San Francisco Call. One of them suggested that the pronunciation be decided by a game of dice. Another newspaper joked that it should be pronounced “Porthole.” Then there was the verse, like this excerpt from Lost Accent, published in the San Francisco Chronicle:

<blockquote>For my nerves were racked to pieces

and I felt an awful jar

When I heard the Mispronouncer

Say my name was Portola.</blockquote>

Oh, but there was more. Like this selection from What’s In a Name?

<blockquote>We’ll sing his blows ‘gainst craven foes,

His parry, thrust and sortie;

And when we come to speak his name,

Oh, well — let’s call him Porty!</blockquote>

Only days before the festival was to officially open, a Stanford academic discovered a cache of Portola’s letters in Mexico City. He said, I have looked at the documents, there is an accent on the end of his name, it should be pronounced Portolà.

Finally, how he would have pronounced it. The long, lost accent! Portolahhh. But just as quickly as it was discovered, it was gone. Newspapers couldn’t print the accent mark.

“You would sometimes see it accented. A lot of it had to do with the printer and the type of font they were using. Having a font with the "a" accented was a rarity in anybody's print box,” said Freeman.

In a short time, the correct pronunciation of Portolà disappeared. Today, in the Bay Area, there’s no accent mark on any of the signs that bear his name. Not on neighborhoods, streets, schools or even the city named after him, Portola Valley.

Today’s young explorers can speak their names into voice recorders. But unlike Portolà, they will never have official papers to show where their accent marks should be. So, if we can learn anything from Portolà, it’s to put your accent mark wherever you can. You just don’t know if you’ll wind up in the history books.

A note on the accent on Portolà: Gaspar de Portolà was Catalan, so we are using the Catalan closed accent, not the Spanish accent grave."]]></description>
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<item rdf:about="https://www.kqed.org/news/11339599/why-do-some-hate-the-nickname-frisco">
    <title>Why Do Some Hate the Nickname ‘Frisco’? | Bay Curious | News Fix | KQED News</title>
    <dc:date>2018-11-08T19:25:01+00:00</dc:date>
    <link>https://www.kqed.org/news/11339599/why-do-some-hate-the-nickname-frisco</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Working on this story one day, I grabbed a Lyft and got to talking with the driver, a guy named Lorenzo Beasley.

“I grew up on the bottom of the city, a small neighborhood called Visitacion Valley,” Beasley says. “I think more of the urban community, like blacks or Hispanics in the city, those people always grew up using that word.”

Beasley says you hear it in Hunters Point, Lakeview, the Fillmore, Potrero Hill and especially the Mission.

I asked him who doesn’t like Frisco.

“It’s like a higher class of people, I guess,” Beasley says. “People who stay in Nob Hill and stuff. They look at it like slang, so they’re not really with it. It’s definitely a bit of snob thing involved.”

For Beasley, whether you use Frisco says what neighborhood you’re from.

Stanford linguist Teresa Pratt echoes that. She says that when you’re talking about language and word choice, like nicknames, you’re virtually always talking about money and power.

“Institutions or people who have power have an interest in maintaining that the way they speak is the right way to speak,” Pratt says. “Because it helps them. Because it’s coupled with this ideology that’s really widespread, that there’s a right way to speak, that there’s a way to speak that gets you ahead.”

Pratt says word choice is like a signal.

“Language as cultural capital, right?” she says. “It’s something like knowing exactly where to put your forks at the end of a meal.”"

…

"The famous Herb Caen eventually flip-flopped on Frisco a couple of times in the 1990s. It turns out we’ve built our anti-Frisco bias on some shaky ground."]]></description>
<dc:subject>frisco sanfrancisco names naming nicknames 2017 herbcaen class</dc:subject>
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<item rdf:about="https://www.goodreads.com/quotes/685235-give-your-daughters-difficult-names-give-your-daughters-names-that">
    <title>Quote by Warsan Shire: “give your daughters difficult names. give your ...”</title>
    <dc:date>2018-10-12T22:10:47+00:00</dc:date>
    <link>https://www.goodreads.com/quotes/685235-give-your-daughters-difficult-names-give-your-daughters-names-that</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“give your daughters difficult names. give your daughters names that command the full use of tongue. my name makes you want to tell me the truth. my name doesn’t allow me to trust anyone that cannot pronounce it right.”]]></description>
<dc:subject>warshanshire names naming girls daughters women truth language pronunciation</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://www.etymologynerd.com/infographics.html">
    <title>Infographics - THE ETYMOLOGY NERD</title>
    <dc:date>2018-07-14T00:52:51+00:00</dc:date>
    <link>https://www.etymologynerd.com/infographics.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[On this page you will find all and only the etymology infographics I created for this site!
Click on any of these icons to see their larger, legible versions. You may even have to zoom in further for some of the big ones.

To see these infographics organized by date, topic, or alphabet, please click here
https://www.etymologynerd.com/infographic-pngs.html "]]></description>
<dc:subject>etymology placenames names naming cities us sanfrancisco losangeles nyc philadelphia</dc:subject>
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<item rdf:about="https://sf.curbed.com/2018/7/6/17539806/san-francisco-neighborhood-names-history-origins-sf">
    <title>San Francisco neighborhoods: How they got their names - Curbed SF</title>
    <dc:date>2018-07-12T20:30:53+00:00</dc:date>
    <link>https://sf.curbed.com/2018/7/6/17539806/san-francisco-neighborhood-names-history-origins-sf</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>sanfrancisco names naming neighborhoods classideas 2018</dc:subject>
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<item rdf:about="https://www.theatlantic.com/science/archive/2018/05/how-to-look-at-hawaiis-lava/559988/">
    <title>Kilauea: A Beginner’s Guide to Hawaii’s Sublime Lava - The Atlantic</title>
    <dc:date>2018-05-14T01:00:52+00:00</dc:date>
    <link>https://www.theatlantic.com/science/archive/2018/05/how-to-look-at-hawaiis-lava/559988/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["But Western scientists were not the first people to encounter Hawaii’s volcanoes. Native Hawaiians have lived on the islands, and among the volcanoes, for more than 900 years. And their history, literature, and culture all recognize the reality of living near such a powerful phenomenon.

(A brief language note: Everyone who lives in the archipelago is called a “Hawaii resident.” The term “Hawaiian” is reserved for someone with native Hawaiian ancestry. This distinction is regularly made on the islands, including in the state constitution.)

“There’s aʻa or pahoehoe, the rough lava or the smooth lava,” said Kuʻualoha Hoʻomanawanui, a professor of literature at the University of Hawaii at Manoa. “But the word for both of them is Pele.”

Pele is the Hawaiian deity of volcanoes, lava, and fire—but deity in its Western sense doesn’t quite describe the scope of Pele’s power. Many Hawaiian families trace their lineage back to Pele, meaning they count her as an ancestor.

“Pele is not just the goddess of lava. Lava is Pele,” Hoʻomanawanui told me. “The lava flows basically reaffirm what our literature tells us—that the land is alive, that Pele is alive. When we talk about the lava being alive, it’s a metaphor for the earth itself being alive. The lava is Pele, the magma is Pele, the lava flow and then when the lava hardens—each you can just replace the word with Pele.”

Even the site of the new eruption makes sense within Hawaiian culture. The current eruption has focused primarily on a subdivision called Leilani Estates. But Leilani Estates is a new name, and the subdivision sits within a larger area that Hawaiians traditionally called Keahialaka, which means “the fire of Laka.” Laka is the goddess of hula and one of Pele’s daughters.

“The Hawaiians watching are looking at the names of these places and saying, ‘Oh yeah!’” said Noelani M. Arista, a professor of Hawaiian history at the University of Hawaii. “It’s like, sometimes people are amazed that a flood will hit a flood zone. But we’ve got place names that say flood zone.”

“Anyone can come and slap a new name on any thing: ‘Let’s call it Leilani Estates!’ And Leilani is a generic name. But that won’t take away from the mana, the spiritual power and characteristics of that place, that the old place name embodies,” agreed Hoʻomanawanui.

These new names “lull people into a sense of complacency,” she said. “[They think,] I’m not actually buying property and building a house in an active lava rift zone, but I’m buying a piece of paradise.”

But sometimes these new names can be ironic. Kilauea is surrounded by rainforest, and people in Hawaii customarily link its lava flows to the Kool-Aid-red lehua flowers that grow around it. So when Hoʻomanawanui read that one of the first lava fissures in Leilani Estates opened up on Mohala Street, she laughed. “Well, of course!” she said. “Mohala means ‘to blossom,’ or ‘to bloom.’ In a way, it’s all interconnected.”

Pele’s story takes many forms—Hoʻomanawanui has studied 14 different serialized newspaper versions of it, all of which first appeared in the 19th century. But many describe a similar journey: how Pele and her family came up from an island in the South Pacific, how they found the Hawaii archipelago, and how Pele traveled to every island, looking for a place to keep her fire. She visited every island, and dug a hole in every island, until she eventually found Hawaii Island and placed her fire in Kilauea. (Hoʻomanawanui recommended that mainland Americans watch Holo Mai Pele, a PBS-filmed hula about Pele, for a credible summary of her story.)

“The story of Pele is a poetic, literary telling of what scientists would maybe call the Ring of Fire, and how volcanic activity gets to the Hawaiian islands from other parts of the Pacific,” said Hoʻomanawanui. “It’s an ideological explanation for why we don’t have volcanic activity occurring now on the other islands.”

But it’s more than a just-so story. Arista, the Hawaiian historian, contrasts how non-native Hawaii residents and native Hawaiians have discussed the recent lava flow. Much of the national media attention has focused on an American-centric understanding of the destruction, she said—for instance, by talking about the extent of property loss.

“But then you’ve got Hawaii residents saying, how amazing is the presence of this in my life,” she said. “Native people who live in the subdivision are largely saying, ‘Yes, I knew I was living in this space where volcanic activity is a huge factor, because I’ve lived my life here. And because we have this respect for Pele, I wanted to live here.’”

Hoʻomanawanui said she saw many native Hawaiians greeting the lava flow not with dread, but with acceptance. “When the flows start, you clean the house, you open the door, and you say: ‘Tūtū Pele, this is your land, take it,’” she said.

(Since Hoʻomanawanui’s family tracks its lineage back to Pele, they call her Tūtū, or grandmother. But other Hawaiians and non-Natives will call her Tūtū Pele out of respect, even if she is not an ancestor to them. “They acknowledge she’s a special force of nature—literally,” she said. Others, including non-Natives, may call her Madame Pele for the same reason.)

Hoʻomanawanui and Arista told me that seeing the lava as Pele didn’t detract from the scientific understanding of it. Instead, Pele anchors the experience of the lava, envelops it, and connects it to the lives of people who came before.

“Through dance, through costuming, through specific flowers—there’s layers of representation that I think really evoke a sensory experience beyond just knowledge, beyond just understanding as a Western scientific geological process,” Hoʻomanawanui said. “It’s a complete experience that is inclusive of that [scientific] knowledge but goes way beyond it.”

“We don’t have the words for belief or faith in this stuff,” she said. Instead, she said, Westerners should see Hawaiian customary belief as a practice and as a way of understanding the world."]]></description>
<dc:subject>hawaii lava science names naming knowledge volcanoes complacency indigeneity 2018 culture language languages morethanhuman geography local classideas placenames</dc:subject>
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<item rdf:about="https://kottke.org/18/03/a-literal-world-map">
    <title>A literal world map</title>
    <dc:date>2018-03-18T22:07:57+00:00</dc:date>
    <link>https://kottke.org/18/03/a-literal-world-map</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>maps mapping language names placenames naming classideas geography</dc:subject>
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<item rdf:about="https://www.poetryfoundation.org/poems/90183/translations-57991d887f7f4">
    <title>Translations by Kathryn Nuernberger | Poetry Foundation</title>
    <dc:date>2018-01-01T07:49:21+00:00</dc:date>
    <link>https://www.poetryfoundation.org/poems/90183/translations-57991d887f7f4</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I want to believe we can’t see anything
we don’t have a word for.
 
When I look out the window and say green, I mean sea green,
I mean moss green, I mean gray, I mean pale and also
electrically flecked with white and I mean green
in its damp way of glowing off a leaf.
 
Scheele’s green, the green of Renaissance painters,
is a sodium carbonate solution heated to ninety degrees
as arsenious oxide is stirred in. Sodium displaces copper,
resulting in a green precipitate that is sometimes used
as insecticide. When I say green I mean
a shiny green bug eating a yellow leaf.
 
Before synthetics, not every painter could afford a swathe
of blue. Shocking pink, aka neon, aka kinky pink,
wasn’t even on the market. I want to believe Andy Warhol
invented it in 1967 and ever since no one’s eyes
have been the same. There were sunsets before,
but without that hot shocking neon Marilyn, a desert sky
was just cataract smears. I want to believe this.
 
The pale green of lichen and half-finished leaves
filling my window is a palette very far from carnation
or bougainvillea, but to look out is to understand it is not,
is to understand what it is not. I stare out the window a lot.
Between the beginning and the end the leaves unfolded.
I looked out one morning and everything was unfamiliar
as if I was looking at the green you could only see
if you’d never known synthetic colors existed.
 
I’ve drawn into myself people say.
We understand, they say.
 
There are people who only have words for red
and black and white, and I wonder if they even see
the trees at the edge of the grass
or the green storms coming out of the west.
There are people who use the same word for green
and red and brown, and I wonder if red
seems so urgently bright pouring from the body
when there is no green for it to fall against.
 
In his treatise on color Wittgenstein asked,
“Can’t we imagine certain people
having a different geometry of colour than we do?”
 
I want to believe the eye doesn’t see green until it has a name,
because I don’t want anything to look the way it did before.
 
Van Gogh painted pink flowers, but the pink faded
and curators labeled the work “White Roses” by mistake.
 
The world in my window is a color the Greeks called chlorol.
When I learned the word I was newly pregnant
and the first pale lichens had just speckled the silver branches.
The pines and the lichens in the chill drizzle were glowing green
and a book in my lap said chlorol was one of the untranslatable
words. The vibrating glow pleased me then, as a finger
dipped in sugar pleased me then. I said the word aloud
for the baby to hear. Chlorol. I imagined the baby
could only see hot pink and crimson inside its tiny universe,
but if you can see what I’m seeing, the word for it
is chlorol. It’s one of the things you’ll like out here.
 
Nineteenth century critics mocked painters who cast shadows
in unexpected colors. After noticing green cypresses do drop red
shadows, Goethe chastised them. “The eye demands
completeness and seeks to eke out the colorific circle in itself.”
He tells of a trick of light that had him pacing a row of poppies
to see the flaming petals again and figure out why.
 
Over and over again Wittgenstein frets the problem of translucence.
Why is there no clear white?
He wants to see the world through white-tinted glasses,
but all he finds is mist.
 
At first I felt as if the baby had fallen away
like a blue shadow on the snow.
 
Then I felt like I killed the baby
in the way you can be thinking about something else
and drop a heavy platter by mistake.
 
Sometimes I feel like I was stupid
to have thought I was pregnant at all.
 
Color is an illusion, a response to the vibrating universe
of electrons. Light strikes a leaf and there’s an explosion
where it lands. When colors change, electromagnetic fields
are colliding. The wind is not the only thing moving the trees.
 
Once when I went into those woods I saw a single hot pink orchid
on the hillside and I had to keep reminding myself not to
tell the baby about the beautiful small things I was seeing.
So, hot pink has been here forever and I don’t even care
about that color or how Andy Warhol showed me an orchid.
I hate pink. It makes my eyes burn."]]></description>
<dc:subject>vi:datatellign poetry names naming colors words green kathrynnuernberger wittgenstein goethe vangogh andywarhol illusion vision sight seeing pink color eyes</dc:subject>
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<item rdf:about="http://www.foundsf.org/index.php?title=Street_Naming_Controversy--1909">
    <title>Street Naming Controversy--1909 - FoundSF</title>
    <dc:date>2017-12-29T21:16:25+00:00</dc:date>
    <link>http://www.foundsf.org/index.php?title=Street_Naming_Controversy--1909</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The commission sought to address the confusion of numbered streets in the established area of the city versus the numbered avenues in the growing sections west of the cemeteries and the sparsely populated southern section of the city designated as "avenues, south." They worked at finding distinct names for all the numbered or lettered streets. In the Richmond and Sunset districts they devised a full set of Spanish names to conform to an alphabetical pattern for each of the numbered avenues. The scheme called for First Avenue to become Arguello, Second Avenue to become Borcia, Third Avenue to become Coronado, continuing for all 26 letters of the alphabet. Starting with Twenty-seventh Avenue, the streets would be designated by male or female saints, starting with San Antonio and ending with Santa Ynez at Forty-Seventh Avenue. Unable to find Spanish saints with names beginning with K, Q, W, X or Z, they chose first Alcatraz, then Ayala for Forty-eighth Avenue and La Playa for Forty-ninth Avenue.

For the east-west streets in these neighborhoods that were lettered, two breaks in the alphabetical pattern were already in place. "D" Street had already been made an extension of Fulton Street from downtown and the development of Golden Gate Park had eliminated streets bearing the letters E, F and G over thirty years previously. Since there were three minor streets named for Lincoln, the commission wanted to change the names of those streets and rename "H" Street to honor President Lincoln with the more prestigious thoroughfare that bordered the park. The commission then chose eight names for the remaining streets in the Sunset District as Ignacio, Joaquin, Kaweah, Linares, Moncado, Noriega, Ortega and Pacheco. They had only to name the first eight streets, because the Parkside Realty Company had already been using the last eight names, Quintara, Rivera, Santiago, Taraval, Ulloa, Vicente, Wawona and Xavier streets for the area it was developing. In the Bayview District in the southeast corner of the city, an alphabetical sequence of names commemorating patriotic military or civic heroes were suggested for both the numbered avenues and lettered streets.

When the San Francisco Chronicle first published Charles Murdock's ideas of changing the numbered avenues to names a year earlier on October 4, 1908, there was no notice taken by the neighborhood newspapers. The suggestion was speculative and suggested names of explorers, generals or statesmen for avenues in the Richmond, Sunset and Bayview. On November 8, 1909, the Commission on the Changing of Street Names submitted its suggested changes to the Board of Supervisors for first reading and it got an immediate reaction. All the daily newspapers showed full support for the changes. The Examiner published the entire list for all the public to read. The Call's editorial said, "some of the suggested Spanish names may be a little difficult of negotiation by the American tongue" but suggested that the city schools could address that problem as part of the history curriculum.

Topsy-Turvy Town

The Chronicle showed its support with the argument that "if we are ever to emulate our enterprising neighbor, Los Angeles, in attractiveness" employing "musical Spanish names which our history entitles us to appropriate" might even bring in tourist dollars to San Francisco. Despite the positive spin given by the newspapers, the idea of changing all the numbered avenues in the Richmond and Sunset Districts to Spanish names brought immediate negative reaction from the residents of those neighborhoods. Yet when the Board of Supervisors met one week later to address the street-naming issue, the two offended western neighborhoods argued that the names were so repugnant that if approved the "avenues" would forever be known as "Spanish Town." The Spanish "heroes" were vilified as robbers and freebooters and Spain was called "one of the worst nations that ever tyrannized over the human race." There were comical attempts at saying the "unpronounceable" names of Xavier and Ximenes.

Despite the heated rhetoric, the Board voted twelve to five in favor of the changes, and over 250 street names were altered as recommended. When this news got back to the Richmond and Sunset districts, action was immediate. The Richmond had the oldest continuously operating neighborhood improvement club in the city and had been fighting the downtown bureaucracy for years to get services. They were politically savvy and would not tolerate being treated like squatters out in the sand dunes. Since the earthquake and fire, the district had experienced tremendous growth, and most of the new residents were homeowners. They were a force to be reckoned with. The neighborhood newspaper, The Richmond Banner, editorialized on November 19: "If the wishes of the twelve of our "patriotic" supervisors are carried out, our Sunset and Richmond districts will soon be known as the Spanish Town of San Francisco, and 'The Spanish will then have taken San Francisco' notwithstanding Dewey's victory at Manila Bay several years ago."

The editorial contrasted the twelve who voted for the name changes against the five "true Americans" who resisted the proposal to "Spaniardize" the districts. "The people of Sunset and Richmond are fully aroused and will never submit to the insult and injustice heaped upon them by the majority of the Board of Supervisors." In closing, the editor pledged, "Sunset and Richmond districts will stand together and fight this miserable surrender of American names to a finish." The districts didn't have much time to "fight." The commission was to decide quickly, since it faced dissolution at the end of December and the new P. H. McCarthy administration, which would take office in January, had a labor agenda and may not want to waste time on frivolous street-naming. A week of public and private meetings in the Richmond and Sunset districts brought results. Lobbying and pressuring of public officials brought the naming commissioners to a special Saturday meeting to hear the concerns of the neighborhoods.

The following morning the Examiner reported that "thirty-five thousand residents of the Richmond and Sunset districts arose en masse yesterday and voiced such a protest against having the names of their avenues and cross streets changed, that the commission was forced to capitulate." Bowing to the pressure, the Commission agreed that the avenues could remain unchanged except for First Avenue and Forty-ninth Avenue and the alphabetical cross-streets would be the only other western district streets to be renamed, except for the Geary Street extension. The name of Point Lobos was removed from most of the Richmond, but would be given to the curving road that extended from Fortieth Avenue to the Cliff House.

The indignation rally scheduled for the next afternoon at Richmond Hall was turned into a huge victory party for the Richmond, but was bittersweet for the Sunset. Neither neighborhood would lose its numbered avenues, but there was still the issue of the un-American streets to deal with. The Sunset District felt it wasn't getting a fair shake, since it had sixteen streets to be renamed while the Richmond only had three. At the Board of Supervisors' meeting on the next day, the spokesmen for the Sunset Improvement Club presented the argument and pleaded for names of Americans "that reflect glory and luster upon our civilization." Additional speakers made it clear that the two western neighborhoods, through their efforts in fighting the attempt to make wholesale changes to their numerical avenues, were now unified and supporting each other for the next round.

The Board essentially had thrown the street naming to the neighborhoods. The historian from the commission, who had championed and researched the names of Spanish explorers and pioneers, was so incensed by the compromise that he resigned to protest the capitulation. Now the horse-trading for street names was on. Anza had true historical significance to San Francisco's origins and was agreed to by all. "B" Street became an extension of Turk Street. "C" Street was Starr King for a while, but they kept alphabetical order and settled on Custer, for the "hero" killed at the Battle of Little Big Horn. Lincoln Way met with everyone's approval. Ignacio remained on the list at first reading, rejecting Irving for fear of confusion with Irwin Street.

John Jay, statesmen and first Chief Justice of the Supreme Court, was decided upon for the next street in the alphabetical sequence. Two American generals, Kirkham and Lawton, were chosen next. Moraga seemed acceptable to the residents because he'd been Anza's lieutenant and first commander of the Presidio. Noriega had been a commander of the Monterey Presidio so that seemed close enough to stave off local opposition. Ortega, as a scout who was credited with the discovery of San Francisco Bay, relaying the news to Portola, made him a logical choice for a street name. Pacheco, while only a foot soldier in the Anza expedition, at least had stayed on as an early settler in the area.

The remaining names had been chosen by the powerful Parkside Realty Company and were already in use, but one name was objected to. Xavier had been a source of pronunciation controversy, so it was decided to break the alphabetical pattern and move to the next letter. Yorba had been a sergeant in Portola's expedition of 1769, and with those credentials, was a better choice to be honored with a street name. First Avenue's new name was unsettled between Arguello and St. Francis Boulevard. La Playa, Spanish for "the beach," was adopted without "avenue." Before the Board met on November 29 for final reading, some negotiation had taken place in the commission because Balboa and Cabrillo had been restored and Irving and Judah, originally proposed for the Bayview District, were substituted now for Sunset District streets. The Sunset had stood its ground and settled for Lincoln Way and four "American" names for streets "I" through "L."

There was no more opposition to the use of "Spanish" names for the rest of the streets in the district, which were essentially unoccupied in 1909 anyway. Since the commission had reached agreement with the demands of the western neighborhoods and there was little opposition for the other citywide street name changes, but no opportunity to deal with the Bayview District over new street names, a split ordinance was brought to the Board of Supervisors. On December 6, 1909, the Board approved all street name changes except for the Bayview neighborhood, which would have a hearing and be voted on after community input."]]></description>
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<item rdf:about="http://www.foundsf.org/index.php?title=Why_is_it_called_%22Richmond%22%3F">
    <title>Why is it called &quot;Richmond&quot;? - FoundSF</title>
    <dc:date>2017-12-29T21:11:33+00:00</dc:date>
    <link>http://www.foundsf.org/index.php?title=Why_is_it_called_%22Richmond%22%3F</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Richmond District was officially given its name in November 1890. The San Francisco Board of Supervisors adopted ordinance #2309, which legally designated all the territory from First Avenue (now Arguello) to the ocean and from Fulton Street to Fort Presidio as the Richmond District...

The area has been referred to for many years as the "Outside Lands" or, on one map, as "The Great Sand Waste." Needless to say this was not pleasing to its local boosters. In 1889, about the time the improvement club was trying to decide on a more dignified name for the district, one of its members, George Turner Marsh, was building a beautiful home on the southeast corner of 12th Avenue and Clement... He planned to call it Richmond House in memory of his native home in Richmond, Australia, a suburb of Melbourne in the state of Victoria.

When various names for the new district came up for discussion, one of Marsh's friend, George R. Fletcher, asked, "What is the matter with calling it 'Richmond," and, there being nothing the matter, the suggestion was motioned and seconded.

Marsh's birthplace of Richmond, Australia got its name when his ancestors emigrated there from the town of Richmond, England, and named their new homeland after the old. Richmond, England originally was named after a lovely castle, called Richmond, located on the nearby river Thames. The castle had been built by England's first Tudor king, Henry VII. It could be said, therefore, that San Francisco's Richmond District was named, indirectly, after a castle in England.

The only flaw in this romantic derivation of our District's name is the little-known fact that this area has not been--officially-- the Richmond District since 1917. A subsequent ordinance of the S.F. Board of Supervisors changed the District's name to the Park Presidio District."]]></description>
<dc:subject>classideas sanfrancisco history names naming richmonddistrict outsidelands</dc:subject>
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<item rdf:about="https://en.wikipedia.org/wiki/List_of_San_Francisco_placename_etymologies">
    <title>List of San Francisco placename etymologies - Wikipedia</title>
    <dc:date>2017-12-04T01:07:23+00:00</dc:date>
    <link>https://en.wikipedia.org/wiki/List_of_San_Francisco_placename_etymologies</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>sanfrancisco names naming placenames classideas</dc:subject>
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<item rdf:about="http://sfstreets.noahveltman.com/">
    <title>History of San Francisco Place Names</title>
    <dc:date>2017-12-04T01:04:21+00:00</dc:date>
    <link>http://sfstreets.noahveltman.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Click on a highlighted street or landmark for details. Use the lower-right box to browse, filter by theme, search or jump to a neighborhood."]]></description>
<dc:subject>classideas maps mapping history names naming sanfrancisco places placenames noahveltman</dc:subject>
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<item rdf:about="https://www.census.gov/topics/population/genealogy/data/2010_surnames.html">
    <title>Frequently Occurring Surnames from the 2010 Census</title>
    <dc:date>2017-11-22T20:58:11+00:00</dc:date>
    <link>https://www.census.gov/topics/population/genealogy/data/2010_surnames.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Tabulations of all surnames occurring 100 or more times in the 2010 Census returns are provided in the files listed below. The first link explains the methodology used for identifying and editing names data. The second link provides an Excel file of the top 1,000 surnames. The third link provides zipped Excel and CSV (comma separated) files of the complete list of 162,253 names. The top ten surnames are:

NameNumber Of Occurrences
Smith2,442,977
Johnson1,932,812
Williams1,625,252
Brown1,437,026
Jones1,425,470
Garcia1,166,120
Miller1,161,437
Davis1,116,357
Rodriguez1,094,924
Martinez1,060,159"

[See also: https://www.census.gov/topics/population/genealogy/data.html ]

[via: https://source.opennews.org/articles/data-stories-arent-downers/ ]]]></description>
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<item rdf:about="https://www.theguardian.com/books/2017/sep/30/robert-macfarlane-lost-words-children-nature">
    <title>Badger or Bulbasaur - have children lost touch with nature? | Books | The Guardian</title>
    <dc:date>2017-10-01T02:11:02+00:00</dc:date>
    <link>https://www.theguardian.com/books/2017/sep/30/robert-macfarlane-lost-words-children-nature</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Studies show that children are better at identifying Pokémon characters than real animals and plants. Robert Macfarlane on his quest to reconnect young readers with the natural world"]]></description>
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<item rdf:about="https://www.wnyc.org/story/on-the-media-2017-07-07/">
    <title>Apocalypse, Now - On The Media - WNYC</title>
    <dc:date>2017-07-07T18:22:14+00:00</dc:date>
    <link>https://www.wnyc.org/story/on-the-media-2017-07-07/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Science fiction has always been an outlet for our greatest anxieties. This week, we delve into how the genre is exploring the reality of climate change. Plus: new words to describe the indescribable.

1. Jeff VanderMeer @jeffvandermeer, author of the Southern Reach Trilogy and Borne, on writing about the relationships between people and nature.

2. Claire Vaye Watkins @clairevaye talks about Gold Fame Citrus, her work of speculative fiction in which an enormous sand dune threatens to engulf the southwest. 

3. Kim Stanley Robinson discusses his latest work, New York 2140. The seas have risen 50 feet and lower Manhattan is submerged. And yet, there's hope.

4. British writer Robert Macfarlane @RobGMacfarlane on new language for our changing world.

Throughout the show: listeners offer their own new vocabulary for the Anthropocene era. Many thanks to everyone who left us voice memos!"]]></description>
<dc:subject>robertmacfarlane kimstanleyrobinson clairevayewatkins jeffvandermeer sciencefiction scifi speculativefiction anthropocene humans nature multispecies language tolisten economics finance cli-fi climatechange utopia names naming silence pessimism optimism hope dystopia anthopocene deserts natue change earth</dc:subject>
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<item rdf:about="https://maviboncuk.blogspot.com/2014/08/word-origin-turkish-winds.html">
    <title>Word Origin | Turkish Winds | Mavi Boncuk</title>
    <dc:date>2017-07-02T22:29:42+00:00</dc:date>
    <link>https://maviboncuk.blogspot.com/2014/08/word-origin-turkish-winds.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via: https://twitter.com/kitabet/status/881536700408885248 ]

"Gündoğusu: dry and cold East wind

Keşişleme : South East wind of Istanbul. Nautical sailor use. Keşiş, monk EN. from the direction of Keşişdagi/Uludag of Bursa. Also | Samyeli | Akyeli

Kıble: hot and moist South wind.

Lodos:hot South West wind. Nautical sailor use. Also Kabayel | kumkarası 

Günbatısı: hot and humid West wind.

Karayel: North West wind following rain.

Yıldız: cold North wind. Nautical sailor use.

Poyraz: North East wind.Cold and snow in winter. Choppy seas and white foam on the  peaks of waves..

İmbat:  from Italian  "İmbatto"[1]. Meltem of sea. Seasonal Aegean wind  blowing from sea to land.

Sam Yeli: Desert wind. Usually used in Southeast Turkey.

Etezyen: May-September winds. East Mediterranean and Aegean wind from North.

Bora: High Northern winds.Used interchangeably with Poyraz.

Meltem: The Meltemi wind was known by the old Greeks as the Etesian[2]northern winds, and results from a high pressure system laying over the Balkan/Hungary area and a relatively low system over Turkey. Although this katabatic[3] wind  can bring about harsh sailing conditions it also provides cooling, low humidity and good visibility. Furthermore, it can be characterized as one of the few Mediterranean winds that do not necessarily die out at the end of the day and can easily last more than three to six days.

Possibly from Italian maltempo m (plural maltempi) foul weather EN; kötü hava. tempo da lupi - lousy weather. Tempo= time EN. From Latin tempus, from Proto-Indo-European *tempos (“stretch”), from the root *temp- (“to stetch, string”).  

[1] imbatto [im-bàt-to]
Imbatto wind, the sea wind blowing toward the coast

[2] recurring annually —used of summer winds that blow over the Mediterranean from Latin etesius, from Greek etēsios, from etos year .

[3] A katabatic wind, from the Greek word katabatikos meaning "going downhill", is the technical name for a drainage wind, a wind that carries high density air from a higher elevation down a slope under the force of gravity. Sometimes also called fall winds. Examples of true katabatic winds include the bora (or bura) in the Adriatic, the Bohemian Wind or Böhmwind in the Ore Mountains, the mistral, the Santa Ana in southern California, the tramontane, and the oroshi in Japan.

Not all downslope winds are katabatic. For instance, winds such as the foehn, Chinook, or bergwind, are rain shadow winds where air driven upslope on the windward side of a mountain range drops its moisture and descends leeward drier and warmer.]]></description>
<dc:subject>wind winds weather words turkey turkish language names naming türkiye</dc:subject>
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<item rdf:about="http://www.weatheronline.co.uk/reports/wind/">
    <title>Wind of the World: Calima (from space) | weatheronline.co.uk</title>
    <dc:date>2017-07-02T22:28:17+00:00</dc:date>
    <link>http://www.weatheronline.co.uk/reports/wind/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via: https://maviboncuk.blogspot.com/2014/08/word-origin-turkish-winds.html ]]]></description>
<dc:subject>wind winds weather words names naming</dc:subject>
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    <title>Oh The Places You Should Know</title>
    <dc:date>2017-07-01T18:02:57+00:00</dc:date>
    <link>http://ohtheplacesyoushouldknow.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["OhThePlacesYouShouldKnow.com is a Sḵwx̱wú7mesh (Squamish) language place name map tool created by the non-profit Kwi Awt Stelmexw. This tool has been created for educational purposes, and to assist people in calling for the the official reclaiming of Indigenous place names in the homelands of the Sḵwx̱wú7mesh peoples.

This online map is curated by Sḵwx̱wú7mesh language-speaker and teacher Khelsilem, of Sḵwx̱wú7mesh-Kwakwa̱ka̱’wakw descent, in collaboration with web developer Victor Temprano and curriculum developer Nicki Benson. Icons designed by Corrina Keeling and Khelsilem.

Many of the names on this map were collected from a 1937 Sḵwx̱wú7mesh place names map developed by the City of Vancouver and August Jack Khatsalano of the Squamish Nation. That map has been updated and re-released in tandem with this website, and is available for purchase here."]]></description>
<dc:subject>maps mapping canada britishcolumbia indigenous squamish placenames naming names geography khelsilem victortemprano corrinakeeling nickibenson 1937 vancouver jackkhatsalano firstnations</dc:subject>
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<item rdf:about="http://www.nippon.com/en/nipponblog/m00121/">
    <title>“Blue” for Go? Exploring Japanese Colors | Nippon.com</title>
    <dc:date>2017-06-03T18:55:03+00:00</dc:date>
    <link>http://www.nippon.com/en/nipponblog/m00121/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Shifting Color Meanings

“Blue” traffic lights come as a shock to many students of Japanese. If one learns that midori is “green” and ao is “blue,” it is surprising to find that the clearly green traffic lights at Japanese intersections are described as aoshingō. This demonstrates that even common words may not have simple translations. Japanese traffic lights are not actually blue; they are ao, a word that usually means “blue” but can also mean “green.”

Ao, one of the oldest color words in Japanese, was once much broader in application. In several still common words, it denotes the vivid green of fresh vegetation, as in early summer. Examples include aoba (fresh foliage), aona (leafy green vegetables), aomame (green soybeans or peas), and even the prefectural name Aomori, which according to one explanation originally referred to the green juniper bushes covering a small hill in what is now the prefectural capital. The word ao has also been used historically for a broad range of colors tending toward other shades, including black, white, and gray.

The shifting meanings of the past can be fascinating, if potentially confusing. In the earliest records of the Japanese language, ao and aka (now red) were indicators of brightness. While kuro (black) denoted darkness and shiro (white) light, ao was used for darker and aka for brighter shades in between. Just as kuro and kurai (dark) share the same etymological root, aka is related to akarui (bright).

Long after much of this early linguistic uncertainty had settled down, the use of ao to mean “green” persisted into the age of traffic lights. Japan’s first electric traffic light was installed in Hibiya, Tokyo, in 1930. It was imported from the United States and featured the three standard colors. The original legislation actually designated the “go” color as midori, but the Japanese public insisted on calling it ao and the naming stuck. In 1947 aoshingō was written into Japanese law as the official name of the “go” signal.

A Colorful Tradition

English influences colors as it shapes other parts of the Japanese language. It might seem unlikely that burū (blue) and gurīn (green) could ever replace ao and midori, even though the katakana terms are now often heard. Yet orenji (orange) is arguably more used than the traditional daidai, which takes its name from a similar citrus fruit. Pinku (pink) is also firmly entrenched in the language, and more common than its loose synonym momo (peach).

The Japanese color shu (vermilion) is sometimes described simply as “red” or occasionally “orange,” the lack of precision reflecting its lesser importance in the English-speaking world. In Japan, though, as in other parts of East Asia, it is deeply rooted in the culture. It is the color of torii gates at Shintō shrines, the shuniku inkpads paired with personal seals, and the ink used by calligraphy teachers when annotating students’ work. It is also a common color for lacquerware.

Shu is one color to catch the Western visitor’s eye, but Japan has many more traditional hues. Murasaki (purple) was long the color of clothes worn by the ruling class. In the Heian period (794–1185), the pale purple of fuji (wisteria) became prominent, in part through association with the powerful Fujiwara clan. Author Sei Shōnagon repeatedly praises the flower in her classic Heian collection The Pillow Book, as when she includes “long, richly colored clusters of wisteria blossom hanging from a pine tree” in her list of “splendid things.”

The Heian aristocracy’s keen interest in color is epitomized in the jūni hitoe ensemble worn by ladies of the court. The name literally means “12 layers,” but the number was not fixed and could reach as high as 20. The colors were visible at the sleeves and hems, where progressively shorter layers overlapped, and matching them aesthetically was a fine art. There were complex rules about what colors were suitable for each layer based on the season, the occasion, and the wearer.

A contemporary equivalent to the rule-makers of the past may perhaps be the organization that runs the Shikisai Kentei, a popular test of color knowledge. By creating multiple choice questions for budding designers and artists in a range of fields, it acts as a force for standardization. This includes quizzing test-takers on exact shades for traditional colors as defined by the Japanese Industrial Standards Committee.

Standardization makes life easier, but the pleasures of language lie in its idiosyncrasies. Although it may seem odd to native-English learners that traffic lights are “blue,” accepting this encourages a new viewpoint on the world. Each new point of knowledge about a different culture represents a small step along the road to a broader perspective.

[with image]

A Palette of Traditional Japanese Colors

beni (crimson)moegi (yellowish green)
momo (peach)hanada (light blue)
shu (vermilion)ai (indigo)
daidai (orange)ruri (lapis lazuli)
yamabuki (kerria)fuji (wisteria)
uguisu (bush warbler)nezumi (mouse)

Note: This table displays shades defined by the Japanese Industrial Standards Committee. Historically the colors may have varied widely, especially when named after dyes, where the process can greatly affect the final color. They may also vary on different monitors. Not all have common English names."]]></description>
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    <title>Vito Acconci, Performance Artist and Uncommon Architect, Dies at 77 - The New York Times</title>
    <dc:date>2017-04-29T19:05:03+00:00</dc:date>
    <link>https://www.nytimes.com/2017/04/28/arts/design/vito-acconci-dead-performance-artist.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Some performances might have gotten him arrested, though Mr. Acconci also seemed to possess the instincts of a cat burglar. In one of his most famous early works, “Following Piece,” from 1969, he spent each day for almost a month following a person picked at random on the streets of Manhattan, sometimes taking a friend along to photograph the action. The rules were only that Mr. Acconci had to keep following the person until he or she entered a private place where he couldn’t go in.

Mr. Acconci saw himself not as a stalker but as an unmoored soul searching for direction.

“It was sort of a way to get myself off the writer’s desk and into the city,” he once told the musician Thurston Moore. “It was like I was praying for people to take me somewhere I didn’t know how to go myself.”

The dozens of performance pieces that followed through the early 1970s, many of them now little-known, featured varying elements of bodily discomfort, exhibitionism and gender play — elements he shared with other artists of the time, particularly female — as well as a devious wit and a Svengali aura that were Mr. Acconci’s own.

In “Seedbed” (1972) — Mr. Acconci’s most infamous piece, which came to overshadow much of his other work — he constructed an angled false floor at the Sonnabend Gallery in SoHo and hid himself beneath it with a microphone; as people walked above him he spoke to them as he masturbated. The piece became a touchstone of performance art in part because of its sheer, outlandish audacity.

But it also underscored Mr. Acconci’s abiding interest in art that did not exist as an object set apart from the world, in a frame or on a plinth, but as something deeply embedded in everyday life.

“I wanted people to go through space somehow, not to have people in front of space, looking at something, bowing down to something,” he said of the performance in an interview with The New York Times in 2016 on the occasion of a retrospective at MoMA PS 1 in Queens. “I wanted space people could be involved in.”

That ambition took hold fully in the mid-1970s, when, in a radical career turn, he abandoned the gallery world and remade himself as a highly unorthodox architect and designer, creating works like public parks, airport rest areas and even an artificial island on a river in Austria.

The move confused his peers and caused his profile in the art world to recede, to the point where many younger artists who were indirectly influenced by his work had little idea who had created it. In his later years, Mr. Acconci sometimes agonized over this situation, but he said he had no choice but to follow his interests where they took him — which was no less than an ambition to change the way people lived.

“I wish we could make buildings that could constantly explode and come back in different ways,” he said in one interview. “The idea of a changing environment suggests that if your environment changes all the time, then maybe your ideas will change all the time. I think architecture should have loose ends. This might be another problem with Modernism — it’s too complete within itself.”

Vito Hannibal Acconci was born on Jan. 4, 1940, and raised in the Bronx in a tightly knit Italian-Catholic family. His father, Hamilcar — Hamilcar Barca was the father of the Carthaginian general Hannibal, hence Mr. Acconci’s unusual middle name — was a bathrobe manufacturer whose business was never very good. His mother, Chiara, known as Catherine, worked as a school cafeteria attendant to help makes ends meet.

Mr. Acconci spoke often about how his father’s unusual name, and his love of literature and opera, sparked a fierce interest in words at an early age. (“I prefer Hannibal to Vito,” he once told an interviewer, “but, then again, that was before ‘Silence of the Lambs.’”)

His father died when Mr. Acconci was in his early 20s. He said he was spoiled and protected long into adulthood by his mother, whom he labored to keep in ignorance of the shocking specifics of his work.

In 1962, he enrolled in the graduate writing program at the University of Iowa, in thrall to postmodern writers like Alain Robbe-Grillet and John Hawkes. He married a fellow artist, Rosemary Mayer (they divorced in the late 1960s), and with her sister, the poet and artist Bernadette Mayer, he published a journal called “0 to 9,” after the numeral paintings of Jasper Johns.

By 1969, in what he called “a kind of fever,” he was making performances at a rate of sometimes several a week, documenting them in a decidedly analog archive of metal filing cabinets that grew vast toward the end of his life, taking up a large room in the studio in the Dumbo neighborhood of Brooklyn, where he and Maria Acconci ran Acconci Studios, a design and architecture firm.

Holland Cotter, describing Mr. Acconci’s sui-generis performance persona in The Times in 2016, wrote: “Thirty-something, hirsute, in slack shape, he looks and acts the part of sleazoid voyeur, stand-up comic, psychopath and self-martyred saint.”

He added: “In ways not so different from Cindy Sherman’s in photography, he was creating multiple characters who happened to share a body — his — that he wanted both to explore and escape, and that was coming apart under stress.”

In 1980, the Museum of Contemporary Art in Chicago organized a retrospective, and by that time videos, photographic documentations and other works of his had entered numerous important public collections, including those of the Museum of Modern Art and the Whitney Museum of American Art.

To support himself throughout a career that was never careerist, he taught and lectured in art schools around New York, and his classroom presence became legendary, a kind of performance work itself — with his long unruly hair, his all-black wardrobe, his gravel-bed voice with its distinctive loping stutter and, before he quit, the endless cigarettes he would light, stub out, pocket, retrieve and light again.

Even when thinking about the end of his life, he seemed to conceive of it as consonant with his work, a performance. In a letter to an unknown recipient in 1971, he spoke of his fears of dying on a plane trip to Canada and stated that before the flight he would deposit an envelope with a key to his apartment at the registrar’s desk at the School of Visual Arts.

“In the event of my death,” the letter, a kind of will, concluded, “the envelope can be picked up by the first person who calls for it; he will be free to use my apartment, and its contents, any way he wishes.”"]]></description>
<dc:subject>vitoacconci 2017 names naming art artists public architecture design careers careerism body bodies multitudes modernism change environment</dc:subject>
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<item rdf:about="https://urbanlifesigns.blogspot.com/2017/04/a-new-map-for-bart-with-better-names.html">
    <title>A new map for BART with better names</title>
    <dc:date>2017-04-29T18:10:32+00:00</dc:date>
    <link>https://urbanlifesigns.blogspot.com/2017/04/a-new-map-for-bart-with-better-names.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Now that BART has extended to Warm Springs/South Fremont and will soon go further south to Milpitas and San Jose, it's high time to create a new BART map, that not only includes other regional rail like Caltrain and Capitol Corridor, but ALSO all new station names! 

Standardizing the BART policy of creating long station names, preferably with a slash, the new stations are plenty long. Note that some of the station names have evolved since the last time station names were discussed.

Please help us decide if the stations should have local area names with some describers, or if they should simply be named after cross streets."]]></description>
<dc:subject>names naming bart transportation publictransit sanfrancisco bayarea 2017</dc:subject>
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    <link>https://www.weforum.org/agenda/2016/09/22-maps-that-explore-modern-america</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>2016 maps mapping demographic economics us data population age work labor inequality jobs migration immigration names naming children education government marriage income incomeinequality costofliving</dc:subject>
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<item rdf:about="http://baghdadbythebaysf.com/2011/02/why-is-it-called-baghdad-by-the-bay/">
    <title>Why is it called Baghdad by the Bay? | Baghdad By The Bay</title>
    <dc:date>2016-12-21T18:44:19+00:00</dc:date>
    <link>http://baghdadbythebaysf.com/2011/02/why-is-it-called-baghdad-by-the-bay/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Hello, Visitors!
By Herb Caen

Greetings and welcome to San Francisco, city of the world, worlds within a city, forty-nine square miles of ups and downs, ins and outs, and going around in circles, most of them dizzy. A small “d” democratic city run by big-buck conservatives, a place where the winds of freedom will blow your mind and your hat off, where eccentricity is the norm and sentimentality the ultimate cynicism. Cable cars and conventions, boosterism living uncomfortably with sophistication, a built-in smugness announcing simply that we are simply the best. The only city better than San Francisco today was San Francisco yesterday–maybe. Remember, visitors, that you are lucky to be here. Have fun. Spend money. Marvel at our giddy combination of Kookville and High Kultur, busyness and booziness, millionaires stepping daintily over passed-out winos, hot-pantzed ladies of the night throwing themselves at your passing car. Enjoy yourselves, but don’t stay too long. Parking is such street sorrow.

Years ago, this wide-eyed kid from Sacramento dubbed it Baghdad-by-the-Bay, a storybook city of spires and minarets, gay banners fluttering in the breeze. A viewtiful city, he called it, a Saroyanesque pastiche of lovable gamblers and boozy bohemians spouting half-aphorisms in saloons run by patrician publicans. The most beautiful bay in the world–only superlatives were accepted–was breasted by ferries that looked like Victorian mansions with sidewheels. Then came the greatest bridges in the world–“the car-strangled spanner” of the bay and Joe Strauss’s suspenseful “bridge that couldn’t be built.” We looked around at the wonderful, funderful city and we were proud to be San Franciscans, the envy of all.

San Francisco, Queen City of the Pacific (the title was once non-ironic), gleaming jewel of the West Coast, surrounded on three sides by water and on the fourth by Republican reality. Occasionally a Republican mayor sneaks in, but it is essentially a city that votes the straight Demo ticket. I don’t even know how they get people to run for mayor: who wants to be Chief Kook of Kookville? We have a city father who is an unmarried mother of two and a gay seat on the Board of Supes, as befits the new demographics. San Francisco has a large gay population, and it keeps increasing, although exactly how gays multiply has not been explained. Nothing is ever explained in San Francisco.

“The city that was never a town.” There’s a thought that appeals to San Franciscans. Will Rogers may or may not have said it, but the phrase does conjure up a flash of the crazed and crazy place that was born in a Gold Rush and grew up overnight to become a fabled city. Tip to visiting journalists: “The coldest winter I ever spent was one summer in San Francisco” was one of the best lines Mark Twain never wrote, but who cares. Whoever said it was accurate enough.

Welcome visitors, to a city as confusing as the Democratic party. If you drive, don’t drink, but the driving will drive you to drink. We are casual about street signs, but you might find one if you look hard enough. Directions? Forget it, and don’t ask whatever looks like a resident. He won’t know either. If you keep going on a one-way street, you will soon come to another one-way street with traffic coming right at you. That’s what makes us colorful and our insurance rates the highest. Don’t worry about traffic lights. Green and red both mean go like hell; in fact you cross on the green at your own risk. Another tip: No Parking Any Time means park any time, usually on the sidewalk and sometimes on a pedestrian. There are a lot of tow-away zones, so check the signs. It is maddening to pay $60 to ransom your car from a towing company whose slogan is “Discover San Francisco”.

San Francisco, a city for all seasons (sometimes four in one day) and various reasons. A city that thinks nothing of spending $60 million to rebuild a cable car system that was obsolete a century ago and even less of letting drunks lie on the street as long as they aren’t in the way of the cables; “a sociological, not a police problem,” unquote. A city of soup kitchens and two thousand restaurants, some of them excellent and most of them crowded. A place where whites are a minority and “the largest Chinatown outside of the Orient” is no longer large enough. The mayor and both congressmen are Jewish women; do we need a Yenta Control Board?

So welcome, dear visitors, to Crazytown USA. You will either be crazy about it or become as crazy as the rest of us. Either way, may you all return safely to your funny country, that large land mass slightly to the right of Baghdad-by-the-Bay."]]></description>
<dc:subject>herbcain sanfrancisco names naming nicknames baghdadbythebay</dc:subject>
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<item rdf:about="https://thebolditalic.com/don-t-call-it-frisco-the-history-of-san-francisco-s-nicknames-the-bold-italic-san-francisco-5c14348d49c#.26whtjb1l">
    <title>Don’t Call It Frisco: The History of San Francisco’s Nicknames — The Bold Italic — San Francisco</title>
    <dc:date>2016-12-21T18:42:52+00:00</dc:date>
    <link>https://thebolditalic.com/don-t-call-it-frisco-the-history-of-san-francisco-s-nicknames-the-bold-italic-san-francisco-5c14348d49c#.26whtjb1l</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["San Francisco is a lot of things. It’s hippies, hipsters, vagrants, flagrants, artsy-fartsy people and more. You name it, and it probably lives here. And accordingly, no single nickname has ever really stuck for Saint Frank.

Riffs on the grand title of our city come and go. Many of them are “locals only” tags. But no major urban destination can escape the nicknaming process — just look at the Big Apple or the Windy City. Like most things San Francisco, there’s no consensus on which nickname — if any — is appropriate. We’ll leave that question for the comments section. In the meantime, here’s what I’ve discovered about the history of San Francisco nicknames.

The Great Debate: “Frisco”

The St. Louis–San Francisco Railway, known as the “Frisco,” began operating in 1876, but the nickname is as old as the American West. Herb Caen, the Pulitzer Prize–winning San Francisco Chronicle columnist, was adamant that no one call his fair city by such a sliced-up moniker. Instead, “Caress each Spanish syllable, salute our Italian saint. Don’t say Frisco and don’t say San-Fran-Cis-Co,” he advised. “That’s the way Easterners, like Larry King, pronounce it. It’s more like SanfranSISco.” Yet cultural forces ranging from Otis Redding (“headed for the Frisco Bay”) to Pink Floyd (the unofficial Darkness Over Frisco live album) to Google (search “Frisco,” and see what comes up at the top of the page) keep the name associated with San Francisco.

Here’s the thing with “Frisco”: nicknames are supposed to embody some overall characteristic, not just act as a lazy surgery of the city’s name. There’s a reason we don’t call New York “Nork” when we’re feeling saucy. It’s the “City That Never Sleeps” for poetic reasons. Just because “Frisco” sounds like a place (and it is in Texas and Colorado), doesn’t make it a good nickname. No one would get on the I-5 and head south for “Agles.”

(Pro tip: if an out-of-town friend calls it Frisco, avoid the soapbox. San Franciscans have a rep for being uptight jerks about the nickname. Don’t play into the stereotype. They’ll eventually notice you never call it that anyway.)

The Uncool One: “San Fran”

This suffers from the same lame laziness as Frisco, but with an added layer of sounding like someone trying to be hip. “San Fran” seems like a name that could and should work in conversation, but it’s just so out of the local vernacular that it never fails to trip alarm bells.

The Explain-y One: “Baghdad by the Bay”

Such a name may trigger worries of negative geopolitical undertones, but this was actually the title of a collection of Caen essays about San Francisco (and a persistent nickname he used). The reference to the ancient Iraqi capital — which is also near Babylon — was meant as an indication of the wide range of characters and cultures you found in San Francisco decades ago. This past decade has put our relationship with Baghdad in a tough place, though. Anyone hearing the phrase for the first time needs a delicate explanation. That’s not the sign of a great nickname. Sorry, Herb.

The Easy One: “SF”

“SF” is fine because it’s technically not a nickname, but an initialism. People travel to LA and DC without getting raised eyebrows. I use “SF” all the time (especially when flying out of SFO) and know plenty of others who do the same. It’s just not particularly endearing or interesting.

The Maybe-a-Century-Ago One: “The Paris of the West”

This was a common nickname at the turn of the twentieth century used to coax tourists and lure Easterners to move to our glorious city on the other side of the railroads. But no proud urban destination likes to be thought of as the “something else” to a better-known city, so it’s fallen out of use.

The Humblebrag One: “The Golden City”

Echoes of the gold rush make for a great nickname, but these days, when “the Golden City” is used by locals, it feels pretty self-indulgent.

Yes, there was gold in them hills, and yes, we still have golden sunsets, and the rolling hills shimmer gold most of the year. But San Francisco has a reputation for being a little too proud of itself, and “the Golden City” doesn’t do much to alter that. This is especially true with the modern tech gold rush and the debatable economic value it’s creating. “The Golden City” is really the kind of nickname that everyone except people from San Francisco should use.

The Locals-Only One: “The City”

“The City” is a local’s nickname not because of any exclusivity, but because if you are within a reasonable distance of another city, people will have no idea what you’re talking about. The capital letters don’t translate in conversation.
But when used appropriately, the nickname creates a nice recall of the days of the Old West, when San Francisco was the only metropolitan area within conceivable traveling distance. If you told someone in the Salinas Valley, “I’m heading to the City,” they’d know what you meant. Oakland and San Jose were still glimmers in the eyes of today’s giants. Everything between here and LA was wild ranching and farmlands. “The City” didn’t need capital letters.

The Intimate One: Fog City

To outsiders, fog is San Francisco’s gentle lover. The white duvet creeps through the hills each morning, wrapping us in a great amalgam of cloud and steel. Yet to locals, the fog can be a freezing pain in the ass, ruining bocce ball games and dates on the beach. Karl replaces that warm California sun with a menacing wind that feels like ghosts sucking out your soul. We do love him — HE IS BEAUTIFUL — but in the bittersweet way New Yorkers may love the fact that they never sleep. He’s woven into the city’s fabric — or, really, he is the city’s fabric — which makes for a pretty good nickname.

The Best One (So Far): “The City by the Bay”

Keep it simple. You can drive over the bridges a thousand 
times and still catch yourself lost in the majesty of San Francisco 
nestled against the water, islands, sailboats and sunshine of 
the bay. Let’s call a spade a spade."]]></description>
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<item rdf:about="https://vimeo.com/179040817">
    <title>Eyeo 2016 – Sarah Hendren on Vimeo</title>
    <dc:date>2016-08-25T00:07:00+00:00</dc:date>
    <link>https://vimeo.com/179040817</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Design for Know-Nothings, Dilettantes, and Melancholy Interlopers – Translators, impresarios, believers, and the heartbroken—this is a talk about design outside of authorship and ownership, IP or copyright, and even outside of research and collaboration. When and where do ideas come to life? What counts as design? Sara talks about some of her own "not a real designer" work, but mostly she talks about the creative work of others: in marine biology, architecture, politics, education. Lots of nerdy history, folks."]]></description>
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<item rdf:about="https://blog.longreads.com/2016/07/21/whats-in-a-last-name/">
    <title>The Mystery of Carl Miller : Longreads Blog</title>
    <dc:date>2016-07-23T05:17:19+00:00</dc:date>
    <link>https://blog.longreads.com/2016/07/21/whats-in-a-last-name/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[Great story. I've quoted here without spoiling, I think.]

"What if your last name is just the word that comes after your first name?"

…

"My father is so much like his mother—easygoing, pleasant to be around, completely satisfied by mild comforts and routines, modest, measured. He was a superintendent of schools for thirty years and people were often mad at him, but he was rarely mad at them. One day a woman, a total stranger, called the house and screamed at him for ten minutes. He eventually cut her off, and before he hung up, he said “Thank you for calling.” Then he came into the living room and turned on the Celtics. “People tend to get very emotional about their children,” he observed, leaning back in his rocking chair and pouring ¾ of a bottle of Molson Ale into a glass. He gave the rest to my brother and me to split."

…

"When I was little any time I had to fill in a family tree or talk about my grandparents I actually named my grandfather as Carl Miller and said that we didn’t know who or where he was. Since there was absolutely nothing else exciting about me I treasured this aspect of my identity. Whenever it came up I would pray to myself that they would ask me more.

“Your dad doesn’t know where his father is?”

“No.”

“Isn’t that weird?”

“I guess.”

“Has your dad ever even met him?”

“No.”

“Does he care?”

This was perhaps the best part of it all.  After my grandmother died we asked my dad if he wanted to find his father. “I don’t know,” he said. “Not really.”

We asked him a million more times and a million times he seemed uninterested. As a kid with two parents I lived with and who were married and who I saw every single day, I was both astonished and impressed that my father didn’t care who his father was. Our Carl Miller conversations were free of anguish—if anything, Carl Miller was a sort of family joke. We had a long driveway people liked to use for turning around, and once in a while, if a random car paused in front of the house my brother or I might say “Maybe it’s Carl Miller,” and one of my parents might respond, “Tell him we don’t have any money.” My mother might look out the window and say, “Nope. Too ugly.”"

…

"I don’t mean to suggest that my father never looked for his father because my grandmother was so perfect. It’s just that she was the sort of person who was all right with what was in front of her, and my father absorbed this. In order to want to meet his father my father would have had to have some moment where he paused to think about what was missing from his life, and I don’t think my father strings together a lot of those moments. To pursue this mystery, he would have really had to believe that finding out who his father was would make an impact on his day-to-day life, or would make him, somehow, a better husband, father, school superintendent, lawn mower, fish-catcher, tidier-of-sheds, head-shaking-watcher of PBS NewsHour. He keeps long lists on yellow legal pads, and while “write NW letter re: CM” made it onto that list once, it seems that “Find out who my father is” never did.

* * *

I suppose this could sound like some paean to my father, and I don’t really mean it to be. I have very mixed, often pleasant, but decidedly unworshipful feelings about my parents. I like them best when I feel a sort of indifference. Not to them as people, not to our relationship, but to the fact that we’re related. Yes they are the people who conceived me, yes my mother gave birth to me, but they are also just the people who happened to do this. We are matter that came very close to each other in orbit. Some might think it’s kind of cold to look at your parents like this. I think it’s cold that everyone walks around with the conceit that their family is special. Imagine a world where we did not all think that those closest to us were the most worthy of attention or pardon or praise. “I’m so proud of my family,” people are always saying, and I guess that’s not a bad thing, but what if you were proud of the people who lived across the street from you? What if you were proud of every resident of your town, what if I was proud of the homeless people who manage to put together their camps and set up their coolers and stoves in the woods behind my house?

When I was a teenager I told my father I felt distant from everyone in my family. “It’s not that I don’t love you,” I said. “I just don’t feel like I’m a part of things, but I also don’t mind.”

“I think that’s ok,” he said. “I think more people feel that way than care to admit it.” The fact that he didn’t say it hurt his feelings is one of the most loving gestures anyone has ever made on my behalf."

…

"I have heard exactly one story about my grandmother’s parenting of my father: When he was in first grade, he got in trouble for writing with his left hand. My grandmother went to the school and told his teacher never to say a word to my father about which hand he wrote with ever again.

I never saw a moment of sentimentality between my grandmother and my father and little explicit affection. They loved each other, but they had something that is even bigger than love. It was as if each of them were both the breather and the air. I have never been around a parent and a child who had less tension between them. The last name Miller says nothing about me, but if pressed I would say I appreciate the way it evokes a beautiful neutrality, and the way it reminds me that all of us could so easily have been someone else."]]></description>
<dc:subject>via:ayjay names naming ancestry 2016 families sarahmiller love relationships parenting indifference</dc:subject>
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<item rdf:about="https://www.thrillist.com/entertainment/san-francisco/san-francisco-nickname-frisco-sf">
    <title>San Francisco Nickname Frisco SF</title>
    <dc:date>2016-07-22T00:58:29+00:00</dc:date>
    <link>https://www.thrillist.com/entertainment/san-francisco/san-francisco-nickname-frisco-sf</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["IT’S OKAY. GO AHEAD AND CALL IT FRISCO."]]></description>
<dc:subject>frisco sanfrancisco names naming nicknames 2014</dc:subject>
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<item rdf:about="http://blog.sfgate.com/thebigevent/2014/03/06/making-a-case-for-frisco/">
    <title>Making a case for “Frisco” - The Big Event</title>
    <dc:date>2016-07-22T00:57:26+00:00</dc:date>
    <link>http://blog.sfgate.com/thebigevent/2014/03/06/making-a-case-for-frisco/</link>
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<item rdf:about="http://www.sfgate.com/bayarea/nativeson/article/Farewell-to-Frisco-say-hello-to-San-Fran-4759011.php">
    <title>Farewell to Frisco, say hello to San Fran - SFGate</title>
    <dc:date>2016-07-22T00:56:45+00:00</dc:date>
    <link>http://www.sfgate.com/bayarea/nativeson/article/Farewell-to-Frisco-say-hello-to-San-Fran-4759011.php</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>2013 frisco sanfrancisco names naming nicknames</dc:subject>
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<item rdf:about="https://www.buzzfeed.com/frisco">
    <title>Frisco (frisco) on BuzzFeed</title>
    <dc:date>2016-07-22T00:52:02+00:00</dc:date>
    <link>https://www.buzzfeed.com/frisco</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>sanfrancisco names naming nicknames frisco</dc:subject>
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