<?xml version="1.0" encoding="UTF-8"?>
 <rdf:RDF xmlns="http://purl.org/rss/1.0/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:cc="http://web.resource.org/cc/" xmlns:syn="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/">
  <channel rdf:about="http://pinboard.in">
    <title>Pinboard (robertogreco)</title>
    <link>https://pinboard.in/u:robertogreco/public/</link>
    <description>recent bookmarks from robertogreco</description>
    <items>
      <rdf:Seq>	<rdf:li rdf:resource="https://aeon.co/videos/when-artworks-dare-audiences-to-break-a-cardinal-museum-rule"/>
	<rdf:li rdf:resource="https://chrishedges.substack.com/p/decolonizing-the-world-w-amin-husain"/>
	<rdf:li rdf:resource="https://www.youtube.com/watch?v=4GTRoJRzRQI"/>
	<rdf:li rdf:resource="https://www.hodinkee.com/articles/inside-the-design-afraid-minimalism"/>
	<rdf:li rdf:resource="https://psyche.co/films/circles-possess-a-defiant-beauty-in-the-abstract-works-of-howardena-pindell"/>
	<rdf:li rdf:resource="https://www.mintpressnews.com/fight-the-power-chuck-d-public-enemy-cia-neutralized-rap/288184/"/>
	<rdf:li rdf:resource="https://www.youtube.com/watch?v=UDtQ_B3aE2k"/>
	<rdf:li rdf:resource="https://www.youtube.com/watch?v=_6KuCe-kv_M"/>
	<rdf:li rdf:resource="https://archive.org/details/artothernesscris0000mcev/page/n5/mode/2up"/>
	<rdf:li rdf:resource="https://brooklynrail.org/2013/05/artseen/art-criticism-that-made-a-difference"/>
	<rdf:li rdf:resource="https://en.wikipedia.org/wiki/Thomas_McEvilley"/>
	<rdf:li rdf:resource="https://www.youtube.com/watch?v=-qPv1Q_dwRE"/>
	<rdf:li rdf:resource="https://www.nytimes.com/2019/06/06/arts/design/moma-folkart.html"/>
	<rdf:li rdf:resource="https://austinkleon.com/2017/12/27/our-little-cavemans-drawings/"/>
	<rdf:li rdf:resource="http://www.nytimes.com/2016/07/01/arts/design/review-bruce-conner-its-all-true-moma.html"/>
	<rdf:li rdf:resource="http://www.nybooks.com/daily/2016/07/15/creepy-world-of-bruce-conner/"/>
	<rdf:li rdf:resource="https://www.youtube.com/watch?v=mHox98NFU3o"/>
	<rdf:li rdf:resource="http://www.nytimes.com/2015/12/16/arts/design/moma-rethinks-hierarchies-for-a-multidisciplinary-approach-to-art.html"/>
	<rdf:li rdf:resource="http://www.vulture.com/2015/05/yoko-ono-one-woman-show.html"/>
	<rdf:li rdf:resource="http://www.moma.org/visit/plan/arquimoma"/>
	<rdf:li rdf:resource="http://www.nytimes.com/2015/03/06/arts/design/review-bjork-unfurled-in-many-guises-at-moma.html"/>
	<rdf:li rdf:resource="http://www.theparisreview.org/blog/2014/12/09/art-amnesty/"/>
	<rdf:li rdf:resource="http://www.metmuseum.org/collection/the-collection-online"/>
	<rdf:li rdf:resource="http://friezeprojectsny.org/talks/kenneth-goldsmith/"/>
	<rdf:li rdf:resource="http://www.archpaper.com/news/articles.asp?id=7116"/>
	<rdf:li rdf:resource="http://www.dezeen.com/2014/01/15/mimi-zeiger-moma-american-folk-art-museum-architecture-obsolescence/"/>
	<rdf:li rdf:resource="http://www.nytimes.com/2014/01/04/arts/music/momas-there-will-never-be-silence-about-john-cage.html?pagewanted=all"/>
	<rdf:li rdf:resource="http://pleasecometotheshow.tumblr.com/"/>
	<rdf:li rdf:resource="http://www.youtube.com/watch?v=U7gFj8PxxT0"/>
	<rdf:li rdf:resource="http://momareadinglist.tumblr.com/post/61041225566/kenneth-goldsmith"/>
	<rdf:li rdf:resource="https://www.coursera.org/course/artinquiry"/>
	<rdf:li rdf:resource="http://explorecreateshare.org/"/>
	<rdf:li rdf:resource="http://momaps1.org/yap/view/14"/>
	<rdf:li rdf:resource="http://isamuseum.org/"/>
	<rdf:li rdf:resource="http://www.onthemedia.org/2013/mar/08/plagiarism-maybe-its-not-so-bad/"/>
	<rdf:li rdf:resource="http://www.moma.org/explore/inside_out/2012/11/29/video-games-14-in-the-collection-for-starters"/>
	<rdf:li rdf:resource="http://www.aaronland.info/weblog/2012/11/09/jello/#parallel-tms"/>
	<rdf:li rdf:resource="http://changeobserver.designobserver.com/feature/uncommon-ground/18988/"/>
	<rdf:li rdf:resource="http://www.moma.org/visit/calendar/exhibitions/1294"/>
	<rdf:li rdf:resource="http://www.moma.org/interactives/exhibitions/2012/millenniummagazines/"/>
	<rdf:li rdf:resource="https://nextcity.org/daily/entry/sympathy-for-the-suburbs"/>
	<rdf:li rdf:resource="http://www.moma.org/interactives/exhibitions/2011/newphotography/doug-rickard/"/>
	<rdf:li rdf:resource="http://www.youtube.com/watch?v=8zlPqB-onTc"/>
	<rdf:li rdf:resource="http://moma.org/interactives/exhibitions/2011/talktome/home.html"/>
	<rdf:li rdf:resource="http://moma.org/interactives/exhibitions/2011/talktome/objects/146211/"/>
	<rdf:li rdf:resource="http://www.moma.org/explore/mobile/iphoneapp"/>
	<rdf:li rdf:resource="http://www.frieze.com/issue/article/art_space/"/>
	<rdf:li rdf:resource="http://www.observer.com/2010/culture/soul-new-museum-temple-school-try-nightclub?page=0"/>
	<rdf:li rdf:resource="http://www.seedmagazine.com/news/2009/02/core_principles_1.php"/>
	<rdf:li rdf:resource="http://www.nytimes.com/2009/02/19/arts/design/19perf.html?_r=1"/>
	<rdf:li rdf:resource="http://www.npr.org/templates/story/story.php?storyId=94119708"/>
	<rdf:li rdf:resource="http://www.momahomedelivery.org/"/>
	<rdf:li rdf:resource="http://www.nytimes.com/2008/07/18/arts/design/18dwel.html?_r=1&amp;partner=rssuserland&amp;emc=rss&amp;pagewanted=all&amp;oref=slogin"/>
	<rdf:li rdf:resource="http://www.nytimes.com/2008/07/13/magazine/13Matter-t.html?partner=rssuserland&amp;emc=rss&amp;pagewanted=all"/>
	<rdf:li rdf:resource="http://benfry.com/writing/archives/119"/>
	<rdf:li rdf:resource="http://archinect.com/features/article.php?id=75138_0_23_0_C"/>
	<rdf:li rdf:resource="http://momahomedelivery.org/"/>
	<rdf:li rdf:resource="http://www.seedmagazine.com/news/2008/04/design_and_the_elastic_mind.php?page=all&amp;p=y"/>
	<rdf:li rdf:resource="http://www.worldchanging.com/archives/007960.html"/>
	<rdf:li rdf:resource="http://varnelis.net/blog/design_is_dead"/>
	<rdf:li rdf:resource="http://www.moma.org/exhibitions/2008/elasticmind/"/>
	<rdf:li rdf:resource="http://www.brendandawes.com/events/design-and-the-elastic-mind"/>
	<rdf:li rdf:resource="http://www.nytimes.com/2008/02/22/arts/design/22elas.html?ex=1361422800&amp;en=ff858941fcb4540f&amp;ei=5090&amp;partner=rssuserland&amp;emc=rss&amp;pagewanted=all"/>
	<rdf:li rdf:resource="http://www.fastcompany.com/magazine/119/paola-the-populist.html"/>
      </rdf:Seq>
    </items>
  </channel><item rdf:about="https://aeon.co/videos/when-artworks-dare-audiences-to-break-a-cardinal-museum-rule">
    <title>When art dares us to break a cardinal museum rule | Aeon Videos</title>
    <dc:date>2026-06-12T09:33:22+00:00</dc:date>
    <link>https://aeon.co/videos/when-artworks-dare-audiences-to-break-a-cardinal-museum-rule</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["One of the cardinal rules of museum-going is that art should be enjoyed from a comfortable distance and never touched. However, in the 1960s, a cohort of artists began inviting audiences to interact with, and thus alter, their works. This included the Japanese artist Yoko Ono, whose Painting to Be Stepped On (1960-61) was, as the title explicitly states, designed to be trampled.

In this instalment of the Art and the Senses short documentary series from the Museum of Modern Art (MoMA) in New York City, which interrogates how we encounter art beyond sight, Ono’s participatory piece becomes a lens through which to explore the inherent tension between artists, museums and audiences when touch is invited. Featuring interviews with museum curators and scenes from MoMA’s long-running touch tours, where educators guide visitors with visual impairments through works by feel, the film prompts viewers to consider: if art is a form of communication, what does touch allow us to say to one another?"

[direct link to video:

"“Don’t Touch the Art?” How Yoko Ono Challenged a Museum Taboo"
https://www.youtube.com/watch?v=A-4o_syR3Ew

"Of all the senses, touch is the biggest taboo in a museum. But what if allowing touch is the only way to truly experience the work?

In our latest episode of Art and the Senses, we follow two stories. The first shows how Yoko Ono challenged the rules of art in her "Painting to Be Stepped On" (1960), a piece of canvas laid on the floor, asking viewers to touch it. The second takes us on a “touch tour,” a long-running Access program at MoMA in which educators lead visitors who are blind or have low vision through the galleries to experience works through touch, a sense that shapes perception, memory, and emotional connection.

Hear from Ono, John Lennon, curators, conservators, artists, and museum educators as they explore one of the most powerful and charged senses. As Connor Monahan, Ono’s studio director says, “Touch is something that creates connection, and connection creates communication, and communication is what people need to create peace.”"]]]></description>
<dc:subject>art touch senses sensory multsensory museums moma yokoono 1960s interaction interactive 1960 connormonahan sarahcowan perception memory katelewis tactile interactivity christophecherix unfinished conceptualart instructions imperfection disruption transgression blind blindness accessibility lowvision georginakleege francescarosenberg annieleist emilielouisegossiaux nefertitimatosolivares curation education emotions feelings connection communication closeness</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:946a0607a08c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:touch"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:senses"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sensory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:multsensory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:yokoono"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1960s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interaction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interactive"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1960"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:connormonahan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sarahcowan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perception"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:memory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:katelewis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tactile"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interactivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:christophecherix"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unfinished"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conceptualart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:instructions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:imperfection"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:disruption"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:transgression"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blind"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blindness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:accessibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lowvision"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:georginakleege"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:francescarosenberg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:annieleist"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:emilielouisegossiaux"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nefertitimatosolivares"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:emotions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:feelings"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:connection"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:communication"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:closeness"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://chrishedges.substack.com/p/decolonizing-the-world-w-amin-husain">
    <title>Decolonizing The World (with Amin Husain) | The Chris Hedges Report</title>
    <dc:date>2026-01-22T06:45:08+00:00</dc:date>
    <link>https://chrishedges.substack.com/p/decolonizing-the-world-w-amin-husain</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Amin Husain

I was blocked in 2020. Yeah, a lot of these things that we’re seeing now… I was under investigation in 2019, federal investigation, and didn’t find out until 2020 through Google. Google was saying it was sharing my information for a whole year with the federal government. Taking people’s phones at the airport, the kind of Islamic character, terrorist financier, these kind of things.

These categories, the RICO charges against Stop Cop City was a prelude also to these kinds of things. All of that is in the package right now of the [NSPM-7] memo from this Trump administration. So, I mean, they’re treating our existence, if you refuse or question, as counterinsurgency. But we haven’t thought of ourselves as insurgents.

And I think we all, and it’s not about what we do, it’s about how we think about what we’re doing, right? And the example I always give is like, I took out some student loans, right? I was working at the law firm and realized that it will take me a really long time before I can pay them. At some point, I stopped paying them. They said I’m in default. And I thought to myself, I’m on strike.

These modes of consciousness, of liberation consciousness, something that we cultivate over time, it’s how people in Palestine are able to survive until now. It’s not out of victimization and victimhood. It’s about a recognition of they have a whole way of valuing things differently. When we’re in movements, we feel that way. When we’re not together, we don’t. We’re in a moment right now where we’re bombarded by all sorts of information.

We’re afraid, we’re more isolated, we’re more in debt, they’re more ruthless. And yet we have no choice. And I think this is what’s important. It’s like we have no choice but to resist. And this mode of resistance isn’t about violence. This mode of resistance is about a refusal of having an allegiance to something that’s killing you. Just that.

Wherever we are. From there, space opens up. A different conversation can be had. We’ve had so many movements. We have so much analysis. It’s not about a diagnosis of the problem right now. It’s about how do we build power and how can we sustain it over time. The thing about the United States is most of the ways that we thought about the world is that it’s always insular to the United States.

And Palestine showed us that it can bring us together. It can have a compass for liberation for what’s right and what’s wrong. And these things have influenced what’s going on over here. But to think of Palestine as an issue amongst many is really not where we need to be. There’s a strategic engagement to Palestine that actually has material connections to New York. It has material connections to our wellbeing. It can bring people together. It can clarify what’s going on.

And there’s much that could be done here, but we still are thinking in issue silos and we’re overwhelmed. And the final thing I’ll say just from my, this is just my experience and I don’t know, I mean, I don’t have answers, but these are some of the things that first come to mind is that.

I mean, we went from like defund the police to giving us [former NYC Mayor] Eric Adams. You know, we went from like a million other things that we fought for and it’s always the equivalent of, you’re never going to get what you want. And that means that we’re at a point right now that we have to really think about how our struggles are interconnected.

But in the interconnectedness of our struggles is how we fight back. It doesn’t mean that elections are naught. It means that our trajectory is different. Look at how many people work at a museum. On the front end, they’re all being exploited. On the back end, they have no choice to be creative. At the top are people with money and they mean… MoMA is a great example.

Here’s MoMA, and then here’s a building with luxury condos right next to it, it’s the MoMA building. They sell those apartments with a back door to the museum. They never have to go out on the street. That’s the kind of world we live in. Those same, many of the settlers in the West Bank are coming from Brooklyn. That’s why we were talking about the synagogues and why they’re holding these land sales.

So the connectivity of what’s going on in Palestine to New York or what’s going on in the Middle East to the United States, they’re not separate. And we saw this articulated in Italy, and maybe you can share your experience, but even in the two days general strike that was in October, I think, they connected things that are happening in Palestine, right, the genocide, the ethnic cleansing in Palestine, to the fact that their government is funding and supporting that and their conditions at home are not good.

They have grievances. These kinds of connections are important. They’re important to make. And I think that they’re a basis by which a coalition can come together. And we’re also at a moment similar to Occupy Wall Street or right before. At some level, the right and left, right, is dissolving on the material conditions on the ground. And that’s an opportunity because there’s structures of violence and of oppression of racism, let’s say, and white supremacy.

They’re vertical and horizontal. The ones that we enact on each other are actually created by the system. That’s how it keeps going. But to actually have a systemic understanding of that and be on the ground and create spaces in which people can step out of those “identities” is really important right now. Because I think that everyone agrees they don’t want an authoritarian government here, that the First Amendment is super important, that ICE is fucked up and supporting a genocide is unethical. And we act like an empire, but our condition is worse than ever. Something is not being articulated in a positive way for people.

Chris Hedges

That was why they killed Fred Hampton. He was out in poor, white communities building coalitions based on class, not on race, not that race isn’t important. And that’s dangerous. I think that’s exactly what you’re talking about.

Amin Husain

Yeah.

Chris Hedges

I want to just close by talking about your experience at NYU. One of things that’s been so nauseating for me about these academic institutions is they essentially advertise themselves as generators of diversity. Although it tended to be diversity based on race or ethnicity, not on class.

But nevertheless, and then the moment Trump snarled in their direction, they couldn’t shut it all down fast enough. I, as you know, got a master of divinity from Harvard Divinity School, and Harvard Divinity School had, I think, a pretty good center in terms of building relationships with the Palestinian community, and they closed it. Harvard just shut it down.

And this was what you were attacked, vilified for saying what we now know is true, and that is that there were no beheaded babies. There were no beheaded babies, there’s no evidence of systematic sexual assault on October 7th. You made this case and you lost your job.

So talk a little bit about academia because… and they’ve shut down all the encampments, they’ve criminalized free speech, and these are important centers, I think, both like museums, like I always think of [Antonio] Gramsci, these institutions that replicate ideas. That’s what so much of your work has been confronting. But talk about your own particular case, and then just the wider case of what’s happening within university and college campuses.

Amin Husain

Yeah, I mean my experience at NYU is that I was teaching there for eight years and I taught courses like art, activism and beyond, art and the practice of freedom. Decolonization is not a metaphor and it was always well received, never got a complaint, always oversubscribed. I taught in multiple schools and departments.

And then the treatment was one in which, a few days before I’m supposed to teach, I hear from students before I hear from the university. And I’m under investigation and they wouldn’t even tell me why for the longest time. And then as you said, it was those things, but it was also things that are not in my name, meaning Decolonize This Place has an Instagram account, I was being questioned and interrogated by two lawyers about, you have control over what this account publishes?

Something Meta, by the way, took away the same week that I got suspended and then later fired. It had 400,000 followers, it would reach millions. It was kind of like an influencer account. Again, no recourse there but I was being criminalized for thoughts and ideas that weren’t even part of class, that weren’t even part of… and I’ve had Jewish students in my classes, never complained because universities are supposed to be places of learning and questioning and these kinds of things.

So what’s happening at our universities is really both alarming and not surprising. The influence of money and what people had years ago referred to as the university becoming a corporation. Like they’re taking it seriously. And that’s why you have so many administrators, like a class of administrators that are acting more like cops that line themselves up next to riot police in Columbia and NYU and all these things and raided their students who are paying to go there to get an education.

It’s bonkers. And then you think about NYU and you’re like, well, why is Larry Fink on the board? What does he know about education? You know, because he’s giving money. So then they have a say in what our institutions can do. Okay, so these universities that are supposed to kind of create good people that are well thinkers, that are in part of like the society that we’re imagining as a good society. That’s all not going on right now there.

It’s a form of brainwashing and it’s elevating certain disciplines, like what? Militarism. Data, data computation. Nothing of liberal arts unless you have a trajectory of working for a corporation. These departments around art, liberal arts, these kinds of things, were always low funded. But now they’re going to become extinct.

Chris Hedges

Well, look at The New School. They’re just shutting them down.

Amin Husain

Exactly. This is not, to your point, this is not an isolated thing. This is a transition of an economy with an idea of a future, foreseeing the system that they’re ushering in as people say the empire is falling. They’re not waiting. They’re ushering in something new. And when I look at my condition, I think it was, it was penalizing me, but it was also a deterrence.

It was a deterrence on speech and a deterrence on action, meaning watch what you say and behave. Otherwise you’re never going to get employed anywhere, which, you know, that’s part of it. And it doesn’t stop me from doing this, but I’ve made harder decisions earlier. My kind of thing at the university is that I would sit with students first day and I’d be like, why are you here? This is why I’m here.

You don’t need to buy books. They’re all available. But if you want to support the author and you can, you should, right? Why are we going into debt? What are we learning from this? So the space of learning was one in which we learned together and one in which we learned from each other what’s happening. And I remember something that Baldwin, James Baldwin, said once at the British Museum in a video that is no longer on YouTube because they’re cleansing all that.

But he said something about the enslaved being on ships. He’s like, “The reason they would put their backs to each other and they would make sure they didn’t speak the same language is because if they did, they probably would have known what was happening to them. And they may have figured out something about what to do and the outcome may have been different.”

So I think about what’s happening at our universities and think that there’s a purging that’s going on. There’s a disciplining that’s happening. But also, in the world that I’m imagining, I don’t want to be disciplined by anyone. I mean, people like Fred Moten and Stefano Harney and all of these kinds of thinkers have talked about universities as being precinct, and Jasbir Puar, as being precinct-adjacent. I mean, you got it.

I mean, our students would go in there and they would be afraid about their grade. They didn’t care about each other or the world. The ethics in which they’re promulgating over there is one like you would get at Silicon Valley. It’s one in which you would get… it’s not a world that’s amenable to life and to each other and to different kinds of relationships that are nourishing.

So when I went to Palestine and I told them I got fired and I told them why, and people in Palestine were like “mabrouk!” It’s like, congratulations.

Chris Hedges

Which means congratulations, right?

Amin Husain

And I think if we had community, and community is something that we construct and we construct and struggle, that’s what you would hear. And you wouldn’t feel worthless, right? You wouldn’t feel like you did something wrong. You’d feel like you’ve done something a little, but it’s in the right direction. And that’s what this all is about. There are so many more of us than them.

And there’s so much more thoughtfulness and thinking and love and care than what they have to offer. But they’re converting these museums and these universities and these schools and changing the curriculum. Think about it. You were talking about the Gaza peace plan. First point, de-radicalization, makes sense.

That’s why we don’t learn about this being stolen land or about enslaved people brought over here and built this economy. That’s what Israel is doing or wants to do with a genocide that’s still ongoing as they speak peace.

So I think about my experience at NYU and I think about: here’s a real estate developer that’s taking advantage of no taxes and that’s producing people in debt, right? Producing people in debt, one of the highest institutions to graduate undergraduates with huge amounts of debt is NYU, right? So then what does it mean to be free? We don’t.

This is one thing we would talk about in our class. I mean, freedom is about time, and freedom is about space. Debt is about future labor. And what they’re doing is that they’re taking all, in Arabic, “Muqawamat al-hayat” [essentials of life], all the things that have to do that are life-sustaining — healthcare, housing, these things, these things are now, the prospect of even owning a house is absurd right now.

In fact, the whole economic model with Blackstone and BlackRock is no one’s going to own homes. So then you have this debt, and then they’ll criminalize the debt. And so think about these kinds of relationships. And then you have students going into NYU to learn about freedom while they go into debt. And they graduate having to work with the same people that are oppressing them while their taxes go to pay and fund a genocide. That’s what’s going on.

And that’s not something that feels good. And it’s not something, I’m not happy that I was fired, but I’m happy that I was, that I made the right choice and I didn’t silence myself and people should, everyone has to figure out what’s doable.

But solidarity and your own liberation and fighting and refusal is never comfortable. People have to step out of their comfort right now. And to think that we’re all individually going to save ourselves doesn’t work that way."]]></description>
<dc:subject>chrishedges aminhusain 2026 2020 2023 2024 2025 palestine gaza resistance columbia nyu harvard academia encampments freespeech freedomofspeech highered highereducation institutions moma ows occupywallstreet violence oppression us history fredhampton art activism ice antoniogramsci class organizing universities colleges zionism westbank settlercolonialism colonization colonialism decolonization capitalism imperialism ericadams police policing movementforblacklives criminalization zionistmccarthyism antizionism israel money power influence stopcopcity rico neoliberalism administration managament occupysandy zohranmamdani nyc firstamendment larryfink ihra antisemitism elonmusk mahmoodmamdani brainwashing militarism surveillance liberalarts corporations corporatism rolandlauder jeffreyepstein newschool leonblack dei diversity equity inclusion inclusivity citizensunited democracy academicfreedom peterthiel blackrock standingrock debt idelnomore blacklivesmatter jamesbaldwin graceleeboggs ariellaazoulay americanmus</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:83862c4c9285/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chrishedges"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aminhusain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2026"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2020"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2023"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2024"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2025"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:palestine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gaza"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:resistance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:columbia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:harvard"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:academia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:encampments"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freespeech"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freedomofspeech"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:highered"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:highereducation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:institutions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ows"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:occupywallstreet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:violence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:oppression"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:us"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fredhampton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:activism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:antoniogramsci"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:organizing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:universities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colleges"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zionism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:westbank"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:settlercolonialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colonization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colonialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:decolonization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:capitalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:imperialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ericadams"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:police"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:policing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:movementforblacklives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:criminalization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zionistmccarthyism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:antizionism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:israel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:money"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:power"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:influence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stopcopcity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rico"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:neoliberalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:administration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:managament"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:occupysandy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zohranmamdani"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:firstamendment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:larryfink"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ihra"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:antisemitism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elonmusk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mahmoodmamdani"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brainwashing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:militarism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surveillance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:liberalarts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:corporations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:corporatism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rolandlauder"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jeffreyepstein"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:newschool"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:leonblack"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dei"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diversity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:equity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inclusion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inclusivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:citizensunited"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:democracy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:academicfreedom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:peterthiel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blackrock"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:standingrock"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:debt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:idelnomore"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blacklivesmatter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jamesbaldwin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graceleeboggs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ariellaazoulay"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:americanmus"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=4GTRoJRzRQI">
    <title>Ming Smith’s Legacy: Beauty, Struggle, and Transcendence in Images - YouTube</title>
    <dc:date>2025-10-12T01:49:36+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=4GTRoJRzRQI</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Ming Smith is a groundbreaking photographer whose dreamlike images of jazz, color, and community redefined Black art in America. As the first African American woman to have her work acquired by MoMA, Smith’s photos blend long exposures, painted frames, and double exposures to create transcendent visions of life, pain, and spirituality. From her early beginnings with a Kodak Brownie to her time with the influential Kamoinge Workshop, her work captures both the struggles and beauty of Black culture. This video explores her artistry, her connection to jazz legends like Sun Ra, and her lasting impact on photography.

Chapters:
0:00 Intro
0:30 Who is Ming Smith?
1:59 Kamoinge Workshop
5:00 The Invisible Man
7:52 Other Techniques
10:15 Sun Ra
11:00 MoMA"]]></description>
<dc:subject>mingsmith photography 2025 jazz music kamoingeworkshop kamoinge moma nyc 1960s color blackculture blackness sunra anthonybarboza loudraper creativity joecrawford art collectives salimahali markleeblackshear adgercowans geraldcyrus cdanieldawson djibrildrame weugenesmith adamadelphinefawundu lolaflash collettefournier ronaldherard critique ralphellison 1988 1989 1990 1991 1990s 1980s light pain daydreaming presence movement alicecoltrane johncoltrane 2000s developingtank</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6c567b0f2610/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mingsmith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2025"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jazz"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kamoingeworkshop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kamoinge"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1960s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:color"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blackculture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blackness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sunra"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anthonybarboza"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:loudraper"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:joecrawford"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collectives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:salimahali"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:markleeblackshear"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:adgercowans"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:geraldcyrus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cdanieldawson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:djibrildrame"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:weugenesmith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:adamadelphinefawundu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lolaflash"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collettefournier"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ronaldherard"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:critique"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ralphellison"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1988"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1989"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1990"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1991"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1990s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1980s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:light"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:daydreaming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:presence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:movement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alicecoltrane"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:johncoltrane"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2000s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:developingtank"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.hodinkee.com/articles/inside-the-design-afraid-minimalism">
    <title>Inside The Design: Why Are Watch Dials So Busy? - Hodinkee</title>
    <dc:date>2025-07-27T05:16:47+00:00</dc:date>
    <link>https://www.hodinkee.com/articles/inside-the-design-afraid-minimalism</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Across the design world, minimalism equates to luxury. In the watch world, it's the opposite."]]></description>
<dc:subject>lizstinson 2021 design minimalism watches luxury hmoser braun tiborkalman m&amp;co anicorn bodoni joedoucet movado dieterrams georgehorwitt moma graphicdesign graphics typography rolex rolexgmtmaster bulgari bvlgari zenith julientornare edouardmeylan logos eames rayeames charleseames baughaus modernism lecorbusier miesvanderrohe bedoni</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:1ae4d046672e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lizstinson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2021"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:minimalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:watches"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:luxury"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hmoser"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:braun"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tiborkalman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:m&amp;co"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anicorn"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bodoni"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:joedoucet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:movado"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dieterrams"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:georgehorwitt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graphicdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graphics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:typography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rolex"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rolexgmtmaster"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bulgari"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bvlgari"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zenith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:julientornare"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edouardmeylan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:logos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rayeames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:charleseames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:baughaus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:modernism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lecorbusier"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:miesvanderrohe"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bedoni"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://psyche.co/films/circles-possess-a-defiant-beauty-in-the-abstract-works-of-howardena-pindell">
    <title>Circles possess a defiant beauty in the abstract works of Howardena Pindell | Psyche Films</title>
    <dc:date>2025-03-17T08:13:44+00:00</dc:date>
    <link>https://psyche.co/films/circles-possess-a-defiant-beauty-in-the-abstract-works-of-howardena-pindell</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Born in 1943, Howardena Pindell is a trailblazing artist and curator, and one of the few Black female abstract artists of her time. Directed by the US filmmaker César Martínez Barba, this documentary begins in Pindell’s Bronx studio, offering an intimate view of her life and creative process. Her recurring motifs – circles and numbers – are contextualised with stories of their very personal inspirations, including her father’s scientific curiosity, her fascination with patterns in nature and her experiences of systemic racism. By melding Pindell’s voice, art and memories, the documentary invites viewers to see abstraction as an emotional practice where the deeply felt merges into broader historical and social contexts. It also offers a captivating portrait of a woman who, finding herself frustrated and often sidelined by a predominantly white art world’s narrow perspective on the Black experience during her younger years, was caught off guard by her late-in-life success and recognition."

[direct limk to video:
https://vimeo.com/1028895402

"Episode [295]: For nearly six decades, artist Howardena Pindell has explored and expanded the language of abstraction while struggling against a racist and misogynistic culture. Fascinated by circles and numbers, Pindell has developed a formal language that speaks to both universal and personal experiences through her paintings and paper works. In this Extended Play film, Pindell reflects on formative childhood memories, her confrontations with systemic prejudice, and the enduring joy she finds in being an artist. 


Howardena Pindell was born in 1943 in Philadelphia, Pennsylvania, and currently lives and works in New York City. Learn more about the artist at: https://art21.org/howardenapindell "]]]></description>
<dc:subject>howardenapindell art citcles painting pots process history moma race racism 2025 2024 memory numbers misogyny prejudice paper society césarmartínezbarba softbank masayoshison cheguevara marxism truth abuse</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:33291bb87329/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howardenapindell"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:citcles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pots"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:process"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2025"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2024"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:memory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:numbers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:misogyny"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:prejudice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paper"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:césarmartínezbarba"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:softbank"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:masayoshison"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cheguevara"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marxism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:truth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:abuse"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.mintpressnews.com/fight-the-power-chuck-d-public-enemy-cia-neutralized-rap/288184/">
    <title>From Fight the Power to Work for It: Chuck D, Public Enemy and How the CIA Neutralized Rap</title>
    <dc:date>2025-01-01T02:58:36+00:00</dc:date>
    <link>https://www.mintpressnews.com/fight-the-power-chuck-d-public-enemy-cia-neutralized-rap/288184/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>2024 alanmacleod cia chuckd publicenemy rap hiphop history power israel lyorcohen zionism us coldwar cuba youtel counterrevolutionary bigtech bigbrother gaza palestine nsa sergeybrin google youtube media china tiktok socialmedia web online internet antonyblinken ninasimone louisarmstrong dizzygillespie ellafitzgerald radiofreeeurope radioliberty voiceofamerica music sindeyhook moma congressforculturalfreedom propaganda counterinsurgency thomasbraden borispasternak georgeorwell ussr sovietunion germant davidhasselhoff berlinwar malcolmx blackpanthers blackpantherparty congo allendulles patricelumumba southafrica apartheid seymourhersh chana kwamenkrumah communism capitalism jazz herbiehancock armaniwhite breland denycegraves gracebowers jellyroll justintranter kanebrown laineywilson teddyswims cyhersh</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:bcb19a8438a0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2024"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alanmacleod"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chuckd"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:publicenemy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rap"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hiphop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:power"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:israel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lyorcohen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zionism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:us"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coldwar"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cuba"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:youtel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:counterrevolutionary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bigtech"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bigbrother"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gaza"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:palestine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nsa"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sergeybrin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:google"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:youtube"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:china"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tiktok"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialmedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:antonyblinken"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ninasimone"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:louisarmstrong"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dizzygillespie"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ellafitzgerald"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:radiofreeeurope"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:radioliberty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:voiceofamerica"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sindeyhook"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:congressforculturalfreedom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:propaganda"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:counterinsurgency"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thomasbraden"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:borispasternak"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:georgeorwell"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ussr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sovietunion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:germant"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:davidhasselhoff"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:berlinwar"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:malcolmx"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blackpanthers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blackpantherparty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:congo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:allendulles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patricelumumba"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:southafrica"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:apartheid"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:seymourhersh"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chana"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kwamenkrumah"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:communism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:capitalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jazz"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:herbiehancock"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:armaniwhite"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:breland"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:denycegraves"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gracebowers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jellyroll"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:justintranter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kanebrown"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:laineywilson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teddyswims"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cyhersh"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=UDtQ_B3aE2k">
    <title>How the CIA Controls US Culture (with Esha Krishnaswamy) - YouTube</title>
    <dc:date>2024-10-20T23:14:08+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=UDtQ_B3aE2k</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Attorney, writer and podcast host Esha K joins Bad Faith for a deep dive into how the US government has used culture to surreptitiously influence the politics of Americans. From funding art styles through patronage at major museums, to consulting on action movies, to recruiting artists to do world wide tours showcasing American "equality," the government's interest in influencing culture raises questions about how invested the left should be in recruiting popular figures to advance our message."]]></description>
<dc:subject>eshak briahnajoygray cia zambia coldwar colonialism colonization africa asia latinamerica culture influence propaganda distraction racism race oppression politics redlining history massincarceration eshakrishnaswamy capitalism fascism socialism europe marxism art 2024 korea nationalsecurity abbyrockereller moma rockefellers abstractexpressionsim jacksonpollock georgiao'keeffe compatibleleft identity freedom democracy vagueness imperialism deflection identitypolitics eisenhower segregation desegregation jazz dwightdeisenhower voiceofamerica dukeellington louisarmstrong barackobama dixiechicks sineadoconnor kenricklamar beyoncé superbowl hollywood music patricelumumba josephmabuto military dod departmentofdefense film movies filmmaking elections aipac chuckd funding tupacshakur hiphop rap congo drc pinochet labor work vanessaredgrave susansarandon macklemore nfl celebrities sports colinkaepernick class unions organizing apartheid southafrica gigeconomy economics unemployment directaction power money ronaldr</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6b79332247b7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eshak"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:briahnajoygray"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zambia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coldwar"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colonialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colonization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:africa"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:asia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:latinamerica"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:influence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:propaganda"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:distraction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:oppression"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:redlining"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:massincarceration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eshakrishnaswamy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:capitalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fascism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:europe"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marxism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2024"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:korea"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nationalsecurity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:abbyrockereller"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rockefellers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:abstractexpressionsim"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jacksonpollock"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:georgiao'keeffe"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:compatibleleft"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:identity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freedom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:democracy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vagueness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:imperialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deflection"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:identitypolitics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eisenhower"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:segregation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:desegregation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jazz"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dwightdeisenhower"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:voiceofamerica"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dukeellington"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:louisarmstrong"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:barackobama"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dixiechicks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sineadoconnor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kenricklamar"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beyoncé"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:superbowl"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hollywood"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patricelumumba"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:josephmabuto"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:military"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dod"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:departmentofdefense"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:movies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:filmmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elections"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aipac"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chuckd"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:funding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tupacshakur"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hiphop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rap"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:congo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:drc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pinochet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:labor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:work"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vanessaredgrave"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:susansarandon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:macklemore"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nfl"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:celebrities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sports"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colinkaepernick"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:organizing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:apartheid"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:southafrica"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gigeconomy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:economics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unemployment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:directaction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:power"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:money"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ronaldr"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=_6KuCe-kv_M">
    <title>Why I design and make watches with my sisters - BBC Loop - YouTube</title>
    <dc:date>2024-06-12T16:59:12+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=_6KuCe-kv_M</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Eleanor, Charlotte and Elizabeth Paulin started their watch design brand four years ago and they've already caught the eye of Museum of Modern Art in New York.

Eleanor and Charlotte, who grew up on the Black Isle in the Highlands, discuss their inspirations including their great-grandfather the renowned Scottish sculptor, George Henry Paulin."]]></description>
<dc:subject>paulin watches eleanorpaulin charlottepaulin elizabethpaulin design moma georgehenrypaulin typography 2018 scotland graphicdesign</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:70c61d6305e0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paulin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:watches"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eleanorpaulin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:charlottepaulin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elizabethpaulin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:georgehenrypaulin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:typography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2018"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scotland"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graphicdesign"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://archive.org/details/artothernesscris0000mcev/page/n5/mode/2up">
    <title>Art &amp; otherness : crisis in cultural identity : McEvilley, Thomas, 1939- : Free Download, Borrow, and Streaming : Internet Archive</title>
    <dc:date>2022-09-12T01:00:09+00:00</dc:date>
    <link>https://archive.org/details/artothernesscris0000mcev/page/n5/mode/2up</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>thomasmcevilley 1992 art artcriticism moma arthistory whitesupremacy</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0d430abf289b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thomasmcevilley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1992"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artcriticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arthistory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:whitesupremacy"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://brooklynrail.org/2013/05/artseen/art-criticism-that-made-a-difference">
    <title>Art Criticism That Made A Difference – The Brooklyn Rail</title>
    <dc:date>2022-09-12T00:55:15+00:00</dc:date>
    <link>https://brooklynrail.org/2013/05/artseen/art-criticism-that-made-a-difference</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["There is one striking counter-example to the recent skeptical claims about the reach of art writing. Soon after 1979, when Ingrid Sischy became editor of Artforum, she asked Thomas McEvilley to write for her. That was surprising, for he, trained as a classicist, didn’t have a background in art history. Shortly thereafter, in September of 1984, the MoMA presented an ambitious survey exhibition titled “Primitivism” in 20th Century Art, which included 150 modern art works and some 200 tribal artifacts. The then New York Times critic, Michael Brenson, admired the show. McEvilley, however, took issue with the exhibition publishing his now infamous review, “Doctor Lawyer Indian Chief.” At that moment, as Holland Cotter noted recently in his Times obituary for McEvilley (who passed away in early March), everything changed. Once the implications of this account were understood, it was impossible to think of “primitivism” in the same way. Although the MoMA curators protested in long letters to Artforum, the more they said, the less convincing their case was.

The argument of “Doctor Lawyer Indian Chief” was simple and convincing. The curation of “Primitivism” in 20th Century Art displayed tribal art, without labels or explanatory wall text, alongside modernist pieces in order to show its influence upon modernism as a movement. In doing so, the museum refused to take this “primitive” art seriously, refusing to consider how these artifacts were understood by their creators. The exhibition merely affirmed the superiority of Western culture. Indeed, even in calling tribal artifacts “art,’ so McEvilley observed, already begged crucial questions, for much of this “primitive” art originally dealt with religion or magic and not the sphere of art history. The exhibition, he wrote:

<blockquote>shows Western egotism still as unbridled as in the centuries of colonialism and souvenirism. The Museum pretends to confront the Third World while really co-opting it and using it to consolidate Western notions of quality and feelings of superiority.</blockquote>

Within the academic world the most influential art critics of the 1980s were associated with October: Benjamin H. D. Buchloh, Yve-Alain Bois, Hal Foster, and Rosalind Krauss. But nothing they wrote had the larger resonance of McEvilley’s treatise. When, for example, Krauss defended Richard Serra’s “Titled Arc” (1981–89), she didn’t take seriously the concerns of people outside of the art world. As a publication, October developed a style of theorizing which even academics find difficult to understand. McEvilley’s argument didn’t invoke any abstruse philosophical claims. And it wasn’t just a critique of one exhibition—what he offered was a convincing indictment of our most important museum devoted to modernism.

I would love to say that “Doctor Lawyer Indian Chief” immediately changed how I wrote art criticism. In fact, however, only much later, after I traveled to China, did I respond. The aesthetic theorizing of my teachers, Arthur Danto and Richard Wollheim, claimed to be universal, although it relied exclusively on examples from American and European art. It took me a long time to realize that their way of thinking was problematic—philosophers only very belatedly have responded to multiculturalism. But by 2006, when McEvilley was Chair of the program devoted to art writing at the School of Visual Arts, I was prepared. When invited to give a lecture on world art history, I plunked down his masterpiece, The Shape of Ancient Thought: Comparative Studies in Greek and Indian Philosophies on the podium. And thanks to his support, I published A World Art History and its Objects (2008). “Doctor Lawyer Indian Chief” has had a long shelf life—it truly changed the intellectual art discourse. Before McEvilley wrote for Artforum, that journal focused on art made and displayed in Western Europe and the United States. After the publication of “Doctor Lawyer Indian Chief” (although he parted from that journal in the 1990s because it would no longer support his agenda), the situation changed dramatically. Now survey exhibitions like the Carnegie Internationals, worldwide Biennials, and shows at New York galleries and museums (including MoMA) often feature art from outside the West, as do many journals and books devoted to contemporary art. And we hesitate to use the word “primitive”—even with scare quotes. That nowadays we devote serious sustained attention to visual art from Africa, China, and India—from everywhere outside of the West—is due in large part to McEvilley’s influence. "]]></description>
<dc:subject>thomasmcevilley 1984 art artcriticism moma arthistory whitesupremacy</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:afc595481ba0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thomasmcevilley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1984"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artcriticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arthistory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:whitesupremacy"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://en.wikipedia.org/wiki/Thomas_McEvilley">
    <title>Thomas McEvilley - Wikipedia</title>
    <dc:date>2022-09-12T00:52:49+00:00</dc:date>
    <link>https://en.wikipedia.org/wiki/Thomas_McEvilley</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In his 1992 book Art and Otherness: Crisis in Cultural Identity, McEvilley collected and revised twelve essays from the 1980s in the midst of the Culture Wars, the roiling debate regarding the predominance of white, male, Western culture in academia and visual art, and the need for that supremacy to be challenged and opened up to other points of view. McEvilley did this in pointed fashion in "Doctor, Lawyer, Indian Chief," his influential jeremiad against the underlying assumptions that framed the Museum of Modern Art's 1984 exhibition Primitivism and Twentieth Century Art."]]></description>
<dc:subject>riceuniversity art arthistory cv thomasmcevilley 1984 artcriticism moma whitesupremacy</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f5bb5eaaed1e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:riceuniversity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arthistory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cv"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thomasmcevilley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1984"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artcriticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:whitesupremacy"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=-qPv1Q_dwRE">
    <title>Friday Live: Ep. 19 – With New York Times Best-Selling Author Gary Shteyngart - YouTube</title>
    <dc:date>2022-08-16T19:20:05+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=-qPv1Q_dwRE</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["After a week-long hiatus, we're back! We have lots to discuss this week, and to join in the discussion we have invited our good friend and HODINKEE Magazine contributor Gary Shteyngart to join in the conversation. You may remember Gary from his recent New Yorker story about his foray into the vintage watch world, or from from one of his 10 books featured on the New York Times best sellers list, including The Russian Debutante's Handbook and Super Sad True Love Story. Most recently, however, Gary authored some closing thoughts for Volume 1 of the HODINKEE Magazine in which he details the struggles of a small-wristed watch enthusiast.

We are going to chat with Gary about his watch collection, the trials and tribulations of finding the perfect vintage Rolex GMT, and his persistent struggles with watch sizing. As always, we want to hear from you, so be sure to ask any questions you have for Gary in the comments section"]]></description>
<dc:subject>watches 2017 garyshteyngart junghans moma maxbill collections collecting nomos rolex design bauhuas watchmaking poljot sovietunion raketa stalin ussr germany glashütte casio universalgenève quartz watchcollecting josephstalin</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:afa96b1de255/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:watches"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2017"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:garyshteyngart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:junghans"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maxbill"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collections"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collecting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nomos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rolex"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bauhuas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:watchmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poljot"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sovietunion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:raketa"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stalin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ussr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:germany"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glashütte"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:casio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:universalgenève"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:quartz"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:watchcollecting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:josephstalin"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2019/06/06/arts/design/moma-folkart.html">
    <title>Will the Renovated MoMA Let Folk Art Back In? - The New York Times</title>
    <dc:date>2019-06-08T20:51:24+00:00</dc:date>
    <link>https://www.nytimes.com/2019/06/06/arts/design/moma-folkart.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Architectural historians argued against destruction, but protest was not universal. The Williams-Tsien building had problems. Conceived on the scale of a compact townhouse, it was only 40 feet wide. Its narrowness created a cramped interior, with corridor-like galleries inhospitable to art viewing. In addition, some people found its façade — composed of more than 60 plates of a copper-bronze alloy textured to look handworked — uninviting, even forbidding. It was hard to tell at a glance what was housed behind them, what the building was about.

At the same time, nobody denied that the design was distinctive, an interruption in a sea of midtown blandness to which MoMA’s facade contributes. Indeed, the Folk Art Museum looked about as un-MoMA as could be imagined: a small, dark, recessive sculpture set against the mega-museum’s stretch of glass and steel. Anyway, it went. A shame. If a work of architecture, loved or hated, has the weight and personality of an aesthetic object, which the Williams-Tsien building did, it should be considered “museum-worthy” and preserved.

There was another factor that made its loss regrettable. The work it housed — by folk artists, self-taught artists, and so-called outsider artists — was not only deeply charismatic, but filled out the story of Modernism in a way that MoMA itself, in recent years, has largely neglected to do.

Editors’ Picks

Preparing My Family for Life Without Me

For These Women, a FIRE That Burns Too Male and Too White

The Man Who Told America the Truth About D-Day
This wasn’t always true at MoMA, whose early leaders regarded folk or self-taught artists as foundational figures in Modern art. In 1938, when the museum was operating out of temporary quarters on West 49th Street, it organized a large exhibition called “Masters of Popular Painting,” described as a survey of “Modern Primitives of Europe and America.” Among its 22 artists were Henri Rousseau and Séraphine Louis, known simply as Séraphine, from France, and the Americans John Kane and Horace Pippin. Pictures by all four soon entered the permanent collection, as would work by the Pennsylvania landscapist Joseph Pickett and the Polish-born New Yorker Morris Hirshfield."

…

"The presence of the Folk Art Museum on 53rd Street picked up the slack. I even tended to think of the smaller museum as a kind of antechamber to the larger one — an entry point, the place you go to first for historical grounding. The museum still offers this, in its 2 Lincoln Square location on the Upper West Side and its “Self-Taught Genius Gallery” in Long Island City, Queens. But in midtown, MoMA is now again on its own with the tradition of self-taught art. And what, if anything, will it do with it?

The full answer remains, of course, to be seen in October and beyond. All we can do at this point is hope for the best, and give some advice. When, in 2014, the fate of the 53rd Street building was announced, MoMA’s director, Glenn D. Lowry, framed the decision in terms of the larger museum’s need for more space, which, he said, would permit the presentation of “transformative” acquisitions “by such artists as Marcel Broodthaers, Lygia Clark, Steve McQueen, Robert Rauschenberg, Gerhard Richter, Mira Schendel, Richard Serra, Sophie Taeuber-Arp and Cy Twombly, among many others.”

I would suggest that we, and MoMA, don’t need any more Rauschenbergs, or Richters, or Serras, or Twomblys. What we do need is “many others.” And some of those Others were, for 13 years, to be found in the Folk Art Museum next door. Maybe MoMA can now be persuaded to acknowledge its spirit, and their genius, in its expanded home."]]></description>
<dc:subject>folkart architects design moma 2019 art democracy elitism hollandcotter folkartmuseum culture museums nyc</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:3b4d3e7e1be5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:folkart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architects"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2019"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:democracy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elitism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hollandcotter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:folkartmuseum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://austinkleon.com/2017/12/27/our-little-cavemans-drawings/">
    <title>Caveman drawings</title>
    <dc:date>2018-01-06T20:27:32+00:00</dc:date>
    <link>https://austinkleon.com/2017/12/27/our-little-cavemans-drawings/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Our two-year-old, Jules, our little caveman, started drawing dozens of skeletons a few days ago, and in response to my posts about them, an Instagram follower commented, “They’re like ancient cave drawings.” I immediately thought of the work of Sylvia Fein, a painter who wrote two really interesting books about children’s artwork: Heidi’s Horse, a record of her daughter’s drawings of horses from the ages of 2 to 17, and First Drawings: Genesis of Visual Thinking, which compares children’s drawings to the cave paintings and drawings of our ancestors. The books can be hard to track down, so here are a few examples from First Drawings, below:

[images]

I love these books because they honor the work of children’s drawing — their play — by paying close attention to it, and they show how the development of children’s visual thinking echoes the development of our species’ visual thinking. Children do the work of developing powers that we have evolved over thousands of years, all in the span of a decade or two.

I also love these books because they are about intense looking and observation, and they explore their arguments through simple juxtaposition. I know of at least two other books — both favorites of mine — that use this method: David Hockney’s Secret Knowledge, which compares post-photography painting to medieval pre-optics paintings, and Norman Brosterman’s Inventing Kindergarten, which compares the art of kindergarteners to the art of modernist artists and architects.

Sylvia Fein is a terrific painter who, to my knowledge, is still working at the age of 98. Here’s a 2014 documentary about her life and work. There’s a wonderful moment when she speaks of discovering working in miniature when her daughter was very little: “I was just in heaven. Everything seemed to go together: my life and my painting.” I’m inspired by the way Fein was able to integrate motherhood and art-making. (Above is my favorite painting of hers, obviously a self-portrait, from 1947, called “Lady With Her Baby.”)

The only thing remotely similar to Fein’s book Heidi’s Horse that I can think of is a 1939 exhibit at the MoMA, Creative Growth, Childhood to Maturity, which showcased the work of Dahlov Ipcar, from the age 3 to 22. (She was, by the way, the first woman with a solo exhibition at MoMA.) Ipcar’s parents, William Zorach and Marguerite Zorach, were both artists, and they saved much of the artwork she made as a young child. The press release of the show outlines a goal very similar to Heidi’s Horse: “it shows the creative growth from infancy to adulthood of an individual who is neither a genius nor a prodigy.” 

Ipcar wrote about her unique upbringing in her essay, “My Family, My Life, My Art”:

<blockquote>My parents had always encouraged me to develop my own style of art. They both had undergone conventional art school training, but when they became involved in the modern art movement, they found they had to unlearn everything they had been taught…. They had deliberately left me unschooled in art, wanting to see what would happen if I were left alone to develop in my own way.</blockquote>

Ipcar and Fein share another connection: they both found a way to integrate their life and art-making. It came naturally to Ipcar, who recalled painting in the studio alongside her mother, and later, painting with her own children:

<blockquote>People always ask me how I managed to paint when my two boys were small. My children were a joy to me, and there was no problem working with them around — I just let them play at my feet as I painted. They would even run toy fire engines up and down my easel, but it didn’t bother me.</blockquote>

This is very much what I am attempting here, at the kitchen table, at this very moment, while the two boys draw quietly beside me, long enough for me to press “Publish.”]]></description>
<dc:subject>children'sdrawings 2017 austinkleon sylviafein parenting dahlovipcar drawing children art artists moma childhood children'sart</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:5762b6662b27/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:children'sdrawings"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2017"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:austinkleon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sylviafein"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:parenting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dahlovipcar"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:drawing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:children"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:childhood"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:children'sart"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2016/07/01/arts/design/review-bruce-conner-its-all-true-moma.html">
    <title>Bruce Conner’s Darkness That Defies Authority - The New York Times</title>
    <dc:date>2016-12-24T01:34:39+00:00</dc:date>
    <link>http://www.nytimes.com/2016/07/01/arts/design/review-bruce-conner-its-all-true-moma.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Conner, who was born in Kansas in 1933 and died in San Francisco in 2008, belongs to American art’s genius-heavy postwar generation, born mostly between 1925 and 1937: Jasper Johns, Robert Rauschenberg, Ed Ruscha, Eva Hesse, Andy Warhol and Edward Kienholz. Like many of those artists, Conner was shaped by the clash between the intense emotionality of Abstract Expressionism and the sardonic worldliness of Dada. Conner gathered his knowledge of these tendencies from the art magazines he pored over in high school in Wichita, Kan., and the visits made to New York during his student years at the University of Nebraska. Graduating in 1955, he won a six-month scholarship to study painting at the Brooklyn Museum’s art school. His first solo gallery show took place in New York in 1956.

But Conner, politically minded from the start, set his sights on San Francisco, where he rightly decided that the art world’s machinations would be less oppressive. He moved west in 1957, just after he and Jean Sandstedt, an artist he’d met in college, married; they were preceded by one of his closest high school friends, the poet Michael McClure. There Conner joined the counterculture, and fearlessly evolved into one of America’s first thoroughly multidisciplinary artists."

…

"With a few outstanding exceptions, like “Tick-Tock Jelly Clock Cosmotron,” which features a colorful game board and its own scratching, wheezing audio accompaniment, the assemblages tend to look dated, like exuberantly nihilistic juvenilia, although I suppose they are credible antecedents of goth. Once past them, the show assumes a quieter, more meditative mood and becomes more personal and eccentric.

The mood is furthered by seamless collages, made from old engravings, inspired by Max Ernst, and the semiabstract “Angel” photograms: life-size silhouettes of Connor made with the photographer Edmund Shea. Lining a gallery and accompanied by the sound of chirping crickets, they have an Egyptian sleekness while evoking a summer night filled with swanning ghosts. There are a few outbursts, like the films “Report” (1963-67), a wrenching portrayal of President Kennedy’s assassination, and “Three Screen Ray,” Conner’s last foray into his singular and visceral brand of structuralism, as well as some pedestrian photographs of San Francisco’s punk-rock scene.

Partly by its very organization, “Bruce Conner: It’s All True” implies that the films are his greatest work. They feel alive and of our time in a way that only a few of the assemblages do. And the ink drawings convince by their strange timelessness. After he tired of dotting with ink, Conner devised his labor-intensive inkblot technique, whose development enlivens a large gallery toward the show’s end. Conner created the works’ rows and fields of tiny Rorschachian emblems by drawing a single motif and then doubling it by folding the paper. The delicate little symmetries dance and gyrate, connect and disengage, suggesting insect specimens, jewels, orchids, masks, altars, ogres and ornate temples. They dizzy the mind with their expansive imagination and exquisitely controlled evidence of the collective unconscious."]]></description>
<dc:subject>bruceconner art moma sfmoma 2016 politics artworld inkblots</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:cd34e9f1019a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bruceconner"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sfmoma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2016"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artworld"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inkblots"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nybooks.com/daily/2016/07/15/creepy-world-of-bruce-conner/">
    <title>The Creepy World of Bruce Conner | by J. Hoberman | NYR Daily | The New York Review of Books</title>
    <dc:date>2016-12-24T01:31:45+00:00</dc:date>
    <link>http://www.nybooks.com/daily/2016/07/15/creepy-world-of-bruce-conner/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["“It’s All True,” the title of the Museum of Modern Art’s powerful retrospective of the American artist Bruce Conner (1933-2008), comes from a letter Conner wrote to one of his gallerists in the aftermath of his only previous museum retrospective, organized by the Walker Art Center in Minneapolis in 1999:

<blockquote>My work is described as beautiful, horrible, hogwash, genius, maundering, precise, quaint, avant-garde, historical, hackneyed, masterful, trivial, intense, mystical, virtuosic, bewildering, absorbing, concise, absurd, amusing, innovative, nostalgic, contemporary, iconoclastic, sophisticated, trash, masterpieces, etc. It’s all true.</blockquote>

How about “sinister,” “creepy,” and “indelible”? As a fifteen-year-old Pop Art aficionado wandering through the Whitney Museum’s 1964 Sculpture Annual, I discovered Conner’s work in the form of the assemblage Couch. There was no warning. It was like rounding a corner and bumping into Death or seeing the title Faster Pussycat! Kill! Kill! on a 42nd Street marquee. I couldn’t believe my eyes.

Claes Oldenburg’s rough, pillowy Soft Wall Switches (one of the only other pieces I remember from the show) was something I could understand as art. Couch was something else—a derelict remnant of a nightmare haunted house. Conner took a moldering, paint-spattered, wax-encrusted Victorian divan and managed to imbed it with a child-sized mummy. The simulated, decomposed corpse was nestled into a corner. On closer inspection, it looked as though it might have been strangled."

…

"Conner largely abandoned assemblages in the early 1960s. It’s sometimes said that if he had continued in this mode (and continued to exhibit in New York) he would now be bracketed by Rauschenberg and Johns but in fact Conner was too anarchic and contrarian a personality to be easily assimilated into the art world. From making objects, he switched to graphic work. These include intricate drawings, sometimes called mandalas, that were variously redolent of Rorschach tests, amphetamine, and the Cabala; as well as ghostly photograms, photographic work and collages documenting San Francisco’s late 1970s punk scene, and, in the late 1980s, a series of found engraving collages reminiscent of Max Ernst’s. Mainly, however, Conner made movies, some of which, like the 1978 film set to Devo’s “Mongoloid” or the 1981 piece scored by David Byrne’s “America is Waiting,” could be seen as art-world music videos—a form that Conner more or less invented."

…

"If “3 Screen Ray” is a triptych, Crossroads is an altarpiece. Shown in a museum, it seems like an exemplary—and rare—instance of twentieth-century religious art. Like A Movie, Crossroads is entirely fashioned from found footage, namely previously classified US government documentation of the first post World War II atomic test at Bikini Atoll during the summer of 1946.

The footage, some of it originally shot in super slow motion at 8000 frames per second, has been selected and organized but in no way manipulated, save for the addition of a soundtrack. (An audio collage fashioned by Patrick Gleason on a Moog synthesizer gives way to a dreamier drone composition performed on an electric organ by Terry Riley.)

Crossroads consists of twenty-four shots, ranging in duration from a few seconds to a final one of six and a half minutes, during which time appears to stand still. The movie’s dozen or so billowing mushroom clouds—fantastic geysers of vaporized water erupting a mile high out of the ocean, often the same explosion film from differing angles—are a sort of visual mantra. The word “awe-inspiring” barely communicates the cumulative sense of wonder and dread. To sit through Crossroads is to experience what the poet Frances Ferguson called the “nuclear sublime” or appreciate why, after the successful Trinity test of the atomic bomb, J. Robert Oppenheimer might have recalled a passage from the Bhagavad-Gita: “Now I am become Death, the destroyer of worlds.”"]]></description>
<dc:subject>bruceconner 2016 crossroads jhoberman bikiniatoll jrobertoppenheimer film death terryriley patrickgleason moog sountrack art sfmoma moma inkblots robertoppenheimer oppenheimer</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:219942b7b405/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bruceconner"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2016"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:crossroads"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jhoberman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bikiniatoll"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jrobertoppenheimer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:death"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:terryriley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patrickgleason"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moog"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sountrack"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sfmoma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inkblots"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robertoppenheimer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:oppenheimer"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=mHox98NFU3o">
    <title>History of the Future, Art &amp; Technology from 1965 - Yesterday | Casey Reas | The Gray Area Festival - YouTube</title>
    <dc:date>2016-03-29T05:31:16+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=mHox98NFU3o</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>caseyreas history technology art 1965 1960s 1970s lacma moma lynnehersmanleeson tednelson mit computers computing plotters arthistory programming</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:dc1aa2a163d3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:caseyreas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1965"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1960s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1970s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lacma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lynnehersmanleeson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tednelson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mit"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:computers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:computing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:plotters"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arthistory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:programming"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2015/12/16/arts/design/moma-rethinks-hierarchies-for-a-multidisciplinary-approach-to-art.html">
    <title>MoMA to Organize Collections That Cross Artistic Boundaries - The New York Times</title>
    <dc:date>2015-12-21T01:18:50+00:00</dc:date>
    <link>http://www.nytimes.com/2015/12/16/arts/design/moma-rethinks-hierarchies-for-a-multidisciplinary-approach-to-art.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Within the Museum of Modern Art’s announcement on Tuesday of coming exhibitions were signs of a seismic shift underway in how it collects and displays modern and contemporary art — changes that are expected to have a powerful impact on the museum’s renovation.

While curatorial activities used to be highly segregated by department, with paintings and sculpture considered the most important, the museum has gradually been upending that traditional hierarchy, organizing exhibitions in a more fluid fashion across disciplinary lines and redefining its practice of showing art from a linear historical perspective.

Next spring, for example, when the Picasso sculpture show moves out, MoMA will reinstall its fourth-floor galleries with works from the 1960s, mingling artists and objects from around the world — from a Jaguar to a James Rosenquist painting. They will be selected by six departments in a more experimental, intuitive style that Ann Temkin, a chief curator, referred to as “unlearning what we’ve learned.”

This new, less siloed way of doing business is shaping the museum’s renovation and building expansion with the firm Diller Scofidio & Renfro. Galleries could be more flexible and open, like those in the Whitney Museum of American Art’s new building. Perhaps departmental names designating the galleries could be eliminated altogether.

“All of these exhibitions and efforts to look at the collection afresh will inform the installation of the exhibitions in the new building,” said Glenn D. Lowry, the museum’s director.

“How do we become more nimble — willing to peel open departmental practices?” he added. “Yes, we can change. There was no tablet from Moses that said this is the way we have to be structured.

“It’s not ‘Painting and Sculpture,’ ‘Drawings and Prints.’ It’s the collection of the Museum of Modern Art.”

This looser version of MoMA counters the conventional wisdom that has grown up around the museum, one that Roberta Smith, an art critic at The New York Times, described in 2010 as “a reluctance to question the linear unspooling of art history according to designated styles that remains the Modern’s core value and its Achilles’ heel.”

The evolving multidisciplinary — indeed, uncorporate — approach has not been tried by many encyclopedic art museums, although the smaller Walker Art Center in Minneapolis often shook up art-historical orthodoxies under its former director Kathy Halbreich (now the MoMA’s associate director).

Ms. Temkin, MoMA’s chief curator of painting and sculpture, said the museum was “reflecting a more widespread shift from thinking in categories — or thinking in so-called canonical narratives — to thinking about multiple histories. Having a sense of curiosity, rather than a desire for pronouncement.”

There is evidence of the new approach in shows like the Jackson Pollock survey, which is in the print galleries and was organized by the print curator, but also features paintings.

“It’s changing the idea that prints are something secondary and instead are really integral to the artist figuring out what he or she is doing,” Ms. Temkin said. “That could not have happened 20 years ago here or anywhere else.”

Similarly, the show “Transmissions” focuses on the connections among artists in Latin America and Eastern Europe during the 1960s and 1970s. Tellingly, the exhibition was organized by curators from a mix of departments: media and performance art, photography, and drawings and prints.

And the exhibition “Soldier, Spectre, Shaman: The Figure and the Second World War” is in the print gallery, but includes drawings, photography, painting and sculpture.

Time was when curators seeking to use a piece of media from a different department had to fill out a formal loan form.

But for the last year, curators in all departments have been engaging one another in workshops to discuss coming exhibitions. “We brainstorm,” said Martino Stierli, the chief curator of architecture and design.

This boundary-crossing approach partly reflects a generational shift; all seven of the current chief curators have been at MoMA for less than 10 years. They have come of age in the art world at a time when lines are blurring — an artist who makes sculpture might also make video — when influences are less Eurocentric, and when top-down pronouncements about what is and isn’t art seem outdated.

“I’m not naïve about the fact that the Museum of Modern Art is a very influential institution, but I think the way we can be influential today is different,” Ms. Temkin said. “It’s not, ‘This is good; this is bad.’ It’s that ‘This is worth looking at.’”

She added, “And these things are in relation to other things — whether it’s putting works by women on the wall or putting a print next to a painting.”"]]></description>
<dc:subject>moma interdisciplinary transdisciplinary 2015 museums art arthistory silos anntempkin martinostierli galleries</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:4f6aefab875a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interdisciplinary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:transdisciplinary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2015"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arthistory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:silos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anntempkin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:martinostierli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:galleries"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vulture.com/2015/05/yoko-ono-one-woman-show.html">
    <title>Yoko Ono and the Myth That Deserves to Die -- Vulture</title>
    <dc:date>2015-05-15T01:33:54+00:00</dc:date>
    <link>http://www.vulture.com/2015/05/yoko-ono-one-woman-show.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In Tokyo, in 1964, the 31-year-old conceptual artist Yoko Ono organized a happening in which she screened a Hollywood film and gave the audience a simple instruction: Do not look at Rock Hudson, look only at Doris Day.

Like most of the countercultural riddles that appear in Grapefruit, Ono’s book from the same year, the instruction — titled Film Script 5 — was at once facile and mischievously impossible. (Other variations on the piece include asking the audience not to look at any round objects in a film, or to see only red.) It was also, in its way, autobiographical: As one of the few women associated with New York’s avant-garde music scene and the “neo-Dada” Fluxus movement, Ono was by then used to being overshadowed by the more powerful and self-serious men around her. (“I wonder why men can get serious at all,” she mused in Grapefruit. “They have this delicate long thing hanging outside their bodies, which goes up and down by its own will.”) The year she first staged Film Script 5, she’d already extricated herself from one failed marriage and her second was unraveling. She was still two years away from meeting the man with whom she would realize her dream of a completely egalitarian partnership — to symbolize this, they both wore white during their wedding ceremony — but the rest of the world wouldn’t see it that way. They would, of course, see only the towering, superior Him — what could he have possibly seen in Her?"

…

"Here is the tricky and brilliantly fearless thing about Yoko Ono’s art: It inherently makes peace with that teenage boy’s irreverent response. It invites it, even. Drawn to words like “incomplete,” Ono has always trusted the viewer to finish her work."

…

"When she was 13, her father — a failed classical pianist turned successful banker — advised her to give up playing the piano because her hands were too small. Yoko blurted out that she would rather be a composer than a pianist anyway, and he told her this was even less likely: Could she name a single female composer? She couldn’t, but even back then her idea of the profession was a tad unconventional. The homework assignment that most sparked her imagination had been one in which she was asked to translate a bird’s song into musical notation."

…

"Like that of her contemporaries in the conceptual-art world, Ono’s early work was all about blurring the line between art and everyday life. Every image is a painting; every sound is a song. More than the work of anybody she actually hung out with, Ono’s early art reminds me of Yves Klein, the impish French artist whose first piece was — in his imagination — to sign his name in the sky. It’s true that some of Ono’s ideas inspired George Maciunas to start Fluxus, but she never felt entirely included in this — or any — group. Accordingly, there’s a loneliness to the pieces from early in the period covered by the MoMA show: One subtitled Painting for Cowards instructs the artist performing the work to cut a hole in a canvas and shake people’s hands through it. Ono felt alienated by a certain stuffiness and elitism in the scene. “The avant-garde guys ... were all just so cool, right?” she recalled years later. “There was also this very asexual kind of atmosphere in the music. And I wanted to throw blood.”"

…

"In 1964, Ono began staging Cut Piece, still probably her best-known work, the tone of which depends entirely on the energy in the room. When she debuted it in Tokyo that year, the audience was polite, but in Kyoto, a man “took the pair of scissors and made a motion to stab [her].” Conversely, when the artist Charlotte Moorman performed Cut Piece in a convent, Ono says, “they bypassed the sexual connotation totally and just understood the philosophical connotation and the positive side, which was to be giving.”

Ono encourages other people to stage her pieces. As the film scholar Scott MacDonald writes of her Unfinished Film scripts: “For Ono, the concept of a film is, essentially, the film; once the concept exists, anyone who wants to can produce a version of that concept.” This is one of the aspects of her ’60s work that feel strikingly contemporary — in line with how we think of crowdsourced creativity in the YouTube era. Ono eventually helped Lennon translate this kind of openness into his post-Beatles identity too. Think of that famous motto: “You are the Plastic Ono Band.”

Yoko and John met when he swung by a preview of her show at London’s Indica Gallery in November 1966. He took a bite out of the apple she’d staged like a Duchamp readymade — at last, she’d found her Eve. After connecting with Lennon, it was easy for other artists to dismiss her as a sellout or a gold digger, but really Lennon completed her vision, gave her the populist audience she’d long desired. Ono’s art came alive when it broke out beyond the avant-garde, because her mission was to awaken the artist in everybody — not just those who were cool enough to know about the latest goings-on in that Chambers Street loft. “She came to think that the loss of the 4/4 beat by the art-music composers had set them up at the top of a building,” writes her biographer Barb Jungr in Woman: The Incredible Life of Yoko Ono. “Whereas for her the beat gave back the heart to the music, brought it down into the ground of human experience.” Maybe rock and roll was the birdsong she’d been chasing all along."

…

"The 2014 Grammys were the night I began to wonder whether millennials would be the ones to finally reject the Yoko Myth. Ono, then 81, strutted out in a jaunty top hat, presented the Album of the Year award to Daft Punk, and danced gleefully to “Get Lucky” from her seat. The internet approved, loudly. My Twitter feed was full of people freaking out about #Yoko; the Huffington Post declared, “Sorry Taylor, Yoko Ono’s the Grammys’ Real Dancing Queen.” Here, at last, she seemed liberated from the hate and punch lines that had plagued her entire public life. Look not at John Lennon; look only at Yoko Ono. It felt triumphant, but I also found myself wondering an inconvenient question: Is Ono’s art less subversive when we’re living in a world that loves her?

The MoMA show prompts that question, too: There is something a little dispiriting about an artist who once staged a protest against the museum being warmly welcomed within its ranks. (And it’s easy to be cynical about that embrace, given the institution’s celebrity-chasing — see the Björk debacle.) But whatever its reason, the show arrives at a moment that is, for once, in step with Ono’s vision. Her meditative instruction pieces feel perfectly aligned with our mania for so-called mindfulness. Her work is being lauded by people correcting a history of female erasure — looking anew at the Doris Days instead of the Rock Hudsons. Many of Grapefruit’s pieces have a sub-140-character brevity. They feel, now, like the 1960s version of a tweet.

“Last year,” Ono wrote in 1968, “I said I’d like to make a ‘smile film,’ which included a smiling face snap of every single human being in the world. But that had obvious technical difficulties and was very likely that the plan would have remained as one of my beautiful never-nevers.” Back then, the idea sounded like a whimsical lark; today, in the age of the selfie, it sounds almost banal in its achievability. Maybe she’s not a radical — or a martyr — anymore. Maybe we’re just beginning to inhabit the world that Yoko Ono always imagined."]]></description>
<dc:subject>yokoono lindsayzoladz art moma 2015 selfies gender subversion internet online remixculture remixing everyday yvesklein democratization fluxus georgemaciunas unfinished incomplete lisacarver internetasliterature incompleteness</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:1b8a63a61b6f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:yokoono"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lindsayzoladz"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2015"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:selfies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:subversion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:remixculture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:remixing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:everyday"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:yvesklein"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:democratization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fluxus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:georgemaciunas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unfinished"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:incomplete"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lisacarver"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internetasliterature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:incompleteness"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.moma.org/visit/plan/arquimoma">
    <title>MoMA | ArquiMoMA Instagram Project</title>
    <dc:date>2015-03-27T21:14:13+00:00</dc:date>
    <link>http://www.moma.org/visit/plan/arquimoma</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["#ArquiMoMA

MoMA and Instagram are collaborating to celebrate the exhibition Latin America in Construction: Architecture 1955–1980 (March 29, 2015–July 19, 2015). The exhibition features over 500 original works that have largely never been exhibited—even in their home countries—including historical architectural drawings and models, vintage photographs, and films from the period. To kick off the project, InstaMeets were held across Latin America on March 14, 2015. (See a list of InstaMeet locations below.)
We’re inviting you to share your images of buildings featured in the exhibition, to show their current context and how people see and use them today.

Share your photos of any of the locations in the complete list below at any time leading up to or during the exhibition using the hashtag #ArquiMoMA. Be sure to tag your location.
Select photos will be featured on a display in the exhibition galleries at The Museum of Modern Art and on MoMA.org."]]></description>
<dc:subject>moma latinamerica architecture instagram #ArquiMoMA design argentina brazil brasil chile colombia ecuador guatemala mexico uruguay venezuela cuba puertorico dominicanrepublic museums socialmedia photography crowdsourcing participatory perú</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:4f57a8aab13c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:latinamerica"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:instagram"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:#ArquiMoMA"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:argentina"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brazil"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brasil"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chile"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colombia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ecuador"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:guatemala"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mexico"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:uruguay"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:venezuela"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cuba"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:puertorico"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dominicanrepublic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialmedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:crowdsourcing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:participatory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perú"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2015/03/06/arts/design/review-bjork-unfurled-in-many-guises-at-moma.html">
    <title>Review: Björk Unfurled in Many Guises at MoMA - NYTimes.com</title>
    <dc:date>2015-03-06T00:58:39+00:00</dc:date>
    <link>http://www.nytimes.com/2015/03/06/arts/design/review-bjork-unfurled-in-many-guises-at-moma.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Björk should have said no — not because her work isn’t museum-worthy but because, as proved here, the Modern is not up to the task. The show is billed as a “midcareer survey,” but its disappointing catalog indicates little of the research, documentation or context setting that such projects usually entail, and the exhibition hasn’t been allotted much more gallery space than one of the museum’s “projects series” showing work by emerging artists. Given the number of Björk fans it will probably attract, the show’s future as a logistical nightmare seems clear. It was already indicated at the preview on Tuesday night."

…

"As a result, the Björk exhibition stands as a glaring symbol of the museum’s urge to be all things to all people, its disdain for its core audience, its frequent curatorial slackness and its indifference to the handling of crowds and the needs of its visitors. To force this show, even in its current underdone state, into the atrium’s juggernaut of art, people and poor design is little short of hostile. It superficially promotes the Modern’s hipness while making the place even more unpleasant than usual. Given that the pavilion seems designed to comfortably hold around 300 to 350 people, those Björk fans are going to spend a great deal of time waiting in line or, worse, near the pavilion."]]></description>
<dc:subject>moma art 2015 björk process hipness coolness trends documentation research exhibitions</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:774675a218ec/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2015"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:björk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:process"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hipness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coolness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:trends"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:documentation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:research"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exhibitions"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theparisreview.org/blog/2014/12/09/art-amnesty/">
    <title>At MoMA PS1, Bob and Roberta Smith Offer Art Amnesty</title>
    <dc:date>2015-01-09T07:35:46+00:00</dc:date>
    <link>http://www.theparisreview.org/blog/2014/12/09/art-amnesty/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["<blockquote>Why are some people artists while others are not? Was Joseph Beuys an idiot when he said everyone is an artist? Do artists think they are a cut above the rest of us? Are the arts a good in themselves, or is it much, much, more complicated than that?

Many artists delude themselves into believing that they are promising, productive artists when they would live much more fulfilled and useful lives engaged in proper employment. I PROMISE NEVER TO MAKE ART AGAIN provides a baptism of necessary real life and allows artists to “Get Real.” Ditch a life of poverty and precarious self-employment! Don't miss a life-changing opportunity.</blockquote>

Art: It’s had a good run.

You know, there was the Venus of Willendorf. And the Dutch Masters—remember them?—and the Pre-Raphaelite Brotherhood, all with some very nice work. And Picasso! Who could forget Picasso?

But we’ve come to the end of the line, more or less. The art world may continue apace, with its Jeff Koonses and its Damien Hirsts, but most artists know only suffering. And to these artists, Bob and Roberta Smith have issued a clear message: go home, clean off your paintbrushes, and do something meaningful with your lives.

“The personal journey for most artists starts with enthusiasm and joy,” Bob and Roberta have said, “and ends, if the artist does not have huge success, in embarrassed children taking their dead parents’ work to the dump.”
It would be better just to quit, no? Bob and Roberta—who are, in fact, one person, named Patrick Brill—aim to ease your transition into the world of utility. If, in surrendering your artistic impulses, you have any leftover artworks in need of prompt disposal, take them to MoMA PS1, where, through next March, Bob and Roberta are hosting the Art Amnesty project. It’s an almost unconscionable bargain: you bring them art, they throw it away. Hell, they’ve got dumpsters right there in the courtyard! And if you’re the sentimental type, they’ll let you exhibit your work one last time in the gallery. You know, before it’s unceremoniously destroyed.

All you have to do is promise never to make art again.

You’ll even get a complimentary badge that says I AM NO LONGER AN ARTIST. (No word on whether this offer applies to writers yet—I’m hoping the answer is yes.)

Got a work of art that isn’t yours, but that still demands immediate eradication? No problem! Bob and Roberta Smith will take it off your hands and ensure that it rots in some landfill somewhere, and you’ll sign a pledge that says I NEVER WANT TO SEE THIS WORK OF ART AGAIN.

All the details are here. With the New Year around the corner, it’s high time you asked yourself: Isn’t it time you gave up?"]]></description>
<dc:subject>art amnesty bobsmith robertasmith performanceart moma patrickbrill utlity 2014</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:261a3ebf2242/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:amnesty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bobsmith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robertasmith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:performanceart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patrickbrill"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:utlity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2014"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.metmuseum.org/collection/the-collection-online">
    <title>The Collection Online | The Metropolitan Museum of Art</title>
    <dc:date>2014-11-29T07:44:12+00:00</dc:date>
    <link>http://www.metmuseum.org/collection/the-collection-online</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via: http://www.thisiscolossal.com/2014/05/metropolitan-museum-of-art-releases-400000-hi-res-images-into-the-public-domain/ ]]]></description>
<dc:subject>photography collections art moma</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b8adafeddfc7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collections"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://friezeprojectsny.org/talks/kenneth-goldsmith/">
    <title>Kenneth Goldsmith - Talks | Frieze Projects NY</title>
    <dc:date>2014-08-13T03:29:56+00:00</dc:date>
    <link>http://friezeprojectsny.org/talks/kenneth-goldsmith/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[Direct link to .mp3: http://friezeprojectsny.org/uploads/files/talks/Kenneth_Goldsmith.mp3 ]

"‘I Look to Theory Only When I Realize That Somebody Has Dedicated Their Entire Life to a Question I Have Only Fleetingly Considered’

A keynote lecture by the poet Kenneth Goldsmith, whose writing has been described as ‘some of the most exhaustive and beautiful collage work yet produced in poetry’ (Publishers Weekly). Goldsmith is the author of eleven books of poetry and founding editor of the online archive UbuWeb. In 2013, he was named as the inaugural Poet Laureate of MoMA."]]></description>
<dc:subject>kennethgoldsmith copying uncreativewriting mercecunningham writing internet web online remixing culture art poetry originality appropriation quantity quality curiosity harrypotter poetics digital reproduction translation displacement disjunction corydoctorow change howwewrite pointing data metadata choice authorship versioning misfiling language difference meaning ethics morality literature twitter artworld marshallmcluhan christianbök plagiarism charleseames rules notknowing archiving improvisation text bricolage assemblage cv painting technology photography readerships thinkerships thoughtobjects reassembly ubuweb freeculture moma outreach communityoutreach nyc copyright ip intellectualproperty ideas information sfpc vitoacconci audience accessibility situationist museums markets criticism artcriticism economics money browsers citation sampling jonathanfranzen internetasliterature getrudestein internetasfavoritebook namjunepaik johncage misbehaving andywarhol bobdylan barbarakruger jkrowling china creati</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:4fdd71d80774/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kennethgoldsmith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:copying"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:uncreativewriting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mercecunningham"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:remixing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poetry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:originality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:appropriation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:quantity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:quality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curiosity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:harrypotter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:digital"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reproduction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:translation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:displacement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:disjunction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:corydoctorow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:change"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwewrite"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pointing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:data"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:metadata"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:choice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:authorship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:versioning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:misfiling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:difference"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meaning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ethics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:morality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:twitter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artworld"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marshallmcluhan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:christianbök"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:plagiarism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:charleseames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rules"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:notknowing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:archiving"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:improvisation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:text"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bricolage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:assemblage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cv"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:readerships"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thinkerships"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thoughtobjects"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reassembly"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ubuweb"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freeculture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:outreach"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:communityoutreach"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:copyright"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ip"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intellectualproperty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:information"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sfpc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vitoacconci"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:audience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:accessibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:situationist"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:markets"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artcriticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:economics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:money"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:browsers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:citation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sampling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jonathanfranzen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internetasliterature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:getrudestein"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internetasfavoritebook"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:namjunepaik"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:johncage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:misbehaving"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:andywarhol"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bobdylan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:barbarakruger"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jkrowling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:china"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creati"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.archpaper.com/news/articles.asp?id=7116">
    <title>Crit&gt; MoMA Expansion - The Architect's Newspaper</title>
    <dc:date>2014-02-21T20:15:43+00:00</dc:date>
    <link>http://www.archpaper.com/news/articles.asp?id=7116</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Museums were once places where New Yorkers could go to find an oasis of tranquility and contemplation from the unrelenting city. I can hardly believe that as a college student I would sometimes journey to MoMA’s garden or the Frick’s garden court simply to be alone and do homework. The Folk Art museum was designed by Tod Williams and Billie Tsien to provide space for repose. Though some critics have complained about its inscrutable metal facade, the solidity was intentional and—when you consider its purpose—functional. Within the thick armature of its concrete walls, you could feel removed from the world. The domestically scaled spaces might not be perfect for displaying art, but neither are MoMA’s supposedly all-purpose white boxes. You could see the hand of the architects on every surface—the beaten bronze panels, the bush hammered concrete—a personal stamp we rarely experience anymore. Eccentricity is part of its appeal, the antithesis of Taniguchi’s malleable, subservient MoMA galleries. The Folk Art was the first museum, and first serious work architecture, to be completed in New York after 9/11, when the city was reeling from the enormity of the tragedy and reconsidering the predilection for bigness that produced the twin towers. As then, New York is again suffering from a crisis of bigness. It needs to make room for the small.

MoMA perceives the Folk Art museum as a threat to the institution, but it shouldn’t. The Met has found a way to decentralize with the acquisition of the Whitney Museum of American Art’s Marcel Breuer building, where it plans to install its growing contemporary art collection. The satellite will be an excellent pressure valve. MoMA, which is more fleet in its operations, more attuned to new ways of thinking about space, could easily establish similar satellites around the city, boutique spaces for shows that get swallowed up in the big house. In an interview, Diller told me that when MoMA hired her firm, they “asked us to make them uncomfortable.” Instead they were suckered in by the institution’s faulty logic. Rather than pursuing ways to chop up the Folk Art building to make it fit into an expanded MoMA, they should have explored ways to invent a new, de-centralized kind of museum. No obsolete albatross, the small, intimate Folk Art may well represent the first inklings of what a modern New York museum can be."]]></description>
<dc:subject>decentralization themet moma 2014 ingasaffron museums tranquility purpose elizabethdiller diller+scofidio nyc density scale small</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d1a9f2e40f7e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:decentralization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:themet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2014"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ingasaffron"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tranquility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:purpose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elizabethdiller"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diller+scofidio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:density"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scale"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:small"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.dezeen.com/2014/01/15/mimi-zeiger-moma-american-folk-art-museum-architecture-obsolescence/">
    <title>MoMA's demolition of AFAM and architectural obsolescence</title>
    <dc:date>2014-01-16T01:25:17+00:00</dc:date>
    <link>http://www.dezeen.com/2014/01/15/mimi-zeiger-moma-american-folk-art-museum-architecture-obsolescence/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In retrospect, Muschamp's effusive wordsmithing borders on hyperbole. Yet in focussing on the cultural context in which the building was born, it captures much of what is missing from current discussion (which tends to be markedly concentrated on functionality and new square footage). If we practice the rules of obsolescence, the death of this signature piece of architecture was designed in at the beginning.

As much as I would want to praise the American Folk Art Museum for pointing a way forward out of that dark time, the structure is no phoenix. From the beginning it was anachronistic. This is its downfall.

Although completed in the new millennium, it is an artefact from the 1990s, or to crib from Portlandia, an artefact from the 1890s. Muschamp's title suggests as much: Fireside Intimacy for Folk Art Museum. "Our builders have largely dedicated themselves to turning back the clock," he writes of Williams and Tsien's obsessive attention to materiality.

The museum is a little too West Coast for midtown - too much like something from the Southern California Institute of Architecture, before computation took command. Its design values everything the current art and real estate markets reject: hominess, idiosyncrasy, craft. By contrast, Diller Scofidio + Renfro's scheme emphasises visibility and publicness. The same could be said for an Apple store.

A message from MoMA director Glenn D. Lowry posted on the museum’s website touts that the new design will "transform the current lobby and ground-floor areas into an expansive public gathering space." Indeed, the much talked-about Art Bay, the 15,500-square-foot, double-height hall in the scheme, walks a fine line between public space and gallery. Fronted with a retractable glass wall and designed for flexibility, the Art Bay is so perfectly attuned to the performance zeitgeist, that it makes Marina Abramović want to twerk.

…

The Tumblr #FolkMoMA, initiated and curated by Ana María León and Quilian Riano, dragged the fate of AFAM - a pre-internet building - into the age of social media. The hashtag set the stage for a robust dialogue on the subject and a much-needed commons for debate, but failed to save architecture from capital forces.

In weighing in to protest or eulogise the passing of the American Folk Art Museum, perhaps what we mourn is not the building per se, but a lingering sentimental belief that architecture is an exception to the rules of obsolescence. This building strived to represent so many intimacies, but ultimately its finely crafted meaning was deemed disposable.

Fingers may point at the ethics of Diller Scofidio + Renfo's decision to take on the project or wag fingers at MoMA's expansionist vision, but the lesson here cuts deeper into our psyche. Architecture, as written in long form, exceeds our own life spans and operates in a time frame of historical continuity. Architecture writ short reminds us of our own mortality, coloured by mercurial taste."]]></description>
<dc:subject>plannedobsolescence obsolescence moma afam diller+scofidio ephemerality mortality design architecture anamaríaleón quilianriano mimizeiger taste timing disposability visibility publicness craft hominess idiosyncrasy herbertmuschamp 2014 dillerscofidio ephemeral</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ab9f6a3d0a46/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:plannedobsolescence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:obsolescence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:afam"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diller+scofidio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ephemerality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mortality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anamaríaleón"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:quilianriano"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mimizeiger"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:taste"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:timing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:disposability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:visibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:publicness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:craft"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hominess"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:idiosyncrasy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:herbertmuschamp"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2014"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dillerscofidio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ephemeral"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2014/01/04/arts/music/momas-there-will-never-be-silence-about-john-cage.html?pagewanted=all">
    <title>MoMA’s ‘There Will Never Be Silence,’ About John Cage - NYTimes.com</title>
    <dc:date>2014-01-05T04:25:24+00:00</dc:date>
    <link>http://www.nytimes.com/2014/01/04/arts/music/momas-there-will-never-be-silence-about-john-cage.html?pagewanted=all</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Seventy years later, Cage is back at MoMA, the subject of an exhibition that charts the influence of Duchamp and other visual artists on his experiments with chance operations that culminated in his groundbreaking and still-controversial four minutes and 33 seconds of silence....

The final nudge toward Cage’s silent work came from Robert Rauschenberg, whom he met in 1951, while the artist was working on his white paintings. These smooth, monochrome canvases went a step further than Barnett Newman’s “The Voice,” which is also part of the show. That painting is almost entirely white, too, but the variations in brush strokes and a subtly vertical line running down one side like a scar give the viewer’s eye plenty to engage with.

By contrast, Rauschenberg’s white paintings were not articulated in any way, Mr. Platzker said. “Cage recognized that what Rauschenberg had done was remove all the elements of ‘art,’ ” he said. “And that if you put up a painting like that in a room, it’s going to interact with the light and dust particles in the air.”

In August 1952, Cage presented the first of his multimedia Happenings at Black Mountain and used Rauschenberg’s white paintings as a backdrop. (Soon afterward came the premiere of “4’33” ” in Woodstock.)...

The second part of the exhibition looks at the Fluxus movement and traces Cage’s own influence on artists, beginning with those he taught in his course on experimental composition at the New School. MoMA’s collection includes notebooks from that course, photographs of the class itself and pieces directly derived from it by students including George Brecht, Allan Kaprow, Dick Higgins and others.

Yoko Ono and La Monte Young provide playful examples of verbal instructions. Ms. Ono’s book “Grapefruit” is open to a page containing “Kitchen Piece,” dating from the winter of 1960. “Hang a canvas on a wall,” she writes. “Throw all the leftovers you have in the kitchen that day on the canvas. You may prepare special food for the piece.”"

[See also: https://www.moma.org/explore/inside_out/2014/01/03/composing-silence-john-cage-and-black-mountain-college-3/ ]]]></description>
<dc:subject>johncage eventscores erasure silence music blackmountaincollege 2014 bmc art happenings moma marcelduchamp barnettnewman yokoono lamonteyoung robertrauschenberg via:shannon_mattern fluxus</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8eed0bf6c818/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:johncage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eventscores"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:erasure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:silence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blackmountaincollege"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2014"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bmc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:happenings"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marcelduchamp"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:barnettnewman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:yokoono"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lamonteyoung"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robertrauschenberg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:shannon_mattern"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fluxus"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://pleasecometotheshow.tumblr.com/">
    <title>Please Come to the Show</title>
    <dc:date>2013-12-10T19:17:42+00:00</dc:date>
    <link>http://pleasecometotheshow.tumblr.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Invitation cards and event flyers from the MoMA Library ephemera files. Developed in the context of a two-part library exhibition, which ran from May 8-Sept. 23, 2013. After the show closes, new materials will continue to be posted regularly. Organized by David Senior."]]></description>
<dc:subject>art design flyers moma momalibrary davidsenior tumblr</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:4898745ea537/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flyers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:momalibrary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:davidsenior"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tumblr"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.youtube.com/watch?v=U7gFj8PxxT0">
    <title>▶ Artists as Public Intellectuals: Carol Becker Guest Speaker - YouTube</title>
    <dc:date>2013-11-26T02:52:28+00:00</dc:date>
    <link>http://www.youtube.com/watch?v=U7gFj8PxxT0</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>carolbecker art audience society publicspace individualism collectivism spectacle public visibility humans isolation socialconnection ows occupywallstreet 2012 events tinosehgal marinaabramović private privacy protest publicsquares politics egypt collectivity internet debate individual commons good architecture urban design urbanism adbusters moveon.org local global activism capitalism artists audiencesofone flashmobs performance humaninteraction statusquo media education subversion autonomy provocateurs homogenization suburbanization sanitization intimacy security museums disorder stillness theartistispresent moma buddhism performativespaces collaboration relationalaesthetics situationist interactivity simplicity meditation aversion place action intervention utopias gandhi microutopias austerity tahrirsquare janineantoni nicolasbourriaud utopia pocketsofutopia</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:de23cbf9b14d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:carolbecker"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:audience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:publicspace"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:individualism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collectivism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:spectacle"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:public"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:visibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humans"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:isolation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialconnection"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ows"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:occupywallstreet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tinosehgal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marinaabramović"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:private"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:privacy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:protest"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:publicsquares"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:egypt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collectivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:debate"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:individual"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:commons"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:good"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urbanism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:adbusters"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moveon.org"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:local"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:global"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:activism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:capitalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:audiencesofone"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flashmobs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:performance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humaninteraction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:statusquo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:subversion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:autonomy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:provocateurs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:homogenization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:suburbanization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanitization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intimacy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:security"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:disorder"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stillness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:theartistispresent"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:buddhism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:performativespaces"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:relationalaesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:situationist"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interactivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:simplicity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meditation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aversion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:place"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:action"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intervention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:utopias"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gandhi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:microutopias"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:austerity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tahrirsquare"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:janineantoni"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nicolasbourriaud"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:utopia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pocketsofutopia"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://momareadinglist.tumblr.com/post/61041225566/kenneth-goldsmith">
    <title>Reading List: AN EXHIBITION AT THE MoMA LIBRARY</title>
    <dc:date>2013-11-15T20:36:44+00:00</dc:date>
    <link>http://momareadinglist.tumblr.com/post/61041225566/kenneth-goldsmith</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What is your favorite art book?

the internet

What are you currently reading?

the internet

What is your favorite art book title?

The Internet

What is the first book you read that was influential to you?

the television

What books, magazines, or art ephemera do you keep in the space where you work?

the internet and many hard drives

If you could only live with one art book what would it be?

the internet"]]></description>
<dc:subject>kennethgoldsmith internet internetasliterature books 2013 interviews moma reading internetasfavoritebook</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b545c9a0e21d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kennethgoldsmith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internetasliterature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2013"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interviews"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internetasfavoritebook"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.coursera.org/course/artinquiry">
    <title>Art and Inquiry: Museum Teaching Strategies For Your Classroom | Coursera</title>
    <dc:date>2013-07-28T22:02:52+00:00</dc:date>
    <link>https://www.coursera.org/course/artinquiry</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Explore how to integrate works of art into your classroom with inquiry-based teaching methods originally developed for in-gallery museum education."]]></description>
<dc:subject>lisamazzola ncmideas museums teaching education art inquiry-basedlearning moma coursera artinquiry</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0b0b8d1230f4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lisamazzola"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ncmideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teaching"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inquiry-basedlearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coursera"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artinquiry"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://explorecreateshare.org/">
    <title>Hive NYC Learning Network</title>
    <dc:date>2013-07-20T20:45:13+00:00</dc:date>
    <link>http://explorecreateshare.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[From the about page, which also includes a great directory of organizations.]

"Hive NYC Learning Network is a Mozilla project that was founded through The MacArthur Foundation’s Digital Media and Learning initiative to fuel collaborations between cultural organizations to create new learning pathways and innovative education practices together. Hive NYC is composed of fifty-six non-profit organizations—museums, libraries, after-school clubs and informal learning spaces—that create Connected Learning opportunities for youth. Network members have access to funding to support this work through The Hive Digital Media Learning Fund in The New York Community Trust.

Core Beliefs:
• School is not the sole provider in a community’s educational system
• Youth need to be both sophisticated consumers and active producers of digital media
• Learning should be driven by youth’s interests
• Digital media and technology are the glue and amplifier for connected learning experiences
• Out-of-school time spaces are fertile grounds for learning innovation
• Organizations must collaborate to thrive

Hive NYC operates as a city-based learning lab, where members network with each other, share best practices and pedagogies, learn about and play with new technologies, participate in events, and most importantly, collaborate to create learning opportunities for NYC youth. As part of the network, members have access to the following support and services:

• Strategic guidance in seeking funding through the Hive Digital Media Learning Fund in the New York Community Trust
• Brokered connections between member organizations based on shared ideas and potential programs
• Participation in events in and beyond New York City that illustrate the work of network members and promote Connected Learning principles, digital literacy AND webmaking skills
• Access to involvement with the NYC Department of Education and others seeking to build experimental and/or sustainable partnerships with Hive NYC
• Opportunity to promote new, programs and events through Hive NYC communications channels (blog, Facebook, Twitter, etc.), as well as youth and volunteer recruitment
• A knowledge exchange for members to share models, ideas, content, tools and best-practices with each other
• Professional Development sessions that develop staff through network peer mentoring, modeling and sharing
• Monthly, in-person meet-ups and conference calls that allow for members to share program updates, best practices, and learn about new opportunities
• Additional seed funding for technology development, research, etc.

Each year, more than 6,000 tweens and teens across NYC directly engage with Hive NYC. These youth take part in projects funded by the Hive Digital Media Learning Fund in The New York Community Trust, private and community events, and programs resulting from network partnerships. Another 330,000 youth are indirectly impacted by these efforts, and through the broad dissemination of innovations and programs developed within the network."

[See also: http://hiveresearchlab.org/ ]]]></description>
<dc:subject>nyc hivenyclearning mozilla informallearning self-directed self-directedlearning unschooling deschooling learning youth openstudioproject lcproject macarthurfoundation homago museums ncmideas afterschool clubs learningspaces funding professionaldevelopment bestpractices digitalliteracy networkedlearning networks collaboration digitalmedia newmedia technology interestdriven amnh bankstreetcollege beamcenter brooklynmuseum brooklynpubliclibrary carnegiehall centerforurbanpedagogy citylore children'smuseumofthearts coderjojo dreamyard exposurecamp eyebeam facinghistoryandourselves glovbalkids grilswritenow maketheroad thelamp nycsalt parsons reelworks wagnercollege worldup wnyc wnycradiorookies urbanword toked thepoint rubinmuseum momi nypl moma iridescentlearning habitatmap cooper-hewitt commonsensemedia brooklyn bronx manhattan groundswell mouse downtowncommunitytelevision globalactionproject globalkids instituteofplay joanganzcooneycenter people'sproductionhouse radiorookies stoked queens statenisland cooperh</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d1c722b9a4cd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hivenyclearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mozilla"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:informallearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:self-directed"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:self-directedlearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:youth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:openstudioproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lcproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:macarthurfoundation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:homago"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ncmideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:afterschool"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clubs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learningspaces"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:funding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:professionaldevelopment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bestpractices"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:digitalliteracy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:networkedlearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:networks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:digitalmedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:newmedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interestdriven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:amnh"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bankstreetcollege"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beamcenter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brooklynmuseum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brooklynpubliclibrary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:carnegiehall"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:centerforurbanpedagogy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:citylore"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:children'smuseumofthearts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coderjojo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dreamyard"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exposurecamp"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eyebeam"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:facinghistoryandourselves"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glovbalkids"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:grilswritenow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maketheroad"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thelamp"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nycsalt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:parsons"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reelworks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wagnercollege"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:worldup"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wnyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wnycradiorookies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urbanword"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:toked"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thepoint"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rubinmuseum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:momi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nypl"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:iridescentlearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:habitatmap"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cooper-hewitt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:commonsensemedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brooklyn"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bronx"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:manhattan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:groundswell"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mouse"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:downtowncommunitytelevision"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:globalactionproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:globalkids"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:instituteofplay"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:joanganzcooneycenter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:people'sproductionhouse"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:radiorookies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stoked"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:queens"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:statenisland"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cooperh"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://momaps1.org/yap/view/14">
    <title>MoMA PS1: YAP: Holding Pattern by Interboro Partners</title>
    <dc:date>2013-06-30T23:25:36+00:00</dc:date>
    <link>http://momaps1.org/yap/view/14</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Museum of Modern Art and MoMA PS1 announce Interboro Partners of Brooklyn, NY, as the winner of the 12th annual Young Architects Program in New York.

Interboro Partners' Holding Pattern brings an eclectic collection of objects including benches, mirrors, ping-pong tables, and floodlights, all disposed under a very elegant and taut canopy of rope strung from MoMA PS1's wall to the parapet across the courtyard. Creating an unobstructed space, the design incorporates for the first time the entire space of MoMA PS1's courtyard under a single grand structure, while creating an environment focusing on the audience as much as the Warm Up performance. A key component of the theme is recycling; objects in the space will be donated to the community at the conclusion of the summer. The designers met with local businesses and organizations including a taxi cab company, senior and day care centers, high schools, settlement houses, the local YMCA, library, and a greenmarket to determine what components of their installation could be used by those organizations following the Warm Up summer music series. Incorporating objects that can subsequently be used by these organizations is a means of strengthening MoMA PS1's ties to the local Long Island City community."

Again: "objects in the space will be donated to the community at the conclusion of the summer."

[See also: http://www.interboropartners.net/2012/holding-pattern-at-moma-ps1/
http://www.designboom.com/architecture/interboro-partners-holding-pattern-for-moma-ps1-now-complete/
http://www.youtube.com/watch?v=GKbC8oLdtTo and
http://www.moma.org/explore/inside_out/2012/01/12/checking-in-on-holding-pattern ]
]]></description>
<dc:subject>moma ps1 participatoryart socialpracticeart design ncmideas participation furniture interboropartners art audience performance recycling community architecture openstudioproject</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b1beb31b9b48/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ps1"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:participatoryart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialpracticeart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ncmideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:participation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:furniture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interboropartners"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:audience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:performance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:recycling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:community"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:openstudioproject"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://isamuseum.org/">
    <title>What #isamuseum | Sam Durant</title>
    <dc:date>2013-06-12T18:02:49+00:00</dc:date>
    <link>http://isamuseum.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Is a museum a school?
Is a museum political?
Is a museum truthful?
Is a museum fun?
Is a museum for everyone?

Sam Durant, the 2013 Getty Artists Program invitee, is a multimedia artist whose work explores the relationships between politics and culture. His socially engaged practice addresses subjects as diverse as the civil rights movement, Southern rock music, and modernism.

For his project, What #isamuseum?, Durant continues to investigate these ideas by engaging Museum visitors and staff in an exploration of the roles and functions of a museum. Through a call-and-response format, visitors discover a series of artist-designed questions placed in unexpected locations throughout the Getty Center. With these questions, Durant invites reflections on and responses to the expectations and preconceptions of what a museum is. Individual responses can be shared on www.isamuseum.org, and visitors can input their answers at an iPad hub site located in the Museum Entrance Hall. Social-media outlets, such as Twitter, Facebook, and the Getty Voices project, also serve as channels to discuss the questions and broaden the discourse.

According to Durant, "By expanding the conversation and encouraging different forms of response, participants can become active within the project and even change the debate around the initial issue.”"

[See also (tags here are for that too): https://www.youtube.com/watch?v=kQoEP3pPPjg ]
[Via: http://nomadicity.tumblr.com/post/52793583244/http-isamuseum-org-what-isamuseum-hes-asked ]

[Mentioned in the video: Caroline Woolard's Exchange Cafe at MoMA http://www.moma.org/visit/calendar/exhibitions/1364 

here too
http://www.kcet.org/arts/artbound/counties/los-angeles/sam-durant-social-media-getty-what-isamuseum.html ]]]></description>
<dc:subject>museums samdurant art politics culture education #isamuseum getty purpose 2013 googleartproject pablohelguera robertsain lacmalab sandiego google ncm gettyartistsprogram tobytannenbaum jessicacusick moma centerforlivingarts glvo cv why learning artists chrisburden engagement community children children'smuseums public exchangecafe institutions openstudioproject lcproject participation cocreation collaboration participatory metrics outcomes success civics schools future candychang civicengagement law legal carolinewoolard cafes ncmideas participatoryart</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:9e7f7ff17e98/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:samdurant"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:#isamuseum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:getty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:purpose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2013"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:googleartproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pablohelguera"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robertsain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lacmalab"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sandiego"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:google"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ncm"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gettyartistsprogram"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tobytannenbaum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jessicacusick"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:centerforlivingarts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cv"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:why"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chrisburden"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:engagement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:community"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:children"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:children'smuseums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:public"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exchangecafe"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:institutions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:openstudioproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lcproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:participation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cocreation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:participatory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:metrics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:outcomes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:success"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:civics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:schools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:future"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:candychang"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:civicengagement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:law"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:legal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:carolinewoolard"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cafes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ncmideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:participatoryart"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.onthemedia.org/2013/mar/08/plagiarism-maybe-its-not-so-bad/">
    <title>Plagiarism: Maybe It's Not So Bad - On The Media</title>
    <dc:date>2013-03-11T16:14:56+00:00</dc:date>
    <link>http://www.onthemedia.org/2013/mar/08/plagiarism-maybe-its-not-so-bad/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Artists often draw inspiration from other sources. Musicians sample songs. Painters recreate existing masterpieces. Kenneth Goldsmith believes writers should catch-up with other mediums and embrace plagiarism in their work. Brooke talks with Goldsmith, MoMA’s new Poet Laureate, about how he plagiarizes in his own poetry and asks if appropriation is something best left in the art world."

[Full show here: http://www.onthemedia.org/2013/mar/08/ ]

"A special hour on our changing understanding of ownership and how it is affected by the law. An author and professor who encourages creative writing through plagiarism, 3D printing, fan fiction & fair use, and the strange tale of who owns "The Happy Birthday Song""]]></description>
<dc:subject>plagiarism poetry poems 2013 kennethgoldsmith moma appropriation creativity originality writing creativewriting 3dprinting fanfiction happybirthday songs music drm copyright fairuse ownership possessions property law legal ip intellectualproperty campervan beethoven robertbrauneis jamesboyle history rebeccatushnet chrisanderson michaelweinberg public publicknowledge campervanbeethoven davidlowey johncage representation copying sampling photography painting art economics content aesthetics jamesjoyce patchwriting ulysses</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:43565a682f32/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:plagiarism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poetry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poems"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2013"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kennethgoldsmith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:appropriation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:originality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativewriting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:3dprinting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fanfiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:happybirthday"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:songs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:drm"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:copyright"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fairuse"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ownership"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:possessions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:property"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:law"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:legal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ip"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intellectualproperty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:campervan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beethoven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robertbrauneis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jamesboyle"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rebeccatushnet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chrisanderson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:michaelweinberg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:public"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:publicknowledge"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:campervanbeethoven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:davidlowey"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:johncage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:representation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:copying"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sampling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:economics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:content"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jamesjoyce"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patchwriting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ulysses"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.moma.org/explore/inside_out/2012/11/29/video-games-14-in-the-collection-for-starters">
    <title>MoMA | Video Games: 14 in the Collection, for Starters</title>
    <dc:date>2012-12-07T02:09:21+00:00</dc:date>
    <link>http://www.moma.org/explore/inside_out/2012/11/29/video-games-14-in-the-collection-for-starters</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We are very proud to announce that MoMA has acquired a selection of 14 video games, the seedbed for an initial wish list of about 40 to be acquired in the near future, as well as for a new category of artworks in MoMA’s collection that we hope will grow in the future. This initial group, which we will install for your delight in the Museum’s Philip Johnson Galleries in March 2013, features:

• Pac-Man (1980)
• Tetris (1984)
• Another World (1991)
• Myst (1993)
• SimCity 2000 (1994)
• vib-ribbon (1999)
• The Sims (2000)
• Katamari Damacy (2004)
• EVE Online (2003)
• Dwarf Fortress (2006)
• Portal (2007)
• flOw (2006)
• Passage (2008)
• Canabalt (2009)"]]></description>
<dc:subject>zelda corewar marblemadness yars'revemge supermario supermario64 streetfighterii nethack donkeykong spaceinvaders tempest zork snake pong minecraft chronotrigger animalcrossing grimfandango jenovachen pacman tetris anotherworld myst simcity2000 simcity vib-ribbon thesims katamaridamacy eveonline dwarffortress portal flow passage canabalt moma design videogames art gaming games paolaantonelli 2012</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:578704fcabf0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zelda"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:corewar"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marblemadness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:yars'revemge"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:supermario"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:supermario64"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetfighterii"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nethack"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:donkeykong"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:spaceinvaders"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tempest"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zork"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:snake"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pong"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:minecraft"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chronotrigger"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:animalcrossing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:grimfandango"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jenovachen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pacman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tetris"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anotherworld"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:myst"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:simcity2000"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:simcity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vib-ribbon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thesims"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:katamaridamacy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eveonline"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dwarffortress"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:portal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:passage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:canabalt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:videogames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gaming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.aaronland.info/weblog/2012/11/09/jello/#parallel-tms">
    <title>[this is aaronland] JELLO SHOTS IN PNEUMATIC TUBES</title>
    <dc:date>2012-11-13T09:19:30+00:00</dc:date>
    <link>http://www.aaronland.info/weblog/2012/11/09/jello/#parallel-tms</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We know our data is weird. We know our data is incomplete. We'll fix it.

The point is that we are still feeling the shape of what's in there. All of this stuff has been locked away for so long, in the shadows of the database or in institutional histories, that we're going to have to spend some serious time digging it all out.

We will.

One of the ways we're trying to do this is by holding hands with other institutions and sources. We've been actively trying to build concordances between our data and projects like Wikipedia and Freebase and other cultural institutions like MoMA.

We've started with the people in our collection, the individual and corporations who've had a hand in the objects we steward. Eventually we'd like to do the same for topics and temporal periods and even for our objects.

Currently we're publishing concordances for about five sources but that's only because they were easy to get started with and they could be used to model interactions around.

For example, we don't have a biography of Ray Eames. Arguably if there's anyone in our collection that we should be writing our own biographies for it's her. But we don't and that same measure doesn't necessarily apply to everyone in our collection. And for those people – maybe all the people – we need to ask the question: Why are we, each of us as institutions, burning time we could be using talking about the work we collect rewriting the same biographies over and over again?

Let's be honest and admit that in many instances the Wikipedia community is simply doing a better job of it. So yeah, of course we're going to build on, and celebrate, their contribution."]]></description>
<dc:subject>museums rewriting concordances stewards stewardship culture database databases moma freebase wikipedia data api 2012 cooper-hewitt aaronstraupcope rayeames wilipedia community collections tms cooperhewitt</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:39bc0d2c048f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rewriting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:concordances"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stewards"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stewardship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:database"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:databases"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freebase"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wikipedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:data"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:api"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cooper-hewitt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aaronstraupcope"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rayeames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wilipedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:community"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collections"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cooperhewitt"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://changeobserver.designobserver.com/feature/uncommon-ground/18988/">
    <title>Uncommon Ground: Change Observer: Design Observer</title>
    <dc:date>2012-11-08T05:34:25+00:00</dc:date>
    <link>http://changeobserver.designobserver.com/feature/uncommon-ground/18988/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Is it really community-minded to present your building as a sort of secular white temple in the middle of a gray city?"

"I hope it is clear that I have no issue with most of the work on view in “Small Scale, Big Change.” (Though I do have an issue with the glossy, tone-deaf film starring a white rabbit that accompanies Michael Maltzan Architecture’s Inner-City Arts complex, as well as the Iwan Baan photo used to show it. Is it really community-minded to present your building as a sort of secular white temple in the middle of a gray city?) I also have no issue with the idea of MoMA embracing social change. The problem is this exhibition fails to engage with real-world questions of scalability, accountability and popularity in a forward-thinking way. The museum is playing catch-up on a decade of design that fell under their radar, and it shows."]]></description>
<dc:subject>socialengagement diebedofranciskere 2010 alejandroaravena losangeles iquique quintamonroy andreslepik mimizeiger ruedibaur ruralstudio elemental change scale photography iwanbaan michaelmaltzan moma criticism design architecture alexandralange</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c38a12d6c936/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialengagement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diebedofranciskere"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2010"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alejandroaravena"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:losangeles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:iquique"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:quintamonroy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:andreslepik"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mimizeiger"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ruedibaur"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ruralstudio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elemental"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:change"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scale"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:iwanbaan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:michaelmaltzan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alexandralange"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.moma.org/visit/calendar/exhibitions/1294">
    <title>MoMA | Eyes Closed/Eyes Open: Recent Acquisitions in Drawings</title>
    <dc:date>2012-11-02T05:59:34+00:00</dc:date>
    <link>http://www.moma.org/visit/calendar/exhibitions/1294</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Franz Erhard Walther emphasized the relationship between the art object and the body in space with his First Work Set (1963–69), a group of 58 fabric elements that can only be fully activated through human participation. Accompanying them is a suite of Work Drawings that Walther likened to musical scores, and that illustrate each object on both a functional and a conceptual level."]]></description>
<dc:subject>participatory participation space humanbody body moma glvo art firstworkset franzerhardwalther ncm participatoryart ncmideas bodies</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:bb20ecfabec1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:participatory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:participation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humanbody"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:body"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:firstworkset"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:franzerhardwalther"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ncm"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:participatoryart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ncmideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bodies"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.moma.org/interactives/exhibitions/2012/millenniummagazines/">
    <title>MoMA.org | Millennium Magazines</title>
    <dc:date>2012-07-19T03:30:21+00:00</dc:date>
    <link>http://www.moma.org/interactives/exhibitions/2012/millenniummagazines/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Throughout the twentieth century, innovations in international avant-garde visual arts and design were often first expressed in the informal context of a magazine or journal. This exhibition, drawn from the holdings of The Museum of Modern Art Library, follows this practice into the twenty-first century, exploring the various ways in which contemporary artists and designers use the magazine as an experimental space.

The works on view, all published since 2000, represent a broad array of international titles—from community newspapers to image- only photography magazines to conceptual design projects. These publications illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are connections to the past lineage of artists’ magazines and the little architecture and design magazines of the twentieth century, as well as unique applications of new image-editing and printing methods. Assembled here, these contemporary magazines provide a firsthand view of the latest practices in art and design in print and represent MoMA Library’s sustained effort to document and collect this medium."]]></description>
<dc:subject>it'snicethat insituteforsocialhypocrisy infopool exhibitions hotandcold hunterandcrook hereandthere thehappyhypocrite graphic gagarin foerster fillip faund faqnp fashionfashion fabrikzeitung theexhibitionist theexcuse espous elsie elk ledictateur derdiedas dearreader daddy correspondencia copenhagenfreeuniversity conveyormagazine condiment clubdonny chimurenga charley capricious cabinet bidoun apartamento davidsenior rachaelmorrison moma art zines magazines</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:59e91200e8e0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:it'snicethat"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:insituteforsocialhypocrisy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:infopool"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exhibitions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hotandcold"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hunterandcrook"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hereandthere"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thehappyhypocrite"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graphic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gagarin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:foerster"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fillip"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:faund"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:faqnp"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fashionfashion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fabrikzeitung"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:theexhibitionist"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:theexcuse"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:espous"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elsie"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ledictateur"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:derdiedas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dearreader"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:daddy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:correspondencia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:copenhagenfreeuniversity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conveyormagazine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:condiment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clubdonny"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chimurenga"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:charley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:capricious"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cabinet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bidoun"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:apartamento"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:davidsenior"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rachaelmorrison"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zines"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:magazines"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://nextcity.org/daily/entry/sympathy-for-the-suburbs">
    <title>Next American City » Sympathy for the Suburbs</title>
    <dc:date>2012-02-22T03:50:06+00:00</dc:date>
    <link>https://nextcity.org/daily/entry/sympathy-for-the-suburbs</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["But Foreclosed seethes with disdain for the suburbs, and the lack of an empathetic understanding of how the suburbs function and are changing, ultimately makes the exhibit look less visionary than ignorant…

These radical visions that are so insensitive to the suburbs remind me of the Modernist public housing projects that were once foisted on inner cities. Created by well-intentioned but essentially ignorant architects and planners, those buildings made sense in theory but not in practice. They didn’t respond to the rhythms and needs of the people who would be housed there, because the architects didn’t really respect or understand the lives of poor people. MoMA should have found some architects who could love and live in the suburbs, showing us the way to make the most of suburban housing instead of wishing it didn’t exist."]]></description>
<dc:subject>hilarysample michaelmeredith losangeles oregon illinois california florida newjersey templeterrace theoranges cicero keizer rialto cities edglaeser misregistration repurposing revitalization infrastructure jeannegang WORKac foreclosed barrybergdoll housing andrewzago buellhypothesis moma design planning poverty urbanism urban architecture suburbia suburbs 2012 foreclosure housingbubble housingcrisis edwardglaeser</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:543e0bd7b6e7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hilarysample"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:michaelmeredith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:losangeles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:oregon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:illinois"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:california"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:florida"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:newjersey"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:templeterrace"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:theoranges"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cicero"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:keizer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rialto"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edglaeser"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:misregistration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:repurposing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:revitalization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:infrastructure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jeannegang"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:WORKac"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:foreclosed"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:barrybergdoll"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:housing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:andrewzago"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:buellhypothesis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:planning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poverty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urbanism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:urban"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:suburbia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:suburbs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:foreclosure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:housingbubble"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:housingcrisis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edwardglaeser"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.moma.org/interactives/exhibitions/2011/newphotography/doug-rickard/">
    <title>MoMA | New Photography 2011 | Doug Rickard</title>
    <dc:date>2012-01-18T17:32:25+00:00</dc:date>
    <link>http://www.moma.org/interactives/exhibitions/2011/newphotography/doug-rickard/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Doug Rickard (American, born 1968) studied United States history and sociology at the University of California, San Diego, before moving to photography. He has drawn on this background in research for his series A New American Picture, which focuses on places in the United States where unemployment is high and educational opportunities are few. On a virtual road trip, Rickard located these sites remotely using the Street View feature of the website Google Maps, which has mapped and photographed every street in the country. Scrutinizing the Google Maps pictures, he composed images on his computer screen, which he then photographed using a digital camera. The resulting pictures—digitally manipulated to remove the Google watermark and cropped to a panoramic format—comment on poverty and racial equity in the United States, the bounty of images on the web, and issues of personal privacy."]]></description>
<dc:subject>steetscapes landscape poverty race us 2011 art moma dougrickard photography googlestreetview googlemaps streetview</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:81b96f32dcc3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:steetscapes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:landscape"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poverty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:us"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dougrickard"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:googlestreetview"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:googlemaps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:streetview"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.youtube.com/watch?v=8zlPqB-onTc">
    <title>Inhabitat chats with Paola Antonelli - YouTube</title>
    <dc:date>2011-09-10T20:36:11+00:00</dc:date>
    <link>http://www.youtube.com/watch?v=8zlPqB-onTc</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Inhabitat's Jill Fehrenbacher interviews MoMA design curator Paola Antonelli about her latest MoMA exhibit on the future of interaction design 'Talk To Me'"]]></description>
<dc:subject>2011 moma talktome paolaantonelli jillfehrenbacher design technology interaction interactiondesign objects</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:5ff26d065c64/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:talktome"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jillfehrenbacher"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interaction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interactiondesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:objects"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://moma.org/interactives/exhibitions/2011/talktome/home.html">
    <title>MoMA | Talk to Me BETA</title>
    <dc:date>2011-07-22T04:06:40+00:00</dc:date>
    <link>http://moma.org/interactives/exhibitions/2011/talktome/home.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["New branches of design practice have emerged in the past decades that combine design’s old-fashioned preoccupations—with form, function, and meaning—with a focus on the exchange of information and even emotion. Communication design deals with the delivery of messages, encompassing graphic design, wayfinding, and communicative objects of all kinds, from printed materials to three-dimensional and digital projects. Interface and interaction design delineate the behavior of products and systems as well as the experiences that people will have with them. Information and visualization design deal with the maps, diagrams, and tools that filter and make sense of information. In critical design, conceptual scenarios are built around hypothetical objects to comment on the social, political, and cultural consequences of new technologies and behaviors."]]></description>
<dc:subject>cities interaction interface augmentedreality 2011 talktome moma design media objects dialogue socialnetworks information technology dialog ar</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2b9f064e2cc5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interaction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interface"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:augmentedreality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:talktome"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:objects"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dialogue"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialnetworks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:information"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dialog"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ar"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://moma.org/interactives/exhibitions/2011/talktome/objects/146211/">
    <title>MoMA | Talk to Me BETA | prettymaps, Beijing, Manhattan, and Tokyo</title>
    <dc:date>2011-07-22T04:04:09+00:00</dc:date>
    <link>http://moma.org/interactives/exhibitions/2011/talktome/objects/146211/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Polymaps, Mapnik, and TileStache software

prettymaps are interactive maps that integrate data from freely available sources into multidimensional renderings of different places. The application pulls geographic data from open-mapping projects—including street-level data from OpenStreetMap, land-formation data from Natural Earth, and place-specific data from Flickr—and plots them atop one another. Users can view the maps at varying degrees of detail, zooming from a view of the world to a view of a single neighborhood. They are visually striking, with cities transformed into colorful abstractions, but the shapes are recognizable for anyone already familiar with the terrain."]]></description>
<dc:subject>prettymaps maps mapping beijing manhattan nyc moma tokyo polymaps mapnik tilestache cities 2011 talktome aaronstraupcope</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f33847f8b64a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:prettymaps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mapping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beijing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:manhattan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tokyo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:polymaps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mapnik"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tilestache"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:talktome"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aaronstraupcope"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.moma.org/explore/mobile/iphoneapp">
    <title>MoMA | The MoMA App</title>
    <dc:date>2010-08-16T17:13:37+00:00</dc:date>
    <link>http://www.moma.org/explore/mobile/iphoneapp</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Carry MoMA with you wherever you go. Use the MoMA App to find out what’s on at the Museum, plan a visit, browse or search tens of thousands of works in the collection, take multimedia tours, or learn about artists and art terms. Take a picture of a work of art and send it to a friend, or put together a playlist to create a soundtrack for your MoMA visit."]]></description>
<dc:subject>via:kottke iphone moma museums nyc applications art ios</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:77a4750374e4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:kottke"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:iphone"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:applications"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ios"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.frieze.com/issue/article/art_space/">
    <title>Frieze Magazine | Archive | Art Space [&quot;Have crowded museums and galleries put an end to uninterrupted contemplation?&quot;]</title>
    <dc:date>2010-08-04T04:16:50+00:00</dc:date>
    <link>http://www.frieze.com/issue/article/art_space/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["One would be tempted to say that the contemporary museum is a machine for ‘slipping glimpses’ – to misappropriate Willem de Kooning’s famous description of his painting, while noting that the essence of appreciating his work consists in looking hard and long at what he captured in a blink of the eye and the flick of a wrist. But, in truth, the mechanisms in play are horridly like those of a sci-fi monster that ingests people in great gulps, pumps them peristaltically through its digestive tract in a semi-delirious state, and then flushes them out the other end with their pockets lighter and with almost no memory of their ‘museum experience’ other than a mild anaesthetic hangover. In short, one leaves the halls of culture much as one does a colonoscopy clinic."]]></description>
<dc:subject>art moma robertstorr museums 2010 performance quiet</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:5b0e2fd7dfe7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robertstorr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2010"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:performance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:quiet"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.observer.com/2010/culture/soul-new-museum-temple-school-try-nightclub?page=0">
    <title>Temple? School? Try Nightclub: The Soul of a New Museum | The New York Observer</title>
    <dc:date>2010-08-04T04:14:30+00:00</dc:date>
    <link>http://www.observer.com/2010/culture/soul-new-museum-temple-school-try-nightclub?page=0</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["past year is culmination of decade-long effort to change museum's character, to turn it "interactive," place where people come to see, but also be seen; to not just look at art but participate in it. MoMA has made its mission to transform "into a social space from an treasure trove," according to the director…

But a resulting influx of people through the doors has lead influential art worlders like Robert Storr to lament rise of "Death Star Museums." These are places where "uninterrupted contemplation" is impossible. More people may be coming to contemp art museums, Mr. Storr wrote…, but "the mechanisms in play are horridly like those of a sci-fi monster that ingests people in great gulps."

"Museums of modern art are a kind of inherently unstable space," Mr. Lowry said. "If you're going to follow flow of contemp art, you have to constantly tweak & adjust. You can't lock it down & say this is what it should be for the next 10 years. Artists are moving much faster than that.""]]></description>
<dc:subject>via:foe art museums moma nyc contemporary events participation scenes objects social robertstorr design paolaantonelli accessibility change 2010 attendance quiet crowds yokoono artclubbing youth ps1 ncmideas participatoryart</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:120070a21c45/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:foe"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:museums"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:contemporary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:events"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:participation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scenes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:objects"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:social"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robertstorr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:accessibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:change"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2010"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:attendance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:quiet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:crowds"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:yokoono"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artclubbing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:youth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ps1"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ncmideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:participatoryart"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.seedmagazine.com/news/2009/02/core_principles_1.php">
    <title>Seed: Core Principles</title>
    <dc:date>2009-03-10T04:14:25+00:00</dc:date>
    <link>http://www.seedmagazine.com/news/2009/02/core_principles_1.php</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Designers find themselves today at the center of an extraordinary wave of cross-pollination. Because of their role as intermediaries between research and production, they often act as the primary interpreters in interdisciplinary teams, called upon not only to conceive objects, but also to devise scenarios and strategies. To cope with this responsibility, designers need to set the foundations for a theory of design and become astute generalists. At that point, they will be in a unique position to become the repositories of contemporary culture's need for analysis and synthesis, society's new pragmatic intellectuals. As scientists increasingly embrace this role of the designer, and also recognize in designers like-minded innovative thinking, science will become design's most precious ally."
]]></description>
<dc:subject>paolaantonelli design generalists moma stamendesign science technology crossdisciplinary interdisciplinary multidisciplinary cv seed connections trends</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:cc7604173f9d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:generalists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stamendesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:crossdisciplinary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interdisciplinary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:multidisciplinary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cv"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:seed"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:connections"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:trends"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2009/02/19/arts/design/19perf.html?_r=1">
    <title>Art Review - 'Performance 1 - Tehching Hsieh' - At MoMA, a Life Shrunk to Expand Art - NYTimes.com</title>
    <dc:date>2009-02-19T23:41:04+00:00</dc:date>
    <link>http://www.nytimes.com/2009/02/19/arts/design/19perf.html?_r=1</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In the One Year Performances, especially the first four, Mr. Hsieh did not make his life his art. Instead, with Classical precision and unquestionable monstrousness, he expanded his art until it fully occupied, consumed and suspended his life."

[More here: http://www.nytimes.com/2009/03/01/arts/design/01sont.html?pagewanted=all ]]]></description>
<dc:subject>art arthistory performance nyc tehchinghsieh moma glvo history</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:1bf4ccfd9d16/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arthistory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:performance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tehchinghsieh"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94119708">
    <title>Prefab: From Utilitarian Home To Design Icon : NPR</title>
    <dc:date>2008-09-16T00:52:09+00:00</dc:date>
    <link>http://www.npr.org/templates/story/story.php?storyId=94119708</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Some of the world's most famous architects have tried to use mass production techniques to design houses. Now, an exhibit at New York's Museum of Modern Art explores the history of the prefab house. The exhibit comes as computer design is revolutionizing the way prefabricated houses are constructed."

[see also: http://www.moma.org/exhibitions/exhibitions.php?id=5476 ]
]]></description>
<dc:subject>architecture design moma prefab homes housing innovation</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:3442fcf99e70/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:prefab"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:homes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:housing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:innovation"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.momahomedelivery.org/">
    <title>Home Delivery: Fabricating the Modern Dwelling</title>
    <dc:date>2008-07-24T07:23:48+00:00</dc:date>
    <link>http://www.momahomedelivery.org/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>architecture prefab moma exhibits design exhibitions fabrication sustainability housing</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:a1e7cd7eb612/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:prefab"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exhibits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exhibitions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fabrication"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sustainability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:housing"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2008/07/18/arts/design/18dwel.html?_r=1&amp;partner=rssuserland&amp;emc=rss&amp;pagewanted=all&amp;oref=slogin">
    <title>Design Review - ‘Home Delivery’ - At MoMA, a Look at Instant Houses, Past, Present and Future - Review - NYTimes.com</title>
    <dc:date>2008-07-18T20:01:35+00:00</dc:date>
    <link>http://www.nytimes.com/2008/07/18/arts/design/18dwel.html?_r=1&amp;partner=rssuserland&amp;emc=rss&amp;pagewanted=all&amp;oref=slogin</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["“Home Delivery: Fabricating the Modern Dwelling,” is a delightful surprise...presents more than 80 projects, from humble experiments in suburban living to stunning works of creative imagination."
]]></description>
<dc:subject>nicoliaouroussoff prefab design homes housing architecture moma teddycruz</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:fcd55f64280f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nicoliaouroussoff"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:prefab"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:homes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:housing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teddycruz"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2008/07/13/magazine/13Matter-t.html?partner=rssuserland&amp;emc=rss&amp;pagewanted=all">
    <title>Matter - Here Comes the Neighborhood - A Housing Project, MoMA-Style - NYTimes.com</title>
    <dc:date>2008-07-12T19:59:01+00:00</dc:date>
    <link>http://www.nytimes.com/2008/07/13/magazine/13Matter-t.html?partner=rssuserland&amp;emc=rss&amp;pagewanted=all</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["“Home Delivery” offered the perfect opportunity to bring together architects’ current interest in digital fabrication with the general public’s nostalgia for Modernist prefab designs, and to do an exhibition that was both contemporary and histori
]]></description>
<dc:subject>prefab moma architecture design homes</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:737384f4d0c7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:prefab"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:homes"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://benfry.com/writing/archives/119">
    <title>writing | ben fry » Paola Antonelli on Charlie Rose</title>
    <dc:date>2008-06-14T02:12:14+00:00</dc:date>
    <link>http://benfry.com/writing/archives/119</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Her ability to speak plainly and clearly reinforces her point about designers and their role in society. (And if you don’t agree, consider what sort of garbage she could have said, or rather that most would have said, speaking about such a trendy oh-so
]]></description>
<dc:subject>art design paolaantonelli charlierose designandtheelasticmind moma interviews video via:tomc</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c644a9502d5b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:charlierose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designandtheelasticmind"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interviews"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:video"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:tomc"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://archinect.com/features/article.php?id=75138_0_23_0_C">
    <title>Archinect : Features : Archinect Reviews: Design and the Elastic Mind</title>
    <dc:date>2008-05-25T20:11:08+00:00</dc:date>
    <link>http://archinect.com/features/article.php?id=75138_0_23_0_C</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["One of the greatest pleasures of...is watching people outside those discourses discover these things for the first time. The show is complete sensory overload...the civilians were literally freaking out because they had no idea any of this existed"
]]></description>
<dc:subject>designandtheelasticmind archinect moma design reviews future biomimicry architecture paolaantonelli art exhibitions biomimetics</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:086467155f33/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designandtheelasticmind"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:archinect"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reviews"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:future"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:biomimicry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exhibitions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:biomimetics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://momahomedelivery.org/">
    <title>Home Delivery: Fabricating the Modern Dwelling</title>
    <dc:date>2008-04-18T00:20:41+00:00</dc:date>
    <link>http://momahomedelivery.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["offers "behind scenes" look into entire process of creating & erecting prefab architecture. As part of exhibition which will be on view at MOMA from July 20-October 20, 2008, the Museum selected 5 architects to display full-scale prefab houses in  outdoo
]]></description>
<dc:subject>architecture design green housing moma prefab sustainability</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:00687b8dbd0e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:green"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:housing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:prefab"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sustainability"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.seedmagazine.com/news/2008/04/design_and_the_elastic_mind.php?page=all&amp;p=y">
    <title>Seed: Design and the Elastic Mind: In the emerging dialogue between design and science, scale and pace play fundamental roles. By MoMA curator Paola Antonelli.</title>
    <dc:date>2008-04-15T22:20:57+00:00</dc:date>
    <link>http://www.seedmagazine.com/news/2008/04/design_and_the_elastic_mind.php?page=all&amp;p=y</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Much of this is being done by bona fide designers, but scientists and artists have also turned to design to give method to their productive tinkering, what John Seely Brown has called "thinkering." They all belong to a new culture in which experimentation is guided by engagement in the world and by open, constructive collaboration with colleagues and other specialists." ... "...importance of "critical design," or "design for debate," which he defines as a way of using design as a medium to challenge narrow assumptions, preconceptions, and givens about the role products play in everyday life"
]]></description>
<dc:subject>paolaantonelli seed design science moma gamechanging designandtheelasticmind nanotechnology biomimicry topography brain art debate eames architecture society dialogue interdisciplinary crosspollination johnseelybrown dialog biomimetics</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8812b368351a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:seed"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamechanging"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designandtheelasticmind"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nanotechnology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:biomimicry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:topography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:debate"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dialogue"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interdisciplinary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:crosspollination"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:johnseelybrown"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dialog"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:biomimetics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.worldchanging.com/archives/007960.html">
    <title>WorldChanging: Design and the Elastic Mind</title>
    <dc:date>2008-04-15T06:41:14+00:00</dc:date>
    <link>http://www.worldchanging.com/archives/007960.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Design as a tool for learning can increase our understanding and appreciation of the world around us, as well as enable designers to participate in a wider technological, cultural and environmental discourse creating the world of the future"
]]></description>
<dc:subject>art design moma worldchanging paolaantonelli learning gamechanging designandtheelasticmind thinking problemsolving technology culture environment sustainability future futurism</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:901531758b56/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:worldchanging"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamechanging"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designandtheelasticmind"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:problemsolving"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:environment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sustainability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:future"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:futurism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://varnelis.net/blog/design_is_dead">
    <title>Design is Dead | varnelis.net</title>
    <dc:date>2008-03-29T23:44:07+00:00</dc:date>
    <link>http://varnelis.net/blog/design_is_dead</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Just as we seem to have more faith in design than ever, just as design seems to be exploding, we are also faced with a culture for which design (as conventionally practiced) is simply not appropriate anymore."
]]></description>
<dc:subject>design thinking problemsolving materialism philippestarck unproduct culture ethics sustainability green designandtheelasticmind moma clayshirky kazysvarnelis networks designer diy hacking making opensource usergeneratedcontent usergenerated make hertzianspace</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c873fb55abdf/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:problemsolving"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:materialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:philippestarck"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unproduct"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ethics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sustainability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:green"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designandtheelasticmind"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clayshirky"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kazysvarnelis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:networks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hacking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:opensource"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:usergeneratedcontent"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:usergenerated"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:make"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hertzianspace"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.moma.org/exhibitions/2008/elasticmind/">
    <title>Design and the Elastic Mind</title>
    <dc:date>2008-02-26T01:37:14+00:00</dc:date>
    <link>http://www.moma.org/exhibitions/2008/elasticmind/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The exhibition highlights designers’ ability to grasp momentous changes in technology, science, and history—changes that demand or reflect major adjustments in human behavior—and translate them into objects that people can actually understand and u
]]></description>
<dc:subject>design future interface stamendesign moma exhibits interactive webdesign gallery infographics information visualization art architecture patterns biology scale technology inspiration form paolaantonelli nanotechnology nature science human anatomy eames designandtheelasticmind webdev</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:4bf922231603/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:future"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interface"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stamendesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exhibits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interactive"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gallery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:infographics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:information"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patterns"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:biology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scale"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inspiration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:form"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nanotechnology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:human"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anatomy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designandtheelasticmind"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdev"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.brendandawes.com/events/design-and-the-elastic-mind">
    <title>brendandawes.com » Design and the Elastic Mind</title>
    <dc:date>2008-02-23T18:05:39+00:00</dc:date>
    <link>http://www.brendandawes.com/events/design-and-the-elastic-mind</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["“Design and the Elastic mind” is the most uplifting show MoMA’s architecture and design department has presented since the museum reopened in 2004. Thanks to its imaginative breadth, we can begin to dream again."
]]></description>
<dc:subject>design inspiration exhibits moma biology paolaantonelli architecture patterns technology scale nanotechnology science form designandtheelasticmind</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:12c07ed05878/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inspiration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exhibits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:biology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patterns"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scale"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nanotechnology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:form"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designandtheelasticmind"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2008/02/22/arts/design/22elas.html?ex=1361422800&amp;en=ff858941fcb4540f&amp;ei=5090&amp;partner=rssuserland&amp;emc=rss&amp;pagewanted=all">
    <title>Design and the Elastic Mind - Design - Review - New York Times</title>
    <dc:date>2008-02-23T01:52:45+00:00</dc:date>
    <link>http://www.nytimes.com/2008/02/22/arts/design/22elas.html?ex=1361422800&amp;en=ff858941fcb4540f&amp;ei=5090&amp;partner=rssuserland&amp;emc=rss&amp;pagewanted=all</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Although fascination with organic form...since Renaissance...now entered age in which designers & architects...drawing inspiration from hidden patterns in nature rather...results can be scary, but they may also hold the key to paradise."
]]></description>
<dc:subject>art design architecture patterns biology scale technology moma designandtheelasticmind exhibits inspiration form paolaantonelli nanotechnology nature science human anatomy eames</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:063fb8c4a30f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patterns"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:biology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scale"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designandtheelasticmind"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exhibits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inspiration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:form"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nanotechnology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:human"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anatomy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eames"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.fastcompany.com/magazine/119/paola-the-populist.html">
    <title>Paola [Antonelli] the Populist - MoMA - Herman Miller - Aeron</title>
    <dc:date>2007-09-24T18:42:46+00:00</dc:date>
    <link>http://www.fastcompany.com/magazine/119/paola-the-populist.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The design universe revolves around a woman who loves Q-tips, Post-its, and The Twilight Zone."
]]></description>
<dc:subject>people moma design culture paolaantonelli</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2b529ae6d0c7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:people"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paolaantonelli"/>
</rdf:Bag></taxo:topics>
</item>
</rdf:RDF>