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    <title>Jerry's Map</title>
    <dc:date>2026-06-24T07:41:46+00:00</dc:date>
    <link>https://www.jerrysmap.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also:

https://en.wikipedia.org/wiki/Jerry_Gretzinger
https://www.youtube.com/@jerrygretzinger9861/videos
https://vimeo.com/user2352465

https://www.itsnicethat.com/articles/jerrys-map
https://www.wired.com/2013/09/jerry-gretzinger-map-ukrania/
https://www.theatlantic.com/video/2011/09/the-mysterious-life-of-jerrys-map/469446/
https://art.org/exhibitions/jerrys-map

https://vimeo.com/6745866
https://vimeo.com/13596774

"#9 - Jerry Gretzinger" (The Story Podcast)
https://www.youtube.com/watch?v=5ZthLRfCsMA

"He Won’t Stop Building a Map to an Imaginary Place"
https://www.youtube.com/watch?v=Is8N7B9b0GQ

"The remarkable story of Jerry Gretzinger and the map he's dedicated his life to making.

00:00 - What is Jerry's Map?
01:19 - How the map gets made
13:34 - Day 1: The build begins
20:14 - The deck of cards
24:55 - Day 2: We resemble prawns
35:45 - Day 3: The final panels
41:24 - Watch our companion video!"

via:
https://www.openculture.com/2026/06/this-man-has-been-drawing-a-map-of-an-imaginary-land-since-1963.html

"At one time or another, we all feel twinges of anxiety about what will constitute the legacy we leave behind. Jerry Gretzinger may well be subject to just the same discomfort, but at least he can point to the Map: an enormous representation, made of thousands and thousands of individually created and continually modified panels, of an entirely fictional land called Ukrania. You can see Jerry’s Map painstakingly laid out in its most up-to-date state in the new People Make Games video above. As interesting as the product is so far, the work that goes into it is just as compelling, which Gretzinger performs every day according to a complex and strictly defined set of procedures dictated by a deck of heavily modified playing cards.

It would take an astute listener to grasp the rules of the project the first time through, but they’re also available for supplementary study at the official site of Gretzinger’s map. They may bring to mind Brian Eno’s Oblique Strategies, the deck of cards printed with suggestions meant to dislodge creative jams in the music studio or elsewhere.

The map itself may look more reminiscent of the work of Henry Darger, another “outsider artist” who produced riots of color and haphazard-looking materials with an obsessive underlying order of their own. But unlike Darger, who died in obscurity only for his askew epics to be discovered among his belongings, Gretzinger has become famous for his creation in his lifetime, so much so that there exists an active subreddit of amateurs following his example.

Still, the Map did first have to be rediscovered. What Gretzinger began as the expansion of idle doodles in urban form made during breaks at the ball bearing factory in 1963 had to be shelved in the eighties, when a clothing business he’d started with his wife took off. A couple of decades thereafter, his son’s discovery of the Map in the attic inspired Gretzinger to resume work on it, which has continued apace ever since. When interviewed, he sounds less like a creator than an observer, helplessly watching as the city of Ukrania becomes more abstract as it grows — and as great swathes are inexorably consumed by a white space, made of scraps of his own correspondence and other life artifacts, that he portentously calls “the Void.” Now that he’s in his mid-eighties, Gretzinger appears to find it all more freighted with meaning than ever. Sooner or later, alas the Void comes for us all; what’s left to us is how we prepare for it.]

"What is it?

In the summer of 1963 Jerry began drawing a map of an imaginary city. The work started as a doodle done in the spare time he had while working at a tedious job. He continued to add to that map through the years until, in 1983, he set it aside to put his free time to other use.

It was stored in the attic of his home in Cold Spring, New York. It gathered dust. Jerry’s son, Henry, found it one day while rummaging around. He brought it down and asked what it was. Seeing it then triggered Jerry to dust it off and continue the project.

Years later, the Map is now a two-dimensional “virtual world” art project which is now comprised of over 4000 individual eight by ten inch panels. When assembled, these panels form an approximate circle. The panel locations are defined by N, S, E, and W coordinates that originate at the center of the circle. The locations in the matrix do not change, but the panels themselves are continually revised based on instructions drawn from the artist’s custom deck of cards.

Its execution, in acrylic, marker, colored pencil, ink, collage, and inkjet print on heavy paper, is dictated by the interplay between an elaborate set of rules and randomly generated instructions.

Jerry maintained a blog about the project for many years. He no longer updates it, but the old posts are still available on Blogger. And also be sure to check out r/jerrymapping,  an interesting  subreddit devoted to map making in the style of Jerry's Map**.**

The Creative Process

The Card Deck

The entire process is driven by instructions on a card drawn from a special deck created by the artist. Each cycle begins only when the artist’s tasks from the previous card are complete. This could take anywhere from a few minutes to a few days.

The cards were first introduced as a simple random number generator. When Jerry was first creating the map it was simple enough to work sheet to sheet, but as the map grew to hundreds of individual panels it became very tedious to make his way through the set.

“I wanted to move through the stack faster, and the easiest random number system I could come up with was a deck of cards. I’d draw a card and move down that many panels in the stack.” 

As Jerry began working on ways of systematizing the process of working on the map he began to incorporate instructions on the cards. The contemporary deck of cards has been adapted from playing cards and the total number varies as cards have been added, revised, and removed. Currently there are approximately 100 cards.

“Sometimes I have feelings about the deck of cards. There’s a message in those cards. There’s no big man with a beard who has ordered the cards, but I’m very interested in seeing what comes out of it. There’s a reality in there waiting to get out. It’s the map’s future predictor and as it is always changing its alive…My hand puts the paint on the paper, I’ll step back and look at the sheets as though I wasn’t the perpetrator but merely the observer.”

The Principles

These are the instructions and rules which guide the Artist in the creation of the map:

• Each card has a large black or red number in an upper corner. A "task" is defined as the completion of the number of work units as specified by the number on the card that is drawn. A work unit is the number of one inch squares to be covered. The number drawn and the effort required can be highly variable, so a day's work could consist of one card’s work units, or just a portion of one. Work on an incomplete work unit continues at the next work session.
• When a card is drawn you must follow the specific instructions on the card, but those instructions may be changed for the next time that card is drawn.
• Work direction is determined by color of the drawn card - black is clockwise, red is counter-clockwise.
• Every page has a "center" point from which the work emanates. The "center" of the new page is the same as the parent’s.
• New panels are generated by drawing a "new panel" card, or a new panel is required to complete a section of art.
• When a new page is added, the new page will use the "color of the day".
• The location of the new page is determined by placing a compass point in the "center" of the parent page and determining the closest edge of the map (this keeps the map roughly circular and growing generally equally in all directions).
• Master map shows the locations of the panels as defined by coordinates.
• Colors are more abstract and do not necessarily represent the physical world. Colors may be applied with either paint or markers, or by using collage. The 42 colors are continually remixed to ensure a spectrum of paints.
• New artwork is never applied on top of existing original artwork, it is only added to a new version of the page.

The Layers

The Map is expressed, over time, in successive layers, each one replacing its predecessor. The process of developing and revising a panel results in several iterations of that panel.

The Base Layer is divided into four phases:

A. The blank page is an 8 by 10 inch patchwork of paperboard or is a sheet of heavy paper on which is a photo or a lumen print.

B. The blank is gradually covered in successive bands of painted color.

C. The paint is replaced by 1" squares of paper collage.

D. The collage is replaced by 1" city squares in:
1. Green with 400 new inhabitants
2. Red with 800 new inhabitants
3. Grey with 1200 new inhabitants
4. Black with 2400 new inhabitants

The next layer is The Void. Its initial phase is composed of irregular pieces of plain, white collage. That is followed by a layer of 2" squares of black-and-white collage. On that layer 1" squares of grey city form followed by 1" squares of black city.

The third layer is called The Red Dimension and is expressed by irregular flame-shaped solid red collage.

Black Ness, composed of 2" squares of black collage, supercedes The Red Dimension.

Then follows The Ziggurat Phase in which successively smaller squares of collage, starting with 2 by 2, are stacked on top of each other. That layer, and the ones that follow, have yet to manifest themselves on The Map.

The Flood, represented by irregular pieces of blue collage, and Re-Birth, composed of hand-torn pieces of kraft paper, are the final stages in the Map cycle.

Then the whole process starts over with new Paint Bands.

The Evolution of the Process

The map has been constantly evolving with Jerry over the years from the earliest iterations to its present state. This evolution has been driven by three primary factors. First, the media used in the production of the map panels has changed over time. Second, as the map grew larger mechanisms such as the use of the deck of instruction cards automated the map and changed Jerry's role as the author. Finally, the introduction of the system of layers."]]></description>
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    <title>He Won’t Stop Building a Map to an Imaginary Place - YouTube</title>
    <dc:date>2026-06-24T07:40:50+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=Is8N7B9b0GQ</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The remarkable story of Jerry Gretzinger and the map he's dedicated his life to making.

00:00 - What is Jerry's Map?
01:19 - How the map gets made
13:34 - Day 1: The build begins
20:14 - The deck of cards
24:55 - Day 2: We resemble prawns
35:45 - Day 3: The final panels
41:24 - Watch our companion video!"

[See also: 

https://www.jerrysmap.com/
https://en.wikipedia.org/wiki/Jerry_Gretzinger
https://www.youtube.com/@jerrygretzinger9861/videos
https://vimeo.com/user2352465

https://www.itsnicethat.com/articles/jerrys-map
https://www.wired.com/2013/09/jerry-gretzinger-map-ukrania/
https://www.theatlantic.com/video/2011/09/the-mysterious-life-of-jerrys-map/469446/
https://art.org/exhibitions/jerrys-map

https://vimeo.com/6745866
https://vimeo.com/13596774

"#9 - Jerry Gretzinger" (The Story Podcast)
https://www.youtube.com/watch?v=5ZthLRfCsMA

via:
https://www.openculture.com/2026/06/this-man-has-been-drawing-a-map-of-an-imaginary-land-since-1963.html

"At one time or another, we all feel twinges of anxiety about what will constitute the legacy we leave behind. Jerry Gretzinger may well be subject to just the same discomfort, but at least he can point to the Map: an enormous representation, made of thousands and thousands of individually created and continually modified panels, of an entirely fictional land called Ukrania. You can see Jerry’s Map painstakingly laid out in its most up-to-date state in the new People Make Games video above. As interesting as the product is so far, the work that goes into it is just as compelling, which Gretzinger performs every day according to a complex and strictly defined set of procedures dictated by a deck of heavily modified playing cards.

It would take an astute listener to grasp the rules of the project the first time through, but they’re also available for supplementary study at the official site of Gretzinger’s map. They may bring to mind Brian Eno’s Oblique Strategies, the deck of cards printed with suggestions meant to dislodge creative jams in the music studio or elsewhere.

The map itself may look more reminiscent of the work of Henry Darger, another “outsider artist” who produced riots of color and haphazard-looking materials with an obsessive underlying order of their own. But unlike Darger, who died in obscurity only for his askew epics to be discovered among his belongings, Gretzinger has become famous for his creation in his lifetime, so much so that there exists an active subreddit of amateurs following his example.

Still, the Map did first have to be rediscovered. What Gretzinger began as the expansion of idle doodles in urban form made during breaks at the ball bearing factory in 1963 had to be shelved in the eighties, when a clothing business he’d started with his wife took off. A couple of decades thereafter, his son’s discovery of the Map in the attic inspired Gretzinger to resume work on it, which has continued apace ever since. When interviewed, he sounds less like a creator than an observer, helplessly watching as the city of Ukrania becomes more abstract as it grows — and as great swathes are inexorably consumed by a white space, made of scraps of his own correspondence and other life artifacts, that he portentously calls “the Void.” Now that he’s in his mid-eighties, Gretzinger appears to find it all more freighted with meaning than ever. Sooner or later, alas the Void comes for us all; what’s left to us is how we prepare for it."]]]></description>
<dc:subject>jerrygretzinger maps mapping fiction obliquestrategies 2026 art brianeno henrydarger making imagination creativity rules systems systemsthinking games play gaming worldbuilding arts accretion persistence peoplemakegames lore change random randomness uncertainty unrest future disorder order cards carddecks productivity generativeart generative</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=e1DNDGDYhgI">
    <title>3 Apple Maps Alternatives That Can't Sell You Out - YouTube</title>
    <dc:date>2026-06-23T08:15:22+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=e1DNDGDYhgI</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["After years of recommending Apple Maps as a more private Google Maps alternative, that recommendation just got more complicated, because Apple Maps is getting ads. Here are three alternatives worth knowing about.

🔗 SOURCES & LINKS
• OpenStreetMap: https://openstreetmap.org/
• Magic Earth: https://www.magicearth.com/
• Organic Maps: https://organicmaps.app/
• OsmAnd: https://osmand.net/ "]]></description>
<dc:subject>maps mapping apps ios android applemaps googlemaps osm openstreetmap magicearth osmand organicmaps</dc:subject>
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<item rdf:about="https://hedgehogreview.com/web-features/thr/posts/tolstoy-and-the-illusion-of-inevitability">
    <title>Tolstoy and the Illusion of Inevitability | THR Web Features | Web Features | The Hedgehog Review</title>
    <dc:date>2026-06-17T10:22:04+00:00</dc:date>
    <link>https://hedgehogreview.com/web-features/thr/posts/tolstoy-and-the-illusion-of-inevitability</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Western thought repeatedly returns to the hope that contingency is an illusion."

...

"<blockquote>“Traveler, there is no road. The road is made by walking.” —Antonio Machado</blockquote>

Machado’s famous line suggests that the future does not exist in advance, waiting to be discovered, but comes into being through a choice among possible actions. Many possibilities exist at any given moment. The one that becomes actual depends on coincidences and chances as well as choices, all producing events whose significance emerges only as they unfold.

That, as it happens, is also Leo Tolstoy’s argument in War and Peace. In the book’s battle scenes, plans dissolve into confusion, causes multiply beyond reckoning, and outcomes hinge on fleeting, unrepeatable moments. On the eve of the Battle of Borodino, the novel’s hero, Prince Andrei, reflects that what lies ahead is not a determinate sequence but “a hundred million chances…decided on the instant.” What matters is less the perfection of a plan and more the ability to respond to what no plan could anticipate, by means of what Tolstoy calls “alertness.”

For Tolstoy, this is a feature not of war alone but of reality in general. History, far from representing the execution of a grand design, is rather the result of countless interacting elements, each shaping and reshaping what can happen next. New possibilities are always emerging as earlier ones are left unrealized. Life more closely resembles an evolving system than a solved equation. Events are contingent in Aristotle’s sense of the term: They “can either be or not be.” After all, if things could only happen one way, human action would collapse into the mechanical execution of what was already implicit in the present.  “If human life could be [entirely] governed by reason,” Tolstoy writes in the book’s epilogue, “the possibility of life is destroyed.” 

And yet again and again, in our aspiration to a hard science allowing for prediction, we are drawn to deny this. That is one reason War and Peace has never lost its relevance.

The Recurring Dream of Certainty

Since the scientific revolution, Western thought has repeatedly returned to the hope that contingency might be an illusion. As Newton explained the baffling complexities of planetary motion by four simple laws, perhaps, many imagined, the same could be done for human affairs. Thinkers as diverse as Marx, Skinner, and Malinowski have shared this dream, with each promising, in his own way, to reveal necessity beneath apparent disorder.

Complexity, for such men, is conceived of as a surface phenomenon, concealing an underlying simplicity that, once uncovered, will render the future knowable. Pierre-Simon Laplace insisted that events are certain, not probable: In speaking of their probability, we are really speaking of the chances our guesses may be accurate, but the events themselves are certain. Time and again, the apparent contingency of events is presented as evidence of our own ignorance. If we knew enough, we would see that events could not have happened otherwise.

But there is another possibility: that contingency is real—that the world is not merely complicated but fundamentally generative, that new possibilities are not simply revealed over time but produced within it, through the interaction of elements that cannot be fully anticipated in advance.

This is the world Tolstoy describes, one where knowledge cannot precede action, only emerge through it.

Time and the Limits of Foresight

Tolstoy’s deepest insight concerns time itself. In a deterministic view, time is a neutral space where events unfold according to fixed laws and the future lies already implicit in the present, waiting to be revealed. But in Tolstoy’s world, time is generative. Each moment reshapes what can happen next. Possibilities interact, combine, and disappear, their significance becoming visible only as events unfold.

One might say that the system is constantly generating variation—new configurations, new alignments, new opportunities—but without any overarching mechanism that selects among them in advance. Selection happens locally, in real time, through action. The closer one looks, the more things fail to simplify, as in the Newtonian model, and ramify instead. What happens to be taken up is what persists.

This is why most Austrian and Russian generals in War and Peace are consistently wrong. They believe they possess a science of warfare—a system capable of anticipating outcomes. Before Austerlitz, they insist that “every contingency has been foreseen.” The result is Napoleon’s greatest victory—yet their confidence remains intact, attributing failure to imperfect execution, never to the limits of prediction itself. As so often happens, the conviction that events must conform to a science makes the supposed science unfalsifiable.

The wisest general, Kutuzov, appreciates that people conceive only of a few possibilities while there are thousands. Famously, in the Council of War before Austerlitz, he advises not more planning but “a good night’s sleep.” What matters most is the alertness to seize opportunities that cannot be anticipated in advance.

This distinction—between a world that can be mapped and one that must be navigated—extends beyond warfare. Wherever outcomes depend on unfolding interactions, local knowledge, and irreversible time, no complete science is possible. One can orient oneself, but one cannot blaze the path in advance.

The Illusion of Inevitability

If the future is open, why does the past so often appear inevitable? Tolstoy offers several answers, including what he calls “the law of retrospection.”

Once events have occurred, we can reconstruct the paths that led to them. We identify signs that seem to foreshadow the outcome we now know. Alternatives fade from view—not because they were not real, but because they left no trace. The result is a powerful illusion: What happened begins to seem as if it had to happen.

Tolstoy asks us to imagine a group of men hauling a log, all pulling in different directions. Wherever they happen to wind up, someone will say they planned to do so.

This retrospective projection—which one of us has called backshadowing—reshapes our understanding of history. We look at earlier moments and conclude that the outcome was implicit all along. The more coherent the explanation, the easier it is to forget that things might have turned out otherwise. To avoid backshadowing, we must practice sideshadowing—recognizing that other outcomes, some of which we can imagine, were genuinely possible.  

That is just the insight that those who believe they have discovered a hard science allowing for prediction in the social world forget or deny. And yet they cannot foresee their own future. 

Tolstoy’s narrative resists this illusion by preserving the density of lived experience—the sense that at each moment multiple futures were genuinely possible. History, in this view, is not a line but a branching structure, most of whose branches vanish without record.

AI and Narrative Certainty

In the age of AI, this dream of certainty has taken a new and more persuasive form. Artificial intelligence can process vast datasets, identify patterns invisible to human perception, and generate explanations with remarkable coherence. Faced with such capabilities, it is tempting to believe that uncertainty can finally be overcome—that the future can be rendered legible in advance.

But the deeper effect of AI lies in its ability to reorganize the past. Given sufficient data, AI systems can produce narratives that make outcomes appear coherent, even inevitable. They can identify correlations, reconstruct causal chains, and highlight what they regard as signs foreshadowing what followed. The result is not necessarily false, but it is selective.

In this way, AI functions less as a predictor than as a powerful engine of narrative compression, reducing the apparent space of possibilities by presenting a single path as the path. What was once understood as a field of possible alternatives becomes retrospectively legible as an inevitable sequence, reducing many “futuribles” to one. The danger here lies in premature coherence, the sense that complexity has been resolved when it has only been reorganized into a persuasive form.

A Compass Rather Than a Map

Tools do more than extend thought; they reshape the environment in which thought occurs. AI, for instance, introduces a distinctive bias by generating what is statistically coherent, what resembles patterns derived from accumulated data.

In an evolutionary system, what persists is not necessarily what is best in any absolute sense but what is most easily selected under prevailing conditions. AI changes those conditions in the intellectual world, lowering the cost of generating variations while subtly guiding selection toward what is already legible within its patterns.

Over time, this can narrow the space of perceived possibilities by making them less visible, less accessible, less likely to be pursued. Certain forms of thought—those that resist simplification, that depend on sustained attention, or that emerge from direct engagement with the world—become comparatively fragile.

What follows from Tolstoy’s ideas, on the other hand, is not that prediction is useless or that analysis should be abandoned, but rather that we must think in terms of a compass rather than a map. A map assumes a fixed terrain and a determinate path, while a compass provides direction without specifying the route. In a world of genuine contingency, only the latter is available. One can choose a bearing, but the path itself is discovered through movement. Orientation is not foresight.

This is the force of Machado’s insight: The road is made by walking not because we lack information but because the path does not exist until it is created.

To accept this is to adopt a different understanding of knowledge, not as a complete representation of what will happen, but as a capacity to respond intelligently to what does happen. It is inseparable from time, from attention, from the ability to recognize significance as it emerges.

The impulse to eliminate contingency is understandable. Uncertainty is uncomfortable: It resists control and frustrates planning. But it is also what makes agency possible.

A world in which everything could be predicted would be a world in which nothing could be otherwise. Action would lose its meaning, since outcomes would already be fixed. The openness of the future is not a defect in our knowledge, but a condition of human life.

Artificial intelligence does not change this condition—but it can make us forget it. By rendering the past as if it had been inevitable, it invites us to imagine that the future is already written. Against this, one must insist on what Tolstoy and Machado understood in saying that the future remains unwritten, not because we have failed to compute it but because it does not yet exist."]]></description>
<dc:subject>tolstoy garysaulmorson julioottino antoniomachado fleeting alertness certainty uncertainty foresight prediction predictions contingency time variation selection local localism slow small complexity simplicity inevitability retrospection localknowledge knowledge irreverability science 2026 backshadowing sideshadowing coherence cohesion control human humanism planning plans narrativecompression future data ai artificialintelligence conditions possibility possibilities simplification orientation compass direction maps mapping liveexperience experience history action reason technocracy futuribles compasses canon humanness life living warandpeace bfskinner bronisławmalinowski karlmarx</dc:subject>
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<item rdf:about="https://ews.kylemcdonald.net/">
    <title>Apocalypse Early Warning System</title>
    <dc:date>2026-06-12T00:35:17+00:00</dc:date>
    <link>https://ews.kylemcdonald.net/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In the event of an imminent nuclear apocalypse, we suspect that many people who have access to private jets will immediately take to the skies and escape city centers. This site tracks this indicator in realtime. The current emergency level is reported on a scale of 1 to 5, with 5 being an indicator of a likely imminent apocalypse."]]></description>
<dc:subject>maps mapping aviation apocalypse flight flights prediction privatejets kylemcdonald eattherich emergencies</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:49ba7ef0dec0/</dc:identifier>
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</item>
<item rdf:about="https://www.crumbling.land/">
    <title>Crumbling Land documents these shifting landscapes, tracing the transformation of communities displaced by climate migration, envisioning them as a new commons.</title>
    <dc:date>2026-06-04T03:42:52+00:00</dc:date>
    <link>https://www.crumbling.land/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Crumbling Land is a project studying climate migration’s impact on property and sovereignty in North America.

A project studying climate migration's impact on property and sovereignty in North America. By Noah Gotlib.
‍
Atlas of Retreat [https://www.crumbling.land/atlas-of-retreat ]
Media [https://www.crumbling.land/media ]
Acknowledgements [https://www.crumbling.land/acknowledgements ]
About [https://www.crumbling.land/about ]

Email [noah.gotlib@gmail.com ]
Instagram [https://www.instagram.com/crumblingland/ ]

Background

Crumbling Land is a multidisciplinary research project by Noah Gotlib [https://www.noahgotlib.com/ ] studying climate migration's impact on property and sovereignty in North America. Begun as a master’s thesis at the Architectural Association in London, it has since been developed through further research.
‍
Crumbling Land is a study of spaces which have been systematically abandoned in response to the effects of climate change. No longer able to safeguard every home and community, governments are beginning to shift resources from protecting vulnerable communities to removing, abandoning, or relocating them. Across North America, roads are being unpaved, bridges are being condemned, flood and fire-prone properties bought-up, and levees removed to create larger floodplains, sacrificing infrastructure created over the last two centuries of urbanization to preserve what remains habitable. 

Crumbling Land is being developed as an archive and study of homes, neighbourhoods, and communities which climate migration is quietly removing from the map. It collects documentation from field work in over 30 communities which have been relocated or removed across 9 states and provinces.

Noah Gotlib

is an Canadian/American architectural designer and researcher from Toronto and based in New York City. He studied at Toronto Metropolitan University and the Architectural Association in London, where he earned his M.Arch/AA Diploma (with commendation) in 2020. He has worked for design and landscape architecture practices in the UK and Canada, and has taught design studio and workshops at the Architectural Association. He is the co-founder of Eolith, a think tank engaging in spatial research, design, and consultancy.

Timeline

2025

September: Project receives Concept to Realization Grant from the Canada Council for the Arts to support its exibition at the Citygroup gallery in New York City.   

July: Crumbling Land is published in Real Review.

June: Crumbling Land is presented at MR2025: Mobility, Adaptation, and Wellbeing in a Changing Climate, at Columbia University's Climate School in New York City.

May: Crumbling Land is awarded a grant from Graham Foundation for Advanced Studies in the Fine Arts as part of its Grants to Individuals Program.

2024

November: Crumbling Land is publicly exhibited for the first time at the Institute for Public Architecture’s Assembly exhibition. 

September: Noah joins the Institute for Public Architecture’s Independent Projects Residency on Governors Island in New York City to further develop Crumbling Land.

August: The second research trip for Crumbling Land covers the great plains, passing through Manitoba and North Dakota.

June: The first research trip for Crumbling Land visits communities undergoing Managed Retreat along the Ohio and Mississippi Rivers, passing through Illinois, Indiana, Kentucky, Missouri, and Iowa.

2023
‍
September: Crumbling Land awarded with a Research and Creation grant from the Canada Council for the Arts to study landscapes undergoing Managed Retreat across Canada and the US.

June: “Walden in Retreat”, a lecture on the role of pastoral imagery in depictions of the American landscape given at the conference At What Point Managed Retreat?: Habitability and Mobility in an Era of Climate Change, The Earth Institute, Columbia University, New York City. 

2020
‍
June: Crumbling Land begins as a Master’s thesis at the Architectural Association School of Architecture in London, UK studying the erosion of the Jeffersonian Grid, and proposing methods of strategic abandonment of communities threatened by flooding. "]]></description>
<dc:subject>climatechange climate globalwarming migration climatemigration noahgotlib maps mapping property sovereignty northamerica us canada</dc:subject>
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<item rdf:about="https://www.jstor.org/stable/40643115">
    <title>The Making of the National Geographic: Science, Culture, and Expansionism on JSTOR</title>
    <dc:date>2026-06-03T20:01:10+00:00</dc:date>
    <link>https://www.jstor.org/stable/40643115</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via:

"How National Geographic Conquered American Culture: The magazine’s explosive growth mirrored the nation’s emergence as a global empire."
https://daily.jstor.org/how-national-geographic-conquered-american-culture/

"How did the National Geographic Society end up becoming, in the words of historian Susan Schulten, “one of the most ubiquitous sources of information and images about the world in American culture” during the twentieth century?

As Schulten details, the Society was formed in Washington, DC in 1888 with thirty-three scholars and scientists led by wealthy attorney Gardiner Greene Hubbard. Through lectures and the organization’s journal, the Society functioned as “a clearinghouse for geographic research and exploration, especially that conducted by the federal government.” Its journal was essentially an academic publication, and images were discouraged. After a decade, Society membership stood close to one thousand and the organization was approximately $2000 in debt.

<blockquote>While professional geographers “struggled to secure even a small niche in the new American universities,” the Society “managed to grow by leaps and bounds in the early twentieth century.”</blockquote>

The Spanish-American War (1898) transformed the magazine. It helped that a second generation of leadership came to the fore in the same period.  After Hubbard’s death in 1897, his son-in-law, famous inventor Alexander Graham Bell, took charge. Together with his son-in-law, Gilbert H. Grosvenor, Bell pushed the Society towards a wider, nonspecialized membership and rode the imperialist wave. (Grosvenor was editor, president, and finally chairman during a tenure that lasted until 1966.)

In 1905, the magazine started to run lots of pictures. By 1910, when the title of the publication became The National Geographic Magazine, fully half the contents were photographs. While professional geographers “struggled to secure even a small niche in the new American universities,” notes Schulten, the Society “managed to grow by leaps and bounds in the early twentieth century.” Monthly circulation reached 170,000 in 1913 and one million in 1926.

Originally a private adjunct to the federal government, forging a direct connection between geographical knowledge and “the health of the nation itself, a precondition for vigorous nationalism,” the Society’s mission after the Spanish-American War was supercharged. The decisive American victory in that war resulted in a far-flung empire, from Cuba and Puerto Rico in the Caribbean to the Philippines and Guam in the Pacific. For the Society, writes Schulten:

<blockquote>The war […] gave the Geographic the exhilarating opportunity to cover international events and defend the nation’s goals abroad, while at the same time bringing the exotic and potentially enriching reaches of the new American orbit home to its readers. By taking advantage of the opportunity, the magazine’s scope was effectively enlarged to include not just geographical research, but also political and commercial issues that related to the nation’s new international posture.</blockquote>

Unmentioned in the magazine before the war, the newly annexed territories were all covered repeatedly afterward. The April 1905 issue on the “culture, politics, and resource wealth of the Philippines,” illustrated with 32 pages of photos, was “so popular it had to be returned to press to meet the demand.” (By then, the Philippine-American War—in which the United States employed torture, scorched earth, and concentration camps—had resulted in the crushing of an independent Philippines, although the Moro Rebellion continued until 1913.)

In 1899, only three of the fourteen Society board members worked outside government. Without correspondents abroad, the magazine depended on information from government agencies. Maps either came directly from government sources or were modeled on those drawn by the War Department or Army Corps of Engineers. “In general,” writes Schulten, “the men behind the Geographic were eager to employ their skills in service to the state.”

Needless to say, the American Anti-Imperialist League, with Mark Twain as its most prominent member, “found little sympathy” in the Society’s pages. Long before Time Inc.’s Henry Luce coined the term “American Century,” National Geographic Magazine was delivering it to millions of mailboxes.

At its peak in the late 1980s, about 13 million subscribers received the magazine every month. With the decline of print in the digital era, the magazine—now majority owned by Disney—is no longer ubiquitous, but “National Geographic” remains a potent media brand. On Instagram, for instance, NatGeo is the third most popular non-celebrity account."]]></description>
<dc:subject>nationalgeographic 2000 photography susanschulten philippines imperialism empire us spanish-americanwar alexandergrahambell gilbertgrosvenor 1898 1905 cuba puertorico guam henryluce maps mapping 1899 mororebellion caribbean expansionism gardinergreenehubbard</dc:subject>
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</item>
<item rdf:about="https://pastmaps.com/">
    <title>Pastmaps — Historical Maps Overlaid on the Modern World</title>
    <dc:date>2026-05-30T18:06:11+00:00</dc:date>
    <link>https://pastmaps.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Uncover lost roads, forgotten towns, and the history hidden beneath your feet."

[via: https://www.theverge.com/tech/938245/past-maps-website-google-zero-ai ]]]></description>
<dc:subject>maps mapping history cartography gis</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b52d6f76452d/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cartography"/>
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</item>
<item rdf:about="https://thinkpieces-review.co.uk/2025/02/21/of-media-multiplicities-and-monsters/">
    <title>Of Media, Multiplicities and Monsters - Think Pieces</title>
    <dc:date>2026-04-26T07:59:17+00:00</dc:date>
    <link>https://thinkpieces-review.co.uk/2025/02/21/of-media-multiplicities-and-monsters/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What is the city and how do we map it? Its multiplicities, polyphony and chaos? Not in cartographic terms, from above, but from the ground up – walking it, thinking it, writing it? Like the many European writers, artists, philosophers who came to London over the centuries and wrote about it, who wrote themselves into the city’s memory and who, in return, were shaped (written upon?) by the city. Who makes the city? Uta Staiger critically and playfully maps an answer to these questions, wandering and meandering, physically and philosophically, taking us with her."]]></description>
<dc:subject>utastaiger 2025 cities maps mapping multiplicities polyphony chaos cartography micheldecerteau erikgustafgeijer urban urbanism visibility legibility hanscristiananderson place luiscernuda josephconrad london literature memory memories felixmendelssohn plasticity anandadevi alexanderherzen geography janejacobs keithhoggard endeltulving edwardcasey malcombradbury chrisitanjacob danieldefoe johnbrianharley peterturchi walterbenjamin frantonkiss jonthanraban javiermarías</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c2996b9ec425/</dc:identifier>
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</item>
<item rdf:about="https://urubos.github.io/efa-site/">
    <title>Extrapolated Futures Archive</title>
    <dc:date>2026-04-22T03:49:17+00:00</dc:date>
    <link>https://urubos.github.io/efa-site/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Mapping real-world scenarios to the science fiction stories that explored them first."

...

"📚 What is this site?

The Extrapolated Futures Archive is a reverse-lookup for speculative fiction. Describe a situation you are facing, and find the SF stories that already worked through the implications.

The catalog connects stories (novels, novellas, short stories, films) to the speculative ideas they explore: thought experiments about technology, governance, biology, society, and more. Every idea is tagged with domains, scenario types, and outcome types so you can filter by the kind of future you are thinking about.

How to use it:

• Search by title, author, synopsis keywords, or idea descriptions

• Filter by domain (AI, biotech, climate, space, governance...), scenario type, outcome, decade, or series

• Browse ideas to find transferable thought experiments, then follow links to the stories that explore them

• Browse stories to see what speculative ideas a particular work contains

• Book Club discussions (marked with 📖) offer section-by-section roundtable analyses by AI personas modeled on SF authors

• What-If Query (via the What-If Query page/link) lets you describe a real-world scenario in plain text and get ranked matching ideas

The archive is designed for decision-makers in government, industry, and NGOs who want to widen their thinking by surfacing fictional precedents for novel real-world challenges."

[via:
https://kottke.org/26/04/0048768-the-extrapolated-futures- ]]]></description>
<dc:subject>scific sciencefiction speculativefiction history books reference databases maps mapping stories</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:22feacc6e430/</dc:identifier>
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<item rdf:about="https://trackdatacenters.com/">
    <title>Data Center Proposal Tracker</title>
    <dc:date>2026-04-17T05:28:14+00:00</dc:date>
    <link>https://trackdatacenters.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This citizen-run collaborative mapping project tracks and visualizes proposed data center projects and related development activity in the United States, aggregating public records, company announcements, and local news into a single searchable database.

We uniquely specialize in mapping known and approximate site boundaries and physical footprints, enabling individuals and communities to better grasp the scale and location of planned developments."]]></description>
<dc:subject>datacenters maps mapping</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:21153651afa3/</dc:identifier>
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<item rdf:about="https://organicmaps.app/">
    <title>Organic Maps: Offline Hike, Bike, Trails and Navigation</title>
    <dc:date>2026-04-11T22:30:47+00:00</dc:date>
    <link>https://organicmaps.app/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Organic Maps is a privacy-focused offline maps & GPS app for hiking, cycling, biking, and driving. Absolutely free. No ads. No tracking. Developed with love by the open-source community and the same people, who created MapsWithMe/Maps.Me app. Powered by OpenStreetMap data.

Organic Maps is one of the few applications nowadays that supports 100% of features without an active Internet connection. Install Organic Maps, download maps, throw away your SIM card, and go for a weeklong trip on a single battery charge without any byte sent to the network."

[via:

"The Maps App That Collects Zero Data About You (Organic Maps Interview)"
https://www.youtube.com/watch?v=XCzVQKLBkhM 

"Every time you open Google Maps, it knows where you are, what you searched, how long you stayed, and where you went next. Organic Maps collects none of that. In this interview, Henry sits down with Alexander Borsuk, co-founder of Organic Maps, to talk about what mainstream maps apps are collecting, how an entirely offline-first approach changes the privacy picture, and where Organic Maps is headed next, including live public transit and opt-in traffic data.

🔗 SOURCES & LINKS
• Organic Maps: https://organicmaps.app
• Organic Maps GitHub: https://github.com/organicmaps
• OpenStreetMap: https://openstreetmap.org
• OsmAnd: https://osmand.net "]]]></description>
<dc:subject>maps mapping osm openstreetmap offline ios android opensource onlinetoolkit organicmaps</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:97f7a9ae450a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maps"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:osm"/>
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    <dc:date>2026-04-11T06:30:21+00:00</dc:date>
    <link>http://davidgriesing.com/2022/06/13/a-deeper-sense-of-place-is-like-an-anchor-in-turbulent-times/</link>
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<item rdf:about="https://nautil.us/theres-no-homunculus-in-our-brain-who-guides-us-237709">
    <title>There’s No Homunculus In Our Brain Who Guides Us - Nautilus</title>
    <dc:date>2026-04-11T05:49:34+00:00</dc:date>
    <link>https://nautil.us/theres-no-homunculus-in-our-brain-who-guides-us-237709</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Why the cognitive-map theory is misguided."

...

"In the early 1980s, the psychologist Harry Heft put a 16 mm camera in the back of a sports car and made a movie. It consisted of a continuous shot of a residential neighborhood in Granville, Ohio, where Heft was a professor at Denison University. It didn’t have a plot or actors, but it did have a simple narrative: The car started moving at 5 miles per hour and made nine turns from one street to another and then came to a stop after traveling just under a mile. Heft then edited the film into two different movies. One showed just the vistas along the route, the expansive layout of environmental features, such as a group of houses or trees seen from a distance. The second film showed the transitions of the route, the parts between each vista where the view is occluded by, say, a turn in the road or the crest of a hill. He asked the study’s participants to watch either of the films and then brought them in person to the start of the route. Who would be able to find their way to the end? Were vistas or transitions more important to the process of what he called wayfinding, a form of navigation based on the perception of temporally structured visual information?1

At the time, the dominant theory in psychology for how people find their way was the cognitive map, which posits that humans and many animals create representations of the environment in the brain that they use to navigate the world. These representations are thought to be “allocentric,” meaning they are independent of an individual’s “egocentric” point of view and show the spatial relationship of objects and landmarks to one other, allowing people to create novel shortcuts. Heft wasn’t sure what the results would be but he was sure that however the study’s participants found their way, they weren’t using cognitive maps. “I don’t think there is such a thing as a cognitive map,” Heft told me in 2017. “Cognitive maps are products of what we know of the layout of the environment. But they are not the basis of our knowledge.”

The cognitive-map theory has inspired decades of experiments and become a ubiquitous and widely used concept. Edward Tolman, a professor at the University of California, Berkeley, introduced the concept in a famous 1948 paper “Cognitive Maps of Rats and Men.” Three decades later, the neuroscientist John O’Keefe tried to put an electrode in the amygdala of a rat but inserted it instead into the hippocampus, the bilateral brain region deep in the temporal lobe, critical to memory formation. O’Keefe’s instrument began recording the firing pattern of a single cell that strangely seemed to correspond to the rat’s physical location in space. For O’Keefe, these “place” cells were evidence that the hippocampus was the site of Tolman’s cognitive map.

But the cognitive map has also been called the theory that refuses to die. The idea that there is an innate geometric representation of the environment in our brains has dissenters in brain science, anthropology, and psychology. As the neuroscientist Richard Morris points out in The Hippocampus Book, maps are things that people look at to extract information. “Adopting this term for the neural activity of a region of the brain seems to carry with it the mental baggage that there must be some cryptic homunculus that is ‘looking at’ the map to do likewise,” he wrote.2 There is no mechanistic explanation of how humans extract information from this map but because the map is such an easily understood concept, it lives on as a “beguiling metaphor.”
WAYFARER: Anthropologist Tim Ingold dismisses the idea that our brains contain maps that orient us in the space around us. Rather, he attests, we are wayfarers whose knowledge of the world is “forged in movement.”Dmitry Molchanov / Shutterstock

Heft’s film experiment led to interesting results. People who only watched the film of the route’s vistas had the worst navigational accuracy. Those participants who viewed the film of transitions had the highest, greater than even those who viewed the movie of the entire route. Heft concluded that sequences of transitions are incredibly valuable for learning a route. But his subsequent experiments showed that time was also crucial for absorbing this information. If participants merely saw still images of the transitions, rather than watching the film moving through space, their ability to walk the route decreased. Heft began to see the process of wayfinding as a kind of reciprocal interaction between the perceiver and environmental structure, a continuous loop of perceiving and acting across time.

For Heft, the dominance of the cognitive-map theory has prevented a deeper understanding of human navigation. His own interest in the subject goes back to the 1970s when he read a book called The Senses Considered as Perceptual Systems. Written by the psychologist James Gibson, the book argued that humans could directly perceive the world through ecological information rather than assemble our sensory inputs into mental representations. The book was a revelation for Heft, who wrote to Gibson and asked if he could informally study under him at Cornell University. Gibson said yes. At the time, Gibson was working on a new book, The Ecological Approach to Visual Perception, in which he talked about wayfinding and how it consists of a sequence of transitions—the stretches of connected sequences over time—that connect vistas.

    Our ability to formulate cognitive maps arises from our constant exposure to actual maps, starting as kids.

The theory of wayfinding doesn’t negate the idea that most people can generate and use a mental map to get from A to B. Gibson believed that by following paths, the navigator can perceive the overall structure of the environment. But he thought that “it is not so much having a bird’s eye view of the terrain as it is being everywhere at once,” a somewhat mysterious concept that seems to indicate we can transport ourselves mentally to any starting point in the environment and create a novel route to where we want to go.3

But culture more than biology may explain how easily we can create map-like representations of space in our heads. Maps, Heft points out, are a cultural invention with a specific sociocultural history in Western traditions. He asks, “Is there something characteristic about Western cultural history that might have recently led to our taking Euclidean reasoning … as springing from our biological nature?” Heft points to the spread of coordinate mapping in the 14th century, inspired by the Greek mathematician Claudius Ptolemy’s Geographia, an atlas containing geographical coordinates for the Roman Empire and the world. This coincided with the invention of three-dimensional “Cartesian” space in the 17th century, the idea that space is not hierarchical (heaven, earth, hell) but can be divided into a stable, geometric planes. In the west, these two cultural developments led to an explosion in mapping, often in the service of exploration and colonization. And, it may also have conditioned people’s cognition in favor of allocentric representations of space.

“By merging these two lines of sociocultural history—map making and conceptions of space—our cultural tradition is provided with a very powerful way of thinking about environments for navigational purposes,” Heft wrote. “What results is an abstract framework that, among other things, makes it possible to adopt a point of view that is not normally attainable for a terrestrial organism, namely, a view of the earth’s surface as seen from ‘above,’ as if it were a cartographic map.”4

Today, our ability to formulate cognitive maps may have much to do with our constant exposure to actual maps starting as young children and throughout our daily lives. Just as maps are a navigational tool favored by our map-saturated culture, they have also become a conceptual model for understanding navigation and cognition, the reason why Tolman and so many others reached to the map metaphor for understanding how we find our way.

The cognitive-map theory prioritizes spatial knowledge whereas the idea of wayfinding emphasizes the temporal dimension of human experience. The anthropologist Tim Ingold, a professor of anthropology at the University of Aberdeen in Scotland, has said that there is no such thing as the cognitive map. Ingold’s and others’ explanation for how people navigate has been called the “practical-mastery theory,” which posits that navigation is a process of memorizing routes encoded in temporally organized sequences. For this reason, Ingold and others often emphasize the metaphor of listening to a piece of music, humming a tune, or a performance for navigating. Additionally, Ingold argues that what he calls “wayfaring,” the movement of terrestrial beings through the world along paths of travel, knowing as they go rather than before they go, is the more apt description of navigating. The term “space” itself, says Ingold, fails to accurately capture the realities of life and human experience. Instead, he writes, we are organisms inhabiting environments whose knowledge of the world is “forged in movement.” It’s us that bring places into being, rather than places existing in the abstract and empty notion of “space.”5

    The dominance of the cognitive-map theory has prevented a deeper understanding of human navigation.

Some skeptics of the cognitive-map theory came not from psychology or anthropology but from neuroscience. Howard Eichenbaum, a professor at Boston University until his untimely death in 2017, was a neuroscientist who studied the hippocampus and its function recording events for episodic memory, the remembrance of events from the past.6 He argued that the hippocampus functioned more in concert with time than space. He saw navigation as a memory task, involving the recording of sequences and events in time rather than computing relationships in Euclidean space. His experiments looking at the activity of hippocampal cells led him to think these cells “mapped” other dimensions of human experience. “Spatial cognition need not be Euclidean or linear,” he told me before he passed. “In children, it is very non-linear, they leave out stuff, expand spaces, do crazy stuff.” According to him, the evidence pointed to the idea that the hippocampus wasn’t a specialized spatial structure but had the ability to organize things in a temporal dimension and also “social space” or “musical space.” “It’s constructing spaces and navigating spaces that are not geographic space,” he said. “And that to me proves the generality of the hippocampus. The more I can show you, the less tenable the hippocampus as cognitive-map theory becomes.”

As our understanding of human cognition and particularly the hippocampus broadens, perhaps we’ll need to reach for new, unexpected metaphors to understand how we move through the world. The scholar Ruth Dalton and her co-authors recently wrote in Frontiers in Psychology that wayfinding draws upon many types of cognitive functions, but that it is also a social activity that involves collaboration between people, people-as-cues, symbolic artifacts, and communication.7 In Dalton’s analysis of all the ways that people influence one another’s wayfinding processes, she found that “these contributions are extensive and intricate in nature, and that their oversight thus far has distorted our understanding of wayfinding processes.”

Reaching beyond the cognitive map metaphor opens up new possibilities and ways of thinking about our direct experience. The next time you need to get somewhere, ignore the metaphor of a map in your head. Perhaps you’ll notice the ways that memory, perception, community, imagination, language, reasoning, decision-making, and emotion work together to get to your destination or back home. Maybe you’ll find that wayfinding leads to deep attachments between you and the environment you inhabit.

M.R. O’Connor is the author of Wayfinding: The Science and Mystery of How Humans Navigate the World, from which portions of this article are adapted. Her reporting has appeared in The New Yorker, The Washington Post, and UnDark, among others.

References

1. Heft, H. Way-finding as the perception of information over time. Population and Environment 6, 133–150 (1983); Heft, H. The role of environmental features in route-learning: Two exploratory studies of way-finding. Journal of Nonverbal Behavior 3, 172–185 (1979).

2. Andersen, P., Morris, R., Amaral, D., Bliss, T., & O’Keefe, J. (Eds.) The Hippocampus Book Oxford University Press (2007).

3. Heft H. The Ecological Approach to Navigation: A Gibsonian Perspective. In: Portugali J. (Ed.) The Construction of Cognitive Maps The GeoJournal Library, vol 32. Springer, Dordrecht (1996).

4. Heft, H. Environment, cognition, and culture: Reconsidering the cognitive map. Journal of Environmental Psychology 33, 14-25 (2013).

5. Ingold, T. Against space: place, movement, knowledge. In Kirby, P.W. (Ed.), Boundless Worlds: An Anthropological Approach to Movement Berghahn Books, Oxford, United Kingdom (2009).

6. Eichenbaum H. On the integration of space, time, and memory. Neuron 95, 1007–1018 (2017).

7. Dalton, R.C., Hölscher, C., & Montello, D.R. Wayfinding as a social activity. Frontiers in Psychology 10, 142 (2019).

8. Istomin, K.V. & Dwyer, M.J. Finding the way: A critical discussion of anthropological theories of human spatial orientation with reference to reindeer herders of Northeastern Europe and Western Siberia. Current Anthropology 50, 29-49 (2009)."]]></description>
<dc:subject>mro'connor 2020 brain maps mapping cognitivemaps harryheft psychology knowledge environment hippocampus anthropology science navigation jamesgibson perception claudiusptolemy ptolemy timingold neuroscience howardeichenbaum ruthdalton memory community imagination language reasoning decisionmaking emotion place</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=MPA-PCN9k1U">
    <title>David Barrie - Supernavigators: The Wonders of How Animals Find their Way - 11:00 AM EST - YouTube</title>
    <dc:date>2026-04-10T02:03:13+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=MPA-PCN9k1U</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["David Barrie
"Supernavigators: The Wonders of How Animals Find Their Way"
Thursday, April 7, 11:00 AM Special  Broadcast Time!

David Barrie is a lifelong sailor and world traveler, a former member of the British Diplomatic Service who worked toward the Anglo-Irish Agreement, a former arts director and law reform campaigner, a Fellow of the Royal Institute of Navigation (elected in 2015), a Commander of the Order of the British Empire (since 2010) and the author of two acclaimed books about navigation. His first book, Sextant: A Voyage Guided by the Stars and the Men Who Mapped the World’s Oceans (2015), was partly inspired by the transatlantic voyage he completed in 1973. It was shortlisted for the Mountbatten Literary Award and won the Royal Institute of Navigation’s Certificate of Achievement.

Barrie’s second and most recent book, published in 2020, is Incredible Journeys (in the UK), aka Supernavigators (in the US): Exploring the Wonders of How Animals Find Their Way. It was the Nautilus Gold Award Winner, Animals & Nature, and was declared the Best Nature Book of the Year by the Sunday Times, which called the book “immensely entertaining” and “engrossing… all you can do is gasp in amazement.” Publisher’s Weekly declares that Supernavigators is “A must-read for anyone fascinated with the wonders of nature.” Legendary biologist and primatologist Franz de Waal called the book “eye-opening” and writes that “Barrie is passionate about navigation and describes in delightful detail about the myriad ways in which animals get around. The number of animals traveling long distances… is just astonishing.”

David Barrie lives mostly in London. In recent years, he has sailed the Cape Verde Islands, the Hebrides, the Azores, the Mediterranean and the Caribbean. Fun fact: he great-great-uncle was J.M. Barrie, the author of Peter Pan!

Sponsored by the Department of Biological Sciences, the Department of Psychology, Graduate Education and Research and the Honors Program."]]></description>
<dc:subject>2022 davidbarrie nature animals morethanhuman multispecies wayfinding navigation wildlife biology maps mapping science franzdewaal migration</dc:subject>
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<item rdf:about="https://www.newyorker.com/tech/annals-of-technology/finding-the-way-back-primitive-navigation">
    <title>The Pull of Primitive Navigation - The New Yorker | The New Yorker</title>
    <dc:date>2026-04-09T23:40:17+00:00</dc:date>
    <link>https://www.newyorker.com/tech/annals-of-technology/finding-the-way-back-primitive-navigation</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["he Harvard professor John Huth first offered his course “Science of the Physical Universe 26: Primitive Navigation” in 2007. Since then, he has taught around five hundred undergraduates about the rudiments of analogue way-finding (sun, stars, tides, weather, wind) in a range of cultures (Berber, Norse, Polynesian, early European). Huth is an experimental particle physicist; he was involved in the discovery of both the top quark and the Higgs boson. He is also an avid outdoorsman and, when it comes to navigation, a smartphone and G.P.S. skeptic. “All empiricism has to start with stuff that is immediately palpable to you,” he told me recently. “The march of education, especially in the sciences, has been divorced from that reality, and I think that’s where you have to start.” He began one of his lectures this spring with a question: “Which way is the wind blowing outside? Anyone notice?” The assembled students, about fifty in all, were silent. “Southeast?” one ventured. “Northeast,” Huth said.

As a species, humans lack many of the biological gifts that allow other animals to get around. A loggerhead turtle, for example, begins to take its bearings within a couple of hours of hatching, using magnetite crystals in its brain to sense Earth’s magnetic field. (Spiny lobsters, monarch butterflies, and termites have similar compasses.) Honeybees get from nectar to hive and back in part by judging the position of the sun, which they can sense, even on a cloudy day, from patterns in polarized light. Where biology has failed humans, we have substituted culture. Throughout our evolutionary history, we have created ad-hoc systems of knowledge that organize environmental information and make it transmissible to the next generation. Often, difficult and monotonous landscapes—desert, sea, ice—resulted in more intricate systems. Several thousand years before the magnetic compass was invented, Pacific Islanders had worked out how to navigate by star compasses and read ocean swells for information about nearby land. (Part of Huth’s summer vacation this year will be spent in the Marshall Islands, learning similar techniques from local sailors.)

In some places, navigational traditions became inextricable from spiritual cosmologies. The Europeans who settled Australia considered the Aboriginal peoples to be idle wanderers of the bush, but in fact many of them travelled along songlines—paths with songs attached to them that commemorate the passage of primordial beings who created the world. The words of the songs described the continent and the routes across it. One Aboriginal group, in particular—speakers of Guugu Yimithirr, a traditional language of Far North Queensland—uses an absolute rather than an egocentric perspective to describe space (in other words, not “Move to your left” but “Move southeast”). According to the psycholinguist Stephen Levinson, this has given them an almost superhuman capacity to orient themselves, night or day, using both relatively commonplace cues, such as sun and seasonal winds, and more specialized ones, such as the appearance of sand dunes and termite mounds. Levinson concluded, with admiration, that the Guugu Yimithirr speakers achieve “in software what pigeons apparently achieve in hardware.”

Many of the world’s navigation systems have been lost to time or replaced with technology—or, in the case of the songlines, damaged through cultural oppression. For the British author and self-styled “natural navigator” Tristan Gooley, their disappearance signifies a cultural and philosophical impoverishment. “By using a GPS to find our way instead of clues available in the world itself, we devalue the experience of traveling anywhere,” he told me in an e-mail. And there may be neurological consequences, too. We build cognitive maps in the hippocampus, the same area in which episodic memory and future planning take place. Advanced technologies insure that we use our brains as little as possible. In a series of studies in 2010, a group of researchers at McGill University, in Montreal, reported that exercising spatial memory and way-finding in everyday life increases hippocampal function and gray matter, whereas underuse of these functions in older adults may contribute to cognitive impairment. (One of the researchers, Véronique Bohbot, told the Boston Globe that she no longer uses satellite-navigation devices.)

As part of his course, Huth asks his students to study the night sky. This spring, they learned the coördinates of some twenty-two stars and their celestial paths, then went to the roof of the Harvard University Science Center to identify a handful of them. What he has found over the course of eight years of teaching primitive navigation, Huth told me, is that the more attuned to the environment his students become, the more their awareness seems to expand. “Sometimes they’re engaging in this material and experiencing an epiphany to other aspects of their life,” he said. Louis Baum, a Ph.D. candidate in physics and a teaching fellow for the course, told me that he and his colleagues find the same. “We get philosophical about it—about how knowing where you are helps you know your place in the world,” he said. Whereas the modern stargazer is liable to look up with a sense of existential wonder, if not dread, our ancestors may have seen in that lovely firmament a map of home.

On the roof of the Science Center, Huth named the stars as they flickered into view: Spica, Antares, Altair, Dubhe, Pollux. As he did so, a student approached, brimming with excitement. He had recognized several stars and measured their altitude and azimuth. “Before this, I was looking at the stars online,” he said. “It’s actually a little easier when you are up here and see it in real life.”"]]></description>
<dc:subject>mro'connor 2015 wayfinding johnhuth weather gps maps mapping navigation senses sensory biology nature multidisciplinary multispecies mroethanhuman culture intelligence tristangooley pacificislanders marshallislands polynesia berbers higgsboson knowledge australia aborigines language stephenlevinson guuguyimithirr véroniquebohbot philosophy aboriginal indigenous indigeneity waysofsensing sensing place land location</dc:subject>
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    <title>M.R. O'Connor - Wayfinding: The Science and Mystery of How Humans Navigate the World - YouTube</title>
    <dc:date>2026-04-09T23:39:07+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=brrGT5kIhqY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["M.R. O’Connor is a graduate of Columbia University’s Graduate School of Journalism who writes about the politics and ethics of science, technology and conservation. She is the author of two acclaimed books about the cutting edges of contemporary scientific research, with a third on the way. Her first book, Resurrection Science: Conservation, De-Extinction and the Precarious Future of Wild Things (St. Martin’s Press, 2015) and was one of Library Journal and Amazon’s Best Books of The Year. Her second book, Wayfinding: The Science and Mystery of How Humans Navigate the World (St. Martin’s Press, 2019) is an exploration of navigation traditions, neuroscience and the diversity of human relationships to space, time and memory. Its writing was supported by the Alfred P. Sloan’s Program for the Public Understanding of Science, Technology & Economics. About the book, Kirkus Reviews writes that “O'Connor talked to just the right people in just the right places, and her narrative is a marvel of storytelling”; Nature explains that “[O’Connor walks the labyrinth of the brain’s time-and-space-mapping hippocampus. And, on the road, she meets astrophysicists, anthropologists and traditional wayfinders — such as Bill Yidumduma Harney of Australia’s Wardaman culture, who steers by thousands of memorized stars”; and Science notes that “O’Connor’s coverage of the cognitive map theory… is deep and broad.” She is currently writing a book called Ignition (Bold Type Books) on fire ecology and prescribed burning, for which she became certified as a wildland firefighter.

Her work has appeared online in The Atavist, Slate, Foreign Policy, The New Yorker, Nautilus, UnDark and Harper’s. A pair of recent essays for The New Yorker include “A Day in the Life of a Tree” and “Dirt Road America,” a feature piece about Sam Correro, who has spent decades stitching together maps of continuous pathways of dirt roads across the United States. In 2008/2009, O’Connor served as a reporter for The Sunday Times, an English-language newspaper in Colombo, Sri Lanka. Her investigative reporting on topics like disappearances in Sri Lanka’s civil war, global agriculture trade in Haiti, and American development enterprises in Afghanistan have been funded by institutions such as the Pulitzer Center on Crisis Reporting, The Phillips Foundation and The Nation Institute’s Investigative Fund. For a long time, she made her bread and butter as a stringer covering crime, courts and breaking news in New York City for publications such as The Wall Street Journal and New York Post, and covered the criminal justice beat for the online investigative site The New York World. She is. She lives in Brooklyn, NY with her partner, the screenwriter Bryan Parker, and their two sons.

Sponsored by the College of Science, Technology, Engineering and Mathematics, the Department of Psychology, the School of Communication and the Honors Program."]]></description>
<dc:subject>mro'connor wayfinding senses sensory multisensory navigation humans indigeneity indigenous 2022 brain neuroscience maps mapping time space memory place inuit nunuvut details memorization memories observation noticing oralhistory storytelling oraltradition imperialism colonialism colonization mobility knowledge culture cartography timingold sami erikliddell kellicarmean hippocampus childhood childhoodamnesia children spatiality sociology anthropology lost gettinglost exploration wandering orientation walking sauntering thoreau plasticity topophilia human presence canon cognition nature morethanhuman multispecies embodiment movement convenience orienteering spatialmemory henrymullison johno'keefe arctic solomonawa oukcholae australia billharney margaretkatherine thomasgridlock cognitivemapping self-determination songlines animals multidisciplinary transdisciplinary waysofsensing sensing land location bodies language</dc:subject>
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<item rdf:about="https://www.koozarch.com/interviews/searching-affective-land-madeyoulook-kang-seung-lee-on-memory-and-mapping">
    <title>Affective Land: MADEYOULOOK &amp; Kang Seung Lee on Memory and Mapping – KoozArch</title>
    <dc:date>2026-04-09T21:11:33+00:00</dc:date>
    <link>https://www.koozarch.com/interviews/searching-affective-land-madeyoulook-kang-seung-lee-on-memory-and-mapping</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Landscapes are loaded, rife with multilayered memories, narratives and resonances both visible and unseen. In this conversation, hosted on occasion of The dead don't go until we do exhibition at Talbot Rice Gallery, Korean artist Kang Seung Lee shares the particular perceptions of queer lives in space, while MADEYOULOOK — a Johannesburg-based collaborative practice between Molemo Moiloa and Nare Mokgotho — observe and excavate intimacies found in the Black experience of the everyday."]]></description>
<dc:subject>landscape mapping memory kangseunuglee moelmomoiloa naremokgotho everyday experience place memories narrative land invisibility visibility recognition maps</dc:subject>
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<item rdf:about="https://walklistencreate.org/2026/03/24/scrambling-for-maps/">
    <title>Scrambling for maps – walk · listen · create</title>
    <dc:date>2026-03-24T20:48:51+00:00</dc:date>
    <link>https://walklistencreate.org/2026/03/24/scrambling-for-maps/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["March 2026 we are holding 3 online Map Scrambles, in which artists will be discussing when and why they use maps or mapping to document their walking art.

Map Scramble 1 (Monday 23 7pm GMT)  

Map Scramble 2 (Wednesday 25 7pm GMT)

Map Scramble 3 (Thursday 26 7pm GMT)

Each events part of the EU Create Europe funded Walking Arts & Local Communities project and the events are free to join. After each event, a summary of that event, and the questions and discussion points raised by attendees and posted in the event chat will be added below. An edited recording of each event is available from our video archive or the event page. There are links above to the further Map Scrambles and should you wish to leave comments please go to the event page, to add these there (merely scroll to the bottom of the pertinent event page).

Presenters were invited to respond to 5 questions during their 3-4 minute recorded presentation – the five questions were:

A) Who you are and what was your walking piece that you documented with a map? 
B) Why you chose a map to document your piece?
C) What was the process of creating the map?
D) What were the plus points from having the map?
E) On reflection, what would you have done differently to improve on what you did, and why?"]]></description>
<dc:subject>maps mapping 2026 andrewstruck davidhaley lucyfurlong janettekerr emilyartinian art poetry photography storytelling sound history place landscape play</dc:subject>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2026"/>
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</item>
<item rdf:about="https://www.chathamhouse.org/publications/the-world-today/2026-03/we-need-messier-maps">
    <title>‘We need messier maps’ | Chatham House – International Affairs Think Tank</title>
    <dc:date>2026-03-23T04:19:59+00:00</dc:date>
    <link>https://www.chathamhouse.org/publications/the-world-today/2026-03/we-need-messier-maps</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["From President Trump’s bid to acquire Greenland to Beijing’s claims over the South China Sea, cartographer William Rankin tells Mike Higgins how maps sometimes don’t help geopolitical decision-making."]]></description>
<dc:subject>maps mapping cartography borders williamrankin mikehiggins 2026 geopolitics greenland southchinasea china us</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:a33ddf78a243/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cartography"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:williamrankin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mikehiggins"/>
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</item>
<item rdf:about="https://tombh.co.uk/longest-line-of-sight">
    <title>The Longest Line of Sight</title>
    <dc:date>2026-02-27T07:19:34+00:00</dc:date>
    <link>https://tombh.co.uk/longest-line-of-sight</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The place on Earth from which you can, in theory1, see further than any other is between an unnamed Himalayan ridge near the Indian-Chinese border and Pik Dankova in Kyrgyzstan. It is just over 530km.

Up until now this view has only been speculated2 to be the longest. But we can now empirically prove it. With the help of my good friend Ryan Berger we have literally calculated every single line of sight on Earth. This involved in the order of 1015, or a million billion, calculations. Which outputs around 200GB of individual longest lines. We present our findings in an interactive map at map.alltheviews.world."]]></description>
<dc:subject>visibility linofsight maps mapping india china kyrgyzstan himalayas ryanberger</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:da886608879c/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maps"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:india"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ryanberger"/>
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</item>
<item rdf:about="https://automatingbanishment.org/">
    <title>Automating Banishment: The Surveillance and Policing of Looted Land</title>
    <dc:date>2026-02-23T06:43:02+00:00</dc:date>
    <link>https://automatingbanishment.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["AUTOMATING BANISHMENT is a community-based report envisioned, researched, drafted, and edited by dozens of people coming together to study the relationship of “data-driven policing” to real estate development and settler colonialism. The report comes from the Stop LAPD Spying Coalition’s Land and Policing Workgroup. But it belongs to the community, produced through collective study and grassroots self-defense. To join our work, email us or sign up for the community discussion groups we're planning. You can also make a donation to our work.

This report begins with an introduction that situates the analysis in our organizing campaigns and then continues in six parts:

Part 1: Not a Moment in Time chronicles the centuries-long history that stands behind policing and surveillance of land in Los Angeles. The goal is to offer a historical overview of the history of policing, conquest, and displacement.

Part 2: The Architecture of Data-Driven Policing analyzes the programs, tactics, and tools that LAPD built its data-driven policing programs through, including their first-generation “predictive” policing programs as well as collaboration with other agencies. The goal is to introduce these programs, partnerships, and methodologies in order to later examine their use in displacement and gentrification as well as their evolution over time.

Part 3: Real Estate and Capitalist Crisis uncovers links between policing, capitalist crisis, and real estate development. The goal is to share examples of these connections, which we uncovered in our organizing and research, in order to frame what inspired our deeper dive into these issues.

Part 4: Containment, Development, and the Fight for Freedom in Skid Row is the first of our two deep dives into data-driven policing’s role in displacement, this one focusing on the history, present, and future of development and policing in Skid Row. The goal is to show how policing and surveillance have long been used to contain, blight, and banish Skid Row residents, with data technologies helping to automate this harm.

Part 5: Racial Terror and White Wealth in South Central is a deep dive into the role of LAPD’s data-driven policing systems in gentrification and displacement of South Central L.A. The goal is to show how police terror and surveillance work in tandem with real estate development to banish Black and brown people and secure white wealth.

Part 6: “Reform” of Data-Driven Policing and “Predictive Policing 2.0” examines LAPD’s new Data-Informed Community-Focused Policing framework, launched in 2020. The goal is to analyze the reformist strategies that are being used to obscure, excuse, and broaden the violence of data-driven policing.

Finally, the conclusion lists our demands and examines what it will take to abolish data-driven policing.

The analysis in this report builds on Before the Bullet Hits the Body: Dismantling Predictive Policing in Los Angeles, which we published in 2018. Two years later, we published The Algorithmic Ecology, an organizing tool we created with the activist group Free Radicals. This tool maps the need to organize against the entire ecosystem that surrounds police algorithms, beyond the technology. Below is the Algorithmic Ecology tool applied to the PredPol “predictive policing” software discussed in more detail in part 2 of this report."

...



"[CONTENTS}

Homepage

Introduction
1. Not a Moment in Time

2. The Architecture of Data-Driven Policing
- Surveillance Inputs: LAPD’s Eyes and Ears
- Palantir
- Fusion Centers
- Operation LASER
- PredPol
- "Crime Prevention Through Environmental Design"
- Citywide Nuisance Abatement Program

3. Real Estate and Capitalist Crisis

4. Containment, Development, and the Fight for Freedom in Skid Row
- The Skid Row Compromise: “Preservation” and Blight
- Automation of Banishment: New Technologies, Old Patterns

5. Racial Terror and White Wealth in South Central
- Operation LASER’s Racial Terror
- Black Self-Determination, White Wealth, and Data-Driven Policing

6. “Reform” of Data-Driven Policing and “Predictive Policing 2.0”
- “Predictive Policing 2.0”
- Surveillance Bureaucracy
- Community Policing = Policing of Community

Our Demands"]]></description>
<dc:subject>lapd police policing maps mapping displacement homelessness surveillance land via:javierarbona extraction banishment data losangeles freeradicals lawenforcement gentrification skidrow realestate urbanism urban cities palantir fusioncenters operationlaser predpol</dc:subject>
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</item>
<item rdf:about="https://theoverhear.app/">
    <title>the OVERHEAR app</title>
    <dc:date>2026-02-16T08:19:03+00:00</dc:date>
    <link>https://theoverhear.app/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Overhear is the mobile app that puts audio on the map. We digitally pin poetry, short stories and oral histories to real-life locations, inviting users to explore their environments, collect the recordings and discover new ways to look at the world around them.

Whether in a park, a cafe, a housing estate, train station, beach or forest, we want to draw people’s attention away from their screens and towards where they are right now. With the help of engaging, localised content, we encourage our users to pause, listen, and see what would otherwise go unnoticed."

[via:
https://walklistencreate.org/2026/02/16/counter-narratives-you-have-to-walk-to/ ]]]></description>
<dc:subject>ios android applications sound maps mapping audio</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:5ec57ca67407/</dc:identifier>
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<item rdf:about="https://urbantechnology.substack.com/p/are-bikes-the-ultimate-urban-sensor">
    <title>Urban Technology at University of Michigan week 288</title>
    <dc:date>2026-02-08T08:02:03+00:00</dc:date>
    <link>https://urbantechnology.substack.com/p/are-bikes-the-ultimate-urban-sensor</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Are Bikes the Ultimate Urban Sensor?"

...

"Shortly after Detroit’s bankruptcy a partnership between the federal government, the City of Detroit, Data Driven Detroit, and the startup Regrid launched Motor City Mapping, which was an effort to make a comprehensive map of property conditions. A team of more than two hundred people fanned out across Detroit’s 142 square miles and used text messages to send updates that included photos. This all fed into a huge database and the numbers were astonishing: 6,255 lots with dumping, 6,845 structures with fire damage, 27,730 structures that need to be boarded up, and something on the order of 75,000 hours of effort to produce the map. That’s eight person-years worth of effort!

When I saw a proof of concept website float across my feed recently that was using video footage from a bike ride to conduct a similar assessment of building conditions—this time in Ireland, not Detroit—I was excited by how much things have changed in a decade. Cheaper hardware makes it possible to give lots of people video recording devices and GPSs. Cheaper compute makes it trivial to process the hundreds of frames that even a short bike ride can produce. LLMs enable a form of qualitative analysis with scale and speed. Add all of this up and it prepares the pre-existing means of mobility in cites that includes bikes, cars, and buses to become potential platforms for ambient sensing. The Spatial Dynamics Lab at University College Dublin is doing exactly that. This week I interview Brian Rogers, Research Scientist at UCD, about his work on making bikes into the ultimate urban sensor."]]></description>
<dc:subject>bikes biking sensors sensing 2026 bryanboyer mapping data brainrogers urban urbanism llms environment safety cities gopro maps</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e1ec5af9356d/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2026"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brainrogers"/>
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</item>
<item rdf:about="https://placesjournal.org/article/bookshelf-fall-2025/">
    <title>Bookshelf: Fall 2025 | Book Reviews in Places Journal</title>
    <dc:date>2026-01-18T00:51:46+00:00</dc:date>
    <link>https://placesjournal.org/article/bookshelf-fall-2025/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Landscape Fieldwork: How Engaging the World Can Change Design
Gareth Doherty (University of Virginia Press, 2025)
Reviewed by Liska Chan

I often tell students that the most important tool in fieldwork is time. Not the measuring tape, camera, or even sketchbook, but the willingness to stay put: to sit on a curb or lean against a fence long enough for the landscape to start talking back. Gareth Doherty’s Landscape Fieldwork builds on the same premise, treating fieldwork not as a preliminary stage but as the very ground of design practice.

Drawing on his ethnographic research in Paradoxes of Green: Landscapes of a City-State, Doherty elevates the small acts that shape design: scribbling marginal notes, making hurried sketches, listening for birdsong or traffic hum. These, he argues, are not incidental but methodological, cultivating attention to the entanglements of bodies, materials, and environments. Fieldwork, in his framing, is plural and provisional — encompassing surveys and maps, but also walking, noticing, and lingering. His examples move fluidly from classrooms to global sites, reminding readers that fieldwork is at once everyday and expansive, rooted in habit but also in improvisation.

[images: 

"Design sketch of a proposal for the village center of his hometown in Ireland, created by the author as a design school project. Drawing by Gareth Doherty, reproduced in Landscape Fieldwork.

and

"Aerial view of the roof garden of Safra Bank, São Paulo, designed in 1938 by Roberto Burle Marx. Photo by Leonardo Finotti, from Landscape Fieldwork."]

From a feminist perspective, this emphasis on situated and embodied methods resonates with longstanding calls to rethink how knowledge is produced. Donna Haraway has reminded us (beginning, in 1988, with Situated Knowledges) that there is no view from nowhere, and Doherty’s account echoes that insight. Gillian Rose’s critiques of visuality (e.g. in Feminism and Geography, from 1993) similarly describe observation as always partial, shaped by the position of the observer. Yet at times, Doherty smooths over difference. No field is neutral: who observes, and under what conditions, matters as much as what is observed. More engagement on Doherty’s part with feminist traditions that foreground reciprocity, vulnerability, and positionality could have deepened this claim. Readers might also look to contemporary practitioners such as Present Practice (Katherine Jenkins and Parker Sutton), Michael Geffel, and the Curious Methods project by Sean Burkholder and Karen Lutsky, whose inventive approaches to drawing, mapping, and site-based research model fieldwork as both critically attuned and experimentally open.

Still, Landscape Fieldwork makes a timely contribution. In an era of climate crisis and civic unraveling, Doherty’s invitation to linger feels urgent. To linger in the field is not an indulgence but a politics: what we choose to notice — weeds, rust, butterflies, bottles — shapes the worlds we imagine into being, and the futures we are willing to fight for."]]></description>
<dc:subject>liskachan garethdoherty fieldwork slow time 2025 via:javierarbona method observation noticing landscape ethnography presentpractice presence katherinejenkins parkersutton michaelgeffel curiousmethods methods process seanburkholder karenlutsky gillianrose visuality donnaharaway situation walking lingering small local surveys maps mapping improvisation situatedknowledge vulnerability reciprocity positionality practice drawing climatecrisis</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://walkspace.uk/2026/01/17/making-maps-at-dusk-reflections-on-walking-the-shrewsbury-skull/">
    <title>Making maps at dusk: reflections on walking the Shrewsbury Skull – Walkspace</title>
    <dc:date>2026-01-18T00:36:35+00:00</dc:date>
    <link>https://walkspace.uk/2026/01/17/making-maps-at-dusk-reflections-on-walking-the-shrewsbury-skull/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Paul Wakelam reflects on November’s Walking the Shrewsbury Skull event, guiding us through a liminal winter journey of history, ghosts and secret cobbled alleyways."]]></description>
<dc:subject>paulwakelam maps mapping walking 2026 shrewsburyskull</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e7255fa5f1d3/</dc:identifier>
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<item rdf:about="https://www.koozarch.com/library/geography-of-imagination-mapping-the-maps-of-ursula-le-guin">
    <title>The Geography of Imagination: mapping the maps of Ursula Le Guin – KoozArch</title>
    <dc:date>2026-01-11T23:22:40+00:00</dc:date>
    <link>https://www.koozarch.com/library/geography-of-imagination-mapping-the-maps-of-ursula-le-guin</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. offer journeys of consciousness beyond conventional cartography, from the Rorschach-like archipelagos to the talismanic maps. In this essay, Theo Le Guin considers his mother’s practice of poetic worlding, otherwise known as imagination."]]></description>
<dc:subject>ursulaleguin maps cartography theoleguin worlding worldbuilding 2026 mapping ursulakleguin</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:9a4aa1e45cef/</dc:identifier>
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<item rdf:about="https://rssproject.caravanmagazine.in/">
    <title>The RSS Project: Mapping the Largest Far-Right Network in the World</title>
    <dc:date>2025-12-25T09:47:49+00:00</dc:date>
    <link>https://rssproject.caravanmagazine.in/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Seeing the Sangh is the world’s first comprehensive map of the organisational affiliates surrounding the Rashtriya Swayamsevak Sangh—which together constitute the largest far-right network in the world. This interactive dataset, which currently includes comprehensive qualitative and quantitative data on over two thousand and five hundred organisations, is stored at a repository housed at the Science Po’s Centre for International Studies (CERI), and has been fact-checked and published by The Caravan.

This project arises from, and seeks to correct, a long-standing fuzziness around the organisational architecture of the Hindu far-right. The RSS formally acknowledges only about three dozen affiliates, even though it is widely understood to coordinate a sprawling network. Internally, RSS publications and leaders routinely describe this constellation as a unified entity; externally, they have consistently attempted to disguise, dilute or deny ties with many of these bodies.

As a result, we have never had access to a full picture of how this ecosystem functions—how resources circulate, where authority lies, and where the RSS’s influence begins and ends. To address this gap, Seeing the Sangh researchers spent six years excavating the network from the Sangh’s own documentary trail. All evidence was sourced from publicly available materials, with the Sangh’s own publications at its core, and then corroborated with academic literature, financial filings and government documents. The result is a public resource that offers, for the first time, a fuller picture of how this ecosystem operates.

We invite you to explore the map and the underlying network. This is a dynamic database and so is a work in progress. If you spot any inadvertent errors, glitches or have information on additional organisations, please share it through the submission form. For details on the project and its methodology, read our FAQs. For a deeper reflection on why such an intervention is necessary, see Felix Pal’s essay, “Exposing the largest far-right network in history.”"]]></description>
<dc:subject>hinduism rss india racism rashtriyaswayamsevaksangh farright rightwing data maps mapping via:javierarbona felixpal politicalscience</dc:subject>
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<item rdf:about="https://www.e-flux.com/architecture/palestinian-repairs">
    <title>Palestinian Repairs - e-flux</title>
    <dc:date>2025-12-05T20:42:12+00:00</dc:date>
    <link>https://www.e-flux.com/architecture/palestinian-repairs</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In many languages and traditions, “repair” means to find a remedy for what is torn or broken. Yet to speak of repair in the context of Palestine today—after more than two years of genocidal devastation unleashed by Israel in Gaza, and in the shadow of a neocolonial scramble for reconstruction—is to stand before its threshold: to confront its limits, its (im)possibility, suspended between grief and endurance, between what can be restored and what must remain a scar. To ask what is reparable, and what is not, is to ask how to mend destruction and pursue justice; how to reckon with incommensurable loss. It is to ask how life itself might begin again amid the ruins.

Palestinian Repairs is a collaboration between e-flux Architecture and Emilio Distretti supported by RIWAQ – Centre for Architectural Conservation, Birzeit University Museum, and the School of Architecture at the Royal College of Art, London."]]></description>
<dc:subject>palestine gaza repair 2025 nickaxel emiliodistretti nikolaushirsch khaldun Bshara ranabarakat muneerelbaz dimasrouji samirharb yarasharif nassergolzari marionroberts cezarybednarski genocide grief endurance reconstruction memory gazacity eteladnan poetry colonialism colonization architecture maps libraries preservation apocalypse violence ruins refugees time archives history mapping</dc:subject>
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<item rdf:about="https://www.nytimes.com/2025/11/24/world/europe/london-black-cab-taxi-driving-test.html">
    <title>Amid GPS and Ride-Hailing, the Allure of London’s Black Cab Endures - The New York Times</title>
    <dc:date>2025-11-27T05:53:30+00:00</dc:date>
    <link>https://www.nytimes.com/2025/11/24/world/europe/london-black-cab-taxi-driving-test.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In a world of GPS and car-hailing apps, some Londoners still want to drive a traditional black cab. First, they must memorize thousands of city streets."

[archived:
https://archive.ph/f6HnM

unlocked:
https://www.nytimes.com/2025/11/24/world/europe/london-black-cab-taxi-driving-test.html?unlocked_article_code=1.4E8.MpiC.slHjpQ5fybwh ]]]></description>
<dc:subject>maps mapping cities taxis blackcabs london navigation memorization 2025 theknowledge</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:9b0a9309a50f/</dc:identifier>
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<item rdf:about="https://vocal.media/humans/map-demap-and-reroute">
    <title>Map, Demap and Reroute | Humans</title>
    <dc:date>2025-11-22T00:18:12+00:00</dc:date>
    <link>https://vocal.media/humans/map-demap-and-reroute</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Burn all the maps to you for a better life"

...

"Somehow I became known as a psychogeographer. I didn’t even know what psychogeography was never mind that I was a practitioner of it. Of course I had to look it up. I found out that it was to do with the Situationist International, Guy Debord and the rest but that actually apart from the naming it had probably been going on for many many years before the term was formalised by the situationists.

Mapping, remapping and demapping of the real physical world and the world of the mind are all part of psychogeography. You’re probably doing these things every day without even knowing it. It’s when it becomes a conscious decision to do them that perhaps art is taking place. Over the years I’ve done a number of things that might be considered to be psychogeography in practice. I renamed what I do as splacism, splacist activities and explorations. There’s even a Splacist Manifesto which of course is open to change by anyone who would like to do so.

Finding that I was categorised as something that I didn’t even know what it was was in itself like being remapped. I used it to re-examine my psyche. My intentions. I discovered that I work best when I set myself actions that are counter to what is expected not only by others of me but by myself too. Turn left when it says turn right. Go through gates that say ‘No Entry’ but are open and the like.

Navigating the world with maps of places other than where one is is an interesting excercise. Try following the lefts, rights and straight aheads of a tourist tour of Rome whilst in London. Visit the site of the Sistine Chapel but in Birmingham, UK. What might you find. In doing so our own minds take a little remapping too.

I remember beginning to believe that I really was viewing the Fountain of Trevi whilst actually staring at a public toilet in central London. I think I enjoyed it just as much as if I had actually been in Rome. I even turned away from it and threw a coin over my shoulder at the toilet block. I made a wish too but I’m not telling you what it was as that would mean it could never come true.

I have had a brain scan. I’ve had a brain scan twice. Both times the things they were looking for weren’t there or if they were they were hiding. I’m glad as the things they thought might be there were not good at all. What they did find was an enlarged pineal gland, yes, what some call the third eye and this made me think of myself in new and interesting ways. I began to think that I might really be a mystic and that a whole field of new possibilities was opening to me. Perhaps I’d go back to reading the tarot and tea leaves with new vim and vigour. Perhaps I’d go travelling the Astral Plane a little more often than of late. Permission granted by an MRI scan.

So I became what people said I was, a poet, an artist, an urban explorer, a psychogeographer, a splacist warrior. At heart I was still the same me just mapped upon differently by outside influences. I was still husband, son, dad and always will be along with being all the other things and more too. Define me at your peril. And it’s double the peril if I try to define myself.

They say walk in someone else’s shoes to really discover what it is that they do and what makes them tick but what about our own shoes? Perhaps we take our shoes and the steps we take in them a little too much for granted. Yes, some of us monitor our steps to check that we’ve made whatever target the latest health agency or guru says we should be hitting, be it ten thousand steps or otherwise but what about our psychological interactions with the spaces and places we take those steps through and to? And their interactions with us, both the places and spaces themselves and ourselves being transformed one way or another by our journeys, physical and psychological.

Walk for too long in someone else’s shoes and you’re almost bound to get blisters. Walk in your own shoes for too long and complacency will surely set in.

We hobble ourselves a little every day that we don’t think outside of our own footsteps. Take some time to map, remap, demap, reroute and walk at least for a short while without purpose.

Sometimes it’s okay to not quite know exactly where you’re heading. A fully mapped out future might feel cosy but get too cosy and and there’s a danger that we will atrophy, mind and body.

If I ever find the map to and of me I hope I will have the courage to strike a match and burn it."]]></description>
<dc:subject>paulconneally psychogeography 2025 maps mapping illegibility situationist guydebord remapping demapping splacistmanifestowalking</dc:subject>
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</item>
<item rdf:about="https://www.authoritarian-stack.info/">
    <title>The Authoritarian Stack</title>
    <dc:date>2025-11-07T18:22:22+00:00</dc:date>
    <link>https://www.authoritarian-stack.info/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["How Tech Billionaires Are Building a Post-Democratic America — And Why Europe Is Next"

[via:
https://www.thenerdreich.com/techs-authoritarian-stack/ ]]]></description>
<dc:subject>authoritarianism democracy us europe visualization economics technofascism broligarchy oligarchy worldview technology surveillance fascism 2025 peterthiel sovereignty palantir governance government marcandreessen anduril spacex elonmusk davidsacks crypto cryptocurrencies oculus 1789capital luxcapital a16z andreessenhorowitz thielcapital alexkarp donaldtrumpjr jdvance foundersfund palmerluckey power siliconvalley imperialism statecapture michaelkrastios michaelobadal gregorybarbaccia clarkminor hhs shyamsankar usarmy army andrewbosworth meta openai kevinwell bobmcgrew military militarism weapons venturecapital infrastructure deregulation regulation ideology finance intelligence 8vc generalcatalyst privatization space energy money data maps mapping francescabria josébautista vc</dc:subject>
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<item rdf:about="https://bsky.app/profile/vivschwarz.bsky.social/post/3m43jied7cs24">
    <title>Post by Viviane Schwarz (Viv Schwarz) @vivschwarz.bsky.social on Bluesky</title>
    <dc:date>2025-11-02T19:18:29+00:00</dc:date>
    <link>https://bsky.app/profile/vivschwarz.bsky.social/post/3m43jied7cs24</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I used to read a book a day as a child. Spent as much time in the library after school as I could add a teenager. I read loads of stories, eventually. But the first books I really wanted to read were dictionaries, craft books and non fiction. https://www.vivianeschwarz.co.uk/the-best-place-in-the-world/

The first story books I was interested in reading were the ones that had recipes, instructions, maps worked in. Things I recognised as "information", things I felt I could "get out" of the book, apply to reality.
‪
Story books I loved as a child: A book about cowboy who made up a new bit of song about every adventure, musical notation at the back so one could sing it.
A book that featured a machine and there was a blueprint of it included. 
An adventure book with instructions for getting out of a locked room
‪
Yes, I also appreciated good writing, but first of all I loved stories that gave me something I could think about applying to my own world quite literally. Some of those were from free little magazines you'd get at the shoe shop or pharmacy. That was my way in.
‪
And the most amazing books were illustrated non fiction on a theme. THE MICROSCOPE was probably my favourite, with hand rendered bacteria and cell structures that were as beautiful as the real thing, more beautiful than photographs. Instructions for slide-making that involved razor blades and ink
‪
And all those dinosaurs. Is there a more complete love than one may feel as a child reading an illustrated book about dinosaurs, loving every bone of them, cherishing every minute of their lives, accepting their fossilized giant bird shits and even their very departure with fierce love.
‪
And don't forget the instruction manuals for board games. The IKEA leaflets describing in detail the angular blossoming of furniture. Do not tell me those joys of reading are lesser than opening a classic children's book one is given without curiosity demanding it right then.
‪
There must be substrate for curiosity to grow from where it's at to where it may go.

Telling a child that what they're reading is worthless won't encourage them to pick up your favourite kind of thing instead."

[via:
https://buttondown.com/perfectsentences/archive/perfect-sentences-149/ ]]]></description>
<dc:subject>vivschwarz books childhood children reading howweread 2025 maps recipes instructions howto adventure howwelearn learning dinosaurs microscopy microscopes education curiosity writing howwewrite magazines reality nonfiction vivianeschwarz libraries tutorials boardgames mapping</dc:subject>
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<item rdf:about="https://www.koozarch.com/essays/xigagueta-a-vessel-for-contemporary-art-writing-and-thinking">
    <title>Xigagueta: A Vessel for Contemporary Art, Writing and Thinking – KoozArch</title>
    <dc:date>2025-10-26T19:13:13+00:00</dc:date>
    <link>https://www.koozarch.com/essays/xigagueta-a-vessel-for-contemporary-art-writing-and-thinking</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["An alternative subtitle for this piece is Diidxa’ rului’ ca neza — translated from the author’s mother tongue, this means ‘the word that shows the way’."]]></description>
<dc:subject>art writing thinking languagae translation 2025 xigagueta howwethink howwewrite embodiment memory imagination creation reflection anthropology life righttolife humanrights evaposas nieuweinstituut nations nationswithoutastate statelessness state states 2018 research bodies objects territory binnizá diidxazá dormancy oaxaca tehuantepec mexico libraries chiapas miguelcovarrubias diegorivera indigeneity indigenous race mestizo society discrimination ikoots chinanteco zoque chontal ayuuk collectives ombeayiüts hegemony poetry narrative sublevation dellalvarado diegomatus anapalacios oraltradition language languages uniónhidalgo sierramadresur lagunasuperior chicapa esteroguié espiritusanto victorfuentes galeríagubidxa globalization local small textiles textilejustice belonging identity land crime extraction extractivism silence loneliness technology emancipation transgression isthmusoftehuentepec wisdom meaning meaningmaking zá fernandomagariño binnigula'sa guendaabiani' gabriellópezchi</dc:subject>
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<item rdf:about="https://daily.bandcamp.com/lists/soundwalks-album-guide">
    <title>Field Notes: A Beginner’s Guide to Soundwalks | Bandcamp Daily</title>
    <dc:date>2025-10-24T04:27:19+00:00</dc:date>
    <link>https://daily.bandcamp.com/lists/soundwalks-album-guide</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In 1966, the musician and artist Max Neuhaus met with some friends on the corner of Avenue D and West 14th Street in Manhattan. He stamped the word “LISTEN” on their hands and led them toward the East River. Without a word, the group went past a humming power plant, across a rumbling highway, over a windy pedestrian bridge, and back through the busy Lower East Side. As a percussionist, Neuhaus worked with composers like John Cage, who integrated sounds from the outside world into their pieces, but he suspected that the audience was more intrigued by the shock of the unexpected than they were willing to consider the sounds on their own merit. Neuhaus repeated his walk for the general public in a series of “Lecture Demonstrations,” explaining that “the rubber stamp was the lecture and the walk the demonstration.” These walks were a way to open the ears of participants, to give aesthetic validity to a world that was sometimes noisy, chaotic, and overwhelming.

Neuhaus didn’t know it yet, but he was one of the first leaders of a soundwalk. In the 1960s, performance artists were questioning the constraints of institutions and increasingly taking their work to the streets, blurring the boundaries between art and experience. His “Listen” series evolved from a tradition of conceptual art in which scores were written to be performed by anyone at any time. Take, for example, these instructions from Yoko Ono’s 1962 Map Piece: “Draw an imaginary map. Put a goal mark on the map where you want to go. Go walking on an actual street according to your map.” Or Milan Knižak’s Walking Event, from 1965: “On a busy city avenue, draw a circle about 3m in diameter with chalk on the sidewalk. Walk around the circle as long as possible without stopping.” By adding the simple command to listen, Neuhaus transformed his participants into both performers and audience members at once, directing their attention to the sonic environment of their everyday lives.

The term “soundwalk” was not formalized until later, with the World Soundscape Project at Vancouver’s Simon Fraser University. In the late ‘60s and early ‘70s, R. Murray Schafer, Barry Truax, and Hildegard Westerkamp began studying noise pollution in their city, leading to the 1973 publication of the book and record set The Vancouver Soundscape. A key part of their research was the soundwalk, which Westerkamp defined as “any excursion whose main purpose is listening to the environment.” She goes on to instruct her readers how to become listeners: “Wherever we go we will give our ears priority. They have been neglected by us for a long time and, as a result, we have done little to develop an acoustic environment of good quality.”

Soundwalking exists at the intersection of art, field recording, urban studies, and acoustic ecology. Perhaps the most important reference point, however, is Pauline Oliveros’s practice of Deep Listening. Oliveros’s 1974 text Native succinctly describes the ideal state of a sound walker: “Take a walk at night. Walk so silently that the bottoms of your feet become ears.” This focus on mindfulness has attracted an increasing number of people to the discipline. A soundwalk is a chance to take our eyes off our screens and our headphones off our ears, a tantalizing opportunity in an increasingly distracted world.

Viv Corringham, a vocalist and sound artist who has been practicing soundwalks for 25 years, says that “soundwalks allow our busy eyes to take a break and relax their gaze; this encourages a different focus of attention, allowing everyday sounds of the place to resonate within us.” Since she began her own practice of soundwalking, Corringham has observed how the field has evolved as it has gained popularity. “The basics remain the same but new approaches have arisen, often rooted in environmental concerns or in ‘decolonial’ listening that questions dominant Western understandings of sound.” A soundwalk is fundamentally inclusive, yet also political: Anyone can participate, but the nature of that participation is determined by factors such as location, gender, disability, and many others.

This means that you, too, can start soundwalking, right now. “Just go outside and listen. Remember that you are part of the soundscape too,” Corringham advises. “Notice whether you can hear the sounds of your own presence. Through our walking feet, we can listen to the song of the journey, to traces of previous walkers, to stories from the earth, to echoes of ancient origins, and to our own memories and associations. The essence of a place is revealed to the feet that move through it and listen.”

Soundwalking is an embodied practice, historically experienced firsthand; if a specific walk were to be shared, it was usually through written instructions, maps, or in-person events. However, artists have increasingly incorporated recording into their soundwalking practice, finding exciting ways to share their own experiences through sound. Below is a selection of recordings that demonstrates the many directions that a soundwalk can take."]]></description>
<dc:subject>matthewblackwell 2025 soundwalks sound listening walking paulineoliveros rmurrayschafer soundscapes barrytruax johncage 1966 maxneyhaus nyc 1962 yokoono milanknižak 1965 maps mapping 1960s 1970s 1973 hildehardwesterkamp deeplistening vivcorringham terryfox craigshepard chriswatson andrewweathers katecarr anguscarlyle norway sápmi arcticcircle london northcarolina chapelhill valparaíso chile scottishhighlands alecfinlay 2005 aubervilliers france ernstkarel siegfriedsaerberg vancouver britishcolumbia history</dc:subject>
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    <title>Walking around (most of) the Bay - YouTube</title>
    <dc:date>2025-10-22T17:37:39+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=1MUSqkcd7n8</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I like walking around cities, and I try to do a big walk over Labor Day weekend. This year I did a VERY big walk, around almost all of San Francisco Bay."]]></description>
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<item rdf:about="https://www.e-flux.com/architecture/spatial-computing/6782991/gps-for-the-brain-cognitive-maps-revisited">
    <title>Spatial Computing - Laura Kurgan - GPS for the Brain: Cognitive Maps Revisited</title>
    <dc:date>2025-10-18T05:41:13+00:00</dc:date>
    <link>https://www.e-flux.com/architecture/spatial-computing/6782991/gps-for-the-brain-cognitive-maps-revisited</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Navigation has typically involved something more technical than biological, especially in relation to traversing and remembering spaces. From compass and map to astrolabe and the Global Positioning System (GPS), humans have long relied on a variety of devices to get themselves or their projectiles from here to there. But these tools are not the only game in town—biological navigation, is crucial for the everyday life, movement, and survival of a myriad of species, not just human. Nowadays, this interplay between technical and biological navigation is increasingly blurry. What are the characteristics of navigation that we encounter along the gradient between the technical and the biological, between positioning and memory? To answer this, it helps to put the discourse of “cognitive mapping” into dialogue with advances in neuroscience and artificial intelligence, where scientists now speak of “an inner GPS.” GPS, in this sense, is a misaligned metaphor for a cognitive map, a figure that has long been operational within the fields of architecture, urbanism, and human-computer interaction. However, this conflation warrants revisiting and critiquing their fundamental concepts once again.

We are living in a moment when artificial intelligence—the technical simulation of a biological brain—threatens to absorb and replace many fields, disciplines, and control systems. Simultaneously, the same technologies and algorithms that aim to simulate biological brains (and want to exceed their capabilities) still can’t map the brain of many species, including human. Researchers claim the human brain is the most complex organ in any living creature—a network of trillions of brain cells or neurons housed in a jello-like framework. But networks are only one way of describing the brain. It is therefore important to interrogate the relationships between the elements of this binary—biology and technology—that build these networks, and their cognitive capacities."]]></description>
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<item rdf:about="https://duncanspeakman.net/catalogue/imhbdbt/">
    <title>It Must Have Been Dark By Then - duncanspeakman.net</title>
    <dc:date>2025-10-15T05:15:55+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["It Must Have Been Dark by Then is a book and audio experience that uses a mixture of evocative music, narration and field recording to bring you stories of changing environments, from the swamplands of Louisiana, to empty Latvian villages and the edge of the Tunisian Sahara. Unlike many audio guides, there is no preset route, the software builds a unique map for each person’s experience. It is up to the participant to choose their own path through the city, connecting the remote to the immediate, the precious to the disappearing.

In January and February 2017 Duncan Speakman travelled with collaborators across three countries on three continents, visiting environments that are experiencing rapid change from human and environmental factors. What he created on his return is somewhere between a travel journal and a poetic reflection on connection, progress and memory. The experience asks the listener to seek out types of locations in their own environment, and once there it offers sounds and stories from remote but related situations. At each location the listener/reader is invited to tie those memories to the place they are in, creating a map of both where they are right now and of places that may not exist in the future."]]></description>
<dc:subject>location audio location-based via:javierarbona duncanspeakman 2017 books ebooks audiobooks experience place audioguides connection progress memory maps mapping environment listening latvia tunisia 2024</dc:subject>
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<item rdf:about="https://walklistencreate.org/2025/09/11/tracing-the-world-on-radhika-subramaniams-footprint/">
    <title>Tracing the World: On Radhika Subramaniam’s Footprint – walk · listen · create</title>
    <dc:date>2025-09-30T20:24:31+00:00</dc:date>
    <link>https://walklistencreate.org/2025/09/11/tracing-the-world-on-radhika-subramaniams-footprint/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Radhika Subramaniam is Associate Professor of Visual Culture at Parsons School of Design/The New School in New York City where she was also the first Director/Chief Curator of the Sheila C. Johnson Design Center from 2009 to 2017. With an interdisciplinary practice as curator and writer, she explores crises and surprises as they emerge in urban life, walking, art and human-nonhuman relationships.
Subramaniam is currently also on the Grand Jury for the Marŝarto Awards.

Subramaniam recently published Footprint: Four Itineraries, probing the long history of the footprint’s manifestation in the human imagination.

WLC’s co-founder Babak Fakhamadeh managed to grab a copy. What follows is a review of the book.

---

Radhika Subramaniam’s Footprint: Four Itineraries is less a book about feet than about the entangled histories, metaphors, and politics that follow in their wake. A hybrid, sitting between critical essay, travelogue, and cultural history, Subramaniam’s text is structured around four “itineraries”, Stride, Pace, Trudge, and Track. The book meanders across centuries and continents, from fossilized prints at Laetoli to the boot marks on the moon, from Hopi migration routes to border patrol surveillance, from urban pavements to the abstracted “carbon footprint.”

The style is deliberately hybrid. Subramaniam writes as cultural historian, essayist, and walker, moving fluidly between anecdote, archival fragment, and critical reflection. Not unlike a stream-of-consciousness, or, indeed, a meander through walking history.

The text resists linear argument, instead wandering as a footprint might: partial, overlapping, ambiguous. Though this results less in the narrative following a strong directional arrow, at times risking a certain diffuseness, the deliberate “meandering” resists closure and mimics the uncertain traces of a footprint itself, and so, this looseness is also the book’s strength, mirroring its central claim; that footprints are not fixed imprints but mobile, paradoxical traces. They signify presence by absence, endurance by fragility.

The stories gathered here are pleasantly diverse. We encounter Mary Leakey’s discovery of early hominin prints, the Hopi injunction to “make footprints” as a covenant with land, the mutilated bronze foot of conquistador Oñate, and the social-distancing decals of the New York subway. Subramaniam shows how each instance carries its own politics; of colonial conquest, imperial ambition, resistance, memory, or ecological precarity. The contemporary metaphors of the ecological and carbon footprint come under particular scrutiny: originally conceived as a pedagogical tool to measure resource use, they have been co-opted to individualize responsibility while masking corporate and systemic drivers of climate crisis.

The book sits comfortably within a larger body of work at the intersection of walking arts, environmental humanities, and notably, postcolonial critique. Hints of Lucy Lippard, Rebecca Solnit, and Guy Debord bubble to the surface. Subramaniam adds to this canon by insisting that the footprint is not only metaphor but material, a lived encounter between body and ground, always, and already, political.

What remains after reading is an ethical provocation. If footprints have long been signs of occupation, capture, and extraction, might they also model a different kind of relation, one that consists of light, and shared, and generative? Subramaniam suggests that to walk is to draft and redraft collective paths, to refuse the monumentality of conquest in favor of the fragile trace. Footprint is, in the end, a meditation on how to inhabit the world otherwise: to tread, if not without impact, then with care."

[See also:

"Footprint: Four Itineraries"
https://walklistencreate.org/book/footprint-four-itineraries/

"Footprint: Four Itineraries takes the footprint for a walk—to the Himalayas, the American southwest, to Arnhem Land and the moon, through monuments, prehistoric sites, sidewalks, and paintings, alongside artists, cartographers, surveyors and trackers, hesitating at revolutionary debate and solitary reverie, waylaid by war and land claims, sniffing greed and curiosity, recognizing both falter and fit, moving stealthily and boldly—to test the lasting power of this very material metaphor.

The book probes the long history of the footprint’s manifestation in the human imagination. It has signified mobility and occupation, inquiry and imperialism, absence and presence, trace, and impact. As a metaphor, it is ubiquitous and oddly self-evident. The book’s four itineraries trace the contradictory forensic evidence offered by the footprint’s many appearances. How can that dreamy print of your sole in the sand also signify that the planet is dying? When did a lithe mobile residue become a leaden artifact? Stories of footprints testify to colonialism, imperialism, and suppression but woven through them are histories of desire, persistence, mobility, and of lightness. In taking you on a series of journeys to understand why and what it means for our future, Footprint: Four Itineraries asks if it is yet possible to tread lightly on our world."]]]></description>
<dc:subject>radhikasubramaniam babakfakhamzadeh 2025 walking history metaphor footprints politics alinear non-linear markleakey colonialism imperialism resistance memory ecology precarity lucylippard rebeccasolnit guydebord occupation capture extraction ethics care impact himalayas arnhemland monuments sidewalks paintings cartography maps mapping surveying tracking greed curiosity suppression lightness persistence mobility via:javierarbona nonlinear linearity</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:a3ecaed29000/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:footprints"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:non-linear"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:markleakey"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colonialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:imperialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:resistance"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mapping"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tracking"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curiosity"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:javierarbona"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nonlinear"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:linearity"/>
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</item>
<item rdf:about="https://beiruturbanlab.com/en/Details/2037">
    <title>Beirut Urban Lab - City Debates 2025 - Recap and Recorded Proceedings</title>
    <dc:date>2025-09-24T15:09:48+00:00</dc:date>
    <link>https://beiruturbanlab.com/en/Details/2037</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The 21st edition of City Debates—on collective, exploratory, and radical cartographies—engages with mapping, data visualization, and spatial representation, specifically as they intersect with urban research, furthering a variety of ways through which cities, geographies, and environments are studied and understood.

The primary framing breaks down critical mapping theorization and practice into three main threads. The first, “Co-map”, focuses on issues of authorship and subject, such as who is mapping and who is being mapped, the implications of participatory mapping, citizen cartography, narrative and ethnographic mapping, and other forms that confront and dispute the traditional authorities behind the map. The second, “Re-map”, is concerned with reimagining cartographic practice, re/de-historicizing the discipline, challenging mapping and data visualization conventions, contemplating map as play, and using mapping as a speculative and experimental design process. The third, “Un-map”, examines ideas of counter-mapping, data feminism, rebel mapping, and other emerging visual strategies of dissent, agitation, and activism that deconstruct and expose the map as a socially embedded political text.

Of course, the threads are neither mutually exclusive nor comprehensive as far as cartographic output and data visualization are concerned. Rather, they are issues that have been central to the critical shift within the field over time, and the conference aims to explore a more granulated set of themes across its multiple panels. These include questions of tools and technologies, positions and positionalities, ecologies and environments, conflict and crises, data access and scarcity, borders and territories, and other important deliberations within a rich, multifaceted, and continuously expanding cross-disciplinary sphere. Together, they aspire to delineate a well-rounded program that addresses the theme of mapping from a pertinent contemporary place, fostering dialogue between different methods and showcasing a variety of collective, exploratory, and radical cartographies in multiple contexts."]]></description>
<dc:subject>cartography maps mapping via:javierarbona geography 2025 datavisualization data visualization scarcity borders</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:a72742debd3f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cartography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mapping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:javierarbona"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:geography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2025"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:datavisualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:data"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scarcity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:borders"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.sfstairways.com/stairways/">
    <title>List of public stairways - San Francisco Stairways</title>
    <dc:date>2025-09-20T21:35:15+00:00</dc:date>
    <link>https://www.sfstairways.com/stairways/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Online guide to San Francisco's public stairways

List of public stairways
https://www.sfstairways.com/stairways/

List of other pedestrian pathway
https://www.sfstairways.com/pedestrian_paths/ "]]></description>
<dc:subject>stairways maps mapping sanfrancisco</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:24ea6307fc6d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stairways"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mapping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanfrancisco"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.urbanhikersf.com/sfstairmap">
    <title>SF STAIRS | A map of the city's public stairways | Urban Hiker</title>
    <dc:date>2025-09-20T21:34:54+00:00</dc:date>
    <link>https://www.urbanhikersf.com/sfstairmap</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The goal of the San Francisco stairway project is to document the city's public stairways through a Google Map, a spreadsheet, and photos—and I'm up to 900+ stairways and counting.


Check out the map below (click to view as full size or head to bit.ly/sfstairmap) and the companion spreadsheet (also at bit.ly/sfstairsheet) to start looking at stairways. The spreadsheet has the same info as the map, and it also shows the map legend. In case you don't look at the spreadsheet, know that red map pins represent some of the most impressive stairways in the city, orange are the next tier and continuing through the rainbow to blue. The black pins are places I have yet to verify or that I need to add to the spreadsheet."]]></description>
<dc:subject>sanfrancisco maps mapping stairs stairways</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ca6e52c5e922/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mapping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stairs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stairways"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://linguistics.berkeley.edu/~kjohnson/VO/index.html">
    <title>Voices of Oakland</title>
    <dc:date>2025-09-19T16:29:07+00:00</dc:date>
    <link>https://linguistics.berkeley.edu/~kjohnson/VO/index.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Information about the project This is a study being done by researchers from the UC Berkeley Department of Linguistics about how people express themselves, talking about things like friendship, family, school, politics, religion, ... whatever. You choose the topic, we ask questions to keep the conversation going. All of this happens on camera, recording you while you talk. You control what gets talked about, and who can view the recording.

Who is Eligible? We are looking for people who have deep roots in Oakland - you grew up in Oakland and have lived here most of your life.

What will you be asked to do? Spend an hour (or more if you are having a good time) in a conversation with a research team member - one other team member may be present to handle the recording equipment.

Compensation. You will receive $20 for your participation in this study.

What we have learned so far. The project is in the early stages, so we don't have much to report right now. However, one thing is clear: there is a lot of diversity in Oakland. Still, is there an "Oakland" accent?."]]></description>
<dc:subject>via:javierarbona oakland maps mapping linguistics experience ethnography school schooling friendship politics religion</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:95394f32681b/</dc:identifier>
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</item>
<item rdf:about="https://www.koozarch.com/interviews/high-resolutions-catalina-meja-moreno-and-antonio-bermudz-obregn-on-reclaiming-language">
    <title>High Resolutions: Catalina Mejía Moreno and Antonio Bermudéz Obregón on reclaiming language – KoozArch</title>
    <dc:date>2025-09-15T01:33:13+00:00</dc:date>
    <link>https://www.koozarch.com/interviews/high-resolutions-catalina-meja-moreno-and-antonio-bermudz-obregn-on-reclaiming-language</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this conversation between two Colombian practitioners, we explore language and mapping as tools that have been used to systematise and oppress – yet which can be expanded and unlocked."]]></description>
<dc:subject>language maps mapping antioniobermudéz-obregón catalinamejíamoreno federicazambaletti koozarch colombia indigeneity indigenous place method vocabulary words reading howweread knowledge territory decolonization colonialism colonization legibility illegibility plants text texts bogas history landscape understanding glossaries collectivity collectivism generative friction action bodies cosmovision latinamerica dominance domination surveillance resolution</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:96303622b10c/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mapping"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colonization"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:plants"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:landscape"/>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=wxWfpBQvfLs">
    <title>Navigating a City Without Street Addresses | Direcciones | The New Yorker Documentary - YouTube</title>
    <dc:date>2025-09-13T23:10:41+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=wxWfpBQvfLs</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In Costa Rica, a centralized system for street addresses does not exist, so people use landmarks as reference points in giving out directions. A short documentary by María Luisa Santos and Carlo Nasisse attempts to figure out why.

The story behind the film: https://www.newyorker.com/culture/the-new-yorker-documentary/an-intimate-cartography-of-costa-rica-in-direcciones ["In María Luisa Santos and Carlo Nasisse’s short film, addresses suggest an alternative understanding of space and time."]"]]></description>
<dc:subject>maps mapping 2025 navigation wayfinding maríaluisasantos carlonasisse addresses referencepoints cartography space time directions connection connections memory poetry nostalgia saudade place placememory legibility illegibility ghosts pain longing sadness mourning grief brain loneliness past existence generation travel monarchbutterflies butterflies canon costarica</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6dae201ae8fb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maps"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2025"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maríaluisasantos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:carlonasisse"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:addresses"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:referencepoints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cartography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:time"/>
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    <title>The Star Wars Galaxy | StarWars.com</title>
    <dc:date>2025-09-05T17:18:06+00:00</dc:date>
    <link>https://www.starwars.com/star-wars-galaxy-map</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Star Wars galaxy contains billions of stars and is home to trillions of beings living on millions of worlds governed over millennia of galactic history by the Republic, the Empire and the New Republic. It’s the setting for countless stories of good and evil, chronicled in Star Wars movies, TV shows, video games, books, comics and more.

This page, originally created as an online companion for the 2009 reference book Star Wars: The Essential Atlas, collects key maps and documents of interest to students of galactic cartography. Bookmark it and check back for updates from the galaxy far, far away!"]]></description>
<dc:subject>starwars movies cartography maps film mapping</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6c1c6e9b7939/</dc:identifier>
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<item rdf:about="https://www.samholden.jp/p/hints-from-japans-hillsides">
    <title>Hints from Japan's hillsides - by Sam Holden</title>
    <dc:date>2025-09-03T04:12:32+00:00</dc:date>
    <link>https://www.samholden.jp/p/hints-from-japans-hillsides</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>2024 samholden japan slopes hills cities urban urbanism landscape hillsides onomichi craigmod elevation walking tokyo shunyayoshimi kobe nagasaki hakodate atami yokohama kure yokosuka christopheralexander maps mapping topography shioyaproject shinjiishii culture</dc:subject>
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<dc:identifier>https://pinboard.in/u:robertogreco/b:e96efe023639/</dc:identifier>
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<item rdf:about="https://app.birdweather.com/">
    <title>BirdWeather</title>
    <dc:date>2025-08-02T00:21:40+00:00</dc:date>
    <link>https://app.birdweather.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What is BirdWeather?
BirdWeather is a pioneering visualization platform that harnesses the BirdNET artificial neural network to monitor bird vocalizations globally through 2000 active audio stations (and growing).  The platform acts as a comprehensive, evolving digital repository, accessible via a user-friendly map interface that showcases real-time data integration. Equipped with advanced bioacoustic technologies such as the BirdWeather PUC—featuring environmental sensors and a neural engine in a weatherproof enclosure—BirdWeather facilitates easy recording and automatic cloud processing of bird sounds, aiding conservation efforts and ecological studies. By analyzing bird population behaviors and changes, BirdWeather provides valuable insights into environmental shifts, engaging the public in global citizen science initiatives through its web dashboard and mobile app

What is BirdNET? (From the BirdNET site)
BirdNET is a joint research project between The Cornell Lab of Ornithology and the Chemnitz University of Technology that is “mainly focused on the detection and classification of avian sounds using machine learning … [with the aim to] assist experts and citizen scientist in their work of monitoring and protecting our birds.
BirdNET is a research platform that aims at recognizing birds by sound at scale. We support various hardware and operating systems such as Arduino microcontrollers, the Raspberry Pi, smartphones, web browsers, workstation PCs, and even cloud services. BirdNET is a citizen science platform as well as an analysis software for extremely large collections of audio. BirdNET aims to provide innovative tools for conservationists, biologists, and birders alike.”Read more about BirdNET at: https://birdnet.cornell.edu/

Questions?  email - tim@birdweather.com"]]></description>
<dc:subject>birds audio data nature maps mapping morethanhuman multispecies science opendata</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:438f0cb93b94/</dc:identifier>
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<item rdf:about="https://www.sfchronicle.com/projects/2025/california-summer-warming/">
    <title>Map: California summers have warmed fastest in these areas</title>
    <dc:date>2025-07-25T02:53:58+00:00</dc:date>
    <link>https://www.sfchronicle.com/projects/2025/california-summer-warming/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>california globalwarming climate climatechange maps mapping summer jacklee us bayarea fresno sierras socal</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:959f0449117d/</dc:identifier>
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<item rdf:about="https://blogs.loc.gov/maps/2025/07/exporting-the-american-aesthetic-filming-location-maps-of-los-angeles/">
    <title>Exporting the American Aesthetic: filming location maps of Los Angeles | Worlds Revealed</title>
    <dc:date>2025-07-18T22:33:01+00:00</dc:date>
    <link>https://blogs.loc.gov/maps/2025/07/exporting-the-american-aesthetic-filming-location-maps-of-los-angeles/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>maps mapping losangeles 2025 meagansnow film filminglocations history hollywood</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:36171040a148/</dc:identifier>
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<item rdf:about="https://www.sfchronicle.com/bayarea/article/aging-neighborhood-map-survey-20761172.php">
    <title>Do you live in one of Bay Area’s oldest neighborhoods? Check this map</title>
    <dc:date>2025-07-14T23:54:51+00:00</dc:date>
    <link>https://www.sfchronicle.com/bayarea/article/aging-neighborhood-map-survey-20761172.php</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also:

"The Bay Area is getting old — fast. It will change everything"
https://www.sfchronicle.com/projects/2025/sf-bay-area-aging-demographics/

"The Bay Area is facing a doom loop. It’s just not the one we usually think about.

For years we’ve heard of the potential economic doom spiral circling San Francisco, where a massive city budget deficit fueled by remote work leads to poorer services and even more residents fleeing. But another threat has been building in relative silence.

The Bay Area is getting old fast, and it’s accelerating. Though aging is a global trend, the San Francisco metro area — which includes San Francisco, Alameda, Contra Costa, San Mateo and Marin counties — is already the third-oldest among 20 of the largest regions in the U.S., trailing only two places in Florida. And no other region is growing older at a quicker pace."]]]></description>
<dc:subject>sanfrancisco maps mapping age aging democraphics 2025 bayarea marin marincounty alamedacounty contracostacounty sanmateocounty santaclaracounty</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://nyc.reflective-urbanisms.com/">
    <title>Mapping New York Chinatown | Reflective Urbanisms:</title>
    <dc:date>2025-07-12T00:00:53+00:00</dc:date>
    <link>https://nyc.reflective-urbanisms.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["REFLECTIVE URBANISMS: Mapping New York Chinatown is an interactive web project that maps Manhattan Chinatown through its architectural changes. Here, transformations that have occurred in its buildings, since Chinatown was established in the 1860s, are visualized and investigated alongside community stories about these spaces. As a restorative history project, it aims to create an architectural archive that honors and connects these stories to the buildings. REFLECTIVE URBANISMS: Mapping New York Chinatown is part of a continuing series researching Chinatown architecture across North America, a project by artist and architect Cheryl Wing-Zi Wong."]]></description>
<dc:subject>maps mapping chinatown nyc architecture history cherylwing-ziwong manhattan</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e94376c31802/</dc:identifier>
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<item rdf:about="http://www.poetryatlas.com/">
    <title>Poems about Places - Poetry Atlas</title>
    <dc:date>2025-07-09T20:00:18+00:00</dc:date>
    <link>http://www.poetryatlas.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[""All poetry starts with geography" said the poet of New Hampshire, Robert Frost.

And all geography has a poetic layer. There is a poem about everywhere on earth.

Our poetic mapmakers are charting this literary geography..

Please send poems of place by you, or others, to contributions@poetryatlas.com "]]></description>
<dc:subject>maps mapping poetry poems place geography</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b0284a8999a7/</dc:identifier>
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<item rdf:about="https://medievalmurdermap.co.uk/">
    <title>Medieval Murder Maps</title>
    <dc:date>2025-07-09T04:32:04+00:00</dc:date>
    <link>https://medievalmurdermap.co.uk/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The interactive Medieval Murder Maps give unique insight into violence and justice in late medieval London, York, and Oxford.

Discover the murders, sudden deaths, sanctuary churches, and prisons of three thriving medieval cities. Click on a pin to read the story based on the original record written down in the rolls of the coroner.

For more information on how to use the maps, or more on the medieval world, visit the Discover More. Learn more by listening to one of our podcasts. If you are referencing our maps and using them for study or personal interest, please read our terms and conditions.

The Maps were launched on 28 September 2023. You can view a recording here."]]></description>
<dc:subject>maps mapping medieval middleages history london york oxford</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:fad0f1e9c9a9/</dc:identifier>
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<item rdf:about="https://daily.jstor.org/mapping-indian-country/">
    <title>Mapping “Indian Country” - JSTOR Daily</title>
    <dc:date>2025-06-13T17:31:38+00:00</dc:date>
    <link>https://daily.jstor.org/mapping-indian-country/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In the early 1800s, the Native people of the Plains region didn’t generally think about their land in terms of tribes, territories, or racial difference."]]></description>
<dc:subject>maps mapping indigeneity indigenous 1800s liviagershon tribes territory race geography</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:241ebf914eb3/</dc:identifier>
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<item rdf:about="https://www.theverge.com/games/672035/openstreetmap-data-games">
    <title>Real-world maps are helping developers make games about trains and farms | The Verge</title>
    <dc:date>2025-05-27T00:16:40+00:00</dc:date>
    <link>https://www.theverge.com/games/672035/openstreetmap-data-games</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Titles like City Bus Manager and Global Farmer are benefiting from OpenStreetMap."]]></description>
<dc:subject>maps mapping videogames osm openstreetmap 2025 jaycastello trains farms farming railroads rail railways games gaming gamedesign buses transit transportation publictransit agriculture</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2ff43ba41f24/</dc:identifier>
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<item rdf:about="https://www.fastcompany.com/91324141/best-travel-transit-map-app-abroad-apple-google-maps-citymapper-moovit-rome2rio-naver">
    <title>The 5 best map and transit apps for travel outside the U.S. - Fast Company</title>
    <dc:date>2025-05-19T17:38:26+00:00</dc:date>
    <link>https://www.fastcompany.com/91324141/best-travel-transit-map-app-abroad-apple-google-maps-citymapper-moovit-rome2rio-naver</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>maps mapping publictransit transportation mobility travel applications ios android transit googlemaps applemaps citymapper moovit navermap europe korea southkorea rome2rio transport</dc:subject>
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<item rdf:about="https://interconnected.org/home/2025/05/08/pigeons">
    <title>Homing pigeons fly by the scent of forests and the song of mountains (Interconnected)</title>
    <dc:date>2025-05-09T19:39:27+00:00</dc:date>
    <link>https://interconnected.org/home/2025/05/08/pigeons</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I assumed that birds use the geomagnetic field to fly halfway around the world. They don’t. Not all of them.

Homing pigeons, it turns out, use smell. At least for a few hundred miles. Although, at shorter distances:

<blockquote>within a familiar area, pigeons navigate by relying on landscape features memorised during their previous homing flights.</blockquote>

Beyond that… Forty years of olfactory navigation in birds (2013): "Forty years ago, Papi and colleagues discovered that anosmic pigeons cannot find their way home when released at unfamiliar locations."

The paper covers clever experiments that factor out magnetic and other mechanisms, and there’s evidence for the olfactory hypothesis:

<blockquote>Pigeons housed in aviaries provided with clockwise or counter-clockwise deflectors, once released, displayed a corresponding deflection in initial orientation.</blockquote>

Homing pigeons do particularly well in the Mediterranean "characterised by an environment richer in natural odours than elsewhere due to its high biodiversity of plant species."

Utterly fascinating to imagine what that smell-map is like:

<blockquote>the odour-based map does not have the structure of a map defined by a bicoordinate system, thereby giving the exact position and distance of two points with respect to each other. The olfactory map is supposed to provide information exclusively about the direction of displacement.</blockquote>

So homing pigeons don’t what3words themselves to a specific point but rather hot-and-cold themselves towards home.

They also memorise the smell-trajectory on the way out:

<blockquote>odours perceived during transportation indeed constituted a source of positional information</blockquote>

(Although it’s not essential.)

<blockquote>stable ratios, rather than the absolute concentrations, of at least three different volatile compounds are sufficient</blockquote>

It takes a while to learn. Homing pigeon navigational ontogeny (2024): "Learning of an olfactory map occurs during the first months after fledging, when pigeons memorize the odours carried by winds blowing at their home loft in association with the wind’s direction."

These are very dry statements. So there’s also Odors as navigational cues for pigeons (2020) talking about work in Tuscany:

<blockquote>Some of these compounds are emitted by trees, the pine fragrance one smells during a walk in the forest. Other pungent natural emissions come from the sea, while still further VOCs can be emitted from industry.</blockquote>

And what an insight into the world of a homing pigeon!

Beyond the smell-map range? Beyond ~200km, at a continental scale?

Homing pigeons listen to infrasound.

Infrasound detection by the homing pigeon: A behavioral audiogram (1979):

<blockquote>Homing pigeons could detect extremely low frequency sounds (infrasounds) as low as 0.05 Hz in a sound isolation chamber. …

Natural infrasounds come from many sources including weather patterns, topographic features, and ocean wave activity. Infrasounds propagate long distances and can be detected hundreds or even thousands of km away from their sources.</blockquote>

That is to say: "thunderstorms, magnetic storms, earthquakes, jet streams, mountain ranges, and rocket launchings" are all global landmarks for these birds.

Homing pigeons listen to the song of mountains and the ocean swell.

What a picture of our planet they have.

Although homing pigeons don’t rely on it, other birds do indeed use the geomagnetic field.

It’s in their eyes.

How evolution has optimized the magnetic sensor in birds (2024):

<blockquote>magnetoreception is based on a complex quantum mechanical process that takes place in certain cells in the retinas of migratory birds.</blockquote>

It’s migratory birds specifically: "cryptochrome 4 is more sensitive in robins than in chickens and pigeons."

Imagine being able to see an extra colour and that colour is north.

I went through a period attempting to imagine my way into the umwelt of a dog, how dogs perceive the universe (2004): "You don’t smell a lion, you smell 70% of the likelihood of a lion – is it nearby in space, or in time?"

<blockquote>There is no cognition step between sense and act with smell.

Smell is all about moving through the insides, through a field of intensities, of potential.</blockquote>

Whereas the world of vision, of surfaces, gives us room to think before acting.

Learning about homing pigeons takes me right back to those thoughts."]]></description>
<dc:subject>mattwebb 2025 pigeons nature wildlife navigation geomagneticfields homingpigeons smell senses maps mapping wayfinding sound olfaction smellmaps infrasounds sounds weather magnetism sensors sensing</dc:subject>
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<item rdf:about="https://www.welikia.org/map-explorer">
    <title>The Welikia Project</title>
    <dc:date>2025-05-08T19:24:22+00:00</dc:date>
    <link>https://www.welikia.org/map-explorer</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Welikia Project aims to illuminate the rich ecological history that underwrites the development of New York City.

Drawing from historical research and scientific modeling, the project visualizes the block-by-block ecosystems, geologic foundations, and stewards of the land before New York. Our hope is to provide insight into how drastically our own neighborhoods have changed over time, with aim to inspire new ways of living with nature in New York.

This project is maintained by the Urban Conservation team at the New York Botanical Garden. To read more about our data and methodology or to access additional resources, head to the project website."]]></description>
<dc:subject>nyc maps mapping ecology</dc:subject>
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<item rdf:about="https://dark-mountain.net/about/manifesto/">
    <title>The Manifesto - Dark Mountain</title>
    <dc:date>2025-05-04T23:42:49+00:00</dc:date>
    <link>https://dark-mountain.net/about/manifesto/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["THE EIGHT PRINCIPLES OF UNCIVILISATION

‘We must unhumanise our views a little, and become confident
As the rock and ocean that we were made from.’

1. We live in a time of social, economic and ecological unravelling. All around us are signs that our whole way of living is already passing into history. We will face this reality honestly and learn how to live with it.

2. We reject the faith which holds that the converging crises of our times can be reduced to a set of ‘problems’ in need of technological or political ‘solutions’.

3. We believe that the roots of these crises lie in the stories we have been telling ourselves. We intend to challenge the stories which underpin our civilisation: the myth of progress, the myth of human centrality, and the myth of our separation from ‘nature’. These myths are more dangerous for the fact that we have forgotten they are myths.

4. We will reassert the role of storytelling as more than mere entertainment. It is through stories that we weave reality.

5. Humans are not the point and purpose of the planet. Our art will begin with the attempt to step outside the human bubble. By careful attention, we will reengage with the non-human world.

6. We will celebrate writing and art which is grounded in a sense of place and of time. Our literature has been dominated for too long by those who inhabit the cosmopolitan citadels.

7. We will not lose ourselves in the elaboration of theories or ideologies. Our words will be elemental. We write with dirt under our fingernails.

8. The end of the world as we know it is not the end of the world full stop. Together, we will find the hope beyond hope, the paths which lead to the unknown world ahead of us."]]></description>
<dc:subject>manifestos darkmountainproject myth resilience civilization poetry collapse dougaldhine paulkingsnorth darkmountain 2009 ralphwaldoemerson robinsonjeffers fragility josephconrad bertrandrussell politics karlmarx enlightenment christianity progress salvation history overdevelopment development environment sustainability socialbreakdown crime humanity humanism class convention individualism understanding existence climatechange climate globalwarming powerlessness technology slow small bubbles fossilfuels ecocide philiplarkin consumerism consumption capitalism greens greenparty ecosystems ecology denial johnberger transcendence relgion secularism science mysticism myths rationalism scientism stories storytelling reason rationality entertainment reality narrative uncivilization degrowth inhumanism writing howwewrite wendellberry wsmerwin maryoliver cormacmccarthy geoffdyer geoffreydyer maps mapping stoicism humility questioning criticalthinking williamwordsworth morethanhuman multispecies nonhuman place roots ide</dc:subject>
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<item rdf:about="https://www.instagram.com/reel/DJFw1m2TWLI/">
    <title>SFMTA | Ever wonder what 452 moving parts of the Bay Area look like in perfect sync? 🚍 This mesmerizing timelapse by Brian Greenlees animates 352... | Instagram</title>
    <dc:date>2025-05-01T01:21:20+00:00</dc:date>
    <link>https://www.instagram.com/reel/DJFw1m2TWLI/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Ever wonder what 452 moving parts of the Bay Area look like in perfect sync? 🚍 This mesmerizing timelapse by Brian Greenlees animates 352 buses, 53 light rail vehicles, 10 historic streetcars, 18 cable cars, and 19 BART trains—all dancing across the city like public transit ballet. It’s the daily hustle, but make it art. 

🎞️: @mtdbri"

[also here:
https://www.instagram.com/mtdbri/reel/DI7yPVAvMgV/

"In this timelapse: 352 buses, 53 light rail vehicles, 10 historic streetcars, 18 cable cars and 19 BART trains. Programs used: Adobe Illustrator, After Effects, Premiere Pro, Google Maps, Google Earth Pro. Animated by Brian Greenlees. #sanfran #california #publictransport #graphicdesign #civilengineering #timelapse"

see also:
https://briangreenlees.com/ ]]]></description>
<dc:subject>sfmta muni bart sanfrancisco publictransit maps 2025 briangreenlees googlemaps mapping timelapse buses trains davebrubeck</dc:subject>
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<dc:identifier>https://pinboard.in/u:robertogreco/b:bc4bca0934ac/</dc:identifier>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=caskG8S8qww">
    <title>Long-Range LA Metro Plans - YouTube</title>
    <dc:date>2025-04-30T18:03:53+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=caskG8S8qww</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This video takes a look at the closest thing Metro has to very-long-term plans for a 'final build-out' of LA's Metro system, along with my own thoughts on what those plans ought to be.

00:00 Intro
05:43 Metro's Plan
12:28 My Plan
23:47 Outro

My Long-Range Vision Map: https://i.imgur.com/7243bQy.jpg
Annotated Version: https://i.imgur.com/2CZxu6V.jpg

EDIT: From the comments, I accept that my interlining and A/G switchover in Pasadena ideas are bad, lol. Can't win em all.

When I'm not slipping into the fever dream of future transit mapping, I’m a documentary producer and editor. If you want to see more stuff by me that's entirely unrelated to the Metro, check out the documentary Behind the Curve (about flat-earthers and the psychology of belief) streaming on Netflix, or to rent or buy on iTunes/Amazon/Google Play. Or to see some more of my editing, check out the documentary Transhood on HBO. Currently, we’re at work on a doc about the hunt for Planet Nine, among other projects. You can find me on Twitter at @NickAndert."]]></description>
<dc:subject>losangeles metro publictransit nandert 2021 nickandert transportation maps mapping</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:295e39673a29/</dc:identifier>
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</item>
<item rdf:about="https://www.e-flux.com/journal/73/52555/toward-an-ontology-of-style/">
    <title>Toward an Ontology of Style - Journal #73</title>
    <dc:date>2025-04-30T06:46:53+00:00</dc:date>
    <link>https://www.e-flux.com/journal/73/52555/toward-an-ontology-of-style/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Fernand Deligny never sought to recount the life of the autistic children with whom he lived. Instead, he attempted to scrupulously tran­scribe on tracing paper the routes of their movements and encounters in the form of what he called “lines of drift” (lignes d’erre). Placed on top of one another, the tracing papers allow a sort of circular or elliptical ring (cerne) to appear, beyond the tangle of lines, which include within them­selves not only lines of drift but also the points (chevêtres, from enchevrê­ment, “entanglement”), strikingly constant, at which the routes cross. “It is clear,” he writes, “that the routes—the lines of drift—are transcribed and that the ring area each time appears as the trace of something else that was not foreseen or pre-thought by those doing the tracing nor by those being traced. It is clear that it is a question of the effect of something that is not due to language, nor does it refer to the Freudian unconscious.”It is possible that this striking tangle, apparently indecipherable, ex­presses more than any account not only the mute children’s form of life but any form of life. In this sense it is an instructive exercise to attempt to mark on the map of the cities where we have lived the itineraries of our movements, which prove to be stubbornly and almost obsessively constant. It is in the tracks of that in which we have lost our life that it is perhaps possible to ﬁnd our form-of-life. In any case, Deligny seems to attribute to his lignes d’erre something like a political meaning that is prelinguistic and yet collective: “It is by observing this ring area that there came to us the project of persisting in transcribing the simple vis­ible waiting to see appear there a trace of what we write with a capital W, inscribed in us since our species had existence, a primordial We that insists on foreshadowing, beyond every will and every power, for nothing, immutable, just like, on the opposite pole, ideology.”"]]></description>
<dc:subject>giorgioagamben fernanddeligny philosophy ontology drifting maps mapping children entanglement drift</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ef99b6fb8990/</dc:identifier>
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<item rdf:about="https://www.maevenolan.com/blog-1/l59yz0t46py8xomm70jk7f4p54s42u">
    <title>Maps and Monsters: Why and how did sea monsters find their way into the art of cartography? — Maeve Silvia Mulligan Nolan</title>
    <dc:date>2025-04-27T22:46:58+00:00</dc:date>
    <link>https://www.maevenolan.com/blog-1/l59yz0t46py8xomm70jk7f4p54s42u</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>maps mapping cartography beowulf monsters renaissance seamonsters medieval maevesisisilviamulligannolan</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d883c6424a1c/</dc:identifier>
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<item rdf:about="https://www.youtube.com/watch?v=UqXvc_wL8Xg">
    <title>Israel Is Doing WHAT To Children? - YouTube</title>
    <dc:date>2025-04-25T04:42:48+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=UqXvc_wL8Xg</link>
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<dc:source>https://pinboard.in/</dc:source>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:decapitation"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internationallaw"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eu"/>
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</item>
<item rdf:about="https://pudding.cool/2025/04/music-dna/">
    <title>How Sonic DNA Connects Generations of Music</title>
    <dc:date>2025-04-19T04:59:52+00:00</dc:date>
    <link>https://pudding.cool/2025/04/music-dna/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This is a project about shared DNA in music."]]></description>
<dc:subject>music history visualization datavis samples sampling audio 2025 timelines maps mapping</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d49b20a89b13/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:visualization"/>
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</item>
<item rdf:about="https://www.swanngalleries.com/news/maps-and-atlases/2018/06/the-original-beaver-map/">
    <title>The Original Beaver Map &amp; Its Legacy - Swann Galleries News</title>
    <dc:date>2025-04-13T18:43:59+00:00</dc:date>
    <link>https://www.swanngalleries.com/news/maps-and-atlases/2018/06/the-original-beaver-map/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Tucked into the top left corner of an eighteenth-century map in our June 7 auction of Maps & Atlases, Natural History & Color Plate Books is a vignette that at first glance seems more charming than important — until you know the true story of The Original Beaver Map."]]></description>
<dc:subject>maps mapping beavers multispecies morethanhuman animals nature 2018</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:aeba73be5e35/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maps"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beavers"/>
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</item>
<item rdf:about="https://golan-marsad.org/category/map-en/">
    <title>Map - Al-Marsad - المرصد</title>
    <dc:date>2025-04-05T23:51:55+00:00</dc:date>
    <link>https://golan-marsad.org/category/map-en/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Cleansing the names of the geographical space in the occupied Golan – Part One: Rivers and valleys"

[via:
https://www.youtube.com/watch?v=L-tYmCiG41M ]]]></description>
<dc:subject>maps mapping syria israel colonization settlercolonialism history golanheights water</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ac79eefad03b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mapping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:syria"/>
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