Pinboard (robertogreco)
https://pinboard.in/u:robertogreco/public/
recent bookmarks from robertogrecoTwo Frenchmen visit the shop - YouTube2024-03-25T21:24:50+00:00
https://www.youtube.com/watch?v=9qNxyzr6kbo
robertogrecomatthewcrawford cars mechanics garages 2020 repair maintenance restoration vw volkswagen vwbeetles work knowledgework capitalism assemblylines dissatisfaction satisfaction making tools globalization trades skills thinking doing makerculture construction knitting scale control ownership diy agencyhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:0c6e3ee36e40/A Secret We Forgot on the Way to the Future2024-03-12T07:09:12+00:00
https://dougald.substack.com/p/a-secret-we-forgot-on-the-way-to?publication_id=353145&r=4xdh
robertogrecodougaldhine carolineross place prayer spirituality 2024 craft animism beauty horticulture learning computing markcharmer rosiewhinray ritual life living making art arts experience presence matthewcrawford modernity iainmcgilchrist davidfleming johnadams theresaemmerichkamper magic meaning meaningmaking culture skill adornmenthttps://pinboard.in/https://pinboard.in/u:robertogreco/b:57ebea4aeaef/EARTH MANUAL PROJECT2024-03-04T20:00:42+00:00
https://www.earthmanual.org/?en
robertogrecodisasters repair rebuilding kobe japan tohoku indonesia thailand philippines naturaldisasters preparedness local slow small disasterpreparedness architecture design 2014 sharing connecting connections community learning howwelearn knowledge international solidarity tamaetakatsu emiiwakiri eastloop earthquakes tsunamis craft revival making almaquinto senhikonakata oshika ikaputra osamutsukihashi fastbox toshiakihisatomi nobuakifuruya paper boxes shigeruban eisuketachikawa oliveproject sns ayalamuseum flooding water materials plastic floodshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:ff2246a0b58f/Crafting Community2024-03-02T00:30:42+00:00
https://www.eamesinstitute.org/kazam-magazine/crafting-community/
robertogrecoeamesinstitute 2023 ishinomakilab makerspaces making furniture 2011 tsunami rebuilding japan michigan dianabudds design construction tools lcproject openstudioprojecthttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c7dac395cf97/Exhibit 06: Ray’s Hand– Designer Ray Eames2024-03-01T18:47:58+00:00
https://www.eamesinstitute.org/collection/rays-hand/
robertogrecoeames rayeames design fun play art craft making patkirkhamhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:0cd4100271bc/A Body That’s All Surface2024-02-29T23:50:15+00:00
https://www.smallpresstraffic.org/the-back-room-article/a-body-thats-all-surface
robertogreco2024 art artists leisurearts artleisure artcriticism criticsim humanism humans bodies senses beholding picasso howwewrite howwethink observation understanding criticism spiders creativity exploration degrowth refusal resistance artmaking making context artworld boundaries activity activities humanness framing demystification mutualaid idealism reinvention beauty poetry grants grantwriting institutions power control organizations confrontation obstacles dialogue body canon elisabethniculahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:00db41088e05/How to Keep Time - The Atlantic [bookmarking for Season 5, "How to Keep Time" - this podcast covered other topics before that.]2024-01-23T05:11:04+00:00
https://www.theatlantic.com/podcasts/how-to-build-a-happy-life/
robertogrecotime clocks ianbogost beccarashid 2023 2024 podcasts psychology productivity us age aging social rest work busyness control future anxiety idleness oliverburkeman hobbies kieransetiya listening zen mindfulness happiness presence leisure laziness neerupaharia melissamazmanian ignaciosánchezprado waiting slow slowness culture society alexsoojung-kimpang downtime boredom jannalevin patience charanranganath sarahmanguso behavior addiction actions neuroscience mentalhealth luxury scarcity status italy humblebragging thorsteinveblen veblengoods socialmobility diamonds money self-worth self-importance compulsion overscheduling plans planning spontaneity avoidance multitasking taskswitching unschooling schooliness balance presentationofself guilt parenting timemanagement capitalism overwork stress success failure deadlines life living anticipation optimism pleasure satisfaction erinreid west burnout gender eviatarzerubavel mothers benedictinemonks monks spirituality industrialrevolution freetime scheduling calendahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:536b77c372f2/070. Che-Wei Wang and Taylor Levy: The Design Practice | Remake Podcast | Design, Systems, and Society2024-01-20T21:39:12+00:00
https://remakepod.org/episode/070-che-wei-wang-and-taylor-levy-the-design-practice
robertogrecocw&t taylorlevy che-weiwang making 2023 design prototyping time sfpc schoolforpoeticcomputation openness creativity speculativedesign designfiction timekeeping watches clocks casio f-91w howwework howwelive timesincelaunch solidstatewatch nasa johnglenn dariuskazemi midjourney stablediffusion alaindebotton xoxo tokyuhands thebeatles cooper-hewitt timetelling stopwatches gmttime spacetravel crt criticalracetheory sexed power timepassage timepassinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:06e86f4d07dc/Che-Wei Wang – When Design Gets Swallowed by Engineering | The Conference 2019 - YouTube2024-01-20T21:37:49+00:00
https://www.youtube.com/watch?v=8_nTMX6d1IY
robertogrecoche-weiwang ai artificialintelligence cw&t 2019 design making cad generativedesign automation machinelearninghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:428cf86e2131/Is it Weird to Fall in Love with a Machine? - YouTube2024-01-04T19:27:17+00:00
https://www.youtube.com/watch?v=qSfaSgan0iI
robertogrecodaytontaylor watchmaking life living love loving poetry mentalhealth menralillness howwework fun play making doing report maintenance machines watches 2024 relationships messiness silencehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:255c254341fe/Sara Hendren — Our Bodies, Aliveness, and the Built World | The On Being Project2023-12-02T02:42:02+00:00
https://onbeing.org/programs/sara-hendren-our-bodies-aliveness-and-the-built-world/
robertogrecosarahendren 2023 bodies kristatippet personhood design art engineering downsyndrome builtenvironment environment parenting vulnerability humans diversity adaptability age aging difference disabilities disability accessibility measurement normal culture humanness humanism religion society identity templegrandin needfulness life living dignity disabilitypolitics ada accommodations citizenship infrastructure medicine health leonarddavis dependence alasdairmacIntyre gillesdeleuze cooperation social frailty help assistance independence freedom support independentliving edroberts adaptivereuse hospitals aliveness self-determination judyheumann us individualism interdependence loneliness perspective narrative technology assistivetechnology ramps mobility adaptation inclusivity inclusion eugenics average nature jonathanadler storytelling lifenarrative existence storymaking care community need grace gracefulness intergerationalliving conviviality mutuality reciprocity everyday problemsolving making medicalization proshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:db55bfde3d4b/The Trials And Tribulations Of Watch Innovation With Stephen McDonnell - YouTube2023-11-22T04:06:59+00:00
https://www.youtube.com/watch?v=J1xQWripjPI
robertogrecowatches watchmaking 2023 stephenmcdonnell design aesthetics technical clocks mechanics engineering mb&f trains jamesstacey obsession details art time timekeeping attention creativity making maxbüsser maximilianbüsser treland northernireland belfast religion theology beauty purposehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:385dd7b51b08/André 3000's first album in 17 years, 'New Blue Sun,' is out now : NPR2023-11-17T16:31:56+00:00
https://www.npr.org/2023/11/14/1212661071/andre-3000-album
robertogrecoandré3000 rodneycarmichael music jazz flute saxophone noticing walking creativity self-knowledge age aging losangeles venice titles language pharohsanders tylerthecreator frankocean emotions feelings senses sensemaking instrumental timelessness hiphop rap life living anxiety socialanxiety mentalhealth enviroment 2023 howweread howwewrite outkast kassiameador alicecoltrane suryabotofasina natemercerea yuseflateef ericdolphy chuckmangione ayahuasca purging toning sound sounds attention boogeymen boogeyman diagnoses presence carlosniño erewhon cluberewhon natemercereau alt-jazz dungeonfamily goodiemob organizednoize bigboi names naming ralphlauren polo fashion process art craft grief death fame control exploration exploring responsibility funerals neworleans balance scale showingup artmaking making fulfillment kellyreichardt ceramics howwelearn curiosity expression andrébenjamin everythingeverywhereallatonce virgilabloh words disciplines multidisciplinary transdisciplinary influence experiencehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:da1f5bb415b9/Ghosts in Sunlight | Hilton Als | The New York Review of Books2023-09-03T19:35:00+00:00
https://www.nybooks.com/articles/2014/07/10/ghosts-in-sunlight/
robertogrecohiltonals 2014 memory art artists trumancapote elainpagels kennethsilver writing writers howwewrite jeanrhys columbia education barnardcolflege nyc creativity poverty howwelearn film filmmaking artmaking borispasternak suzan-loriparks williamfaulkner claudelanzmann billieholiday nostaligia annaakhmatova poetry literature basquiat elizabethlecompte andreiserban stevebuscemi annakohler bettegordon jimjarmusch charlesburnett margojefferson susanminot richardhoward elizabethhardwick andywarhol truth jean-michelbasquiat 1980s humility creation howwethink thinking learning highereducation access highered academia remembering experience arthistory culture culturalproduction aesthetics words language canon stories storytelling bodies accuracy makinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:73be5fcc4d8c/Nick Offerman: By the Book - The New York Times2023-08-15T05:02:53+00:00
https://www.nytimes.com/2016/05/08/books/review/nick-offerman-by-the-book.html
robertogreco2016 nickofferman books booklists georgesaunders wendellberry ivanstang jrdobbs subgenius abbiehoffman umbertoeco kenkesey milankundera margaretatwood jimthompson williamsburroughs robertantonwilson henrymiller charlesbukowski cslewis jrrtolkein madeleinel'engle eames chaleseames rayeames woodworking literature christopherschwartz davidpye edwardabbey nature wildlife outdoors making homesteading billbryson elizabethgilbert michaelpollan lianemoriarty jareddiamond paulahawkins sarahvowell donnatartt martinamis nickjones anniebaker robertaskins sharrwhite wallacestegner witoldrybczynski kentharuf cormacmccarthy patricko'brian robertshea georgemacdonaldfraserhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6971bed78b69/No Bulls#!t Remote Link Test - YouTube2023-07-24T19:56:02+00:00
https://www.youtube.com/watch?v=Wf9kENcdAMU
robertogrecodaytontaylor 2023 watches paganidesign watchmaking tinkering history making marketing design engineering business watchwithmikehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:2953baab40e1/Episode 36: romaric Andre On Seconde/Seconde/ Disrupting And Uniting The Industry — The Real Time Show2023-03-05T07:11:46+00:00
https://www.therealtime.show/episodes/episode-thirty-six-romaric-andre-seconde-seconde
robertogrecowatches seconde/seconde/ romaricandré 2023 collections collecting simplicity howwework watchcanon howwethink humor making possessions art creating creativity irony satire fun collaboration collaborative creativeact socialmedia instagram commercialization watchworldhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:af8eda992a22/OVERCOME THE FEAR OF CREATING - YouTube2023-03-01T05:59:02+00:00
https://www.youtube.com/watch?v=zPVPJJLFJ3k
robertogrecointranetgirl creativity 2023 howwewrite howto analog making howwework blenderhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:33f8aa8321ba/Rexhep Rexhepi – Crossing the Threshold | The Hour Glass - YouTube2023-02-18T00:45:12+00:00
https://www.youtube.com/watch?v=scMLzXHldWE
robertogrecowatches 2020 thehourglass rexheprexhepi rexhepi akrivia xhevdetrexhepi geneva watchmaking kosovo invention tinkering toys making makers switzerlandhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:00ca3a5818da/My Grandma is Not a Cyborg2022-05-14T22:06:31+00:00
https://futuress.org/magazine/my-grandma-is-not-a-cyborg/
robertogrecodesign technology 2022 hacking making donnaharaway cyborgs resistance sinemgörücü architecture furniture cyborgmanifesto systems oppression patriarchy intervention audrelorde juliadecook maarisugawara covid-19 coronavirus hijabs pandemic medicine clothing sewing glvo hardware software photoshop domination identitypolitics standardization audiencesofone humanism futuresshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:77522c5de361/On Japan’s Pacific Coast, an Artist Communes With Nature - The New York Times2021-12-08T09:44:27+00:00
https://www.nytimes.com/2021/12/03/t-magazine/kazunori-hamana-studio.html
robertogrecokazunorihamana ceramics homes japan identity education learning akirakurosawa yasujiroozu california us rural osaka art making slow isumihttps://pinboard.in/https://pinboard.in/u:robertogreco/b:23b9d61b9860/Arthur Jafa: APEX | ARTIST STORIES - YouTube2021-11-11T23:07:38+00:00
https://www.youtube.com/watch?v=-c-lpBIWNCY
robertogrecoarthurjafa 2019 art film filmmaking moodboards images collections collage howwework howweread howwethink howwewrite patterns sensemaking making learning cv howwelearn software books magazines notebooks notetaking cinematography associationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6952c4f11abc/Ways of Knowing | Edna Bonhomme2021-05-07T16:47:11+00:00
https://thebaffler.com/latest/ways-of-knowing-bonhomme
robertogrecoednabonhomme katherinemckittrick interdisciplinary howwelearn howweread howwewrite inquiry collections collecting science uncertainty empiricism frantzfanon thewretchedoftheearth blackskinwhitemasks culture poetics poetry aesthetics octaviabutler liberation creativity making books text place aimécésaire sylviawynter knowledge knowledgesystems politics nature cartography neurology transdisciplinary wesleymorris blackness freedom fredmoten music badbrains silviorodríguez leikeli47 curiosity storytelling bodies simonebrowne jmarionsims medicine radicalism failure community algorithms living howwelive academia privilege chandaprescod-weinstein wonderhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:f3533c379d29/To create radical things - Chia's blog2020-11-26T16:52:21+00:00
https://chias.blog/2020/to-create-radical-things/#menuopen
robertogrecochiaraamisola 2020 making creating creativity web online beakerbrowser laurelschwulst taravancil webdev webdesign mozilla browsers neeva sms rss mobile wikipedia wikimediafoundation lowbandwidth performance community communities radicalism design technology internet anticapitalism antiracism antisexism resistance iterativism casestudies tools slow small liberationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:5f4d6659fe74/Back to the Land2020-09-02T15:57:36+00:00
https://www.oxfordamerican.org/magazine/item/1954-back-to-the-land
robertogrecoalicedriver 2020 tombs rural pottery backtotheland ozarks death dying life living making mainstream decisionmaking commodification alternative howwedie howwelive tombware via:justinpickardhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:1b17bf1d4e62/ILLUSTORIA2020-08-20T05:23:17+00:00
https://www.illustoria.com/
robertogrecoillustoria children writing publishing publications magazines storytelling visual diy making print stories art activities youth mcsweeney'shttps://pinboard.in/https://pinboard.in/u:robertogreco/b:9688946f5e79/My Super Weird iMac "Review" - YouTube2020-08-13T02:07:22+00:00
https://www.youtube.com/watch?v=EMFCVvy0rkE
robertogrecodavelee computing tools hardware creativity making apple 2020 imac howweworkhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:634b73bafb47/Rekka Bellum and Devine Lu Linvega, Hundred Rabbits - XOXO Festival (2019) - YouTube2020-03-22T09:21:59+00:00
https://www.youtube.com/watch?v=BW32yUEymvU&feature=youtu.be
robertogreco100r rekkabell rekkabellum devinelulinvega xoxo creativity travel 2019 art videogames games gaming writing howwework studios sailing music offgrid mobility nomads internet online web making hundredrabbitshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:3baa5219e548/Calling for a More-Than-Human Politics - Anab Jain - Medium2020-02-25T06:12:23+00:00
https://medium.com/@anabjain/calling-for-a-more-than-human-politics-f558b57983e6
robertogrecoanabjain superflux designfiction speculativefiction speculativedesign criticalthinking howwethink futurism making anthropocene planning gardening donnaharaway brunolatour annegalloway timingold irisduhn robinkimmerer vandanashiva ursulaleguin fiction fictions howwewrite doriansagan kimstanleyrobinson thedithering interdependence precarity terrestrial global certainty contingency assemblages systems growth nuture nurturing care caring fixing engendering producing innovation resurgence notes knots independence unschooling deschooling politics morethanhuman diy capitalism latecapitalism climatechange isabellestengers laurenberlant adriangeorge honorharger hyperobjects ecology socialchange interconnectedness interconnected activism joséluisdevicente annalowenhaupttsing annatsing timothymortonhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:20d131f225eb/On Design Fiction: Close, But No Cigar - Near Future Laboratory2020-01-10T21:53:40+00:00
http://blog.nearfuturelaboratory.com/2019/10/23/on-design-fiction-close-but-no-cigar/
robertogrecodesignfiction speculativedesign nearfururelaboratory 2019 brucesterling fiction sciencefiction artifacts objects design definition writing howwewrite making anthropology ethnography film filmmaking video decisionmaking prototyping futures futurism shortstories storytelling implications nicolasnova julianbleecker nickfoster fabiengirardinhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:792173797015/PlayDate, lethal playgrounds and goat boobs: the eccentricity of Keita Takahashi • Eurogamer.net2019-09-26T18:33:36+00:00
https://www.eurogamer.net/articles/2019-06-07-playdate-lethal-playgrounds-and-goat-boobs-the-eccentricity-of-keita-takahashi
robertogrecokeitatakahashi interviews videogames play making games gaming 2019 wattam katamaridamacy playgrounds design art humans sculpture joy playdate annapurnahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:96e4d2cf7f5c/Black Mountain College Museum en Instagram: “"Civilization seems in general to estrange men from materials, from materials in their original form. The process of shaping these is so…”2019-06-03T00:33:44+00:00
https://www.instagram.com/p/ByLFEzUDHWF/
robertogrecoannilbers craft making slow small process bmc blackmountaincollege materials manufacturing modernism consumerism bauhuas design art artmakinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:e2b034bc74f1/Ocean Vuong on being generous in your work [The Creative Independent]2019-04-27T21:34:38+00:00
https://thecreativeindependent.com/people/ocean-vuong-on-being-generous-in-your-work/
robertogrecooceanvuong competition prizes awards patriarchy hierarchy love creativity art poetry conquest 2019 commodification canon capitalism neoliberalism freedom artmaking making privilege joy safety slow small meaning purpose beauty relationships identity expression home comfort collaborationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:16a46a8c8d33/Janelle Monáe: Living Out Loud - them.2019-04-18T02:53:18+00:00
https://www.them.us/story/janelle-monae-living-out-loud
robertogrecojanellemonáe lizzo 2019 criticalthinking feedom sexuality gender interviews queer binaries fluidity dirtycomputer identity therapy life living self-love art music making lorrainehansberry bellhooks meshellndegeocello lenawaithe rosettatharpe janetmock mjrodriguez indyamoore lavernecoxhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c4cc98d30a12/Art + Life Rules from a Nun - YouTube2019-03-31T21:16:36+00:00
https://www.youtube.com/watch?v=IRPyql3cezo
robertogrecosistercorita coritakent art design 2019 rules teaching howweteach via:austinkleon howwelearn education screenprinting benshahn losangeles cv pedagogy play work plork discipline self-discipline charleseames rayeames eames film life living howwework buckminsterfuller saulbass alfredhitchcock johncage making make failure mistakes persistence accessibility egalitarianism process creativity analysis learningbyheart brainstorming productivity production quantity ideas ideation happiness classideas critique socialjustice protest criticism wisdom inspiration messaging advertising remixing religion catholicism mercecunningham readiness reading video collecting looking seeing noticing meaning meaningmaking openness openended open-ended learninghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:7539c0b534ef/The Creative Independent: Jonas Mekas on documenting your life2019-01-30T21:46:27+00:00
https://thecreativeindependent.com/people/jonas-mekas-on-documenting-your-life/
robertogrecojonasmekas 2017 film filmmaking poetry documentation archives collage books writing creativity howwewrite biography autobiography art work labor technology video vcrs temporary ephemeral ephemerality making howwework howwemake journals email everydayhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:bfc13c6ef1ec/Contra* podcast — Mapping Access2019-01-05T23:12:38+00:00
https://www.mapping-access.com/podcast/
robertogrecoaccessibility disability aimihamraie ableism podcasts disabilitystudies criticaldesign olincollege assistivetechnology technology poeticcreation creativity sarahendren ivanillich toolsforconviviality wendyjacob templegrandin stem knowledge power karenbarad adaptation materialculture socialimagination art design thinking inclusivity capitalism howwewrite howwethink making communication academia scholarship ethics politics difference jargon languagehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:d4c6a92c20ce/How Architecture Teaches Kids Patience, Problem-Solving - CityLab2018-12-20T05:52:32+00:00
https://www.citylab.com/design/2018/12/teaching-children-architecture-planning-vicky-chan-hong-kong/577720/
robertogrecoarchitecture education cv teaching making howwelearn vickychan 2018 design howwethink problemsolving patience howwteach learning schoolshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:407899d1c0d2/Of Anarchy and Amateurism: Zine Publication and Print Dissent, by Sheila Liming [.pdf]2018-11-19T22:50:41+00:00
https://arena-attachments.s3.amazonaws.com/2959533/839199476e8e524534b25559c1629ea5.pdf?1540933765
robertogrecoanarchy anarchism zines amateurism amateurs publishing self-publishing selfpublishing sheilaliming lowtech making ephemeral low-techhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:cdd325efbd5e/Magnum Nominee Sim Chi Yin • Magnum Photos2018-09-03T19:20:04+00:00
https://www.magnumphotos.com/theory-and-practice/magnum-nominee-sim-chi-yin-waited-years-to-be-able-to-commit-to-photography/
robertogrecovia:jslr simchiyin photography blending bleeding interdisciplinary multidisciplinary crossdisciplinary transdisciplinary crosspollination art making doing growth reach impact 2018https://pinboard.in/https://pinboard.in/u:robertogreco/b:02ca070344c3/Extreme Vespas in Indonesia – in pictures | World news | The Guardian2018-09-02T01:58:27+00:00
https://www.theguardian.com/world/gallery/2018/aug/30/extreme-vespas-in-indonesia-in-pictures
robertogrecoindonesia cars vespas culture cycling scooters making 2018https://pinboard.in/https://pinboard.in/u:robertogreco/b:a4c40ddcb1a7/TurtleStitch by Andrea Mayr-Stalder — Kickstarter2018-08-08T22:19:28+00:00
https://www.kickstarter.com/projects/1206849453/turtlestitch
robertogrecoscratch sewing textiles making 2018 embroidery glvohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:cc9de724fe4e/Inside San Franciso's Fire Department, Where Ladders Are Made by Hand2018-07-30T17:52:33+00:00
https://gizmodo.com/inside-san-francisos-fire-department-where-ladders-are-1552279252
robertogrecosanfrancisco clssideas sffd ladders craft design art making 2014https://pinboard.in/https://pinboard.in/u:robertogreco/b:20699fdeda10/A Color of the Sky by Tony Hoagland | Poetry Foundation2018-07-07T21:43:29+00:00
https://www.poetryfoundation.org/poems/42595/a-color-of-the-sky
robertogrecopoems poetry morethanhuman multispecies tonyhoagland 2003 plants trees wastefulness making spring everyday ephemeralhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:13c05f8b336a/Opinion | The Magic of a Cardboard Box - The New York Times2018-06-09T18:28:25+00:00
https://www.nytimes.com/2018/06/07/opinion/cardboard-box-creativity-material.html
robertogrecoalexandralange cv cardboard 2018 victorpapanek nintendo caine'sarcade hermanmiller benjaminspock jameshennessey diy making makers alextruesdell design disabilities disability choicetime recycling eames charleseames rayeames robertgair technology boxes creativity imagination cainmonroyhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:ac3972b85b26/My website is a shifting house next to a river of knowledge. What could yours be? – The Creative Independent2018-05-22T15:18:15+00:00
https://thecreativeindependent.com/people/laurel-schwulst-my-website-is-a-shifting-house-next-to-a-river-of-knowledge-what-could-yours-be/
robertogrecolaurelschwulst knowledge webdev webdesign internet web online 2018 websites design flexibility purpose creativity learning howwelearn accumulation accretion making murmurations metaphor clouds birds georgelakoff markjohnson completeness unfinished wonder fredrogers storage archives htmlhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:18845ac83295/Video: NuVu Studio Breaks the “Classroom” Model | alum.mit.edu2018-04-26T03:11:13+00:00
https://alum.mit.edu/slice/video-nuvu-studio-breaks-classroom-model
robertogreconuvustudio education lcproject openstudioproject gades gading 2016 learning grade grading classrooms studios creativity making design nuvuhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:2943ea1b42e1/Kate's Story - YouTube2018-04-26T01:57:58+00:00
https://www.youtube.com/watch?v=Eui55R3NerA
robertogreconuvustudio education learning schools unschooling deschooling making art design 2016 lcproject openstudioproject tcsnmy sfsh alternative nuvuhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:99fccc32b557/Peripetatic Humanities - YouTube2018-02-11T05:26:47+00:00
https://www.youtube.com/watch?v=j_Ro8E5f7kI
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https://www.gse.harvard.edu/news/17/12/harvard-edcast-lifelong-kindergarten
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https://medium.com/@rafranzdavis/how-systemic-control-stunts-creative-growth-823c798b9896
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http://www.dontblinkrobertfrank.com/
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https://www.theatlantic.com/entertainment/archive/2013/08/all-immigrants-are-artists/279087/
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https://soundcloud.com/make-time/bervin_final
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https://www.slideshare.net/geethanarayanan1
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https://www.instagram.com/p/BW-fIO3g1D7/?taken-by=_girlsgarage
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http://schoolofma.org/
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https://www.theuniproject.org/
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http://emmatalks.org/
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http://taeyoonchoi.com/artofteaching/#/
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http://soulellis.tumblr.com/post/161671942960/artistic-practice-in-24-hour-light-rhode-island
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https://www.youtube.com/watch?v=K6geOms33Dk
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https://www.eventbrite.com/e/developing-an-eye-for-documentation-april-bay-area-maker-educator-meetup-tickets-32906059911?aff=estw
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https://medium.com/@irasocol/real-maker-7f735d3dd8fe
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https://aeon.co/essays/most-of-the-time-innovators-don-t-move-fast-and-break-things
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http://www.itofisher.com/mito/weblog/2016/12/three_lessons_from_my_son_on_m.html
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https://www.youtube.com/watch?v=MrurBOTJY5M
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https://lareviewofbooks.org/article/a-smuggling-operation-john-bergers-theory-of-art/
robertogrecoA question which Marx posed but could not answer: If art in the last analysis is a superstructure of an economic base, why does its power to move us endure long after the base has been transformed? Why, asked Marx, do we still look towards Greek art as an ideal? He began to answer the question […] and then broke off the manuscript and was far too occupied ever to return to the question.
Berger takes up the thread where Marx broke off. He is not, of course, the first Marxist to address the question of art, and he is familiar with most of those who tried before him, sorting through and furthering their legacy.
The most famous of Berger’s influences, Walter Benjamin, wrote the essay “Art in the Age of Mechanical Reproduction,” from which came most of the ideas in Berger’s documentary, Ways of Seeing. But Landscapes reveals that his most important influence as a practicing art critic was Max Raphael.
Raphael, an undeservedly obscure theorist, located the value of art in the activity of the artist. According to him, an artist performs two operations. On the one hand, the artist turns raw material into artistic material by shaping it to represent an idea or an object; this is true both of Michelangelo shaping a block of marble into David and of Jackson Pollock embodying the rhythms of jazz in drip paintings. On the other, the artist turns his perception into something external and objective, a representation. The work of art is the result of these two transformations, of raw stuff and of subjective perception into an art object. For Raphael, the point of art is these two transformations: they are the artist’s way of “undoing the world of things” and constructing “the world of values.”
So Raphael’s answer to Marx’s problem — why is art enduringly moving even though it merely reflects its social context? — is to say that art doesn’t merely reflect its social context. It does reflect it, because the artist’s material, style, the things they want to represent, even the way they see, are historically conditioned; but it doesn’t merely reflect it, because the transformed material speaks of something deeper and more voluntary. It speaks of humanity’s ability to make its own world, to become the subject and not merely the victim of history. “The function of the work of art,” Berger sums up Raphael, “is to lead us from the work to the process of creation which it contains.”
Anyone familiar with Berger’s own writing will sit up with a shock of recognition. Here is a theory of art directly correlated to his practice of criticism. Berger takes art out of the sanitizing temples where we store it and drops it firmly back onto the easel, in a messy studio, where a sweaty artist bites her lip and stores her way of looking in an object. Over and over again, he asks us to imagine the artist at work. Many have attributed this to his own training as a painter, which might have inspired his fascination with technique, as I, an amateur pianist, am fascinated by the technique of my favorite recording artists. But I think his admiring discussion of Raphael suggests a much deeper reason. If Berger believes that the most important meaning of art is what it shows us of our ability to create the world we want, it turns out that his criticism is connected to his Marxism much more fundamentally than through the borrowing of a few insights from Walter Benjamin.
For Berger, art criticism is a revolutionary practice. It prepares the ground for a new society. In Landscapes, Overton includes a translation by Berger and Anya Rostock of a poem by Bertolt Brecht. It includes this passage:
Yet how to begin? How to show
The living together of men
That it may be understood
And become a world that can be mastered?
How to reveal not only yourselves and others
Floundering in the net
But also make clear how the net of fate
Is knotted and cast,
Cast and knotted by men?
[…] only he who knows that the fate of man is man
Can see his fellow men keenly with accuracy.
How to begin? Berger answers: In art. There we find proof and prophecy of a different world. In another essay, he writes:
We can no longer “use” most paintings today as they were intended to be used: for religious worship, for celebrating the wealth of the wealthy, for immediate political enlightenment, for proving the romantic sublime, and so on. Nevertheless, painting is especially well suited to developing the very faculty of understanding which has rendered its earlier uses obsolete: that is to say, to developing our historical and evolutionary self-consciousness.
This is the promise, the positive function of art. By looking at it, we are, in effect, looking through an artist’s eyes, entering into a concretized instance of their gaze. We are looking at a looking. And from within an artist’s looking, we learn about the capacities of our kind and the possibilities of our future: “A classical Greek sculpture increases our awareness of our own potential physical dignity; a Rembrandt of our potential moral courage; a Matisse of our potential sensual awareness.”
At the same time, Berger is of the opinion that the modern history of art is a history of failure. He won’t compromise on this point, and it is undoubtedly the reason for the stiff resistance that he has often met.
In modern times, Berger believes, the art world has hosted a titanic battle between two conceptions of art. One conception declares that art is valuable because it bodies forth the vision of an artist; it is a good in itself just to the degree that it succeeds at this task. This is Berger’s conception, and it is large enough to embrace all the varying and contradictory proclamations and provocations of the successive factions of modern art. The other conception declares that art is valuable because it is expensive — that, fundamentally, art is property:
Since 1848 every artist unready to be a mere paid entertainer has tried to resist the bourgeoisation of his finished work, the transformation of the spiritual value of his work into property value. This regardless of his political opinions as such. […] What Constructivism, Dadaism, Surrealism, and so on, all shared was their opposition to art-as-property and art-as-a-cultural-alibi-for-existing-society. We know the extremes to which they went […] and we see that their resistance was […] ineffective.
In other words, artists, like all other workers, are victims of a capitalism that alienates them from the fruit of their labor. Berger has nothing but scorn for the commercialization of art: “If you could fuck works of art as well as buy them,” he writes, dealers “would be pimps: but, if that were the case, one might assume a kind of love; as it is they dream of money and honour.” Everything about the modern art world is constructed on the assumption that art is precious in proportion to its price. Even among those who profess a genuine love of art, that passion is often tainted by its ideological function:
A love of art has been a useful concept to the European ruling classes for over a century and a half. The love was said to be their own. With it they could claim kinship with the civilisations of the past and the possession of those moral virtues associated with “beauty”. With it they could also dismiss as inartistic and primitive the cultures they were in the process of destroying at home and throughout the world.
Museums, those seemingly democratic institutions for the dissemination of art appreciation, come in for withering critique: “Anybody who is not an expert entering the average museum today is made to feel like a cultural pauper receiving charity.” From a man who has spent so much time in museums, these are harsh words. Everything about our museums’ operations reveal a slavish dedication to the conception of art as property: from the choice of what to show and what to store, to the obsession with provenance. Provenance is an important question for owners of art-as-property, for whom the price of a work of art, which to them is equal to its value, is directly dependent upon its rarity and authenticity. The museum teaches us that we are paupers in two senses: too poor in money to do anything but stand abjectly before this display of wealth, and too poor in taste to grasp the reason these objects are so highly prized. Before museums can even begin to be useful, believes Berger, “it is necessary to see works of art freed from all the mystique which is attached to them as property objects.”
Berger’s opinion of museums reveals something: our greatest art critic for the last half-century has been conducting a smuggling operation. The bulk of his work as a critic has been a plainspoken attempt to enunciate the meaning of works of art — the process of their creation — under the eyes of their guards. From his perspective, the regime of property has an interest in suppressing his work, not just because art has functioned so well as a form of wealth and an ideological tool, but because its real meaning is dangerously emancipating.
Tom Overton and Verso have provided a real service by supplementing the praxis, the well-known criticism, of the increasingly famous John Berger with his theory. All those who love his writing and profess to take him as a teacher owe it to themselves to peruse Landscapes, and to grapple frankly with the discomforting, clear, and urgent message of his work:
[I]t is necessary to make an imaginative effort which runs contrary to the whole contemporary trend of the art world: it is necessary to see works of art freed from all the mystique which is attached to them as property objects. It then becomes possible to see them as testimony to the process of their own making instead of as products; to see them in terms of action instead of finished achievement. The question: what went into the making of this? supersedes the collector’s question of: what is this?
¤"]]>johnberger 2017 robertminto marxism art artists artcriticism criticism henrymoore politics waysofseeing frederickantal tomoverton economics walterbenjamin raphael jacksonpollock michelangelo elitism anyarostock bertoltbrecht process craftsmanship arthistory resistance constuctivism dadaism surrealism property society culture ownership beauty aesthetics museums artappreciation creativity creation praxis canon objects mystique products action achievement making wealth ideology consumerism consumptionhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c9c62263eb37/The Future of Cities – Medium2016-12-25T07:02:13+00:00
https://medium.com/@oscarboyson/the-future-of-cities-ba4e26c807fe#.2zmgy274v
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http://clocktower.org/series/the-alternative-art-school-fair-radio
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