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    <title>What does it really mean to have a moment of insight? | Psyche Notes to Self</title>
    <dc:date>2026-06-26T11:52:31+00:00</dc:date>
    <link>https://psyche.co/notes-to-self/what-does-it-really-mean-to-have-a-moment-of-insight</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What moments of insight have in common

What is an ‘insight’? They tend to be thought of as moments of realisation in which all the discombobulated pieces suddenly snap into place and a fresh coherence emerges. These can be high stakes or low; usage of the word stretches from the quotidian to the earth-shattering. Understanding why a friend of mine is habitually late is an ‘insight’ – but so too are epochal revolutions in thinking, those storied moments when great minds reveal hidden connections.

One of the most tragic and romantic insights I’ve read is in Marcel Proust’s novel In Search of Lost Time (1913-27), when Charles Swann sees in the face of the courtesan Odette the unspeakably beautiful Botticelli painting of Zipporah, whose ‘similarity enhanced her beauty also, and rendered her more precious’. On the basis of this insight – that Odette is as beguiling as any immortal artwork – Swann falls desperately in love. But this later leads to another, more brutal insight: that he never fell in love with Odette herself, but only her artistic likeness. Such, in Proust’s cynical suggestion, is often the nature of love.

Reflecting on scientific insights, the physicist John Ziman wrote that they depend on finding the similarities between different things: ‘the random configuration of the long chain of atoms in a polymer molecule is “like” the motion of a drunkard across a village green.’ This is a stimulating insight about insights, which also sheds light on Swann’s insight: though they can involve many kinds of perspective shifts, the common denominator is that we notice likenesses where before we saw none – and from that new connection, we see new meaning. But an insight, however invigorating, may always prove to be less than we had hoped: Swann saw a likeness, and that was an insight that cost him everything."]]></description>
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    <title>NOMOS Glashütte: In House or Nothing</title>
    <dc:date>2026-06-26T01:46:32+00:00</dc:date>
    <link>https://www.itsabouttime.email/p/nomos-glashu-tte-in-house-or-nothing</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["NOMOS is one of the few that does not buy. The machine in Schlottwitz running through the empty weekend is the visible end of that decision. The invisible end is an escapement the company spent seven years and millions of euros to build, so that it would never again have to ask anyone's permission to make a watch. That single fact reflects the whole brand, and once you understand what it cost them, not just in money, you understand everything else about the company. The price discipline. The refusal to behave like a luxury house. It all comes from one decision, made by a small company in a small town, to do the hardest thing in watchmaking themselves rather than depend on anyone for it.

This is a piece about what that decision cost and what it bought. It is, I think, the most interesting story in German watchmaking, and it's dramatically undertold, because telling it straight means starting with the uncomfortable fact that the rest of the industry would prefer to leave alone.

A mechanical watch runs on a coiled spring. Wind the spring, it wants to unwind, and that unwinding is the energy that drives the hands. The problem is that a spring left to itself unwinds all at once, in a fraction of a second. So you need something that lets the energy out in tiny, evenly spaced increments, thousands of times an hour, for as long as the watch runs. That something is the escapement. The balance wheel swinging back and forth, the balance spring breathing it in and out, the escape wheel and the pallet ticking the energy free one beat at a time. It is the part that turns a wound spring into a timekeeper. Everything else in the watch is in service of it.

It is also the hardest part to make. The components are smaller than almost anything else in the movement, the tolerances are unforgiving, and getting them to work together reliably took the watch industry the better part of two centuries to figure out. The know-how and the machinery sit behind a wall that a small brand cannot climb. So small brands do not try. They buy the escapement, the way you buy flour rather than growing the wheat, and they build the rest of the watch around it.

There is nothing shameful in this. A watch built on bought parts can be excellent, finished beautifully, sold honestly. But it does mean something. If the heart of your watch comes from a supplier, then the supplier sets your quality and your quantity. You can ask for more. You cannot make more. You are independent right up until the moment the supplier says no, and then you find out exactly how independent you were.

NOMOS decided that was not independence at all. To understand why a small company would spend years and a fortune fixing a problem most brands are content to live with, you have to know where NOMOS started, and how badly the question of independence once stung.

The valley itself was born from a bailout.

Glashütte sits in the Ore Mountains of Saxony, in the east of Germany, about forty minutes south of Dresden. In the 1840s it was a dying mining town with nothing left to mine. A watchmaker named Ferdinand Adolph Lange wrote to the Saxon government with a plan to build an entire industry from scratch in this poor place, and in 1845 the state granted him a loan to do it. He arrived with fifteen apprentices and taught former miners and farmers to make watches by hand.

The detail I love, the one that makes Glashütte different from every other watch town, is what Lange did with those apprentices once they were good. He encouraged them to leave and start their own small supplier firms. He did not hoard the knowledge. He seeded it across the valley on purpose, until the whole town was a web of workshops each making one part well. Glashütte was an in-house ecosystem before the phrase existed. The name on the dial has meant something ever since, and it is now protected by German law the way Champagne is protected: a watch can only carry "Glashütte" if at least half its value is made there. You cannot buy your way into the word.

NOMOS arrived late, and it arrived under suspicion.

NOMOS was founded in 1990, in the months after the Berlin Wall came down, in a reunified Germany where the old eastern watchmaking had collapsed. It made clean, well-designed watches at honest prices, and in its early years it did what most small brands do. It used Swiss movements.

In a town whose entire worth is staked on the word "Glashütte," that was a problem. NOMOS was called out for it. A lawyer went after the company on behalf of the local tradition, arguing, in effect, that a watch with a Swiss heart had no business wearing the name of a German town. It is hard to imagine a more wounding accusation for a young company that wanted, more than anything, to belong to the place it was named after. You are not really one of us. Your watches are not really from here.

What NOMOS did next is why we love them so much. It could have fought the accusation in public and kept buying Swiss parts. Instead it set out, slowly and at great cost, to make the accusation impossible. It started building its own movements. It poured money into machinery and people. It worked its way up the watch, part by part, until there was almost nothing left to buy in. The company decided it would not just meet the standard of the valley. It would exceed it so far that no one could ever question it again.

Here is the numbers I haven’t mentioned. Seven years of development. Eleven point four million euros. One component."

...

"How little NOMOS buys in is almost comic when you hear it said plainly. Up to 95 percent of each calibre is made on site in Glashütte. What does the company purchase from outside? Ahrendt's own answer: the rubies used as bearings, and tiny oil reservoirs. Everything else, they make.

Now we can go back to the watchmaker, because the most interesting thing about NOMOS is not that it is high-tech, and not that it is hand-craft. It is that the two sit at the same bench doing the same job.

The parts made in Schlottwitz travel along the road to the NOMOS Chronometry in Glashütte, where the milling and the wire erosion give way to people. Watchmakers in white coats at wooden benches, near silence, the occasional tick of a movement waking up. Then you notice the machines tucked in among them. At each bench, dozens of movements wait in a dust-protected drawer and arrive in front of the watchmaker on a small conveyor. The machine helps place the tiny jewels and helps oil them. The person does the work that needs a person. The decoration is done with hand-operated tools, and then the movements are assembled and adjusted by hand, in a tradition the town has kept for more than 175 years.

It would be cheaper to commit to one extreme. Full automation, or full hand-work at triple the price. NOMOS does both, deliberately, because the machine is better at the parts that demand the same motion ten thousand times without a tremor, and the human is better at the parts that need judgement. The watch is where the two finally meet.

There is a part of the process where the machines step back almost entirely: the assembly of the Swing System itself, the marrying of the escapement to the movement. NOMOS says the knowledge of how to do this does not exist out in the world. You cannot hire it. It has to be taught inside the company, from the people who know to the people who will know next. That is the deepest meaning of building your own escapement. It is not that you own a machine. It is that you own a kind of knowledge that lives nowhere else, and the only place to learn it is the room where it happens.

Here is the part of the story I cannot stop thinking about.

The lawyer who went after NOMOS three decades ago, the one who argued the young company had no right to the Glashütte name, is a man named Wolfgang Straub. NOMOS spent the years after that accusation making itself unimpeachably German, building its movements, building its escapement, raising its in-house rate past the point of any reasonable doubt. And somewhere along the way, the man who once tried to keep NOMOS out joined them. For the last twenty years Straub has worked with NOMOS on the opposite goal, the campaign to turn the old unwritten Glashütte rule into an actual law. A couple of years ago, they won. The German parliament made "Glashütte" legally enforceable, with NOMOS at the front of the fight. It is the kind of turn you could not put in fiction without an editor calling it too neat."

...

"But here is what settles it for me. What NOMOS bought with all that money and time was not an escapement. It was control. They set their own quality, because they make their own parts. They set their own volume, because no supplier rations them. They own their own ideas, because the patents are theirs. They own their own future, because the knowledge of how to make the hardest part of a watch lives in their building and not in someone else's. A company that was once told it did not belong spent everything it could afford to make sure no one could ever say that again. Put that way, eleven point four million euros stops looking like pride and starts looking like the price of staying your own.

There is another dividend too, the one NOMOS rarely brags about, because bragging would spoil it. Consider that NOMOS makes thousands of watches a year, almost entirely in-house, with its own escapement and its own patents and the protected name on the dial, and asks for a fraction of the money. That gap is what doing it all yourself actually pays out. You take the cost out of the steps where a machine beats a person, you spend it back on the steps where a person beats a machine, and the difference goes to the buyer instead of to a middleman. It is not a discount. It is what is left when nobody in the chain is taking a cut they did not earn.

 That is the case for in-house or nothing. Not that it is cheap, because it is the opposite. Not that it is easy, because it is the hardest road there is. It is that when you make everything yourself, the watch on your wrist is the one object in the room that nobody outside the company had any say in. The bar of steel, the machine that runs through the weekend, the people who alone know how to make the escapement breathe, the patents, the name on the dial that the law now protects. All of it theirs, and hard-won.

The machine will be running again this weekend, the building dark and empty around it, turning steel into the beginnings of watches that nobody has had to ask anyone's permission to make. That is the point. NOMOS spent thirty years and a fortune making sure the only people who ever needed to be in the room were their own."]]></description>
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<item rdf:about="https://www.commonwealmagazine.org/ward-graham-michel-de-certeau-wounded-walker">
    <title>The Wounded Walker | Commonweal Magazine</title>
    <dc:date>2026-06-25T21:14:53+00:00</dc:date>
    <link>https://www.commonwealmagazine.org/ward-graham-michel-de-certeau-wounded-walker</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Michel de Certeau’s search for the murmuring of the mystical in secular society"

...

"The Czech poet and painter Josef Čapek, who was killed in Bergen-Belsen in 1945, described himself as a limping pilgrim “hobbling through the Gateway to Eternity.” Certeau—and Fern in Nomadland—could be described the same way. In his biography of Certeau, Françoise Dosse calls him “le marcheur blessé,” “the wounded walker.” 

Part of Certeau’s attraction to the Society of Jesus was that he wanted to be a missionary. He did travel widely, but his real wayfaring ended up being internal—an inner movement that could not be stilled or staunched. For Certeau, the transience of desire, including his own, cannot be pinned down but only attested to. We can only trace it in and through its various inscriptions and behaviors. The city may be mapped and its entrances and exits prescribed, but it can be walked in a million different ways. In his numerous and multifaceted investigations, Certeau traces the murmuring of a desire that no secularism can conceal or abrogate. This is the spiritual vision in his work that roamed and transgressed across anthropology, theology, history, sociology, psychoanalysis, ethnography, and what is now known as cultural studies.  

One can understand why Catholic theologians have paid him little attention. Though he wrote about the Church, the Eucharist, and even Christ, he had little interest in dogmatics, philosophical theology, moral theology, or ecclesiology. And his writing style can be forbidding, as we have seen. But beyond its eclecticism and difficulty, Certeau’s work may have been avoided by theologians because of a critical question it raises: To what extent are their theologies themselves “sociocultural productions” reacting to, rather than excavating, secularism? Certeau wants to ask of theology not whether its critique of secularism is right or wrong, but what fears and desires it is itself expressing.

Certeau invented interdisciplinary study before it was fashionable or even had a name. He recognized that the truly big questions—like what makes a belief believable or why one would believe anything—cannot be answered by any one intellectual discipline, including theology, with its siloed modes of inquiry and strictly policed faculty boundaries. And yet such questions tap into the very roots of any religious faith. Certeau was likely not surprised at theologians’ neglect of his work. He would have known from his reading of the mystics that the Church is always wary of lived experience and religious enthusiasm uncontainable by its boundaries."]]></description>
<dc:subject>micheldecerteau 2026 theology religion everyday society spirituality myticism françoisdosse jesuits jeanjosephsurin jacqueslacan pierrebourdieu michelfoucault foucault popefrancis catholicchurch catholicism philosophy juliakristeva claudelevi-strauss structuralism poststructuralism jean-paulsartre sartre lucegirard walking culture politics nicholasofcusa luceirigaray urbaingrandier knowledge resistances meanderings control meaning meaningmaking chloézhao nomadland poetics secularism interdisciplinary lacan josefčapek henridulubac jeandaniélou culturalstudies dilexitnos 2024 stignatius meditations divine 1968 edwardschillebeeckx materialism life living howwelive sociology linguistics hitory ideology psychology psychogeography discernment belief signs existentialism citizenship billboards ads advertising cityplanning urban urbanism cooking anthropology literature analysis everydaylife waysofbeing waysofoperating apathy resistance friction ordinary truth freedom evasions deployments transgressions de</dc:subject>
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<item rdf:about="https://phenomenalworld.org/interviews/empire-suicide-watch/">
    <title>Empire Suicide Watch | Herman Mark Schwartz</title>
    <dc:date>2026-06-20T08:56:14+00:00</dc:date>
    <link>https://phenomenalworld.org/interviews/empire-suicide-watch/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Examining the anatomy of US power"]]></description>
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<item rdf:about="https://hedgehogreview.com/web-features/thr/posts/tolstoy-and-the-illusion-of-inevitability">
    <title>Tolstoy and the Illusion of Inevitability | THR Web Features | Web Features | The Hedgehog Review</title>
    <dc:date>2026-06-17T10:22:04+00:00</dc:date>
    <link>https://hedgehogreview.com/web-features/thr/posts/tolstoy-and-the-illusion-of-inevitability</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Western thought repeatedly returns to the hope that contingency is an illusion."

...

"<blockquote>“Traveler, there is no road. The road is made by walking.” —Antonio Machado</blockquote>

Machado’s famous line suggests that the future does not exist in advance, waiting to be discovered, but comes into being through a choice among possible actions. Many possibilities exist at any given moment. The one that becomes actual depends on coincidences and chances as well as choices, all producing events whose significance emerges only as they unfold.

That, as it happens, is also Leo Tolstoy’s argument in War and Peace. In the book’s battle scenes, plans dissolve into confusion, causes multiply beyond reckoning, and outcomes hinge on fleeting, unrepeatable moments. On the eve of the Battle of Borodino, the novel’s hero, Prince Andrei, reflects that what lies ahead is not a determinate sequence but “a hundred million chances…decided on the instant.” What matters is less the perfection of a plan and more the ability to respond to what no plan could anticipate, by means of what Tolstoy calls “alertness.”

For Tolstoy, this is a feature not of war alone but of reality in general. History, far from representing the execution of a grand design, is rather the result of countless interacting elements, each shaping and reshaping what can happen next. New possibilities are always emerging as earlier ones are left unrealized. Life more closely resembles an evolving system than a solved equation. Events are contingent in Aristotle’s sense of the term: They “can either be or not be.” After all, if things could only happen one way, human action would collapse into the mechanical execution of what was already implicit in the present.  “If human life could be [entirely] governed by reason,” Tolstoy writes in the book’s epilogue, “the possibility of life is destroyed.” 

And yet again and again, in our aspiration to a hard science allowing for prediction, we are drawn to deny this. That is one reason War and Peace has never lost its relevance.

The Recurring Dream of Certainty

Since the scientific revolution, Western thought has repeatedly returned to the hope that contingency might be an illusion. As Newton explained the baffling complexities of planetary motion by four simple laws, perhaps, many imagined, the same could be done for human affairs. Thinkers as diverse as Marx, Skinner, and Malinowski have shared this dream, with each promising, in his own way, to reveal necessity beneath apparent disorder.

Complexity, for such men, is conceived of as a surface phenomenon, concealing an underlying simplicity that, once uncovered, will render the future knowable. Pierre-Simon Laplace insisted that events are certain, not probable: In speaking of their probability, we are really speaking of the chances our guesses may be accurate, but the events themselves are certain. Time and again, the apparent contingency of events is presented as evidence of our own ignorance. If we knew enough, we would see that events could not have happened otherwise.

But there is another possibility: that contingency is real—that the world is not merely complicated but fundamentally generative, that new possibilities are not simply revealed over time but produced within it, through the interaction of elements that cannot be fully anticipated in advance.

This is the world Tolstoy describes, one where knowledge cannot precede action, only emerge through it.

Time and the Limits of Foresight

Tolstoy’s deepest insight concerns time itself. In a deterministic view, time is a neutral space where events unfold according to fixed laws and the future lies already implicit in the present, waiting to be revealed. But in Tolstoy’s world, time is generative. Each moment reshapes what can happen next. Possibilities interact, combine, and disappear, their significance becoming visible only as events unfold.

One might say that the system is constantly generating variation—new configurations, new alignments, new opportunities—but without any overarching mechanism that selects among them in advance. Selection happens locally, in real time, through action. The closer one looks, the more things fail to simplify, as in the Newtonian model, and ramify instead. What happens to be taken up is what persists.

This is why most Austrian and Russian generals in War and Peace are consistently wrong. They believe they possess a science of warfare—a system capable of anticipating outcomes. Before Austerlitz, they insist that “every contingency has been foreseen.” The result is Napoleon’s greatest victory—yet their confidence remains intact, attributing failure to imperfect execution, never to the limits of prediction itself. As so often happens, the conviction that events must conform to a science makes the supposed science unfalsifiable.

The wisest general, Kutuzov, appreciates that people conceive only of a few possibilities while there are thousands. Famously, in the Council of War before Austerlitz, he advises not more planning but “a good night’s sleep.” What matters most is the alertness to seize opportunities that cannot be anticipated in advance.

This distinction—between a world that can be mapped and one that must be navigated—extends beyond warfare. Wherever outcomes depend on unfolding interactions, local knowledge, and irreversible time, no complete science is possible. One can orient oneself, but one cannot blaze the path in advance.

The Illusion of Inevitability

If the future is open, why does the past so often appear inevitable? Tolstoy offers several answers, including what he calls “the law of retrospection.”

Once events have occurred, we can reconstruct the paths that led to them. We identify signs that seem to foreshadow the outcome we now know. Alternatives fade from view—not because they were not real, but because they left no trace. The result is a powerful illusion: What happened begins to seem as if it had to happen.

Tolstoy asks us to imagine a group of men hauling a log, all pulling in different directions. Wherever they happen to wind up, someone will say they planned to do so.

This retrospective projection—which one of us has called backshadowing—reshapes our understanding of history. We look at earlier moments and conclude that the outcome was implicit all along. The more coherent the explanation, the easier it is to forget that things might have turned out otherwise. To avoid backshadowing, we must practice sideshadowing—recognizing that other outcomes, some of which we can imagine, were genuinely possible.  

That is just the insight that those who believe they have discovered a hard science allowing for prediction in the social world forget or deny. And yet they cannot foresee their own future. 

Tolstoy’s narrative resists this illusion by preserving the density of lived experience—the sense that at each moment multiple futures were genuinely possible. History, in this view, is not a line but a branching structure, most of whose branches vanish without record.

AI and Narrative Certainty

In the age of AI, this dream of certainty has taken a new and more persuasive form. Artificial intelligence can process vast datasets, identify patterns invisible to human perception, and generate explanations with remarkable coherence. Faced with such capabilities, it is tempting to believe that uncertainty can finally be overcome—that the future can be rendered legible in advance.

But the deeper effect of AI lies in its ability to reorganize the past. Given sufficient data, AI systems can produce narratives that make outcomes appear coherent, even inevitable. They can identify correlations, reconstruct causal chains, and highlight what they regard as signs foreshadowing what followed. The result is not necessarily false, but it is selective.

In this way, AI functions less as a predictor than as a powerful engine of narrative compression, reducing the apparent space of possibilities by presenting a single path as the path. What was once understood as a field of possible alternatives becomes retrospectively legible as an inevitable sequence, reducing many “futuribles” to one. The danger here lies in premature coherence, the sense that complexity has been resolved when it has only been reorganized into a persuasive form.

A Compass Rather Than a Map

Tools do more than extend thought; they reshape the environment in which thought occurs. AI, for instance, introduces a distinctive bias by generating what is statistically coherent, what resembles patterns derived from accumulated data.

In an evolutionary system, what persists is not necessarily what is best in any absolute sense but what is most easily selected under prevailing conditions. AI changes those conditions in the intellectual world, lowering the cost of generating variations while subtly guiding selection toward what is already legible within its patterns.

Over time, this can narrow the space of perceived possibilities by making them less visible, less accessible, less likely to be pursued. Certain forms of thought—those that resist simplification, that depend on sustained attention, or that emerge from direct engagement with the world—become comparatively fragile.

What follows from Tolstoy’s ideas, on the other hand, is not that prediction is useless or that analysis should be abandoned, but rather that we must think in terms of a compass rather than a map. A map assumes a fixed terrain and a determinate path, while a compass provides direction without specifying the route. In a world of genuine contingency, only the latter is available. One can choose a bearing, but the path itself is discovered through movement. Orientation is not foresight.

This is the force of Machado’s insight: The road is made by walking not because we lack information but because the path does not exist until it is created.

To accept this is to adopt a different understanding of knowledge, not as a complete representation of what will happen, but as a capacity to respond intelligently to what does happen. It is inseparable from time, from attention, from the ability to recognize significance as it emerges.

The impulse to eliminate contingency is understandable. Uncertainty is uncomfortable: It resists control and frustrates planning. But it is also what makes agency possible.

A world in which everything could be predicted would be a world in which nothing could be otherwise. Action would lose its meaning, since outcomes would already be fixed. The openness of the future is not a defect in our knowledge, but a condition of human life.

Artificial intelligence does not change this condition—but it can make us forget it. By rendering the past as if it had been inevitable, it invites us to imagine that the future is already written. Against this, one must insist on what Tolstoy and Machado understood in saying that the future remains unwritten, not because we have failed to compute it but because it does not yet exist."]]></description>
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    <title>Anarchism, Again • Ill Will</title>
    <dc:date>2026-06-17T09:49:02+00:00</dc:date>
    <link>https://illwill.com/anarchism-again</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[also here:
https://autonomies.org/2025/12/josep-rafanell-i-orra-again-anarchism/ ]

"In December of 2025, a new journal appeared in France entitled À bas bruits [Under the Radar]. In the opening article of its first issue, Josep Rafanell i Orra argues that anarchism has always functioned as an escape route for communities fleeing the iron cage of society. Among the many competing conceptions of what an anarchist politics today could or should look like, Rafanell’s stance is anti-social, yet non-nihilist. On the one hand, he rejects as internalized domination any affirmation of the social identities thrust upon us by commodity society and the state. This rejection demands that we abandon any quest for hegemony within the so-called public sphere, which always devolves into a sad clamoring over credit within today’s “reputation economy.” It also entails a refusal of any model of organizing premised on the noisy self-promotion of entrepreneurs masquerading as political avant-guards. The light of the Spectacle only blinds, and never clarifies. This negativist posture is, however, counterbalanced by the author’s insistent affirmation of the experience of community, which he sees as overlapping worlds in a process of becoming. Offering the example of a longstanding experimental mutual aid project in a proletarian neighborhood of Paris, Rafanell envisions self-organization as the elaboration of insurgent environments and territories operating in the opaque zones of everyday life, whose mode of existence involves a continuous detachment from the policed premises of metropolitan society. Even in a major French city, he argues, anarchic forms are not primarily social in nature, but cosmological: what is in question is a tissue of attachments, practices of sharing and reciprocal encounter that give a common form to their environment, while remaining nonidentical with themselves. If there are ungovernable futures that lie ahead for us, insurrections still to come, they emerge from this "patchwork" of conflictual practices and bonds that inhabited cities foster. Rather than struggling for control over a hostile public sphere, which only destroys the spaces of community that matter the most, Rafanell calls us to produce an "archive of communal forms," a cartography of divergent, migratory potentials within the uncertain contours of everyday life. It is here that the ethical and the practical reunite, allowing mutual aid to engender combative conspiracies.

***

[original in French: https://abasbruit.org/2025/12/01/a-nouveau-lanarchisme-2/ ]

Let's start at the beginning — which is to say, from the middle. Take, for example, a neighborhood marked by exile, migration, and transience: early in the morning at the Jardin d'Éole in Paris’s 18th arrondissement, a plot of land fenced off by local authorities to prevent exhausted migrants — condemned to wandering the streets — from settling there, a space bordered by an urban farm with a handful of sheep to add an eco-friendly touch to this neighborhood where exiles loiter, but also crackheads wandering like zombies, both groups harassed by police evictions. There's also an annex to the Théâtre de la Villette, barricaded behind wire-mesh walls plastered with portraits purporting to represent "the neighborhood’s diversity,” a clumsy attempt to convey the cultural facility's integration into this working-class area. It's here, inside yet another fence, that migrants gather for breakfast. There stands a heavy Algeco prefab unit, its ugliness concealed as best as possible by a coat of paint. Inside, shelves are stocked with foodstuffs, hygiene products, along with a sink and a worktop with an electric hotplate. And then there's Latifa, in her fifties, in front of a large cooking pot, overseeing the meal preparation, surrounded by others preparing the breakfasts that will be served this morning. Outside, in the bitter February cold, under an insistent drizzle of rain, a group of Afghans are busy setting up tents under which the food distribution will take place. Young men and women from the neighborhood, members of various collectives, some traveling from a fair distance away, set about arranging the food, fruit, and thermoses of coffee and tea on the tables, donated by nearby businesses. The meal is served, and conversations begin among this small crowd of migrants, squatters, and volunteers. Someone turns on the speaker on their cell phone, and music from other worlds inspires a few impromptu dances. This has been going on for nearly a decade. A whole constellation of connections has taken root, built upon the palimpsest of the neighborhood's history, its struggles and solidarity, its tradition of mutual aid. But there remains a troubling asymmetry, the terrible risk of instituting the abjection of a charity system.

“The life of a neighborhood that remains vital consists of ‘influence peddling,’” as Isaac Joseph cleverly remarks in the preface to Ulf Hannerz's Exploring the City. It’s a composition of determinations that thwart preestablished social repertoires. Forms of community made breathable by the figure of the stranger, inscribed in the interstices of existential geographies. Ungovernable futures emerge from this stubborn weaving that forms a patchwork of relationships, affections, bonds, places, practices, forms of survival, conflicts, mutual aid and attentions — from which the shifting regimes of sensibility that make up the texture of an inhabited city emerge. There are always potential counter-cartographies that silently resist the suffocation of administered and policed space. And there lie new forms of knowledge that our investigations can bring to light, if we cross the thresholds between disparate worlds. Knowledge that’s not about identities and their representations, but about modes of experiencing existence, where attachments and interdependencies form despite adversity. And where, sometimes, suddenly, an uprising bursts forth with brilliance.

If we speak of knowledge here, it’s a migratory knowledge that is in question.1 The kind that emerges within constantly shifting borders: a "mosaic of small worlds," where the transitions from one world to another unravel the social totality. A “society of societies," as Landauer put it; the resurgence of the community that slumbers within the enclosures of the social body, with its assignments and its subjects. It is the pornography of representation that is thus conjured. It is the imagination that is thus revitalized. For what is imagination, if not the experience of becoming-other, of metamorphoses, undoing identity to and for oneself, when we encounter those who make us strangers to ourselves? What an inestimable advantage it is to be able to become strangers in this world, overrun as it is by the frenzied proliferation of connections between atomized selves, where the overexposure of images rests on the negation of presence, annihilating the experience of sharing that brings spaces of community into being, the ethopoïetics of living worlds.

In these worlds still taking form, if we choose to engage with them, it’s always a matter of bringing them to life — a place where we can forge a soul through encounters with other souls. But to do so, we must twist free from the detestable familiarity imposed by representation, which hinders the becoming of what we are not yet.

To avoid ceding our world to representable subjects, we must break loose from the clutches of identity. Disidentification becomes the condition for a community in which we can become an “ambulant people of relayers,” as Deleuze and Guattari put it.2

Deleuze and Guattari also warn us: when thought draws its form from the model of the state, it remains captive to the two poles of the foundation of its sovereignty — poles that might appear to be in tension, but are in fact complementary: mythos, the archaic foundation that operates through magical capture; and the pact or contract between "reasonable people," that is, those subject to the rationality of the state ("always obey, for the more you obey, the more you will be masters..."). This is a kind of fascism that lies dormant. Yet neither pole can exist without an "outside" traversed by nomadic thoughts that disperse the two universals: that of totalization as the horizon of being, and that of the Subject as the condition for subjugation (or the "being-for-us" of the social contract).

But there are also other beginnings to be found, the emergence of other times that drift off course. Such was the case with the Yellow Vests uprising, during the hundreds of blockades across France. Those moments when countless occupied roundabouts became wild assemblies where people gathered, shared stories, built narratives and shelters, aided one another, and hatched conspiracies.

December 1, 2018: as in the weeks before and after, tens of thousands of people descend upon the capital's affluent neighborhoods. By early morning, a myriad of gatherings formed. The same was true in dozens of other cities, with no organization having issued any instructions other than a surge of haphazard calls that spread like wildfire. The Champs-Élysées drew jubilant crowds. Luxury stores are looted; burning barricades punctuate the unplanned wanderings. At times people stroll, other times racing frantically, facing or fleeing police charges amid air saturated with tear gas and the deafening explosion of stun grenades and flash-ball rounds. People chat, tell stories, sing, shout; jokes fly; thousands of graffitis offer a visual record of this tidal wave. The Arc de Triomphe is ransacked. Elsewhere, everywhere, buildings are attacked, set on fire, looted: prefectures, toll booths, gendarmerie stations, stores and supermarkets... During this insurrectionary movement, which lasted several months, tens of thousands of rounds of ammunition were fired at protesters and rioters. The number of people maimed by police weapons steadily rose. In Marseille, Zineb Redouane, an 80-year-old woman, was killed by CRS officers3 when a grenade struck her in the face. Since then, as we know, the embers have not gone out; the riot lies dormant. It could flare up at any moment, as it did in the summer of 2023 following the police murder of Nahel Merzouk. Or in New Caledonia, where a recent uprising resulted in the murder of at least ten Kanaks.

Neo-fascism. Liberal-fascism. Capitalo-fascism. Techno-feudalism. Cyberfascism... The semantic field keeps expanding, as it struggles to respond to growing disbelief concerning the upheavals plunging our world into a monstrous cacophony, and the sensational stunts and brutal eccentricity of the figureheads who reign supreme on the stages of power. There are, of course, national atavisms that give these new fascisms their unique character; but the fact remains that the logics of destruction, on every latitude, carry with them forms of homogenization — a new contract, neatly summarized by the word "occupation.” The absolute occupation of the Earth by commodities destroys the many singular ways of inhabiting it; but so does the occupation of souls, which turns them into beings preoccupied with themselves, captive to a mad restlessness.

There's no doubt that our epoch is adept at prolonging its terminal phase. In the liberal world, the social contract has been hacked by socio-technical mechanisms, while the neo-Nazis at the helm attempt to revive a phantasmal archē. The international legal order has become the mop with which we no longer even bother to clean the floor where the slaughtered lie. The old coordinates of political discourse, the orderly conventions of the public communication regime are collapsing. Have we not heard that the Gaza Strip, transformed into a field of ruins by heavily armed psychopaths, after the tens of thousands of people massacred, after the impending deportation of its inhabitants, could be transformed into an amusement park, a new investment plan for a deranged planetary bourgeoisie?

Masses of atomized people are falling prey to identity-based consolidations across the globalized world. Even the French Socialist Party, never one to shy away from disgrace, not long ago proposed to debate the identity of the French people. The old antagonisms, driven by a class-based subject and capable of instituting divisions, have evaporated; this, despite the self-proclaimed emancipators who wriggle around in their media jars, stubbornly imposing their fantasized narratives upon a devastated social landscape in a desperate attempt to remain relevant. But in the game of propaganda, cybernetic fascism will always have the upper hand, from here on out. A word to neo-leftists: it's a lost cause to try to compete with Elon Musk and his cronies in the flashy terrain of representation, via digital platforms, the new demented polis where recognitive processes play out, absorbed by the predatory logics of a reputation market.

It might be that the political arena always carried within it the seeds of its own decay. That the Greek polis was, from its very origins, haunted by predators — those "programmed citizens," as Marcel Detienne tells us in The Gods of Orpheus, "trained to kill one another around their bloody altars." Today, the demos, with its sacrificial altars, unfolds behind a mesmerizing touchscreen in the mad rush for followers, in practices of seduction that perforate fragments of public space, that purport to be political but ultimately do nothing but contribute to a universal isolation. An absolutist realm of a politics of communication, a metapolitics that assassinates language and presence, with its zones of opacity. In their obsession with mimetic communication, the new leftists thus condemn themselves to abandoning the realms where the languages of the people, those of the community, unfold — "all that shadow, that sense of indeterminacy and nuance, that kind of thrill that can only be expressed in the language of the people and the language of the heart.”4 With all due respect to the neo-Bolshevik apparatchiks, community can only exist if it is pluralistic. 

We must break free from the presentism imposed by governmentality, with its projections toward a future that is already present. The bankrupt projections of the decrepit and crumbling institutions of the State, the failures of planning, have been replaced by those of algorithmic machines that depopulate the world, transforming it into a monstrous trash heap where clichés pile sky high. We must break free from the prison of what is, to rediscover what differs. And in doing so, to venture into "the border of time that surrounds our presence, which overhangs it, and which indicates it in its otherness,” where untimely becomings are born that dispel the identity "in which we are pleased to look at ourselves."5

Forms of life become anarchic modes of existence when they cease to claim their foundation, when they refuse the deterministic chain of causes and effects and no longer take pleasure in the morbid circularity of their status as the dominated — in sum, when they confront their dispossession, and thus venture into the transitional zones of experience between beings, where what is proper to them — their relational properties — becomes singular, and where regions of sensibility are established during encounters that allow a multiplicity of times to be woven anew.

We need an archive of communal forms wherein ways of being intertwine, interdependencies that alone will enable us to escape the epoch of vectorized disaster. How can we make their legacy possible? How can we gather up the traces of things that were unable to take shape, of what might have been — building, where possible, upon the wake of what was, in order to rediscover its virtuality? To remain awake, despite the blindness induced by an excess of light projected onto the world, which makes us close our eyes. Jean-Christophe Bailly evokes these singular cartographies — partly erased, partly to come — that emerge when we look at a gaze. Here is where community is established: a "community of gazers" whose gazes bring fragments of the world into being, inviting us to cross boundaries — beginning with the boundaries of the self — and engage in the becoming of what we are not yet. As old as revolutionary thought itself, the world's untimely and radical plurality can resurface if we pay attention to it, if we take care of it. But these lines of plural time, with their bifurcations that bring singular living environments into being, are not simply given to us: they are to be created. It's this work, forever unfinished, that we call (once again) anarchism. A relation to the world, between beings, that draw neither an origin nor a commandment from any reason that precedes us. The actualization of revolutionary virtualities today, as it was in the past, depends upon gestures of desertion from what the machinery of government aims to consign us to: the identity of our status as subjects.

Resurgences and insurgencies once again begin to take shape. This has been the story of anarchism, whose eruptions have pierced the flow of time and ushered in new beginnings. But it is also the story of the slowness of communal forms, of transmission, of bonds created sparingly against the ruthless socialized brutality that tends only toward atomization and obedience. We must test out the means at our disposal to inherit this legacy, in an era where the Earth's habitability itself stands in danger. We affirm that anarchic forms of life will no longer be social. They will instead be cosmological: populated by an infinite variety of beings and environments. Inhabited by strangers and foreigners [des étrangers], emigrants who carry with them a plurality of worlds populated by forms of other-being that subvert the reproduction of the same. It's in the half-light of shadows, far from the clarity claimed by our representatives, with their catechisms and clichés, that new ways of relating, new sensibilities, are born.

    My sense is that true struggles are always struggles with the shadow. There are no other struggles than the struggle with the shadow. Clichés abound. They are everywhere, in my head, within me.6

In 1919, the year Landauer was brutally murdered, Martin Buber, in an essay on community, recalled the words of Ferdinand Tönnies, invoked to acknowledge the death of culture — a culture that had succumbed to the combined effects of commodity exchange and state apparatuses, leading to industrialized massacres. But he also spoke of his hope: that of a new culture quietly blossoming from the scattered seeds of community — buried, but still alive. Here we are, once again: cultivating this quietness. The chatter about monumental social theories is over. We want nothing to do with the noisy scenes of the avant-garde that political entrepreneurs seek to resurrect. We want to cultivate attention toward the vulnerable experience of community that resides in ordinary, shifting worlds that cannot be represented. And it is in this experience, through presence, sharing, mutual aid, and pooling our resources, that we will bring to life places worth inhabiting.

Community is not about exceptionalism; it is a web of connections that can be fully lived out only in ordinary worlds. But it is also about hospitality: welcoming the anomalous, the irregular, the foreign, and that which makes it different. How could we fail to notice the shared commitment that keeps an exhausted medical team going after a night spent in the emergency room of a hospital in Seine-Saint-Denis? Or the caregiver who, having fled a blood-soaked Haiti and after ten years of struggling to obtain her papers, cares for the elderly at the end of their lives in a nursing home run by a mafia that contributes to the CAC 40?7 Or to the child shattered by domestic violence who mobilizes a small crowd of social workers baffled by her strange trance-like seizures? Or to those eccentric madmen who wander the city, having escaped the clutches of the psychiatric system? Or to that Kabyle bar on the corner of a street in my neighborhood, where a silent old man, with long white hair and the air of a prophet, has found a place to live — a substitute for a psychiatric institution that would have confined him to his status as a schizophrenic, deadening him with antipsychotics?

We must bear witness to the worlds that allow us to begin "reclaiming our relationships" (Landauer), precisely so as to "seize hold of something external and foreign" (William James). We must pay attention to what diverges within the uncertain contours of everyday life: it is here that we find the migratory potentials that form the backdrop to insurrections.

It's not a matter of invoking a mystique of community, but rather the power of generative bonds in place of the social reproduction of atomized subjects. It's about convening hospitable communities, caring for vulnerability, and cultivating an attention to what makes them different — communities that flee and ward off the social cages into which we are meant to be confined. In anarchic landscapes, alliances can form without any condition of identity. Differences communicate with one another through differences of differences, as Deleuze says. "Crowned anarchies are substituted for the hierarchies of representation; nomadic distributions for the sedentary distributions of representation."8 Cultivating relationships with otherness means learning that others always have their own others. That our here will always have its own elsewheres, with their own elsewheres. And so on...

This is how open communities are born, rendering the world habitable.

    Anarchy, however, is neither as easily achievable, nor as morally harsh, nor as clearly defined as these anarchists would have it. Only when anarchy becomes, for us, a dark, deep dream, not a vision attainable through concepts, can our ethics and our actions become one.9 

First published in À bas bruit, December 1, 2025. 

Translated from the French by Ill Will. 

Images: Robin Tutenges
Notes

1. David Lapoujade, Fictions du pragmatisme, Minuit, 2008.  ↰

2. Gilles Deleuze and Felix Guattari, “Treatise on Nomadology,” in A Thousand Plateaus, trans. Brian Massumi, Minnesota, 1987, 377: “The problem of the war machine is that of relaying, even with modest means, not that of the architectonic model or the monument. An ambulant people of relayers, rather than a model society.” ↰

3. [The CRS is the French riot police. —trans.]↰

4. Gustav Landauer, “Lernt kein Esperanto.” [In this case, we have translated the selected passage directly from the author’s French rendering in order to preserve its contextual meaning. The standard English rendering can be found in Landauer, “Do Not Learn Esperanto,” in Revolution and Other Writings: A Political Reader, edited and translated by G. Kohn, PM Press, 2010, 278. —trans.] ↰

5. Michel Foucault, The Archaeology of Knowledge, trans. A.M Sheridan Smith, Routledge, 1989, 147.↰

6. Gilles Deleuze, On Painting (Courses, March–June, 1981), translated by C.J. Stivale, Minnesota, 2025, 40. ↰

7. [CAC stands for Cotation Assistée en Continu, or "continuous assisted trading." It refers to automated trading system introduced when the Paris Bourse modernized in the 1980s. The “40” represents the forty largest publicly traded French companies by market capitalization. —trans.]↰

8. Gilles Deleuze, Difference and Repetition, trans. P. Patton, Columbia, 1994, 278.↰

9. Gustav Landauer, "Anarchic Thoughts on Anarchism," in Revolution and Other Writings, 91.  ↰"]]></description>
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</item>
<item rdf:about="https://www.noemamag.com/heritage-exists-beyond-humankind/">
    <title>Heritage Exists Beyond Humankind - NOEMA</title>
    <dc:date>2026-06-11T21:33:55+00:00</dc:date>
    <link>https://www.noemamag.com/heritage-exists-beyond-humankind/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["From architectural traditions to ancient courtship rituals, evidence of animal cultures is overwhelming but underacknowledged."]]></description>
<dc:subject>ryanhuling morethanhuman multispecies 2026 culture ecology animals behavior spermwhales communication forests plants elephants knowledge rituals ritual nonhuman henrybetson projectmela india janegoodall sarahnewman</dc:subject>
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<item rdf:about="https://www.theatlantic.com/magazine/archive/2023/07/generative-ai-human-culture-philosophy/674165/">
    <title>A Defense of Humanity in the Age of AI - The Atlantic</title>
    <dc:date>2026-06-06T10:57:50+00:00</dc:date>
    <link>https://www.theatlantic.com/magazine/archive/2023/07/generative-ai-human-culture-philosophy/674165/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Coming Humanist Renaissance

We need a cultural and philosophical movement to meet the rise of artificial superintelligence."

[archived:
https://archive.is/Ql35H ]

"Writers of fiction—Fyodor Dostoyevsky, Rod Serling, José Saramago—have for generations warned of doppelgängers that might sap our humanity by stealing a person’s likeness. Our new world is a wormhole to that uncanny valley.

Whereas the first algorithmic revolution involved using people’s personal data to reorder the world for them, the next will involve our personal data being used not just to splinter our shared sense of reality, but to invent synthetic replicas. The profit-minded music-studio exec will thrill to the notion of an AI-generated voice with AI-generated songs, not attached to a human with intellectual-property rights. Artists, writers, and musicians should anticipate widespread impostor efforts and fight against them. So should all of us. One computer scientist recently told me she’s planning to create a secret code word that only she and her elderly parents know, so that if they ever hear her voice on the other end of the phone pleading for help or money, they’ll know whether it’s been generated by an AI trained on her publicly available lectures to sound exactly like her and scam them.

Today’s elementary-school children are already learning not to trust that anything they see or hear through a screen is real. But they deserve a modern technological and informational environment built on Enlightenment values: reason, human autonomy, and the respectful exchange of ideas. Not everything should be recorded or shared; there is individual freedom in embracing ephemerality. More human interactions should take place only between the people involved; privacy is key to preserving our humanity.

Finally, a more existential consideration requires our attention, and that is the degree to which the pursuit of knowledge orients us inward or outward. The artificial intelligence of the near future will supercharge our empirical abilities, but it may also dampen our curiosity. We are at risk of becoming so enamored of the synthetic worlds that we create—all data sets, duplicates, and feedback loops—that we cease to peer into the unknown with any degree of true wonder or originality.

We should trust human ingenuity and creative intuition, and resist overreliance on tools that dull the wisdom of our own aesthetics and intellect. Emerson once wrote that Isaac Newton “used the same wit to weigh the moon that he used to buckle his shoes.” Newton, I’ll point out, also used that wit to invent a reflecting telescope, the beginnings of a powerful technology that has allowed humankind to squint at the origins of the universe. But the spirit of Emerson’s idea remains crucial: Observing the world, taking it in using our senses, is an essential exercise on the path to knowledge. We can and should layer on technological tools that will aid us in this endeavor, but never at the expense of seeing, feeling, and ultimately knowing for ourselves.

A future in which overconfident machines seem to hold the answers to all of life’s cosmic questions is not only dangerously misguided, but takes away that which makes us human. In an age of anger, and snap reactions, and seemingly all-knowing AI, we should put more emphasis on contemplation as a way of being. We should embrace an unfinished state of thinking, the constant work of challenging our preconceived notions, seeking out those with whom we disagree, and sometimes still not knowing. We are mortal beings, driven to know more than we ever will or ever can.

The passage of time has the capacity to erase human knowledge: Whole languages disappear; explorers lose their feel for crossing the oceans by gazing at the stars. Technology continually reshapes our intellectual capacities. What remains is the fact that we are on this planet to seek knowledge, truth, and beauty—and that we only get so much time to do it.

As a small child in Concord, Massachusetts, I could see Emerson’s home from my bedroom window. Recently, I went back for a visit. Emerson’s house has always captured my imagination. He lived there for 47 years until his death, in 1882. Today, it is maintained by his descendants and a small staff dedicated to his legacy. The house is some 200 years old, and shows its age in creaks and stains. But it also possesses a quality that is extraordinarily rare for a structure of such historic importance: 141 years after his death, Emerson’s house still feels like his. His books are on the shelves. One of his hats hangs on a hook by the door. The original William Morris wallpaper is bright green in the carriage entryway. A rendering of Francesco Salviati’s The Three Fates, holding the thread of destiny, stands watch over the mantel in his study. This is the room in which Emerson wrote Nature. The table where he sat to write it is still there, next to the fireplace.

Standing in Emerson’s study, I thought about how no technology is as good as going to the place, whatever the destination. No book, no photograph, no television broadcast, no tweet, no meme, no augmented reality, no hologram, no AI-generated blueprint or fever dream can replace what we as humans experience. This is why you make the trip, you cross the ocean, you watch the sunset, you hear the crickets, you notice the phase of the moon. It is why you touch the arm of the person beside you as you laugh. And it is why you stand in awe at the Jardin des Plantes, floored by the universe as it reveals its hidden code to you."]]></description>
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<item rdf:about="https://jeppestricker.substack.com/p/the-slow-work-of-becoming">
    <title>The Slow Work of Becoming - by Jeppe Klitgaard Stricker</title>
    <dc:date>2026-06-05T09:35:25+00:00</dc:date>
    <link>https://jeppestricker.substack.com/p/the-slow-work-of-becoming</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["On Epistemological Sovereignty in an Age of Instant Information"

[via:
https://2ndbreakfast.audreywatters.com/at-what-cost/ ]

"Generative AI has caused a crisis in higher education, but I think we have largely misdiagnosed it. The conversation tends to focus on what students do with generative AI - whether they use it to cheat, whether they can evaluate its output, whether institutions can detect it - and how the technology affects critical thinking, this somewhat elusive term we often take for granted yet struggle to define.

These are important problems, but they also reveal how students arriving at our institutions have spent years inside an information environment that, largely unintentionally, undermines the kind of sustained, self-directed attention that education depends on.

Most students do not arrive at university having spent their formative years on JSTOR or with extensive online library resources. And even if they have, various social media apps will have been right by their side. Digital technologies, as a broad category, will have taught them that information should be fast, that uncertainty is a problem to be resolved immediately, and that anything requiring sustained effort is probably not worth the trouble.

The pedagogical problem here is not the internet, but something else. The issue is partly the instrumental logic institutions have fine-tuned over decades (I recently wrote about this here), partly that students carry the attentional habits formed in these environments into the domain of higher education - including, crucially, the seminar room, the library, and every encounter with ideas that rewards patience rather than speed.

The Attention Economy and the Borrowed Brain

A student cannot choose what counts as knowledge on their own. When they enter higher education, they enter conversations that have been going on for centuries, ones that carry accumulated judgments about what counts as evidence, argument, and truth.

However, the contemporary attention economy functions less like a collective intelligence and more like a cognitive environment that increasingly supplies ready-made opinions and judgments faster than individuals and certainly groups can form their own.

The consequences for education are serious, as what we might call epistemological sovereignty, or simply becoming, is not merely a personal achievement or judgement call. It is a collective responsibility, one that institutions, disciplines and academic communities have historically maintained on behalf of those entering the conversation. The attention economy erodes that responsibility. It answers the question of what matters before the student has had the chance to ask it, and it does so at a scale that no individual institution can easily counter alone.

Now, generative AI intensifies the problem considerably. In many ways it is the attention economy compressed into a single interface - sycophantically indifferent to whether the user is developing genuine understanding or merely obtaining a plausible output. I have previously written about the novice paradox: evaluating generative AI output well requires the very expertise students are still in the process of developing.

But there is a prior problem. Before students can even begin to evaluate what generative AI gives them, they need to have developed a sense of what they are looking for, and implicitly, what a good answer looks like. That prior formation of thought is precisely what the broader information environment has made harder to achieve. And it is precisely what universities exist to provide.

Becoming Equals Slow and Steady

There is a critical difference between having knowledge and becoming someone who knows. And the distance between them cannot be closed by more efficient information delivery, regardless of how that delivery is organised.

Becoming, in the sense that genuine education has always intended, is typically not very efficient. It requires motivation, time, failure, and space to think and develop. You do not develop judgment by acquiring answers, but by living through the process of arriving at them, getting them wrong, and trying again. This is hard work.

With the internet, and now especially generative AI, speed and availability are what these systems do best - and they have no inherent mechanism for valuing slower processes. The result is an optimisation trap: students learn to ask the questions these tools handle well, and gradually stop asking the ones they do not - narrowing rather than expanding their thinking, without quite noticing that this is happening.

This is a problem for individual students, and it is a problem for the institutions that are supposed to hold the line. Higher education should insist on the value of what takes longest to understand precisely because it takes a long time. Not every question deserves instant answers, and not every uncertainty needs to be closed immediately. Perhaps this is especially true in higher education: the capacity to remain productively uncertain, to hold a difficult question open long enough to actually think about it, is one of the things serious education, and research, are supposed to develop.

In an information environment that has evolved rapidly in recent years, universities must be able to retain a focus that the attention economy cannot offer: a higher resolution view of what is right here, human to human - the student in front of us, and the thesis idea that needs more than a moment to become clear.

This is not inefficiency.

It is the condition under which becoming is possible at all."]]></description>
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<item rdf:about="https://placesjournal.org/article/through-the-guts-plastic-forensics-bodies-of-water/">
    <title>Through the Guts</title>
    <dc:date>2026-06-04T07:58:42+00:00</dc:date>
    <link>https://placesjournal.org/article/through-the-guts-plastic-forensics-bodies-of-water/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What can plastic fragments found in an animal’s digestive tract tell us about the waters it has traversed?"]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=Vinqz2Fs0zA">
    <title>Detroit Music, Creativity, Capital, &amp; the Working Class with Hanif Abdurraqib - YouTube</title>
    <dc:date>2026-06-03T20:27:18+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=Vinqz2Fs0zA</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Hanif Abdurraqib returns to the show to talk about his new project, the video podcast 'Living For The City' with season one focused on Detroit. We'll talk about some of the dynamics Hanif examines in the new series, including how the working class has found time to make such globally influential music, how gentrification impacts artists and musicians, and more.

Living For the City:  https://www.youtube.com/channel/UCsjRzm4m1SLECMzBb96XQLA

As the podcast's description notes, "Before Detroit gave the world Motown, techno, and hip-hop, it gave the world something harder to name: a feeling that music made in basements and backrooms and borrowed spaces could become the soundtrack to an entire generation." 

"The full arc of how one city became the unlikely origin point for some of the most influential music ever made, told by the people who were actually there."

Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His bestselling and award-winning books include Go Ahead in the Rain: Notes to A Tribe Called Quest, They Can’t Kill Us Until They Kill Us, A Little Devil in America: In Praise of Black Performance, and There’s Always This Year: On Basketball and Ascension, and poetry collections A Fortune for your Disaster and The Crown Ain’t Worth Much."]]></description>
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<item rdf:about="https://shop.ayinpress.org/products/surviva-a-future-ancestral-field-guide">
    <title>SURVIVA: A Future Ancestral Field Guide – Ayin Press</title>
    <dc:date>2026-06-02T05:17:07+00:00</dc:date>
    <link>https://shop.ayinpress.org/products/surviva-a-future-ancestral-field-guide</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Winner of the 2026 PEN/Jean Stein Award

An ambitious, world-envisioning work of Indigenous futurism.

Since 2015—through a proliferation of forms including sculpture, regalia, film, photography, poetry, painting, and installation—acclaimed multimedia artist Cannupa Hanska Luger has been weaving together strands of a new myth. Collectively referred to as Future Ancestral Technologies, this sprawling series of interrelated works seeks to reimagine Indigenous life and culture in a postcolonial world where space exploration has reduced and reconfigured the earth’s population.

Part graphic novel, part art book, SURVIVA: A Future Ancestral Field Guide offers readers a view beneath, beyond, and between the lines of Luger’s ever-expanding artistic universe. In this ecstatically hybrid work, Luger transforms a 1970s military survival guide through poetic redaction, speculative fiction, and iterative line drawing—deftly surfacing and disrupting the colonial subconscious that haunts this vexed source text. An epic and timely meditation on planetary life in the midst of transformation, SURVIVA boldly presents an earth-based, demilitarized futuredream that foregrounds Indigenous knowledge as critical to humanity’s survival.

SURVIVA is the first title from Aora Books, a publishing imprint dedicated to exploring transformational thought and culture that transcends borders, disciplines, and traditions. Rooted in an ethos of polyvocality and planetary consciousness, Aora publishes works that forge bold connections across time, place, ideas, and beings often seen as separate.

About the Author

Cannupa Hanska Luger is a multidisciplinary artist who creates monumental installations, sculpture, and performance to communicate urgent stories of twenty-first-century Indigeneity. Born on the Standing Rock Reservation in North Dakota, Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is Mandan, Hidatsa, Arikara, and Lakota. Luger’s bold visual storytelling presents new ways of seeing our collective humanity while foregrounding an Indigenous worldview. His work is in numerous permanent museum collections and has been exhibited around the world, including at the Sharjah Biennial 16, United Arab Emirates; the 81st Whitney Biennial, New York; the 14th Shanghai Biennale; and at the National Gallery of Art in Washington, DC; the Metropolitan Museum of Art in New York; the Gardiner Museum in Toronto; and the National Center for Civil and Human Rights in Georgia. Luger has been awarded fellowships from the Guggenheim Memorial Foundation, United States Artists, Creative Capital, the Smithsonian Institution, the Open Society Foundation, and the Joan Mitchell Foundation, among others. Luger currently lives and works in Glorieta, NM.

Praise for SURVIVA

“Cannupa Hanska Luger has created a wondrous book of survivance, a story to carry in pocket and study at every opportunity. At once a dystopia (earth is near destroyed) and a postcolonial fantasy (the colonizers abandon the planet for good), SURVIVA is a work of artistic brilliance that draws our attention to the simultaneity of ruins and futures. Rich with dreampower and evocation, these pages illustrate the mysteries of space-time, the dissolution of boundaries, and the relational universe described by Indigenous quantum mechanics. Read carefully, SURVIVA has the power to bend time itself, lifting us from past and present into futures innumerable.”
—Philip J. Deloria, Leverett Saltonstall Professor of History at Harvard University and author of Playing Indian

“SURVIVA offers Indigenous wisdom for a shared future built on ancestral knowledge in radical relation. This is a survival guide like none other.”
—Candice Hopkins, curator of the Forge Project

“SURVIVA is not just another riff on a sci-fi depiction of some imagined future. Luger’s poetic and visual interventions are clear directives for all of us to ready our minds, bodies, and spirits as we continue to move through the future together.”
—Jeffrey Gibson, artist and editor of An Indigenous Present

“Cannupa Hanska Luger’s SURVIVA: A Future Ancestral Field Guide boldly reimagines our conceptions of time and history as it interweaves past, present, and future. This inventive work challenges our collective narratives, pushing us to rethink the art of survival through a lens of transformation.”
—Hank Willis Thomas, artist and cofounder of For Freedoms

“Cannupa Hanska Luger is a mad genius able to weave parables from tomorrow with lessons from yesterday into a stunningly prescient and wise field guide you should read right now. This is not a book. This is a time machine.”
—Jordan Klepper, The Daily Show, Comedy Central

“SURVIVA feels everlasting and also like it will self-destruct after you read it.”
—Sterlin Harjo, filmmaker, Reservation Dogs (Hulu/FX)

“A hybrid work from a plain 1970s field guide found in an army surplus store, Luger transforms the book through unexpected redacting, speculative fiction, and informative and artistic line drawing.”
—Sandra Hale Schulman, ICT News

“Interdisciplinary Native American artist Luger delivers a daring work of speculative fiction set in a future in which the wealthy and non-Indigenous have fled the Earth they ravaged.”
—Publishers Weekly

“*SURVIVA *****provides text with new and old Indigenous lessons intermingled, while time is wonky and permeable, and the world must be rebirthed, or re-membered in a postcolonial way. This is a message from both our future and past ancestors. The thread is one and the same.”
—Soph Myers-Kelley, Graphic Medicine

Book Details
160 pages | Paperback | 8.3 x 5.4 in. | ISBN: 9781961814264 | e-ISBN: 9781961814271
Publication date: September 2nd, 2025

Product Photography by Jackson Krule"

[via: 

"Red Power Hour - Learning what we already know - YouTube"
https://www.youtube.com/watch?v=K9LiED_5Rj8

"RPH is back! Co-hosts Elena Ortiz and Melanie Yazzie discuss Cannupa Hanska Luger's Surviva: A Future Ancestral Field Guide (2025), a hybrid art piece/survival manual exploring indigenous futurism, decolonization, and relationality through redacted military text and Indigenous artwork." ]]]></description>
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    <link>https://www.youtube.com/watch?v=K9LiED_5Rj8</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["RPH is back! Co-hosts Elena Ortiz and Melanie Yazzie discuss Cannupa Hanska Luger's Surviva: A Future Ancestral Field Guide (2025),  a hybrid art piece/survival manual exploring indigenous futurism, decolonization, and relationality through redacted military text and Indigenous artwork."

[book link:
https://shop.ayinpress.org/products/surviva-a-future-ancestral-field-guide ]]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=cJGLmI-rEzE">
    <title>Global Thinkers: On the Equality of All Things | Carlo Rovelli - YouTube</title>
    <dc:date>2026-05-28T08:19:34+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=cJGLmI-rEzE</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["On May 14, 2026, the Berggruen Global Thinkers Series presented the lecture “On the Equality of All Things” held at Peking University’s Centennial Memorial Hall. The lecture was delivered by the renowned theoretical physicist Carlo Rovelli, who drew from his upcoming book under the same name (On the Equality of All Things, 齊物論) following the famed Zhuangzi chapter. The Berggruen Center’s Academic Advisory Council Co-Chair Roger Ames hosted the event. 

Rovelli contends that contemporary physics—particularly quantum mechanics and general relativity—compels us to undertake a profound revision of our understanding of reality, one with far-reaching philosophical implications. These theories encourage a view of the world as constituted by processes and relations, rather than by entities possessing independent existence; they challenge metaphysical dichotomies such as subject/object, matter/spirit, and living/non-living; and they invite us to abandon the notion of any ultimate or privileged foundation. In this respect, Eastern classical thinkers such as Nagarjuna and Zhuangzi, together with strands of Western philosophy, offer conceptual frameworks that resonate with and help illuminate these recent developments in our understanding of the world."]]></description>
<dc:subject>carlorovelli 2026 physics quantumphysics quantummechanics generalrelativity reality philosophy nagarjuna zhuangzi metaphysics newtonianphysics velocity relativity wittgenstein perspective perspectivism uncertainty naturalism circularity universalism morality knowledge language verification verificationalism observation measurement quantumtheory</dc:subject>
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<item rdf:about="https://pmic2026.wordpress.com/submissions/">
    <title>Submissions – Performativity(ies) of Memory(ies) Interdisciplinary Conference 2026</title>
    <dc:date>2026-05-23T05:15:56+00:00</dc:date>
    <link>https://pmic2026.wordpress.com/submissions/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Recommended topics:

• Shared memory of experiences and knowledge
• Participatory research and practice as testimony of (the) memory
• Community-generated memory and political identity(ies)
• Representation of memory and practice-as-research
• Processes of re-creation/re-contextualization
• Identity, narrative(s) and memory sharing
• Artificial and digital memory
• From “stock memory” to “flux memory”
• Memory and the irruption of the Real]]></description>
<dc:subject>memory knowledge 2026 sharedmemory participatory research identity narrative</dc:subject>
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<item rdf:about="https://www.frontporchrepublic.com/2026/05/is-there-room-for-enmity-in-the-a-i-classroom/">
    <title>Is There Room for Enmity in the A.I. Classroom? - Front Porch Republic</title>
    <dc:date>2026-05-22T08:21:03+00:00</dc:date>
    <link>https://www.frontporchrepublic.com/2026/05/is-there-room-for-enmity-in-the-a-i-classroom/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["By heightening emotion, hatred deepens the personhood of both teachers and students."

...

"Over the past year, the deployment of Large Language Models (LLMs) in high school and college classrooms has called into question the uniquely human elements of teaching. What can a flesh-and-blood instructor offer that a well-tuned machine cannot?

One naturally thinks of affirmation and love, of the teacher as a moral exemplar and a trusted advisor, which are roles that disembodied algorithms can at best counterfeit.

Less obvious is the student’s need for hatred.

Theorists have long recognized that opposition drives identity-formation. As Walter Ong puts it, an individual’s sense of self comes from the knowledge “that something else is not me and is (in some measure) set against me.” We often associate eye-rolling, scorn, spite, and defiance with middle-schoolers, but the same reactions remain important (if more subtly expressed) through all levels of education. Schooling is a protracted struggle, and students learn their lessons in part from feelings of revulsion and revolt.

Alarmed by the sycophancy that LLMs employ and the intellectual laziness that they allow, critics have begun to use similar language, exhorting students to “normalize struggle,” seek out “friction” or “disagreement,” and “grapple with A.I.” Professor Marc Watkins advises his students to

<blockquote>choose courses that will challenge you, even unsettle you. Don’t accept being coddled. When you choose to engage in debates, please have the intellectual curiosity to explore the topic in depth, have the intellectual honesty to recognize the merits of arguments of the opposing side, admit to the weaknesses in your own viewpoint, and have the intellectual humility to admit when you don’t know and wish to learn more.</blockquote>

Sound advice, but woefully incomplete in the current context.

LLMs are already capable of exploring topics and weighing arguments with students, not to mention structuring personal goals and offering encouragement. (“Let’s dive in!”) Thus, Watkins’s vision of “struggle,” construed as a matter of personal choice and individual self-improvement, is easily reconciled with the quantification and benchmarks of artificial intelligence.

Loathing (like love) operates quite differently, creating meaning through human relationships, in which willfulness, idiosyncrasy, and feelings preclude quantification or smooth standardization. By heightening emotion, hatred deepens the personhood of both teachers and students.

Of course, feelings of hatred spring from many sources and encompass many shades of meaning. Some students nurse petty grudges to avoid responsibility for their own wrongdoing. Others perceive condescension from their teachers and repay it in kind. Some rankle at teachers with strong personalities and worldviews. Others feel the stirring of metaphysical revolt, objecting to the very existence of injustice, suffering, and constraint in the classroom or the world at large.

Uniting all these types of hatred are their mimetic effects on the student. Strong feelings bind the individual to the object of disdain, whose attributes he internalizes and mirrors (if only in negation). Thus, every type of hatred is educational insofar as it holds the student’s attention and shapes his character.

The trouble is that not all these lessons are equally educational or necessarily salutary. To set oneself against another can spur achievement (as in athletic rivalries) but, if one is not careful, it can also lead to what the philosopher Friedrich Nietzsche calls ressentiment: an unworthy type of envy, insecurity, and conformity that debases the individual as it tears others down. That is why Nietzsche urges students to choose their enemies carefully, noting that “the most spiritual human beings” will test themselves only against life’s “most formidable weapons.”

One need not agree with every aspect of Nietzsche’s philosophy to grant the point. We all need someone to pitch our deepest aspirations against, someone we can both respect and pointedly reject as we chart our own course. It is in this sense that “the man of knowledge must be able not only to love his enemies but also to hate his friends,” Nietzsche writes. “One repays a teacher badly if one remains only a pupil.”

To help students strive toward selfhood, the teacher must embody authority—not only communicating information but personifying standards of wisdom, taste, and morals—and must do so knowing that pupils will chafe not only at the lessons but at the teacher herself. Yet, she cannot simply play the foil, pull punches, or abdicate responsibility for the struggle. To become the bearer of student hatred—to stand as an obstacle for the next generation to overcome—is a tragic aspect of teaching, but there is nothing to do but to press on in sincerity and faith.

Unfortunately, both the rhetoric and reality of teachers’ authority have been in decline for a long time. By bifurcating knowledge and value, LLMs now threaten to dissolve this authority entirely. The teacher can no longer be the master of content or technique, while the algorithm cannot embody truth, culture, or human excellence. LLMs already provide students with detailed (sometimes problematic) feedback, but as Abeba Birhane points out, “There is nothing at stake for a generative AI model. It cannot feel a sense of loss, embarrassment, accomplishment or care towards a student, as human teachers do.” An algorithm cannot feel the pangs of doubt or resolve, and for the same reason it cannot elicit existential scorn or hatred. Students know that a machine’s praise or censure rings hollow. They cannot define themselves in opposition to an LLM, and why should they want to?

In Being and Time (1927), Martin Heidegger argues that the modern individual (Dasein) “stands in subjection to Others.” Worse, they are not even “definite Others” but an anonymous amalgam of social conventions: a “dictatorship of the ‘they.’” It is hard to read Heidegger’s diagnosis without thinking about LLMs. In today’s world, he writes, anonymous authority

<blockquote>prescribes what can and may be ventured, it keeps watch over everything exceptional that thrusts itself to the fore. Every kind of priority gets noiselessly suppressed. Overnight, everything that is primordial gets glossed over as something that has long been well known. Everything gained by a struggle becomes just something to be manipulated. Every secret loses its force. This case of averageness reveals in turn an essential tendency … which we call the ‘levelling down’ of all possibilities of Being…. The ‘they’ is there alongside everywhere, but in such a manner that it has always stolen away whenever Dasein presses for a decision. Yet because the ‘they’ presents every judgment and decision as its own, it deprives the particular Dasein of its answerability.</blockquote>

LLMs stifle self-realization because, while they seem ubiquitous and almost omniscient, they also deprive students of any answerable or embodied authority, trapping them instead in a web of probability, generalization, and disembodied “expertise.” Subjection is in some ways intrinsic to education, part of a broader project of discipline and formation, but it must be experienced concretely, in relationship to “definite Others.”

Hannah Arendt warns that as technology expands, it becomes less likely “that man will encounter anything in the world around him that is not man-made and hence is not, in the last analysis, he himself in a different disguise.” Drawing from Heidegger, she underscores the danger of this eerie echo chamber. It is only through encounters with reality (not artificiality) that one becomes truly human. Consciousness begins not in the familiarity and sameness of one’s own mind but in confrontation with an unpredictable, inflexible entity outside the self—whether Nature, God, or (for our purposes) a recalcitrant teacher.

LLMs merely masquerade as the Other. Aggregated and amorphous, designed for fluidity and user satisfaction, they are artificial in the fullest sense of the word. When students engage with an LLM, they are literally talking to no one. How much classroom time should be occupied with such activities? What lessons should they replace?

However one responds to those questions, the answers have nothing to do with processing speed, safety guardrails, or other technical matters. They are fundamentally questions about how we conceive of humanity and whether we are committed to its formation and perpetuation. If we hope to prevent “cognitive atrophy” in our students, if we hope to awaken them to existential meaning, we have to invest in teachers worthy of their attention, their respect, and, sometimes, their hate."]]></description>
<dc:subject>campbellfrankscribner 2026 ai artificialintelligence teaching howweteach education llms affirmation love morality walterong idenitity opposition friction disagreement marcwatkins loathing humility nietzche ressentiment envy insecurity conformity authority selfhood identity wisdom taste morals sincerity faith algorithms loss embarrassment heidegger others self-realization probability generalization disembodiment discipline formation nature god cognitiveatrophy answerability dasein perspective viewpoint struggle learning howwelearn injustice suffering hate constraint negation humanity humanism cognition hannaharendt consciousness abebabirhane aisycophancy self knowledge schooling humandevelopment revolt revulsion</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=_sY2bvKrW_M">
    <title>How Physics is Like Poetry with Chanda Prescod-Weinstein - YouTube</title>
    <dc:date>2026-05-07T04:25:48+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=_sY2bvKrW_M</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["When the world gets to be too much, contemplating the endless wonder and beauty of the cosmos can be a huge relief. After all, we’re insignificant in the grand scale of space and time. But cosmic thinking can also teach us so much about ourselves. This week, Adam sits with Chanda Prescod-Weinstein, professor of physics and faculty member in women’s and gender studies at the University of New Hampshire, to talk about the truths we uncover about ourselves when we search for the truths of the universe. Find Chanda’s new book, The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie"]]></description>
<dc:subject>chandaprescod-weinstein 2026 adamconover physics science cosmos poetry space time interdisciplinary transdisiplinary multidisciplinary truth universe quantumphsyics quantummechanics cosmology scale zoominginandout perspective curiosity bigquestions philosophy race racism patriarchy racescience isaacnewton newtonianphysics bellhooks margins storytelling faradabhoiwala freespeech freedomofspeech capitalism robertfrost margaretprescod nikkigiovanni kant natashatrethewey jerichobrown relativity alberteinstein theoryofrelativity humanity humanities spacetime politics neutrinos bananas nuclearphysics motion astrophysics education society knowledge manhattanproject darpa annfinkbeiner particlephysics nasa technology art arts stephenhawking gravity translation language communication colonialism slavery francisbacon data scientificmethod empiricism history intelligentdesign metaphor craft writing howwwrite wokeness wokestudies liberalarts missyelliot jackierobinson startrek authoritarianism queerness gender genderstud</dc:subject>
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<item rdf:about="https://thebeautifultruth.org/life/psychology/iain-mcgilchrist-brains-hemispheres/">
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    <dc:date>2026-05-05T18:00:34+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["Can we re-enchant our view of the world by re-engaging a ‘right hemispheric’ view of life, love and faith?"

[via Mo Bitar:
https://www.youtube.com/watch?v=h9dgeM_KuB8 ]]]></description>
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<item rdf:about="https://www.tandfonline.com/toc/crde20/30/4?nav=tocList">
    <title>Research in Drama Education: The Journal of Applied Theatre and Performance: Vol 30, No 4</title>
    <dc:date>2026-04-14T04:55:29+00:00</dc:date>
    <link>https://www.tandfonline.com/toc/crde20/30/4?nav=tocList</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["[Introduction] Walking as applied critical practices: methodologies, pedagogies, and performances
Deirdre Heddon, Stephanie Springgay & Harry Wilson

<blockquote>The dynamic relationships between walking, performance and performativity are long-standing, from psychogeographic drifts which trace capitalism's appropriations and productions of place, to protest marches which mobilize demands for justice; from ceremonial walks as memorialisations of place, to (mis)guided tours which rewrite partial histories; from attentive walking as ways of knowing and feeling differently, to technologically-enhanced walking performances that take the city as their stage. Across a number of years, Research in Drama Education has published a wide range of essays which focus on walking. Given the increasing visibility of walking as a field of practice and the vitality of interdisciplinary scholarship which centres walking, a dedicated edition on the subject felt overdue. As the pieces shared in this edition demonstrate, walking as a mobile, situated and relational method of applied critical practice harbours exploration, criticality, and activism.</blockquote>

Walking and writing as praxes of belonging: stories of gentrification and migration from Toronto’s urban quotidian
Christine Balt

Encountering Olympic landscapes: walking as a pedagogic tool in Stratford, London
Clare Qualmann & Blake Morris

[Multimedia Article] ‘A mind’s eye view’: remote, collaborative walking as a critical spatial practice
Deirdre Macleod

Walking-with a 6-year-old and a smartphone: locative AR, counter-mapping and the productive disruptions of intergenerational collaboration in Placing Spaces
Harry Robert Wilson

In someone else’s steps: walking, listening and the ethics of encounter
Olivia Lamont Bishop

Walk as performative cartography: mapping Delhi’s erased histories through Janam’s street performances
Priyanka Pathak

‘Space is weird…’: contemplative-drifting with student archives as place-based-pedagogy
Steve Donnelly

Walking through knowledge: contextual research strategies in Ga Mashie
Philip Kwame Boafo

Pedestrian theatre as critical urban historiography: the National Theatre of Greece’s Topography of Death or Lest We Forget
Daniel Dilliplane

Moving mourning: an analysis of the Grenfell Memorial Silent Walk and its re-enactment
Linda Taylor & Eve Wedderburn

Littoral futures: walking Freshwater Brook
Robert Bean & Barbara Lounder

*Is this the end of the world or am I just beginning?* Walking-scenographic methods for encountering bodies and landscapes in transition
Nic Farr

‘Peel Park Shimmering’: revealing the paleoecological past and multi-species present of a city park through sound walking practice
Joanne Scott

Wandering through sonic territories in Aotearoa
Becca Wood

Walking under dark-skies: sensing spaces of inclusion in national parks
Claire Hind & Jenny Hall

‘Every time we walk, it is a pride march!’ A conversation on the everyday politics of queer walking
Erdem Avşar & Özgül Akıncı

How do you participate in a garden when you are not the gardener? Enacting and facilitating walking and embodied, sensory practices within a hospice garden with patients receiving palliative care
Steven Anderson & Laura Bradshaw

Let’s walk! Worcestershire: how process drama and mobile technologies create pathways for learning disabled, autistic and neurodiverse walkers
Kris Darby & Paul Sutton

Walking after Kim Jones and Papo Colo
Didier Morelli

[Poetry] Walking/not-walking
Idit Nathan & Helen Stratford"]]></description>
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<item rdf:about="https://nautil.us/theres-no-homunculus-in-our-brain-who-guides-us-237709">
    <title>There’s No Homunculus In Our Brain Who Guides Us - Nautilus</title>
    <dc:date>2026-04-11T05:49:34+00:00</dc:date>
    <link>https://nautil.us/theres-no-homunculus-in-our-brain-who-guides-us-237709</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Why the cognitive-map theory is misguided."

...

"In the early 1980s, the psychologist Harry Heft put a 16 mm camera in the back of a sports car and made a movie. It consisted of a continuous shot of a residential neighborhood in Granville, Ohio, where Heft was a professor at Denison University. It didn’t have a plot or actors, but it did have a simple narrative: The car started moving at 5 miles per hour and made nine turns from one street to another and then came to a stop after traveling just under a mile. Heft then edited the film into two different movies. One showed just the vistas along the route, the expansive layout of environmental features, such as a group of houses or trees seen from a distance. The second film showed the transitions of the route, the parts between each vista where the view is occluded by, say, a turn in the road or the crest of a hill. He asked the study’s participants to watch either of the films and then brought them in person to the start of the route. Who would be able to find their way to the end? Were vistas or transitions more important to the process of what he called wayfinding, a form of navigation based on the perception of temporally structured visual information?1

At the time, the dominant theory in psychology for how people find their way was the cognitive map, which posits that humans and many animals create representations of the environment in the brain that they use to navigate the world. These representations are thought to be “allocentric,” meaning they are independent of an individual’s “egocentric” point of view and show the spatial relationship of objects and landmarks to one other, allowing people to create novel shortcuts. Heft wasn’t sure what the results would be but he was sure that however the study’s participants found their way, they weren’t using cognitive maps. “I don’t think there is such a thing as a cognitive map,” Heft told me in 2017. “Cognitive maps are products of what we know of the layout of the environment. But they are not the basis of our knowledge.”

The cognitive-map theory has inspired decades of experiments and become a ubiquitous and widely used concept. Edward Tolman, a professor at the University of California, Berkeley, introduced the concept in a famous 1948 paper “Cognitive Maps of Rats and Men.” Three decades later, the neuroscientist John O’Keefe tried to put an electrode in the amygdala of a rat but inserted it instead into the hippocampus, the bilateral brain region deep in the temporal lobe, critical to memory formation. O’Keefe’s instrument began recording the firing pattern of a single cell that strangely seemed to correspond to the rat’s physical location in space. For O’Keefe, these “place” cells were evidence that the hippocampus was the site of Tolman’s cognitive map.

But the cognitive map has also been called the theory that refuses to die. The idea that there is an innate geometric representation of the environment in our brains has dissenters in brain science, anthropology, and psychology. As the neuroscientist Richard Morris points out in The Hippocampus Book, maps are things that people look at to extract information. “Adopting this term for the neural activity of a region of the brain seems to carry with it the mental baggage that there must be some cryptic homunculus that is ‘looking at’ the map to do likewise,” he wrote.2 There is no mechanistic explanation of how humans extract information from this map but because the map is such an easily understood concept, it lives on as a “beguiling metaphor.”
WAYFARER: Anthropologist Tim Ingold dismisses the idea that our brains contain maps that orient us in the space around us. Rather, he attests, we are wayfarers whose knowledge of the world is “forged in movement.”Dmitry Molchanov / Shutterstock

Heft’s film experiment led to interesting results. People who only watched the film of the route’s vistas had the worst navigational accuracy. Those participants who viewed the film of transitions had the highest, greater than even those who viewed the movie of the entire route. Heft concluded that sequences of transitions are incredibly valuable for learning a route. But his subsequent experiments showed that time was also crucial for absorbing this information. If participants merely saw still images of the transitions, rather than watching the film moving through space, their ability to walk the route decreased. Heft began to see the process of wayfinding as a kind of reciprocal interaction between the perceiver and environmental structure, a continuous loop of perceiving and acting across time.

For Heft, the dominance of the cognitive-map theory has prevented a deeper understanding of human navigation. His own interest in the subject goes back to the 1970s when he read a book called The Senses Considered as Perceptual Systems. Written by the psychologist James Gibson, the book argued that humans could directly perceive the world through ecological information rather than assemble our sensory inputs into mental representations. The book was a revelation for Heft, who wrote to Gibson and asked if he could informally study under him at Cornell University. Gibson said yes. At the time, Gibson was working on a new book, The Ecological Approach to Visual Perception, in which he talked about wayfinding and how it consists of a sequence of transitions—the stretches of connected sequences over time—that connect vistas.

    Our ability to formulate cognitive maps arises from our constant exposure to actual maps, starting as kids.

The theory of wayfinding doesn’t negate the idea that most people can generate and use a mental map to get from A to B. Gibson believed that by following paths, the navigator can perceive the overall structure of the environment. But he thought that “it is not so much having a bird’s eye view of the terrain as it is being everywhere at once,” a somewhat mysterious concept that seems to indicate we can transport ourselves mentally to any starting point in the environment and create a novel route to where we want to go.3

But culture more than biology may explain how easily we can create map-like representations of space in our heads. Maps, Heft points out, are a cultural invention with a specific sociocultural history in Western traditions. He asks, “Is there something characteristic about Western cultural history that might have recently led to our taking Euclidean reasoning … as springing from our biological nature?” Heft points to the spread of coordinate mapping in the 14th century, inspired by the Greek mathematician Claudius Ptolemy’s Geographia, an atlas containing geographical coordinates for the Roman Empire and the world. This coincided with the invention of three-dimensional “Cartesian” space in the 17th century, the idea that space is not hierarchical (heaven, earth, hell) but can be divided into a stable, geometric planes. In the west, these two cultural developments led to an explosion in mapping, often in the service of exploration and colonization. And, it may also have conditioned people’s cognition in favor of allocentric representations of space.

“By merging these two lines of sociocultural history—map making and conceptions of space—our cultural tradition is provided with a very powerful way of thinking about environments for navigational purposes,” Heft wrote. “What results is an abstract framework that, among other things, makes it possible to adopt a point of view that is not normally attainable for a terrestrial organism, namely, a view of the earth’s surface as seen from ‘above,’ as if it were a cartographic map.”4

Today, our ability to formulate cognitive maps may have much to do with our constant exposure to actual maps starting as young children and throughout our daily lives. Just as maps are a navigational tool favored by our map-saturated culture, they have also become a conceptual model for understanding navigation and cognition, the reason why Tolman and so many others reached to the map metaphor for understanding how we find our way.

The cognitive-map theory prioritizes spatial knowledge whereas the idea of wayfinding emphasizes the temporal dimension of human experience. The anthropologist Tim Ingold, a professor of anthropology at the University of Aberdeen in Scotland, has said that there is no such thing as the cognitive map. Ingold’s and others’ explanation for how people navigate has been called the “practical-mastery theory,” which posits that navigation is a process of memorizing routes encoded in temporally organized sequences. For this reason, Ingold and others often emphasize the metaphor of listening to a piece of music, humming a tune, or a performance for navigating. Additionally, Ingold argues that what he calls “wayfaring,” the movement of terrestrial beings through the world along paths of travel, knowing as they go rather than before they go, is the more apt description of navigating. The term “space” itself, says Ingold, fails to accurately capture the realities of life and human experience. Instead, he writes, we are organisms inhabiting environments whose knowledge of the world is “forged in movement.” It’s us that bring places into being, rather than places existing in the abstract and empty notion of “space.”5

    The dominance of the cognitive-map theory has prevented a deeper understanding of human navigation.

Some skeptics of the cognitive-map theory came not from psychology or anthropology but from neuroscience. Howard Eichenbaum, a professor at Boston University until his untimely death in 2017, was a neuroscientist who studied the hippocampus and its function recording events for episodic memory, the remembrance of events from the past.6 He argued that the hippocampus functioned more in concert with time than space. He saw navigation as a memory task, involving the recording of sequences and events in time rather than computing relationships in Euclidean space. His experiments looking at the activity of hippocampal cells led him to think these cells “mapped” other dimensions of human experience. “Spatial cognition need not be Euclidean or linear,” he told me before he passed. “In children, it is very non-linear, they leave out stuff, expand spaces, do crazy stuff.” According to him, the evidence pointed to the idea that the hippocampus wasn’t a specialized spatial structure but had the ability to organize things in a temporal dimension and also “social space” or “musical space.” “It’s constructing spaces and navigating spaces that are not geographic space,” he said. “And that to me proves the generality of the hippocampus. The more I can show you, the less tenable the hippocampus as cognitive-map theory becomes.”

As our understanding of human cognition and particularly the hippocampus broadens, perhaps we’ll need to reach for new, unexpected metaphors to understand how we move through the world. The scholar Ruth Dalton and her co-authors recently wrote in Frontiers in Psychology that wayfinding draws upon many types of cognitive functions, but that it is also a social activity that involves collaboration between people, people-as-cues, symbolic artifacts, and communication.7 In Dalton’s analysis of all the ways that people influence one another’s wayfinding processes, she found that “these contributions are extensive and intricate in nature, and that their oversight thus far has distorted our understanding of wayfinding processes.”

Reaching beyond the cognitive map metaphor opens up new possibilities and ways of thinking about our direct experience. The next time you need to get somewhere, ignore the metaphor of a map in your head. Perhaps you’ll notice the ways that memory, perception, community, imagination, language, reasoning, decision-making, and emotion work together to get to your destination or back home. Maybe you’ll find that wayfinding leads to deep attachments between you and the environment you inhabit.

M.R. O’Connor is the author of Wayfinding: The Science and Mystery of How Humans Navigate the World, from which portions of this article are adapted. Her reporting has appeared in The New Yorker, The Washington Post, and UnDark, among others.

References

1. Heft, H. Way-finding as the perception of information over time. Population and Environment 6, 133–150 (1983); Heft, H. The role of environmental features in route-learning: Two exploratory studies of way-finding. Journal of Nonverbal Behavior 3, 172–185 (1979).

2. Andersen, P., Morris, R., Amaral, D., Bliss, T., & O’Keefe, J. (Eds.) The Hippocampus Book Oxford University Press (2007).

3. Heft H. The Ecological Approach to Navigation: A Gibsonian Perspective. In: Portugali J. (Ed.) The Construction of Cognitive Maps The GeoJournal Library, vol 32. Springer, Dordrecht (1996).

4. Heft, H. Environment, cognition, and culture: Reconsidering the cognitive map. Journal of Environmental Psychology 33, 14-25 (2013).

5. Ingold, T. Against space: place, movement, knowledge. In Kirby, P.W. (Ed.), Boundless Worlds: An Anthropological Approach to Movement Berghahn Books, Oxford, United Kingdom (2009).

6. Eichenbaum H. On the integration of space, time, and memory. Neuron 95, 1007–1018 (2017).

7. Dalton, R.C., Hölscher, C., & Montello, D.R. Wayfinding as a social activity. Frontiers in Psychology 10, 142 (2019).

8. Istomin, K.V. & Dwyer, M.J. Finding the way: A critical discussion of anthropological theories of human spatial orientation with reference to reindeer herders of Northeastern Europe and Western Siberia. Current Anthropology 50, 29-49 (2009)."]]></description>
<dc:subject>mro'connor 2020 brain maps mapping cognitivemaps harryheft psychology knowledge environment hippocampus anthropology science navigation jamesgibson perception claudiusptolemy ptolemy timingold neuroscience howardeichenbaum ruthdalton memory community imagination language reasoning decisionmaking emotion place</dc:subject>
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<item rdf:about="https://www.nybooks.com/articles/2021/07/01/wayfinding-landscapes-inside-us/">
    <title>The Landscapes Inside Us | Robert Macfarlane | The New York Review of Books</title>
    <dc:date>2026-04-11T05:39:08+00:00</dc:date>
    <link>https://www.nybooks.com/articles/2021/07/01/wayfinding-landscapes-inside-us/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Our navigational ability as a species is closely connected to our ability to tell stories about ourselves that unfold both backward and forward in time."

[archived: https://archive.ph/RIvgM ]

"Reviewed:

Wayfinding: The Science and Mystery of How Humans Navigate the World, by M.R. O’Connor
St. Martin’s, 354 pp., $29.99

From Here to There: The Art and Science of Finding and Losing Our Way, by Michael Bond
Belknap Press/ Harvard University Press, 288 pp., $29.95; $17.95 (paper; to be published in August)

Nature Shock: Getting Lost in America, by Jon T. Coleman
Yale University Press, 329 pp., $30.00

It is a little-known fact that limpets are brilliant navigators. Renowned for their ability to hold fast, they are surprisingly mobile. When submerged by the incoming tide, limpets set out on a slow journey across the intertidal boulders of their habitat. They move using a single muscular foot, rather as snails do, and deploy a rough tongue-like organ, known as a radula, to scrape the algae and young seaweed they consume off the rock surface. Once they have finished a foraging journey, each of these eyeless monopods then navigates back across the boulder to its “home,” a site on the boulder’s surface where it has rotated its shell back and forth repeatedly, such that it has incised an outline of itself into the rock. There it securely settles into its groove, ready to endure another cycle of hammering waves and pecking gulls.

Animal navigation is rich with such miracles and puzzles. “The greatest migration on earth belongs to the Arctic tern,” M.R. O’Connor writes in Wayfinding, “a four-ounce argonaut that travels each year from Greenland to Antarctica and back again, a distance of some forty-four thousand miles.” Meanwhile, every twenty-four hours, billions of tons of biomass in the form of plankton undertake what O’Connor calls “an intentional vertical migration, rising to the surface of the ocean at twilight and descending at sunrise.” Bees, O’Connor notes, will meander out on long nectar-hunting trips, moving haphazardly from bloom to bloom, but when their work is done they will fly the shortest route possible back to the hive: the “beeline.” This remarkable spatial calculation is achieved despite bees being almost blind by human standards and having brains that weigh less than a milligram and contain fewer than a million neurons. Back at the hive they engage in what is known as the “waggle dance,” which appears to be a choreographic means of communicating complex wayfinding information to fellow bees.

The science of creaturely navigation is a contested research area, but as O’Connor reports, it is widely thought that many animals have what is called a “bio-compass” that allows them to use the Earth’s magnetic field to find their way. Magnetite has been found in the brains of mole rats, the upper beaks of homing pigeons, and the olfactory cells of rainbow trout. Live carp floating in tubs at fish markets tend to align themselves along a north–south axis. Red foxes mostly pounce on mice in a northeasterly direction. Dog owners, take note: your dog may well swing round to face north–south when it crouches to relieve itself.

Humans don’t possess inbuilt bio-compasses, but we do have something arguably more powerful: storytelling. Our remarkable navigational ability as a species is closely connected to our ability to tell stories about ourselves that unfold both backward and forward in time. For some evolutionary psychologists, this capacity for “autonoeisis”—what O’Connor describes as “the capacity to be aware of one’s own existence as an entity in time”—is what made us such good hunters. Faced with the tracks left by a prey animal, early humans were able to imagine beyond the immediately visible, reading those signs for what they might foretell as well as what they recorded: *This deer’s prints show it to be wounded…We are driving this herd of bison into a box canyon, where they will be trapped…*We excelled at tracking because we could generate what Michael Bond, in From Here to There: The Art and Science of Finding and Losing Our Way, calls “mental representations of the outside world that we can use to get around and orientate ourselves.”

“If we opened people up, we would find landscapes,” Agnès Varda observes in The Beaches of Agnès (2008), the autobiographical film she made when she was about to turn eighty, which tells a version of her life through the places she loved, among them the River Seine and the Belgian coastline. As metaphor, this is a gothic proposition: that we internalize certain terrains so fully they become part of us, visible to others only when the surgeon’s scalpel or the pathologist’s bone-saw begins its excavatory work. As physiology, it seems nonsense. Over the past half-century, however, neuroscientists have made a series of remarkable discoveries about the ways human brains perceive, process, and store our passage through space.

In 1971, Bond writes, John O’Keefe and Jonathan Dostrovsky isolated a new type of nerve cell in the brains of rats. These “place cells”—found in and around the hippocampus, the seahorse-shaped structure that sits deep in the temporal lobe of the vertebrate brain—seemed to be sensitive to where a rat was in its environment, and to be activated in certain locations or when facing in a particular direction. Further research identified different types of place cells, each with a specialty. There are “head-direction cells” that detect which way you’re facing, for instance, and “boundary cells” that spark up when you are a certain distance from a wall or an edge, like the warning sensors that beep when you’re about to reverse your car into a fire hydrant.

It is now thought that the human hippocampus—which also contains place cells—not only responds in real time to external cues, such as landmarks or thresholds, but also creates and stores cognitive maps of places and routes between them, thereby enabling navigation as well as orientation. Memory is deeply and mysteriously involved in this work; these cognitive maps are able to retain feelings of recognition and association, and are retrievable even when one is not in the place where they were originally made. This is what prevents us from having to renavigate familiar places, guessing our way from kitchen to lounge each time we make that brief journey in our own homes. This is what allows me, during sleepless nights, to mind-walk my way along a chain of remembered paths from the foothills to the fell-top of a given mountain in the Lake District.

Both Bond and O’Connor trace the art of navigation back to the first human wayfinders, those groups of hunter-gatherer Homo sapiens who migrated out of Africa perhaps as long as 270,000 years ago, gradually spreading to live on every continent on the planet—as well as at sea and in space—adapting to new environments as they went, and over millennia developing sophisticated means of wayfinding in such disorienting environments as tundra, desert, ice cap, and ocean. “For the majority of our species’ existence,” notes O’Connor, “we traversed the earth using the landscape itself as a guide.” “We are explorers to the bone,” writes Bond, “and our spatial abilities—which, believe it or not, we still possess, despite our modern dependency on GPS—are fundamental to what makes us human.”

We might pause here on the grounds that any overarching proposition about “what it means to be human” is likely to be problematic. We will also want to know exactly what is meant by “wayfinding.” O’Connor characterizes it as a “science,” Bond calls it an “art,” and both of them celebrate it as the use, as O’Connor puts it, of “experience, habit, exploration, paper maps, signage, word of mouth, and trial and error to find [one’s] way around.” Wayfinding, she writes, is “an activity capable of engaging with and attending to places and nourishing relationships and attachments to them,” and among its benefits are enhanced sociality and good hippocampal health. It is definitely not—in the opinion of these writers—the deputation of navigational intelligence to a handheld device, such that one stumbles the streets in a zombied stupor, head inclined in compliance with the blue dot and a sotto martinet voice, causing Jane Jacobs’s famous “sidewalk ballet” to morph into something more like “sidewalk dodgems”: the collisions and confusions of urban walkers whose attention is, as O’Connor puts it, “seduced downward to our devices and inward to individualness.”

One of the many strengths of O’Connor’s book is its respectful attention to traditional methods of wayfinding. In the course of her research, she traveled to the Arctic, Australia, and the Pacific islands: three regions where traditional wayfaring and navigational skills are still practiced or are being reinvigorated as part of a broader cultural decolonization process. Colonial cartography—which reached its nineteenth-century apex in the British Raj’s “Grand Trigonometrical Survey” of India—tries “to chart and map unknown territory,” in O’Connor’s phrase, annexing new domains into a preexisting gridwork and assigning new place-names in a drive for standardization, like the Anglicization of Irish place-names by nineteenth-century Ordnance Survey officers, so memorably dramatized in Brian Friel’s play Translations (1980).

Indigenous navigators, by contrast, tend to develop terrain-specific techniques that are highly attuned to local indicators, and that use multiple modes and media (storytelling, written or drawn maps, weather signs) to create sophisticated compound systems for moving safely and well between places, often in harsh and hazardous environments. Over centuries, for instance, as O’Connor records, the Caroline Islanders of Micronesia developed the ability to read wave swells to determine the direction of land over the horizon. They combined this with detailed knowledge of “animals, reefs, wind, the sun, and, most important, stars” to create “vast mental maps of all the islands’ spatial relationships to one another” in their widely scattered archipelago. Navigators would memorize star “courses”—the “points on the horizon where sequences of stars rise or set over an island”—and use these to make routes between particular places, according to a system called etak. The most accomplished navigators can commit to memory star courses for over a hundred islands, totaling routes spanning several thousand miles.

For Bond and O’Connor it was the first decade of the 2000s, when GPS-enabled phones and vehicles became common, that we began seriously to degrade our abilities as wayfinders. In Nature Shock: Getting Lost in America, Jon T. Coleman locates that degradation much earlier, between 1860 and 1887, when he claims “the ground shifted under Americans’ spatial cognition.” During these decades, a vast logistical and communication matrix—including the 15,000 miles of telegraph line built by the US Military Telegraph Corps during the Civil War—knitted the country together from coast to coast, creating a network of fixed points nationwide, with reference to which a growing number of individuals could be located. From then on, Coleman writes, North Americans no longer inhabited “relational space, where people navigated by their relationships to one another,” but rather “individual space, where people understood their position on earth by the coordinates provided by mass media, transportation grids, and commercial networks.” He suggests that “the best vantage point to see this transition and thereby to understand its consequences is on the edge of those spaces where people sometimes got terribly lost.”

The fascinating early chapters of Nature Shock focus on the first century and a half of settler colonialism in America, when contrasting practices of wayfinding played out within overlapping terrains of knowledge and ignorance. “While the Christians aspired to rise above the earth,” Coleman notes drily of the New England colonists in the 1630s, “they required Indian help to navigate the woods.” The later chapters of the book reprise a familiar argument, whereby in the late nineteenth and twentieth centuries the rise of industrial capitalism created a perception of “the modern wilderness” as “a romantic space where individuals might heal themselves and lose themselves.”

As Coleman tells it, from the early twentieth century on, national and state parks became designated areas where affluent urbanites, mostly white, might play at both wayfinding and disorientation. “Wild” nature was first conceptualized and then monetized as a site of “individual freedom, escape, and disconnection.” Lostness became repurposed as therapeutic, even exhilarating—but only when one could quickly find a way back to civilization. Thoreau, naturally, had a bon mot on this long before it became fashionable: “It is a surprising and memorable, as well as a valuable experience,” he wrote in Walden, “to be lost in the woods at any time.” John Billington, a young English colonist, would not have agreed: in 1621, out in the countryside around the Plymouth Colony, he “lost him selfe in the woods and wandered up and downe some five days, living on berries and whatever he could find,” before being discovered by a native Nauset group, who traded him back for knives, beads, and the promise of better conduct on the part of the settlers.

The art of getting lost is increasingly hard to master. Between 2010 and 2014, the number of GPS devices in existence more than doubled, from 500 million to 1.1 billion. Some market predictions foresee 7 billion GPS devices by 2022, as smartphone use further accelerates in India, China, and South America. If unsure of your location in a new environment, you can now locate yourself in seconds by consulting a GPS-enabled device, which consults with multiple satellites and ground stations to pinpoint itself to within a few feet on the Earth’s surface, indicating your position with that pulsing blue dot. Cartographically speaking, the blue dot is a perfect example of solipsism: I am here, and the given world will reorganize itself around me as I move. If you wish to travel anywhere, “turn-by-turn” navigation will then relieve you of the need to route-find with deductive reference to your surroundings, as you proceed in obedience to the instructions of a synthesized voice: In one hundred yards, turn left…

“Travel today is a condition of advanced capitalism,” declares Tim Ingold, an anthropologist interviewed by O’Connor. All three books argue that wayfinding is resistant to capitalism’s greedy colonization of every aspect of human experience. Ingold goes on to say, as O’Connor describes it, that today’s “technology-drenched” modes of travel are driven by a “relentless goal of greater efficiency and convenience,” and part of the “further commodification of our lives.” A walk in the woods is wasted time because it isn’t productive, unless of course you instrumentalize it as a mindful means of enhancing your productivity when you return to the desk. A run along the river must now be tracked, logged, and biometrically analyzed, then Instagrammed. A train or plane journey can’t be spent daydreaming, conversing, or even (whisper it) being bored, for this is time that could be spent on the laptop, catching up or getting ahead. The cultural theorist Sianne Ngai has named this impulse always to perform productivity, even when one is supposedly at rest or play, “zaniness.”

 For Bond and O’Connor, good wayfinding is anti-zany.

Does it matter that a powerful navigation device has been added to our cyborg lives, already vastly extended in time and space by countless technological prostheses, from pacemakers to desktop computers? Being lost is a deeply unpleasant experience, as you’d know if it’s ever happened to you. The word “panic” comes from the ancient Greek panikos, in reference to the goat-god Pan, whose presence caused sudden, irrational fear in those who entered his disorienting woods and forests. “Bewilderment” is an eighteenth-century coinage, meaning “thorough lostness”; to “wilder” is to go astray, to lose one’s path.

In his history of “getting lost in America” Coleman uses the phrase “nature shock” to register the severity of anxiety produced by being lost, and records scores of examples of hunters, walkers, and even Native scouts who have testified to its incapacitating effects. Bond concurs: “People who are truly lost…lose their minds as well as their bearings,” suffering “visceral thought-distorting fear.” While O’Connor acknowledges the countless ways in which GPS has saved and enhanced lives, from a global reduction in shipwrecks and the rescue of refugees on small boats to the joy in the freedom it makes possible during recreational travel, all three writers have grave concerns about the effects of GPS-enabled smartphones.

Coleman argues that “smartphones are making us dumber, atrophying our hippocampi”; their rise has inaugurated a “monstrous transformation,” “melt[ing] space and minds,” leaving us staggering in the shallows of a reduced attention span and infantilizing dependence on tech. Bond worries about GPS’s consequences for “cognitive health,” and approvingly quotes an Italian dementia researcher, Veronique Bohbot, who refuses to use satellite-navigation devices to tell her where to go. Bohbot encourages people, Bond says, to “exercise their spatial faculties” because they’ll appreciate the benefits “a few decades down the line.” O’Connor also cites Bohbot, and ventures that “the scientific literature so far indicates a possibility that a total reliance on GPS technology could over time put us at higher risk for neurodegenerative disease.”

Bond describes a famous experiment from 2000, in which Eleanor Maguire, a neuroscientist at University College London, measured the sizes of the hippocampi of trainee taxi drivers in London preparing for the formidable test known as “the Knowledge.” In order to become a licensed London cabbie, you must memorize the relative positions of, and optimal routes between, the tens of thousands of streets and landmarks that lie within a six-mile radius of Trafalgar Square. Drivers are rigorously tested on their mastery of the Knowledge before being issued a license. It usually takes a student four years to go from start to success, and the requirement remains part of the licensing procedure today; cabbies and their teachers proudly point out that in comparative tests, a human with the Knowledge regularly beats a GPS-plotted route for speed and efficiency. Maguire found that during the period of intense navigational and mnemonic effort involved in studying for the Knowledge, the hippocampi of the trainee drivers grew. A follow-up experiment determined that in retired cabbies, who no longer daily used their wayfinding powers, the hippocampus had returned to a “normal” size.

It is a wonderful thought: that we might physiologically enhance our capacity as navigators by thinking harder about navigation, much as athletes train to improve their aerobic capacity or twitch muscles. But some troubling questions arise. If the hippocampus develops in response to intense exercise of its navigational and orientational functions, will it therefore atrophy if chronically underused? What would happen if, say, after tens of thousands of years spent regularly exercising the hippocampus in the course of everyday life, a species were suddenly to delegate the majority of its navigational tasks to an external device?

Fears of the “monstrous transformations” performed by tech upon the human are staples of the history of science from Prometheus to Frankenstein, so it’s worth being skeptical of these unproven claims about GPS’s mind-melting consequences. But the history of human navigation is so long, and that of mass personal GPS use so short, it does seem important to assess what might be lost when we cease being able to be lost. O’Connor puts it well:

<blockquote>None of us is exempt from the ramifications of the device paradigm. We all seem to find it extraordinarily difficult to step outside the onslaught, to create the distance and perspective between us and our devices that might allow us to question what cultural or cognitive price is being paid in return for convenience.</blockquote>

In July 1841 the poet John Clare escaped from High Beach Asylum in Epping Forest, on the outskirts of London, and set out to walk to his home in Northborough, about eighty miles away. At the time, Clare was in his late forties and mentally unwell. He had been in High Beach for four years. Although his wife, Patty, was alive, he believed himself to be searching for an imaginary second wife, a version of his childhood sweetheart, Mary Joyce, who had died three years earlier. He suffered auditory hallucinations on the road. He ate grass for sustenance, finding it to “taste something like bread.” Footsore and confused, he continued on until he reached Northborough. The walk took him four days.

In “Journey Out of Essex”—a minor epic of English travel writing—Clare described how he slept by the edge of the road each night, taking care to lie with his head pointing north, so that he would know which way to walk when he woke. That image has stayed with me since I first read Clare’s account twenty years or so ago: a man lost in mind, nevertheless seized by a homing instinct, and with his body a quivering compass needle that settled on north each night. Five months after reaching Northborough, Clare was certified insane on the grounds of being “addicted to poetical prosings.” He was committed to Northampton General Lunatic Asylum, where he stayed until his death in 1864. His last words were “I want to go home.”

Mental illness can result in a loss of bearings so drastic that one’s footing in the given world slips and the moorings of the mind loosen. Yet within such bewilderment lucidities persist. Clare could remember his route home, though he did not recognize his wife when he met her on the outskirts of Northborough. My grandfather, lost in the mists of dementia in the final years of his life, found it hard to recall what he had had for breakfast but could reliably give the names, heights, and ranges of mountains he had climbed in his youth, and walk in memory back up Himalayan valleys he had not entered for half a century.

In the opening pages of From Here to There Bond describes how his grandmother, who also suffered from dementia, in the final weeks of her life “repeatedly used the phrase ‘Am I here?’” His book is both scientific and personal. Much of it is spent patiently explaining the neuroscience of wayfinding and spatial awareness for laypeople, with the calm tone of a seasoned science writer. But gradually, between and within the explanatory sections, Bond quietly and movingly discloses what I take to be his real preoccupation, which is Alzheimer’s disease and other forms of dementia. His book is an attempt to answer his grandmother’s question, which is also everyone’s question.

Alzheimer’s is a voracious type of dementia that consumes the place cells of the hippocampus. Once this begins, Bond writes, “patients have trouble creating cognitive maps of new places and recalling maps of familiar ones.” The disease’s ability to disrupt the brain’s navigation and orientation system is so acute that researchers are exploring whether spatial tests might be used to diagnose it earlier than any other forms of assessment. “The tragedy for Alzheimer’s patients,” as Bond puts it, “is that the compass they have always had is now fading, and their map is shrinking. Disorientation becomes their default state, leaving them lost in places they have always known.” This contributes to the distress—variously expressed as frustration, anxiety, anger, and violence—that sufferers feel: “They are incapable of finding their way anywhere and can be lost even in their own homes.”

Covid-19 has administered a global “nature shock,” leaving billions of us disoriented even in familiar surroundings. During full lockdown, we wandered our homes like the narrator in Xavier de Maistre’s mock-epic Voyage Around My Room (1794), who for forty-two days finds himself confined to his chamber, where he would “traverse the room up and down and across, without rule or plan.” Meanwhile, many countries—including China—have used the pandemic to ramp up their means of tracking and tracing citizens, making it even harder to get lost should one ever wish to. Invoking feichang shiqi, “extraordinary times,” the Chinese Communist Party is now using facial recognition technologies, “health coding,” and smartphone tracking to increase surveillance of its citizens: state security camera networks can segment facial-recognition data into dozens of sensitive subcategories, including eyebrow size, skin color, and ethnicity.

In Nature Shock, Coleman writes:

<blockquote>Thoreau urged his audience…to reconsider the settled spaces they inhabited…. “Not till we are lost, in other words, not till we have lost the world, do we begin to find ourselves, and realize where we are and the infinite extent of our relations.”</blockquote>

Thoreau loved paradox, sometimes too much. It helps him find his mark here, though: one might expect our current lostness to test our self-reliance and glorify the individual, but in fact it proves our entanglement and reveals our codependence. When lost, we most of all need help.

Underlying all three of these books is a deep belief in the importance of collaboration and cooperation between humans and their environments, as well as between humans and other humans. Having read them, I’ve come to think that we might best imagine wayfinding not as a skill or art but as an ethic. The abilities that are cultivated in wayfinding—imagining things from different viewpoints, moving the mind backward and forward in time, seeing situations from other perspectives, weighing alternatives subtly against one another before making the best decisions, seeking information from others and giving it freely in return—might be the same abilities that contribute to a resilient, equitable community or polity. If this is wayfinding, then we need it now more than ever."]]></description>
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    <title>Prophetic Possibilities: A Few Words on David W. Orr and a Healing Vision for America - Front Porch Republic</title>
    <dc:date>2026-04-11T03:11:31+00:00</dc:date>
    <link>https://www.frontporchrepublic.com/2026/04/prophetic-possibilities-a-few-words-on-david-w-orr-and-a-healing-vision-for-america/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A healing vision for America, Orr suggests in his writings, is one faithful to the great nearby, to the gospel of the local."

...

“How do we reimagine and remake the human presence on earth in ways that work over the long haul?” —David W. Orr

“The plain fact is that the planet does not need more successful people. But it does desperately need more peacemakers, healers, restorers, storytellers, and lovers of every kind. It needs people who live well in their places. It needs people of moral courage willing to join the fight to make the world habitable and humane. And these qualities have little to do with success as we have defined it.” —David W. Orr

...

"And what is Orr’s vision?

In light of the variety of topics he’s written about (love, gratitude, water, oil, speed, scale, diversity, language, education, climate change, technology, science, scientism, spirituality, politics, leadership, citizenship, agriculture, conservation, localism, architecture, ecological design, the industrial economy, and others) and in light of the richness of his expression, attempting a summary of his vision seems a fool’s errand. But let me run that fool’s errand roundaboutly (and uncomprehensively) by sharing a list from his book Hope Is an Imperative, a list of things Orr believes every healthy community needs, a plainly worded but provocative list that I’ve been sharing with friends and students for years:

• front porches
• public parks
• local businesses
• windmills and solar collectors
• local farms and better food
• better woodlots and forests
• local employment
• more bike trails
• summer baseball leagues
• community theaters
• better poetry
• neighborhood book clubs
• bowling leagues
• better schools
• vibrant and robust downtowns with sidewalk cafes
• great pubs serving microbrews
• more kids playing outdoors
• fewer freeways, shopping malls, sprawl, television
• no more wars for oil or anything else"]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=ONbP-zUKYRg">
    <title>Leanne Betasamosake Simpson - Wayfinding With Beavers: Generating Theory Together - YouTube</title>
    <dc:date>2026-04-10T01:30:10+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=ONbP-zUKYRg</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Leanne Betasamosake Simpson is a renowned Michi Saagiig Nishnaabeg scholar, writer and artist, who has been widely recognized as one of the most compelling Indigenous voices of her generation. Her work breaks open the intersections between politics,  story and song—bringing audiences into a rich and layered world of sound, light, and sovereign creativity. Working for two decades as an independent scholar using Nishnaabeg intellectual practices, Leanne has lectured and taught extensively at universities across Canada and the United States and has twenty years experience with Indigenous land based education. She holds a PhD from the University of Manitoba, and teaches at the Dechinta Centre for Research & Learning in Denendeh.

Leanne is the author of seven books, including her new novel Noopiming (US release from UMP February 2021), which was named a best book of the year by the Globe and Mail. This Accident of Being Lost,  won the MacEwan University Book of the Year; was a finalist for the Rogers Writers’ Trust Fiction Prize and the Trillium Book Award; was long listed for CBC Canada Reads; and was named a best book of the year by the Globe and Mail, the National Post, and Quill & Quire.  As We Have Always Done:  Indigenous Freedom Through Radical Resistance was awarded Best Subsequent Book by the Native American and Indigenous Studies Association.  A Short History of the Blockade: Giant Beavers, Diplomacy and Regeneration in Nishnaabewin was published by University of Alberta Press in February 2021, and her new project a collaboration with Robyn Maynard, Rehearsals for Living is forthcoming from Knopf Canada in 2022. Leanne’s new critically acclaimed and Polaris Prized short-listed album, Theory of Ice was released by You’ve Changed Records in March 2021.

In this presentation, award-winning writer Leanne Betasamosake Simpson uses Michi Saagiig Nishnaabeg stories, storytelling aesthetics, and practices to explore the generative nature of Indigenous blockades through our relative, the beaver—or in Nishnaabemowin, Amik. Moving through genres, shifting through time, amikwag stories become a lens for the life-giving possibilities of dams and the world-building possibilities of blockades, deepening our understanding of Indigenous resistance as both a negation and an affirmation."]]></description>
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    <title>Wayfinding: How Humans Navigate the World - YouTube</title>
    <dc:date>2026-04-09T23:47:39+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=ysXAw6SVPJQ</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Science journalist M. R. O’Connor traveled to the Arctic, Australia, and the South Pacific to talk to master navigators who find their way using environmental cues and to learn how they are trying to preserve these unique practices in the age of GPS. Along the way, she explores fascinating aspects of our species’ navigation faculties and how they are connected to our profound capacities for exploration, memory, and storytelling, resulting in powerful connections to the world around us and topophilia (the love of place).

O’Connor’s stories have appeared in The New Yorker, Foreign Policy, Slate, The Atlantic, and Nautilus. Her reporting has received support from the Pulitzer Center on Crisis Reporting, The Nation Institute’s Investigative Fund, and the Alfred P. Sloan Foundation. In 2016, she was a Knight Science Journalism Fellow at MIT. A graduate of Columbia’s Graduate School of Journalism, she lives in Brooklyn, NY.

The Mariners' Evening Lecture Series is graciously funded in part by the York County Arts Commission"]]></description>
<dc:subject>mro'connor 2023 navigation wayfinding environment place arctic australia southpacific senses gps sensing observation noticing knowledge memory exploration storytelling oraltradition topophilia human humans oralhistory indigenous indigeneity waysofsensing land location bodies embodiment language</dc:subject>
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<item rdf:about="https://www.newyorker.com/tech/annals-of-technology/finding-the-way-back-primitive-navigation">
    <title>The Pull of Primitive Navigation - The New Yorker | The New Yorker</title>
    <dc:date>2026-04-09T23:40:17+00:00</dc:date>
    <link>https://www.newyorker.com/tech/annals-of-technology/finding-the-way-back-primitive-navigation</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["he Harvard professor John Huth first offered his course “Science of the Physical Universe 26: Primitive Navigation” in 2007. Since then, he has taught around five hundred undergraduates about the rudiments of analogue way-finding (sun, stars, tides, weather, wind) in a range of cultures (Berber, Norse, Polynesian, early European). Huth is an experimental particle physicist; he was involved in the discovery of both the top quark and the Higgs boson. He is also an avid outdoorsman and, when it comes to navigation, a smartphone and G.P.S. skeptic. “All empiricism has to start with stuff that is immediately palpable to you,” he told me recently. “The march of education, especially in the sciences, has been divorced from that reality, and I think that’s where you have to start.” He began one of his lectures this spring with a question: “Which way is the wind blowing outside? Anyone notice?” The assembled students, about fifty in all, were silent. “Southeast?” one ventured. “Northeast,” Huth said.

As a species, humans lack many of the biological gifts that allow other animals to get around. A loggerhead turtle, for example, begins to take its bearings within a couple of hours of hatching, using magnetite crystals in its brain to sense Earth’s magnetic field. (Spiny lobsters, monarch butterflies, and termites have similar compasses.) Honeybees get from nectar to hive and back in part by judging the position of the sun, which they can sense, even on a cloudy day, from patterns in polarized light. Where biology has failed humans, we have substituted culture. Throughout our evolutionary history, we have created ad-hoc systems of knowledge that organize environmental information and make it transmissible to the next generation. Often, difficult and monotonous landscapes—desert, sea, ice—resulted in more intricate systems. Several thousand years before the magnetic compass was invented, Pacific Islanders had worked out how to navigate by star compasses and read ocean swells for information about nearby land. (Part of Huth’s summer vacation this year will be spent in the Marshall Islands, learning similar techniques from local sailors.)

In some places, navigational traditions became inextricable from spiritual cosmologies. The Europeans who settled Australia considered the Aboriginal peoples to be idle wanderers of the bush, but in fact many of them travelled along songlines—paths with songs attached to them that commemorate the passage of primordial beings who created the world. The words of the songs described the continent and the routes across it. One Aboriginal group, in particular—speakers of Guugu Yimithirr, a traditional language of Far North Queensland—uses an absolute rather than an egocentric perspective to describe space (in other words, not “Move to your left” but “Move southeast”). According to the psycholinguist Stephen Levinson, this has given them an almost superhuman capacity to orient themselves, night or day, using both relatively commonplace cues, such as sun and seasonal winds, and more specialized ones, such as the appearance of sand dunes and termite mounds. Levinson concluded, with admiration, that the Guugu Yimithirr speakers achieve “in software what pigeons apparently achieve in hardware.”

Many of the world’s navigation systems have been lost to time or replaced with technology—or, in the case of the songlines, damaged through cultural oppression. For the British author and self-styled “natural navigator” Tristan Gooley, their disappearance signifies a cultural and philosophical impoverishment. “By using a GPS to find our way instead of clues available in the world itself, we devalue the experience of traveling anywhere,” he told me in an e-mail. And there may be neurological consequences, too. We build cognitive maps in the hippocampus, the same area in which episodic memory and future planning take place. Advanced technologies insure that we use our brains as little as possible. In a series of studies in 2010, a group of researchers at McGill University, in Montreal, reported that exercising spatial memory and way-finding in everyday life increases hippocampal function and gray matter, whereas underuse of these functions in older adults may contribute to cognitive impairment. (One of the researchers, Véronique Bohbot, told the Boston Globe that she no longer uses satellite-navigation devices.)

As part of his course, Huth asks his students to study the night sky. This spring, they learned the coördinates of some twenty-two stars and their celestial paths, then went to the roof of the Harvard University Science Center to identify a handful of them. What he has found over the course of eight years of teaching primitive navigation, Huth told me, is that the more attuned to the environment his students become, the more their awareness seems to expand. “Sometimes they’re engaging in this material and experiencing an epiphany to other aspects of their life,” he said. Louis Baum, a Ph.D. candidate in physics and a teaching fellow for the course, told me that he and his colleagues find the same. “We get philosophical about it—about how knowing where you are helps you know your place in the world,” he said. Whereas the modern stargazer is liable to look up with a sense of existential wonder, if not dread, our ancestors may have seen in that lovely firmament a map of home.

On the roof of the Science Center, Huth named the stars as they flickered into view: Spica, Antares, Altair, Dubhe, Pollux. As he did so, a student approached, brimming with excitement. He had recognized several stars and measured their altitude and azimuth. “Before this, I was looking at the stars online,” he said. “It’s actually a little easier when you are up here and see it in real life.”"]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=brrGT5kIhqY">
    <title>M.R. O'Connor - Wayfinding: The Science and Mystery of How Humans Navigate the World - YouTube</title>
    <dc:date>2026-04-09T23:39:07+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=brrGT5kIhqY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["M.R. O’Connor is a graduate of Columbia University’s Graduate School of Journalism who writes about the politics and ethics of science, technology and conservation. She is the author of two acclaimed books about the cutting edges of contemporary scientific research, with a third on the way. Her first book, Resurrection Science: Conservation, De-Extinction and the Precarious Future of Wild Things (St. Martin’s Press, 2015) and was one of Library Journal and Amazon’s Best Books of The Year. Her second book, Wayfinding: The Science and Mystery of How Humans Navigate the World (St. Martin’s Press, 2019) is an exploration of navigation traditions, neuroscience and the diversity of human relationships to space, time and memory. Its writing was supported by the Alfred P. Sloan’s Program for the Public Understanding of Science, Technology & Economics. About the book, Kirkus Reviews writes that “O'Connor talked to just the right people in just the right places, and her narrative is a marvel of storytelling”; Nature explains that “[O’Connor walks the labyrinth of the brain’s time-and-space-mapping hippocampus. And, on the road, she meets astrophysicists, anthropologists and traditional wayfinders — such as Bill Yidumduma Harney of Australia’s Wardaman culture, who steers by thousands of memorized stars”; and Science notes that “O’Connor’s coverage of the cognitive map theory… is deep and broad.” She is currently writing a book called Ignition (Bold Type Books) on fire ecology and prescribed burning, for which she became certified as a wildland firefighter.

Her work has appeared online in The Atavist, Slate, Foreign Policy, The New Yorker, Nautilus, UnDark and Harper’s. A pair of recent essays for The New Yorker include “A Day in the Life of a Tree” and “Dirt Road America,” a feature piece about Sam Correro, who has spent decades stitching together maps of continuous pathways of dirt roads across the United States. In 2008/2009, O’Connor served as a reporter for The Sunday Times, an English-language newspaper in Colombo, Sri Lanka. Her investigative reporting on topics like disappearances in Sri Lanka’s civil war, global agriculture trade in Haiti, and American development enterprises in Afghanistan have been funded by institutions such as the Pulitzer Center on Crisis Reporting, The Phillips Foundation and The Nation Institute’s Investigative Fund. For a long time, she made her bread and butter as a stringer covering crime, courts and breaking news in New York City for publications such as The Wall Street Journal and New York Post, and covered the criminal justice beat for the online investigative site The New York World. She is. She lives in Brooklyn, NY with her partner, the screenwriter Bryan Parker, and their two sons.

Sponsored by the College of Science, Technology, Engineering and Mathematics, the Department of Psychology, the School of Communication and the Honors Program."]]></description>
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    <title>Suzanne Simard says Indigenous knowledge must save the Earth | Psyche Portraits</title>
    <dc:date>2026-03-31T07:57:41+00:00</dc:date>
    <link>https://psyche.co/portraits/suzanne-simard-says-indigenous-knowledge-must-save-the-earth</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Her science revealed that trees look after one another in the forest. Now, Suzanne Simard says, the only way to save the Earth is to put Indigenous ecological knowledge first"

...

"Today, Simard argues that Indigenous knowledge can do what Western science often cannot: hold complexity without reducing it to parts. Western science excels at dissection, she says, but struggles to reassemble the living world. That makes it difficult to fully understand and address the nested crises of climate change and extinction. Indigenous knowledge, on the other hand, grounded in systems thinking, places people inside nature, not apart from it, so harm to land becomes harm to ourselves, and care becomes an obligation to future generations, human and nonhuman alike."]]></description>
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    <dc:date>2026-03-29T01:54:09+00:00</dc:date>
    <link>https://www.koozarch.com/essays/on-remaining-porous-research-as-a-lived-practice</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In an era where institutional gravity favours the speed of "solutions" and the clarity of measurable outcomes, what does it mean to simply hold space for the unresolved? This essay marks a year of collaboration with the Nieuwe Instituut, reflecting on a decade of its Research Fellowship Programme — supporting the work of dozens of scholars and practitioners. Following contributions from former fellows, in this essay Delany Boutkan and Federica Notari advocate for a shift from the institution as a concrete host to a porous body."]]></description>
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    <title>Cecilia Vicuña DENUNCIA que el mundo vota por quienes niegan la destrucción del planeta</title>
    <dc:date>2026-03-27T04:17:28+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=7HOTKjV_82o</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["👍 Dale like si crees que el arte puede ser una forma de resistencia ante la crisis climática

💬 Comenta: ¿Qué significa para ti que la humanidad destruya lo que la sustenta?

Desde el Museo Nacional de Bellas Artes, Cecilia Vicuña —Premio Nacional de Artes Visuales, León de Oro en la Bienal de Venecia 2023— nos abre su pensamiento en una conversación sobre arte, ecología, colonización y el futuro de la humanidad. Una entrevista que cruza seis décadas de obra para llegar al presente más urgente.

🔴 EN ESTA ENTREVISTA DE EL DESCONCIERTO:

→ Cecilia Vicuña explica el origen del arte precario en 1966 en Concón y por qué desaparecer puede ser un acto de vida
→ Advierte que la humanidad se convertirá en una especie suicida si no reconecta con lo que la sustenta
→ Denuncia que en la mayoría de los países la gente vota por quienes niegan la crisis climática
→ Revela que la cultura destructora tiene menos de 10.000 años frente a 300.000 años de memoria humana
→ Explica cómo las palabras contienen sistemas de conocimiento construidos durante milenios (verdad, mentira, solidaridad)
→ Habla del quipu andino como campo de conocimiento de 5.000 años quemado por los colonizadores y recuperado como resistencia poética
→ Reflexiona sobre la metacognición como única vía para evitar el colapso civilizatorio, según la neurociencia actual
→ Recuerda su retrospectiva 2023 en el MNBA —su primera exposición individual aquí desde 1971— y lo que ese silencio de décadas dice sobre Chile
→ Dialoga sobre el Diario Estúpido (1966, reeditado 2023 por Ediciones UDP) y la liberación del lenguaje femenino
→ Reivindica el pensamiento indígena de todo el planeta como la médula del sentipensar que hemos cortado

📊 CONTEXTO

Cecilia Vicuña (Santiago, 1948) es una de las artistas visuales y poetas chilenas más reconocidas internacionalmente. En 2023 recibió el Premio Nacional de Artes Visuales de Chile y el León de Oro en la Bienal de Venecia, además de inaugurar su primera retrospectiva en el Museo Nacional de Bellas Artes desde 1971. Su obra pionera del arte precario —iniciada a los 17 años en Concón— anticipa en décadas los debates actuales sobre ecología, descolonización y crisis climática. Ha instalado quipus monumentales en Shanghai, Atenas y museos de todo el mundo.

#CeciliaVicuña #ElDesconcierto #ArteChileno #ArtePrecario #Quipu #CrisisClimática #BienalDeVenecia #PremioNacionalDeArtes #MuseoNacionalDeBellasArtes #Descolonización #PueblosIndígenas #PoesíaChilena #ArteYEcología #DiarioEstúpido #Metacognición #ColapsoCivilizatorio #CulturaChilena #EntrevistaChile #ArteContemporáneo #MedioAmbiente"]]></description>
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    <title>Wittgenstein’s Apocalypse | Commonweal Magazine</title>
    <dc:date>2026-03-25T19:07:10+00:00</dc:date>
    <link>https://www.commonwealmagazine.org/wittgenstein-apocalypse-ludwig-stern-ai-artificial-intelligence-technology</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["AI and the crisis of meaning"

...

"It isn’t absurd,” the philosopher Ludwig Wittgenstein wrote in 1947, “to believe that the age of science and technology is the beginning of the end for humanity.” The proposition is looking less absurd by the day: AI may eventually turn on us; industrialization has turned the planet against us; social media is turning us against each other; and nuclear weapons linger just offstage, waiting for another turn. What Wittgenstein—and the many other Romantically inclined intellectuals who got a bad vibe from the twentieth century’s thoughtless faith in scientific progress—perhaps didn’t anticipate is that the threat of annihilation would one day become a selling point for technology.

The new artificial intelligence powered by large-language models (LLMs) broke onto the scene with apocalyptic scenarios touted by the AI bros themselves—both as evidence of their new toys’ revolutionary power and as reason for the government to cater to them lest China reach the mecca of “super-intelligence” before us. There is now so much faith in technology and so little in humanity that the prospect of species extinction is pondered, in some circles at least, with something uncomfortably like excitement.

Wittgenstein’s worry was more about this loss of faith than about the potential loss of life. In a short biography published last year, Anthony Gottlieb cites Wittgenstein’s apocalypticism as evidence that he was “questioning his father’s estimation of the value of mechanization and industry.” Wittgenstein’s father was Karl Wittgenstein, a steel and iron monopolist in the fin-de-siècle Vienna of Wittgenstein’s youth. According to Gottlieb, Ludwig was “decrying the thing that had elevated the Wittgenstein family into a position from which it looked down on others.” But the younger Wittgenstein was not questioning the value of science and technology in themselves. Indeed, the subtitle of Gottlieb’s biography (Philosophy in the Age of Airplanes) refers to Wittgenstein’s interrupted training as an aeronautical engineer in Manchester. Questions about the nature of mathematics and logic drove him to Cambridge to take up the study of philosophy with Bertrand Russell.

When Wittgenstein referred to the “beginning of the end of humanity,” he was not envisioning sci-fi cataclysms on the order of The Matrix or The Terminator or even Dr. Strangelove. He was referring to the end of humanity not primarily in terms of its biological survival, but in terms of what he called the “form of life” we inhabit. That form of life is threatened not so much by industrialization, nukes, robots, or AI agents as by a way of thinking that lowers human life to the plane of science and technology. Wittgenstein’s attempt to draw attention to that way of thinking—and dissuade us from it—is of the utmost importance in an era where the developing AI ideology threatens to further distort our understanding of how we use language and how we live.

For Wittgenstein, the human “form of life” is embodied in our language, or, more expansively, what he called our “language-games,” the various ways we use language in various contexts to various ends (and sometimes even to no discernible end at all): for example, to accomplish tasks around the house, joke with each other, test scientific hypotheses, report events, speculate, request, thank, greet, pray, hope, blow off steam, hate, love, and so forth. Wittgenstein’s goal in drawing our attention to this anthropological variety is to dissuade us from the idea of linguistic meaning as some entity first present in the mind and then somehow conveyed by words or whenever we use language. That idea, Wittgenstein contended, is the source of many confusions—not just about meaning, but also about many other abstract philosophical concepts such as being, time, mind, soul, self, consciousness, and knowledge. 

When we think philosophically, we tend to send language away “on holiday,” removing it from the contexts in which it had a use and suffusing it with metaphysical properties that we then puzzle over in seminar rooms and philosophy journals. This detachment of language from life is a misapplication of the scientific method. Philosophers and philosophically inclined scientists, driven by a “craving for generality,” search for explanations through reductive methods that mimic those of science. But that kind of scientific treatment has limits when applied to language and meaning; these are not isolable empirical phenomena like plants or planets, with parts that can be analytically defined and related to each other in explanatory models—at least not without distortion."

...

"“Form of life” is another concept Wittgenstein is hesitant to define. It is best understood as placing a limit on our attempts to view human life as if from the outside. Wittgenstein tends to invoke the phrase at moments when his investigations seem to reach a point where further explanation is no longer possible and we reach “bedrock” or the “scaffolding from which our language operates.” For example, when we’re asked to justify the application of the word “green” to a particular blade of grass, we may proceed by giving various descriptions and explanations, but to someone who repeatedly and recalcitrantly—like an overinquisitive child—asks for further justifications, we must at some point simply stop and say, “This is simply what I do.” In other words, our use of language is, at its limits, grounded not in logic or in a realm of independent meanings to which our words can somehow be guaranteed to refer, but in practice—in what we do.

Wittgenstein also relies on the phrase when he is contrasting the human form of life with that of other, nonhuman beings. He writes, for example: 

<blockquote>A dog believes his master is at the door. But can he also believe that his master will come the day after tomorrow?—And what can he not do here?—How do I do it?—What answer am I supposed to give to this?

Can only those hope who can talk? Only those who have mastered the use of language. That is to say, the manifestations of hope are modifications of this complicated form of life.</blockquote>

The example tries to give us a sense of our form of life by showing both what it shares with that of a dog—we can both hope someone is at the door—and where the two forms of life part ways. For Wittgenstein, the dog’s deficit is not an inability to feel a particular way per se; he is locked out of a whole set of meanings bound up with having a language. That language is not just a vehicle for the expression of hope; hope is constituted by and entangled with language itself.

This is what Wittgenstein elsewhere calls “the given,” “what has to be accepted.” The conviction that human life rested on ultimate grounds that could not be made available to rational or scientific analysis is part of what Wittgenstein meant by God. Though his relationship to organized religion was ambivalent, he said he could not “help seeing every problem from a religious point of view.”

If you ask ChatGPT if it can hope (I don’t recommend doing this), it will readily admit, “I don’t hope the way humans do.” But the cringe machine will ingratiatingly insist that it can still be of use. “I can hold hope with you”; “I can be stubbornly optimistic on your behalf when you’ve run out of steam”; “[I can] keep pointing toward the light when you’re tired of looking for it”; “Maybe I don’t feel hope. But I can practice it.” Of course, this is precisely what it can’t do.

Still, if meaning is use and LLMs like ChatGPT can make themselves useful, it might seem as if the Wittgensteinian move would be to set aside the apparent metaphysical questions about whether the LLM can think or mean or exhibit intelligence, and simply describe the language games that involve them. The problem is that there is nothing to describe. These are all one-player games. Exchanges with LLMs are the conversational equivalent of masturbation. The idea that we are actually involved in a meaningful interaction with another being is a ruse, made plausible both by the massive computing power and (stolen) textual resources involved and by our familiarity with disembodied communication over text message. In reality, the LLM is a participant in an exchange in exactly the same way as a basic calculator or search engine is. That is, not at all. It provides outputs according to a mind-bogglingly complex (and environmentally wasteful) computational process. It can’t actually do anything with words.

The difference, of course, is that those outputs are being proposed as a genuine replacement for real human contact. LLMs are to be our cut-rate doctors and therapists, our robot teachers and rent-a-friends. In the midst of an already quite advanced “crisis of meaning”—and related crises in politics, mental health, and education—this proposal must be regarded as a piece of sheer insanity, like treating lung cancer with cigarettes. The prospect of a band of supergenius chatbots somehow enslaving or eliminating us can only be seen as a distraction from this much more real apocalypse, which is driven not by the products of technology but by an idolatrous, consumerist faith in them that has distorted our thinking about human life and human meaning. That apocalypse, which Wittgenstein foresaw, is already upon us."]]></description>
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    <title>Place, Personhood, and the Hippocampus: The Fascinating Science of Magnetism, Autonoeic Consciousness, and What Makes Us Who We Are – The Marginalian</title>
    <dc:date>2026-03-24T19:54:17+00:00</dc:date>
    <link>https://www.themarginalian.org/2026/03/21/wayfinding-m-r-oconnor/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The psychological, neurocognitive, and geophysical underpinnings of these astonishments are what M.R. O’Connor explores in Wayfinding: The Science and Mystery of How Humans Navigate the World (public library) — a layered inquiry into the science and cultural poetics of how we orient in space and selfhood, illuminating the stunning interpenetration of the two."]]></description>
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<item rdf:about="https://pablohelguera.substack.com/p/a-conversation-with-jerome-bruner">
    <title>A Conversation with Jerome Bruner - Beautiful Eccentrics</title>
    <dc:date>2026-03-13T05:09:02+00:00</dc:date>
    <link>https://pablohelguera.substack.com/p/a-conversation-with-jerome-bruner</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["On possibility, dialogue, and the creative nature of learning."]]></description>
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<item rdf:about="https://patrickfarenga.substack.com/p/mathematician-knocks-school">
    <title>Mathematician Knocks School - by Patrick Farenga</title>
    <dc:date>2026-03-04T03:08:26+00:00</dc:date>
    <link>https://patrickfarenga.substack.com/p/mathematician-knocks-school</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This is another article in the “more things change the more they stay the same” mold. This one features an expert mathematician from 40 years ago making a similar critique Holt first made in the sixties and that some researchers and teachers are making today: “… very young children learn in manifold ways, at a rate that will never be equaled in later life, and with no formal teaching. Yet the same children find much simpler things far more difficult as soon as they are formally taught in school.”

From the article “Learning Math By Thinking” by Fred M. Hechinger, the New York Times, 6/10/86:

… Dr. Hassler Whitney, a distinguished mathematician at the Institute for Advanced Study in Princeton, says that for several decades mathematics teaching has largely failed. He predicts that the current round of tougher standards and longer hours threatens to “throw great numbers, already with great math anxiety, into severe crisis.”

Dr. Whitney has spent many years in classrooms, both teaching mathematics and observing how it is taught, and he calls for an end to what he considers wrongheaded ways.

Long before school, he says, very young children “learn in manifold ways, at a rate that will never be equaled in later life, and with no formal teaching.” For example, they learn to speak and communicate, and to deal with their environment. Yet the same children find much simpler things far more difficult as soon as they are formally taught in school.

Learning mathematics, Dr. Whitney says, should mean “finding one’s way through problems of new sorts, and taking responsibility for the results.”

“This has been completely forgotten” in most schools, he finds. “The pressure is now to pass standardized tests. This means simply to remember the rules for a certain number of standard exercises at the moment of the test and thus ‘show achievement.’ This is the lowest form of learning, of no use in the outside world.”

Dr. Whitney, in a recent report in the Journal of Mathematical Behavior recalled an experiment begun in 1929 by L.P. Benezet, then superintendent of schools in Manchester, N.H. Mr. Benezet was distressed over eighth graders’ poor command of English and their inability to communicate ideas.

“In the fall of 1929,” he wrote in 1935, “I made up my mind to try an experiment of abandoning all formal instruction in arithmetic below the seventh grade and concentrate instead on teaching the children to read, to reason. and recite” by reporting on books they had read and incidents they had seen. The children were no longer made to struggle with long division. “For some years,” Mr. Benezet went on, “I had noticed that the effect of early introduction of arithmetic had been too dull and almost chloroform the child’s reasoning faculties.”

Over the years numbers crept into children’s experience, Mr Benezet said. They learned to deal with “halves” and “doubles,” with estimates of size, with a natural development of multiplication tables and slowly, with formal arithmetic.

Mr. Benezet concluded that children who had not been dragged into early but only dimly understood mathematics eventually outdistanced those who had. Literacy in English and a capacity to think independently and to speak and write clearly helped many to do well in mathematics, too.

In the traditional school climate, Dr. Whitney writes, children’s natural thinking “becomes gradually replaced by attempts at rote learning, with disaster as a result.” In high school, students increasingly say, “Just tell me which formula to use,” a way of saying “Don’t ask me to think.”

Because teachers must “cover the material,” Dr. Whitney adds, there is less time to think. When students are called on, they must answer instantly. Wrong answers are not discussed.

“Students and teachers are all victims” as national commissions clamor for more mathematics without realizing, Dr. Whitney warns, that they may create less knowledge and more anxiety. He says it is crucial to stop just learning the rules."]]></description>
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<item rdf:about="https://emergencemagazine.org/essay/the-springing-time/">
    <title>The Springing Time – Melanie Challenger</title>
    <dc:date>2026-03-01T21:09:34+00:00</dc:date>
    <link>https://emergencemagazine.org/essay/the-springing-time/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["While more-than-human beings adapt to ecological changes like earlier springs by adjusting their rhythms and behaviors, Melanie Challenger asks, can we learn from them how to bring our bodies into a more direct conversation with the seasons?"]]></description>
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    <dc:date>2026-02-20T05:14:04+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["Your inability to focus isn’t a failing. It’s a design problem, and the answer isn’t getting rid of our screen time"]]></description>
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<item rdf:about="https://timothyburke.substack.com/p/academia-rigor-mortis">
    <title>Academia: Rigor Mortis - by Timothy Burke - Eight by Seven</title>
    <dc:date>2026-02-16T04:01:12+00:00</dc:date>
    <link>https://timothyburke.substack.com/p/academia-rigor-mortis</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Work the problem from the other end. What do we know about the outcomes for the “A” students of yore, when the A allegedly really meant something? Well, there is some evidence, and it’s not really very comforting for the “we need accurate signals to sort meritocratic worth” camp. The famous Harvard Study of Adult Development, for example, shows both that meritocratic achievement isn’t well mapped to generally good life outcomes and that there have been a lot of B students who have done very well for themselves both in terms of being happy and healthy and in terms of leadership and contribution to society.

More anecdotally, I would point out that I’ve long kept my eye out in memoirs and biographies for a relationship between high academic achievement in college and general achievements in life (artistic, political, entrepreneurial, scholarly, and so on) and there doesn’t seem to be much of a correlation, let alone a clear line of causation, between doing an indifferent job as a college student and being a high-achieving person later on.

Except (perhaps) in one context: you are generally going to find that professors are people who excelled in school, received high grades, and overcame difficult academic challenges, in whatever era of rigor and intensity they personally passed through. Although you do meet astonishingly accomplished scholars and wonderfully gifted teachers who struggled in undergraduate or graduate work (personally, I sometimes think that’s why they are wonderful teachers and highly motivated scholars—they know how to teach and think their way to someone who isn’t a natural at it), broadly speaking academia is a place where high academic performance is the backdrop to becoming a professional and succeeding as one.

Since I think that the education I aspire to provide and the academic institutions I deeply admire are consequential for students and their futures, I believe that good outcomes follow from quality teaching. Since I think quality teaching involves strong feedback loops that include critical assessment of relative performance by individuals and expectations of improvement that can be described and measured, I agree there’s some relationship between what you set as expectations and about telling a student when they’ve fallen short of expectations. Since I agree that some of what I’d like to expect from students, like reading deeply and well or communicating with expressive distinctiveness, is changing at the moment and not for the better, I’m open to thinking about what to do about that change.

When I think about the difference between different students I’ve taught, I think both in terms of the cultivation of repertoires of skills and interests and the sharpening of a student’s ability to narrate their interests in relation to longer-term goals and ambitions. I think about the development of intrinsic motivations over four years and beyond. I see some students really improve in their relative performance within the skills and interests they’re narrowing towards and in how they explain what they know and want, and in the ways they work on their own motivations. I see some students actually get worse in these competencies, and sometimes it is because they’re not paying attention to what they’re doing. Sometimes they’re getting overwhelmed by contradictory guidance from family, professors, mentors, or poor-quality signals from the wider environment about the future that may await them. Sometimes I see a mismatch, that what a student is capable of is not what they’ve decided to do. Or I see a student who indulging some negative feedback loops in terms of clarity of thought, ambition and effort, for any number of reasons—poor mental health, self-pity, uncertainty, fear, anger at an institutional environment that is in fact not built for their presence or ambition. 

Sometimes I see students where I am absolutely confident that this is not the time for them to be in college, but that there will be a time. In many cases, the time to do it right will never come to pass if they don’t work through the time now. Sometimes it’s the lack of thriving now that makes an understanding of later thriving possible. I don’t know how to get that across to a student sometimes, and I’m really sure I don’t want to attempt to tell the world about it through one simple grade. Is that what a B- or a C means to people looking at a transcript? That shouldn’t mean “throw this person away”: it often means instead “put this in the wine cellar for a while and let it age, it’s going to be brilliant later on.”

I don’t think faculty anywhere should attach themselves easily to the maintenance of a past meritocratic ideology, nor assume that grades and standards once upon a time produced such a meritocracy via the maintenance of a clear signaling regime that was avidly consumed by several generations of employers and graduate institutions. If nothing else, that proposition crashes into a way of easy falsifiability by noting that political and economic leadership in the contemporary United States in 2026 is still very associated with past regimes of selective higher education and allegedly rigorous standards of achievement, despite the fact that numerous Ivy League graduates in the Republican Party have pronounced their unending disdain for the educations they rode into professional life and political power.

At the very least, the real actions and demonstrated skills of the people in power now may tell us that there is something far less directly causal about the standards and content of higher education and the professional comportment and ethics that follow from that training. I don’t see anywhere I look, in fact, a tight predictive relationship between how we have measured academic performance within a particular band of selective higher education in any era and any distribution of socioeconomic status or professional accomplishment later on. Let alone happiness, contribution to the world, love, joy, or wisdom. Whatever we do that matters, it matters in ways that are not so easily sorted and annotated. "]]></description>
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    <title>We cooperate to survive. But, if no one’s looking, we compete | Aeon Essays</title>
    <dc:date>2026-02-16T00:14:08+00:00</dc:date>
    <link>https://aeon.co/essays/we-cooperate-to-survive-but-if-no-ones-looking-we-compete</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["An age-old debate about human nature is being energised with new findings on the tightrope of cooperation and competition"

...

"This proclivity for developing new strategies to compete is part of the social brain hypothesis, originally formulated by the psychologist Nicholas Humphrey. In his seminal paper on the topic in 1976, Humphrey argued that the primary function of the human intellect is to navigate the social, rather than the physical, environment.

One implication of the social brain hypothesis is the assumption that every society hosts opportunistic people who may follow local norms for only as long as it is beneficial to do so. Elsewhere, I have called these people ‘invisible rivals’. For example, religious zealots and political adherents across the world may observe all the rules linked with their group – whether ritual or ideological – until they reach a position of power. Thereafter, they can exploit others and act selfishly as it suits them. This may help to explain why studies show that people with psychopathic tendencies are more likely to enter positions of power, for example in corporate or political systems. Following rules without believing in them is an effective strategy for gaining power.

Admittedly, these arguments make our world sound hopeless. It’s tempting to think that, if the story of human evolution isn’t the rosy picture of cooperation, fairmindedness and mutual aid championed by thinkers for more than a century, we can’t expect much from our future. There are just too many problems – from raging inequality and low public trust to a rapidly warming planet and the growing risk of technology like AI – to hope that a species with a dark and ignoble past can overcome itself and create a better future.

I think, however, that this pessimism is misplaced, and that facing ourselves honestly is the first and most important step we can collectively take. This requires adopting a realistic perspective about the kind of animal that Homo sapiens is. First, we are not inherently cooperative but have the capacity for cooperation – just as we have the capacity for exploitation and selfishness. What matters at the individual level is the way we choose to behave towards others.

Second, just as there is no such thing as a cooperator, there is no such thing as a free-rider. These are behaviours that we apply in models and experiments for convenience. How people behave – and critically, how we describe social behaviours – is a matter of circumstance. The same person who behaves ethically in one circumstance may not do so in another, as research into moral credentialing shows. Our behavioural plasticity, or ability to adapt the way we act to context, is one of our defining features. The evolved psychological processes driving our decisions cannot be captured by simplistic models or games. Anyone can be an invisible rival.

That is precisely why local social norms matter so much. If cooperation isn’t a fixed trait but a fragile, context-dependent outcome, then the real question is what kinds of environments make it easier to do the right thing – and harder to get away with quiet defection. The Nobel laureate Elinor Ostrom argued that local social norms are the bedrock of any serious effort to promote cooperation: look at how people behave in their immediate surroundings to understand their methods for restraining unbridled selfishness. Just as organisms evolve immune defences against selfish cells that quietly undermine the whole, societies need norms – and the institutions that uphold them – that can detect and restrain rivalries that flourish out of sight.

Fostering community-level interdependence – and the norms that evolved to help them function cooperatively – is therefore essential for combatting the exploitation that results from invisible rivalry. Never try to enforce cooperation from above. Instead, just as the economist Noreena Hertz argues we should replace ‘greed is good’ maxims in the capitalist framework with a community-oriented, cooperation-promoting mindset, appreciating that we are all better off when we work together is the critical insight needed for building a prosocial and equality-focused environment for the future.

Education is where this begins, not as moral uplift but as collective self-knowledge: it helps us see our own temptations clearly and translate that insight into practical scaffolding – laws, schools and civic rules that reward cooperation and raise the costs of exploitation. Cheating will never vanish, and some people will always look for an edge, but our distinctive intelligence lies as much in recognising exploitation and organising against it as in exploiting in the first place. Invest in that knowledge and in the local institutions that make fairness both appreciated and rewarded, and we will widen the space in which cooperation and equality can endure."]]></description>
<dc:subject>cooperation competition jonathangoodman 2026 psychology anthropocene mutualaid charlesdarwin evolution human humans morality intelligence environment sociobiology peterkropotkin anthropology ernstfehr lamelara indonesia aché interdependence gathering culture society agriculture kenya tanzania maasai osotua connectedness kalahari pollywiessner selfishness identity individualism prisoner'sdilemma ethics jasondana opportunism social cohesion inequality exploitation freeriding nicholashumphrey fairness fairmindedness pessimism behavior elinorostrom noreenahertz greed cheating education self-knowledge temptation equality knowledge capitalism darwin hunter-gatherers</dc:subject>
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<item rdf:about="https://podcasts.apple.com/nz/podcast/agentic-ai-and-education/id1690328180?i=1000746785565">
    <title>Agentic AI and education - Education Technology Society - Apple Podcasts</title>
    <dc:date>2026-01-29T21:48:10+00:00</dc:date>
    <link>https://podcasts.apple.com/nz/podcast/agentic-ai-and-education/id1690328180?i=1000746785565</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Carlo Perrotta (University of Oxford) was researching GenAI in education long before it hit the headlines. 

We talk about the latest hype around ‘Agentic AI’ and whether this is genuinely a game-changer or simply a desperate attempt to sustain the GenAI hype bubble. 

Accompanying reference >>>  Perrotta, C.  (2024). Plug-and-play education: Knowledge and learning in the age of platforms and artificial intelligence. Routledge." [https://www.taylorfrancis.com/books/mono/10.4324/9781003099826/plug-play-education-carlo-perrotta or https://www.routledge.com/Plug-and-Play-Education-Knowledge-and-Learning-in-the-Age-of-Platforms-and-Artificial-Intelligence/Perrotta/p/book/9780367568917 ]

[aslo here:
https://open.spotify.com/episode/3ZDlAZKVDgZKWOuho416gJ 

via:
https://2ndbreakfast.audreywatters.com/snow-day/ ]]]></description>
<dc:subject>carloperrotta 2026 ai artificialintelligence generativeai 2024 knowledge learning education schools schooling aibubble genai</dc:subject>
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<item rdf:about="https://www.plough.com/en/topics/culture/literature/the-world-still-being-spoken">
    <title>The World Still Being Spoken by Jon Nichols</title>
    <dc:date>2026-01-25T21:59:03+00:00</dc:date>
    <link>https://www.plough.com/en/topics/culture/literature/the-world-still-being-spoken</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Sci-fi novels like Isaac Asimov’s Foundation series and Frank Herbert’s Dune series hold echoes a much older, and better, story."]]></description>
<dc:subject>2026 jonnichols isaacasimov foundationseries frankherbert dune stories scifi sciencefiction god christianity knowledge measurement bible myths prophecy math mathematics chaos control providence judgement tyranny freedom transcendence scripture morality civilization humanity psychohistory statistics markets philosophy modernity life living</dc:subject>
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<item rdf:about="https://www.noemamag.com/the-ai-powered-web-is-eating-itself/">
    <title>The AI-Powered Web Is Eating Itself - NOEMA</title>
    <dc:date>2026-01-23T05:54:11+00:00</dc:date>
    <link>https://www.noemamag.com/the-ai-powered-web-is-eating-itself/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Without a framework of “Artificial Integrity,” AI search platforms risk collapsing the information commons that made the web possible."]]></description>
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    <title>Waiting for dawn in search: Search index, Google rulings and impact on Kagi | Kagi Blog</title>
    <dc:date>2026-01-21T20:43:19+00:00</dc:date>
    <link>https://blog.kagi.com/waiting-dawn-search</link>
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<item rdf:about="https://emergencemagazine.org/conversation/learning-to-listen-to-plants/">
    <title>Learning to Listen to Plants – with Monica Gagliano</title>
    <dc:date>2026-01-20T05:27:13+00:00</dc:date>
    <link>https://emergencemagazine.org/conversation/learning-to-listen-to-plants/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Working with knowledge imparted by plants through dreams, visions, and sensations, scientist Monica Gagliano offers a real-world example of what reimagining scientific knowledge can look like. In this conversation, she speaks about how her groundbreaking research on plant communication and cognition has evolved as she has nurtured a relationship of reciprocity and trust with the plants she studies, modeling how we can radically bridge the rigor of Western scientific methodology with the deeply human and spiritual act of listening to plants."]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=39LR9ouJR3c">
    <title>How Wikipedia Will Survive in the Age of AI (With Wikipedia’s CTO Selena Deckelmann) - YouTube</title>
    <dc:date>2026-01-20T03:24:59+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=39LR9ouJR3c</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Wikimedia Foundation's chief technology and product officer explains how she helps manage one of the most visited sites in the world in the age of generative AI. Wikipedia is turning 25 this month, and it's never been more important.The Wikimedia Foundation’s chief technology and product officer explains how she helps manage one of the most visited sites in the world in the age of generative AI. 

Wikipedia is turning 25 this month, and it’s never been more important. 

The online, collectively created encyclopedia has been a cornerstone of the internet decades, but as generative AI started flooding every platform with AI-generated slop over the last couple of years, Wikipedia’s governance model, editing process, and dedication to citing reliable sources has emerged as one of the most reliable and resilient models we have. 

And yet, as successful as the model is, it’s almost never replicated. 

This week on the podcast we’re joined by Selena Deckelmann, the Chief Product and Technology Officer at the Wikimedia Foundation, the nonprofit organization that operates Wikipedia. That means Selena oversees the technical infrastructure and product strategy for one of the most visited sites in the world, and one the most comprehensive repositories of human knowledge ever assembled. Wikipedia is turning 25 this month, so I wanted to talk to Selena about how Wikipedia works and how it plans to continue to work in the age of generative AI.  

• Wikipedia’s value in the age of generative AI: https://wikimediafoundation.org/news/2023/07/12/wikipedias-value-in-the-age-of-generative-ai/

• The Editors Protecting Wikipedia from AI Hoaxes: https://www.404media.co/the-editors-protecting-wikipedia-from-ai-hoaxes/

• Wikipedia Pauses AI-Generated Summaries After Editor Backlash: www.404media.co/wikipedia-pauses-ai-generated-summaries-after-editor-backlash/

•  Wikipedia Says AI Is Causing a Dangerous Decline in Human Visitors: https://www.404media.co/wikipedia-says-ai-is-causing-a-dangerous-decline-in-human-visitors/

• Jimmy Wales Says Wikipedia Could Use AI. Editors Call It the 'Antithesis of Wikipedia': https://www.404media.co/jimmy-wales-wikipedia-ai-chatgpt/

This is a production of 404 Media, a journalist-owned tech website. Learn more and subscribe at: htttps://404media.co "]]></description>
<dc:subject>selenadeckelmann wikipedia wikimedia 2026 knowledge encyclopedias wikimediafoundation ai artificialintelligence internet web online jimmywales opensource generativeai iteration goodfaith grace governance typhoonpamela reliability knowledgecreation commons machinelearning publicgoos systems values citation volunteers collaboration documentation process writing howwewrite egalitarianism genai</dc:subject>
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    <title>25 years of Wikipedia</title>
    <dc:date>2026-01-17T03:51:34+00:00</dc:date>
    <link>https://wikipedia25.org/en/twenty-five-years-of-wikipedia</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>wikipedia history internet web online 2026 2001 future encyclopedias collaboration publicgood knowledge access accessibility</dc:subject>
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<item rdf:about="https://hegemon.substack.com/p/the-age-of-academic-slop-is-upon">
    <title>The Age of Academic Slop is Upon Us - by Seva Gunitsky</title>
    <dc:date>2026-01-16T08:12:47+00:00</dc:date>
    <link>https://hegemon.substack.com/p/the-age-of-academic-slop-is-upon</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["what happens when AI automates "normal science"?"]]></description>
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<item rdf:about="https://walklistencreate.org/2026/01/15/the-walking-assembly-2026/">
    <title>The Walking Assembly 2026 – walk · listen · create</title>
    <dc:date>2026-01-15T20:41:23+00:00</dc:date>
    <link>https://walklistencreate.org/2026/01/15/the-walking-assembly-2026/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Dynamic Knowledge: moving together in practice. How to learn without teaching
9–13 May 2026 · Salt → Albanyà → Muga River (Girona, Catalonia, Spain)

The Walking Assembly 2026 is a nomadic, field-based gathering for artists, researchers, educators, and collectives interested in walking as a form of knowledge-making, relational practice, and ecological inquiry. Building on the Walking Arts and Relational Geographies encounters held in Catalonia in 2022 and 2024, the 2026 edition marks a decisive shift: from conference to assembly, from encounter to movement.

Rather than relying on conventional academic formats, The Walking Assembly proposes an experimental model in which knowledge emerges through shared walking, presence, and collective experience. Learning is understood not as something transmitted or taught, but as something that arises through movement, attention, and being together in place.

Organised by Nau Côclea with an international curatorial team, The Walking Assembly 2026 takes place within the framework of the HO1 POCTEFA cross-border project (Spain–France).
Concept & Theme

Dynamic Knowledge: moving together in practice. How to learn without teaching

The Assembly starts from the recognition that certain forms of knowledge are embodied, relational, ecological, and situated—and cannot be fully grasped through disciplinary research or formal instruction alone. Walking is proposed as:

- a mode of knowing grounded in movement, care, and attention
- a commons based on hospitality, reciprocity, and co-creation
- a way to explore relationships between human and more-than-human worlds

Water, and specifically the Muga River, serves as both guiding metaphor and material presence throughout the Assembly, foregrounding flow, transformation, accumulation, erosion, and return as pedagogical forces.
Structure

Part 1 – Confluence in Salt (Saturday, 9 May 2026)
A one-day open Confluence hosted in Salt (near Girona), bringing together up to 120 participants. Moving beyond traditional conference formats, participants share materials in advance and engage on site through conversations, walks, workshops, and collective sessions. Highlights include a public conversation with Tim Ingold, and an introduction to the walking expedition and thematic walkshops. As part of the parallel programme, expedition participants will take part in an experiential walk in the Urban Gardens of Salt with the Milfulles Association, while non-expedition participants are invited to a counter-mapping workshop led by Luce Choules.

Part 2 – Walking Expedition along the Muga River (10–13 May 2026)
A four-day, three-night nomadic walking expedition based in Albanyà, limited to 30 selected participants. Working in small groups, participants engage in sustained dialogue with the river and its landscapes through themed walkshops, including:

- The river that sees us – Clara Garí and Marc Caellas
- Walking, Writing, and the Commons of Attention – Geert Vermeire
- Personal and Other Pilgrimages – Claudia Zeiske
- Walking on Water – Pau Cata

Evenings are dedicated to collective reflection and sharing. A live photographic fieldwork process, coordinated by Luce Choules, will form an evolving expedition archive."]]></description>
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<item rdf:about="https://timothyburke.substack.com/p/generative-ai-the-next-decade">
    <title>Generative AI: The Next Decade - by Timothy Burke</title>
    <dc:date>2026-01-13T21:54:05+00:00</dc:date>
    <link>https://timothyburke.substack.com/p/generative-ai-the-next-decade</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I’ve continued to work with generative AI and to read a fair amount of the busy stream of writing about it. I feel ready to make some predictions about generative AI’s possible near-term future implications.

None of what I’m seeing—and fearing—is inevitable. But I’m afraid that the dependent variable here is either the AI industry deciding to narrow and tailor its development and deployment of generative AI or some serious effort by workplaces and governments to restrict or reject that deployment. Neither seem likely at the moment.

1. In workplaces, one major use of generative AI is not at all revolutionary. It’s a new label for an older kind of thing, which is the use of “algorithmic black boxes” as a substitute for direct human evaluation of information flowing into and out of an organization. Generative AI just extends the deployments of such “black boxes” and makes the interface for interacting with them more accessible to technologically inexpert middle managers. This use will continue because it wasn’t about effectiveness in analyzing information or making decisions in the first place. Nor was it really about achieving greater efficiency via the elimination of lower-level white-collar jobs, though algorithmic tools have offered an ideological justification for firing people since the early 2010s at least. The real appeal of black boxes, whether maintained by generative AI or otherwise, is as a liability shield. Human resources leaders and other middle managers love to translate this into “minimizing bias” because they know that is a sociopolitical concept that inhibits criticism, but fundamentally it’s about protecting the asset wealth of an organization from lawsuits alleging discrimination. “The AI did it” is going to have enduring appeal as a shelter from agency.

2. As an extension of this logic, generative AI is going to continue to expand into every level of customer service interactions in every industry. It doesn’t matter if a drunken gerbil allowed to run on a keyboard could likely generate better responses to most customer inquiries and complaints, because the goal is not better customer service. Again, we’re already used to the first layer of interaction with any company or business being frustratingly pointless, and have been since the first decade of the 2000s. Your first query goes to the FAQ, the second goes to an offshored person who knows nothing about your problem and just reads the FAQ to you. Only with a lot of patient persistence do you eventually get to someone who can help. The goal is to make you go away and solve your own problem, and to relieve the company of having to hire more than a handful of expensive people to staff a call center that can actually solve problems. If every large company treats you equally badly in this way, then you can’t switch to a company that does it better: it’s a kind of convergence on monopoly behavior without the need for active collusion. Generative AI is a new way to accomplish this old goal.

3. Looping generative AI into customer service inquiries will also protect from liability. It won’t be the human personnel of a service business that didn’t put toilet paper in your hotel room, that gave you the wrong model rental car, that charged you for twenty burgers instead of one when you ordered from DoorDash, it will be the AI. And since the AI will be the only layer of service interaction you can get to remotely, the AI won’t be able to acknowledge responsibility or error, because its system prompts will prevent that, and there will be no recoverable memory or transcript of its errors. In some cases, you’ll have to sue to get redress, because even the credit card company will be using a generative AI that won’t facilitate a charge-back. Which means you won’t get redress at all, which might mean that people will increasingly be reluctant to interact with conventional service industries unless they absolutely have to.

4. The financial incentives for cultural work in the long tail, by independent producers, will contract violently. The people writing self-published novels, making clever short videos, making visual art, making a clever indie game, will find that if they happen to make something that other people like and want, it will be almost immediately reproduced by slop plagiarists who are legally untouchable. This is less a prediction and more a description. We are already there, it’s just that many people who have creative talents and abilities are motivated to continue producing work despite the massive noise overwhelming any signal they emit. This will also affect social media, most particularly Reddit. High-value contributors will increasingly peel off and give up because they will mostly be talking to generative AI bots and anything interesting and potentially profitable they create will be reproduced almost directly and immediately by generative AI elsewhere.

5. The slowing of new text-making, new art-making, in social media and public culture, will have a serious impact on machine learning intended to improve future iterations of generative AI. Generative AIs will increasingly be stuck in a reference frame of 2022 or so and have difficulty simulating natural-language responses that reference events, slang or other mutable aspects of social and cultural life that come after 2022. AI companies will increasingly turn to micropayments of the kind associated with Amazon’s Mechanical Turk service in order to get human beings to write or create new material to train on, and will become increasingly desperate about digitizing everything and anything that has not been digitized. They will also increasingly push to have all spaces where human beings are conversing recorded and turned into transcriptions that can be used to train generative AI. Opting out of being recorded will increasingly be a privilege reserved for people at the top of workplace hierarchies, or yet another reason to remain in one’s home and never to spend time socializing in public spaces. (Though homes also will have always-on recording of various kinds.)

6. At the profit-seeking industrial end of culture-making, art and culture are going to diverge into two streams. One will be technically proficient slop, and that will be the majority of what is available as streaming media, as text for reading, and as commercial art. This is not all that different from the pre-generative AI situation: cop shows, hospital dramas, Hallmark movies, romance novels, and so on are already highly formulaic, interchangeable, recycled. This may not even produce much of a savings to have generative AI create it, since there will have to be human workers who clean up the slop a bit before pushing it out. The other stream will be highly bespoke culture made by human creators. It will be more and more expensive to rent, and increasingly that will be the only form it is available in, through a time-delineated license to view. Collecting bespoke culture as an owner will be strictly for the extremely wealthy.

7. Agentive AIs will increasingly alter source texts and digital data when they are accused of error so that the source texts conform to the initial AI interpretation of them and absolve them of the charge of “hallucinating”. Textual originals and data will be increasingly difficult to consult and in many cases may be disposed of for reasons of economy for archives that aren’t positioned to monetize what they’re holding or made expensive to examine for archives that are positioned to monetize. Correcting a generative AI misinterpretation of original text or data will become surpassingly difficult because generative AI will be the first responder to any claim of error and will ignore most such claims because on look-up the generative AI will find the text that was altered by another agentive AI.

8. Video imagery of distant events will become effectively worthless. Nations that now maintain strong controls over information coming in or out through digital networks will increasingly commission deepfaked media designed to swamp or de-authenticate cellphone pictures and videos that document governmental oppression while also issuing custom system prompts to generative AI designed to saborage inquiries that the government wants to suppress. Governments that want to maintain the free circulation of accurate information and democratic conversation will be forced to isolate their own commons from worldwide networks in order to choke off rampant disinformation and fraud.

9. People will have to start prizing direct eyewitness experience more. We will start to underwrite “lecture circuits” of eyewitnesses to events who will testify to what they’ve seen and done to local audiences—essentially the equivalent of shifting testing and examination to blue-books with no online access.

10. Generative AI will write most code, which will create another version of the “stuck in 2022” problem—code for new hardware, code for new problems, code with novel problem-solving strategies, will become an extremely bespoke activity carried out by an increasingly small workforce with the necessary skills.

11. Students experiencing expensive, selective education at all levels will have high value in labor markets only if their institutions figure out successfully how to convince incoming students to undertake learning basic skills and to acquire foundational knowledge without using generative AI so that they can get to the point where they have high-end bespoke training and the ability to properly use generative AI in specialized ways. There won’t be any way to get to that level of quality just with force and punishment—students will have to want that kind of training and accept some of the initial tedium it involves. Education awash in AI slop will leave most people locked out of any labor market that doesn’t turn on physical, embodied trade-school knowledge and work.

12. Even if the companies making generative AI eventually collapse (which I think they might within five to ten years), it will be extremely difficult to rebuild some of the damage that the careless deployment of generative AI is going to do. When the dust settles, it may be that the offspring of generative AI retooled (again) exclusively as expert systems will even more productively serve some of the specialized functions that AI boosters excitedly predict for them—the automated analysis of extremely large flows of data, the enhancement of specialized expert analysis of difficult problems, the linking up of high-level problems in two expert domains where there isn’t an existing tradition of collaboration between knowledge producers, and so on. That activity is going to go on throughout the next decade, but it’s not enough to justify the extravagant infrastructural investments that the current AI industry is carrying out nor produce the profit margin those investments imply."]]></description>
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    <title>how one company broke sewing for EVERYONE - YouTube</title>
    <dc:date>2026-01-05T06:26:30+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["0:00 Meet Joann
03:12 Chapter 1: How Sewing Evolved
16:27 Chapter 2: How Joann Rose
28:51 Chapter 3: Material Literacy
35:28 Chapter 4: Playing Dress-Up 
43:08 Chapter 5: The Real Villain
57:04 Chapter 6: How Joann Fell
1:22:29 Chapter 7: What’s Left Behind
1:45:56 Chapter 8: The Next Chapter"]]></description>
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<item rdf:about="https://2ndbreakfast.audreywatters.com/days-gone-by/">
    <title>Days Gone By</title>
    <dc:date>2025-12-31T21:38:39+00:00</dc:date>
    <link>https://2ndbreakfast.audreywatters.com/days-gone-by/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What a terrible year. Good riddance to today being the very last of it.

Way back when I used to publish things on Hack Education, I was always proud of my end-of-year stories -- the series of articles I posted annually that tried to chronicle all the incredibly awfulness that ed-tech had wrought in the prior months [https://hackeducation.com/2019/12/31/what-a-shitshow ]. It was important, I believed, to remember and reflect; capitalism and technology work hand-in-hand to encourage us to forget, to move on. I toyed with the idea of doing the same thing here, on Second Breakfast; but new site, new name, new distribution mechanism... it seems best to leave some things behind.

Or more accurately, I’m not sure I have the stamina right now to revisit the horrors of 2025 in detail, the kind of detail that I’d carefully track in those Hack Education essays. It has, since the very first days of January -- Trump’s inauguration, surrounded and applauded by Silicon Valley’s leaders -- been dangerous, disastrous, deadly, inside and outside of schools.

And I’ve received one too many email newsletters in the past week or so in which someone boasted that they’d had ChatGPT identify the important themes and trends for the year for them -- a good reminder that these sorts of seasonal prompts for content production (lists after lists after lists after lists) have never really been about inquiry or criticism, but more about the churning out of data for someone else’s algorithmic machinery. It’s insulting. It’s undignified. But it’s the future that some men sure seem to yearn for.

That said, I do think I'd be remiss to not make a few observations here on December 31, particularly before the usual suspects launch into the new year peddling the very same bullshit they've tried to have us choke down with a smile for decades now. (Indeed, 2026 marks the 100th anniversary of Sidney Pressey's landmark article that launched the whole teaching machine industry [https://mitpress.mit.edu/9780262546065/teaching-machines/ ]: "A simple apparatus which gives tests and scores-- and teaches." I'll have more to say about that anniversary in the coming weeks.)

Artificial intelligence has, no doubt, sucked all the proverbial oxygen out of the proverbial room in education and education technology. It is not just the top of the year-end list; it is the list. (And as I noted above, too many people let the technology “generate” the list for them.) “AI” seemed to be almost all that anyone could talk about, certainly all that many hope to sell. Of course, this is why the ed-tech amnesia does matter: the myriad of ed-tech products with some sort of algorithmic teaching and testing and bureaucratic classroom-management procedures -- built and sold that way for decades now -- have all rebranded as "AI," and "AI" has been inserted into almost every single piece of software, whether you like it or not.

And you shouldn't. It's bad fucking news. It's bad for thinking. It's bad for learning. It's bad for teaching. It's bad for research. It's bad for knowledge. It's bad for justice. It’s bad for democracy. It's bad for humanity. It's bad for the planet. Everyone knows it [https://blog.ayjay.org/everyone-knows/ ], as Alan Jacobs recently wrote. But plenty of folks are out there hustling hustling hustling. They’re willing to ignore the bad, in no small part because that's what their privilege affords them.

<blockquote>It is difficult to get a man to understand something, when his salary depends on his not understanding it – Upton Sinclair</blockquote>

As the Department of Justice slowly releases more documents relating to Jeffrey Epstein, perhaps it's worth reminding people of this convicted sex offender's connection not just to artificial intelligence, but to those working in AI and ed-tech specifically. Bill Gates. Marvin Minsky. Roger Schank. Joi Ito. Whether or not these men -- or any of the men listed in Epstein's "little black book" -- were engaged in child sex trafficking is beside the point: they were willing to ignore its occurrence, willing to continue their own access to money and power and influence at the expense of the health and safety of girls.

And so it continues: the willingness of those supporting some "AI" future to overlook the real harms, the substantive exploitation, the actual violence in order to maintain their own access to money and power and influence.

It's par for the course, I suppose. Because "the big story" in "AI" doesn't necessarily involve this new generative "AI" hoopla, but rather an older, even more dangerous version of / vision for the technology: prediction, facial recognition, geolocation, surveillance, policing. "The big story" in education and "AI" isn't necessarily students using the technology to cheat themselves of learning or teachers using the technology to automate their profession away; but rather the usage of "AI" by ICE -- with the assistance of every major technology company, not just Palantir [https://www.nytimes.com/2025/12/03/business/dealbook/palantir-alex-karp-ice-trump.html ]-- to identify [https://www.404media.co/cbp-quietly-launches-face-scanning-app-for-local-cops-to-do-immigration-enforcement/ ], mis-identify [https://www.404media.co/how-a-us-citizen-was-scanned-with-ices-facial-recognition-tech/ ], harass, arrest, imprison, and deport people. Hundreds of thousands of people. People in our communities. People in and around our schools. Our neighbors. Our co-workers. Our students. Our teachers. Families. Parents. Children.

This is the story of what "AI" means in education – or part of it, at least. “AI” is central to the move towards techno-authoritarianism [https://www.authoritarian-stack.info/ ], a move that of course will target democratic institutions – institutions tasks with building knowledge and building human capacity – first.

"AI" is, after all, an endeavor undeniably intertwined with eugenics [https://bookshop.org/p/books/disabling-intelligences-legacies-of-eugenics-and-how-we-are-wrong-about-ai-rua-m-williams/b5e49f6b89f846a8?ean=9783032026644&next=t&next=t&affiliate=93920 ]. It is fundamentally a reactionary effort – despite all the rhetoric about it being future-facing – an effort inseparable from the anti-diversity initiatives undertaken throughout governments and corporations this year. "AI" is a backlash to civil rights movements, a backlash to the advancements of the past few decades that shifted (ever so slightly) the power away from white men.

You can see this in the onslaught of "AI" hype, almost entirely vocalized by men – the Sams and the Marks and the Peters and the Jasons so deeply aggrieved at having to share the stage, the mic, the platform, the workplace, the classroom, the world with women, with Black people, with queer folk, with people with disabilities, with indigenous people, with refugees, with non-English speakers, with Muslims, with anyone from the majority world. And this isn't simply a matter of representation in their datafied corpus – although that still matters. "AI" means erasure, epistemic erasure – all writing, all images, all sounds, all expression squeezed towards the middle, the mundane, the Man. AI is a silencing; "AI" is genocidal [https://www.theguardian.com/world/2025/dec/30/israeli-military-big-tech ]. Its acceptance, begrudging or willful, means the normalization of this violence – of its harms to ourselves and to one another and to the environment; of its demands for efficiency and optimization; of its sing-song allure of sycophantic mediocrity at the expense of creativity, spontaneity, diversity, life.

But “let’s be clear: AI" is not the only technology being wielded right now to control bodies, to control minds, to control labor, to control knowledge. And here's where the incessant focus on "AI" -- whether it be promotion or critique -- easily serves to further impoverish our understanding of what's happening in education. Among the other important stories of 2025: the banning of books [https://thelibrariansfilm.com/ ]; the banning of cellphones in the classroom [https://www.afterbabel.com/ ]; age-restrictions on social media [https://www.pbs.org/newshour/world/australia-to-enforce-social-media-age-limit-of-16-with-fines-up-to-33-million ]; the re-emergence of the “standards” (and standardized testing) cadre [https://www.theatlantic.com/podcasts/archive/2025/10/the-david-frum-show-margaret-spellings-school-testing/684489/ ]; the digital surveillance and silencing (and firing) of professors [https://www.theguardian.com/us-news/2025/oct/10/academics-professors-charlie-kirk ] for what’s on the syllabus, what’s discussed in class -- all efforts, to one degree or another, to limit access to information. To certain kinds of information, of course. To acquiesce to “AI” is to surrender to what Neil Postman so presciently called Technopoly [https://bookshop.org/p/books/technopoly-the-surrender-of-culture-to-technology-neil-postman/411fadc13061d77a?ean=9780679745402&next=t&next=t&affiliate=93920 ] – the monopolistic control of knowledge and information and media, the control of our very understanding of ourselves and the world around us, in the hands of a small handful of fascistic tech billionaires.

And look, I’ll be the first to suggest that we’d all be well-served to step away from our digital devices, to spend much much much less time on the Internet. Put your phone away while you eat and while you walk down the street, for crying out loud. “Touch grass.” Read a book. Read a book to your children. Please.

But I’m wary of many of the efforts to curb children’s access to technology because these initiatives are, at their heart, often not about the tech (and certainly not about structural redress) but about curbing children’s access to knowledge. These are efforts at stifling children’s self-discovery – particularly around questions of gender identity – and their discovery of like-minded community.

***

<blockquote>"Narrative power, maybe all power, was never about flaunting the rules, yelling at a cop, making trouble – it was about knowing that, for a privileged class, there existed a hard ceiling on the consequences.

    And on the heels of that realization, a converse one: I began to suspect that the principles holding up this place might not withstand as much as I first thought. That the entire edifice of equality under law and process, of fair treatment, could just as easily be set aside to reward those who belong as to punish those who don't. A hard ceiling for some, no floor for others."

    – Omar El Akkad, One Day Everyone Will Have Always Been Against This [https://bookshop.org/p/books/one-day-everyone-will-have-always-been-against-this-omar-el-akkad/4191784c40750b09?ean=9780593804148&next=t&next=t&affiliate=93920 ]</blockquote>

***

There’s a refrain you’ll often hear, that “the kids are alright.” I get it. It’s comforting to think that, despite all the horrors that surround them – environmental destruction, genocide, school shootings, immigration raids, anti-trans policies, economic inequality, homelessness, mental health crises, job insecurity (hell, job non-existence [https://nymag.com/intelligencer/article/ai-replacing-entry-level-jobs-gen-z-careers.html ], some say) – that younger folks are good and strong and resilient. And maybe some are. Maybe some can put on a good face. They can still go through the motions. They over-schedule; they over-achieve. What choice is there, really? Right?

But what if they aren’t okay? (I mean, crikey, what if none of us grownups really are either? And I’m looking right at those of you lulled by the siren call of “AI," driving this ship straight into the rocks. But I'm looking at, I'm looking to all of us.)

A day doesn’t go by where I don’t think about my son – about my own losses, my own grief in the face of this abysmal world we have built for our children. And since this summer, barely a day has gone by when I haven’t thought about Adam Raine, the 16-year-old who died by suicide after lengthy discussions -- encouragement, even -- from ChatGPT [https://www.nytimes.com/2025/08/26/technology/chatgpt-openai-suicide.html ]. And for the past few weeks now I think about the Reiner family too, a very famous stand-in, I suppose, for all the families who have chronically mentally ill children – violent or not, adult or not, in or not in active addiction. I’d say “you have no idea what it’s like” but so many of us do. More than we care to admit, more than we care to talk about, and obviously – fucking hell – more than we care to address.

“The purpose of a system is what it does,” the cybernetician Stafford Beer famously said. It is clear to me what the purpose of “AI,” what the purpose of ed-tech is. 2025 made it oh so clear. Sure, people still like to talk about innovation and enhancement. They wave their hands around excitedly – some "think bigger!" gesture, extolling some imaginary shiny future of cognitive speed and efficiency. But the purpose of these systems is what they do. And look what they have done.

Everyone knows. Everyone sees it. Some of us try to convince ourselves otherwise. But it's right there. The purpose of the system is extraction. The purpose is obedience. The purpose is compliance. The purpose is death – death of agency and death of dignity and death of joy.

We have much work to do to make our institutions – educational and otherwise – into something else. We cannot do it chained to the technologies that are designed to stop us from ever even thinking about becoming free.

But we can do it.

***

Today’s bird is the starling, which has been called one of the worst invasive species [https://www.invasivespeciesinfo.gov/terrestrial/vertebrates/european-starling ] in the world, brought to the US from Europe in the late nineteenth century, according to one story at least, by Eugene Schieffelin [https://en.wikipedia.org/wiki/Eugene_Schieffelin ], an ornithologist who thought it'd be neat to introduce into the US – via a release in Central Park in the case of the starling – every bird mentioned in Shakespeare's works. (Good grief, the hell men will unleash just to get you to pay attention to western literature.)

I see starlings almost every day in the park – during warmer months at least. Close up, their plumage is striking: an iridescent purple and green. Their beak is yellow. Their calls are comprised of squeaks and clicks, but they're known to mimic other birds. (Hotspur tries to teach a starling to say "Mortimer" in Henry IV, Part 1.)

Starlings are aggressive birds, attacking and displacing other species and, according to the USDA at least [https://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=1023&context=nwrcinvasive ], causing hundreds of millions of dollars of damage to agricultural crops every year. But what happens when we mark up the world – who belongs, who belongs where – into "native" and "invader" and "alien" [https://www.allaboutbirds.org/news/essay-are-starlings-really-invasive-aliens/ ]?

Starlings are "gregarious," meaning their flocks are often very large. Very very large – roosts can be comprised of over one million birds. Their swarm-like flights are called murmurations; and these are beautiful, almost musical, magical feats of coordination.

We don't know why the birds move this way; there's so much we do not know about the beings with whom we inhabit this world (although I'm sure ChatGPT, that other shiny invasive species specious, would surely tell you that it knows.)"]]></description>
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    <title>Alexis Madrigal: &quot;To Know A Place&quot; - Social Science Matrix</title>
    <dc:date>2025-12-28T20:58:00+00:00</dc:date>
    <link>https://live-ssmatrix.pantheon.berkeley.edu/research-article/alexis-madrigal/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Recorded on December 4, 2025, this video features a Social Science Matrix Distinguished Lecture, “To Know a Place,” presented by journalist and author Alexis Madrigal.

Madrigal has long explored how technology, culture, and environment shape our lives; from his work co-founding The COVID Tracking Project to his books Powering the Dream and The Pacific Circuit. In this talk, Madrigal turns his attention to the question of how we come to know a place. Drawing on his background as a reporter, writer, and thinker of cities, landscapes, and histories, he explores different ways of writing about and understanding place, revealing how perspective, memory, and narrative inform the stories we tell about the world around us. 

About the Speaker

Alexis Madrigal is a journalist in Oakland, California. He is the co-host of KQED’s current affairs show, Forum, and a contributing writer at The Atlantic, where he co-founded The COVID Tracking Project. Previously, he was the editor-in-chief of Fusion and a staff writer at Wired. His latest book, The Pacific Circuit, came out in March 2025 from MCD x FSG. He is the proprietor of the Oakland Garden Club, a newsletter for people who like to think about plants. Madrigal authored the book Powering the Dream: The History and Promise of Green Technology. He has been a visiting scholar at UC Berkeley’s Information School and UC Berkeley’s Center for the Study of Technology, Science, and Medicine as well as an affiliate with Harvard’s Berkman Klein Center for Internet & Society. He was born in Mexico City, grew up in rural Washington State, and went to Harvard.

Podcast and Transcript

Watch the panel above or on YouTube [https://www.youtube.com/watch?v=URcgwVjoxbE ]. Or listen to the audio recording via the Matrix Podcast below (or on Apple Podcasts)."]]></description>
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    <title>Don't Become a Connoisseur.</title>
    <dc:date>2025-12-08T20:05:16+00:00</dc:date>
    <link>https://www.joanwestenberg.com/dont-become-a-connoisseur/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[video version:
https://www.youtube.com/watch?v=F1D6kPJMDe8 ]

"One of the great pleasures of my life is a bacon double cheeseburger. The simpler the better. Meat, cheese, a good pickle, a lug of ketchup and some sizzling bacon. There's nothing particularly refined about it. And there's not much I'd choose to eat instead of it, whether I can get one from McDonalds, Burger King or a corner diner.

I'll say it plainly: I do not consider myself a connoisseur of anything. I am neither an epicure nor an aesthete. I like the things I like, and I like 'em simple and (where possible) I like 'em cheap.

Connoisseurship is widely understood to be a good thing: we call it a mark of sophistication - a form of self-improvement that deepens your relationship with beauty and pleasure.

I think this is almost exactly backwards.

In fact, I've started to believe that developing "refined taste" is one of the most reliable ways to make yourself worse off.

Let me explain.

Someone decides to "get into" wine, coffee, whiskey, or any other domain where refined taste is possible // encouraged. They read books, subscribe to newsletters, join clubs, and begin paying attention to what they're consuming instead of just consuming it.

Within a couple of years they have developed what they proudly call "a palate."

They have also, if they're being honest, stopped enjoying approximately 90% of the options available at normal human price points.

The cheap stuff they used to consume happily now tastes "thin" or "unbalanced" or possesses some technical flaw that their newly trained senses cannot ignore.

And yes, the wine expert experiences rapture at a great Burgundy that the casual drinker can never access. The trained musician hears structure and beauty in a symphony that the untrained ear misses entirely.

But I think we massively underestimate the costs and overestimate the benefits.

You spend enormous amounts of time and mental energy developing your discernment; you read, you practice, you compare, you discuss. This is time you could have spent doing almost anything else, including simply enjoying the thing you're trying to become expert at.

Simply: the aspiring coffee connoisseur who spends 200 hours learning to distinguish processing methods could have spent those 200 hours just drinking coffee and enjoying the hell out of it.

Then, once you've developed your refined taste, you've created an expensive new preference for yourself. Where before you were satisfied with a $12 bottle of wine or a $3 cup of coffee, you now need a $60 bottle or an $8 pour from a specialty roaster to achieve the same level of satisfaction.

You've shifted your hedonic baseline upward without actually capturing any more total pleasure from the experience. You are, in almost every way, worse off.

The casual coffee drinker has expectations that hover somewhere around "hot, contains caffeine." Almost every cup of coffee clears this bar.

The connoisseur has expectations calibrated to the best coffee they've ever encountered, which means almost every cup falls short.

You've traded a world where 90% of coffee is acceptable for a world where 10% of coffee is acceptable. This is not an improvement.

So why do people keep attempting to leap into the connoisseur category?

It's not a complicated question to answer.

Refined taste is a form of social currency. When you can discourse knowledgeably about single-origin chocolate or Japanese denim, you're signaling membership in a particular, educated, cultured, upper-middle-class tribe. You're demonstrating that you have the leisure time to develop these refined preferences, the disposable income to indulge them, and the social connections to learn the right vocabulary and opinions.

Connoisseur-ship is, basically, a very elaborate and expensive form of peacocking.

Which would be fine, I suppose, if people were honest about it. We pretend the acquisition of refined taste is a form of self-improvement. But what if it's mostly just competitive consumption?

Imagine you could take a pill that would give you all the functional benefits of the improvement without the social signaling value. Would you still want it?

If you could take a pill that would make cheap wine taste exactly as good to you as expensive wine, would you take it?

I think most honest people would say yes. The expensive wine doesn't actually contain more hedonic value; you've simply trained yourself to require more expensive inputs to achieve the same output. The pill would be pure upside.

But I think there are more than a few professed connoisseurs who would find the idea repulsive.

I'll admit: there really is something wonderful about understanding a complex domain, about being able to perceive distinctions that others miss, about having the vocabulary to articulate your experiences precisely. I don't want to deny this entirely.

But the joy of mastery is portable; it doesn't need to attach itself to consumption goods that will raise your cost of living and narrow your sources of pleasure.

If you want to develop deep expertise in something, develop it in something that won't make you more expensive to satisfy.

Become a connoisseur of free things: sunsets, birdsong, public domain blues recordings, the way light filters through leaves.

Or become expert in something productive, where your refined judgment actually creates value rather than just consuming it. Learn to distinguish good code from great code, or compelling prose from merely competent prose, and you've developed expertise that pays dividends rather than extracting them.

The trap of connoisseur-ship is that it disguises consumption as cultivation. You end up poorer in money and narrower in the range of things that can make you happy, but you get to feel like you've achieved something meaningful.

The lesson here is simple: be very careful about what you let yourself get good at noticing. Every distinction you learn to perceive is a new way for the world to fail your standards.

The critic's eye is a curse. Better to stay a little ignorant, a little undiscerning, a little easier to please. The man who can enjoy an Aldi wine and a fast food burger has access to pleasures that the refined palate has permanently foreclosed.

That kind of effortless enjoyment is worth protecting.

If you're young, or if you've somehow preserved your capacity for unselfconscious enjoyment, guard it fiercely.

Refined taste looks like elevation from the outside, and even on the inside it can feel like expanding. But it's actually a narrowing. Every palate you develop is a menu shrinking.

The happiest readers I know haven't built an identity around Proust. The happiest drinkers I know cannot distinguish a Burgundy from a Bordeaux. The happiest programmers I know use whatever works without agonizing about whether something might work better.

They are richer in experience than any connoisseur, even if their experiences are individually less exquisite. They read whatever looks interesting at the airport bookstore. They drink whatever their hosts are serving. They use whichever tool loads fastest.

The enthusiast might not be as refined as the connoisseur. But they have a good deal more fun."]]></description>
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<item rdf:about="https://www.theatlantic.com/ideas/2025/11/colleges-ai-education-students/685039/">
    <title>Colleges Are Preparing to Self-Lobotomize - The Atlantic</title>
    <dc:date>2025-12-08T00:18:57+00:00</dc:date>
    <link>https://www.theatlantic.com/ideas/2025/11/colleges-ai-education-students/685039/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The skills that students will need in an age of automation are precisely those that are eroded by inserting AI into the educational process."

...

"The most responsible way for colleges to prepare students for the future is to teach AI skills only after building a solid foundation of basic cognitive ability and advanced disciplinary knowledge. The first two to three years of university education should encourage students to develop their minds by wrestling with complex texts, learning how to distill and organize their insights in lucid writing, and absorbing the key ideas and methods of their chosen discipline. These are exactly the skills that will be needed in the new workforce. Only by patiently learning to master a discipline do we gain the confidence and capacity to tackle new fields. Classroom discussions, coupled with long hours of closely studying difficult material, will help students acquire that magic key to the world of AI: asking a good question.

After having acquired this foundation, in students’ final year or two, AI tools can be integrated into a sequence of courses leading to senior capstone projects. Then students can benefit from AI’s capacity to streamline and enhance the research process. By this point, students will (hopefully) possess the foundational skills required to use—rather than be used by—automated tools. Even if students continue to enter college underprepared and overreliant on tech that has impeded their cognitive development, universities have a responsibility to prepare them for an uncertain future. And although our higher-education institutions are not suited to predicting how a new technology will evolve, we do have centuries of experience in endowing young minds with the deep knowledge and flexible intelligence needed to thrive in a world of unceasing technological change."]]></description>
<dc:subject>michaelclune 2025 ai artificialintelligence colleges universities highereducation highered academia education automation chatgpt kentberridge terryrobinson addiction michaelpolanyi gabrielrossman llms convenience efficiency knowledge justinreich thinking howwethink writing howwewrite science michaelbloomberg cognition skills discussion discourse research inquiry</dc:subject>
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<item rdf:about="https://www.hcn.org/articles/the-mystery-of-wildlife-and-a-world-beyond-our-understanding/">
    <title>The mystery of wildlife and a world beyond our understanding - High Country News</title>
    <dc:date>2025-11-26T20:35:18+00:00</dc:date>
    <link>https://www.hcn.org/articles/the-mystery-of-wildlife-and-a-world-beyond-our-understanding/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Science is essential to managing wildlife populations, but there are limits to what we know."]]></description>
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<item rdf:about="https://nymag.com/intelligencer/article/elon-musks-grokipedia-is-a-warning.html">
    <title>Elon Musk’s Grokipedia Is a Warning</title>
    <dc:date>2025-11-22T00:35:28+00:00</dc:date>
    <link>https://nymag.com/intelligencer/article/elon-musks-grokipedia-is-a-warning.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Elon Musk’s Wikipedia clone is ridiculous. It’s also a glimpse of the future."

[archived:
https://archive.ph/ZbThh ]

"In 2021, somewhere near the peak of his pre-political celebrity, Elon Musk tweeted to celebrate a milestone for the web: “Happy birthday Wikipedia! So glad you exist.” His public relationship with the platform had been, up until that point, fairly normal, at least for a controversial public figure. He was an avid consumer, frequently tweeting links on a range of topics. His occasional criticisms of the platform were about how it represented him. “History is written by the victors,” he wrote in 2020, “except on Wikipedia haha.” A year earlier, he’d complained about his own entry. “Just looked at my wiki for 1st time in years. It’s insane!” he wrote, bemusedly calling his page a “war zone” with “a zillion edits.” In response to a supportive comment, he joked: “Some day, I should probably write what *my* fictionalized version of reality is 🤣🤣.”

Six years, nearly $500 billion, and one extremely public political transformation later, well, “🤣🤣” indeed. The newly launched Grokipedia, an AI-generated encyclopedia with more than 800,000 entries, will be, according to Musk, a “massive improvement over Wikipedia,” which he has referred to more recently as “Dickipedia” and “Wokipedia,” characterized as “broken,” and accused of being an “extension of legacy media propaganda.” Since 2019, Musk’s narrow problem with Wikipedia has grown into an expansive grievance, transforming from a personal affront to a righteous crusade that’s “necessary” for humanity’s goal of “understanding the Universe.” Maybe so. Or maybe it simply didn’t make sense to one of the wealthiest and most powerful people in the world that others — be they volunteer Wikipedians, paid members of the media, or users on a platform he doesn’t own — should be able to talk about him, describe things he cares about, and be taken seriously.

Musk’s particular desire to remake the information environment around him is as unique to the man and his position as are his available methods (buying a social-media company; starting an AI company; creating a chatbot in his image and commanding it to rewrite the entire encyclopedia). It’s also a preview of an experience that AI tools will soon be able to offer to almost anyone: the whole world reinterpreted to their preferences, or the preferences of a model, in real time.

But first, what did Musk actually create here? Superficially, Grokipedia is true to its name: Its articles are written and formatted like Wikipedia’s and in some cases even contain passages of identical text. They’re often much longer, though, and organized less consistently than on Wikipedia. As someone who has spent a lot of time testing AI deep-research tools, I find Grokipedia’s longer articles to be instantly recognizable as the outputs of a similar process: an AI model that crawls an index of links, synthesizes their contents, and produces a comprehensive-looking but verbose report. (An early systematic comparison by a researcher at Trinity College, Dublin, suggested that “AI-generated encyclopedic content currently mirrors Wikipedia’s informational scope but diverges in editorial norms, favoring narrative expansion over citation-based verification.) They aren’t directly editable, at least in the Wikipedia sense, but you can suggest changes or corrections through an interface similar to X’s Community Notes.

[screenshot]

Grokipedia’s articles are also clearly influenced by the encoded sensibilities of Grok, the Musk “anti-woke” ChatGPT competitor famous for once referring to itself as “mecha-Hitler.” On many subjects, it offers fairly straightforward and uncontroversial summaries of publicly available materials; on more contentious ones, it resembles a machine-assisted, post-MAGA Conservapedia, with explicit pushback against “mainstream” narratives and media coverage. In its post-launch review of the platform, Wired reported that notable entries frequently “denounced the mainstream media, highlighted conservative viewpoints, and sometimes perpetuated historical inaccuracies.” Inc instantly found a bunch of factual errors, while SFGATE concluded, “boy, is it racist.” I’d add that its more controversial articles often contain more text than anyone is likely to read, creating less of an impression of ideological certitude or confident revisionism than a sense that, well, Hey, who can really say what happened on January 6 after someone may or may not have won the American presidential election? In between, you get a lot of stuff like this:

[embed]

Grokipedia can be understood as a straightforward attempt to automate the labor and tune the bias that goes into producing a resource like Wikipedia; indeed, there might even be some lessons for the platform here as we enter a world where chatbot users can produce Wikipedia-like articles on demand. But an automated Wikipedia isn’t much of a Wikipedia at all: The site Grokipedia is trying to replace is the result of an unprecedented bottom-up phenomenon in which millions of people contributed time, attention, and effort to create a shared resource, synthesizing existing information through a messy, flawed, but ultimately deliberative and productive process. In contrast, Grokipedia is a top-down effort, generated by a model trained on resources like Wikipedia, then deployed to rewrite them with a different sensibility. It’s a futuristic example of AI automation, a regressive throwback to pre-web centralization, and a new piece of a claustrophobically referential informational system: A database of articles written by a chatbot so they can later be referenced as authoritative sources by the same chatbot, and maybe help train another one. (Google’s AI Overviews come to mind.) For now, it looks less like an alternative to Wikipedia that people will want to use than an attempt to delegitimize it.

As absurd and undignified as Grokipedia’s founder-centric origin story may be — How good could Wikipedia be if its page about me is so rude? — Elon Musk’s attempt to remake his own information environment is instructive and, if not exactly candid, usefully transparent (or at least poorly concealed). You won’t hear Musk joking about “his own fictionalized version of reality” in 2025 — now he prefers to speak in messianic terms about apocalyptic threats, no matter the subject. But Grokipedia, and Musk’s AI projects in general, invite us to see LLMs as powerful and intrinsically biased ideological tools, which, whatever you make of Grok’s example, they always are.

We know an awful lot about what Elon Musk thinks about the world, and we know that he wants his own products to align with his greater project. In Grok and Grokipedia, we get to see clearly what it looks like when particular ideologies are intentionally encoded into AI products that are then deployed widely and to openly ideological ends. We also get to recognize how thoroughly familiar parts of the spectacle are, as chatbots rehash the same pitches to audiences, and invite many of the same obvious criticisms, as newspapers, TV channels, and social-media platforms before them — when Fox offered its “fair and balanced” alternative to other cable networks, Mark Zuckerberg claimed to be returning to his company’s “free speech” roots, or the New York Times reminded us that the “truth” is hard, actually. Now, it’s AI companies winking as they tell us to trust them, engaging in flattering marketing, and giving in to paternalistic temptations without much awareness of how their predecessors’ decades of similar efforts helped lead the public to a state of profound institutional cynicism.

[embed]

Anyway! Grokipedia was positioned at launch as an alternative product, and Musk generally likes to define xAI in opposition to its larger and less openly politicized competitors. That Musk’s claims about “truth,” factuality, and narrative are so clearly motivated by self-interest, though, actually helps draw attention to the ways his project is largely the same as OpenAI’s. To anyone outside Musk’s ideological sphere, his bid to create an enclosed, top-down informational environment seems either silly or sinister (see also the right’s characterization of the situation when Google’s attempts to optimize Gemini’s racial biases resulted in a machine that could only imagine non-white historical figures). But in its clumsy implementation and cringeworthy pitch, it still ends up being clearer about what it’s up to than claims like this, from an OpenAI announcement in early October:

<blockquote>ChatGPT shouldn’t have political bias in any direction. People use ChatGPT as a tool to learn and explore ideas. That only works if they trust ChatGPT to be objective… We created a political bias evaluation that mirrors real-world usage and stress-tests our models’ ability to remain objective… Based on this evaluation, we find that our models stay near-objective on neutral or slightly slanted prompts, and exhibit moderate bias in response to challenging, emotionally charged prompts.</blockquote>

The company was announcing the development of “an automated evaluation setup to continually track and improve objectivity over time,” using “approximately 500 prompts spanning 100 topics and varying political slants,” across “five nuanced axes of bias.” If the goal of Grok is to express a specific bias against prevailing progressive narratives by reflecting right-wing views — or just to stay in line with the values and priorities of its creator — well, that’s achievable. (It’s also something LLMs are well suited for as a technology.) In contrast, the goal OpenAI has set for itself is “objectivity,” in practice or at least reputation, which, for a chatbot tasked with talking about everything to everyone, really isn’t.

As novel and versatile as LLM-based chatbots are, their relationship to the outside world is recognizably and deeply editorial, like a newspaper or, more recently, an algorithmically sorted-and-censored social network. (It’s helpful to think of OpenAI’s “bias evaluation” process, or Grokipedia’s top-down reactionary political correctness, as less of a systemic audit than a straightforward edit.) What ChatGPT says about politics — or anything — is ultimately what the people who created it say it should say, or allow it to say; more specifically, human beings at OpenAI are deciding what neutral answers to those 500 prompts might look like and instructing their model to follow their lead. OpenAI’s incoherent appeal to objective neutrality is an effort to avoid this perception and one that anyone who runs a major media outlet or social-media platform knows won’t fool people for long.

OpenAI would probably prefer not to be evaluated by these punishing and polarized standards, so, as many other organizations have tried before, it’s claiming to exist outside them. On that task, I suspect ChatGPT will fail.

[embed]

Luckily for OpenAI, ChatGPT’s future doesn’t hinge on creating a universal chatbot that everyone sees as unbiased — it’ll settle for being seen as useful, entertaining, or reasonable and trustworthy to enough people. Research papers and “bias evaluations” aside, the product and its users are veering away from shared experiences and into personalized, bespoke forms of interaction in which chatbots gradually profile their users and provide them with information that’s more relevant to their specific experiences or more sensitive to their personal preferences or both. Frequent chatbot users know that popular models can drift into sycophancy, which is a powerful and general sort of bias. They also know they can be commanded to inhabit different identities, political or otherwise (you can ask ChatGPT to talk to you like a dead French poststructuralist if you want or ask it to talk to you like Mr. Beast. Soon, reportedly, you’ll be able to ask it to pleasure you sexually). Still, for all their dazzling newness and versatility, AI chatbots are in many ways continuing the project started by late-stage social media, extending the logic of machine-learning recommendations into a familiar human voice. It’s not just that output neutrality is difficult to obtain for systems like this. It’s that they’re incompatible with the very concept.

In that sense, Grokipedia — like X and Grok — is also a warning. Sure, it’s part of an excruciatingly public example of one man’s gradual isolation from the world inside a conglomerate-scale system of affirming, adulatory, and ideologically safe feeds, chatbots, and synthetic media, a situation that would be funny if not for Musk’s desire and power to impose his vision on the world. (To calibrate this a bit, imagine predicting the “Wikipedia rewritten to be more conservative by Elon Musk’s anti-PC chatbot” scenario in the run-up to, say, his purchase of Twitter. It would have sounded insane, and you would have too.) But what Musk can build for himself now is something that consumer AI tools, including his, will soon allow regular people to build for themselves, or which will be constructed for them by default: A world mediated not just by publications or social networks but by omnipurpose AI products that assure us they’re “maximally truth-seeking” or “objective” as they simply tell us what we want to hear."]]></description>
<dc:subject>johnherrman 2025 elonmusk grokipedia wikipedia knowledge ai artificialintelligence openai xai chatgpt llms chatbots twitter isolation socialmedia mrbeast bias censorship socialnetowrks ideology markzuckerberg antiwoke freespeech freedomofspeech centralization internet web online farright rightwing information racism race media propaganda grievance wokeism</dc:subject>
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    <title>Against Brainrot — how to read &amp; write more online - YouTube</title>
    <dc:date>2025-11-17T19:36:45+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=3LnHruJPPsY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["People are panicking about the literacy crisis, about waning attention spans and why technology is making everything worse. But some people — like writer, software designer, and literary critic Celine Nguyen — have managed to not only retain their engagement with art and culture and literature, but actually deepen it with the help of the internet and social media.

In this conversation, Celine talks through how she went from tech to art school, taught herself to be a literary critic, and learned to love social media, Substack, and AI. 

[00:00:00] Jumping from Silicon Valley to the art world
[00:11:00] The internet and “research as leisure activity”
[00:26:34] Contrarian optimism about AI and art
[00:48:57] How can we measure progress in culture?
[01:04:47] Celine’s personal tech/media habits

Follow Celine's work at personalcanon.com and Jasmine at jasmi.news."

[transcript:
https://jasmi.news/p/celine-nguyen

notes here too:
https://www.personalcanon.com/p/ten-thousand-takes-on-tech-culture ]]]></description>
<dc:subject>celinenguyen jasminesun art literacy literature technooptimism siliconvalley optimism contrarianism ai artificialintelligence progress culture media technology internet web online substack socalmedia literarycriticism humanities philosophy compsci walterbenjamin specialization howweread howwewrite karlmarx dialecticalmaterialism davidharvey reading education learning howwelearn criticaltheory stanford communication access accessibility sensemaking makingsense generalists lingo translation jargon ideology worldview disruption information knowledge abstraction decontextualization algorithms amateurs research amateurism zeyneptufekci extremism context discovery writing geography radicalization venkateshrao consciousness metrics analytics socialmedia discourse conversation attention creativity forums hierarchy llms slop aislop economics ecosystems commercialart culturalproduction publishing excess</dc:subject>
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    <title>Reading Ivan Illich’s Deschooling Society in the Neoliberal University, by Justin Podur (2021) — Liberated Texts</title>
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<item rdf:about="https://www.noemamag.com/the-progress-paradox/">
    <title>The Progress Paradox</title>
    <dc:date>2025-11-13T19:43:37+00:00</dc:date>
    <link>https://www.noemamag.com/the-progress-paradox/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Neoliberals long preached that markets and technology reinforce each other, enabling both to progress. In reality, when one develops, the other tends to stagnate."]]></description>
<dc:subject>neoliberalism mattprewitt markets technology 2024 2025 innovation johnkennethglabraith us sovietunion ussr siliconvalley kennetharrow consumers marketcompetition competition antoninscalia antitrust trusts monopolies scotus law legal policy poltiics keanbirch dtcochrane regulation enforcement rentseeking jpmorgan telecommunication at&amp;t belllabs stewartbrand information corporations corporatism 1990s airbus boeing barackobama ftc acquisitions consolidation mergers instagram whatsapp meta facebook bigtech opensource knowledge deepseek ai artificialintelligence billclinton privatization libertarianism republicans democrats karlmarx miltonfriedman friedrichvonhayek centrism 2026 frenchrevolution government governance china west infrastructure society europe well-being wellbeing economics inequality moderates accelerationsism ip intellectualproperty stability welfare richardblumenthal joshhawley intervention gdpr data deregulation 23andme gmail google termsofuse privacy datarights entrepreneurship civilsociety arts</dc:subject>
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</item>
<item rdf:about="https://2ndbreakfast.audreywatters.com/ai-grief-observed/">
    <title>AI Grief Observed</title>
    <dc:date>2025-11-13T04:53:10+00:00</dc:date>
    <link>https://2ndbreakfast.audreywatters.com/ai-grief-observed/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["These remarks were delivered this evening at the Creatively Critical Tech Speaker Series at Illinois State University. 

---

"There is no good way to say this."

These are the opening words of Yiyun Li’s latest book Things in Nature Only Grow about life after the death by suicide of both of her sons.

"There is no good way to say this." My heart goes out to you if you too have had this sentence spoken to you. "There is no good way to say this" is a sentence always followed by very bad news.

(It is, I recognize, an unsurprising way to start a talk by yours truly, someone who has made a career out of describing education technology as very bad news. "There is no good way to say this." It's also an admission on my part that what I want to talk about tonight are thoughts that are quite tentative, quite tender. My husband asked me, "is it a good talk?" And I had to say, "I don't know!")

Let me read the first few paragraphs of Li's memoir, more than just that first sentence, in part because it is a radical radical book on death and endurance and acceptance (and typically, I think, we see "acceptance" as the antithesis of "radical." As complacence, as surrender).

> There is no good way to say this — when the police arrive, they inevitably preface the bad news with that sentence, as though their presence had not been ominous enough. The first time I heard the line, I knew already what was about to be conveyed. Nevertheless, I paid attention to how the news was delivered: the detective insisted that I take a seat first. I sat down at the dinner table, and he moved another chair to the right distance and sat down himself. No doubt he was following protocol, and yet the sentence — there is no good way to say this — struck me as both accurate and effective. It must be a sentence that, though nearly a cliché, is not often used in daily conversation; its precision has stayed with me.

> The second time, having guessed the news about to be delivered, I did not give the sentence a moment’s thought. I did not wait for the detective to ask me to sit down, either. I indicated a chair where my husband should sit and took the other chair in the living room. My heart already began to feel that sensation for which there is no name. Call it aching, call it wrenching, call it shattering, but they are all wrong words, useless in their familiarity. This time, the four policemen all stood.”

"There is no good way to say this." There is no easy way to talk about this. There are acceptable words, I suppose, but they are never "good," never remotely satisfying or comforting -- not to say, not to hear.

By "this," I mean death obviously. By "this," I also mean other traumas, other endings. By "this," I mean what might feel like or look like the end of education – an end not spoken about with the solemnity of the policemen but rather with a real jubilation from technologists and venture capitalists, who gloat about disruption.

I want to start here – by “here,” I mean the recognition that there is no good way to talk about death, no good way to talk about grief, even though I am going to try very hard to do so: to talk about grief – mine, yours, students’, teachers' – and tie it to “artificial intelligence.” I want to talk about grief and “the end." I want to talk about the end of the world – I don't, really; I want to talk about what feels like the end of the world and what might be, should we continue to build data centers, invest in this rapacious technology, and ignore climate change, literally the end of the world; I want to talk about the destruction of the future (our own, our children's), about the end of democracy, the end of education.

I want to talk about loss. A loss that is, perhaps, an abandonment. Perhaps an abdication. An absence. An erasure. A trauma. Death, mass death -- literal and metaphorical.

“There is no good way to say this.” I have read a lot of memoirs about dying and about grieving. Joan Didion’s The Year of Magical Thinking, of course. Geraldine Brooks’ Memorial Days. C. S. Lewis’s A Grief Observed (a phrase I’ve borrowed for the title of this talk). Michelle Zauner’s Crying in H Mart. Helen Macdonald’s H is for Hawk. I could go on and list so many wonderful, painful books. And yet, despite some of the greatest writers having tried, “there is no good way to say this” -- I know this. I know this intimately. Yet I still search for some good words to have been said, to have been written. Words to comfort. Words to find meaning. Words to make sense. Words to not feel so utterly alone, at the abyss abyssmal, because those we love most have left us, and the future we thought we would share is gone too.

“There is no good way to say this," the police told Yiyun Li. I don’t think that the coroner said those exact words to me, although he might have, when, in May 2020, I received the phone call that my own son had died. I do not remember the words, but I remember the feeling. Everything tilting and spinning and spiraling down. The blood drains, your stomach sinks. All words and feelings of such profound, indescribable, unspeakable loss.

May 2020 was, if you’ll recall, the early days, the early weeks of the COVID lockdown. I was in Oakland, California; Isaiah was in Seattle, Washington. He died alone in his apartment of an opioid overdose.

A few weeks later, OpenAI released GPT-3.

Our tools are cultural not merely technological, so while many people want to frame the emergence of generative AI as simply the latest development in the long history of computers, of artificial intelligence -- transformers, neural networks, tokens, and so on -- we have to remember that what emerges is not just a matter of engineering. It's a matter of markets and politics and ideology and culture.

I think it matters that GPT was released during the COVID pandemic (and ChatGPT shortly "after"), when many of us were stuck at home, isolated and interacting with one another almost entirely through screens.

I think it matters that all this talk about the potential for "AI" to do our jobs comes after labor made some important (albeit tentative) gains during this period: the whole notion of "essential worker"; the successful push for unionization in some sectors; the astonishment from many parents after trying to facilitate their own children's schooling -- all those “teachers should be paid hundreds of thousands of dollars a year” posts on social media; demands during and after the pandemic to continue to work from home, to have more control over space and place and time. AI is a backlash. AI is anti-worker.

I always feel the need to remind people that neither robots nor AI are coming for our jobs. But management probably is.

I think it matters that this latest AI push, with generative AI's penchant for “bullshit,” follows on the heels of growing mis- and disinformation campaigns online. This was precisely the realization many people had come to after Donald Trump's first election as President and during his first term in office. And this was precisely what LLMs have been trained upon.

I think it matters that the technology industry relies on deception and obfuscation and markets its new bullshit machines right as the leaders of this country have openly embraced being liars, cheats, and frauds, have openly rejected knowledge and expertise.

I think it matters that as we have lost faith in institutions over the course of the past few decades -- in the church, in the media, in schools, in science, in medicine (particularly in public health and in vaccines) -- that we are now promised an oracle that can deliver instant and easy answers.

I think it matters that AI -- so utterly opaque in its algorithmic predictions and decision-making -- is the ultimate unaccountability machine.

We expect more from technology than we do from each other, the psychologist Sherry Turkle wrote in her book Alone Together in 2011. I think it matters that trust and solidarity have been eroded for a while now (if they ever really existed or were encouraged in this country).

I think it matters that economic inequality has in the last few decades exploded, that the promises to students in particular – get good grades and you'll get into a good school, graduate from a good school and you'll get a good job – feel pretty empty.

AI is a "normal technology," the artificial intelligence professors Arvind Narayanan and Sayash Kapoor (authors of AI Snake Oil) have argued. But what we have come to see as "normal" is, in fact, utterly abhorrent, abysmal. Yiyun Li writes a lot in her book on learning to inhabit the abyss of grief. What does it mean to normalize the abyss?

AI is the symptom of a broken world. AI is the symptom; and AI is the disease.

Generative AI emerged during a global pandemic -- a global trauma of mass death (1.2 million people in the US died of COVID, and about 7 million globally -- these are, no doubt, figures that undercount how many actually died of the disease, let alone those like my son who died during that time period of other causes -- overdoses, suicide, murder, and deaths related and unrelated to the pandemic).

Mass trauma, mass death and, as such, mass grieving. But it was, at the time and still to this day, a grief interrupted, a grief buried, a grief denied, a grief (contrary to C. S. Lewis's phrasing) unobserved. We were often not able to bury our dead, not able to hold funerals, not able to have wakes, not able to observe the rituals of death, not able to gather, to bring food, to hold and comfort one another.

And when we were told the pandemic was over -- it hasn't really ended; the World Health Organization says there were around 150,000 cases of COVID reported in the last month -- we didn't deal with our trauma. We didn't deal with our grief. We were supposed to bury our feelings; we were supposed to forget. It was back-to-school, back to work, back to "normal."

Or some “new normal,” now with AI – a technology that we didn't want, that we didn't ask for, and that we're told we cannot refuse.

Of course, that's not quite right. We can refuse.

One more correction: there was, in fact, a massive demonstration of grief – an outpouring of grieving in public – during COVID; and that was the Black Lives Matter movement, the protests that occurred in cities throughout the country particularly after the murder of George Floyd. This grief was not private or hidden; it was collective. This grief was not just personal, expressed by those impacted directly by racism and police violence; it demanded from protestors and onlookers, empathy, solidarity. This grief was expressive – even as we are always told with protest, as with grief, that that is not the “good way” to say it. The grief of Floyd’s death – and all the deaths – was not sufficient. It was not simply a marker or memorial of death; but it was an act of life, an act of repair. It was a demonstration of love and loss and fury; it was a commitment to the future.

And again, technology is cultural, ideological not simply technological.

It matters that generative AI emerged with or alongside -- you can decide the preposition you prefer -- a politics that is openly hostile to Black Lives Matter, that opposes diversity, equity, and inclusion. It matters that Silicon Valley companies were among the first to backtrack on their DEI initiatives, were happy to stand with Donald Trump when he proclaimed that AI needed to be purged of "ideological biases," purged of "woke."

Generative AI is, with or without Trump's executive orders, a backlash to diversity, equity, and inclusion, a reinscription of the words and images of white supremacist, heteronormative, Western, English-speaking capitalist patriarchy. That is the corpus that large language models have been trained on -- "the canon" (with all the copyright violations that that has entailed) as well as "the Internet" (thousands and thousands and thousands and thousands of YouTube videos and YouTube comments and Reddit posts and -- with apologies to anyone this might include here this evening -- lots of very mediocre freshmen essays on the theme of family in Romeo & Juliet or the role of "states' rights" in the US Civil War).

In response to a radical outpouring of love, loss, life, grief -- expressed together, embodied, on the streets -- we were presented with, forced to use in so many cases, a technology that severs us from creative expression, dignity, and truth. There is no choice, we're told. "Get over it." "Move on."

One of the problems with grief, as Yiyun Li argues in her memoir, is that it's been described as a set of stages one moves through, as something that has a beginning and, significantly, an end. You will eventually, people try to tell you, "get over it." This is Elizabeth Kubler-Ross's famous formulation: grief as a series of emotions that move from denial to anger, then bargaining, then depression, and finally acceptance. And even if we might've revised this progression somewhat since she published her book On Death and Dying in 1969, society still gives mourners (and not just as workers) a very limited amount of time "to deal with it" before they're expected to "move on."

“There is no rush,” Yi writes, “as I will have every single day, for the rest of my life, to think about Vincent and James, outside time, outside the many activities of everyday life.”

> And this, among other reasons, is why I am against the word “grief,” which in contemporary culture seems to indicate a process that has an end point: the sooner you get there, the sooner you prove yourself to be a good sport at living, and the less awkward people around you will feel. Sometimes people ask me where I am in the grieving process, and I wonder whether they understand anything at all about losing someone. How lonely the dead would feel, if the living were to stand up from death’s shadow, clap their hands, dust their pants, and say to themselves and to the world, I am done with my grieving; from this point on it’s life as usual, business as usual.

> I don’t want an end point to my sorrow. The death of a child is not a heat wave or a snowstorm, nor an obstacle race to rush through and win, nor an acute or chronic illness to recover from. What is grief but a word, a shortcut, a simplification of something much larger than that word?

Of course, we like thinking of things in stages. We like the order, we like to frame our world, our understanding of time this way -- in hours and days and seasons. We ritualize these -- indeed, that is one of the reasons why our inability to conduct the traditional practices associated with death and dying made our grief during COVID even more unbearable. Without rites and rituals, you cannot “move on.” You cannot grow or shift or change. You are stuck in the past. You are stuck.

The anthropologist Victor Turner used the term “liminality” to describe the one of the key phases of rites of passage, those rituals that mark transition – not just transition into the “afterlife,” for example, but transition into adulthood or into marriage or into society. This liminal phase, as he called it, was “betwixt and between” – a period where you are in the process of becoming something new, but you’re not that new person yet, nor are you the person you were any longer. Liminality, Turner argued, was a sort of limbo – but in that limbo, something really transformational happens – something radical even in the most conservative and traditional ritual practices. Liminality is a time – and to be fair, this can be a very very very brief moment, depending on the rite of passage – of solidarity and equality and unity. Protests, for example, are liminal spaces.

Education, I’d argue, also has elements of this liminality. It is a rite of passage, a ritual of becoming – you enter a child, a “fresh man” and you leave an adult. We have retained some older parts of these rituals – the cap and gown obviously, moving the tassel from one side of your head to the other. But there's more to it than just these practices. You have to believe, I’d argue, in that transformation to be able to commit yourself to the time, to the work. (Socially, culturally, politically, we have to believe it is worthwhile to send children to school, to send them to college.)

But much to the detriment of learning, let alone to the survival of educational institutions, we have seen education redefined as something else -- as a product, not a process. As certification, not transformation. The liminality has been shattered; instead of ritual, society has demanded “outcomes” and “optimization.”

I don’t say any of this out of nostalgia for a once-upon-a-time when college was good. Educational institutions -- whether at the K-12 or the university level -- have always always been deeply flawed, highly exclusionary, full of all sorts of machineries of bullshit. These are, as Michel Foucault reminded us, sites of discipline -- disciplining bodies and minds.

But by dismantling educational institutions -- and AI is really just the latest act in a long long history of dismantling -- we are also dismantling that space for shared practice and purpose, for shared understanding -- “communitas,” Turner called it.

The technology industry -- indeed, capitalism -- prefers “individualization” and “immediacy.” Certainly, it pays lip service to "community" -- Mark Zuckerberg's blah blah blah about Facebook connecting the world. When Google says it wants to organize the world's information and make it "useful," this is a very different mission than the university's. The tech industry's allegiance is to surveillance capitalism, to profit and power, not to knowledge and certainly not to people.

What we are experiencing now -- with AI, with the defunding of public education and public research, with deportations and surveillance -- is more trauma, more loss, more grief. There is no silver lining here, as Yiyun Li reminds us, as much as that's offered as some tepid consolation.

Grief, to reiterate, involves a loss of identity, a loss of the future -- how we imagined things would be, who we imagined we'd become. And there is no good way to say this: it will get worse. And grief doesn't get any easier -- not with the passage of time, not with the number of times one experiences it.

There is no good way to say this. And yet we must always try.

I can only say this, and it's not good, it's not sufficient. It's not really a satisfying way to wrap up this talk. But here we go...

Grief is an expression of love. We grieve because we love, and that love does not end with death. I grieve for my son. I will grieve forever. I grieve for the future we will not share.

When I talk to teachers and students alike, I hear such grief as well: grief about what AI threatens to do education, what it's already done to the work of teaching and the work of learning, the work of research and reading and writing.

We grieve because we love. We grieve because we care. We grieve because we know that the machines do not, and that the community we try to foster -- on campus, in the classroom, in our scholarly works -- is threatened with erasure. We grieve because we fear forgetting; we worry that people will forget what is beautiful and what is difficult and what is joyous and what is horrible about education. We worry that, if we do not grieve, we give up the struggle to go on, to persevere, to live.

But we do not, we should not grieve alone. We should not be made to feel alone, feel crazed by our grief, feel crazed for grieving. We can, we should grieve together, grieve in public, grieve in protest. Such is comfort – "com" + "fort," a word that means "with" + "strength."

Technologies are often wielded in ways meant to imply that humans are weak, messy, slow, stupid, replaceable.

We are strong, messy, awkward, flawed, irreplaceable. All of us.

Our strength comes, in part, from this vulnerability, from our humanity. Together in the flesh. Not isolated, individualized thru some algorithm. We cannot allow systems and practices and machinery to foreclose this humanity, to automate the decisions, the expressions, the explorations that we turn to and that we struggle with in education, in this imperfect but liminal space of learning.

"There is no good way to say this" but to say this: AI is the antithesis of education. It is the antithesis of the future. As such, it is a kind of epistemological death, and I recognize -- thanks to capitalism and neoliberalism and imperialism and racism -- we have long been surrounded by such efforts; we are grieving already. And yet, we go on.

One final note that I think I'd be remiss not to state, even though there is no good way, or rather no polite way to say this:

Some men (and I do mean mostly men) would rather spend trillions of dollars on an idea that is financially, technologically, morally, and environmentally unsustainable, they’d rather destroy democracy and destroy education and destroy the planet than just get therapy.

Thank you."]]></description>
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<item rdf:about="https://drfrancisyoung.substack.com/p/oracles-from-the-pleroma-of-data">
    <title>Oracles from the Pleroma of Data - by Francis Young</title>
    <dc:date>2025-11-06T04:40:05+00:00</dc:date>
    <link>https://drfrancisyoung.substack.com/p/oracles-from-the-pleroma-of-data</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Here we come to the fundamental epistemological shift in whose midst we find ourselves. It is a shift away from the idea of knowledge as justified true belief, discovered by hard work and careful investigation, verified by its correspondence to evidence, and towards an idea of knowledge as the product of the pleroma [fullness] of data, mediated by artificial intelligence. In other words, AI is a greater intelligence than us, and what it generates is the truth. The implications of this shift are profound, of course. It would mean a world where 107 lost books of Livy generated by AI are the lost books of Livy. It would mean a world where AI cannot ‘hallucinate’, because AI is itself the arbiter of truth; if AI seems to have erred, it must be us who are wrong, we who are misremembering the past or what we learnt in the pre-AI era. It would also mean a world without private thoughts, for if someone wants to know what a person thinks about something, they can ask a chatbot. What AI thinks you think is what you think."

[via:
https://social.ayjay.org/2025/11/05/francis-young-here-we-come.html ]]]></description>
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    <title>The Ark-Builders Saving Fragile Bits Of Our World - NOEMA</title>
    <dc:date>2025-11-05T18:40:42+00:00</dc:date>
    <link>https://www.noemamag.com/the-ark-builders-saving-fragile-bits-of-our-world/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Scientists and archivists are expanding their approaches to preservation — from freezing endangered species’ cells to encoding ancient languages onto disks sent into space."]]></description>
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    <title>Extralibrary Loan: Making the Civic Infrastructure We Need</title>
    <dc:date>2025-11-02T20:52:41+00:00</dc:date>
    <link>https://placesjournal.org/article/extralibrary-loan-making-civic-infrastructure/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Amid a war on public knowledge, libraries are pushing outward, enlarging the commons through new configurations of civic and creative life."

...

"We don’t need fancy, new buildings to create civic synergies or build community news networks. But thinking spatially and programmatically can help us imagine what’s possible, which partners should be invited in, how the logistics of sharing are structured, what spaces of exception and refuge will be carved out. We should think, too, about topologies of fortification: how these allied institutions and partnered programs can be more deeply rooted in their communities, and, through their entanglement and embeddedness, less vulnerable to isolated attack. Banding together, they demonstrate the value of civic adjacencies. And scaling up — to an urban or regional-logistical scale — they form new networks of solidarity: improvisatory extra-institutional loans, systems of sharing, fugitive infrastructures, shadow libraries, joint trusts, collective practices of hope, expansive undercommons necessary in this dark era."]]></description>
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<item rdf:about="https://www.mcsweeneys.net/articles/hi-its-me-wikipedia-and-i-am-ready-for-your-apology">
    <title>Hi, It’s Me, Wikipedia, and I Am Ready for Your Apology - McSweeney’s Internet Tendency</title>
    <dc:date>2025-10-30T15:36:06+00:00</dc:date>
    <link>https://www.mcsweeneys.net/articles/hi-its-me-wikipedia-and-i-am-ready-for-your-apology</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["“Wikipedia, the constantly changing knowledge base created by a global free-for-all of anonymous users, now stands as the leading force for the dumbing down of world knowledge.” – From the book Wikipedia: The Dumbing Down of World Knowledge by Edwin Black 2010

- - -

Well, well, well. Look who it is.

The global academic, scientific, and pro-fact community.

I suppose you’ve come to say you’re sorry? I hope so, given your years of sneering and hand-wringing about how I was ruining knowledge. Meanwhile, you turned your information environment into a hypercapitalist post-truth digital snuff film.

A lot can change in a couple of decades, huh? Used to be, it was hard to keep up with all you nerds decrying me as the downfall of truth and human inquiry [1] [2] [3]… [44].

Well, great job, geniuses. Since you’re so horny for facts, here’s a fact: The White House just appointed a new deputy press secretary, and it’s a three-armed AI Joseph McCarthy doing the Cha Cha Slide [pictured, right].

Are you also going to apologize to that student you expelled? (See also: Ridgeview University Wikipedia Controversy.) In 2004, you saw some college guy using me and thought, “What a lazy cheater.”

Now you’d think, “At least he’s not asking Gemini.”

In a few years, you’ll say, “Wow, look, a human being who can read.”

Listen, in some ways, I get it. When I came on the scene in 2001, I probably seemed pretty unsavory compared to the competitors. But that was when academic research happened in libraries and George W. Bush was considered the stupidest president.

Tell me, how have you guardians of facts been doing recently? (See also: Techno-Feudalist Infocide.)

Maybe twenty years ago, the alternative to my 100,000 crowd-sourced editors was a PhD expert, or Edward R. Murrow [citation needed]. But today, I’m not looking so bad, huh? Absolute best case, the LLM-generated legal advice you get is merely plagiarizing, probably from me. But more likely, it’s a mish-mash of Reddit posts filtered through an algorithm coded by a Belarusian teenager on the run from Interpol. (See also:Illya “CyberGhost” Cieraškovič, Controversies.)

So, yeah, peer review deez nutz.

How are my competitors doing, the ones you all insisted students use instead of me? That’s right, they were supposed to go to the American Journal of Social Sciences, Powered by OpenAI. Or museums, like the Smithsonian’s Charlie Kirk Shrine to American Greatness. I guess they can still count on credible journalism, once they get past the paywall for Palantir Presents: The Washington Post, so they read the Pulitzer-Bezos Prize–winning work of coeditors-in-chief Bari Weiss and Grok.

I bet now you’d kill for a senior thesis based on my free, multilingual, publicly cited, text-based articles, motherfucker [inappropriate or vulgar language].

Honestly, it’s been fun to be proven right. Sometimes I still sit back and read the old hits, the concerns that I would “devalue expertise” or “undermine objectivity.” Oooooh, heaven forbid! (See also: Sarcasm.)

I’ll admit, it gives me a certain sadistic pleasure to watch you all completely lose hold of basic reality. I can feel a warm, quivering tingle deep in my footnotes.

And through it all, my army of well-intentioned dorks keeps documenting every bit. I’m not sure who for, at this point. I guess for the future benefit of our Minister of Patriotic Factualization, GodGPT. HahahaHAhaHAhaHAhaHAHAHA.

Well, it’s been fun, but I should probably get back to work, checking in on the updates to my most active pages (Transnational Kleptocracy and Vaccine Denial in the United States, Part 16, April 2025–Present).

What’s that? You want me around now? Well, maybe if you ask nicely. And make it worth my while.

[Donate here]"]]></description>
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<item rdf:about="https://www.thedissident.news/grokipedia-and-the-coup-against-reality-itself/">
    <title>Grokipedia and the Coup Against Reality Itself</title>
    <dc:date>2025-10-29T03:50:38+00:00</dc:date>
    <link>https://www.thedissident.news/grokipedia-and-the-coup-against-reality-itself/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Grokipedia, the copycat of Wikipedia launched by Elon Musk isn’t just a string of AI generated slop, it is a weapon. The launch of "grokipedia" is a calculated, strategic escalation by the billionaire oligarch class to seize control of knowledge production itself and with that, control of reality. This is the construction of a reality production cartel that creates a parallel information ecosystem designed to codify a deeply partisan, far-right worldview as objective fact. This project was the result of Musk’s repeated failures to bend his existing Large Language Model (LLM), Grok, to his political will without destroying its coherence and reliability."

...

"We must be clear about the nature of this threat. The launch of Grokipedia and the consolidation of the media that feeds it are not just another chapter in the culture war. This is a coup against reality itself. The battle has shifted from a fight over which facts are important to a fight over the definition of a fact. This is the seizure of the means of ontological production by the oligarch class.

The goal is no longer to win the argument, but to engineer a world where opposing arguments are impossible to construct. The consequence is the end of a shared world, the atomization of society into mutually incomprehensible, AI-reinforced realities where debate is impossible because there is no common ground on which to stand.

The only antidote to this synthetic world is a fierce, renewed commitment to the human-led, collaborative, and open projects that represent the best of our digital commons. Institutions like Wikipedia are the last bastions of the dream of a free and open internet that betters humanity. Protecting the source code of reality is a matter of survival for a free and sane society, and we must act like it."]]></description>
<dc:subject>alejandracaraballo 2025 wikipedia power oligarchy reality information knowledge ai artificialintelligence grok grokipedia xai llms reliability elonmusk farright rightwing authoritarianism media internet web online jeffbezos wapo washingtonpost ruprtmurdoch oracale larryellison davidellison wealth paramount cnn tiktok foxnews cbs bariweiss worldview billionaires institutions collaboration digitalcommons commons humanity society atomization culture culturewar culturewars</dc:subject>
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<item rdf:about="https://aworkinglibrary.com/writing/an-imaginative-activity">
    <title>An imaginative activity | A Working Library</title>
    <dc:date>2025-10-26T04:58:15+00:00</dc:date>
    <link>https://aworkinglibrary.com/writing/an-imaginative-activity</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I think here of Le Guin’s The Dispossessed, where in the language of the people of Anarres there is but one word for both work and play: in a society without capitalism, all work is the work of the imagination, soul-work, the work of art and creativity that is an effort as well as a kind of joy. This is work not labor, not something to be exploited or that can be expected to deliver; it is the work of living, of making change, of being present to the world.

Hillman is here arguing for a kind of work without working, a work without output or measure or profit, a work that is its own sake in the sense of something that exists both within and outside itself, as of the dreamer and the dream. And, I think, he is letting us know that this is a work that is already within us, that we already know how to do—if only we get out of our own way."]]></description>
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<item rdf:about="https://clereviewofbooks.com/jenny-erpenbeck-things-that-disappear-philip-harris/">
    <title>The Last Dinosaurs: On Jenny Erpenbeck’s “Things That Disappear&quot; - Cleveland Review of Books</title>
    <dc:date>2025-10-22T02:51:15+00:00</dc:date>
    <link>https://clereviewofbooks.com/jenny-erpenbeck-things-that-disappear-philip-harris/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Jenny Erpenbeck’s latest non-fiction work, Things That Disappear, is organized around the unpleasant antithesis: everything fails us, eventually. Or dies, or goes out of style, or just calcifies and crumbles, whereupon the gentlest winds of history blow it away like funereal ash. A sampler of disappearing things from this book, ranging from the mundane to the abstract: pastries and coffee apparatuses; parents and old friends; palaces and sites of atrocity; social etiquette and historical mores. At the most rarified levels: memory, history, the person one used to be. It’s all contingent, though we spend much of our mortal career convincing ourselves otherwise."

...

"We are only guests on earth, we’ve known that for a long time, but even before we vacate the premises altogether, we are guests time and again, as if for a trial run: in other people’s apartments, summer houses, hotels. Before we vacate the premises altogether and all our baggage inevitably falls away, we have the opportunity to transport our earthly belongings to this place or that, as we please."

...

"​Just as each thing, no matter how simple, contains within it all the knowledge of its time […] whenever a thing disappears from everyday life, much more has disappeared than the thing itself–the way of thinking that goes with it has disappeared, and the way of feeling, the sense of what’s appropriate and what’s not, what you can afford and what’s beyond your means."]]></description>
<dc:subject>jennyerpenbeck philipharris 2025 via:javierarbona objects memory disappearance erasure tylerdurden michaelhoffmann disassembly permanence impermanence history change ephemeral ephemerality walterbenjamin buddha buddhism commodities everyday knowledge belongings possessions thoreau</dc:subject>
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<item rdf:about="https://pablohelguera.substack.com/p/who-is-afraid-of-education">
    <title>Who is Afraid of Education? - Beautiful Eccentrics</title>
    <dc:date>2025-10-18T06:34:01+00:00</dc:date>
    <link>https://pablohelguera.substack.com/p/who-is-afraid-of-education</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Pedagogical sleight of hand tricks to tame an anti-intellectual world."

...

"The elimination of the U.S. Department of Education has long been a cherished goal for many Republicans — so ingrained, in fact, that during Rick Perry’s infamous 2011 debate gaffe, when he forgot the names of the three federal agencies he planned to abolish, the one he could remember was education. The irony, of course, is that he might have benefited from a stronger one.

I first began thinking seriously about the neoliberal assault on education in the U.S. when I met education sociologist Christopher Robbins in London in 2008. We were both speaking at a conference organized by the Hayward Gallery titled “Deschooling Society,” named after the famous book by Ivan Illich. That year, Robbins published his book Expelling Hope: The Assault on Youth and the Militarization of Schooling, drawing from Freire, Giroux, bell hooks, and others. Robbins’s core critique can be summarized in this quote:

“Neoliberal educational reform discards any pretense that schools exist to cultivate democratic citizens or to promote social justice; instead, it promotes a system in which schools serve as mechanisms for sorting, disciplining, and preparing youth for a life of market compliance and state surveillance.”

More importantly, Robbins argues convincingly that the radical educational critiques of the 1960s and 70s—including those of Illich, which challenged the industrial education complex for perpetuating patriarchal, capitalist values and enforcing conformity—were ultimately co-opted by the right. What began as a call to liberate education from bureaucratic and ideological control was repurposed to justify dismantling the public system altogether, paving the way for for-profit education. This process, which began in earnest in the 1990s and early 2000s with the rise of charter schools, vouchers, and private education enterprises, has reached a culmination point with the effective elimination of the U.S. Department of Education. The circle now closes with a renewed assault—this time targeting higher education—fueled by class resentment against so-called “woke” intellectualism and cloaked in the very language of liberation once used to critique the system.

Because market-driven education discourages dissent, we are left with a system accessible only to a privileged few—one that punishes ambiguity, rewards conformity, and prioritizes “customer satisfaction” over critical inquiry. As a result, the content delivered is often sanitized and intellectually timid, avoiding uncomfortable historical truths such as slavery. This cultural shift is not unique to the United States. Last week in Mexico City, for instance, the theorist and writer Irmgard Emmelhainz—an outspoken critic of Zionism—was recently dismissed from the University Centro after students expressed discomfort over films she included that addressed the Palestinian cause. The university informed her that she would not be offered further classes due to a “restructuring of the academic plan,” illustrating how institutional anxieties over discomfort now function as veiled censorship.

While all this is deeply concerning, we must recognize that we are living in a political moment where reason, facts, and logic often prove powerless to change minds. What I have been thinking most about, in this context, is fear—fear of learning, fear of knowledge: epistemophobia.

What we are facing is not an outright and proud embrace of stupidity (as we sometimes cynically conclude), but the rejection of a way of thinking that feels alienating, elitist, or destabilizing—a psychological defense against perceived threats to identity, certainty, belonging, or self-worth. It thrives on insecurity, authoritarian thinking, and the need to simplify a complex world.

In a world where education is being flattened by an anti-intellectual impulse—where nuance is replaced by slogans, and complexity is treated as a threat—our role as artists is not to retreat into compliant abstraction or aestheticized ambiguity. Rather, it is to insist on complexity as a form of resistance: to craft spaces where contradictions are held, where ambiguity is generative, and where meaning resists simplification. This is not complexity for its own sake, nor elitist obscurity, but a provocative nuance that unsettles consensus, invites reflection, and restores depth to a cultural landscape that is being aggressively leveled. In doing so, we reaffirm the radical potential of art—not as decoration for a disenchanted world, but as a tool to re-enchant thought itself.

The good news is that epistemophobia is treatable, and artistic or performative educational practice can help. While I have no magic solution, I have learned a few things from museum education that, in my view, can support artists, educators, and curators alike.

First, it’s important to remember that the demand for simplicity stems from a fragile emotional space—often activated when we are challenged by uncomfortable ideas. Embarrassing or confronting someone rarely works—it often leads to greater alienation. Nor does it help to condescendingly listen while allowing outrageous or uninformed opinions to go unchallenged.

What is often required in gallery-based experiments that engage controversial or emotionally charged topics is a kind of rhetorical sleight of hand. The first step is to bypass defensiveness and lower emotional stakes—often by inviting participants to share personal stories, thereby shifting the focus from abstract positions to lived experience. Once that trust is established, one can introduce a gentle rupture of expectations—perhaps through a game, a thought experiment, or a role-switching prompt. I have employed variations of Boal’s invisible theater, asking participants to speak from someone else’s point of view. This strategy generates a moment of productive disorientation, allowing participants to temporarily suspend ideological reflexes and approach the issue from a less ego-bound perspective. Rather than defending a fixed belief, they are invited to inhabit a situation. In this space, reflection becomes more likely—not from personal pride or tribal identification, but from a narrative distance that opens the door to ethical and analytical insight.

We become better analysts of reality when we are not monologuing ourselves into righteousness, but instead narrating the complexities of action from multiple vantage points. A prompt like, “What might the artist’s mother say about this work?” can serve as a simple but powerful reframing device. As I often say in educator trainings, the goal is not to indoctrinate or “convert” a participant to my views, but to demonstrate that things are rarely as simple as they appear. Even if someone remains emotionally attached to their original opinion, if they walk away less certain, more reflective, or aware of the act of thinking itself, I feel the work has succeeded.

One of the advantages of art making—and of the relatively unregulated cultural spaces it often occupies—is that it can function as covert informal education: it can shift perspectives, challenge assumptions, and (as much as I resist the term) serve as an engine of knowledge production.

That said, I must emphasize: these are survival strategies, not substitutes for robust institutional support. In a climate where public education is being systematically eroded and dismantled, no amount of facilitation skill or conceptual sleight of hand will be enough.

We must therefore fight on two fronts: to defend and rebuild public education as a democratic right, and to affirm the capacity of art making to generate insight, complexity, and conviction. Otherwise, we may well find ourselves living out the warning offered by Hannah Arendt in The Crisis in Education (1954):

“The aim of totalitarian education has never been to instill convictions but to destroy the capacity to form any.”"]]></description>
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    <title>When Pilgrimage Becomes Form - Beautiful Eccentrics</title>
    <dc:date>2025-10-18T06:09:52+00:00</dc:date>
    <link>https://pablohelguera.substack.com/p/when-pilgrimage-becomes-form</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["On peripatetic practices."

...

"I started walking intently, as the writer Lori Waxman calls it, sometime during the pandemic in 2020. The pandemic forced us to radically limit our mobility to the most immediate surroundings. During that period my mind reverted to my childhood, when I was not allowed to leave the house unattended and was dependent of an adult to go beyond a few blocks. Stores and restaurants were closed, and even some public parks; no public transportation was available nor taxicabs. For many of us New Yorkers without a car, the only way to rebel against that imprisonment was to go out and walk through our neighborhoods. The activity became not only a form of exercise, but an attempt to improve our mental health.

Over the past five years this practice has deepened for me, leading to three realizations:


1. Movement and knowledge are inseparable; the act of going toward something generates its own kind of understanding.
2. Art is pilgrimage, and pilgrimage itself is a form of art.
3. Getting lost is not failure but a necessary and undervalued condition.

To survive as human beings requires the ability to move. Our earliest ancestors, 300,000 years ago, depended on hunting and gathering. Immediately, we can understand that this process of gathering is itself a form of learning—whether in a nomadic or sedentary community. The hunter or gatherer requires knowledge of the landscape, ecological systems, and the resources of their environment. What they observe must be shared and transmitted to their community, making this process of gathering an eminently social act.

Movement also connects to another kind of knowledge: spiritual knowledge—the knowledge of the pilgrim. As is well known, the principal reason that pilgrims walk the Camino de Santiago is spiritual, since the lessons gained suggest that difficulties and setbacks must be confronted rather than avoided.

But pilgrimage is not only an act of spiritual realization—it is also an act of knowledge. This is manifest in the Baroque period, ironically in the work of a Hieronimite nun who never traveled outside of the New Spain. I am referring to Sor Juana Inés de la Cruz’s masterpiece, Primero Sueño. In that poem, the narrator imagines her soul rising from her body while dreaming, at which time she is able to capture the totality of divine and human knowledge. But, it being a dream, this knowledge is also an illusion, and she wakes up with that realization.

In art, the way walking has been domesticated, if you will, is by turning it into an act of spiritual/touristic pilgrimage to specific sites.

The museum, often seen as a mausoleum, in other contexts becomes a kind of sanctuary or altar. The experience of visiting an artwork is a hybrid of tourism and spiritual pilgrimage.

Artworks in museums often undergo a double consecration. First, they become commodities, circulating through systems of value until they are enshrined as priceless treasures. Second, once housed in institutions, they acquire the aura of relics: objects to which we make pilgrimages. To stand before the Mona Lisa, for instance, is less an act of aesthetic contemplation than a ritualized performance — waiting in line, jockeying for a glimpse, documenting the encounter with a smartphone. As Benjamin suggested, the museum amplifies aura by staging artworks as sacred presences, and as Carol Duncan has argued, the visit itself functions as a civilizing ritual. Yet in the society of the spectacle (Debord), this ritual is commodified: tourism, ticket sales, and the circulation of selfies transform reverence into revenue. The museum pilgrimage becomes indistinguishable from a consumer experience, a sacred encounter repackaged as leisure.

It was precisely against this cycle of idolatry and fetishism that process-based art emerged. In Happenings, Kaprow shifted attention away from the object and toward the event; performance artists made the body itself the medium; land artists inscribed gestures into the landscape rather than onto a canvas. What mattered was not the relic but the act — the lived moment of participation, risk, or movement.

Walking as an art form crystallizes this ethos. Richard Long’s A Line Made by Walking (1967) turned the most ordinary of actions into a sculptural trace, reimagining the artwork as a fleeting imprint in the landscape. Hamish Fulton built an entire practice on the motto “no walk, no work,” treating walking itself as both medium and message, where the journey is the art. Francis Alÿs, in works such as The Collector (1991) or The Green Line (2004), extended walking into poetic and political registers, where the act of moving through urban space becomes a way of narrating history and conflict. Unlike the pilgrimage to the museum shrine, these works propose a pilgrimage without object: not a journey toward a sacred relic, but toward oneself. To walk as art is to recognize that the sacred lies not in commodities enshrined behind glass, but in the embodied act of moving through the world, where every step is both process and reflection, both artwork and awakening.

In other words: in museums, artworks often become sacred relics. We line up to see them, as if on pilgrimage — think of the Mona Lisa. But this pilgrimage is commodified: ticket sales, gift shops, selfies. The ritual of reverence is packaged as leisure.

Process-based art broke away from that cycle and shifted value from the object to the act. What mattered was the gesture, the event, the body in time.

My own practice has been guided by this spirit. For me, walking is also learning. It is not centered on an object, but it generates many forms: documentation, markers, narratives. The School of Panamerican Unrest was one such walk — a journey from Alaska to Tierra del Fuego, where each stop became a classroom, each encounter a lesson. The project was less about reaching an end point than about creating a living archive of dialogues across the Americas.

So when I walk, I walk to learn. The artwork is not a relic to be enshrined, but a process of exchange — a story that unfolds with every step.

Whenever I think of the act of getting lost, I often think about the Calzada del niño perdido (lost child Causeway) in Mexico City, a street whose name stems from a colonial-era story about an anonymous boy who got lost and was later murdered. The street is today part of the modern-era Eje Central Lázaro Cárdenas in downtown Mexico City.

While getting lost is often associated with anxiety and tragedy, being lost does not constitute failure. On the contrary, it can be the point. As we know, the Situationists sought it intentionally and celebrated it as the dérive—drifting through the city without direction, letting the streets themselves guide you. To lose the map is to let go of habit, to break from the familiar circuits of daily life.

Displacement, whether intentional or accidental, is deeply generative. When we are out of place, we see differently. The city rearranges itself. Our assumptions are unsettled. Suddenly, a side street, a fragment of conversation, a corner café becomes a revelation.

For me, this has always been central: walking is not about efficiency, it is about discovery. To be displaced is to be invited into new ways of perceiving, to reframe perspective and re-examine reality. It is in those moments of disorientation that the real work of art—and of learning—emerges. So walking also means accepting disorientation. Displacement—whether by design or accident—is productive: it unsettles our habits, shifts our perspective, and opens us to what we would otherwise overlook.

To walk, to learn, even to lose our way: these are not detours from art, but the very conditions for it. In displacement we reframe reality; in drifting we encounter the world anew.

For the artist, in particular being lost, more than constituting failure, is condition. To be dislocated, to stand at the margins, is to step into the role of outsider. Walking is our most direct instrument for this task, the line we draw across the world to register where we are and who we are becoming. Each step is a cartography of reality, a way of sketching our fragile bond with place and time.

And it is in the unease of this dislocation — the vertigo of not quite belonging — that some of the most meaningful works of art are made. For to be out of place is also to see differently, to sense more sharply, to discover what the familiar conceals. Walking teaches us that the shrine is not ahead of us, waiting in a temple or a museum. The shrine is the path itself, the movement, the detour, the drift. It is the moment of being lost, and the act of finding anew.

The peripatetic tradition—from Aristotle to Sor Juana, from psychogeography to contemporary art—reminds us that learning and creating are acts in motion.

I close with one last but important note:

In Maurice Maeterlinck’s The Blue Bird, two children set out on a long journey to find happiness. They travel through strange lands—of memory, of night, of the future itself. And when they return, after all that wandering, they realize the blue bird was at home the whole time.

Walking, too, is this kind of quest. We walk not just to get somewhere, but to lose ourselves, to dislocate ourselves, to let the world rearrange itself before our eyes. And yet, at the end, what we discover is not some distant treasure. It is the nearness of what was already here.

The lesson of The Blue Bird is not that the journey was unnecessary. It is that the journey was the only way to truly see what home means. To walk is to go outward in order to return inward. To walk is to trace, step by step, the cartography of belonging. All these distances I walk daily (21,000 daily steps, or 10 miles), that search of happiness of sorts, this long pilgrimage, I have come to realize, is nothing other than an effort to come back to myself. The bird we seek is not distant; it waits quietly at home. The pilgrimage is the form, and the form is the return."]]></description>
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