Pinboard (robertogreco)
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recent bookmarks from robertogrecoAutocinema | Cosmos Malick2026-06-17T10:29:10+00:00
https://cosmosmalick.net/2026/06/15/autocinema.html
robertogrecoEvery night I kept getting another phone call thinking it was my last day on set and just being happy with that one day, and then getting a phone call that one night saying Terry wants you to come back in tomorrow. You okay with that? I was like, yes! Yes I’m okay, that is so exciting. And then the next night, the same thing, the same thing, and I think I ended up shooting about eleven days and they took me to Vegas. I remember Christian [Bale] laughing, he was like, you’ll probably end up being the main character in this movie.
And that’s just one example of how completely the filming can diverge from the script. Imagine then, the transformations that can take place in the process of editing. The Criterion edition of The New World contains an interview with the films’s editors, and they talk extensively about how Malick encouraged them to experiment, to get beyond their usual practices. One of them said that his typical experience in editing was to be constrained by the director, but when working with Malick he often wanted to say, Whoa, Terry, let’s pull it back a little.
With such an improvisatory, open-ended approach, even the most strictly autobiographical script might turn into something very different by the time the story is filmed and edited. It’s safe, I think, to say that the three films I have mentioned have deep roots in Malick’s own experience, but it would be unwise to see any of those films as documenting his life. "]]>alanjacobs terrencemalick 2026 filmmaking direction writing howwewrite autobiography fiction autocinema editing improvisationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:abc7927188a7/Can the Unseen Speak? Maria Putri and Ali Napier on plantation ecologies and colonial afterlives – KoozArch2026-06-12T21:54:19+00:00
https://www.koozarch.com/interviews/can-the-unseen-speak-maria-putri-and-ali-napier-on-plantation-ecologies-and-colonial-afterlives
robertogrecomariaputri alinapier sumatra architecture performance storytelling colonialism decolonization postcolonialism colonization landscape infrastructure film 2026 filmmaking seeing unseen indigeneity indigenous koozarch shumibosehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:ccbe58e4cd68/Time and Water - Official Trailer - YouTube2026-06-04T08:07:34+00:00
https://www.youtube.com/watch?v=k301CVQ5gbo
robertogrecoiceland glaciers globalwarming andrisnærmagnason 2026 film filmmaking memory folktales photography archives timecapsules time water families saradosahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:16185f0bac02/Detroit Music, Creativity, Capital, & the Working Class with Hanif Abdurraqib - YouTube2026-06-03T20:27:18+00:00
https://www.youtube.com/watch?v=Vinqz2Fs0zA
robertogrecodetroit labor gentrification music 2026 hanifabdurraqib motown hiphop techno djs docuseries tv television documentary cities us art artiists musicians spaces infleunce culture culturemaking greatmigration curiosity creativity bluecollar work workers workingclass class midwest musichistory musicalhistory jaredware makc livemusic community performance venueloss musicvenues affordability urban urbanism olympia washingtonstate lineage legacy punk underground undergroundresistance place gatekeeping audience audiences radio collegeradio mentorship mentoring undergroundradio guerillaradio generations knowledge knowledgesharing intergenarational waajeed craft communalism mtv care caring bobseger atlanta sterlingtolles guiltysimpson nickspeed jdilla boldyjames maps mapmaking ethnography landscape soniclandscapes anthonybourdain memphis houston boston rap gregtate learning howwelearn solidarity politics radicalism radicalpolitics trust artmaking absurdity iloveboosters bootsriley thecoup tonimorrison dialecticalmateriahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:32e3861c6683/Albert Kahn’s Archive Of The Planet2026-05-26T06:47:51+00:00
https://www.noemamag.com/the-archive-of-a-vanishing-world/
robertogrecoalbertkahn 2022 gracelinden climatechange climatecrisis climate globalwarming photography documentation modernity disappearance landscape nature environment ecosystems culture via:javierarbona johnakomfrah amybalkin collections collecting documentary googlemaps camillehenrot smithsonian sarahsze time memory jacquesderrida vanishing pacificislands pasifika centralamerica science imperialism cosmopolitanism humanity films filmmaking ecology diaspora temporality race history nonlinear bedouin everyday cuba neworleans nola paulaamad panamá perú nepal capeverde sinking melting images imagery augusteléon julesgervais-courtellemont middleast france daguerreotypes louislumière augustlumière lumièrebrothers hgwells mariecurie middleeast mediterranean europe henribergson southafrica venezuela japan egypt russia vietnam paris germany diversityhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:cff359f24023/Vicky Osterweil on Disney, Intellectual Property and Storytelling - YouTube2026-05-03T19:43:34+00:00
https://www.youtube.com/watch?v=StrpSp8anQM
robertogrecovickyosterweil ip intellectualproperty culture film disney 2026 entertainment technology medicine popularculture imagination howwewrite writing howweread reading anarchism storytelling looting law legal policestate police policing filmmaking characters marvel monopolies music books covid-19 coronavirus pandemic vaccines pharmaceuticals consolidation markets capitalism innovation constitution us pirating literature copyright productivity creativity suppression francises nintendo matel videogames sequels hegemony ideology nuclearfamily individualism politics propaganda china homogenization finance financialization franchises merchandising ows occupywallstreet fandom freddiegray 2000s 2018 2012 thailand 2014 censorship hungergames guyfawkes resistance revolution davidgraeber stuarthall art artworld commodification gamegate starwars fans fanculture johnboyega daisyridley labor work workers power control socialfabric fanfiction communities community mutualaid 2020 philadelphia losangeles waltdisney mccarthyism sonhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:5393b930b1ac/The Music Video Is Dead, Long Live The Music Video (Season Premiere) - YouTube2026-04-18T22:46:27+00:00
https://www.youtube.com/watch?v=pQB2mvUvROw
robertogrecopatrickwillems film filmmaking 2026 1990s mikemills spikejonze michelgondry musicvideos music mtv jamiroquai jonathanglazer heelys biggiesmalls smashingpumpkins backstreetboys georgesméliès moby davidfincher michaelbay antoinefuqua jonathandayton valeriefaris markromanek francislawrence zacksnyder simonwest conair rickrolling memes russellmulcahy sightonsound buggles hanszimmer stevebarron direstraights marylambert jean-baptistemondino tobehooper bobrafelson briandepalma johnlandis martinscorsese johnsingleton 1980s lassehallström hollywood goreverbinski ridleyscott tonyscott alanparker adrianlyne propagandafilms creativity dominicsena davidlynch maximililianpotter stevegolin alexproyas fgarygray charlesstoneiii paulhunter josephkahn hypewilliams internet web online okgo napster markwebb markfischbach palmpictures chriscunningham davemeyers gusvansant trishsie sarahboardman ads advertising promotion cinema video audio imagery art shortfilm productplacement samuelbayer melinamatsoukas daniels danielkwhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:85a1d400bf47/Unqualified | Cosmos Malick2026-04-16T05:24:20+00:00
https://cosmosmalick.net/2026/04/09/unqualified.html
robertogreco2026 education film filmmaking reading howweread appreciation terrencemalick joshjeter ptanderson paulthomasanderson johnsturges neorealism charlietrotter charliechaplin stanleykubrick federicofellini williamwyler cinerama cinemascope fosterhirsch fellini robertorosellini eliakazan amateurs literature howwelearn seeing hearing senses cinemahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:d7f12ff0335d/Patience and Attention | Cosmos Malick2026-04-16T05:19:31+00:00
https://cosmosmalick.net/2026/04/14/patience-and-attention.html
robertogrecoalanjacobs film filmmaking patience attention howweread reading 2026 terrencemalick listening noticing observation slowhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:49d0c508ec8b/The MAGA Theory of Art2026-04-15T07:05:15+00:00
https://www.artnews.com/art-in-america/features/maga-theory-of-art-evangelical-film-nazi-weimar-1234779167/
robertogrecobeccarothfield maga donaldtrump aesthetics fascistaesthetics latefascistaesthetics nazis susansontag art beauty cutlure thirdreich karlmarx jeangenet kennedycenter ovaloffice whitehouse erictenschler andrewlloydweber jonathanpetropoulos design knuthamsun lenifiefenstahl hugoboss fashion gabrieled'annunzio cheesecakefactory albertspeer fascism nazism josephgoebbels alfredrosenberg arthurkampf wernerpeiner christiannationalism siegfriedkracauer film media richardgrenell angelstudios affirmfilms filmmaking stephenbaldwin alecbaldwin christianity kevinsorbo evangelicals aclu universalism urbanity germany ww2 wwii audience movies adolfhitler hitlerhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:5bc28e3b5458/Learning on the Job | Cosmos Malick2026-04-05T07:41:52+00:00
https://cosmosmalick.net/2026/04/02/learning-on-the-job.html
robertogrecoterrencemalick alanjacobs film filmmaking autodidactism autodidacts howwelearn education 2026 paulschrader davidlynch americanfilminstituteconservatoryhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:5dce0c8f6b94/Cosmos Malick2026-04-05T07:40:30+00:00
https://cosmosmalick.net/
robertogrecoterrencemalick alanjacobs film filmmaking autodidactism autodidactshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:caf6f2d3ef1c/ANAMORPHIC Lens & Street Photography... Worth It? - YouTube2026-03-29T20:48:04+00:00
https://www.youtube.com/watch?v=0WSPnv0wMko
robertogrecodevelopingtank photography cinema cinematic film filmmaking 2026 cyberpunk bangkokhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:e2b0d8497e31/IGNORED Wong Kar-Wai Cinematographer Changed Everything About His Films // Christopher Doyle - YouTube2026-03-23T04:06:14+00:00
https://www.youtube.com/watch?v=XDsUzPHJ7cE
robertogrecowongkar-wai christopherdoyle 2026 film filmmaking experience autodidactism autodidacts collaboration aesthetics intthemoodforlove chungkingexpress fallenangels storytelling environment photography cinema hongkong visuals visual color intution experimentation visuallanguage cinematography developingtankhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:22c29955d6fd/‘Orwell went off to fight. I thought I’d have to do the same’: Raoul Peck on his intimate connection with the writer | Documentary films | The Guardian2026-03-20T06:53:46+00:00
https://www.theguardian.com/film/2026/mar/16/orwell-went-off-to-fight-i-thought-id-have-to-do-the-same-raoul-peck-on-his-intimate-connection-with-the-writer
robertogrecoraoulpeck film filmmaking 2026 lanrebakare georgeorwell donaldtrump vladimirputin bigbrother documentary patricelumumba ernestcole jamesbaldwin rwanda adamcurtis democracy colonialism burma myanmar spanishcivilwar alexgibney authoritarianismhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:afca6db630b9/How Raoul Peck Became a Cinematic Griot2026-03-20T06:51:00+00:00
https://hammerandhope.org/article/orwell-documentary-raoul-peck
robertogrecoraoulpeck film filmmaking 2026 loviagyarke documentary alexgibney arthurblair georgeorwell damianlewis saidyahartman ernestcole revisionism history donaldtrump africa ghana cameroon guinea senegal nigeria haiti patricelumumba rosnysmarthhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:29817f35b3a7/Why Movies Just Don't Feel "Real" Anymore - YouTube2026-03-13T22:49:39+00:00
https://www.youtube.com/watch?v=tvwPKBXEOKE
robertogrecofilm filmmaking likestoriesofold patricktomasso cinema 2026 aestheticshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:bfd5a6c248c1/Blow-Up: A Parable [ Antonioni’s London Eye ] | THR Web Features | Web Features | The Hedgehog Review2026-02-24T06:43:56+00:00
https://hedgehogreview.com/web-features/thr/posts/blow-up-a-parable
robertogrecoThrough the power wealth confers on us, it actually diminishes the power of things to oppose us. Consequently, it lends strength to our desires and makes it harder to hold them in check. Under such conditions, moral equilibrium is unstable: it requires but a slight blow to disrupt it. Thus, we can understand the nature and source of this malady of infiniteness which torments our age. For man to see before him boundless, free, and open space, he must have lost sight of the moral barrier which under normal conditions would cut off his view. He no longer feels those moral forces that restrain him and limit his horizon. But if he no longer feels them it is because they no longer carry their normal degree of authority, because they are weakened and no longer as they should be. The notion of the infinite, then, appears only at those times when moral discipline has lost its ascendancy over wants; it is a sign of the attrition that occurs during periods when the moral system which has prevailed for centuries is shaken, and fails to respond to new conditions of human life, without any new system having yet been formed to replace that which has disappeared.
Thomas thinks he lives freely, but in fact his life is characterized by what another sociologist, Hartmut Rosa, calls “frenetic standstill.” He is in constant motion but in an ever-shrinking circle that asymptotically approaches complete moral immobility. As we have seen, at several points in this film, he has the opportunity to reach beyond himself and respond with compassion to troubled people, but he does not take those opportunities. Indeed, so preoccupied is he with the making, controlling, and interpreting of images, he does not even seem to be aware that another way is possible. And certainly the concept of justice—justice for the man killed—has never entered his consciousness.
One can—perhaps with difficulty—imagine a future for Thomas in which he becomes aware, in Durkheim’s words, that a “moral system which has prevailed for centuries” has failed, “without any new system having yet been formed to replace” it; and should that happen, Thomas would surely be an easy mark for any dictatorial tribalism that happened to come his way and promise stability and belonging. But for now, he has his images to keep him company.
In another famous work, Durkheim explores the links between anomie and suicide. But I don’t think Thomas will commit suicide. After all, he’s already dead."]]>alanjacobs film michelangeloantonioni blow-up juliocortázar filmmaking 1967 photography émiledurkheim infinteness freedom power morality hartmutrosahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:08aa52ae4045/An AI-Maxi New Year - by afra - Concurrent2026-02-18T16:34:33+00:00
https://afraw.substack.com/p/an-ai-maxi-new-year
robertogrecochina ai artificialintelligence future jiazhangke society technology seedance 2026 afrazhaowang afrawang unitree bytedance robots automation film filmmaking benfleck mattdamon creativity siliconvalley claude anthropic ip intellectualproperty copyright openclaw technooptimism palmerluckey fredgao llms generativeai xiaokai liangzhu alibaba dongbeirenaissance rustbelt genaihttps://pinboard.in/https://pinboard.in/u:robertogreco/b:68f846b97be9/The Devils’ Citadel | THR Web Features | Web Features | The Hedgehog Review2026-02-16T04:40:13+00:00
https://hedgehogreview.com/web-features/thr/posts/the-devils-citadel
robertogrecoalanjacobs 2025 ideas technology history documentary film filmmaking johnmilton paradiselost humphreyjennings montage georgeorwell marie-louisejennings dannyboyle mass-observation foliosociety christopherfrayling thomascarlyle thomasgray felixmendelssohn jamesnasmyth industrialrevolutionhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:aeaf54d7edfb/A Missing Piece of Modernism: Uncovering the Dramatic Story of Richard Neutra’s Lost Windshield House - Architizer Journal2026-02-16T01:24:46+00:00
https://architizer.com/blog/practice/materials/new-film-behind-richard-neutras-windshield-house/
robertogrecoarchitecture design documentary richardneutra modernism 2026 sydneyfranklin joannadattilo elissabrown film filmmakinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c5412fb1dd52/In Search of Lost Time: Theresa Hak Kyung Cha’s Cinematic Imagination - Another Gaze2026-02-02T19:04:49+00:00
https://www.anothergaze.com/search-lost-time-theresa-hak-kyung-chas-cinematic-imagination/
robertogrecohakkyungcha 2021 katiekirkland film filmmaking theresahakkyungchahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:a9f0bba3dc17/Crafting with Ursula : Lidia Yuknavitch on The Carrier Bag Theory of Fiction - Tin House2026-01-22T06:30:45+00:00
https://tinhouse.com/podcast/crafting-with-ursula-lidia-yuknavitch-on-the-carrier-bag-theory-of-fiction/
robertogrecolidiayuknavitch ursulaleguin ursulakleguin writing howwewrite 1986 anthropology art film filmmaking performance storytelling form labor economy economicshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:dffd45c8085c/Hypebeast Magazine: Bobby de Keyzer (Feature Story) | Hypebeast2026-01-14T21:17:27+00:00
https://hypebeast.com/2026/1/bobby-de-keyzer-magazine-feature
robertogrecoskateboarding skating 2026 bobbydekeyzer film video filmmaking jonathansmith jedandersonhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:059684ebfcd6/This Is How You Get JARHEAD Sequels - YouTube2026-01-10T06:55:29+00:00
https://www.youtube.com/watch?v=i5m-RHS1fU0
robertogrecofoldingideas slop aislop film filmmaking danolson 2026 nathanlandel jarhead dixiechicks freedomfries antiwoke iraqwar 2003 jefferybeach philliproth war military militarism media culture violencehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:32c33c0cc5d4/Everything Was Already AI - YouTube2026-01-09T19:34:30+00:00
https://www.youtube.com/watch?v=Km2bn0HvUwg
robertogrecoai artificialintelligence unlearningeconomics llms evolution context language naturalselection economics capitalism economy culture slop aislop marketing film filmmaking music freemarkets friedrichhayek markets behavior circulareconomy adaptation morality generativeai privateequity technology information arvindnarayanan sayashkapoor dandavies graceblakeley timo'reilly elonmusk openai chatgpt stockmarket herbertsimon jamescscott seeinglikeastate data stevekeen markschatzker decisionmaking prediction nathantankus accounting benjaminkuipers institutions culturaltechnologies states edzitron geoffreyhinton alexanderavila commodification timcook markzuckerberg peterthiel satisficing satisfaction loxalmaxima culturaltechnology simplicity massproduction familiarity complexity exploitation finance conventionalwisdom experimentation trevornoah jeromepowell communication interpretation languages conformity bubbles aibubble lossiness idiosyncrasy art humanity enshittification chatbots bots media corporations corporatismhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:f6f026e3046d/Staying Put - Front Porch Republic2026-01-08T19:48:15+00:00
https://www.frontporchrepublic.com/2026/01/staying-put/
robertogrecoWe live in such dark times and we have gradually lost our open spaces. …Wilderness, this is the place where solidarity exists, and justice, where the virtues are somehow linked to his justice. …This sense of space disappearing, we nevertheless can find it in cinema, which will pass it on to us. …For an hour, or for two days, these films can enable small changes of heart, changes that mean the same thing: to live better and to love more.
47 years later and cinema is dying.
Since the close of the frontier, any American of conscience has mourned that loss of “open spaces” and hoped something might replace them. The record thus far shows none can. At least none that won’t likewise fade.
But what else can you do when you’ve lost something? Keep moving forward, they say. But what if you don’t? Why not stay put? You won’t find it there, they reply. But will you find it wherever “forward” is? No, they’ll have to admit.
Train Dreams, one of the last gasps of a dying cinema, dares to sing—and it does sing—about a man, Robert Grainier, who decides to stay put. It’s the opposite of most stories, in which a man loses his loves and goes on a quest to find them, thus satisfying the need they have to keep moving forward. Instead, Grainier travels, comes back home, loses his loves, and remains right where he is, waiting for them to return.
They won’t.
His life passes, as the world passes him by. He rides into town sometimes but always comes back to this cabin. He had been an itinerant logger, cutting down forests he loves and lives in to build railroads that would replace the wagon taxi he would eventually drive for a living. A few years later, the railroads would be replaced by highways. He remembers everything he loves and has lost. He’ll die alone, as you and I will. Obsolescence is the rule, even over the life of man, it seems.
But it only seems so.
I cannot describe the plot any further. It’s one of the best films of the decade. But it isn’t about the plot. It isn’t about the character development. It isn’t in the script, nor is it even in the cinematography. It is as if in a whisper which speaks to your heart. If you see this film and can’t hear it, I can’t help you. I can only say that this film helped me “to live better and to love more.”
What follows, then, is a review not of the film but only of some “small changes of heart” that followed my encounter with it:
I wanted to hug my daughter. I should watch her smile more. In the film, a daughter drops a bowl in a stream and lets it go. I should laugh when my daughter does such things.
I wanted to pray more. To ask God why we must change so much. Why can’t we see the glory? “Beautiful ain’t it?” A dying man in the film says. “What is?” Robert asks. “All of it,” he replies. Now I look around more often.
I wanted to travel less and stay home more. Never to leave my family’s side.
I wanted to go out West to the great forests of Washington, Oregon, maybe Idaho. “…the place where solidarity exists, and justice, where the virtues are somehow linked to this justice…”
These sentiments contradict. But they are united by desire to be with beauty, with beautiful people and things. Maybe that’s a lesson for other parts of life too.
I wanted to hear the birds call. How many songs have I ignored?
I wanted to clean my boots. I’ve had this pair of Iron Rangers for almost ten years. I clean them once a year and they look good as new. I’ve worn them hiking and the result is the same. Some things, even artificial things, stand the test of time better than others, and I should cherish them.
I wanted to remember people who have been forgotten. Many people have been forgotten. In the film, one man prophesies that “bad men are raised up and good men fall to their knees.” Later, a good man falls to his knees. He’d spent a long time wondering if he is a good man. I’ve spent a long time wondering if I’m a good man. I still don’t know but now I know it’s better to remember other good men, especially the ones who stayed put and whom everyone else forgot.
These changes of heart may seem for the reader unrelated to each other. But they are bound together in the story of Train Dreams. The story unifies. But it is a story that can only be seen for yourself. And then you have to go live that story for yourself. And you will live that story, whether you know it or not.
Train Dreams is the story of a man who travels, who stays put, who witnesses and who remembers, who lives and dies. The man who stays put, in whatever form of protest or passivity, against the passage of time is vindicated by the story. If he dies alone, ignored by all, then he is recognized by the witness—his viewers, readers, and listeners. If the rest will forget him, then we his witnesses will not.
And yet this vindication depends upon our remembering, our refusal to forget those who have been forgotten, and our commitment to keep telling the story. And one day, we too will fail. We will forget, even as we are forgotten, passing into that final end of our time and all time.
The victory of those made obsolete by time rests, finally, on the Witness beyond the witnesses. He who knows the sparrows falling to the ground. Who raises a man from the dead."]]>traindreams film filmmaking denisjohnson terrencemalick 2026 openspace nature place obsolescence slow presence prayer witness memory life living refusal commitment timehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:b7b586b2bc4a/Revelados - Cecilia Vicuña - YouTube2026-01-06T04:47:04+00:00
https://www.youtube.com/watch?v=jepS4jWX0II
robertogrecoceciliavicuña chile art 2025 sofíatupper artmaking sculpture performance performanceart impermance coup salvadorallende 1973 history time quantumphysics quantummechanics physics nature pinochet politics joséantoniokast memory existence capitalism extractivism corporatism corporations us international government governance rareearth right farright violence film filmmaking artists life living quipu khipu textiles knots ephemerality khipus indigenous indigeneity inca culture feminism inka rope quantumtheoryhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6d86f38a00e9/Entourage And The Slow-Burning Death Of The American Dream - Bitter Empire2026-01-05T22:56:48+00:00
https://web.archive.org/web/20150605224301/http://bitterempire.com/entourage-and-the-slow-burning-death-of-the-american-dream/
robertogrecokalebhorton 2015 film filmmakinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:38e1384b0b2e/Death Is Just A Change2026-01-05T22:54:26+00:00
https://kalebhorton.ghost.io/death-is-just-a-change/
robertogreco2025 kalebhorton davidlynch death tolucalake losangeles harrydean lauradern robertforster twinpeaks mulhollanddrive film filmmaking tv television obituarieshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:3af7cb2ef476/“Train Dreams” Is Too Tidy to Go Off the Rails | The New Yorker2026-01-05T19:37:03+00:00
https://www.newyorker.com/culture/the-current-cinema/train-dreams-is-too-tidy-to-go-off-the-rails
robertogrecojustinchang 2025 traindreams film filmmaking denisjohnson joeledgerton clintbentley terrencemalick roxanahadadi gregkwedar brycedessner adolphoveloso idaho cinematography hermits recluses solitide regrethttps://pinboard.in/https://pinboard.in/u:robertogreco/b:9081a339a69e/‘Train Dreams’ Is an Argument Against Complicity2026-01-05T19:36:07+00:00
https://www.vulture.com/article/train-dreams-is-an-argument-against-complicity.html
robertogrecotraindreams film filmmaking adaptation 2025 roxanahadadi clintbentley denisjohnson idaho rgeret sorrow gregkwedar questioning judgement complicity life living insignificance melancholy remorse hardship hopefulness helplessness karma irrelevance meaning meaningmaking society withdawal hermits recluses solitide regret passivity inertia impact williamhmacy treeshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:f589ee67a6fa/Opinion | What a School Performance Shows Us About Japanese Education - The New York Times2026-01-05T02:27:49+00:00
https://www.nytimes.com/2024/11/18/opinion/japan-education-childhood.html
robertogrecodocumentary japan education schools schooling learning society emaryanyamazaki pedagogy culture film filmmaking 2024 teaching howweteach howwelearn parentinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:637de619d011/The Making of a Japanese | Ema Ryan Yamazaki - YouTube2026-01-05T02:23:32+00:00
https://www.youtube.com/watch?v=W2o52jF4BCY
robertogrecojapan schools schooling education emaryanyamazaki film filmmaking documentary society pedagogy culture 2025 2023 2021 2020 2022 pandemic coronavirus covid-19 teaching howweteach learning howwelearn parentinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:0a7dc74f4bb2/When Story Loses the Plot | Los Angeles Review of Books2026-01-03T06:45:15+00:00
https://lareviewofbooks.org/article/when-story-loses-the-plot/
robertogrecohannahkim meaningmaking meaning narrative plot writing howwewrite culture storytelling stories identity politics history branding fables jdavidvelleman emforster peterbrooks byung-chulhan narration tseliot jamesjoyce fredricjameson quietquitting quitting coherence closure perfectdays tv television film filmmaking thebear katherineelkins structure elisabethcamp manvirsingh gamification progress purpose fitnesstracking quantification quantifiedself orientation momentum mood character characters form resolution vulnerability connection understanding irony control securityhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6818e0f5a62c/Craftsmanship in the culture industry2026-01-03T06:03:45+00:00
https://mcrawford.substack.com/p/craftsmanship-in-the-culture-industry
robertogreco“I’ve heard from showrunners who are given notes from the streamers that ‘This isn’t second screen enough.’ Meaning, the viewer’s primary screen is their phone and the laptop and they don’t want anything on your show to distract them from their primary screen because if they get distracted, they might look up, be confused, and go turn it off.”
A show that is too interesting will monopolize a person’s attention, and it is assumed that nobody has the luxury of getting invested in a story to that degree. What is needed is a show that is glossy but humanly vacant. Of course, some of the shows on Netflix don’t fit this description; Stranger Things is loved by many. Sometimes the human spirit shines through despite all.
But, like every other institution subject to managerialism, Netflix is run by cadres of people whose competence is an omni-competence, expressed in an idiom of metrics that is transportable across industries. To repeat a point I made in my last post, the making of widgets is to be optimized by people who have never lovingly held this particular kind of widget in their hand.
The lovelessness of managerialism is like a pillow held firmly over the face of culture. Roth writes,
there is a shrinking and flattening that comes with being owned by people whose interests, on balance, are themselves notably small and flat. Every business these people touch winds up cheapened, worsened, and dispiritingly similar in its overall enfeeblement as a result. This, more than any heroic acts of innovation or creative destruction, is where the market is right now—driven to find just how diminished and demeaning a version of a once-useful service people are still willing to pay for.
Under managerialism, the thing-in-itself (here, television drama) recedes; all the real action happens on a meta level. But only primary things, concrete things, are lovable; abstractions and metrics are not. This system ruthlessly selects for mediocrities who will not disturb the system’s need for vacancy.
The reality-deficit that comes with this late form of capitalism tends to back up, like a sewer line, and come gurgling to the surface where it soils even the meta-layer where metrics are supposed to remain clean. The occasion for Roth’s expose of Netflix was the screenwriters’ and actors’ strike of 2023. The unions tried to force Netflix and the other streaming services to reveal their numbers so workers could be compensated based on a realistic picture of how much their content was being viewed. The streaming services resisted this tooth and nail. Their business model appears to rely on their ability to keep their metrics unverifiable. Roth quotes a Hollywood insider who says everyone knows the numbers claimed by the streamers are fake. “[S]treamers can and do say whatever they want as a way to test what investors and the broader public will believe.”
Managerialism is a form of political economy in which the middle-man steps in with a claim that he has some special competence, through the exercise of which new efficiencies can be realized, or some process of production or distribution can be optimized through quantitative rigor. But a funny thing then happens. His metrics easily come detached from the underlying things they are meant to track, no doubt because the incentives of the manager are tied to metrics, rather than directly to the thing. The latter orientation is characteristic of the craftsman, via the “internal rewards” and satisfactions that are intrinsic to some skilled practice (such as making good television), as opposed to the “external rewards” of money, or social position, or other goods that may be a second-order consequence of getting to be really good at something. But you can’t get good at something while focused on external rewards. You have to go deep into the practice itself.
As Eugyppius says, “Managerialism is an ever-advancing process of decay masquerading as an administrative system, and it has become a defining pathology of Western civilization.” One result is a spreading “crisis of competence”, or the death of craftsmanship as an ethic. Applied to the culture industry, managerialism seems to generate products that are hard to get emotionally invested in. In the case of the Silicon Valley takeover of television, this may even be by design. The customer’s attention must remain available on multiple fronts.
It is hard to see how the deadening effect of managerialism might be overcome, as our class structure is built on it. Due to the overproduction of degree-holders, the layer of people engaged in the meta-work of abstraction grows ever thicker. It generates its own demand, parasitical on the economy of the real. If the cumulative effect is culturally suffocating, this needn’t be taken as a judgment of the personal qualities of those with bullshit jobs. Rather, they are trapped within a system that demands that they suspend what comes most naturally to a human being: taking an active and affectionate interest in real things."]]>matthewcrawford film filmmaking netflix warnerborthers craft craftsmanship managerialism 2025 politicaleconomy hollywood management mediocrity siliconvalley davidroth economics art capitalism reality latecapitalism streaming competence middlemen efficiency money society culture eugyppius class humanism human humans economyhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:64522e694735/motion and machine – The Homebound Symphony2025-12-27T21:01:29+00:00
https://blog.ayjay.org/motion-and-machine/
robertogrecoalanjacobs 2025 film form motion hughkenner guydavenport filmmaking degas johnpairmanbrown siegfriedgiedion photography history johnruskin charlesbabbage herbertspencer williamholmanhunt harrylevin velocipede bodies criticism giorgiodechirico eadweardmuybridge edgardegas ernestmessonierhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:415578c5d557/The Yale Review | Bilge Ebiri: “Why Terrence Malick Is the Most…2025-12-24T00:08:45+00:00
https://yalereview.org/article/bilge-ebiri-terrence-malick
robertogrecoterrencemalick 2025 film filmmaking influence ramellross colsonwhitehead treeoflife chloézhao nomadland clintbentley traindreams denisjohnson humanism jacobswinney andrewdominik billyweber johnbleasdale néstoralmendros lindamanz openness spontaneity discovery ajedwards davidlowery margaretannedoody eugenerichards bilgeebiri thetreeoflife davidgordongreen idaho hermits recluses solitide regrethttps://pinboard.in/https://pinboard.in/u:robertogreco/b:4fcd8af9cde3/Sheffield Doc Fest 2017 The BBC Interview Louis Theroux meets Nick Broomfield - YouTube2025-12-22T06:45:55+00:00
https://www.youtube.com/watch?v=W6rKXARozAM
robertogrecovia:morgan 2015 louistheroux nickbroomfield documentary film filmmakinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:dd844f3d4a28/Godard On Godard by Jean-luc Godard | Da Capo2025-12-16T05:42:20+00:00
https://www.dacapopress.com/titles/jean-luc-godard/godard-on-godard/9780306802591/
robertogrecojean-lucgodard books film frenchnewwave filmmaking cahiersducinéma alfredhitchcock tommilne richardroud annettemichelson jeanrenoir robertbresson ingmarbergman françoistruffaut orsonwellshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:97a96aa814ad/Why don't movies look like *movies* anymore? - YouTube2025-11-21T22:32:18+00:00
https://www.youtube.com/watch?v=EwTUM9cFeSo
robertogrecofilm filmmaking patricktomasso cinematography lighting 2025 highdinamicrange intention taste talent aesthetics parenttrap deancundey superbad filmproduction johnmathieson davidfincher craft realismhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:3a0b81667b64/Chilean film chronology - Movies List on MUBI2025-11-14T07:49:56+00:00
https://mubi.com/en/lists/chilean-film-chronology
robertogrecochile film filmmaking history listshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:062c67356b13/Werner Herzog - City Arts & Lectures - Apple Podcasts2025-11-14T06:18:47+00:00
https://podcasts.apple.com/us/podcast/werner-herzog/id1436346407?i=1000637357339
robertogreco2023 wernerherzog caterinafake walking reading film filmmaking projects howwework poetry writing howwewrite jabakerhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c172c080af2a/La literatura de los hijos, a 50 años del golpe militar chileno | Babelia | EL PAÍS2025-11-12T06:33:03+00:00
https://elpais.com/babelia/2023-09-09/la-literatura-de-los-hijos-a-50-anos-del-golpe-militar-chileno.html
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https://bigthink.com/high-culture/ken-liu-ai-art/
robertogrecokenliu cinematograph cinema experimentation ai artificialintelligence poems poetry translation 2025 creativity expression georgesméliès noematograph augustelumière louislumière lumièrebrothers movement history narrative film filmmaking timeberners-lee tiktok chatgpt youtube llms language chenzi'ang wuzetian interpretation howwewrite writing languages machinelearning emilywilson subjectivity aiart art artshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:4789f48f5fb2/How AI Will Translate Human Creativity as Sci-Fi and Reality Converge | The Futurology Podcast - YouTube2025-11-04T18:43:57+00:00
https://www.youtube.com/watch?v=q8ZR9-y4ik8
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https://www.nfi.edu/kuleshov-effect/
robertogrecofilm filmmaking kuleshoveffect levkuleshov emotions filmediting psychology storytellinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6587536eeef9/Correspondance François Truffaut-Fernand Deligny2025-10-17T22:59:22+00:00
https://journals.openedition.org/1895/281
robertogrecofernanddeligny françoistruffaut 2004 andrébazin chrismarker film filmmaking psychiatry autism bertrandbastidehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c2496f5550c8/‘Succession’ Star Hiam Abbas on Palestine, Censorship, and 90 Years of Resistance - YouTube2025-10-11T01:50:10+00:00
https://www.youtube.com/watch?v=smbR90q-cFE
robertogrecopalestine history 1930s nakba 1936 1948 genocide ethniccleansing hiamabbas censorship annemariejacir operationalaqsaflood uk colonialism colonization film filmmaking zionism israel trauma hollywood mehdihasanhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6843b9532f7b/Dolly Li | Video Journalist & Filmmaker2025-09-30T22:02:54+00:00
https://www.dollyli.com/
robertogrecodollyli documentary plumstudios losangeles riceuniversity journalism film filmmaking ryancoogler sinners culture china taiwan hongking asia popculture history pbs martinyanhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:72ce0c161fe9/The Dark Raptures of Mike Davis's L.A. | California Revealed2025-09-30T20:48:09+00:00
https://californiarevealed.org/do/e8944423-2dcc-4ba5-a0e0-52b48bca333d
robertogrecovia:javierarbona mikedavis losangeles 1997 randolphstarn davidreid kerwinleeklein cityofquartz politics economics geography socal architecture massmedia destruction dystopia apoalypse art literature film filmmaking race racialturmoilhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:2df9b7f01d05/Robert Redford Didn’t Love Hollywood, Yet Hollywood Loved Him - The New York Times2025-09-18T16:14:19+00:00
https://www.nytimes.com/2025/09/17/business/robert-redford-hollywood.html
robertogrecorobertredford filmmaking 2025 sundance sundancefilmfestival obituaries hollywood resistance film stevensoderbergh ryancoogler quentintarantino jameswan darrenaronofsky nicoleholofcener paulthomasanderson davidrussell robertrodriguez chloézhao avaduvernay trevorgroth rebels brooksbarnes nicolesperling davidlowery paulnewman sydneypollack sundanceinstitute filmfestivals elitism johncooper academyawards utah billkramer environment environmentalism ptandersonhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:8cb309cd204d/SFAA Spotlight | Al Wong - YouTube2025-08-25T06:40:22+00:00
https://www.youtube.com/watch?v=3Y6OdR_K98U
robertogrecoalwong art tanyazimbardo sanfrancisco film filmmaking sfai 2025https://pinboard.in/https://pinboard.in/u:robertogreco/b:013fee3d6dde/Al Wong on Twin Peaks, Art, and Meditation · SFMOMA2025-08-25T05:41:08+00:00
https://www.sfmoma.org/read/al-wong-on-twin-peaks-art-and-meditation/
robertogreco“Everything is interconnected. We all know that. But how can I do that in art?”
— Al Wong
Are you seeking something specific in your art?
AW: I’ve been thinking about this for a long time. As a person that’s called an artist, what is this activity and what am I making this for? Why am I here every day, sitting, drawing, and writing? Trying to find, to sound corny, the truth. And I don’t know what that is. And time is really precious now.
Everything is interconnected. We all know that. But how can I do that in art? Zen says to get rid of “monkey’s mind” — thoughts like, “Oh, I got a bill to pay. I got to meet so-and-so. I got a job to do.” What’s really important? Your life. Everything we experience, it’s impermanent. We should appreciate moments and people we’re with, because we’re all going to go. So going back to making the work, I should make it better, try my best.
With film, the work has to relate to the space. We’re here; very live, present, primary. There’s no space to allow us to break the present tense. We’re talking. This is it. If I can make art that considers that, then people can experience that or not — it’s their choice, to pay attention. It’s a subtle thing, and I feel when things are subtle, sometimes they’re really true."]]>alwong film filmmaking sfmoma sanfrancisco time twinpeaks buddhism zen zenbuddhism meditation seasons light change cycles sfai interconnected interconnectedness art artists presence artmaking jaydefeo seeing waysofseeinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:dbab2cc51ce6/For Empire: How Films Play With Our Emotions ft Samantha Youssef - YouTube2025-08-21T19:25:53+00:00
https://www.youtube.com/watch?v=TWdD8Dgz3MU
robertogreco2025 samanthayoussef jaredball andor media reneejohnston film filmmaking starwars emotion manipulation storytelling narrativehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:0a731162dfc2/Encoding Empire with Samantha Youssef - YouTube2025-08-18T04:10:25+00:00
https://www.youtube.com/live/Vev644NSDks
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https://www.youtube.com/watch?v=cNN65kgDpwY
robertogrecosamanthayoussef andor wakanda blackpanther 2025 jaredball starwars film filmmaking manipulation psychology media television tvhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:bc0532520b6b/Subverting Radicalism: How Andor and All Films Do It! ft Samantha Youssef - YouTube2025-08-18T04:09:12+00:00
https://www.youtube.com/watch?v=wo7pXp1SgLY
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https://www.youtube.com/watch?v=XQM5s3ZEctc
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https://www.youtube.com/watch?v=Toak26j_Z-Q
robertogrecosamanthayoussef reneejohnston jaredware 2025 jaredball dei media film filmmaking television tvhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:ef76db561dae/Two Ways To Film The Same Scene (#2) - YouTube2025-08-02T20:54:18+00:00
https://www.youtube.com/watch?v=WIenAw1_-F4
robertogreconerdwriter1 film filmmaking losangeles berlin libraries architecture meaning wimwenders wingsofdesire hollywood westgermany germany evanpuschak walterbenjamin rogerebert howweread reading howwewrite spirituality comparison storytelling empathyhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:4d4bf5f403de/Abbas Kiarostami’s Cinema of Subtraction | The MIT Press Reader2025-07-27T02:27:49+00:00
https://thereader.mitpress.mit.edu/abbas-kiarostamis-cinema-of-subtraction/
robertogrecoabbaskiarostami film filmmaking joancopjec 2025https://pinboard.in/https://pinboard.in/u:robertogreco/b:95efd2b7b942/To Build a World That Is Not Traumatizing - BlackStar2025-07-20T00:37:25+00:00
https://www.blackstarfest.org/seen/read/issue003/ahmed-bouanani-maghreb-informations/
robertogrecoahmedbouanani nour-eddinesail omarberrada morocco film filmmaking writing howwewrite 2021 decolonizatioon northafrica africahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:0bb145f9f27d/Playing God | Broadcast2025-06-30T00:47:53+00:00
https://pioneerworks.org/broadcast/interactive-cinema-claire-evans
robertogrecoclaireevans 2025 games videogames film filmmaking interactive interactivefiction if gaminghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:7d3ac13affa8/Can You Believe Your Own Eyes? Not With A.I. | Op-Docs - YouTube2025-06-25T02:14:57+00:00
https://www.youtube.com/watch?v=Sf3wEg9tsCY
robertogrecofilm photography perception media ai artificialintelligence maximilienvanaertryck axeldanielson documentary cameras filmmaking video fear tv television attention addiction psychology storytelling narrative tedturner capitalism lumièrebrothers georgesméliès radio fabrication staging framing power ads advertising reality escapism fiction propaganda entertainment news cnn sensationalism violence massmedia screens technology smartphones socialmedia manipulation internet online web youtube influencers influence fearmongering foxnews howwethink neuroscience reedhasting netflix algorithms channel5 andrewcallaghan division polarization business faceboook metahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:20e22d6ebd6b/‘Not complicated, it’s colonialism’: Saul Williams on Gaza and a 'crumbling' US empire | Real Talk - YouTube2025-06-09T16:40:13+00:00
https://www.youtube.com/watch?v=WoXIylhozqY
robertogrecosaulwilliams mohamedhashem 2025 palestine gaza israel us politics apartheid genocide ethniccleansing colonialism colonization ryancoogler sinners duopoly art propaganda mlk martinlutherkingjr music southafrica empire kukluxklan birthofanation reistance occupation zionism antizionism tupacshakur hiphop film kanyewest exploitation hypewilliams diamonds mining history racism race publicenemy junglebrothers queenlatifah krs-one resistance waronterror islamophobia systemofadowm rageagainstthemachine minimumwage socialsafetynet health healthcare unions organizing freedom liberation democracy oppression repression suppression indigeneity indigenous responsibility power education miseducation media indoctrination textbooks curriculum kwameture stokelycarmichael voting elections electoralpolitics votersrights controlledopposition democrats republicans thirdparties thirdparty colleges universities protest protests encampments joebiden academia bds boycott divestment sanctions news mainstreammedia antiarab internationalhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:bd62fb206827/Opinion | In 'Sinners,' it's the spirits versus the church - The Washington Post2025-05-10T00:08:25+00:00
https://www.washingtonpost.com/opinions/2025/04/30/african-spirituality-in-sinners/
robertogrecokarenattiah 2025 ryancoogler religion history christianity film filmmaking felkuti music spirituality yoruba orisha ibeyi disempowerment conditioning horror exploitation colonialism colonization whitesupremacy diaspora churchhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:3a6e257dd000/La Base 5x134 | ¿Quién derrotó a los nazis? EEUU reescribe la Historia de Europa - YouTube2025-05-08T16:43:46+00:00
https://www.youtube.com/watch?v=47U8LQB2qb0
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https://stopaskingme.tumblr.com/post/774818553567248384/a-note-on-watches
robertogrecoconclave watches 2024 film catholicism filmmaking f-91w casiohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:5aba6ba4b53f/Chile in Our Hearts | The Nation2025-05-01T15:48:18+00:00
https://www.thenation.com/article/world/chile-coup-democracy-historical-memory/
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