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    <title>As Wall Street Chases Profits, Fire Departments Have Paid the Price - The New York Times</title>
    <dc:date>2025-02-18T22:14:20+00:00</dc:date>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["Fire engine manufacturing is now largely controlled by three companies. Around the country, prices have soared, and orders can take years to fulfill."
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<dc:subject>firefighting equipment firedepartments monopolies manufacturing 2025 us profits profiteering revgroup losangeles privateequity edg mikebaker Maureenfarrell sergekovaleski</dc:subject>
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    <title>UC awards $6 million to research aimed at reducing cancer among firefighters | University of California</title>
    <dc:date>2024-11-20T21:30:43+00:00</dc:date>
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    <title>How American Fire Departments are Getting People Killed - YouTube</title>
    <dc:date>2024-08-11T23:24:02+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=j2dHFC31VtQ</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["References & Further Reading

Baltimore City Council examines allegations of bullying, intimidation of bicyclists by fire officials
https://www.baltimoresun.com/2018/07/03/baltimore-city-council-examines-allegations-of-bullying-intimidation-of-bicyclists-by-fire-officials/
https://usa.streetsblog.org/2018/07/10/mad-about-bike-lanes-baltimore-fire-department-takes-it-out-on-advocates
https://nextcity.org/urbanist-news/bike-activists-and-firefighters-clash-in-baltimore
https://digitaledition.baltimoresun.com/tribune/article_popover.aspx?guid=2cd96fbe-2a52-4cfd-9370-70c53005bc68

Modern Mobility: Balancing Fire Safety, Street Safety
https://www.arlnow.com/2021/07/21/modern-mobility-balancing-fire-safety-street-safety/

Los Angeles firefighters fought investments in safer streets. For decades, fire regulations have made roads deadlier
https://www.businessinsider.com/firefighters-oppose-street-safety-bike-lanes-traffic-deaths-los-angeles-2024-4

Community Rallies to Save a Car-Free Street
https://www.strongtowns.org/journal/2023/4/27/community-rallies-to-save-a-car-free-street

City committee endorses staff recommendation to make Yonge Street bike lanes permanent
https://www.cbc.ca/news/canada/toronto/bike-lanes-yonge-street-midtown-1.6730244

Why Send A Firetruck To Do An Ambulance's Job?
https://www.npr.org/sections/health-shots/2017/04/11/523025987/why-send-a-firetruck-to-do-an-ambulances-job

Blue Lights Geneva:
https://www.youtube.com/channel/UCm3vfvdzPRygwVDjqHqimKQ

Fire Apparatus – United States vs. Europe
https://www.fireapparatusmagazine.com/fire-apparatus/fire-apparatus-united-states-vs-europe/

North American vs. European fire apparatus
https://www.firerescue1.com/fire-products/fire-apparatus/articles/north-american-vs-european-fire-apparatus-breaking-down-the-differences-zsiTPu2O7PZokQVp/

Apparatus Supplement: North American vs. European Apparatus
https://www.firehouse.com/apparatus/article/12327628/north-american-vs-european-apparatus-fire-apparatus-innovations

Fire Department Overall Run Profile as Reported to the National Fire Incident Reporting System (2020)
https://www.usfa.fema.gov/statistics/reports/firefighters-departments/fire-department-run-profile-v22i1.html

Fire Brigade in the Netherlands using Bike Lanes:
https://www.reddit.com/r/fuckcars/comments/155iwzc/fire_brigade_in_the_netherlands_using_bike_lanes/  

Ambulance using the cycle lane CS3:
https://x.com/westcountrytim/status/1684935636732522496

SF Fire Department’s New ‘Vision Zero’ Truck
https://sf.streetsblog.org/2017/11/03/fire-departments-new-vision-zero-truck

HAI: Why the European Siren is Scientifically Proven to be Better
https://nebula.tv/videos/half-as-interesting-why-european-sirens-are-scientifically-proven-to-be-better
https://www.youtube.com/watch?v=_dgYgshLAwQ  

San Francisco Fire Engine Co Photo by Tony Hisgett from Birmingham, UK, CC BY 2.0, 
https://commons.wikimedia.org/w/index.php?curid=50534112

Prio 1 Gebouwbrand Rotterdam Kralingen - Kazerne Baan 24/7
https://www.youtube.com/watch?v=0IDdWCuWfS8

Skinny roads save lives:
https://www.npr.org/2023/11/13/1212589284/skinny-roads-save-lives-according-to-a-study-on-the-width-of-traffic-lanes

Emergency Response and Traditional Neighborhood Streets
https://nacto.org/docs/usdg/emergency_response_manual_burden.pdf

Analyzing Spare and Reserve Apparatus
https://www.firehouse.com/apparatus/article/21288528/analyzing-spare-and-reserve-fire-apparatus

If You Want Safe Streets, Buy a Better Fire Engine
https://opticosdesign.com/blog/if-you-want-safe-streets-buy-a-better-fire-engine/

FDNY Fire Truck stuck:
https://www.youtube.com/watch?v=XAINl-k-0Eo

Strong Towns articles:
https://www.strongtowns.org/journal/tag/Fire+Trucks
 
How Fire Chiefs and Traffic Engineers Make Places Less Safe
https://www.strongtowns.org/journal/2017/3/28/how-fire-chiefs-and-traffic-engineers-make-places-less-safe

--
Chapters

0:00 Introduction
1:30 The Objections
2:14 What Do Fire Departments Do?
4:02 The Do-it-all Truck
6:06 Bike Lanes Slow Down Fire Trucks (right?)
7:18 Custom vs Standardised Chassis
8:37 Giant over-spec'd Trucks
9:13 Ladders
10:01 Giant Trucks are Fundamentally Unsafe
11:31 Stupidly Wide Roads
12:39 Roundabouts
13:53 Traffic Lights
14:33 The Sad Reality of Car Crashes
15:11 The Expert Recommendations
17:58 We Need Smaller Fire Trucks
18:47 We Can Have Both
20:17 The Real Problem
22:53 The Excuses and Dismissals
24:23 My Apology and Conclusion
25:27 Incogni Sponsorship"]]></description>
<dc:subject>firedepartments us safety streets urbanplanning bikes biking bikelanes mobility 2024 notjustbikes traffic cars sffd sanfrancisco ambulances emergenceresponse ambulance nyc baltimore netherlands paris frnace germany fires fire vehicles trucks rotterdam ronyhisgett europe fdny edg canada northamerica streetdesign urbanism urban healthcare toronto losangeles transit</dc:subject>
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<item rdf:about="https://sfstandard.com/2024/07/18/san-francisco-mayor-firefighters-endorsement/">
    <title>San Francisco mayor candidates vie for firefighter endorsement</title>
    <dc:date>2024-07-25T16:15:58+00:00</dc:date>
    <link>https://sfstandard.com/2024/07/18/san-francisco-mayor-firefighters-endorsement/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>sffd sanfrancisco unions edg 2024 elections</dc:subject>
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<item rdf:about="https://sfstandard.com/opinion/2024/07/22/everybody-loves-firefighters-but-their-pension-shenanigans-dont-deserve-voters-respect/">
    <title>Opinion | San Francisco firefighters' pension proposal doesn't pass smell test</title>
    <dc:date>2024-07-25T16:14:56+00:00</dc:date>
    <link>https://sfstandard.com/opinion/2024/07/22/everybody-loves-firefighters-but-their-pension-shenanigans-dont-deserve-voters-respect/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["It's an election year, which means San Francisco's powerful unions are trying to manipulate politicians and exploit voter sentiment."

]]></description>
<dc:subject>sffd sanfrancisco 2024 unions edg</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://www.hcn.org/articles/cancer-is-killing-firefighters-so-this-city-is-going-pfas-free/">
    <title>Cancer is killing firefighters. So this city is going PFAS-free. - High Country News</title>
    <dc:date>2024-05-25T19:41:26+00:00</dc:date>
    <link>https://www.hcn.org/articles/cancer-is-killing-firefighters-so-this-city-is-going-pfas-free/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["San Francisco is the first major American city to ban the substance from protective gear."

...

"On the day after Christmas in 2020, San Francisco firefighter Matt Alba had a seizure. At the hospital, doctors discovered a tumor the size of a pear: It was brain cancer. 

It’s a diagnosis that, in Alba’s line of work, is tragically common. Research suggests that firefighters have higher rates of cancer than the general population, including a 26% higher risk for brain cancer. In 2023, nearly three-quarters of active firefighter deaths were due to cancer, the leading cause of death in the profession nationwide.  

Though it’s hard to determine a single reason for their elevated cancer risk — firefighters are exposed to a range of toxins in their everyday duties — one obvious point of contact is their gear, known as turnouts. Perfluoroalkyl and polyfluoroalkyl substances, or PFAS — a group of chemicals known for their waterproofing qualities — have been added to firefighter turnouts since the 1970s, years after chemical companies first realized that the compounds were hazardous to human health.

Alba, a battalion chief in the San Francisco Fire Department and head of its health and safety program, has been sounding the alarm for a decade, long before his own diagnosis. And last week, the department he works for took an important step toward addressing the issue — one he hopes will have ripple effects on firefighters across the country.

On May 14, San Francisco became the first major American city to ban PFAS from its firefighters’ protective gear. The ordinance, which was passed by the city’s board of supervisors and now heads to Mayor London Breed for her signature, requires the city’s fire department to provide PFAS-free gear to its nearly 1,500 firefighters by June 30, 2026, at an estimated cost of $10.1 million. The decision joins a statewide ban on PFAS in firefighting foam, which went into effect in 2022.

While everyone comes into contact with PFAS in one way or another — the chemicals are found in everything from rain jackets to drinking water — firefighters have particularly high levels of exposure. Knowing this, they have been leading a cross–country, grassroots effort to make their turnouts safer.

“We have this unique risk in our occupation that is really hard to mitigate sometimes,” said Russell F. Osgood, vice president of education, research and outreach at the nonprofit Firefighter Cancer Support Network. “So removing compounds from things that protect us — to make it less risky for us as far as getting cancer — is a good step.” 

Until recently, that has been a challenge, as effective PFAS-free gear has not been readily available. But earlier this year, five fire departments, including San Francisco and Denver, began testing PFAS-free turnouts. 

The reception has been positive, said Neil McMillan, director of science and research at the International Association of Fire Fighters, a labor union for firefighters in the U.S. and Canada. Though official results won’t be available until summer, McMillan said that, so far, firefighters have reported “no differences or trade-offs in performance.” 

San Francisco’s decision to purchase PFAS-free turnouts comes on the heels of similar announcements in Vancouver, British Columbia, and Concord, New Hampshire. Because of its size, what happens in San Francisco could influence other cities to replace their gear, too, if they can scrape together the funds. 

PFAS-free turnouts cost $4,000-$6,000 each, around 30% more than the alternatives. Departments typically provide two sets to each firefighter and must replace them every five to 10 years. 

Alba worries that, because of the cost, the transition won’t happen quickly enough, and PFAS-free gear will continue to pose a funding challenge far into the future.  “You can see how this will be, for firefighters, a generational problem,” he said. 

So Alba is also teaching firefighters how to minimize their contact with PFAS: wearing turnouts only when absolutely necessary, bagging and washing their gear after fires and showering after they return to the station. 

“It used to be that it was a badge of honor to wear a dirty coat — that’s no longer the situation,” said Alba, who’s been in the fire service for 26 years. “So I’m grateful for how far we’ve come.” 

“But there is so much more that needs to be done to fully eradicate this known carcinogen from our quote-unquote safety equipment,” he added."]]></description>
<dc:subject>sanfrancisco 2024 firefighting firefighters materials pfas sffd edg susanshain cancer health</dc:subject>
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<item rdf:about="https://thegreynato.substack.com/p/222asha">
    <title>The Grey NATO – 222 – Jumping Out Of Helicopters To Fight Fires With Asha Wagner</title>
    <dc:date>2023-01-12T18:28:56+00:00</dc:date>
    <link>https://thegreynato.substack.com/p/222asha</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["For #222, the TGN boys are thrilled to welcome their friend Asha Wager to the show as a special guest. Asha is a Fire Department Captain, a Hazmat Team Leader, a massive watch nerd, adventure junkie, diver, and all around remarkable person. It’s a great chat that covers her time as a helicopter rappeller, her work fighting wild land fires, how she came to love watches, and what else she does to keep active and entertained."

[See also:
https://www.buzzsprout.com/2049759/12027274
https://podcasts.apple.com/us/podcast/the-grey-nato/id1080535798
https://www.instagram.com/wildlander6/ ]]]></description>
<dc:subject>ashawagner 2023 firefighting watches firefighters edg thegreynato jasonheaton jamesstacey aquadive sangin nivadagrenchen williamwood sinn tudor elgin zrc nivada</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=0i_XWYKfIdY">
    <title>A REAL Back to School Laptop Guide (2021) - YouTube</title>
    <dc:date>2021-08-07T18:27:41+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=0i_XWYKfIdY</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>edg laptops backtoschool 2021 davelee dave2d hardware</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=yw8a8n7ZAZg">
    <title>Why the US has so many Filipino nurses - YouTube</title>
    <dc:date>2021-05-10T19:16:12+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=yw8a8n7ZAZg</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“The US colonized a country and built a labor supply.

Filipino nurses have been disproportionately affected by the coronavirus in the US. That’s because they make up an outsized portion of the nursing workforce. About one-third of all foreign-born nurses in the US are Filipino. 

Since 1960, 150,000 Filipino nurses have come to work in the US. And that’s because over the past century the US built a pipeline that draws nurses from the Philippines every time it faces a shortage. This system began in the early 20th century when the US invaded and colonized the Philippines and lives on through today. 

To understand the long history behind the large presence of Filipino nurses in the US and how and why it continues to this very day,  watch the video above. And let us know what you think in the comments!

If you want to learn more, here are some additional resources you can check out:

For a more in-depth look at the toll the coronavirus is taking on Filipino nurses check out the ProPublica piece ““Similar to Times of War”: The Staggering Toll of COVID-19 on Filipino Health Care Workers”
https://www.propublica.org/article/similar-to-times-of-war-the-staggering-toll-of-covid-19-on-filipino-health-care-workers

To browse more archive images of Filipino nurses check out this great digital exhibit by Ren Capucao, who was our main source of archival images for this video:
https://uva.digication.com/ren.capucao/exhibition

If you want to learn more about the history of Filipino nurses and the US check out this article by Catherine Ceniza Choy, featured in our video:
https://www.zocalopublicsquare.org/2019/09/30/why-are-there-so-many-filipino-nurses-in-california/ideas/essay/

If you want to go even deeper, here is her book-length study “Empire of Care”:
https://www.dukeupress.edu/empire-of-care

To understand the colonial history of the Philippines, that starts well before the US invasion, with the Spanish colonization in the 16th century, you can start here:
https://www.asianstudies.org/publications/eaa/archives/the-philippines-an-overview-of-the-colonial-era/

To get a snapshot of the crucial role immigrant health care workers play in staffing the US health care system, here’s a study filled with insightful data by the Migration Policy Institute:
https://www.migrationpolicy.org/article/immigrant-health-care-workers-united-states

And for anyone looking to dig deeper into Filipino American history in the US, here is a link to the Filipino American National Historical Society:
http://fanhs-national.org/filam/ ”]]></description>
<dc:subject>nursing philippines nurses edg 2020 coronavirus labor covid-19 pandemic medicine education health healthcare language colonialism colonization imperialism immigration care caring ww2 wwii migration hospitals worldwarii worldwar2</dc:subject>
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</item>
<item rdf:about="https://en.wikipedia.org/wiki/The_Outer_Worlds">
    <title>The Outer Worlds - Wikipedia</title>
    <dc:date>2020-09-16T05:14:36+00:00</dc:date>
    <link>https://en.wikipedia.org/wiki/The_Outer_Worlds</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also: https://outerworlds.obsidian.net/en ]

“The Outer Worlds is an action role-playing video game featuring a first-person perspective. In the early stages of the game, the player can create their own character and unlock a ship, which acts as the game’s central hub space. Though the player cannot control their ship directly, it serves as a fast travel point to access different areas in the game and acts as the player’s persistent inventory space.[1] The player can encounter and recruit non-player characters as companions who have their own personal missions and stories. When accompanying the player, the companions act as an aid in combat. Each companion has its own individual skills and special attacks, and it can also develop its own skill specialization. When exploring, the player can bring up to two companions alongside them, while the rest stay on the ship. The player can make numerous dialogue decisions, which can influence the game’s branching story. They can also respond to NPCs in various ways, such as acting heroically, maniacally, or moronically.[2]

During combat situations, the player can use various weapon types such as melee and firearms, which have three ammo types: light, heavy and energy. These weapons can be customized to add elemental damage.[3] The player can use stealth or social skills (persuasion, lying and intimidation) to avoid combat altogether. As the player progresses, they gain experience points, which the player and their companions can use to level up and unlock new skills. The player can develop their technical skills, which are further divided into three categories: Science, Medical, and Engineering. For instance, the player can use a shrink ray to shrink down an enemy. The player is able to invest points into these skills, which will unlock new perks that enhance combat efficiency. The player can also enter a “Tactical Time Dilation” state, which slows down time and reveals opponents’ health statistics, which grants the player tactical advantages. As the player leads their companions, they improve their companions’ combat strength and resilience.[2] The player can also gain a “flaw” that occurs when the player fails repeatedly in certain gameplay segments. Flaws impede the player in some way, but also give additional perks and advantages.[4]“]]></description>
<dc:subject>via:gautam games gaming videogames srg edg privatedivision leonardboyarsky timcain toplay</dc:subject>
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<item rdf:about="https://oleomingus.com/">
    <title>Studio Oleomingus</title>
    <dc:date>2020-09-16T04:36:13+00:00</dc:date>
    <link>https://oleomingus.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“We are a small, indipendent game and arts studio, based in Chala, India. We practice at the intersection of post colonial writing and interactive fiction, and we use videogame spaces as sites of discourse, resistance and record. With our games we attempt to study colonial power structures and the histories that they occlude and how interactive fiction might be used to pollute a single reductive record of the past or of a people.

We are keenly interested in languages, translations and questions of authorship, of bodies and territories, and of transactions and movements across borders. But most of all we study stories or narratives or fragments of data that can be recorded in the form of hypertext.

Studio Oleomingus was founded by Dhruv Jani who runs it in collaboration with Sushant Chakraborty and Vivek Savsaiya. Frequent collaborators include, Salil Bhayani and Suparna Chakraborty.”

[via:
https://watch.supernova.video/supernova-2020-official-program-previews/videos/hypnotic-devices-program-preview
https://watch.supernova.video/hypnotic-devices
https://watch.supernova.video/hypnotic-devices/videos/under-a-porcelain-sun ]]]></description>
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<item rdf:about="https://www.stirworld.com/think-opinions-gamescapes-indian-video-game-developer-studio-oleomingus-reconfigures-history">
    <title>Gamescapes: Indian video game developer Studio Oleomingus reconfigures history</title>
    <dc:date>2020-09-16T04:32:37+00:00</dc:date>
    <link>https://www.stirworld.com/think-opinions-gamescapes-indian-video-game-developer-studio-oleomingus-reconfigures-history</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“In the fourth part of the series, STIR looks at the vast potential of video games in re-imagining history and visualising the future, building visual and lateral narratives.

Imagine if the entire human race dissolved into extinction. Tomorrow! Imagine an alien species visited our planet shortly after. What would they learn of our human reality? Where would they learn it from? Our legacy lies in our art and cultural heritage, in the motivations which drive us to create, discover, understand and accept. We are driven by a hunger to make sense of the puzzle that is our world. A hunger, which pulls us into a cyclone that is enveloped in the past, propelled by the future and rooted by the present. If aliens were to rummage through the debris of this cyclone, they would find the pieces of a re-imagined past and an unbuilt future. What is the present really, when it perpetually recalls the past and uses it as a tool to set the foundational bricks of an unfolding future? It might be said that the moment in which we live is created by the tension that pulls apart the spaces between yesterday and tomorrow. Art provides us with evidence of the inarguable relevance of these two parallel realities. The very nature of art itself allows us to explore and gauge how we are influenced by these phenomena. Whether it is about re-telling history in the context of the surrounding narrative of the present, or about visualising and imagining the future, art documents the stories that humanity is influenced by.

Here, we look at the work of an Indian duo comprising Dhruv Jani and Sushant Chakraborty. The two-person Studio Oleomingus plays with the boundaries of past and present, using video games as a platform for examining the dynamics of various cogs in history that continue to mould our present.”

…

“The dyad explorers of the video game format use the platform’s incredible multiplicity to their advantage, celebrating its ability to tell stories through text and visuals and equally, the capacity to recall the past and visualise it in a nonlinear way, consequently treating it as part of a larger context and not as a solitary event. Jani explains, “We practice at the intersection of post-colonial writing and interactive fiction, using video game spaces as sites of discourse, resistance and record. Using the inherent frivolity of games, we try to study colonial power structures and the histories that they occlude and how interactive fiction might be used to pollute, challenge and intertwine a single reductive record of the past of people. We are keenly interested in the role of languages, translations and questions of authorship. Especially how the record of our lives and the stories of our various identities are remembered and exploited by individuals, organisations, states and archives. How narratives are lost and rebuilt within fissures of identity, community, race and gender, and how these fissured and fragmented stories evolve into profound forms of recollection when compiled as hypertext. With each game we enter into a negotiation with our players, a common pact if you will, that for the duration of the game we will together seek myriad and uncomfortable truths about difficult histories. We believe that privilege in various forms withdraws from us the right to consume our own histories. And in the overwhelming presence of such hegemony, some stories can simply not be told, because the violence of their recollection and the absurdity of their form is not accommodated in the method of their telling”.”

…

“Studio Oleomingus often incorporates literature into their games, weaving it as one of many threads of their own artistic impressions. For instance, in In the Pause between the Ringing and A Museum of Dubious Splendors, the player is introduced to the writings of Mir Umar Hassan, a fictitious author. Their use of this fictitious literature as hypertext in a game, which is itself nonlinear, emphasises the plurality of history and the fiction of a single narrative. Jani says, “A singular conceit that repeats across all our work is a deliberate delegitimisation of authorial and historical veracity of the stories being told from within the shadow of colonial rule (or any similar modern authority). A conceit that we call: Redacting Authorship - where we nest our work inside a series of fictitious translations and appropriations until any original source for the work is completely obfuscated. Mir Umar Hassan is one such obfuscation… This conceit, of a fictitious author inveigled within the writing of our games and their performance, has allowed us to repurpose local history and to appropriate places of colonial occupation and entangled heritage into virtual domains that become arenas for post-partition and contemporary political and historiographic discourse. We believe that such deliberate obfuscation in the recounting of history is a form of imposed plurality and a powerful site of democratic performance. Hypertext after all is the stage on which the theatre of our public lives is now conducted and the state in which a memory of our performance, recorded. Especially amidst the contemporary revival of a despotic colonial political order, when there is a palpable danger of erasure of plural voices from the margins, there is a grave and urgent need for a pirated history of our times. A munificent history that can assimilate and succumb to stories from a bewildering variety of sources, a history devoid of concerns of authorial prestige and veracity, a history such as can only be written in the form of hypertext”.”

…

“While Studio Oleomingus stands inimitable in their practice, there are numerous games which incorporate re-imagined histories and fantastical futures into their gameplay. Some popular examples are Borderlands, Dwarf’s Fortress, No Man’s Sky, Nier: Automata, Outer Wilds and Raji: An Ancient Epic, which is as of yet unreleased.”]]></description>
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<item rdf:about="https://killscreen.com/studio-oleomingus/">
    <title>Studio Oleomingus - Killscreen</title>
    <dc:date>2020-09-16T04:29:56+00:00</dc:date>
    <link>https://killscreen.com/studio-oleomingus/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Deconstructing colonial histories through interactive worlds"

"Dhruv Jani makes up one half of Studio Oleomingus, an independent game design studio based in Chala, a town in the Indian state of Gujarat. Blending play with postcolonial narrative and thought, literary translation, and architectural worldbuilding, Studio Oleomingus’ body of work aims to interrogate political histories and dismantle power structures in India and the world at large.

At the conceptual heart of the studio’s work are questions of memory: whose stories are remembered, who they are remembered by, and who allows them to be remembered. We caught up with Dhruv about the commemorative power of narrative worldbuilding, the legacy of colonialism in the realm of games, and folding contemporary politics into interactive design."]]></description>
<dc:subject>studiooleomingus videogames games gaming 2020 davidevanmcdowell india gujarat history politics power writing howwewrite storytelling translation literature architecture worldbuilding emory stories postcolonialism interactive interactivefiction if dhruvjani authorship multiliteracies powerstructures hypertext edg srg</dc:subject>
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<item rdf:about="https://www.epicgames.com/store/en-US/product/into-the-breach/home">
    <title>Into The Breach - Into the Breach</title>
    <dc:date>2020-09-06T20:36:02+00:00</dc:date>
    <link>https://www.epicgames.com/store/en-US/product/into-the-breach/home</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via:
“You use the Epic Games Store? You need a Very Good Very Smart Very Different videogame at the attractive price of $0? Look no further!”
https://twitter.com/tha_rami/status/1301741647064072192

via:
“this game is how i lull myself to sleep every night AND convince my brain to wake up every morning”
https://twitter.com/xuhulk/status/1301745922875981824 ]]]></description>
<dc:subject>games gaming toplay videogames srg edg</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://www.theverge.com/2020/8/14/21366568/i-am-dead-game-preview-switch-pc-steam-annapurna-interactive">
    <title>I Am Dead is a cute, charming game about being a curious ghost - The Verge</title>
    <dc:date>2020-08-15T01:13:21+00:00</dc:date>
    <link>https://www.theverge.com/2020/8/14/21366568/i-am-dead-game-preview-switch-pc-steam-annapurna-interactive</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[embedded video: https://www.youtube.com/watch?v=RvcOYP47xT0

see also: https://www.dualshockers.com/i-am-dead-preview/ ]]]></description>
<dc:subject>videogames games gaming ghosts memory hohokum iamdead dickhogg rickyhaggett memories objects meaning edg srg toplay</dc:subject>
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    <title>I built my own camera with a Raspberry Pi 4 - The Verge</title>
    <dc:date>2020-07-02T00:47:47+00:00</dc:date>
    <link>https://www.theverge.com/21306907/diy-camera-raspberry-pi-high-quality-how-to-build-video-c-cs-mount-lenses</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[direct link to video: https://www.youtube.com/watch?v=_UyZRfJp17A ]]]></description>
<dc:subject>raspberrypi cameras diy howto classideas srg edg 2020 beccafarsace</dc:subject>
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    <title>In Other Waters is about exploring an alien ocean through an AI interface - Polygon</title>
    <dc:date>2020-04-27T10:04:24+00:00</dc:date>
    <link>https://www.polygon.com/2020/4/23/21231689/in-other-waters-fellow-traveler-impressions-windows-pc-nintendo-switch</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["One of 2020’s most unique games takes place inside the minimap
In Other Waters is out now on Windows PC and Nintendo Switch"]]></description>
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<item rdf:about="https://twitter.com/aresnick/status/1206336018410082305">
    <title>Alec Resnick on Twitter: “OK, via prompt by @vgr, 1 like = 1 opinion about unschooling”</title>
    <dc:date>2019-12-15T23:54:10+00:00</dc:date>
    <link>https://twitter.com/aresnick/status/1206336018410082305</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“1. Unschooling’s greatest mistake was situating itself in the negative space of school.  It doesn’t have a coherent position on what learning is.

2. Because unschooling is reacting to school’s coercive structures, it has developed an overly naturalistic view of learning that’s about “getting out of the way” which idealizes youth, learning, and often glosses over the complexities of actually learning and working.

3. The future of unschooling is much more likely to be invented in the world of work than the world of school or unschooling.  And it probably won’t even be named as education per se for much of its infancy.

4. Mostly we talk about “learning” only to make sense of either (a) doing something inauthentic, or (b) being a novice.  At some point, you stop “learning” the guitar and start just getting better.  The most radical perspectives abandon treating learning as a distinct activity.

5. The most meaningful part of “unschooling” is the phase people go through in learning to learn and get things done without school-like structures.  Understanding why we go through that phase has much more to do with psychology than education and is woefully under-explored.

6. Education won’t see meaningful reform until the time and money associated with schooling is made available for invention and experimentation.  Unschooling, as long as it remains an “exit” strategy (in the AO Hirschman) sense, will never be instrumental to this.

7. One’s opinion about the relative decomposition of the premia which formal education earns people into human, network, and social/cultural capital is a far more important term in the mid-term future of school, learning, and unschooling than anyone’s pedagogy.

8. Education is a prematurely professionalized sector.  Basic standards of rigor, consistency, shared vocabulary, and similar which other professions take for granted don’t yet exist.  Unschooling has inherited and amplified this hubris as a reactionary position and community.

9. Human development is slow.  Experimentation requires longer time horizons than most investment vehicles permit.  To a first approximation, you can probably ignore research or reform efforts which don’t have built into their structure deep acknowledgment of this.

10. By framing its superiority in terms of rights, humane-ness, and ethics (as opposed to, e.g., efficacy), unschooling opts for the losing side of the political economy in conversations about the future of learning.  This is a harsh critique of both unschooling and education.

11. Unschooling hand-waves at the reasons school exists (e.g. “industrial revolution factory model”), but has failed to develop a coherent analysis of school’s robustness to change and staying power.  “What’s adaptive about school for whom?” is an underappreciated question.

12. School [and un-schooling] have much more to learn from kindergarten and the world of work than either appreciate.

13. It is a deep and important question why, for the most part, graduates from graduate schools of education (having nominally studied how people learn and grow), are not some of the most highly paid and sought after designers/managers in fields where knowledge work dominates.

14. A basic incoherence in discussions of unschooling, learning, and education, is that [mostly] people treat learning as a domain-independent activity.  Domain specificity of methods’ relevance/efficacy is ignored because of the political functions of discourse around learning.

15. The set of things people worry about learning is ~arbitrary, a minute sliver of what’s out there.  The process of identifying, creating curricula for, and developing educators to support learning a topic is so slow so as to make content-first reformers largely irrelevant.

16. Most discussions of learning wildly overindex on “fit” of topic-defined interest.  Learning and motivation are driven by the social and cultural contexts in which people find themselves.

17. When given the chance to focus on “cognitive” or “affective” factors in someone’s learning, returns are almost always higher emphasizing the affective.  We don’t yet have fundamental explanations for this, but it is a fact largely ignored by unschoolers and schoolers alike.

18. At most conferences, you hear about new ideas and new work.  Unschooling/alt-ed conferences are much more similar to a political caucus coming together around values.  Whether this is cause or effect, the intellectual stagnation has yet to even be identified by the sector.

19. Unschooling [and school] has never really grappled with the reality that choice amongst “education options” is better understood as choice among “insurance products” than “investment products”.  i.e. it is about raising the floor to which you can fall.

20. The timescale required to capture the long-term returns of human capital development mean that for all intents and purposes, only governments, churches, universities, and visionary billionaires will be in a position to meaningfully experiment with new K12 institutions.

21. Much of the work of unschooling has as little to do with school and learning as remediating an unhealthy relationship to body image has to do with the theory of nutrition.

22. One of the greatest unrecognized reform strategies is to leverage new, salient skills (e.g. programming) to create cover for new pedagogy.  Doing this in K12 requires inventive, intellectual work connecting these skills to all the disciplines for which school is responsible.

23. Dewey, Montessori, Reggio Emilia, Waldorf, etc.—the extent to which these have succeeded or not has ~nothing to do with their pedagogical efficacy.  It is a political/financial/cultural fact.  Efforts which do not have a historical analysis and story about this are unserious.

24. One of the most important [false] things you learn in school is that you learn by being taught.  In unschooling, many people never unlearn this, instead substituting other classes or courses for the classroom that’s now gone.

25. Many explain away counterfactuals about people who drop out/unschool/homeschool by pointing to privilege.  This is a fascinating datum.  If it were an honest point, then educators would be interested in the pedagogical and managerial insights of the upper-middle class family.

26. There are approximately as many people homeschooled as there are in charter schools.  “Charter school” is a design and governance mechanism.  As is “homeschooling”.  Talking about them as though they are pedagogies—e.g. “Does homeschooling work?”—is pure confusion.

27. Just as corporations have offered us new [often dark] visions of what the next nation states look like, so too will the first entities to figure out how to leverage tools like income share agreements to securitize human capital offer us new [maybe dark] visions of cities.

28. The bias to emphasize the cognitive in education leads people to vastly overestimate the power of remote technologies and experiences to transform learning.  If it is fundamentally social, much of it will be fundamentally local.

29. To the extent unschooling recognizes learning is a slow, social, high-touch, and therefore local process it has one up on every company tackling this space which aims to be the first in history to create a large-scale, high-touch organization anyone wants to join.

30. One of the most valuable skills those who unschool and support others who unschool develop is the ability to introduce people to a map of an intellectual territory without confusing exposure for attempted mastery.  Formal education could learn a great deal from this.

31. The most important ratio in the future of learning is the relative balance of dollars and minutes which go into (a) investigating how school works and could be improved, (b) investigating how “non-traditional” learning works, & (c) inventing new tools/approaches.

32.  Pick any organizational unit (company, lab group, whatever).  The first 100h of activity on-boarding a junior colleague to that group likely represents 1000h (8–10m full-time) of rigorous activity for a young person.  Unschooling should focus on organizing access to this.

33. One of the cleverest sleights of hand—whose provenance I’m still mystified by—is that we discuss learning’s future in terms of methods instead of entrants/products.  Learning is one of the most “execution-dependent” and “recipe-resistant” activities I can imagine.

34. Once you assume the moniker of “alternative”, you’ve lost the whole ball game.

35. Unschooling is really a battle against legibility.  Competing with school will mostly be about subverting or competing with its measures of legibility.  School’s measures are far less meaningful than most will admit.  In whose interest is it to improve them?

36. To the extent that unschooling (and school reform) must confront legibility, as work product becomes increasingly structured and digitized (e.g. Figma, GitHub, etc.) there is a growing opportunity to leverage passive process artifacts for analysis and evaluation.

37. Conversely, most attempts to leverage portfolios or similar dramatically underestimate the sensing bandwidth constraints they’re up against.  Last I checked, MIT spends an average of eleven (11) minutes evaluating a candidate.

38.  Unschooling rightly recognizes an opportunity to unbundle (often leveraging online and community resources).  Its efficacy requires knowing youth well (which dramatically increases CAC).  No one knows whether, including that, there’s any value to be unlocked by unbundling.

39. Many undertake alternative educational arrangements/endeavors prompted by their own children.  Though an authentic motive, it is not durable: Starting and growing the organization will outlive your kid’s needs.

40. A core challenge in organizing for educational change (in unschooling and elsewhere) is that your constituency (youth and families) are definitionally ephemeral.  Someone is only in middles school for three years.  The average urban superintendent is in office for ~3y.

41. One of the hardest rhetorical positions unschooling (and any reform) are forced to adopt is “doing less” than school.  School doesn’t do what it sets out to for many youth.  But, it controls the dialogue around new entrants and can hold them to that, unachieved standard.

42. In the analogy to environmentalism, if “unschooling” is “going off grid”, we are still in search of our Rachel Carson, our _Silent Spring_, our Learning Environment Protection Agency.  Without that, efficacy at the margin is irrelevant.

43. Continuing the environmental analogy: Unschooling would do well to find its Alice Waters https://en.wikipedia.org/wiki/Alice_Waters — What is its Chez Panisse?  What is the highest practice of it which is unimpeachable, even if it is upmarket and unreplicable?

44. The legal/political approaches which characterized the rise of homeschooling are underfunded and underexplored.  e.g. Whence families’ [and youth's] rights to free assembly?  Pursuing these requires meaningful alternatives, which is one function of

<blockquote>43. Continuing the environmental analogy: Unschooling would do well to find its Alice Waters https://en.wikipedia.org/wiki/Alice_Waters — What is its Chez Panisse?  What is the highest practice of it which is unimpeachable, even if it is upmarket and unreplicable?</blockquote>

45. Learning experiences involve tools/materials, learners, and facilitators.  We are limited by our tools and materials.  Many are designed for school.  Funding the creation of new tools and materials generally requires targeting schools as your customer.  This is unsolved.

46. An underappreciated question for theories of change which assume you can work forward from school as it exists: If culture eats strategy for breakfast, and if many of the fundamental, sector-wide issues in schooling are cultural, what form should your answer to that take?

47. A basic human capital challenge facing both unschooling and schooling: For youth to [learn to think critically, develop and pursue their own projects, whatever], they need to see people doing that.  How do you define adults’ role as _both_ facilitators and investigators?

48. One of the most exciting shifts now possible (given the nature of remote knowledge work) is the economic emancipation of youth aged 14–18.  Small steps toward this represent radical threats for traditional educational establishments.

49. A big strategic obstacle facing unschooling is that school can always shift internal structures to enable ongoing rent-seeking on your education.  So you should expect (as you see), more options for flexible “school” experiences which don’t threaten the institution overall.

50. Just as we have postmortems and sunsets of companies and their strategies, we need the same for educational thinkers and initiatives.  The arc of work by someone like John Holt can tell us a lot about the dangers and obstacles for reformers, these remain unarticulated.

51. Whatever your flavor of reform, one of the most valuable distinctions to make is between the political question of who should control youth’s experience how, and the technical question of how to support learning.  Incumbents benefit from their conflation.

52. In the near-term, unschooling will be a force for increased socioeconomic and racial stratification.  Whether it will be so in the long term is a question of institutions.  This makes unschooling’s failure to engage with institutional politics all the more serious.

53. One of the most radical exogenous events which could unfold for unschooling (and many of the caring professions) is the development of a UBI and UBI-like systems.

54. There are many reasons you see “alternatives” flourish in K5, to a lesser extent 6–8, and not at all in 9–12.  The proximity of social/economic realities of adulthood.  Without changing this, those constraints will always backpropagate through the ghost of high school future.

55. In searching for an alternative identity, unschooling groups have a lot to learn from other groups which are quite narrow but seen as broadly rigorous (Iowa Writers Workshop, MIT Media Lab, Harvard Law School).

56. One of the core things unschooling [often] gets right is a set of advantages taken for granted by every upper-middle class family: a small set of people who know you well, are invested in your success, and can responsively allocate resources on the behalf of your development.

57. Another conceptual challenge for unschooling: Conceptually, what is the difference between a great book and a great lecture?  How would you criticize a lecture without resorting to stereotypes of bad lectures?  Or coercive elements?

58. Oftentimes, it is hard or impossible to get interested in things which are not in your environment.  To the extent that unschooling focuses on the absence of structure, it also fails to grapple with the question of how to think about fertilizing youth’s soil.

[NB From this thread so far, it may sound like I'm just dumping on unschooling.  If so, this is merely the narcissism of small differences: I have so much hope for alternative approaches, I wish their proponents tackled these bigger questions more seriously and aggressively!]

59. One of the greatest opportunities facing various, self-selected communities of “alternative” education is to use their access to time with youth and adults as the foundation for an organization analogous to the Mayo Clinic or Media Lab or Xerox PARC.

60. One of the most radical requirements of taking unschooling seriously is defining a social life/role for youth distinct from their identity as students.  The dramatic expansion of the ease and possibility of this when you can be Very Online™️ is a tremendous opportunity.

61. One of the deeper things Seymour Papert ever said was that you can’t think about thinking without thinking about thinking about something.  Strategically, this suggests that unschooling might do better to tackle supremacy topic by topic, tool by tool.

62. Significant portions of unschooling and homeschooling are not about alternative pedagogies.  They are about avoiding toxic environments, securing needed special education services, and similar.

63. One of the beautiful things about the idea of “public” education is its availability to everyone.  Minority needs (special education, English Language Learners, etc.) play an outsized role in school bureaucracy.  Unschooling has ~ no answer to these questions currently.

64. One of the most important consequences of a constitutional guarantee of freedom of education would be to, over time, force the government to unbundle funding and services for these minority needs.

65. This is the most exciting/frustrating time to be alive if you’re interested in the future of learning.  The gap between novices and real, intellectual work is shrinking at an unprecedented rate.  There are lifetimes of work to be had mining the progress of the past decade.

66. Early College High School is a model for what rent-seeking will look like as alternatives push their way into school: https://en.wikipedia.org/wiki/Early_college_high_school Its insight and reform is literally _send youth to less high school_.  And they managed to get high schools to own it!

67. [For the wealthy,] the equivalent on the consumer side will look increasingly like the relationship between, say, Stanford and YC.  Consumers will secure intangible cultural capital through institutional affiliation, and someone else will take on human capital.

68. Some branding alternatives for unschooling (if it is really about self-directed learning and removing school’s structures): PhD, MFA, apprenticeship, football team, contemplative practice.  All of these have less brand liability than unschooling.  Why stick with it?

69. One of the scariest suspicions of my own beliefs (as they align with unschooling) is that perhaps our relationship to institutions is just as fundamental, immovable, and worth just working forward from as our relationship to any other tribe.

70. Self-direction is powerful.  It leaves largely unanswered questions of critique and quality.  To the extent excellence emerges from environments of intense critique and aspirations to excellence, neither school nor unschooling have coherent answers to this cultural question.

71. One of the most powerful corollaries of erasing the line between learning/living is that you realize that novices are often doing the same _kind_ of intellectual work as professionals, just less effectively.  Unschooling should leverage this opportunity for apprenticeship.

72. The biggest problem in unschooling is access to time with youth + money to spend it well.  The second biggest is access to adults who can create intellectually rich/rigorous environments for youth.  The third biggest is access to great tools and materials to support work.

73. A common question in confronting unschooling and similar is, “But what if they [don't want to, are bored, don't know what they're interested in, etc.]?”  One of unschooling’s great integrities is pointing out that school has approximately no answer to this question either.

74. A categorical question unschooling must answer if it is to ever become mainstream: Left to their own devices, under what conditions can/should a young person be able to choose an “inferior” educational product or experience?  Technocrats will say “None”, purists “Any”.

75. Every educational innovation is “experimenting” on youth, nearly nothing is validated with anything approaching the rigor or seriousness that you expect of any other good or service in the public sector.

76. One of the biggest reasons this is not a problem in practice is because youth are remarkably robust.  This is as an advantage of this sector’s!  Very little of what systems do or don’t has an outsized effect.  Class remains the strongest predictor. [referencing 74]

77. People’s concerns about the “socialization” of unschooled youth are disconnected from reality.  One of the best things unschooling could do would be to cement its position as often a socially and emotionally healthier pathway to reframe its work as a public health issue.

78. This is a photograph from the original Sudbury Valley School a few years ago.  https://sudburyvalley.org It is the rules for operating the microwave.  Democratic/free-schools make the same mistake as those suggesting that everyone need to re-discover calculus for themselves.

79. In contrast, this is a photograph from a Boston Public School.  Plenty of people choose unschooling or free schooling or democratic schooling over public school because of nothing other than what the semiotics of this juxtaposition imply. [compared to 78]

80. Neither schooling nor unschooling will play a significant role in the liberal goals of equalizing society.  School will always play handmaiden to the structure of labor and capital.  The most radical efforts look for ways to leverage this fact.

81. Understandably, unschooling is full of people with a fraught relationship to school.  Many in school look down on them (either irrelevant bc they are wealthy or irrelevant bc they secretly think failure in school makes you a failure).  This is a serious strategic challenge.

82. In my lifetime, ~free college will become a reality in the United States.  This will be an enormous opportunity for those interested in unschooling.  They will not take this opportunity; industry will.  And so industry will define the future of “alternative” education.

83. One of the most persistent sociological effects in education research is that poor youth define “good” students by obedience/work ethic while rich do so by creativity/intelligence.  Changing this is one of the most politically radical projects unschooling could tackle.

84. Structure is not coercion.  Just because something is hard does not mean it is rigorous.  Just because something isn’t fun doesn’t mean its coercive.  These distinctions matter, and both school and unschooling confuse them to no end.

85. As unhealthy as they can be, one of the better facets of, say, hustle culture or creative self-help is the embrace of meaningful work + fulfillment as hard + challenging.  Progressive education (incl. unschooling) must get beyond handwaving about how to support this well.

86. The first thing people did w/ the movie camera was make films of plays.  We’ve made online, distributed classes.  Unschooling could be a *small* market for those exploring meaningful, creative applications of technology with youth.  But it won’t be VC scale in the next 20y.

87. Nintendo spends more on R&D than the NSF spends on education research each year.  These alternative sources of capital are long frustrated with the irrelevance of their results to traditional school.  Unschooling, homeschooling, and similar could be real partners for them.

88. Graduate schools of education don’t investigate homeschooling and unschooling (or better yet, run their own educational environments) because (a) their clientele are traditional schools, and (b) they cannot afford the brand risk of failing.  Business model is destiny.

89. One of the signs of a healthy professional and intellectual community is self-critique and reflection.  I may not be in the community enough to know, but as a small, alternative perspective, unschooling has yet to muster this capacity.

90. At some point, industries w/ a surplus of inbound talent will take the already nearly-formalized structure of tech internships to their logical conclusion and begin charging tuition.  One of the best things unschooling could do is offer case management around these paths.

91. One of the silliest illusions education reformers (including unschooling) labors under is that improved results will persuade the system to do anything.

92. In many other domains, 10x improvement is possible.  In education, 10x improvement is ~ impossible on time or cost for reasons of human development.  This has serious ramifications for the challenges of organizational change, theory of change, funding innovation, and similar.

93. Something unschooling gets right is that it frames its work as a movement and school of thought.  Too much change these days is framed in terms of individual entrants, products, and technologies.  The staying power of incumbents requires institutional time scales.

94. Something unschooling gets wrong, having gotten its timescales right, is its complete lack of any [critical] sense of history.  There are no consensus explanations for the arc of unschooling’s success or lack thereof.  This is a crazy situation for a reform movement.

95. The @recursecenter is one of the most serious and thoughtful efforts in (influenced by?) unschooling I know of.  As practitioners, they have more to say about the practicalities of these issues than 90% of the people I meet.

96. Unschooling has many unknown allies in other disciplines and domains.  The refusal, by and large, to engage the academy or its output means there are significant, low-hanging fruit to seize to bring to unschooling.  This will require making epistemology and psychology allies.

97. Much as great management and communication is often the limiting reagent on a team, great management and mentorship is often the limiting reagent in human development.  Pedagogy has nearly no language for this.  Most differences in efficacy therefore go unexplained.

98. From the POV of theory of change, one of the most challenging aspects of beginning work w/ marginal communities is that you actually bolster and improve the position of the incumbent.  “Disruptive” innovation moving upmarket requires feedback loops which don’t exist.

99. Confidence is socially constructed, and represents a significant part of what forms the cultural capital of top tier schools and similar.  Unschooling would do well to establish and build counter-narratives around artifacts like this https://youtube.com/watch?v=Ng5qzH39nyg

100. Despite all of these challenges, I believe that inventing the future of learning is among the most exciting and impactful work anyone can do.  It beats the constraints of industry and artifice of the academy.  Unschooling would do well to leverage this to attract talent.

OK that’s 100.  I have no original ideas.  If you found anything in this thread interesting, please take the time to review, in detail, the work of thinkers like Holt, Papert, and Dewey.  None have the answer, but they and others have done incredible work on these questions.

For those interested, a few starting points:

Dewey’s “My Pedagogic Creed” http://dewey.pragmatism.org/creed.htm

Papert’s _Mindstorms_ http://mindstorms.media.mit.edu

Illich’s Deschooling Society http://davidtinapple.com/illich/1970_deschooling.html

Holt’s How Children {Learn; Fail} https://amazon.com/dp/B074MGJ457 https://amazon.com/dp/0201484021

Please feel free to DM me or reach out to alec@powderhouse.org if you’d like to chat about any of this!

Thanks @vgr for the prompt!“]]></description>
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<item rdf:about="https://mochi.cards/">
    <title>Mochi — Forget forgetting.</title>
    <dc:date>2019-11-17T15:42:31+00:00</dc:date>
    <link>https://mochi.cards/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Take notes and make flashcards using markdown, then study them using spaced repetition."]]></description>
<dc:subject>learning markdown flashcards software mac osx windows srg edg spacedrepetition memorization memory</dc:subject>
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    <title>Taeyoon Choi 최태윤 on Instagram: “Strategies for embracing our contradictions. - a practical guide - 11/15/2019”</title>
    <dc:date>2019-11-15T23:08:12+00:00</dc:date>
    <link>https://www.instagram.com/p/B44zMVbl-4S/</link>
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<item rdf:about="https://phmuseum.com/">
    <title>PHmuseum is a curated platform for contemporary photography - PHmuseum</title>
    <dc:date>2019-08-27T20:42:49+00:00</dc:date>
    <link>https://phmuseum.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“Since 2012 we promote contemporary photography and the importance of visual language”

“PHmuseum is driven by our team ideas and collective effort. Get to know us.

PHmuseum is a curated platform dedicated to contemporary photography. Launched in 2012, we are today a community of 11,000 photographers reached by more than 400,000 visitors per year.

Our mission is to discover and promote photographers, working as an innovative talent incubator. Every year we review or feature the work of around 120 photographers - check our News section - and invite more than 60 to present their projects in our online exhibitions. We also feature 400 photographers a year on our Instagram and Facebook accounts. Many photo editors, curators, and gallerists browse our Stories section every week to discover new projects and ask us for recommendation at the moment of searching for photographers for assignments, magazines publications, and festival exhibitions.

PHmuseum is well known for its program of grants, which offers £33,000 in cash prizes every year, the opportunity to exhibit at international photography festivals, be featured in publications and on recognised magazines such as Vogue Italia. Max Pinckers, Diana Markosian, Tomas Van Houtryve, and Clémentine Schneidermann are among the winners of the past editions, while Martin Parr (Magnum Photos), Kathy Ryan (New York Times), Roger Ballen (Photographer), François Hébel (Curator) and Sarah Leen (National Geographic) among the former jurors.

PHmuseum is also a free online space where everyone could learn about photography and its language. Every month we present 6 online exhibitions in collaboration with invited curators. Our galleries have hosted the work of internationally recognized authors like Jacob Aue Subol, Anastasia Taylor Lind, Laura El Tantawy, Alejandro Chaskielberg, and Hajime Kimura, and most importantly dealt with relevant issues of our times.

Team

We are an independent group of entrepreneurs, photographers, and journalists from around the globe. We strive to improve PHmuseum every day, and the project is the result of our collective effort. Learn more about us and feel free to get in touch:”

[See also:
https://www.instagram.com/phmuseum/
https://vimeo.com/phmuseum
https://twitter.com/pmuseum
https://www.youtube.com/user/PhotographicMuseum ]]]></description>
<dc:subject>museums online photography phmuseum srg edg</dc:subject>
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<item rdf:about="https://www.theverge.com/2019/8/18/20804152/a-short-hike-review-animal-crossing-zelda-steam-itchio">
    <title>A Short Hike is one part Animal Crossing and one part Breath of the Wild - The Verge</title>
    <dc:date>2019-08-18T20:57:45+00:00</dc:date>
    <link>https://www.theverge.com/2019/8/18/20804152/a-short-hike-review-animal-crossing-zelda-steam-itchio</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["It can be difficult to find time to finish a video game, especially if you only have a few hours a week to play. In our biweekly column Short Play we suggest video games that can be started and finished in a weekend.

Claire is on a camping trip with her Aunt May, but she’s also waiting for an important call. Unfortunately, the only reception in the park is at the top of the island’s giant mountain. Claire’s trek up the mountain is the core of the game A Short Hike, and how you get her to the top is pretty open ended. You could go straight up the path to the top of the mountain — but then you’d be missing out on the point of the game.

A Short Hike feels like what you would get if you turned Animal Crossing into an adventure game like The Legend of Zelda: Breath of the Wild. Yes, it’s an experience full of cute cartoon animal people, but more importantly A Short Hike has a similar sensibility to those two Nintendo games. Like both, the goal of the game is less important than how you spend your time getting to it. And so your trek up a mountain ends up full of much smaller tasks, which, like in Animal Crossing, are nice and relaxing.

You can spend time collecting seashells, searching for buried treasure, fishing, or helping other visitors to the park find lost items. However, while those serve as relaxing distractions, the rewards for doing them also help with your ascent up the mountain. At the start of her trek Claire is only able to jump, glide, and climb up walls or cliffs until she gets too tired and lets go. But by completing these side activities you’ll usually get some sort of tool that allows you to perform more actions, like being able to run by getting running shoes or dig by getting a shovel.

Mainly, though, you’ll be trying to collect golden feathers. These feathers act like Link’s stamina bar in Breath of the Wild: the more you have, the more you can climb before tiring out. Except, unlike Link’s stamina bar, each feather also provides you with an additional jump (which, because Claire is a bird, is more of a flap than a jump). Each flap consumes a chunk of your climbing stamina, while not providing as much height as you could have gotten just from climbing.

The climb up the mountain becomes about balancing. You have to determine how much you jump before you start climbing, in order to maximize what stamina you have. Although this is really only a concern if you try to get up the mountain as quickly as you can. If you spend your time exploring the park and taking part in all the different activities available, you’ll end up with more than enough golden fathers to make those later sections a good bit easier.

And you’ll want to spend time exploring, because the mountain is much bigger than you expect it to be. It’s a place full of interesting environments and ruins, as well as quirky and clever characters who you can’t help but want to hang around with or help out. In fact, the writing is maybe the best thing about the game. There is very little of it, but every character feels distinct from the next, and charming in their own way (even the kid that overcharges you for feathers). And when you do finally get to the top of the mountain it’s an emotional gut punch that both validates and recontextualizes whatever path you took to get there.

Luckily, getting to the top isn’t the end. Instead, it essentially frees you up to explore the park without any explicit goal. Maybe you want to catch all the different fish, win the foot race, or just stand near the beach and watch the waves. It’s a perfect structure, because even if the game had ended at the top of the mountain, I’d have found it pretty hard to not start a new game just to wander around the park some more."]]></description>
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<item rdf:about="https://www.fctconline.org/">
    <title>FCTC Online</title>
    <dc:date>2019-04-13T22:00:47+00:00</dc:date>
    <link>https://www.fctconline.org/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>edg firefighting</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://pmpygame.com/">
    <title>Push Me Pull You</title>
    <dc:date>2019-04-11T22:01:36+00:00</dc:date>
    <link>http://pmpygame.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A videogame about friendship and wrestling.

Available now for PlayStation 4,
Windows, Mac and Linux.'

Developed by House House, 
with original music by Dan Golding."

…

"Push Me Pull You is a sports game for 2–4 players.

Joined at the waist, you and your partner share a single worm-like body as you wrestle your opponent for control of the ball.

It’s a bit like a big hug, or playing soccer with your small intestines.

With every action affecting both you and your partner (and mandatory shouting) PMPY combines the best parts of co-op multiplayer with the worst parts of your last breakup."

[via: https://usesthis.com/interviews/nico.disseldorp/ ]]]></description>
<dc:subject>ps4 windows mac osx lunix game gaming videogames srg edg househouse</dc:subject>
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<item rdf:about="https://www.nytimes.com/2019/03/28/us/gen-z-in-their-words.html?emc=edit_ca_20190329&amp;nl=california-today&amp;nlid=7683810120190329&amp;te=1">
    <title>Generation Z: Who They Are, in Their Own Words - The New York Times</title>
    <dc:date>2019-03-30T19:50:31+00:00</dc:date>
    <link>https://www.nytimes.com/2019/03/28/us/gen-z-in-their-words.html?emc=edit_ca_20190329&amp;nl=california-today&amp;nlid=7683810120190329&amp;te=1</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also, the interactive feature:

"What is it like to be part of the group that has been called the most diverse generation in U.S. history? We asked members of Generation Z to tell us what makes them different from their friends, and to describe their identity. Here's what they had to say."

https://www.nytimes.com/interactive/2019/us/generation-z.html ]

"They’re the most diverse generation in American history, and they’re celebrating their untraditional views on gender and identity.

Melissa Auh Krukar is the daughter of a South Korean immigrant father and a Hispanic mother, but she refuses to check “Hispanic” or “Asian” on government forms.

“I try to mark ‘unspecified’ or ‘other’ as a form of resistance,” said Melissa, 23, a preschool teacher in Albuquerque. “I don’t want to be in a box.”

Erik Franze, 20, is a white man, but rather than leave it at that, he includes his preferred pronouns, “he/him/his,” on his email signature to respectfully acknowledge the different gender identities of his peers.

And Shanaya Stephenson, 23, is the daughter of immigrants from Jamaica and Guyana, but she intentionally describes herself as a “pansexual black womxn.”

“I don’t see womanhood as a foil to maleness,” she said.

All three are members of what demographers are calling Generation Z: the postmillennial group of Americans for whom words like “intersectionality” feel as natural as applying filters to photos on Instagram.

Born after 1995, they’re the most diverse generation ever, according to United States census data. One in four is Hispanic, and 6 percent are Asian, according to studies led by the Pew Research Center. Fourteen percent are African-American.

And that racial and ethnic diversity is expected to increase over time, with the United States becoming majority nonwhite in less than a decade, according to Census Bureau projections.

Along with that historic diversity, members of the generation also possess untraditional views about identity.

The New York Times asked members of Generation Z to describe, in their own words, their gender and race as well as what made them different from their friends. Thousands replied with answers similar to those of Melissa, Erik and Shanaya.

“It’s a generational thing,” said Melissa, the preschool teacher. “We have the tools and language to understand identity in ways our parents never really thought about.”

More than 68 million Americans belong to Generation Z, according to 2017 survey data from the Census Bureau, a share larger than the millennials’ and second only to that of the baby boomers. Taking the pulse of any generation is complicated, but especially one of this size.

Generation Z came of age just as the Black Lives Matter movement was cresting, and they are far more comfortable with shifting views of identity than older generations have been.

More than one-third of Generation Z said they knew someone who preferred to be addressed using gender-neutral pronouns, a recent study by the Pew Research Center found, compared with 12 percent of baby boomers.

“Identity is something that can change, like politics,” said Elias Tzoc-Pacheco, 17, a high school senior in Ohio who was born in Guatemala. “That’s a belief shared by a lot of my generation.”

Last summer, Elias began identifying as bisexual. He told his family and friends, but he does not like using the term “come out” to describe the experience, because he and his friends use myriad sexual identities to describe themselves already, he said.

Elias said he defies other expectations as well. He goes to church every day, leans conservative on the issue of abortion and supports unions, he said. He has campaigned for both Democrats and Republicans.

His bipartisan political activism, he said, was a natural outcome of growing up in a world where identity can be as varied as a musical playlist.

This is also the generation for whom tech devices, apps and social media have been ubiquitous throughout their lives. A Pew study last year found that nearly half of all Americans aged 13 to 17  said they were online “almost constantly,” and more than 90 percent used social media.

Wyatt Hale, a high school junior in Bremerton, Wash., has few friends “in real life,” he said, but plenty around the world — Virginia, Norway, Italy — whom he frequently texts and talks to online.

Their friendships started out on YouTube. “I could tell you everything about them,” he said. “But not what they look like in day-to-day life.”"

["as the boomers and millennials fight to the death, gen x and gen z will snuggle up to talk top emotional feelings and best life practices and I am here for it!!"
https://twitter.com/Choire/status/1111248118694187009 ]]]></description>
<dc:subject>genz generationz edg srg 2019 nytimes interactive identity us diversity photography socialmedia instagram internet online web change youth race sexuality gender demographics identities choiresicha generations millennials geny generationy genx generationx babyboomers boomers classideas zoomers</dc:subject>
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<item rdf:about="http://lovelyweather.info/">
    <title>LOVELY WEATHER WE'RE HAVING.</title>
    <dc:date>2019-03-14T05:36:32+00:00</dc:date>
    <link>http://lovelyweather.info/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A video game about going outside. 

Out now. 

"The vibrantly colored world of Lovely Weather We're Having doesn't take you back to a specific time necessarily, but to a mind set, when the world seemed bigger and brighter and more mystifying."
-Jess Joho, Kill Screen

"Lovely Weather is a clever little mood stimulator on the contemplative end of the scale, a kind of dynamic Zen box. You open it and poke around a little and maybe close it, thinking “Is that all?” 
And then you come back, and the weather’s different, and the time of day’s just so, and it takes your breath away." 
-Matt Peckham, WIRED 

"Watched the trailer and I have no idea what the game is about."
-Someone on reddit "

[See also:
https://glander.co/Lovely-Weather-We-re-Having
https://vimeo.com/136570202
https://www.youtube.com/watch?v=yXGVxnEVJiE
https://glander.itch.io/lovely-weather-were-having ]]]></description>
<dc:subject>gaming games videogames weather srg edg toplay location</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e3d6f52fb00d/</dc:identifier>
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<item rdf:about="https://www.socialanimalsfilm.com/">
    <title>Social_Animals — Official Movie Website</title>
    <dc:date>2019-03-12T21:34:15+00:00</dc:date>
    <link>https://www.socialanimalsfilm.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also: 
https://www.youtube.com/watch?v=s0X-XEcmmFc
https://www.instagram.com/social_animals/ ]

[via: https://twitter.com/mattthomas/status/1105495955988795392 ]

"A daredevil photographer, an aspiring swimsuit model, and a midwest girl next door are all looking for the same things from their Instagram account–a little love, acceptance and, of course, fame. And they’ll do just about anything to get it. With an observational eye Social Animals peeks into the digital and real worlds of today’s image-focused teenager, where followers, likes and comments mark success and self worth."

[See also:
https://variety.com/2018/film/news/instagram-star-documentary-social-animals-gravitas-ventures-1203078409/
https://www.theverge.com/2018/3/12/17105364/social-animals-documentary-teens-instagram-interview-sxsw-2018
https://www.hollywoodreporter.com/review/social-animals-1091000
https://theplaylist.net/social-animals-review-20180309/ ]]]></description>
<dc:subject>film social media instagram youth teens towatch 2018 2019 via:mattthomas documentary internet srg edg</dc:subject>
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<item rdf:about="https://www.nytimes.com/2018/04/05/education/learning/community-colleges-middle-class-families.html">
    <title>Middle-Class Families Increasingly Look to Community Colleges - The New York Times</title>
    <dc:date>2019-03-03T02:05:40+00:00</dc:date>
    <link>https://www.nytimes.com/2018/04/05/education/learning/community-colleges-middle-class-families.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["With college prices in the hundreds of thousands of dollars, more middle-class families are looking for ways to spend less for quality education."]]></description>
<dc:subject>communitycolleges education highereducation srg edg 2018</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:4abc294c46dd/</dc:identifier>
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<item rdf:about="http://remezcla.com/features/film/miles-morales-spider-man-spider-verse-spanish-dialogue/">
    <title>Why the Spanish Dialogue in 'Spider-Verse' Doesn't Have Subtitles</title>
    <dc:date>2019-02-18T21:11:41+00:00</dc:date>
    <link>http://remezcla.com/features/film/miles-morales-spider-man-spider-verse-spanish-dialogue/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["While watching the new animated feature Spider-Man: Into the Spider-Verse – featuring Miles Morales’ big screen debut as the arachnid superhero – it’s reassuring to notice the subtle, yet transcendent details through which the creators ensured both parts of his cultural identity are present.

Miles (voiced by Shameik Moore), an Afro-Latino teen who lives in Brooklyn and first appeared in Marvel’s comics back in 2011, is the son of a Puerto Rican mother and an African-American father. The protagonist’s significance – when it comes to representation – cannot be overstated, making the fact that he and his mother (Rio Morales who’s voiced by Nuyorican actress Luna Lauren Velez) speak Spanish throughout the action-packed narrative truly momentous.

Although brief, the Spanish phrases and words we hear connote the genuine colloquialisms that arise in bilingual homes as opposed to the artificiality that sometimes peppers US-produced movies and feels like the result of lines being fed through Google Translate. It might come as a surprise for some that Phil Lord, known for writing and directing The Lego Movie and 21 Jump Street with his close collaborator Christopher Miller, was not only one of the main scribes and a producer on Spider-Verse, but also the person in charge of the Spanish-language dialogue.

“I grew up in a bilingual household in the bilingual city of Miami where you hear Spanish all over the place, and it’s not particularly remarkable,” he told Remezcla at the film’s premiere in Los Angeles. Lord’s mother is from Cuba and his father is from the States. As part of a Cuban-American family, the filmmaker empathized with Miles’ duality: “I certainly understand what it’s like to feel like you’re half one thing and half something else,” he noted.

[image]

Despite the massive success of Pixar’s Coco, including Spanish-language dialogue in a major studio’s animated release is still rare – doing so without adding subtitles, even for some of the longer lines, is outright daring. “It was important for us to hear Spanish and not necessarily have it subtitled,” said Lord. “It’s just part of the fabric of Miles’ community and family life.”

For Luna Lauren Velez, whose character speaks mostly in Spanish to Miles, Lord and the directors’ decision to not translate her text in any way helped validate the Latino experience on screen. “That was really bold, because if you use subtitles all of a sudden we are outside, and we are not part of this world anymore. It was brilliant that they just allowed for it to exist,” she told Remezcla. Her role as Rio Morales also benefited from the production’s adherence to specificity in the source material, she is not portrayed as just generically Latina but as a Puerto Rican woman from Brooklyn.

With the help of a dialect coach, Velez and Lord were also partially responsible for getting Shameik Moore (who has roots in Jamaica) to learn the handful of Spanish-language expressions Miles uses during the opening sequence were he walks around his neighborhood. “[Luna] has been getting on me! I need to go to Puerto Rico, and really learn Spanish for real,” Moore candidly told Remezcla on the red carpet.

Aside from Rio and Miles, the only other Spanish-speaking character is a villain named Scorpion. The insect-like bad guy who speaks only in Spanish is voiced by famed Mexican performer Joaquín Cosio. “He is an actor from Mexico City who was using slang that we had to look up because we didn’t understand it! I had never heard some of the words he used,” explained Lord.

[video: "Spider-Man: Into the Spider-Verse - "Gotta Go" Clip"
https://www.youtube.com/watch?v=9Q9foLtQidk ]

For Lord, having different Spanish accents represented is one of the parts of Into the Spider-Verse he’s the most proud of. He wanted to make sure Miles and Rio didn’t sound alike to indicate how language changes through different generations. Being himself the child of a Cuban immigrant, the parallels were very direct. “Miles is second-generation, so he speaks different than his mother.”

Velez, who like Miles is born in New York, identifies with what it’s like to communicate in both tongues. “Growing my parents spoke to us in Spanish and we responded in English. Now this happens with my nieces and nephews,” she said. “You want to make sure kids remember their culture and where they come from.” In playing Rio, she thought of her mother who instilled in her not only the language but appreciation for her Latinidad.

Clearly, casting Velez was essential to upholding the diversity and authenticity embedded into Miles Morales’ heroic adventure since not doing so would have been a disservice to an iteration of an iconic figure that is so meaningful for many. “If Spider-Man’s Puerto Rican mom had been played by somebody who isn’t Latino I’d have a problem with that,” Velez stated emphatically."]]></description>
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    <title>The Best Homemade Pizza You'll Ever Eat - YouTube</title>
    <dc:date>2019-02-08T22:21:49+00:00</dc:date>
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    <title>How To Cook Perfect Eggs Every Time - YouTube</title>
    <dc:date>2019-02-08T22:21:21+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=X5oD_thIk3c</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>eggs cooking edg srg glvo food 2017 howto tutorials</dc:subject>
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<item rdf:about="https://docs.google.com/presentation/d/16W-9D-x7WflRc2d__AX1qT3vep_UF84JCTjatnpH1D0/edit#slide=id.g8eb55f879_00">
    <title>How to Take Awesome Food Photos by Helen Rosner - Google Slides</title>
    <dc:date>2019-01-12T05:33:42+00:00</dc:date>
    <link>https://docs.google.com/presentation/d/16W-9D-x7WflRc2d__AX1qT3vep_UF84JCTjatnpH1D0/edit#slide=id.g8eb55f879_00</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>food photography helenrosner srg edg glvo fun classideas howto tutorials</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:08fa7e6b64df/</dc:identifier>
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</item>
<item rdf:about="https://anomalina.itch.io/foxhunt">
    <title>Foxhunt by anomalina</title>
    <dc:date>2019-01-08T22:01:57+00:00</dc:date>
    <link>https://anomalina.itch.io/foxhunt</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["An atmospheric, Witness-like first person puzzle game based on clues left by the enigmatic Fox... are you clever enough to meet him and escape this deathless, dimensionless, cold white desert?"

[via: https://www.theverge.com/2019/1/6/18166692/foxhunt-the-witness-itch-io-short-play ]]]></description>
<dc:subject>games gaming videogames edg srg multispecies morethanhuman 2019 thewitness</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:446a569a5e33/</dc:identifier>
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<item rdf:about="https://digg.com/2018/acceptance-rate-elite-colleges-data-viz">
    <title>The Acceptance Rate Of Elite US Colleges From 2015 To 2018, Visualized - Digg</title>
    <dc:date>2019-01-06T05:05:53+00:00</dc:date>
    <link>https://digg.com/2018/acceptance-rate-elite-colleges-data-viz</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["If you have your heart set on getting into an Ivy League school these days, then we have some bad news for you: it's definitely not going to be an easy ride. 

As the number of applications for prestigious colleges has risen — thanks in part to the emergence of Common Application, a process that allows students to apply to multiple schools with ease, and the increase of international applicants — acceptance rates for the elite colleges of the US have declined quite sharply in the past few years. In fact, this year, with the exception of Yale, all Ivy League schools produced the lowest acceptance rates in their respective histories.

To get a better idea of how admission rates have declined in the most selective colleges in the US, we can look to this graph made by Hunter Blakewell of Ivy Academic Coach, which charts the changes in acceptance rates of elite colleges from 2015 to 2018. The 43 colleges included in this chart are academic institutions that had an acceptance rate of less than 20% in 2018.
 
As you can see, there has been a noticeable decrease in acceptance rates among the majority of elite colleges in the US. Some are more minimal decreases. For instance, Stanford, the most selective school in the US, only saw its acceptance rate drop from 5.04% in 2015 to 4.36% this year. 

New York University, on the other hand, has had one of the most drastic drops in admission rates. According to Ivy Academic Coach, NYU's admission rate dropped from 32% in 2016 to merely 19% in 2018, an over-40% decrease within the span of two years.

The drop in acceptance rates among the US's elite colleges is a worrying trend. Although there are studies that show attendance at an elite college may bear little relationship with a person's long-term earnings, further research has clarified that going to an Ivy League school matters less when you're a rich, white man — but if you're a woman or a minority, attendance at an elite university still has a palpable effect on your future income."]]></description>
<dc:subject>colleges universities admissions anxiety selectivity 2018 visualization srg edg highered highereducation ivyleague elitism education</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8c23cbec1093/</dc:identifier>
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<item rdf:about="https://www.nytimes.com/2018/12/08/opinion/college-gpa-career-success.html">
    <title>Opinion | What Straight-A Students Get Wrong - The New York Times</title>
    <dc:date>2018-12-20T05:51:36+00:00</dc:date>
    <link>https://www.nytimes.com/2018/12/08/opinion/college-gpa-career-success.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A decade ago, at the end of my first semester teaching at Wharton, a student stopped by for office hours. He sat down and burst into tears. My mind started cycling through a list of events that could make a college junior cry: His girlfriend had dumped him; he had been accused of plagiarism. “I just got my first A-minus,” he said, his voice shaking.

Year after year, I watch in dismay as students obsess over getting straight A’s. Some sacrifice their health; a few have even tried to sue their school after falling short. All have joined the cult of perfectionism out of a conviction that top marks are a ticket to elite graduate schools and lucrative job offers.

I was one of them. I started college with the goal of graduating with a 4.0. It would be a reflection of my brainpower and willpower, revealing that I had the right stuff to succeed. But I was wrong.

The evidence is clear: Academic excellence is not a strong predictor of career excellence. Across industries, research shows that the correlation between grades and job performance is modest in the first year after college and trivial within a handful of years. For example, at Google, once employees are two or three years out of college, their grades have no bearing on their performance. (Of course, it must be said that if you got D’s, you probably didn’t end up at Google.)

Academic grades rarely assess qualities like creativity, leadership and teamwork skills, or social, emotional and political intelligence. Yes, straight-A students master cramming information and regurgitating it on exams. But career success is rarely about finding the right solution to a problem — it’s more about finding the right problem to solve.

In a classic 1962 study, a team of psychologists tracked down America’s most creative architects and compared them with their technically skilled but less original peers. One of the factors that distinguished the creative architects was a record of spiky grades. “In college our creative architects earned about a B average,” Donald MacKinnon wrote. “In work and courses which caught their interest they could turn in an A performance, but in courses that failed to strike their imagination, they were quite willing to do no work at all.” They paid attention to their curiosity and prioritized activities that they found intrinsically motivating — which ultimately served them well in their careers.

Getting straight A’s requires conformity. Having an influential career demands originality. In a study of students who graduated at the top of their class, the education researcher Karen Arnold found that although they usually had successful careers, they rarely reached the upper echelons. “Valedictorians aren’t likely to be the future’s visionaries,” Dr. Arnold explained. “They typically settle into the system instead of shaking it up.”

This might explain why Steve Jobs finished high school with a 2.65 G.P.A., J.K. Rowling graduated from the University of Exeter with roughly a C average, and the Rev. Dr. Martin Luther King Jr. got only one A in his four years at Morehouse.

If your goal is to graduate without a blemish on your transcript, you end up taking easier classes and staying within your comfort zone. If you’re willing to tolerate the occasional B, you can learn to program in Python while struggling to decipher “Finnegans Wake.” You gain experience coping with failures and setbacks, which builds resilience.

Straight-A students also miss out socially. More time studying in the library means less time to start lifelong friendships, join new clubs or volunteer. I know from experience. I didn’t meet my 4.0 goal; I graduated with a 3.78. (This is the first time I’ve shared my G.P.A. since applying to graduate school 16 years ago. Really, no one cares.) Looking back, I don’t wish my grades had been higher. If I could do it over again, I’d study less. The hours I wasted memorizing the inner workings of the eye would have been better spent trying out improv comedy and having more midnight conversations about the meaning of life.

So universities: Make it easier for students to take some intellectual risks. Graduate schools can be clear that they don’t care about the difference between a 3.7 and a 3.9. Colleges could just report letter grades without pluses and minuses, so that any G.P.A. above a 3.7 appears on transcripts as an A. It might also help to stop the madness of grade inflation, which creates an academic arms race that encourages too many students to strive for meaningless perfection. And why not let students wait until the end of the semester to declare a class pass-fail, instead of forcing them to decide in the first month?

Employers: Make it clear you value skills over straight A’s. Some recruiters are already on board: In a 2003 study of over 500 job postings, nearly 15 percent of recruiters actively selected against students with high G.P.A.s (perhaps questioning their priorities and life skills), while more than 40 percent put no weight on grades in initial screening.

Straight-A students: Recognize that underachieving in school can prepare you to overachieve in life. So maybe it’s time to apply your grit to a new goal — getting at least one B before you graduate."]]></description>
<dc:subject>education grades grading colleges universities academia 2018 adamgrant psychology gpa assessment criticalthinking anxiety stress learning howwelearn motivation gradschool jkrowling stevejobs martinlutherkingjr perfectionism srg edg mlk</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://www.instagram.com/ccsf_fire_sciencementorprogram/">
    <title>CCSF FireScienceMentorProgram (@ccsf_fire_sciencementorprogram) • Fotos y vídeos de Instagram</title>
    <dc:date>2018-12-18T07:43:09+00:00</dc:date>
    <link>https://www.instagram.com/ccsf_fire_sciencementorprogram/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>edg ccsf firesciences sffd</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2a8f22149661/</dc:identifier>
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<item rdf:about="https://www.youtube.com/watch?v=uZ4_ymCQmFo">
    <title>Bria Bloom: A Grown Unschooler Dedicated to Liberating the Next Generation - YouTube</title>
    <dc:date>2018-12-13T19:53:41+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=uZ4_ymCQmFo</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Bria Bloom is the Community Manager of the Alliance for Self-Directed Education (ASDE). In this interview with ASDE board member Scott Noelle, Bria shares her educational journey and provides a behind-the-scenes look into her work with the Alliance, advancing the SDE movement."]]></description>
<dc:subject>briabloom 2018 unschooling homeschool education self-directed self-directedlearning srg edg schools schooling learning howwelearn scottnoelle</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e8937f3d23fb/</dc:identifier>
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</item>
<item rdf:about="https://www.ign.com/articles/2018/01/16/earthbound-fans-are-releasing-a-book-about-years-of-hoping-for-a-mother-3-western-release-2">
    <title>EarthBound Fans Are Releasing a Book About Years of Hoping for a Mother 3 Western Release - IGN</title>
    <dc:date>2018-11-29T00:11:51+00:00</dc:date>
    <link>https://www.ign.com/articles/2018/01/16/earthbound-fans-are-releasing-a-book-about-years-of-hoping-for-a-mother-3-western-release-2</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Titled “C'mon Nintendo, Give Us Mother 3,” the book is coming to Fangamer in late 2018 and chronicles years of waiting for the follow-up to Nintendo’s beloved quirky RPG.

“Today, asking Nintendo to translate Mother 3 has become a huge running joke - it's even been featured on national television and parodied by top Nintendo executives,” the book’s description reads. “But how did hope for a simple game translation blow up into something so big? Rumors, hype, letdowns, and lies - this is the story of the most-wanted game translation ever.”

The EarthBound series is called Mother in Japan, with EarthBound known as Mother 2. In 2006, Mother 3 was released for Game Boy Advance in Japan, but Nintendo made it clear that there were no plans to release it in the West. Later that year, fans rallied to put together a translation that was ultimately released in 2008 and later offered to Nintendo for free by fans.

Nintendo has never discussed plans to release Mother 3 outside of Japan, though main character Lucas was included in Super Smash Bros. Brawl on Wii in 2008 as well as Smash Bros. for Wii U and 3DS as DLC.

Last year, Nintendo’s Reggie Fils-Aime told IGN that releasing Mother 3 “has a different set of complexities” and “really isn't a Nintendo-owned franchise,” but didn’t rule out the possibility of it eventually heading West.

Rumors about a Western release of Mother 3 have circulated for years, most recently fueled by a Japanese release of Mother 3 on Wii U virtual console in 2015. Since then, EarthBound was re-released on Wii U virtual console, and later ported to New Nintendo 3DS and included in the Super NES Classic, and characters were even included in Super Mario Maker. In 2013, Nintendo told us EarthBound re-releases had no impact on Mother 3's release chances.

Still, some hope remains for EarthBound fans since the original Mother, long unreleased in the West and known among fans as EarthBound Zero, was eventually released in the West as EarthBound Beginnings in 2015.

IGN has reached out to Nintendo about this book and will update this story with any comment we receive.

For anyone new to EarthBound, be sure to listen to Nintendo Voice Chat's breakdown of why EarthBound is a big deal, plus read our EarthBound review of the 2013 re-release."]]></description>
<dc:subject>mother3 earthbound mother2 ninendo games gaming srg edg 2018</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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</item>
<item rdf:about="https://bossfightbooks.com/products/earthbound-by-ken-baumann">
    <title>EarthBound by Ken Baumann: New Boss Fight Book on the SNES RPG Classic – Boss Fight Books</title>
    <dc:date>2018-11-29T00:02:30+00:00</dc:date>
    <link>https://bossfightbooks.com/products/earthbound-by-ken-baumann</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["An RPG for the Super NES that flopped when it first arrived in the U.S., EarthBound grew in fan support and critical acclaim over the years, eventually becoming the All-Time Favorite Game of thousands, among them author Ken Baumann.

Featuring a heartfelt foreword from the game's North American localization director, Marcus Lindblom, Baumann's EarthBound is a joyful tornado of history, criticism, and memoir.

Baumann explores the game’s unlikely origins, its brilliant creator, its madcap plot, its marketing failure, its cult rise from the ashes, and its intersections with Japanese and American culture, all the while reflecting back on the author's own journey into the terrifying and hilarious world of adults."]]></description>
<dc:subject>earthbound videogames games gaming srg edg 2014 marcuslindblom nintendo mother2</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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</item>
<item rdf:about="https://emulator.games/">
    <title>Emulator.Games - Download FREE ROMs for GBA, SNES, PSX, N64, 3DS, PSP, PS2, XBOX, WII, NDS, SEGA, NES and more</title>
    <dc:date>2018-11-28T23:55:02+00:00</dc:date>
    <link>https://emulator.games/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Play Game ROMs on your PC, Mobile, Mac, iOS and Android devices. 
Download Emulator Games and Free ROMs fast and start playing the best games. 
Available to Play Online directly in browser or Download."

Mother [NES]
https://emulator.games/roms/nintendo/mother-h1/

Mother 1+2 [Gameboy Advance]
https://emulator.games/roms/gameboy-advance/mother-1-2/

Mother 3 [Gameboy Advance]
https://emulator.games/roms/gameboy-advance/mother-3/

Mother 3 (Eng. Translation 1.1) [Gameboy Advance]
https://emulator.games/roms/gameboy-advance/mother-3-eng-translation-1-1/

Earthbound [Super Nintendo]
https://emulator.games/roms/super-nintendo/earthbound/]]></description>
<dc:subject>games gaming videogames retro mother mother3 mother2 mother1 earthbound srg edg nintendo</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:be98c6cd294e/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:videogames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:retro"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mother"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mother1"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:earthbound"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nintendo"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://onehouronelife.com/">
    <title>One Hour One Life</title>
    <dc:date>2018-11-28T23:54:27+00:00</dc:date>
    <link>http://onehouronelife.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["a multiplayer survival game of parenting and civilization building by Jason Rohrer"

…

"This game is about playing one small part in a much larger story. You only live an hour, but time and space in this game is infinite. You can only do so much in one lifetime, but the tech tree in this game will take hundreds of generations to fully explore. This game is also about family trees. Having a mother who takes care of you as a baby, and hopefully taking care of a baby yourself later in life. And your mother is another player. And your baby is another player. Building something to use in your lifetime, but inevitably realizing that, in the end, what you build is not for YOU, but for your children and all the countless others that will come after you. Proudly using your grandfather's ax, and then passing it on to your own grandchild as the end of your life nears. And looking at each life as a unique story. I was this kid born in this situation, but I eventually grew up. I built a bakery near the wheat fields. Over time, I watched my grandparents and parents grow old and die. I had some kids of my own along the way, but they are grown now... and look at my character now! She's an old woman. What a life passed by in this little hour of mine. After I die, this life will be over and gone forever. I can be born again, but I can never live this unique story again. Everything's changing. I'll be born as a different person in a different place and different time, with another unique story to experience in the next hour..."

…

"The thinking behind One Hour One Life [a YouTube playlist]

"How to Deal With A Crisis of Meaning" (The School of Life)
https://www.youtube.com/watch?v=nu8d3iW2yxM

"Bonsai: the Endless Ritual | Extraordinary Rituals | Earth Unplugged"
https://www.youtube.com/watch?v=PEGevD5jd64

"Power of the Market - The Pencil"
https://www.youtube.com/watch?v=R5Gppi-O3a8

"Primitive Technology: Forge Blower"
https://www.youtube.com/watch?v=VVV4xeWBIxE

"The Game Design Challenge 2011: Bigger Than Jesus Panel at GDC 2011"
https://www.youtube.com/watch?v=UAG6XzGah8Q

"Last Day Dream"
https://www.youtube.com/watch?v=ZWlbZO92ZyA

"334 Time Life - Rock A Bye Baby - 1976"
https://www.youtube.com/watch?v=63fBJPFPCbs "]]></description>
<dc:subject>games gaming videogames jasonrohrer civilization parenting philosophy gamedesign small change purpose meaningoflife meaning generations srg edg</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c32ade796e51/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:games"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:videogames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jasonrohrer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:civilization"/>
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</item>
<item rdf:about="https://openemu.org/">
    <title>OpenEmu - Multiple Video Game System</title>
    <dc:date>2018-11-28T21:31:46+00:00</dc:date>
    <link>https://openemu.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["OpenEmu is about to change the world of video game emulation. One console at a time...
For the first time, the 'It just works' philosophy now extends to open source video game emulation on the Mac. With OpenEmu, it is extremely easy to add, browse, organize and with a compatible gamepad, play those favorite games (ROMs) you already own."]]></description>
<dc:subject>emulators games gaming videogames mac osx srg edg</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0dbc6fa505d1/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:games"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mac"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:osx"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:srg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://nomada.studio/">
    <title>Nomada Studio [See Gris.]</title>
    <dc:date>2018-11-08T20:26:39+00:00</dc:date>
    <link>https://nomada.studio/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[https://www.youtube.com/watch?v=kFrs1tGy_zg ]]]></description>
<dc:subject>games gaming gamedesign videogames gris toplay nintendoswitch pc 2018 edg srg</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8a9d80f11121/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gaming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamedesign"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gris"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2018"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:srg"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.bythebay.cool/">
    <title>By The Bay</title>
    <dc:date>2018-11-03T20:38:29+00:00</dc:date>
    <link>https://www.bythebay.cool/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also: https://www.ballot.fyi/ ]

"Take a break from the national chaos, and dip into the fascinatingly bizarre world of local elections. We explain California, San Francisco, and San Jose propositions & races so you'll laugh, cry, and vote on Election Day, November 6th.

We also made this neat tool so you can save your votes and talk about local issues with your friends.

Okay, let's do this civic duty dance and show how Democracy is done, shall we?

…

ABOUT US (REALLY)

By The Bay is led by Jimmy Chion and Yvonne Leow, two San Franciscans, who love almost all things Californian.

Our mission is to transform residents into citizens. We think local issues like housing, homelessness, and public transit affect us everyday, but it's hard to know how to participate. By The Bay is our way of changing that, starting with elections.

WE'RE NONPARTISAN, BUT NOT BORING
We try to convey all relevant arguments as fairly and factually as possible. We are human though – so please email us at hi@bythebay.cool if you see anything that needs some TLC.

WE MADE A THING BEFORE
In 2016, we built ballot.fyi to explain all of the confusing CA propositions. To our surprise, it reached ~1M people in one month. This year, we're covering local elections again. Hopefully making you a little smarter and our community a little better.

WE'RE FUNDED BY THE KNIGHT FOUNDATION
In 2017, we received a $75K grant from the Knight Foundation to continue ballot.fyi. The Knight Foundation is a nonpartisan non-profit that supports local journalism initiatives across the country. BTB is a for-profit organization, but fiscally sponsored by the non-profit Asian American Journalists Association.

WHO WE ARE (AS PEOPLE)

JIMMY CHION was a designer and engineer at IDEO, an instructor at California College of Arts, and an Artist-in-Residence at Autodesk. He has two degrees from Stanford, neither of which have anything to do with politics. He created ballot.fyi, and now leads design and development at BTB. Send him a punny message at jimmy@bythebay.cool

Yvonne Leow
YVONNE LEOW is a digital journalist by trade. She has worked at Vox.com, Digital First Media, and the AP. She is currently the president of the AAJA and was a John S. Knight Journalism Fellow at Stanford. Yvonne leads editorial and partnerships at BTB. Send her a haiku at yvonne@bythebay.cool."]]></description>
<dc:subject>bayarea sanfrancisco sanjose elections votersguide voting politics srg edg glvo california propositions</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f51841212341/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:votersguide"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:voting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:california"/>
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</item>
<item rdf:about="https://www.ballot.fyi/">
    <title>California State Propositions – a nonpartisan guide [updates every election]</title>
    <dc:date>2018-11-03T20:36:03+00:00</dc:date>
    <link>https://www.ballot.fyi/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["nonpartisan
We're tired of fliers telling us how to vote. ballot.fyi doesn't tell you what to do, instead we give you the facts and arguments about each proposition so you can come to your own conclusion. We cite all of our sources (try clicking this little circle 
) and try to represent all relevant perspectives – that's what we mean by nonpartisan. But, we're human, and we don't know everything, so if you know something we didn't cover, email us at fax@ballot.fyi (with sources cited)

concise
We've read the full text of the propositions, the official arguments of both sides, and many, many opinion articles so we can give you concise but comprehensive digests of what's on the ballot. These are real issues that affect real animals, and we hope these summaries get you interested in what's happening in CA and make you feel ready to vote.

a tool
We want you to feel good – amazing even – on Election Day, and we also hope that you'll want your friends to feel fantastic, because this site's only purpose is to get more folks voting. So do us a solid and tell your friends they get to vote on Daylight Saving Time this November.

About Amir & Erica
Amir & Erica (you know, like "America") was created by Jimmy Chion (a designer and engineer) and Yvonne Leow (a journalist) with the help and balance of many friends, left and right. We first made ballot.fyi in 2016. It reached a million people in one month, and in 2017, we received a $75K grant from The John S. and James L. Knight Foundation to continue ballot.fyi into 2018. The Knight Foundation promotes informed and engaged communities through funding in journalism, arts, and technology.

If you live in San Francisco or San Jose, we created By The Bay to cover those local propositions. [https://www.bythebay.cool/ ]"]]></description>
<dc:subject>votersguide voting california propositions politics srg edg glvo sanfrancisco sanjose bayarea elections</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6cb66bff3d27/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:votersguide"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:voting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:california"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
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</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.vice.com/en_us/article/pa9myg/the-hot-new-gen-z-trend-is-skipping-college-v25n3">
    <title>Should I Go to Trade School or College?</title>
    <dc:date>2018-11-01T01:25:03+00:00</dc:date>
    <link>https://www.vice.com/en_us/article/pa9myg/the-hot-new-gen-z-trend-is-skipping-college-v25n3</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["High schoolers are weighing the benefits of blue-collar trades at a time when well-paying jobs—and no debt—are hard to pass up."

[See also:
"Generation Z Is Skipping College for Trade School
With the job market in flux, younger Americans are trying to avoid an education that comes with a massive amount of debt."
https://www.vice.com/en_us/article/43ejmj/generation-z-is-skipping-college-for-trade-school ]]]></description>
<dc:subject>genz education srg edg highered highereducation colleges universities vocations vocationalschools generations studentdebt jobs work economics 2018 us alternative generationz zoomers</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ecf99f27a8a9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:genz"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:srg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:highered"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:highereducation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colleges"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:universities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vocations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vocationalschools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:generations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:studentdebt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jobs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:work"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:economics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2018"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:us"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alternative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:generationz"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zoomers"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2018/10/05/us/california-today-learning-to-swim-in-los-angeles.html?em_pos=large&amp;emc=edit_ca_20181005&amp;nl=california-today&amp;nlid=76838101edit_ca_20181005&amp;ref=headline&amp;te=1">
    <title>‘I Flail. I Gasp. I Use a Snorkel’: A Reporter Learns to Swim in Los Angeles - The New York Times</title>
    <dc:date>2018-10-07T04:57:21+00:00</dc:date>
    <link>https://www.nytimes.com/2018/10/05/us/california-today-learning-to-swim-in-los-angeles.html?em_pos=large&amp;emc=edit_ca_20181005&amp;nl=california-today&amp;nlid=76838101edit_ca_20181005&amp;ref=headline&amp;te=1</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>swimming srg edg losangeles cities us 2018 josedelreal</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:bbf8c9507c43/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:srg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:losangeles"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:josedelreal"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://aperture.org/on-sight/">
    <title>Aperture On Sight</title>
    <dc:date>2018-08-28T06:36:25+00:00</dc:date>
    <link>https://aperture.org/on-sight/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Introduction

["Fundamentals of the Curriculum:
The curriculum combines art, visual and media literacy, and technology lessons.
Masterworks are shown side-by-side with student work during reviews and discussions.
Teachers lead hands-on activities in every class.

Visual literacy depends upon people feeling comfortable talking about visual images. In every lesson, students are encouraged to talk about photographs through an open inquiry process, which in turn encourages open dialogue among students while the teacher guides the discussion. Aperture’s teaching artists use Visual Thinking Strategies as a resource for engaging students. To read more about VTS, please visit the Visual Thinking Strategies website.

The twenty-week curriculum aligns with the New York City Blueprint for Teaching and Learning in Visual Arts, and can be adapted to fit after-school, summer, and museum programs."]

Lesson 1: Hello Photography!
Lesson 2: Form: This Equals That
Lesson 3: Form: Framing and Point of View
Lesson 4: Form: Composing the Photograph
Lesson 5: Content: Signs and Symbols
Lesson 6: Content: Metaphors
Lesson 7: Content: Photography and Truth
Lesson 8: Content: The Whole Picture
Lesson 9: Content: Collaborative Portraiture
Lesson 10: Content: Picturing the Street
Lesson 11: Context: Introduction
Lesson 12: Context: So Many Books!
Lesson 13: Context: Mind Mapping
Lesson 14: Context: Engaging the Subject
Lesson 15: Content: Extending the Project
Lesson 16: Context Case Study: Gordon Parks and The Making of an Argument
Lesson 17: Context: Book Dummies and Meeting an Editor
Lesson 18: Context: Words and Pictures
Lesson 19: Context: Digitizing Books
Lesson 20: Context: Finalizing Digital Versions of Books
Workbook
Resources
Exhibition"

[via: "A Range of Vision"
"Aperture’s free On Sight curriculum brings together students of different backgrounds in Los Angeles."
https://aperture.org/blog/on-sight-range-of-vision/ ]]]></description>
<dc:subject>photography education aperturemagazine classideas lessons edg srg curriculum aliceproujansky</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2f83426a39e5/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aperturemagazine"/>
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<item rdf:about="https://en.wikipedia.org/wiki/Unravel_Two">
    <title>Unravel Two - Wikipedia</title>
    <dc:date>2018-08-20T03:07:03+00:00</dc:date>
    <link>https://en.wikipedia.org/wiki/Unravel_Two</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via: "Lovely game by Coldwood, which encourages collaborative play—really works if kids are roughly the same level (roughly). Beautiful setting, too. (Discovered via good games exhibition at Tekniska Museet in Stockholm, feat many Swedish games.)"
https://www.instagram.com/p/BmnSFiBgevo/ ]

"Unravel Two is a puzzle platform video game developed by Swedish studio Coldwood Interactive and published by Electronic Arts under the EA Originals label. It was released on 9 June 2018 for Microsoft Windows, PlayStation 4, and Xbox One. The game centres on two Yarnys, small anthropomorphic creatures made of yarn.[2] It is the sequel to the 2016 game Unravel.

Unlike the first game, Unravel Two is both a single-player and a multiplayer game, though local co-op only. The game centres on two Yarnys, which can be controlled with either one player or two, which must work together in order to solve puzzles and manipulate the world. The game contains a main storyline, set on an island, as well as challenge levels, significantly more difficult levels.[3]"

[See also:
https://www.ea.com/es-es/games/unravel/unravel-two

Trailers:
https://www.youtube.com/watch?v=j2TmLrTl6gs
https://www.youtube.com/watch?v=7eRmkCVHEbQ ]]]></description>
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    <title>WILL SMITH Tells Wife “U Can Go If U Want, Am Done Begging U Can’t Make U Happy Anymore” - YouTube</title>
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    <title>A Smith Family Vacation - YouTube</title>
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    <title>Clayton Cubitt on Twitter: &quot;Three step guide to photography: 01: be interesting. 02: find interesting people. 03: find interesting places. Nothing about cameras.&quot;</title>
    <dc:date>2018-08-17T23:54:47+00:00</dc:date>
    <link>https://twitter.com/claytoncubitt/status/291928112411856896</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Three step guide to photography: 01: be interesting. 02: find interesting people. 03: find interesting places. Nothing about cameras."]]></description>
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    <title>Fault Vs Responsibility by Will Smith FULL SPEECH - YouTube</title>
    <dc:date>2018-07-30T18:07:29+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=USsqkd-E9ag</link>
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<item rdf:about="https://harpers.org/archive/2015/04/abolish-high-school/">
    <title>[Easy Chair] | Abolish High School, by Rebecca Solnit | Harper's Magazine</title>
    <dc:date>2018-06-10T19:18:41+00:00</dc:date>
    <link>https://harpers.org/archive/2015/04/abolish-high-school/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I didn’t go to high school. This I think of as one of my proudest accomplishments and one of my greatest escapes, because everyone who grows up in the United States goes to high school. It’s such an inevitable experience that people often mishear me and think I dropped out.

I was a withdrawn, bookish kid all through elementary school, but the difficulty of being a misfit intensified when I started seventh grade. As I left campus at the end of my first day, people shouted insults that ensured I knew my clothes didn’t cut it. Then there was P.E., where I had to don a horrendous turquoise-striped polyester garment that looked like a baby’s onesie and follow orders to run or jump or play ball — which is hard to do when you’re deeply withdrawn — after which I had to get naked, in all my late-bloomer puniness, and take showers in front of strangers. In science class we were graded on crafting notebooks with many colors of pen; in home economics, which was only for girls — boys had shop — we learned to make a new kind of cake by combining pudding mix with cake mix; even in English class I can remember reading only one book: Dickens’s flattest novel, Hard Times. At least the old history teacher in the plaid mohair sweaters let me doze in the front row, so long as I knew the answers when asked.

In junior high, everything became a little more dangerous. Most of my peers seemed to be learning the elaborate dance between the sexes, sometimes literally, at school dances I never dreamed of attending, or in the form of the routines through which girls with pompoms ritually celebrated boys whose own role in that rite consisted of slamming into one another on the field.

I skipped my last year of traditional junior high school, detouring for ninth and tenth grade into a newly created alternative junior high. (The existing alternative high school only took eleventh and twelfth graders.) The district used this new school as a dumping ground for its most insubordinate kids, so I shared two adjoining classrooms with hard-partying teenage girls who dated adult drug dealers, boys who reeked of pot smoke, and other misfits like me. The wild kids impressed me because, unlike the timorous high achievers I’d often been grouped with at the mainstream school, they seemed fearless and free, skeptical about the systems around them.

There were only a few dozen students, and the adults treated us like colleagues. There was friendship and mild scorn but little cruelty, nothing that pitted us against one another or humiliated us, no violence, no clearly inculcated hierarchy. I didn’t gain much conventional knowledge, but I read voraciously and had good conversations. You can learn a lot that way. Besides, I hadn’t been gaining much in regular school either.

I was ravenous to learn. I’d waited for years for a proper chance at it, and the high school in my town didn’t seem like a place where I was going to get it. I passed the G.E.D. test at fifteen, started community college the following fall, and transferred after two semesters to a four-year college, where I began, at last, to get an education commensurate with my appetite.

What was it, I sometimes wonder, that I was supposed to have learned in the years of high school that I avoided? High school is often considered a definitive American experience, in two senses: an experience that nearly everyone shares, and one that can define who you are, for better or worse, for the rest of your life. I’m grateful I escaped the particular definition that high school would have imposed on me, and I wish everyone else who suffered could have escaped it, too.

For a long time I’ve thought that high school should be abolished. I don’t mean that people in their teens should not be educated at public expense. The question is what they are educated in. An abolitionist proposal should begin by acknowledging all the excellent schools and teachers and educations out there; the people who have a pleasant, useful time in high school; and the changes being wrought in the nature of secondary education today. It should also recognize the tremendous variety of schools, including charter and magnet schools in the public system and the private schools — religious, single-sex, military, and prep — that about 10 percent of American students attend, in which the values and pedagogical systems may be radically different. But despite the caveats and anomalies, the good schools and the students who thrive (or at least survive), high school is hell for too many Americans. If this is so, I wonder why people should be automatically consigned to it.

In 2010, Dan Savage began the It Gets Better Project, which has gathered and posted video testimonials from gay and lesbian adults and queer-positive supporters (tens of thousands of them, eventually, including professional sports stars and the president) to address the rash of suicides by young queer people. The testimonials reassure teenagers that there is life after high school, that before long they’ll be able to be who they are without persecution — able to find love, able to live with dignity, and able to get through each day without facing intense harassment. It’s a worthy project, but it implicitly accepts that non-straight kids must spend their formative years passing through a homophobic gauntlet before arriving at a less hostile adult world. Why should they have to wait?

Suicide is the third leading cause of death for teens, responsible for some 4,600 deaths per year. Federal studies report that for every suicide there are at least a hundred attempts — nearly half a million a year. Eight percent of high school students have attempted to kill themselves, and 16 percent have considered trying. That’s a lot of people crying out for something to change.

We tend to think that adolescence is inherently ridden with angst, but much of the misery comes from the cruelty of one’s peers. Twenty-eight percent of public school students and 21 percent of private school students report being bullied, and though inner-city kids are routinely portrayed in the press as menaces, the highest levels of bullying are reported among white kids and in nonurban areas. Victims of bullying are, according to a Yale study, somewhere between two and nine times more likely to attempt suicide. Why should children be confined to institutions in which these experiences are so common?

Antibullying programs have proliferated to such an extent that even the Southern Poverty Law Center has gotten involved, as though high school had joined its list of hate groups. An educational video produced by the S.P.L.C. focuses on the case of Jamie Nabozny, who successfully sued the administrators of his small-town Wisconsin school district for doing nothing to stop — and sometimes even blaming him for — the years of persecution he had suffered, including an attack that ruptured his spleen. As Catherine A. Lugg, an education scholar specializing in public school issues, later wrote, “The Nabozny case clearly illustrates the public school’s historic power as the enforcer of expected norms regarding gender, heteronormativity, and homophobia.”

I once heard Helena Norberg-Hodge, an economic analyst and linguist who studies the impact of globalization on nonindustrialized societies, say that generational segregation was one of the worst kinds of segregation in the United States. The remark made a lasting impression: that segregation was what I escaped all those years ago. My first friends were much older than I was, and then a little older; these days they are all ages. We think it’s natural to sort children into single-year age cohorts and then process them like Fords on an assembly line, but that may be a reflection of the industrialization that long ago sent parents to work away from their children for several hours every day.

Since the 1970s, Norberg-Hodge has been visiting the northern Indian region of Ladakh. When she first arrived such age segregation was unknown there. “Now children are split into different age groups at school,” Norberg-Hodge has written. “This sort of leveling has a very destructive effect. By artificially creating social units in which everyone is the same age, the ability of children to help and to learn from each other is greatly reduced.” Such units automatically create the conditions for competition, pressuring children to be as good as their peers. “In a group of ten children of quite different ages,” Norberg-Hodge argues, “there will naturally be much more cooperation than in a group of ten twelve-year-olds.”

When you are a teenager, your peers judge you by exacting and narrow criteria. But those going through the same life experiences at the same time often have little to teach one another about life. Most of us are safer in our youth in mixed-age groups, and the more time we spend outside our age cohort, the broader our sense of self. It’s not just that adults and children are good for adolescents. The reverse is also true. The freshness, inquisitiveness, and fierce idealism of a wide-awake teenager can be exhilarating, just as the stony apathy of a shut-down teenager can be dismal.

A teenager can act very differently outside his or her peer group than inside it. A large majority of hate crimes and gang rapes are committed by groups of boys and young men, and studies suggest that the perpetrators are more concerned with impressing one another and conforming to their group’s codes than with actual hatred toward outsiders. Attempts to address this issue usually focus on changing the social values to which such groups adhere, but dispersing or diluting these groups seems worth consideration, too.

High school in America is too often a place where one learns to conform or take punishment — and conformity is itself a kind of punishment, one that can flatten out your soul or estrange you from it.

High school, particularly the suburban and small-town varieties, can seem a parade of clichés, so much so that it’s easy to believe that jockocracies (a term used to describe Columbine High School at the time of the 1999 massacre), girls’ rivalries, punitive regimes of conformity and so forth, are anachronistic or unreal, the stuff of bad movies. Then another story reminds us that people are still imprisoned in these clichés. The day I write this, news comes that, yet again, high school football players have been charged with raping a fellow student. This time it’s five boys in Florida. In a 2012 sexual-assault case in Steubenville, Ohio, one of the football players accused of the crime texted a friend that he wasn’t worried about the consequences because his football coach “took care of it.” The victim received death threats for daring to speak up against popular boys, as did a fourteen-year-old in Missouri named Daisy Coleman, who, in the same year, reported being raped by a popular football player named Matt who was three years her senior.

Coleman, who has attempted suicide multiple times, wrote:

<blockquote>When I went to a dance competition I saw a girl there who was wearing a T-shirt she made. It read: matt 1, daisy 0. Matt’s family was very powerful in the state of Missouri and he was also a very popular football player in my town, but I still couldn’t believe it when I was told the charges were dropped. Everyone had told us how strong the case was — including a cell phone video of the rape which showed me incoherent. All records have been sealed in the case, and I was told the video wasn’t found. My brother told me it was passed around school.</blockquote>

I wonder what pieces we’d have to pull away to demolish the system that worked so hard to destroy Coleman.

But abolishing high school would not just benefit those who are at the bottom of its hierarchies. Part of the shared legacy of high school is bemused stories about people who were treated as demigods at seventeen and never recovered. A doctor I hang out with tells me that former classmates who were more socially successful in high school than he was seem baffled that he, a quiet youth who made little impression, could be more professionally successful, as though the qualities that made them popular should have effortlessly floated them through life. It’s easy to laugh, but there is a real human cost. What happens to people who are taught to believe in a teenage greatness that is based on achievements unlikely to matter in later life?

Abolishing high school could mean many things. It could mean compressing the time teenagers have to sort out their hierarchies and pillory outsiders, by turning schools into minimalist places in which people only study and learn. All the elaborate rites of dances and games could take place under other auspices. (Many Europeans and Asians I’ve spoken to went to classes each day and then left school to do other things with other people, forgoing the elaborate excess of extracurricular activities that is found at American schools.) It could mean schools in which age segregation is not so strict, where a twelve-year-old might mentor a seven-year-old and be mentored by a seventeen-year-old; schools in which internships, apprenticeships, and other programs would let older students transition into the adult world before senior year. (Again, there are plenty of precedents from around the world.)

Or it could mean something yet unimagined. I’ve learned from doctors that you don’t have to have a cure before you make a diagnosis. Talk of abolishing high school is just my way of wondering whether so many teenagers have to suffer so much. How much of that suffering is built into a system that is, however ubiquitous, not inevitable? “Every time I drive past a high school, I can feel the oppression. I can feel all those trapped souls who just want to be outside,” a woman recalling her own experience wrote to me recently. “I always say aloud, ‘You poor souls.’ ”"]]></description>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:friendship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwelearn"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:srg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
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</item>
<item rdf:about="https://www.juxtapoz.com/news/film/red-bull-arts-new-york-produces-rammellzee-it-s-not-who-but-what-examining-the-groundbreaking-artist/">
    <title>Juxtapoz Magazine - Red Bull Arts New York Produces “RAMMELLZEE: It’s Not Who But What,” Examining the Groundbreaking Artist</title>
    <dc:date>2018-06-03T03:41:07+00:00</dc:date>
    <link>https://www.juxtapoz.com/news/film/red-bull-arts-new-york-produces-rammellzee-it-s-not-who-but-what-examining-the-groundbreaking-artist/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Elaborating on the ornate and abstract visual language of wild style graffiti, Rammellzee decided to create his own Alphabet, arming the letter for assault against the tyranny of our information age. A visionary, polymath and autodidact, Rammellzee infused urban vernacular with a complex and hermeneutic meta-structure that was informed equally by the illuminated manuscripts of the Middle Ages, the history of military strategy and design, radical politics and semiotics.

A persistent and formidable figure in New York’s Downtown scene since he moved from his childhood home in the Rockaways and relocated to a studio in Tribeca in the late ’70s, Rammellzee garnered a legion of followers (notably including A-One, Toxic and Kool Koor) to his school of Gothic Futurism and stormed public consciousness with his performances in films like Charlie Ahearn’s Wild Style and Jim Jarmusch’s Stranger Than Paradise. His most famous collaboration, however, was with his one-time friend and life-long nemesis Jean-Michel Basquiat, who immortalized him in his masterwork Hollywood Africans and produced Rammellzee’s signature single “Beat Bop,” releasing it on his own label, Tar Town Records. To this day, it is considered one of the foundational records of hip hop. After enjoying much success in the art world in the ’80s, Rammellzee would turn his back on the gallery system and spend the rest of his life producing the Afrofuturist masterpiece The Battle Station, in his studio loft.

Guided by his treatise on “Ikonoklastik Panzerism,” the first manifesto he wrote while still a teen, Rammellzee was at once the high priest of hip hop and a profoundly Conceptual artist. In his expansive cosmology, born of b-boy dynamics, the wordplay of rap and the social trespass of graffiti, Rammellzee inhabited multiple personae in an ongoing performance art where identity and even gender became fluid and hybrid. Over the past two decades of his life, increasingly focused on his studio practice, he created a mind-blowing universe of Garbage Gods, Letter Racers, Monster Models and his surrogate form, the vengeful deity of Gasolier. Though his art, working with toxic materials, and lifestyle brought about an early death in 2010, his ideas and art remain a legacy we’ll be trying to figure out for generations to come. —Carlo McCormick"

[video on YouTube: https://www.youtube.com/watch?v=PjAfVHSeIvY ]

[See also:

"The Spectacular Personal Mythology of Rammellzee"
https://www.newyorker.com/magazine/2018/05/28/the-spectacular-personal-mythology-of-rammellzee

"The Rammellzee universe"
https://boingboing.net/2018/05/23/the-rammellzee-universe.html

"Art Excavated From Battle Station Earth" (2012)
https://www.nytimes.com/2012/02/26/arts/design/rammellzees-work-and-reputation-re-emerge.html

http://redbullartsnewyork.com/exhibition/rammellzee-racing-thunder/press/
https://en.wikipedia.org/wiki/Rammellzee ]]]></description>
<dc:subject>rammellzee via:subtopes nyc history art music 1970s artists video basquiat afrofuturism jimjarmusch charlieahearn gothicfuturism autodidacts polymaths jean-michelbasquiat middleages illuminatedmanuscripts streetart graffiti edg costumes performance glvo autodidactism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ecb3db015263/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jimjarmusch"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:charlieahearn"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jean-michelbasquiat"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:middleages"/>
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</item>
<item rdf:about="http://www.cavesofqud.com/">
    <title>Caves of Qud</title>
    <dc:date>2018-05-17T04:15:13+00:00</dc:date>
    <link>http://www.cavesofqud.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Caves of Qud is a science fantasy RPG & roguelike epic. It’s set in a far future that’s deeply simulated, richly cultured, and rife with sentient plants.

Now in Early Access.
Full release coming to PC, Linux, Mac, iOS, and Android in 2019.

Come inhabit an exotic world and chisel through a layer cake of thousand-year-old civilizations.

Play the role of a mutant from the salt-spangled jungles of Qud, or play as a true-kin descendant from one of the few remaining eco-domes: the toxic arboreta of Ekuemekiyye, the ice-sheathed arcology of Ibul, or the crustal mortars of Yawningmoon.

Do anything you can imagine.

• Dig a tunnel anywhere in the world.
• Purchase rare books from an albino ape mayor.
• Contract a fungal infection and grow glowing mushrooms on your hands.
• Charm a goat into joining you, then give him chain mail and a shotgun to equip.
• Clone yourself, mind-control the clone, hack off your own limbs, then eat them for sustenance."

…

"Caves of Qud weaves a handwritten narrative through rich physical, social, and historical simulations. The result is a hybrid handcrafted & procedurally-generated world where you can do just about anything.

• Assemble your character from over 70 mutations and defects, and 24 castes and kits — outfit yourself with wings, two heads, quills, four arms, flaming hands, or the power to clone yourself; it’s all the character diversity you could want.

• Explore procedurally-generated regions with some familiar locations — each world is nearly 1 million maps large.

• Dig through everything — don’t like the wall blocking your way? Dig through it with a pickaxe, or eat through it with your corrosive gas mutation, or melt it to lava. Yes, every wall has a melting point.

• Hack the limbs off monsters — every monster and NPC is as fully simulated as the player. That means they have levels, skills, equipment, faction allegiances, and body parts. So if you have a mutation that lets you, say, psionically dominate a spider, you can traipse through the world as a spider, laying webs and eating things.

• Pursue allegiances with over 60 factions — apes, crabs, robots, and highly entropic beings, just to name a few.

• Follow the plot to Barathrum the Old, a sentient cave bear who leads a sect of tinkers intent on restoring technological splendor to Qud.

• Learn the lore — there’s a story in every nook, from legendary items with fabled pasts to in-game history books written by plant historians. A novel’s worth of handwritten lore is knit into a procedurally-generated history that’s unique each game.

• Die — Caves of Qud is brutally difficult and deaths are permanent. Don’t worry, though — you can always roll a new character."]]></description>
<dc:subject>games gaming via:tealtan videogames roguelike toplay 2019 android ios mac osx steam windows linux edg</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:264d52674eb5/</dc:identifier>
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</item>
<item rdf:about="http://www.seriouseats.com/the-food-lab">
    <title>The Food Lab | Serious Eats</title>
    <dc:date>2018-01-01T01:20:12+00:00</dc:date>
    <link>http://www.seriouseats.com/the-food-lab</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>food cooking glvo srg edg recipes jkenjilópez-alt</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f0920ceddd96/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jkenjilópez-alt"/>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=saa0UT-KUzQ">
    <title>The 18-year-old rapper bold enough to just be MIKE - YouTube</title>
    <dc:date>2017-10-30T03:47:09+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=saa0UT-KUzQ</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["MIKE and the sLUms crew are changing the model for internet-bred rappers.

Listen to MIKE’s music here: https://mikelikesrap.bandcamp.com/ "

[See also: 
"The 18-Year-Old Rapper Bold Enough to Just Be MIKE: MIKE and the sLUms crew are changing the model for internet-bred rappers."
https://theoutline.com/post/2420/the-18-year-old-rapper-bold-enough-to-just-be-mike

"The rapper MIKE [https://twitter.com/t6mikee ] is carving a different kind of path for himself as an internet rapper [https://mikelikesrap.bandcamp.com/music ]. While many Soundcloud [https://soundcloud.com/t6mikee ]and Youtube musicians are focused on chasing fast fame, MIKE, whose given name is Michael Jordan Bonema, says he’s more interested in creating a lasting community where he, his collective of friends (which goes by sLUms [https://soundcloud.com/wastedareas ]), and his fans can communicate and feel comfortable. After his well-received full length album from earlier this year, May God Bless Your Hustle [https://mikelikesrap.bandcamp.com/album/may-god-bless-your-hustle ], MIKE is poised to blow up and he plans to bring everyone along for the ride." ]

[More:

MIKE's YouTube channel
https://www.youtube.com/channel/UCiXfXIX2s6MKt4N2KkBdg2Q

sLUms YouTube channel
https://www.youtube.com/channel/UCVPti_6jZhRsDIi7Fhz-6wA/videos

"MIKE - 40 STOPS (PROD SIXPRESS)" (from the Outline video)
https://www.youtube.com/watch?v=mEE6VHXQy-Q

"MIKE Should Be Your New Favourite Teen Rapper"
https://noisey.vice.com/en_uk/article/j5gwjg/mike-wait-for-me-video-premiere-by-water

MIKE on Instagram
https://www.instagram.com/mikelikesrap/

MIKE's music:
https://lnk.to/MIKE-ByTheWaterEP
https://open.spotify.com/artist/1wlzPS1hSNrkriIIwLFTmU
https://itunes.apple.com/us/album/by-the-water-ep/id1275512315?app=music&ign-mpt=uo%3D4
https://soundcloud.com/t6mikee ]]]></description>
<dc:subject>music oddfuture mike edg soundcloud bandcamp thirdculturekids earlsweatshirt identity communication nyc michaeljordanbonema internet web rap ofwgkta 2017 hiphop thebenerudakgositsile</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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</item>
<item rdf:about="http://www.idoportal.com/blog/hanging">
    <title>Hanging - a basic movement pattern</title>
    <dc:date>2017-10-18T02:01:36+00:00</dc:date>
    <link>http://www.idoportal.com/blog/hanging</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via: 

"Hanging as a basic movement pattern. Could use a @sarahdoingthing anthropology of this http://www.idoportal.com/blog/hanging "
https://twitter.com/vgr/status/920449850604371968 ]]]></description>
<dc:subject>anatomy shoulders exercise fitness mobility 2014 hanging bones arms edg</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:676eff97069c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anatomy"/>
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</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://rubna.itch.io/air-mail">
    <title>air mail by rubna</title>
    <dc:date>2017-08-02T06:07:46+00:00</dc:date>
    <link>https://rubna.itch.io/air-mail</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["aerial delivery service is a hard business"]]></description>
<dc:subject>games gaming videogames edg ludumdare ludumdare39 rubna</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:64881052151a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gaming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:videogames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ludumdare"/>
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</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://sf.curbed.com/2017/7/5/15923598/sleep-bus-cabin-los-angeles-san-francisco">
    <title>‘Sleep pod’ buses between LA and SF rolling out this month - Curbed SF</title>
    <dc:date>2017-07-05T20:23:19+00:00</dc:date>
    <link>https://sf.curbed.com/2017/7/5/15923598/sleep-bus-cabin-los-angeles-san-francisco</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>srg edg sanfrancisco losangeles buses transportation 2017</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c3245ebd8554/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:srg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:losangeles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:buses"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:transportation"/>
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</item>
<item rdf:about="http://www.peerresources.org/">
    <title>Peer Resources | San Francisco</title>
    <dc:date>2017-06-12T03:40:37+00:00</dc:date>
    <link>http://www.peerresources.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Our Mission

Peer Resources creates just change in our schools and communities through the leadership of young people supporting, training, and advocating for each other.

Our Values

• Leadership opportunities for youth who do not normally get the chance to lead
• Increasing youth voice
• Peer to peer support, training and advocacy
• Just change*
• Institutional change
• Restorative practices
• Putting love in action

*We define “just change” as action toward justice; transformative resistance

Our Goals

Students are empowered as agents of change
Schools are transformed institutions"]]></description>
<dc:subject>sanfrancisco education socialjustice restorativepractices leadership change youth edg</dc:subject>
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    <title>USA Rugby Rising Webisodes - YouTube</title>
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    <title>EdData - School Profile - Mission High</title>
    <dc:date>2017-04-24T01:08:11+00:00</dc:date>
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<item rdf:about="https://onbeing.org/blog/ian-caldwell-the-good-thief/">
    <title>The Good Thief by Ian Caldwell | On Being</title>
    <dc:date>2017-04-23T18:15:14+00:00</dc:date>
    <link>https://onbeing.org/blog/ian-caldwell-the-good-thief/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I lasted two or three months on my college team before the lesson took full root: I was not the one. I stayed on the varsity squad just long enough to attend one particular team meeting, overseen by the head coach in one of the training rooms by the pool, that turned out to be a proselytizing session by a campus Christian group, Athletes in Action. At the end of it, we were asked to sign up for Bible study. We freshmen, in the spirit of compliance, agreed.

I had arrived at Princeton a confident atheist. Now, twice a week, I was visited by a former college wrestler named Brian, who came to my dorm room with Bible in hand to discuss scripture in an Evangelical framework, teasing the sense from passages in Paul and then recommending books by C.S. Lewis that would help me understand the general thrust. All of this was odious in a way I couldn’t quite put my finger on. To be mistaken for a person who would commit so deeply to something so dubious, on the basis of conversations so superficial, seemed patronizing, except that it was obviously the honest mistake of someone who happened to be such a person himself. Out of fellowship and charity, Brian was offering to me what had meant so much to him. He was capable of looking at me and seeing a younger version of himself.

This was my first taste of the loss. My demotion from student-athlete to mere student came with a great sense of abandonment. So many years, so much struggle and sacrifice: How could it now be invisible? What I had done in the swimming pool, year after year, was surely one of the most important testaments I had written about myself, and, even if it had ended, it remained a guidepost to more invisible, more abiding qualities in me. I felt angry and afraid that a fellow athlete — who must have understood what it meant to be relentless and striving, never satisfied, intent on the hard way — could think I would be persuaded by a hasty reading of a few haphazard Bible verses. I felt compelled to show him his mistake."

…

"It was my wife who decided the time had come for swimming lessons. The class at the rec center was for parents to stand in the shallow end and raise and lower their infants into the water. This was silly, but I agreed. In parenting a baby, as in training for a distance race, the sets and intervals are really just illusions. They create a tolerable reality out of what is really a long, undifferentiated test of will. Swimming classes are not for the drowning child. They are for the drowning parent."

…

"Matthew and Luke are believed to have been written around the same time, and both by the same process: weaving together the earlier Gospel of Mark with a second document that recorded Jesus’s teachings. Considering this, the differences between them seemed stark. Matthew had placed so much stress on comparing Jesus to Moses; Luke placed very little. Luke’s audience must have been Gentile, since, in addition to this lack of emphasis on Moses, Luke simplifies or has to explain his “Jewish” material, as if his readers are not familiar with it. Perhaps for this same reason, Matthew’s bitterness and frustration — the gall of abandonment felt by a Jewish Christian toward fellow Jews who refused Jesus — is much harder to find in Luke.

Instead, Luke radiates love. His theme, more than that of any other gospel, is the innate goodness of people, a subject he is able to find everywhere. Eleven of Jesus’s parables exist in no other gospel but Luke, including two of the most famous: the Good Samaritan, about the unexpected mercy of our presumed enemies; and the Prodigal Son, about a wayward young man who returns home in shame, having wasted his inheritance, only to find that his father’s love and forgiveness are bottomless. This optimism and generosity are pervasive in Luke. It is hard not to feel that, in this author, Jesus has found the ideal messenger, a man able to see past misfortunes in order to keep heartfelt faith in a radical, transformative love.

The contrast between Matthew and Luke hits hardest at the end, where Matthew’s love of Jesus, and anger at Jesus’s death, leads him to those words seemingly bereft of redemption or forgiveness: “His blood be upon us and upon our children.” Matthew does not even change the devastating final words of Jesus on the cross, as reported by the Gospel of Mark: “My God, my God, why have you forsaken me?” Rather, it is Luke who changes them. And it is in Luke’s improbable version of the crucifixion that I see Jesus most vividly: as the hero of mercy and embodiment of love; as the man intent on seeing the goodness in us even when we give him no reason.

I see, also, Luke himself: his own mercy and love, his capacity to overlook the horror Matthew could not. As Jesus dies on the cross, crucified with two thieves, Luke adds a final story found in no other gospel:

<blockquote>“Now one of the criminals hanging there reviled Jesus, saying, ‘Are you not the Messiah? Save yourself and us.’ The other, however, rebuking him, said in reply, ‘Have you no fear of God, for you are subject to the same condemnation? And indeed, we have been condemned justly, for the sentence we received corresponds to our crimes, but this man has done nothing criminal.’ Then he said, ‘Jesus, remember me when you come into your kingdom.’ Jesus replied to him, ‘Amen, I say to you, today you will be with me in Paradise.'”</blockquote>

Today I have three sons. The oldest are nine and seven. They are competitive swimmers.

At one of their practices, I recently discovered a group of adults training in the adjacent lane. So I bought a new suit and joined them. For the first time in two decades, I have a practice group.

These days I swim side by side with my boys, separated only by a lane rope. When the old feeling returns, that the pool is infinite and the lap endless, I peer through the murk of the next lane and I wait for a glimpse of them.

How hard they work for every yard. How desperately they want air but force themselves not to breathe. Every once in a while, they catch me watching. And when they do, they try to keep up. Their arms spin faster, their kicks start to beat the water white. Unconsciously, as if they have inherited this instinct, they veer over toward the lane rope between us. They draft off me.

The final words of Jesus on the cross, according to the Gospel of Luke, are: “Father, into your hands I commit my spirit.” I push forward. Stroke on stroke, I try to part the water."]]></description>
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<item rdf:about="https://www.nytimes.com/2017/04/04/opinion/check-this-box-if-youre-a-good-person.html?_r=0">
    <title>Check This Box if You’re a Good Person - The New York Times</title>
    <dc:date>2017-04-09T19:19:09+00:00</dc:date>
    <link>https://www.nytimes.com/2017/04/04/opinion/check-this-box-if-youre-a-good-person.html?_r=0</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["HANOVER, N.H. — When I give college information sessions at high schools, I’m used to being swarmed by students. Usually, as soon as my lecture ends, they run up to hand me their résumés, fighting for my attention so that they can tell me about their internships or summer science programs.

But last spring, after I spoke at a New Jersey public school, I ran into an entirely different kind of student.

When the bell rang, I stuffed my leftover pamphlets into a bag and began to navigate the human tsunami that is a high school hallway at lunchtime.

Just before I reached the parking lot, someone tapped me on the shoulder.

“Excuse me, ma’am,” a student said, smiling through a set of braces. “You dropped a granola bar on the floor in the cafeteria. I chased you down since I thought you’d want your snack.” Before I could even thank him, he handed me the bar and dissolved into the sea of teenagers.

Working in undergraduate admissions at Dartmouth College has introduced me to many talented young people. I used to be the director of international admissions and am now working part time after having a baby. Every year I’d read over 2,000 college applications from students all over the world. The applicants are always intellectually curious and talented. They climb mountains, head extracurricular clubs and develop new technologies. They’re the next generation’s leaders. Their accomplishments stack up quickly.

The problem is that in a deluge of promising candidates, many remarkable students become indistinguishable from one another, at least on paper. It is incredibly difficult to choose whom to admit. Yet in the chaos of SAT scores, extracurriculars and recommendations, one quality is always irresistible in a candidate: kindness. It’s a trait that would be hard to pinpoint on applications even if colleges asked the right questions. Every so often, though, it can’t help shining through.

The most surprising indication of kindness I’ve ever come across in my admissions career came from a student who went to a large public school in New England. He was clearly bright, as evidenced by his class rank and teachers’ praise. He had a supportive recommendation from his college counselor and an impressive list of extracurriculars. Even with these qualifications, he might not have stood out. But one letter of recommendation caught my eye. It was from a school custodian.

Letters of recommendation are typically superfluous, written by people who the applicant thinks will impress a school. We regularly receive letters from former presidents, celebrities, trustee relatives and Olympic athletes. But they generally fail to provide us with another angle on who the student is, or could be as a member of our community.

This letter was different.

The custodian wrote that he was compelled to support this student’s candidacy because of his thoughtfulness. This young man was the only person in the school who knew the names of every member of the janitorial staff. He turned off lights in empty rooms, consistently thanked the hallway monitor each morning and tidied up after his peers even if nobody was watching. This student, the custodian wrote, had a refreshing respect for every person at the school, regardless of position, popularity or clout.

Over 15 years and 30,000 applications in my admissions career, I had never seen a recommendation from a school custodian. It gave us a window onto a student’s life in the moments when nothing “counted.” That student was admitted by unanimous vote of the admissions committee.

There are so many talented applicants and precious few spots. We know how painful this must be for students. As someone who was rejected by the school where I ended up as a director of admissions, I know firsthand how devastating the words “we regret to inform you” can be.

Until admissions committees figure out a way to effectively recognize the genuine but intangible personal qualities of applicants, we must rely on little things to make the difference. Sometimes an inappropriate email address is more telling than a personal essay. The way a student acts toward his parents on a campus tour can mean as much as a standardized test score. And, as I learned from that custodian, a sincere character evaluation from someone unexpected will mean more to us than any boilerplate recommendation from a former president or famous golfer.

Next year there might be a flood of custodian recommendations thanks to this essay. But if it means students will start paying as much attention to the people who clean their classrooms as they do to their principals and teachers, I’m happy to help start that trend.

Colleges should foster the growth of individuals who show promise not just in leadership and academics, but also in generosity of spirit. Since becoming a mom, I’ve also been looking at applications differently. I can’t help anticipating my son’s own dive into the college admissions frenzy 17 years from now.

Whether or not he even decides to go to college when the time is right, I want him to resemble a person thoughtful enough to return a granola bar, and gracious enough to respect every person in his community."]]></description>
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    <title>Not Leadership Material? Good. The World Needs Followers. - The New York Times</title>
    <dc:date>2017-04-09T19:17:08+00:00</dc:date>
    <link>https://www.nytimes.com/2017/03/24/opinion/sunday/not-leadership-material-good-the-world-needs-followers.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The glorification of leadership skills, especially in college admissions, has emptied leadership of its meaning."

…

"In 1934, a young woman named Sara Pollard applied to Vassar College. In those days, parents were asked to fill out a questionnaire, and Sara’s father described her, truthfully, as “more a follower type than a leader.”

The school accepted Sara, explaining that it had enough leaders.

It’s hard to imagine this happening today. No father in his right mind (if the admissions office happened to ask him!) would admit that his child was a natural follower; few colleges would welcome one with open arms. Today we prize leadership skills above all, and nowhere more than in college admissions. As Penny Bach Evins, the head of St. Paul’s School for Girls, an independent school in Maryland, told me, “It seems as if higher ed is looking for alphas, but the doers and thinkers in our schools are not always in front leading.”

Harvard’s application informs students that its mission is “to educate our students to be citizens and citizen-leaders for society.” Yale’s website advises applicants that it seeks “the leaders of their generation”; on Princeton’s site, “leadership activities” are first among equals on a list of characteristics for would-be students to showcase. Even Wesleyan, known for its artistic culture, was found by one study to evaluate applicants based on leadership potential.

If college admissions offices show us whom and what we value, then we seem to think that the ideal society is composed of Type A’s. This is perhaps unsurprising, even if these examples come from highly competitive institutions. It’s part of the American DNA to celebrate those who rise above the crowd. And in recent decades, the meteoric path to leadership of youthful garage- and dorm-dwellers, from Steve Jobs to Mark Zuckerberg, has made king of the hill status seem possible for every 19-year-old. So now we have high school students vying to be president of as many clubs as they can. It’s no longer enough to be a member of the student council; now you have to run the school.

Yet a well-functioning student body — not to mention polity — also needs followers. It needs team players. And it needs those who go their own way.

It needs leaders who are called to service rather than to status.

Admissions officers will tell you that their quest for tomorrow’s leaders is based on a desire for positive impact, to make the world a better place. I think they mean what they say.

But many students I’ve spoken with read “leadership skills” as a code for authority and dominance and define leaders as those who “can order other people around.” And according to one prominent Ivy League professor, those students aren’t wrong; leadership, as defined by the admissions process, too often “seems to be restricted to political or business power.” She says admissions officers fail to define leadership as “making advances in solving mathematical problems” or “being the best poet of the century.”

Whatever the colleges’ intentions, the pressure to lead now defines and constricts our children’s adolescence. One young woman told me about her childhood as a happy and enthusiastic reader, student and cellist — until freshman year of high school, when “college applications loomed on the horizon, and suddenly, my every activity was held up against the holy grail of ‘leadership,’ ” she recalled. “And everyone knew,” she added, “that it was not the smart people, not the creative people, not the thoughtful people or decent human beings that scored the application letters and the scholarships, but the leaders. It seemed no activity or accomplishment meant squat unless it was somehow connected to leadership.”

This young woman tried to overhaul her personality so she would be selected for a prestigious leadership role as a “freshman mentor.” She made the cut, but was later kicked out of the program because she wasn’t outgoing enough. At the time, she was devastated. But it turned out that she’d been set free to discover her true calling, science. She started working after school with her genetics teacher, another behind-the-scenes soul. She published her first scientific paper when she was 18, and won the highest scholarship her university has to offer, majoring in biomedical engineering and cello.

Our elite schools overemphasize leadership partly because they’re preparing students for the corporate world, and they assume that this is what businesses need. But a discipline in organizational psychology, called “followership,” is gaining in popularity. Robert Kelley, a professor of management and organizational behavior, defined the term in a 1988 Harvard Business Review article, in which he listed the qualities of a good follower, including being committed to “a purpose, principle or person outside themselves” and being “courageous, honest and credible.” It’s an idea that the military has long taught.

Recently, other business thinkers have taken up this mantle. Some focus on the “romance of leadership” theory, which causes us to inaccurately attribute all of an organization’s success and failure to its leader, ignoring its legions of followers. Adam Grant, who has written several books on what drives people to succeed, says that the most frequent question he gets from readers is how to contribute when they’re not in charge but have a suggestion and want to be heard. “These are not questions asked by leaders,” he told me. “They’re fundamental questions of followership.”

Team players are also crucial. My sons are avid soccer players, so I spend a lot of time watching the “beautiful game.” The thing that makes it beautiful is not leadership, though an excellent coach is essential. Nor is it the swoosh of the ball in the goal, though winning is noisily celebrated. It is instead the intricate ballet of patterns and passes, of each player anticipating the other’s strengths and needs, each shining for the brief instant that he has the ball before passing it to a teammate or losing it to an opponent.

We also rely as a society, much more deeply than we realize, on the soloists who forge their own paths. We see those figures in all kinds of pursuits: in the sciences; in sports like tennis, track and figure skating; and in the arts. Art and science are about many things that make life worth living, but they are not, at their core, about leadership. Helen Vendler, a professor of English at Harvard, published an essay in which she encouraged the university to attract more artists and not expect them “to become leaders.” Some of those students will become leaders in the arts, she wrote — conducting an orchestra, working to reinstate the arts in schools — “but one can’t quite picture Baudelaire pursuing public service.”

Perhaps the biggest disservice done by the outsize glorification of “leadership skills” is to the practice of leadership itself — it hollows it out, it empties it of meaning. It attracts those who are motivated by the spotlight rather than by the ideas and people they serve. It teaches students to be a leader for the sake of being in charge, rather than in the name of a cause or idea they care about deeply. The difference between the two states of mind is profound. The latter belongs to transformative leaders like the Rev. Dr. Martin Luther King Jr. and Gandhi; the former to — well, we’ve all seen examples of this kind of leadership lately.

If this seems idealistic, consider the status quo: students jockeying for leadership positions as résumé padders. “They all want to be president of 50 clubs,” a faculty adviser at a New Jersey school told me. “They don’t even know what they’re running for.”

It doesn’t have to be this way.

What if we said to college applicants that the qualities we’re looking for are not leadership skills, but excellence, passion and a desire to contribute beyond the self? This framework would encompass exceptional team captains and class presidents. But it wouldn’t make leadership the be-all and end-all.

What if we said to our would-be leaders, “Take this role only if you care desperately about the issue at hand”?

And what if we were honest with ourselves about what we value? If we’re looking for the students and citizens most likely to attain wealth and power, let’s admit it. Then we can have a frank debate about whether that is a good idea.

But if instead we seek a society of caring, creative and committed people, and leaders who feel called to service rather than to stature, then we need to do a better job of making that clear."]]></description>
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