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recent bookmarks from robertogrecoConservation Conversation: Design Legacies—Eames and Achille Castiglioni2024-03-02T00:16:40+00:00
https://www.eamesinstitute.org/kazam-magazine/achille-castiglioni/
robertogrecoeames rayeames charleseames achillecastiglioni archives jonasfogh klauslangelund giovannacastiglioni llisademetrios curation 2023 eamesinstitute achillecastiglionifoundation conservationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:e6e40bfc8a0d/A Conversation with Lee Mingwei - YouTube2024-02-17T22:17:26+00:00
https://www.youtube.com/watch?v=QSV1t6ZiG5c
robertogrecoleemingwei 2024 art care repair ritual mending letterwriting claudiaschmuckli process guernica sanfrancisco sand participatory participatoryart deyoung curation giftgiving edwardhicks copying attention taiwan cca chelsearyokowong emilyfromm emiliovillaba minnesotastreetproject performance installation slow monasteries slowness everyday gestures grace senses allthesenseshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:7a5cc65e1ef4/Opinion | How to Discover Your Own Taste - The New York Times2024-01-19T16:29:19+00:00
https://www.nytimes.com/2024/01/09/opinion/ezra-klein-podcast-kyle-chayka.html
robertogrecokylechayka ezraklein 2024 taste algorithms internet corydoctorow enshittification spotify sameness feeds online howweread reading film music brianeno harukimurakami books aesthetics selfhood self individuality annalowenhaupttsing annatsing lawrenceweschler robertirwin junichirotanizaki international coffeshops design art discovery exploration ambient mobydick slow curating curation sharing culture web data chatcpt criticism platforms monetization recommendationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:ccc226e7b357/We’re Alive, Pablo Is Dead - Momus2023-08-28T07:39:33+00:00
https://momus.ca/were-alive-pablo-is-dead/
robertogrecoelisabethnicula 2023 pablopicasso curation art arthistory picassohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:8ef07ea0e0e4/Shari Frilot - “Sundance and New Frontier 2021” AD 190 - YouTube2022-06-08T23:25:24+00:00
https://www.youtube.com/watch?v=e0zFclaxA1A
robertogrecosharifrilot 2021 interviews collectiveconsciousness newfrontier sundance communities community ove visualization art film newmedia transdisciplinary interdisciplinary multidisciplinary filmmaking culture neuroplasticity curation presentation performance humanity inclusivity connectedness clarity vision paradigmshifts covid-19 pandemic coronavirus biodigital digital storytelling bodieshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:141aaf373e7d/The storytelling power of virtual reality with Shari Frilot – accutron2022-06-08T21:52:48+00:00
https://www.accutronwatch.com/blogs/podcast/the-storytelling-power-of-virtual-reality-with-shari-frilot
robertogrecosharifrilot film virtualreality dance theater creativity 2022 interviews vr technology art values filmmaking sundance facebook metaverse markzuckerberg billmccuddy davidgraver documentary animation newfrontier empathy immersive curation media newmedia storytelling bodieshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:3dfe531ac062/184. Beatrice Galilee | Scratching the Surface2021-04-22T22:10:04+00:00
https://scratchingthesurface.fm/184-beatrice-galilee
robertogrecobeatricegalilee 2021 architecture curation events jarrettfuller design themethttps://pinboard.in/https://pinboard.in/u:robertogreco/b:187179408ef9/Opinion | A Better Internet Is Waiting for Us - The New York Times2019-12-02T04:14:37+00:00
https://www.nytimes.com/interactive/2019/11/30/opinion/social-media-future.html
robertogrecoannaleenewitz internet web online future publicspace facebook twitter blacktwitter algorithms publicgood socialmedia socialnetworking facetoface f2f truth communication abuse information misinformation democracy media slow dialogue erikahall mikkikendall bias safety digital community communities consent context curation shafiqahhidson anonymity trolls trolling fakes yourslipisshowing publicsphere relationships publiclife privacy johnscalzi technology unintendedconsequences siliconvalley cmabridgeanalytica 2019https://pinboard.in/https://pinboard.in/u:robertogreco/b:ba690cd62eae/Are.na / Arrangement Collage2019-02-20T22:20:05+00:00
https://www.are.na/block/736425
robertogreco[An image reproduction] becomes itself the reference point for other images. The meaning of an image is changed according to what one sees immediately beside it or what comes immediately after it. (Ways Of Seeing)
Marius Watz, in a response on the New Aesthetic, writes on tumblr image culture: “Its art is juxtaposition: If we put this next to that and this other thing, surely a new understanding will emerge.” To be fair, there are uncountably many combinations that may be devoid of meaning—all I mean to point out is that a diptych is a third object, beyond the original two, with the possibility of value. Some find artistic practice in the form of a relentless stream of rectangles. People go nuts over releases of image dumps from Moodmail and JJJJound, and the Lost Image Desk is making professional practice of it.
(A scan of contemporary sculpture demonstrates that selection and arrangement of objects—often found or folk objects—is an ongoing trend. The viewer is trusted with finding meaning in the arrangement, selection, formal qualities, cultural context, and more in a relational tradition.)
HTML is perfectly built for image adjacency—a blank and infinite canvas, empowered by right-click “Copy Image Address.” Our expansive tumblrs and pinterest boards act as collected and performed narratives, collages of found digital media.
[Traditional] collages, […] were probably laid out carefully, aided by facsimiles, white-out, and tape, existed alongside the book, rather than being subsumed or created through the process of publishing and distribution, as is often the case with internet ‘collage’. Computers conceal distance; their collage move consists of juxtaposing elements that might be stored hundreds or thousands of miles apart, giving an illusion of spatial continuity. (Seth Price, Teen Image)
Traditional art collage used the intrigue and power in composing elements pulled from diverse sources. Meaning constructed by selection, editing, and combination. The HTML collage, however, is copy-pasted. What is the HTML-native collage?
I call it the “Arrangement Collage”—rectangular, transcontextual compositions of, ostensibly, found media. The arrangement collage does less work for the viewer than traditional collage: elements are kept fully intact rather than trimmed for blended. The composition often mitigates interaction between elements and instead celebrates raw adjacency.
When the historical avant-garde used valorized cultural objects such as the Mona Lisa or a violin, it profaned, overpowered, and destroyed them before going on to aestheticize them. In contrast, contemporary art uses mass-cultural things virtually intact. (Boris Groys, On The New)
The arrangement collage, while easy to construct in print, is truly native to the web, in which all objects are, by default, level rectangles, context-switching is the norm, and media to compose with is bountiful.
Our feeds, plentiful in the digital landscape, help populate the arrangement collage. Tumblr, ostensibly a micro-blogging site, is largely used for image collection; FFFFound is legendary for its contextless stream of collected imagery (and as birthing the name for JJJJound, when Justin Saunders couldn’t get an account); and Buzzfeed publishes “articles” that are frankly just stacks of image macros. A proliferation of mindless image consumption concerns Bob Gill.
There’s nothing original. ‘The Culture’ is the great mass of images and ideas which bombard us every day, and therefore shape the way we think visually. Only by recognising The Culture’s presence and its power, can designers move away from the clichés it promotes.
Irrefutably, the images we consume affect how we think, and what we can imagine. Gill’s words should be considered, and the internet-native should stay aware of “the clichés” promoted. Gill encourages “first-hand” research, but this points at a cultural gap—there is no line between reality and the internet; “first-hand” research takes place on the social web. In-person discussion and close examination of physical objects can be romanticized, but it should not detract from the fact that meaningful discussion and critical consumption can happen in a digital landscape as well.
Of deeper concern is the stripping of value from imagery in overabundance. Edition MK’s 2010 DDDDoomed (the name, I assume, another reference to FFFFound) gets at the kernel of this problem: Image Aggregators (“IAs”—such as JJJJound and other blogs), which typically present images contextless alongside hundreds of others, can strip imagery of its power. IAs do work that is weaker, semiotically, than traditional collage, and less organized than archiving (which is often a process of attaching or generating metadata, whereas IAs frequently remove it). Images that find political power within a context are reduced to purely aesthetic objects in the stream. If you are a tumblr fiend, this very likely rings true: the multitude of streams filled with gorgeous scenery, motivational quotes, and supermodel women quickly reduce this imagery to banality and objectification.
We [distance ourselves] from our critical faculties as we slide into models of passive spectatorship that reinforce our passivity by promoting a one-way mode of cultural consumption. […] Continuous over-stimulation leads to desensitisation. (Peter Buwert, “Defamiliarization, Brecht and Criticality in Graphic Design” in Modes of Criticism 2: Critique of Method)
The arrangement collage might serve as a tool in this battle against desensitization. In Buwert’s essay, referenced above, he describes how Brecht’s famous defamiliarization of the theater encouraged “a condition of active critical spectatorship within the audience.” DDDDoomed is lamenting the supposed death of this critical spectator, replaced with the numb and passive viewer. Buwert is less concerned with context/lessness than Edition MK, and instead focuses on familiarity.
There are valiant efforts towards an inclusion of context and metadata with online imagery, but it is not built into the structure of the internet. Flickr and twitter use image covers to dissuade copy-pasting (circumnavigable by screen-shotting) and Mediachain attempts to inextricably tie media to metadata using blockchain methods. As of writing, however, the JPG is not going anywhere, and the ease of downloading and re-uploading an image far surpasses digging to find its source. Entropy is not on our side, and Google’s reverse image search will never be quite fast or comprehensive enough to keep up.
Walter Benjamin might lament the loss of contextual sensitivity, as it comes intertwined with a loss of “aura.” The authenticity that drives Benjamin’s aura is dependent on the idea of an original—which, in internet ecosystems, simply isn’t a relevant concept, as the original and reproduction can be identical both in themselves and conceivably in context. The arrangement collage can construct an internal aura and context regardless of future reproduction or repurposing, where the included images serve as referents to the others—even if the metadata of the .JPG is long gone. I believe the battle for context inclusion has been lost, but efforts to stimulate the viewer’s sense of familiarity can still bear fruit.
A critical spectator is an active spectator, firstly, and the barrier to entry for participating in digital image culture lowers by the day. If construction of streams—enabled by sites like tumblr—seems too passive, I think construction of collage engages the composer at a more intentional level. Easy-to-use platforms such as to.be, newhive, and AMB-1 indicate desire for arrangement collage composition tools. The critical spectator does not necessarily have to create collage, however: it is the job of thoughtful, critical collagists to construct collages “out of a messy array of found fragments” that shake a sense of familiarity amongst our banal streams.
When the means of production for collage are accessible to the viewer, “these narratives are encountered as just one way of viewing [the media], and the constructed and interpreted nature of reality is exposed” (Buwert in Modes of Criticism 2). With extremely low-barrier-to-entry tools, any collage that catches the viewers notice can be considered an opportunity to remix further. Even just the consideration of how a collage was collected prompts questions that create the critical spectator. The source of the images may be lost, but the ability for them to be reconsidered and repurposed again is further engaged. The arrangement collage, along with simple tools for their creation, can be celebrated and pushed as a tool for enabling creators and stirring image consumers out of their typical feeds, a jolt out of Gill’s “culture.”
The arrangement collage can be in HTML proper or a common image file. If in HTML, it is simple to fragment a collage into individual images and text, and as an image, Windows Paint, Preview.app, and the aforementioned online services make decomposition trivial. The collages themselves thus become part of the churn of images on the internet, as can their components—all of it folded back into the image ecosystem, and the remix-curation loop comes full circle. It’s as close as we’ll come to dust-to-dust in digital objects.
The arrangement collage is an internet-native and relatively democratized tool for people to weave personal narrative through a volume of imagery. As we wade through monotonous, contextless image collections, articulations of taste and statement might become harder to uncover. These discrete paintings are built for the web, and when approached seriously, can empower makers to inspire a critical spectator.
(mid-sept 2016)"]]>2016 frankchimero arrangementcollage web online feeds juxtaposition canon curation collections tumblr html webdev form imagery images webnative decomposition composition peterbuwert aggregation ffffound justinsaunders bobgill sethprice moodmail lostimagedesk waysofseeing johnberger dom xml xhtml marshallmcluhan lukaswinklerprinshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:151c46a78d1a/Tarsila do Amaral: Translating Modernism in Brazil - Words Without Borders2019-01-27T20:33:31+00:00
https://www.wordswithoutborders.org/dispatches/article/tarsila-do-amaral-translating-modernism-in-brazil-elisa-wouk-almino
robertogrecotarsiladoamaral translation brazil brasil modernism art curation 2018 elisaoukalmino srghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:7d44428b93fd/Jacob Sam-La Rose en Instagram: “Decluttering. These are the keepers. I harbour a fantasy of my future kids being fascinated with these in the same way I raided my mother’s…”2018-08-10T00:07:29+00:00
https://www.instagram.com/p/BmL784CHIlP/
robertogrecojacobsam-larose 2018 decluttering memory space sound music collections senses mariekondo taste smell sounds place finite curation tangible tactile analog digital books childhood memorieshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:30d08965ec73/Paper Road, by Nicole Lavelle2018-08-08T20:15:54+00:00
http://www.nicolelavelle.com/paper-road/
robertogreconicolelavelle books place lagunitas archives rickprelinger bibliographies indices culture classideas projectideas lcproject openstudioproject experience california collections curation research storytelling identity 2016 2017https://pinboard.in/https://pinboard.in/u:robertogreco/b:e43407344f26/.freethought2018-07-28T01:33:57+00:00
http://freethought-collective.org/
robertogrecostefanoharney adrianheathfield massimilianomollona louismoreno iritrogoff norastenfeld interdisciplinary transdisciplinary infrastructure capitalism decolonization colonialism ecology finance administration labor communication hospitality anthropology urban urbanism curation educationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:3f9c0da2d60c/Morioka Shoten Pictures and Photos | Getty Images2018-07-25T04:19:21+00:00
https://www.gettyimages.in/photos/morioka-shoten?mediatype=photography&phrase=morioka%20shoten&sort=mostpopular
robertogrecomoriokashoten bookshops bookstores booksellers japan tokyo ginza design interiors retail lcproject openstudioproject books publishing noticings 2015 yoshiyukimorioka curation decisionmaking minimalism audiencesofonehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:981dd63e384d/The Creative Independent2018-02-19T05:39:18+00:00
https://thecreativeindependent.com/
robertogrecoadvice howto creativity webdesign interviews writing art artists writers filmmaking curation curating film video fiction nonfictionhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:a91a2bd203e7/Machine Project2018-01-26T05:55:37+00:00
http://machineproject.com/publications/
robertogrecomachineproject via:ablerism curation lcproject openstudioproject workshops howto tutorials eventshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:1937cf8946c8/Museums should activate multiple senses, not just the eyeball | Ellen Lupton | TEDxMidAtlantic - YouTube2018-01-22T01:18:16+00:00
https://www.youtube.com/watch?v=m1-r7CR6FsI
robertogrecoellenlupton museums senses multisensory curation 2017 seeing sensing smell touch audio taste classideas accessibility inclusivity inclusion texture food light sound music acoustics architecture ranzheng haptics deafness tactile design vibeat lirongino michellequreshi cooper-hewitthttps://pinboard.in/https://pinboard.in/u:robertogreco/b:8078bbf9adb8/The Rib2017-12-23T19:56:43+00:00
http://the-rib.net/
robertogreco Managing Editor
Leah Triplett Harrington > Editor
Lindsey Stapleton > Creative Director
We are interested in hearing from anyone and everyone. Please send a note to rib@the_rib.net with any thoughts you have. To submit work, writing or a concept to us, please go to our submissions page."]]>art cities small coreyoberlander leahtriplettharrington lindseystapleton museums curation ushttps://pinboard.in/https://pinboard.in/u:robertogreco/b:4beb6c98a1e1/Fantasies of the Library | The MIT Press2016-11-06T02:18:49+00:00
https://mitpress.mit.edu/books/fantasies-library
robertogrecobooks toread libraries future bookfuturism anna-sophiespringer etienneturpin erinkissane hammadnasar meganshawprelinger rickprelinger charlesstankievech katharinatauer andrewnormanwilson joannazylinska print prelingerlibrary curation opensource ebooks kaderatta wafaabilal markdion rodneygraham katiepaterson veronikaspierenburg 2016https://pinboard.in/https://pinboard.in/u:robertogreco/b:ea51ab198b5d/Colpa | Colpa2016-06-30T06:21:59+00:00
http://www.colpapress.com/collections/frontpage
robertogrecoart books artbooks sanfrancisco lucaantonucci davidkasprzak publishing design printing curation carissapotter colpa artistsbookshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:63509c487458/No. 225: Helen Molesworth, Jennifer Raab | The Modern Art Notes Podcast2016-04-20T05:32:07+00:00
https://manpodcast.com/portfolio/no-225-helen-molesworth-jennifer-raab/
robertogrecohelenmolesworth jenniferraab leapbeforeyoulook bmc blackmountaincollege 2016 art curation history education artseducation liberalarts diversity highered highereducation progressive progressiveeducation learning howwelearn pedagogy teaching howeteach inquiry modernism postmodernism form process materials via:jarrettfuller interdisciplinary interdisciplinarity collaboration disciplines ruthasawa mercecunningham josefalbers theastergates rebuildfoundation lowresidencymfas bardcollege oberlincollege vermontcollege bhqfu noahdavis undergroundmuseum mountainschoolofarts andreazittel greggbordowitz artinstituteofchicagohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:77c85398fce8/The Garden and the Stream: A Technopastoral | Hapgood2016-04-13T06:41:18+00:00
https://hapgood.us/2015/10/17/the-garden-and-the-stream-a-technopastoral/
robertogrecomikecaufield federatedwiki web hypertext oer education edtech technology learning vannevarbush katebowles davecormier wikipedia memex dynabook davidwiley textbooks streams gardens internet cv curation online open dlrn2015 canon wikis markbernstein networks collaboration narrative serialization context tumblr facebook twitter pinboard instagram blogs blogging networkedknowledge google search github wardcunningham mikhailbakhtin ethics bookmarks bookmarkinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:26150e23d9ce/Random Institute2016-04-10T19:00:06+00:00
http://randominstitute.org/
robertogrecoart bureaucracy openstudioproject lcproject rules curation imagination sandinoscheidegger lucamüller exhibitions distributed glvo publishing sfshhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:cf4299267282/Chat with Gardner Campbell - YouTube2015-09-23T04:39:02+00:00
https://www.youtube.com/watch?v=5_FqHfTXh8A
robertogrecohillbrookschool education 2015 juliarubin learning jeromebruner alankay christaflores autoethnography narration curation sharing howwelearn networks jonudell highered highereducation blogging webpublishing culture self-discovery rhizomaticlearning spiraling reggioemilia carlrogers adelegoldberg socialreciprocity anthropology spirallearning community communities hypertext hyperlinks paulsilviapsychology metacognition engagement self-surprise edtech tednelson sherryturkle gregorybateson structure shareddiscovery elation tagging twitter interest interestedness teaching pedagogy howweteach scaffolding johnmilton paradiselost compliance mimicry temptation stipulation stimulation association messiness understanding writing connectivism email recursion gardnercampbell interestedhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:ec1a0ea71f09/Tokyo Bookstore Only Stocks One Title at a Time2015-09-15T03:35:16+00:00
http://www.psfk.com/2015/09/tokyo-bookstore-morioka-shoten-ginza-tokyo.html
robertogrecobooks bookstores booksellers publishing retail noticings 2015 yoshiyukimorioka moriokashoten curation tokyo japan ginza decisionmaking minimalism audiencesofonehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:3eeb1d73121f/Visitor figures 2014: what do we want? Immersive installations by unfamiliar artists - The Art Newspaper2015-04-02T22:23:14+00:00
http://www.theartnewspaper.com/articles/Visitor-figures--what-do-we-want-Immersive-installations-by-unfamiliar-artists-/37404
robertogrecomuseums art artmuseums 2015 juliahalperin nilkanthpatel gender exhibitions diversity location curationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:4f6de31f33fd/Museum of Contemporary Art Detroit2015-01-01T19:19:15+00:00
http://mocadetroit.org/learning/youthprograms.html
robertogrecomocad detroit art museums museumeducation curation curating teens youthhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:8826cda8a99e/Alexandra Lange on the problems with the museums experience2014-12-31T01:12:07+00:00
http://www.dezeen.com/2014/03/27/alexandra-lange-opinion-museums-experience/
robertogrecomuseums museumeducation education art experience 2014 alexandralange exploration curating curation showing telling exposing exposition exhibitiondesign design exhibits exhibitions guides wandering time space attention learning howwelearn informal informality artifactshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:702e169f9f90/Opinion: Alexandra Lange on how architects should use social media2014-12-31T01:07:58+00:00
http://www.dezeen.com/2014/01/07/opinion-alexandra-lange-on-how-architects-should-use-social-media/
robertogreco2014 instagram alexandralange process iwanbaan bjarkeingels socialmedia howto curating curation design architecture architects context communication sharing conversation criticism critique interpretation dialog history juliamorgan philipjohnson twitter #daydetroit #folkmoma archives tumblr glasshousehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:e21c96dbb97e/What's a Curator? | The Art Assignment | PBS Digital Studios - YouTube2014-12-11T23:50:59+00:00
https://www.youtube.com/watch?v=GMZVUtUhNwo
robertogrecocurating curation via:anterobot art museums 2014 curatorshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:07090363b958/Hans Ulrich Obrist, the Champion of Art Consumption2014-12-02T22:57:06+00:00
http://artfcity.com/2014/12/02/hans-ulrich-obrist-the-champion-of-art-consumption/
robertogrecoThe story of how he discovered Instagram is typical. During a breakfast in 2012 with Ryan Trecartin, the video artist downloaded the app onto Obrist’s phone (without asking). Next, Trecartin posted to his Instagram followers that H.U.O. had signed up. Obrist was curious, but he wondered what to do with the new tool. Inspiration was sparked by other well-known friends. On a visit to Normandy, he went for a walk with Etel Adnan, the Lebanese artist. During a rainstorm, they stopped at a café, and she wrote him a poem, by hand. This made Obrist remember Umberto Eco’s comments on how handwriting was vanishing; he also thought of marvellous faxes he had received, all handwritten, from J. G. Ballard, when he interviewed him, in 2003. Adnan’s handwritten poem became one of Obrist’s first Instagram posts. Soon afterward, he remembered that another friend, the artist Joseph Grigely, who is deaf, uses Post-It notes to communicate; they are often incorporated into his art. H.U.O. began asking dozens of artists to write something on a Post-It.
The rest of is basically more of this, in a nutshell, what capitalism looks like in curating: move as much product as possible, while reenforcing the quality with a sprinkling of references to somebody else who had an idea.
The piece also mentions a couple of personal facts, few of which are news if you’ve been reading the dozens of interviews over the years:
• He sleeps four hours a night.
• He maintains an apartment to house 10,000 books.
• He liberally uses the word Gesamtkunstwerk.
• He feels we ought to “create a continuum with history”.
• His official nickname is H.U.O.
• He’s been described as “off-putting”. The Guardian’s Adrian Searle has called his curating style “deeply irritating” (no further explanation mentioned).
• He congratulates everybody on everything. (To John Baldessari: “Congratulations…None of this work was here six months ago!”)
• H.U.O. references a total of 32 names in the piece.
Obrist is to the arts, what Zoolander’s Hansel is to modelling.
In the words of Hansel:
Sting is a hero. The music he’s created over the years, I don’t really listen to it, but the fact that he’s making it, I respect that."
]]>handulrichobrist capitalism art mone markets consumption artconsumption 2014 curationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:a6b138433efe/Art and Archive | The Evergreen State College2014-09-30T21:42:44+00:00
http://www.evergreen.edu/catalog/2015-16/programs/artandarchive-12543
robertogrecoart arthistory history mediaarts visualarts writing juliazay evergreenstatecollege coursedescriptions programdescriptions 2014 archives museums museumstudies libraries curationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:d6a9d5b796ca/Can Algorithms Replace Your English Professor? — Who’s Afraid of Online Education? — Medium2014-08-22T07:15:48+00:00
https://medium.com/whos-afraid-of-online-education/can-algorithms-replace-your-english-professor-7eb922477665
robertogrecoadelinekoh 2014 algorithms facebook twitter education curation curators gatekeepers tastemakers trendsetters mooc moocs tastemaking experts authority authorities humanism humanities power control academia highereducation highered feeds filtershttps://pinboard.in/https://pinboard.in/u:robertogreco/b:471a6305c785/ICA’s Excursus: Interview with Alex Klein and Mark Owens — The Gradient — Walker Art Center2014-08-07T03:22:08+00:00
http://blogs.walkerart.org/design/2014/08/05/icas-excursus-interview-with-the-alex-klein-and-mark-owens/
robertogrecoalexklein oogabooga referencelibrary andybeach walkerartcenter 2014 excursus ica design publishing books art artbooks artistsbooks curation interviews primaryinformation eastofborneo markowens commonpress othermeans museums events residencies onlineresidencies discursivespace authorshiphttps://pinboard.in/https://pinboard.in/u:robertogreco/b:404cc114d66e/#captureParklandia: A Dive into Social Media & Place-Based Digital Engagement | Art Museum Teaching2014-07-30T18:30:15+00:00
http://artmuseumteaching.com/2014/07/29/captureparklandia/
robertogrecoportland oregon art education arteducation museums mikemurawski krisinbayans socialmedia participatory parklandia captureparklandia parks engagement audienceparticipation 2014 judithdobrzynski instagram hashtags curationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:1dc720a278c6/Mark Allen Artist Lecture on Vimeo2014-07-10T04:54:12+00:00
https://vimeo.com/79830872
robertogrecomarkallen collaboration participatoryart 2013 poetry art lcproject openstudioproject capitalism machineproject events learning education museums howwelearn arts audience process howwework experimentation gender curiosity identity titles ambiguity adaptability makerspaces hackerspaces community communitycenters collectives horizontality organizations flexibility accessibility humor riskaversion risk institutions failure risktaking curationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c1fa0e34afc1/Mapping a Museum’s Collection with Memory2014-05-29T22:58:14+00:00
http://hyperallergic.com/128302/mapping-a-museums-collection-with-memory/
robertogrecomuseusm curation maps mapping memory art 2014 benvalentine amandahughen jenniferstarkweather jayxu drawing exhibitions exhibitiondesign exploration Re:depiction perceptionhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:4dfd26f20992/Eye Magazine | Blog | An end to the curatocracy?2014-05-28T22:52:23+00:00
http://www.eyemagazine.com/blog/post/an-end-to-the-curatocracy
robertogrecomuseums curation narrative chaos design experience 2014 nickbell objects retail donnaloveday tonybennett marioschulze museumofthings andreasmurkdis hermankossmann paulsmithhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:cd46562612a3/this is tomorrow - A Small Hiccup2013-08-10T01:22:24+00:00
http://www.thisistomorrow.info/viewArticle.aspx?artId=1891&Title=A%20Small%20Hiccup
robertogreconewspaperclub jeremyhutchison leahlovett faynicolson oliversmith siônparkinson ericascourti simonsenn hollypester charliewoolley georgevasey art exhibitions communication language text neologisms deathoflanguage anendlesssupply elasticity newmedia glvo projectideas tumblr curationhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:435037ea3221/Telling the Story of Our Cultural Neighbors Through a Mobile Museum | Creativity on GOOD2013-04-04T20:24:03+00:00
http://www.good.is/posts/telling-the-story-of-our-cultural-neighbors-through-a-mobile-museum
robertogrecopop-ups pop-upmuseums museums mobile nomadism fabrica 2013 dean brown themobilemuseum lcproject openstudioproject glvo curation curating nomadshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:0fd95eaabdd5/Subject, Theory, Practice: An Architecture of Creative Engagement on Vimeo2013-03-12T22:20:02+00:00
https://vimeo.com/59132858
robertogrecovia:chrisberthelsen joséortegaygasset theory architecture cv media dezeen archdaily practice nostalgia actimel marcoginex 2013 tcsnmy understanding iteration darkmatter certainty postmodernism modernism philosophy relationships context meaningmaking meaning lifelongproject lcproject openstudioproject relevance consumption canon streams internet filtering audiencesofone film adamnathanielfurman creativity bricolage consumerism unschooling deschooling education lifelonglearning curation curating blogs discourse thinking soundbites eyecandy order chaos messiness ephemerality ephemeral grandnarratives storytelling hierarchies hierarchy authority rebellion criticism frameofdebate robertventuri taste aura highbrow lowbrow waywards narrative anarchism anarchy feedback feedbackloops substance values self thewho thewhat authenticity fiction discussion openended openendedstories process open-endedhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:b90716eb22f0/Granary Books - Publisher of Artist's Books2013-02-22T20:05:53+00:00
http://granarybooks.com/
robertogrecobooks publishers publishing nyc bookmaking art visual progressivescholarship granary granarybooks poetry poets artists events curation curating johannadrucker jeromerothenberg steveclay rodenyphillips artistsbooks artbookshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:7de0756faced/Meg Cranston - Hammer Museum Made in LA 20122013-02-09T03:32:01+00:00
http://www.madeinla2012.org/artist/meg-cranston-2/
robertogrecomegcranston art losangeles artists collections books booklists curation curating californiahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:ba194086220c/Why Vimeo Is the Web Video Platform to Watch (in Full-Screen HD!) - Kasia Cieplak-Mayr von Baldegg - The Atlantic2013-01-05T00:38:52+00:00
http://www.theatlantic.com/entertainment/archive/2012/06/why-vimeo-is-the-web-video-platform-to-watch-in-full-screen-hd/258450/
robertogrecocuration community advertising creativity faketv kasiacieplak-mayrvonbaldegg 2012 vimeo youtube videohttps://pinboard.in/u:robertogreco/b:bbdea5e3f06e/Big Red & Shiny: Did someone say 'Adhocracy'? An interview with Ethel Baraona Pohl2012-11-14T02:14:13+00:00
http://www.bigredandshiny.com/cgi-bin/BRS.cgi?section=article&issue=137&article=2012-10-01-18162374197316357
robertogrecoebooks print kindle bottomup bottom-up hierarchy tumblr paufaus laciudadjubilada wikitankers mascontext quaderns postopolisdf postopolis openconversation conversation stories dpr-barcelona anamaríaleón klaus tiagomotasaravia nereacalvillo claranubiola amazon booki github publishing epub domus léopoldlambert aurasma communication online internet digital books crowdfunding douglascoupland linkedin pinterest vimeo twitter youtube facebook socialnetworks socialnetworking socialmedia society networkedsociety networks web loneliness cv isolation shumonbasar markusmiessen opencalls collaboration curating curation diy participation petergadanho josephgrima ethelbaraona 2012 istanbulbiennial istanbul adhocracy adhoc epubs turkeyhttps://pinboard.in/u:robertogreco/b:11c0ee01523b/Warren Ellis on futurism, the New Aesthetic, and why social media isn't killing our children | The Verge2012-11-13T18:27:27+00:00
http://www.theverge.com/2012/11/1/3569208/warren-ellis-futurism-new-aesthetic-social-media
robertogrecocuration curating blogging twitter socialmedia howwework workflow tumblr future society technology sciencefictioncon sciencefictioncondition noticing newaesthetic 2012 warrenellis thenewnormalhttps://pinboard.in/u:robertogreco/b:4cf768002aa0/[this is aaronland] aren't callback numbers just links? [Too much to quote. GOOD: See these. BETTER: see also those in the Tumblr link. BEST: read it all.]2012-11-08T03:39:15+00:00
http://www.aaronland.info/weblog/2012/10/23/callback/#otaku
robertogrecogalleries flickr change digital design craft art curating curation access distribution production texture service open trust smithsonian cooper-hewitt otaku collections libraries archives museums 2012 aaronstraupcopehttps://pinboard.in/u:robertogreco/b:b6d0e6f7bbaf/[this is aaronland] the status of truth2012-08-23T00:27:08+00:00
http://www.aaronland.info/weblog/2011/04/02/status/#mw2011
robertogrecoIf you, as curators and archivists and generally anyone involved in the preservation of promotion of cultural heritage, think that the authority record is the pinnacle of your careers – that is, the most important thing you will leave behind – then you are about to be eaten by robots.
I am here to suggest that this the work we need to face in the years to come because the unit of measure for whether or not something is important is no longer dictated by the cost of inclusion.
Google has never wavered from their goal of being an information retrieval company because “information retrieval” is just a benign way of saying “everything”. If every natural language researcher on the planet uses Wikipedia as its training set Google was clever enough to realize that they could do what Facebook is trying to do by building a suite of tools – often very good tools – and treat the entire Internet as their training set for teaching robots how to interpret meaning and assign value.
Dispute is notoriously difficult to codify, especially in a database, but one of its most important functions is to shine a light on two or more opposing views so that might better see the context in which those ideas exist. I am not suggesting that we do away with structured metadata but this is not necessarily where all of your time is most needed today. You have the gift of magic that no robot will ever have: We call it language and story-telling and these are the things that you are good at.
I am saying that by encouraging documentary efforts outside the scope of the contemporary zeitgeist we create a zone of safekeeping for historical records and their stories for a time when we are ready to reconsider them.
I am saying that all those works not yet deemed worthy of a scholar’s attention still have value to people and their inclusion within a larger body of work is an important and powerful gesture for encouraging participation. Consider the authority record as a kind of gateway drug to scholarship.
]]>internet data curation waggledance digitalhumanities aaronstraupcope glvo cv storytelling human humans art archives search google metadata language robots whatmatters choices via:tealtanhttps://pinboard.in/u:robertogreco/b:f86de62a30e3/The New Administration of a Fine Arts Education2012-08-21T05:53:44+00:00
http://bureauforopenculture.org/project/the-new-administration-of-a-fine-arts-education/
robertogrecopedagogy teaching curation curating lcproject deschooling unschooling culturalproduction highereducation highered education arthttps://pinboard.in/u:robertogreco/b:ba58ca6c4e4e/Edicola, a New Kind of Newsstand, Opens on Market Street: Visual Arts | KQED Public Media for Northern CA2012-07-14T06:52:06+00:00
http://www.kqed.org/arts/visualarts/article.jsp?essid=101480
robertogrecotovisit prints retail art curation newspapers books sfai 2008 carissapotter lucaantonucci newsstands sanfrancisco edicolahttps://pinboard.in/u:robertogreco/b:e5e29c99c7e4/You Are Not a Curator, You Are Actually Just a Filthy Blogger | The Awl2012-06-03T04:04:13+00:00
http://www.theawl.com/2012/06/you-are-not-a-curator-you-are-actually-just-a-blogger
robertogrecoculture curation internet blogging art choiresicha 2012 curatinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:4845b2989757/Curated Thoughts on Curation • Quisby2012-06-03T04:02:46+00:00
http://nostrich.tumblr.com/post/24298707706
robertogrecoIt’s clear to me (with a few years under my belt of posting to The Feature) that the simple act of passing along a link or nugget of information really isn’t particularly valuable. Someone that’s good at it can gain a reputation and a substantial following, as Popova has, but the discrete acts that contribute to that reputation aren’t that valuable on their own. Whenever I’ve seen something that literally adds value to its source material by transforming it in someway before passing it along (be it an essay, a mashup, a piece of art, or, sure, a gif) it seems to me that its creative forefathers are consistently well-credited. Is it maybe the case that just passing it on isn’t an act loaded with creative authorship at all?]]>internet curation information quisby web blogging linkblogs attribition choiresicha via:tealtan 2012 curatinghttps://pinboard.in/u:robertogreco/b:81f06928b1a6/The Public Domain Review |2012-02-25T06:50:54+00:00
http://publicdomainreview.org/
robertogrecopublicdomainreview curation archives art free history publicdomainhttps://pinboard.in/u:robertogreco/b:47f929c6bfd1/ON THE QUICKENING OF HISTORY2012-02-24T21:57:31+00:00
http://www.mascontext.com/11-speed-fall-11/on-the-quickening-of-history/
robertogreco2012 yelp placemaking place london nyc digitalanthropology geolocation geotagging streetmuseum museumwithoutwalls historypin cultureNOW junaio layar digitallayers digital socialmedia history curation atemporality storytelling architecture now urbanism urban buildings preservation brendancrainhttps://pinboard.in/u:robertogreco/b:da7b9924b764/David Skok: Aggregation is deep in journalism’s DNA » Nieman Journalism Lab2012-01-29T05:31:40+00:00
http://www.niemanlab.org/2012/01/david-skok-aggregation-is-deep-in-journalisms-dna/
robertogrecovia:allentan nothingnewunderthesun newmedia magazines news huffingtonpost buzzfeed 1923 davidskok disruption history timemagazine 2012 florilegium curation journalism aggregationhttps://pinboard.in/u:robertogreco/b:a04f5d971518/5 provocative ideas sparked by women in media | Poynter.2012-01-27T08:34:16+00:00
http://www.poynter.org/latest-news/top-stories/160301/5-provocative-ideas-sparked-by-women-in-media/
robertogrecohumor comedy longform homicidewatch discovery connections curation instagram 2012 nostalgia connection sharing cv media journalism mariapopova mattthompson creativityhttps://pinboard.in/u:robertogreco/b:cb5181a8d0fa/Bidoun Library | Bidoun Magazine2012-01-16T08:36:08+00:00
http://www.bidoun.org/bidoun-projects/bidoun-library/
robertogreconomadicschool curation collections art glvo lcproject education books middleeast museums itinerantlibraries temporary mobile libraries pop-ups museum museumashub popuphttps://pinboard.in/u:robertogreco/b:2f5c7b58a09d/The American Crawl : Wonderstruck – A Kids Book About Curation (and Other Stuff)2011-10-10T03:30:16+00:00
http://www.theamericancrawl.com/?p=936
robertogrecoanterogarcia brianselznick curating curation curatedlearning learning labeling collections collecting 2011 teaching wonderstruckhttps://pinboard.in/u:robertogreco/b:daa1cbb22690/The Never-Ending Story | design mind2011-08-24T11:10:15+00:00
http://designmind.frogdesign.com/articles/the-never-ending-story.html
robertogrecodesign art writing storytelling jonathanharris cowbird slow slowness multimedia thisishuge gamechanging 2011 interviews classideas curating curation twitter facebook longform meaning meaningmaking meaningfulness self-expression internet web stories social socialsoftware metastory relationships connectivism narrative memory memories soundscapes soundmaps timelines video gifteconomyhttps://pinboard.in/u:robertogreco/b:bbbdf111a3ee/Accessibility vs. access: How the rhetoric of “rare” is changing in the age of information abundance » Nieman Journalism Lab2011-08-24T10:32:15+00:00
http://www.niemanlab.org/2011/08/accessibility-vs-access-how-the-rhetoric-of-rare-is-changing-in-the-age-of-information-abundance/
robertogrecohistory photography information archives accessibility mariapopova curation curating curatorialteaching curiosity context storytelling relevance flickrcommons 2011 digitalhumanities classideas cv digitalcurators infocus openculture dancolman andybaio metafilter brainpickings aaronswartz filterbubble elipariser jamesgleick abundance scarcity obscurity infooverloadhttps://pinboard.in/u:robertogreco/b:f34b59075284/Frank Chimero’s Blog - Sorting a Mass2011-07-03T12:14:53+00:00
http://blog.frankchimero.com/post/6984494439
robertogrecoweb curation collecting curating sorting frankchimero storytelling scrolling 2011 collections bookmarks bookmarking flickr interactivity location alphabet hierarchy categorization time chronology chronoogical paginationhttps://pinboard.in/u:robertogreco/b:85fa440c36b8/No Longer Empty2011-06-29T07:51:55+00:00
http://www.nolongerempty.org/
robertogrecodesign art culture urban social glvo urbanism vacatedspaces space place experience nolongerempty situationist phantomgalleries curation community the2837universityhttps://pinboard.in/u:robertogreco/b:68be7334b8d8/Maria Popova: In a new world of informational abundance, content curation is a new kind of authorship » Nieman Journalism Lab » Pushing to the Future of Journalism2011-06-13T00:42:07+00:00
http://www.niemanlab.org/2011/06/maria-popova-in-a-new-world-of-informational-abundance-content-curation-is-a-new-kind-of-authorship/
robertogrecoeducation writing media socialmedia twitter curation curating mariapopova information discovery labor contentcuration ip text conversation future web online internet broadcast authorship abundance 2011https://pinboard.in/u:robertogreco/b:db15775161c5/Text Patterns: curators and imitators2011-06-01T01:43:20+00:00
http://text-patterns.thenewatlantis.com/2011/05/curators-and-imitators.html
robertogrecoalanjacobs via:lukeneff curation curating online web blogging kottke mariapopova taxonomy links bookmarks del.icio.us pinboard blogs tumblr bibliodyssey coolhunters 2011 language sharinghttps://pinboard.in/u:robertogreco/b:feade216864d/On firehoses and filters: Part 1 – confused of calcutta2011-05-30T22:46:58+00:00
http://confusedofcalcutta.com/2011/05/22/on-firehoses-and-filters-part-1/
robertogrecojprangaswami filtering internet clayshirky georgeorwell aldoushuxley bravenewworld 1984 jonathanzittrain elipariser input output flow socialsoftware curation curating sharing information 2011https://pinboard.in/u:robertogreco/b:bd48ca713be6/Leigh Blackall: Situated art, situated learning - En Route by One Step At A Time Like This2011-05-07T23:48:42+00:00
http://leighblackall.blogspot.com/2011/05/situated-art-situated-learning-en-route.html
robertogrecocontext situated situationist leighblackall comments josephbeuys newpublicthinkers technology art situatedlearning ubiquitouslearning 2837university agitpropproject agitprop williamhanks randallszott colinward learning unschooling deschooling education messiness ethics georgesiemens curation curating curatorialteaching connectivism space place explodingschool adamgreenfield guydebord enroute street urban urbanism cities cityasclassroom thecityishereforyoutouse cv lcproject psychogeography urbanscale salrandolph situatedarthttps://pinboard.in/u:robertogreco/b:7df7924819dd/InCUBATE [Quotes from the 'about' page]2011-05-01T06:43:45+00:00
http://incubate-chicago.org/
robertogrecoart economics social community collaboration anarchism incubate randallszott lcproject openstudio curation curating hierarchy flatness slow chicago democracy culture culturehacking activism administration engagement organizations organization equity participatory residencies pop-upculture exhibitions projects horizontality horizontalidad ncm participatoryart everyday amateurshttps://pinboard.in/u:robertogreco/b:c971ae2ed767/FT.com / Arts / Film & Television - Joking apart2011-04-23T18:30:39+00:00
http://www.ft.com/cms/s/2/a8066bc2-6b9e-11e0-93f8-00144feab49a.html#axzz1KKuHyu5b
robertogrecostewartlee curation curating albums johncage indeterminacy slow simplicity twitter mobile phones speed content context pacing 2011 events uniqueness reproductionhttps://pinboard.in/u:robertogreco/b:abfefbad1bd5/The Sad, Beautiful Fact That We're All Going To Miss Almost Everything : Monkey See : NPR2011-04-19T05:23:31+00:00
http://www.npr.org/blogs/monkeysee/2011/04/18/135508305/the-sad-beautiful-fact-that-were-all-going-to-miss-almost-everything
robertogrecoculture books history future npr music films cantkeepup needfrequentremindersofthis content flow control culling curation curating lindaholmes rogerebert humans life lifetime reading listening watching hearing literature science fiction nonfiction beingwell-read takethatedhirsch culturalliteracy beauty insignificance love happiness wisdom thesumofhumanproduction numbers tv television art cvhttps://pinboard.in/u:robertogreco/b:f00dc3c70712/Twitter / @Downes: Why is curation wrong? Bec ...2011-04-07T01:22:19+00:00
http://twitter.com/#!/Downes/status/54986690028240896
robertogrecostephendownes learning curating curation resources deconstruction organization subtractivehttps://pinboard.in/u:robertogreco/b:468702376025/