<?xml version="1.0" encoding="UTF-8"?>
 <rdf:RDF xmlns="http://purl.org/rss/1.0/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:cc="http://web.resource.org/cc/" xmlns:syn="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/">
  <channel rdf:about="http://pinboard.in">
    <title>Pinboard (robertogreco)</title>
    <link>https://pinboard.in/u:robertogreco/public/</link>
    <description>recent bookmarks from robertogreco</description>
    <items>
      <rdf:Seq>	<rdf:li rdf:resource="https://www.thetimes.com/us/news-today/article/deep-springs-college-california-hzhx5bfc0"/>
	<rdf:li rdf:resource="https://psyche.co/notes-to-self/what-i-found-when-i-played-with-a-tiny-invented-language"/>
	<rdf:li rdf:resource="https://www.learnui.design/blog/wheres-the-ai-design-renaissance.html"/>
	<rdf:li rdf:resource="https://www.poetryfoundation.org/articles/162152/grave-unseriousness-experimenting-with-oulipo-constraints"/>
	<rdf:li rdf:resource="https://conditionaldesign.org/manifesto/"/>
	<rdf:li rdf:resource="https://www.nytimes.com/2024/01/18/fashion/watches-logan-kuan-rao-china.html"/>
	<rdf:li rdf:resource="https://usurpatormag.com/A-Website-Can-Be-A-Poem-w-Chia"/>
	<rdf:li rdf:resource="https://www.chrbutler.com/personal-machines-and-portable-worlds"/>
	<rdf:li rdf:resource="https://theconvivialsociety.substack.com/p/children-and-technology"/>
	<rdf:li rdf:resource="https://www.rockpapershotgun.com/how-to-conference-call-with-red-dead-redemption-2"/>
	<rdf:li rdf:resource="https://www.youtube.com/watch?v=zJHf_SwNurY"/>
	<rdf:li rdf:resource="https://www.youtube.com/watch?v=WQs-J3houJA"/>
	<rdf:li rdf:resource="https://nofilmschool.com/2020/05/wanting-mare-fantasy-universe"/>
	<rdf:li rdf:resource="https://twitter.com/aresnick/status/1206336018410082305"/>
	<rdf:li rdf:resource="https://www.newyorker.com/culture/the-new-yorker-interview/going-home-with-wendell-berry"/>
	<rdf:li rdf:resource="https://www.youtube.com/watch?v=TiHKbeDOXas"/>
	<rdf:li rdf:resource="https://www.youtube.com/watch?v=t_tUZ6dybrc"/>
	<rdf:li rdf:resource="http://crapfutures.tumblr.com/post/138659230834/counter-constraints"/>
	<rdf:li rdf:resource="http://crapfutures.tumblr.com/post/134923133759/constraint-no-2-legacies-of-the-past"/>
	<rdf:li rdf:resource="http://crapfutures.tumblr.com/post/134529897709/constraint-no-1-progress-dogma"/>
	<rdf:li rdf:resource="http://digitalmateriality.com/"/>
	<rdf:li rdf:resource="https://vimeo.com/album/3447854/video/131786900"/>
	<rdf:li rdf:resource="https://vimeo.com/143685855"/>
	<rdf:li rdf:resource="https://www.youtube.com/watch?v=cPMp2dvizCw"/>
	<rdf:li rdf:resource="http://idlewords.com/talks/web_design_first_100_years.htm"/>
	<rdf:li rdf:resource="https://www.youtube.com/watch?v=Muv99kqKU4U"/>
	<rdf:li rdf:resource="http://godardmontage.blogspot.com/2010/11/chris-markers-camera-stylo-notes-on.html"/>
	<rdf:li rdf:resource="https://storify.com/laurajnash/80-days"/>
	<rdf:li rdf:resource="http://www.newyorker.com/arts/critics/musical/2014/07/07/140707crmu_music_frerejones?currentPage=all"/>
	<rdf:li rdf:resource="http://www.theverge.com/2014/6/27/5849272/material-world-how-google-discovered-what-software-is-made-of"/>
	<rdf:li rdf:resource="http://www.salon.com/2014/06/14/educations_war_on_millennials_why_everyone_is_failing_the_digital_generation/"/>
	<rdf:li rdf:resource="http://www.youtube.com/watch?v=CpAXqHmRa0E"/>
	<rdf:li rdf:resource="http://www.thersa.org/events/video/vision-videos/howard-gardner"/>
	<rdf:li rdf:resource="http://www.bogost.com/writing/shit_crayons.shtml"/>
	<rdf:li rdf:resource="http://www.wired.com/wired/archive/7.01/eno.html"/>
	<rdf:li rdf:resource="https://vimeo.com/44255562"/>
	<rdf:li rdf:resource="http://www.tomlafarge.com/"/>
	<rdf:li rdf:resource="http://jacobinmag.com/2012/08/designing-culture/"/>
	<rdf:li rdf:resource="http://instagram.com/p/OfHXEfJtW5/"/>
	<rdf:li rdf:resource="http://therumpus.net/2012/08/the-rumpus-interview-with-francis-ford-coppola-2/"/>
	<rdf:li rdf:resource="http://naffidy.blogspot.com/2007/06/andrea-zittel-these-things-i-know-for.html?m=1"/>
	<rdf:li rdf:resource="http://blog.jackcheng.com/post/27433804293/the-line-sitters"/>
	<rdf:li rdf:resource="http://storify.com/maxfenton/jack-cheng-waits-for-ramen-uses-time-wisely"/>
	<rdf:li rdf:resource="http://www.fastcompany.com/magazine/161/creative-business-people"/>
	<rdf:li rdf:resource="http://www.youtube.com/watch?list=PL16E261CDB64A51AF&amp;v=CpAXqHmRa0E"/>
	<rdf:li rdf:resource="http://storify.com/tealtan/bookmarks-tagging-and-taxonomies"/>
	<rdf:li rdf:resource="http://blog.makezine.com/archive/2011/11/zen-and-the-art-of-making.html"/>
	<rdf:li rdf:resource="http://the99percent.com/tips/7034/Developing-Your-Creative-Practice-Tips-from-Brian-Eno"/>
	<rdf:li rdf:resource="http://blog.frankchimero.com/post/8392329411"/>
	<rdf:li rdf:resource="http://www.wired.com/wiredscience/2011/07/the-auteur-myth/"/>
	<rdf:li rdf:resource="http://www.theawl.com/2011/07/weekend-at-kermies-the-muppets-strange-life-after-death"/>
	<rdf:li rdf:resource="http://dashes.com/anil/2011/07/animated-gifs-triumphant.html"/>
	<rdf:li rdf:resource="http://learning.blogs.nytimes.com/2011/03/28/less-is-more-using-social-media-to-inspire-concise-writing/"/>
	<rdf:li rdf:resource="http://journal.davidbyrne.com/2010/03/031810-collaborations-updated.html"/>
	<rdf:li rdf:resource="http://en.wikipedia.org/wiki/Uncleftish_Beholding"/>
	<rdf:li rdf:resource="http://observatory.designobserver.com/entry.html?entry=24558"/>
	<rdf:li rdf:resource="http://vimeo.com/19242995"/>
	<rdf:li rdf:resource="http://interconnected.org/home/2011/01/15/space_clearing"/>
	<rdf:li rdf:resource="http://snarkmarket.com/2010/6489"/>
	<rdf:li rdf:resource="http://snarkmarket.com/2010/6486"/>
	<rdf:li rdf:resource="http://blog.frankchimero.com/post/2192456624/the-two-best-things-on-the-web-2010"/>
	<rdf:li rdf:resource="http://www.wired.com/wiredscience/2010/11/the-cognitive-cost-of-expertise/"/>
	<rdf:li rdf:resource="http://en.wikipedia.org/wiki/Institute_for_Advanced_Study"/>
	<rdf:li rdf:resource="http://the99percent.com/articles/6775/is-consumerism-killing-our-creativity"/>
	<rdf:li rdf:resource="http://www.economist.com/blogs/babbage/2010/08/jugaad"/>
	<rdf:li rdf:resource="http://www.core77.com/blog/columns/design_thinking_dear_don__17042.asp"/>
	<rdf:li rdf:resource="http://www.olpcnews.com/countries/uruguay/expo_fotos_an_exhibition_based_on_photos_taken_with_xos.html"/>
	<rdf:li rdf:resource="http://www.dallasnews.com/sharedcontent/dws/dn/latestnews/stories/062610dn1Atwitter.1e82d09.html"/>
	<rdf:li rdf:resource="http://berglondon.com/blog/2010/07/01/hopeful-monsters-and-the-trough-of-disillusionment/"/>
	<rdf:li rdf:resource="http://blog.mrmeyer.com/?p=6176"/>
      </rdf:Seq>
    </items>
  </channel><item rdf:about="https://www.thetimes.com/us/news-today/article/deep-springs-college-california-hzhx5bfc0">
    <title>‘I study at an exclusive US college. We can’t drink, use wi-fi or leave during term’</title>
    <dc:date>2026-03-28T22:46:07+00:00</dc:date>
    <link>https://www.thetimes.com/us/news-today/article/deep-springs-college-california-hzhx5bfc0</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Hidden deep in the California desert is a university where internet is banned and students are taught the meaning of life. Ruby LaRocca reveals why she loves it"]]></description>
<dc:subject>deepspringscollege 2026 rubylarocca education colleges universities highereducation highered meaning meaningmaking howweread internet web online offline attention books reading constraints socialmedia distraction ai artificialintelligence microcolleges</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e7bdaa4e4764/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deepspringscollege"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2026"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rubylarocca"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colleges"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:universities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:highereducation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:highered"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meaning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meaningmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howweread"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:offline"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:attention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialmedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:distraction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ai"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artificialintelligence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:microcolleges"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://psyche.co/notes-to-self/what-i-found-when-i-played-with-a-tiny-invented-language">
    <title>What I found in one of the tiniest languages | Psyche Notes to Self</title>
    <dc:date>2025-11-03T21:53:29+00:00</dc:date>
    <link>https://psyche.co/notes-to-self/what-i-found-when-i-played-with-a-tiny-invented-language</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>language languages small 2025 hannahkim communication constraints</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:64441ecb0006/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:languages"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:small"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2025"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hannahkim"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:communication"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.learnui.design/blog/wheres-the-ai-design-renaissance.html">
    <title>Where’s the AI design renaissance?</title>
    <dc:date>2025-10-16T05:28:29+00:00</dc:date>
    <link>https://www.learnui.design/blog/wheres-the-ai-design-renaissance.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["My hunch: vibe coding is a lot like stock-picking – everyone’s always blabbing about their big wins. Ask what their annual rate of return is above the S&P, and it’s a quieter conversation 🤫"

...

"In short, LLMs are prediction machines. They are trained mostly on the internet, but post-trained on many other special data sets and tasks. Because the best prediction of a common question is the right answer, they frequently give correct answers. Because the best prediction of a sufficiently-rare/difficult question may be a quasi-realistic falsehood, they hallucinate. Where someone can create an easy-to-difficult step-ladder of 10,000 verifiable tasks or problems, the LLMs can post-train and become even smarter.

(That’s how they’re helping discover new quantum computing theorems while I’m dissing their ability to design a logo)

It’s not that algorithmic improvements won’t happen. They have, and they will. But if you want to know the surest bets of where to focus your design efforts, look to what LLM algorithms don’t do well.

In particular, the farther something is from the median training datum, the harder it is for AI to do. In my estimation, this could be along any axis – an uncommon visual effect, high-touch animations, a pixel-perfect UI, a new interaction paradigms, especially high data density, etc.

AI design will be safe. If you ask it to be bold, it will be bold in a safe, reasonable, well-trod way.

If your design has an opinion, something the median half-decent design would never touch, then the LLMs are already steering away from it. They may help you build it, but they won’t replace you in building it.

They’ll be busy building “slightly above 2025 average”. But in a world inundated with average, what’s great will shine all the more. “Proof of humanity” will increasingly feel like a breath of fresh air in an onslaught of slop."]]></description>
<dc:subject>erikkennedy ai artificialintelligence 2025 uptonsinclair design process howwework midjourney 2022 aihype productivity aibubble vibecoding coding mikejudge github interestrates covid-19 pandemic coronavirus overhiring chatbots humanism human humans ui blandness llms deeplearning generativeai slop aislop constraints genai</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:912bf048e92c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:erikkennedy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ai"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artificialintelligence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2025"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:uptonsinclair"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:process"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:midjourney"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2022"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aihype"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:productivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aibubble"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vibecoding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mikejudge"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:github"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interestrates"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:covid-19"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pandemic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coronavirus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:overhiring"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chatbots"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humanism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:human"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humans"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ui"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blandness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:llms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deeplearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:generativeai"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:slop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aislop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:genai"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.poetryfoundation.org/articles/162152/grave-unseriousness-experimenting-with-oulipo-constraints">
    <title>Grave Unseriousness: Experimenting with Oulipo Constraints | The Poetry Foundation</title>
    <dc:date>2025-07-13T20:38:39+00:00</dc:date>
    <link>https://www.poetryfoundation.org/articles/162152/grave-unseriousness-experimenting-with-oulipo-constraints</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>2024 oulipo writing constraints gabrieldenisefrank ruthstone poetry italocalvino raymoondqueneau invisiblecities françoislelionnais georgesperec daniellevinbecker philipterry imagination creativity howwewrite levinbecker method harrymathews newyorkschool classideas</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b3d5ac6f1164/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2024"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:oulipo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gabrieldenisefrank"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ruthstone"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poetry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:italocalvino"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:raymoondqueneau"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:invisiblecities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:françoislelionnais"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:georgesperec"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:daniellevinbecker"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:philipterry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:imagination"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwewrite"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:levinbecker"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:method"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:harrymathews"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:newyorkschool"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://conditionaldesign.org/manifesto/">
    <title>Conditional Design - Conditional Design</title>
    <dc:date>2024-02-14T20:02:57+00:00</dc:date>
    <link>https://conditionaldesign.org/manifesto/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Conditional Design
A manifesto for artists and designers.

Through the influence of the media and technology on our world, our lives are increasingly characterized by speed and constant change. We live in a dynamic, data-driven society that is continually sparking new forms of human interaction and social contexts. Instead of romanticizing the past, we want to adapt our way of working to coincide with these developments, and we want our work to reflect the here and now. We want to embrace the complexity of this landscape, deliver insight into it and show both its beauty and its shortcomings.

Our work focuses on processes rather than products: things that adapt to their environment, emphasize change and show difference.

Instead of operating under the terms of Graphic Design, Interaction Design, Media Art or Sound Design, we want to introduce Conditional Design as a term that refers to our approach rather than our chosen media. We conduct our activities using the methods of philosophers, engineers, inventors and mystics.


Process

The process is the product.

The most important aspects of a process are time, relationship and change.

The process produces formations rather than forms.

We search for unexpected but correlative, emergent patterns.

Even though a process has the appearance of objectivity, we realize the fact that it stems from subjective intentions.


Logic

Logic is our tool.

Logic is our method for accentuating the ungraspable.
A clear and logical setting emphasizes that which does not seem to fit within it.

We use logic to design the conditions through which the process can take place.

Design conditions using intelligible rules.

Avoid arbitrary randomness.
Difference should have a reason.

Use rules as constraints.
Constraints sharpen the perspective on the process and stimulate play within the limitations.


Input

The input is our material.

Input engages logic and activates and influences the process.

Input should come from our external and complex environment: nature, society and its human interactions.


==============================================
Luna Maurer, Edo Paulus, Jonathan Puckey, Roel Wouters
=============================================="]]></description>
<dc:subject>lunamaurer edopaulus jonathanpuckey roelwouters manifestos design process art collaboration rules constraints difference randomness howwework form formations nature society via:daniellucas relationships change time patterns objectivity logic</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:3879e5be611a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lunamaurer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edopaulus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jonathanpuckey"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:roelwouters"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:manifestos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:process"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rules"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:difference"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:randomness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:form"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:formations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:daniellucas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:relationships"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:change"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:time"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patterns"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:objectivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:logic"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2024/01/18/fashion/watches-logan-kuan-rao-china.html">
    <title>He Makes Watches by Hand in China - The New York Times</title>
    <dc:date>2024-01-19T17:52:52+00:00</dc:date>
    <link>https://www.nytimes.com/2024/01/18/fashion/watches-logan-kuan-rao-china.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["It is hard to get parts and materials in China, but Logan Kuan Rao has persevered.

...

When it comes to watchmaking, Logan Kuan Rao is motivated by a Chinese proverb that, loosely translated, says your character is shaped by your environment.

And by another, much less philosophical phrase: Made in China.

Both have been on his mind recently as Mr. Rao, an independent watchmaker based in China’s southern port city of Guangzhou, completed the first piece of his second design, called the Wuwei. It took time, but he has worked out how to use limited resources to make the watch, a 37.5-millimeter time-only mechanical piece, almost entirely by hand.

“Wuwei is a Taoist philosophical concept, not strictly defined, that means nondoing,” he said. “I’m only focusing on the design of the movement, the atmosphere, the shape, the parts in the movement. It’s a way of honoring the mechanical design.”

Mr. Rao, 27, hopes to complete another one or two Wuweis in the next few months. And now that he has honed the process, he intends to deliver 10 a year.

The past decade has been something of a horological journey, Mr. Rao said.

“I started learning watchmaking about 10 years ago in high school, when I was in a Chinese watchmakers’ forum, and I started collecting cheap Chinese-made watches,” he said. “Then, I started to collect vintage watches, and I developed a very niche taste. But the watches were too expensive. So, I decided to try to make one for myself.”

That led him to YouTube videos and books such as “The Watch Repairer’s Manual” by Henry B. Fried, first published in 1949, and “Watchmaking,” by George Daniels, initially published in 1981.

By 2017, he had introduced two prototypes of the Orca, his first timepiece, a 37.5-millimeter time-only model with a 42-hour power reserve.

The Orca’s design made a bit of a splash in the watch world, with the movement part called the wheel train bridge shaped to match the whale’s silhouette. It is visible on the case back, which was finished with the striped and textured engraving pattern traditionally called Côtes de Genève, a design that resembles ocean waves.

He made many of the Orca’s parts but ordered others, including the movement, from a watch manufacturer in the northern Chinese city of Tianjin.

“When I designed the Orca, I wanted to utilize the movement, to create a picture of the Orca jumping out of the water,” Mr. Rao said. “I wanted to give some meaning of the pure decorative things. But now I don’t need to give those things any meaning. So, I got rid of them and focused on the mechanics.”

His change of focus came while he was a student in London. (He earned a bachelor’s degree in materials science in 2018 from Imperial College and then attended the Royal College of Art for nine months in 2018 and 2019.)

During his studies, he went to the London Metropolitan Archives to see the records left by Mr. Daniels, who died in 2011. The English watchmaker is considered by many to be one of the greatest horologists of the 20th century — and Mr. Rao was inspired by the simplicity of his designs.

At the time, he already was working on the Wuwei, but he still hadn’t perfected his first creation. “In 2017, I promised that I would deliver the Orca by 2019,” he said, “but two years went by quickly, and it took me until 2021 to create the first one.” (He completed its limited edition of nine pieces late last year.)

Mr. Rao said he underestimated the difficulty of meeting his own timetable but used that knowledge in building the Wuwei. He made all its parts except for the shock absorber; the rubies, which reduce friction; the hair spring, which helps control accuracy; and the main spring, which coils when the watch is wound and, as it unwinds, provides the energy to run the time-keeping process. “I even grind the glass myself,” he said.

But living and working in China has meant limited access to watchmaking parts and tools. For example, he said, there is no supplier of calibers and movements.

“In Switzerland, if you want to put a watch together, it’s like Lego bricks,” he said. “You put a piece from one company here and another one there. But in China, it’s like carving wood or stone from scratch. I don’t have access to suppliers who are willing to send small orders.”

This led him to find creative ways to utilize the machines he had access to.

“For example, I have a precision lathe that is used to manufacture some cylindrical parts on radar antennas,” he said. “The size and precision requirements are similar to a watch case, so I use it to make my watch case and crown. Another pantograph milling machine was originally used to create injection molds; now I use it to rough-machine movement plates and fabricate jigs and fixtures.”

The Orca, made in 18-karat white gold, is priced at 125,000 Chinese renminbi, or $17,580; the Wuwei, in 18-karat yellow gold, is 245,000 renminbi. Mr. Rao sells through Instagram, WeChat, email and his workshop in Guangzhou.

Zepo Yang, a watch collector in Shanghai, had bought the first Wuwei and received it in November.

He said Mr. Rao’s creation had a particular appeal. “He designs and then makes the watch from scratch, and he’s completely self-taught, which is all part of the attraction,” Mr. Yang said. “I think Logan’s watches are destined to be appreciated by only a select few. Today’s independent watchmaking puts too much emphasis on the decorative finishing in the movement. I like the rawness of Logan’s work.”

That rawness is at the heart of what Mr. Rao is doing now — a true riff on “Made in China,” he said.

“It makes no sense to import parts from Switzerland and then export my watch to other countries,” he added. “I’m not the middleman. I’m the whole process.”"

[archived:
https://archive.is/ANWdy

see also:
https://monochrome-watches.com/interview-independent-watchmaker-chinese-china-logan-kuan-rao-orca-iceberg-wuwei-equal-push-escapement/

https://www.instagram.com/logan_kuan_rao/ ]]]></description>
<dc:subject>logankuanrao watches watchmaking china 2024 autodidacts davifbelcher constraints madeinchina autodidactism self-taught georgedaniels</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:5878cd0a516f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:logankuanrao"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:watches"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:watchmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:china"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2024"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:autodidacts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:davifbelcher"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:madeinchina"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:autodidactism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:self-taught"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:georgedaniels"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://usurpatormag.com/A-Website-Can-Be-A-Poem-w-Chia">
    <title>A Website Can Be A Poem w/ Chia - USURPATOR</title>
    <dc:date>2023-08-22T22:31:52+00:00</dc:date>
    <link>https://usurpatormag.com/A-Website-Can-Be-A-Poem-w-Chia</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["USURPATOR is joined by Chia Amisola, an ambient artist, designer,  organizer, and founder from the Philippines. During our conversation, we talk about the form of a website, the art of digital preservation, and how we can break down the common structures of the internet to create better spaces for ourselves and our communities."

[some of the audio doesn't seem to be in the transcript, at least at the very beginning:
https://podcasts.apple.com/us/podcast/a-website-can-be-a-poem-w-chia/id1694186040?i=1000621318566 ]]]></description>
<dc:subject>usurpator 2023 chiaamisola web online websites webdesign poetry form community internet spaces howweread howwewrite language writing readwriteweb design platforms homegrown attention interruption slow small ambient experience love loving time digital virtual affordances development archives art poeticomputing computing philippines technology sanfrancisco place space agency subversion liberation labor ai artificialintelligence technosolutionism callcenters exploitation outsourcing activism organizing socialmedia sound youtube comments beauty bookmarking archiving collections collecting saving self-preservation preservation stewardship offline collectivism interdependence folkarchives libraries institutions grassroots knowledge tools onlinetoolkit education howwelearn search importance meaning meaningmaking worthiness communities power mutualaid praxis decay digitaldecay data linkrot ownership memory records artifacts gathering belatedness identity performance performativity archiveofonesown tags tagging taxono</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f3b9ce37b7ab/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:usurpator"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2023"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chiaamisola"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:websites"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poetry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:form"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:community"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:spaces"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howweread"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwewrite"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:readwriteweb"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:platforms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:homegrown"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:attention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interruption"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:slow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:small"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ambient"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:love"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:loving"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:time"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:digital"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:virtual"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:affordances"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:development"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:archives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poeticomputing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:computing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:philippines"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:place"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:agency"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:subversion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:liberation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:labor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ai"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artificialintelligence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technosolutionism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:callcenters"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exploitation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:outsourcing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:activism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:organizing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialmedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sound"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:youtube"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:comments"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beauty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bookmarking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:archiving"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collections"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collecting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:saving"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:self-preservation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:preservation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stewardship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:offline"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collectivism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interdependence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:folkarchives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:libraries"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:institutions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:grassroots"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:knowledge"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:onlinetoolkit"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwelearn"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:search"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:importance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meaning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meaningmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:worthiness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:communities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:power"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mutualaid"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:praxis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:decay"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:digitaldecay"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:data"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:linkrot"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ownership"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:memory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:records"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artifacts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gathering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:belatedness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:identity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:performance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:performativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:archiveofonesown"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tags"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tagging"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:taxono"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.chrbutler.com/personal-machines-and-portable-worlds">
    <title>Personal Machines and Portable Worlds - Christopher Butler</title>
    <dc:date>2023-07-09T19:58:31+00:00</dc:date>
    <link>https://www.chrbutler.com/personal-machines-and-portable-worlds</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A lifelong fascination with technology begins with a single object.

Think back to when you were a child, to when you first encountered something you could hold in your hand that held you in awe. Perhaps you thought to yourself, “Wow, this does that?!”"

...

"There’s something about the personal device that I have always found fascinating and now find to be almost mysterious. But to be personal it has to be a certain kind of device — the kind that balances access to another world with the kinds of limits and boundaries that make a thing private. That balance is something I’ve always been able to point to in particular objects — this has it, but that does not — but describing it on its own, as a set of rules or characteristics, has always eluded me. But, for me, a personal device is defined by this balance, not by virtue of being the thing in my pocket and not the one in yours.

I think this notion of a personal technology is deeply meaningful. So I’d like to find a way to explain it.

Nearly everyone I asked returned the question — That was the gadget for me… So, what was yours?

I can point to my own origin-objects — gadgets like the Fisher Price Movie Viewer, the Pocket Rocker, the Etch A Sketch Animator, or, from a bit later, the Arion Hot-Watt II — and describe why they had that thing. Besides being quirky, niche products, they all let me enter another world that, at times, seemed both bigger and smaller than this one. It was as if that world was outside of this one, made accessible by the push of a button and, at the same time, that it sprang into existence as a me-sized bubble universe, Population: 1. This is the paradox of the personal device.

The tension between knowing that the world a personal device creates has boundaries defined by its code and materials and not knowing exactly what they are is one that, when kept in balance, activates the imagination. It allows for exploration, both of the object and through the object.

People of a certain age who remember spending hours exploring Hyrule, the world of The Legend of Zelda, will immediately understand this feeling. You could explore the world, and you could play the game. I’m not sure I ever tired of exploring enough to actually play the game.

The most magical of personal devices are those which offer access to the experience of infinitude without measuring it for you. The unknown is the stuff of imagination.

That is the opposite of our most common device-based experiences today. Whether you use a phone, tablet, laptop, or any other computer, the digital “world” today is always defined by an acute awareness of measure. Of more. But more is the easiest way to obstruct the imagination. Persistent input keeps cognition at its lower levels — maintaining attention, storing memory, applying perception, and processing language — without allowing a transition to thought and learning.

The best personal device supports thought — with it, within it, and most importantly, within you. Carl Jung once wrote that “in each of us there is another whom we do not know.” The purpose of introspection, for Jung, was to become acquainted with that person — to deepen our understanding of ourselves so that we may be more fully ourselves.

What if technology had the same purpose?

What if personal technology saw imagination — open, unresolved, interior, and subjective as it is — not just as a byproduct of use but as a purpose for it; as equal to utility, communication, or entertainment?"

...

"Kyle Chayka is working on a book that sounds like it may make a good case for my invisible mechsuit world. In a post titled, “The dream of the personal machine,” [https://kylechayka.substack.com/p/the-dream-of-the-personal-machine ] Chayka writes:

<blockquote>“My book is so much about how technology dictates culture. The devices that we use aren’t just accessories to culture or windows that we consume things through; they are collaborators, gateways, and molds…the idea of a personal computer had to be invented, manufactured, and marketed. We had to imagine computers as personal machines.”</blockquote>

This is an important point. We could live in a world where computing is a public works — where terminals to central processing work like telephones used to. You can pick them up or put them down, but nothing inside of them is yours. But we don’t live in that world. As soon as the first computer booted up in the first home, the computer became a personal object. And when an object becomes personal, it is difficult to leave it behind. We want it with us.

Perhaps that one thing — a simple desire for a personal machine — set us on the course we have followed since. Not Moore’s Law, not Capitalism, but personhood.

Later, in the same post, Chayka writes of the Palm Pilot — an early attempt at portable computing — that, despite it not providing much in the way of “fun” features for a kid, there was still an “ineffable appeal to holding a gateway to a digital world in your hand.”

A world. There’s that word again.

Why a world? There is a sense of dimensional transcendence to computers. As C.S. Lewis wrote of the wardrobe, “It’s inside is bigger than its outside.” In the early days of mobile computing, it was hard to not compare the capaciousness of a computer you could carry with you to something like a book. Of both you could say their insides were bigger than their outsides, but when it came to information, you’d have to settle for figurative capaciousness in a book; their actual contents are literally cover to cover. A digital machine’s contents are an entirely different thing.

In the time of the Palm Pilot, a tiny door to a vast digital world was more powerful as an idea than a tool. The digital world just wasn’t as big back then as it is now. But to Chayka’s first point, we built the digital world using these little devices that didn’t do very much. We made it worth the journey. And meanwhile, the object was our companion, and inside was a tiny, personal digital world — our notes, our messages, our few digital texts. It was not much, but it was ours."

...

"Many of the examples I’ve looked at so far align with my ideas of what makes a machine personal because they were designed with limitations imposed upon them, and many of the examples I’ve discussed that no longer feel personal have been designed to surpass those limitations. If machines were designed to be more personal, we’d have very different machines.

Sometimes it feels like it is simply a matter of whether a machine is connected to the internet or not. But of course it’s more than that. It’s as much about what we do with our machines as it is about what they were designed to do.

I think we can still experience the personal machine by choosing to experience a machine that way.

In a way, the continued popularity of vinyl is a good example of this. For the same price as a single record, you can get several months of access to more music than you could ever hear in that time. Still, some people choose records over digital files. It’s too easy to dismiss this as an affectation. It’s a choice to experience music in a particular way. It’s also a choice of a personal machine — a record player rather than a phone.

One benefit of personal technology reaching the maturity it has is the abundance of choices. It may seem like you must use an iPhone — perhaps everyone you know and care about is group messaging with iMessage — but you can choose something else. Every choice has benefits and costs. Ten years ago, I chose to leave Facebook. The benefits were many; the costs were not having easy access to where people I cared about shared information I wanted to know. A few years ago, I stopped using an e-reader — I had used a Kindle, and then a Kobo, both great machines. The cost was no longer being able to send articles from the web to my machine and reading them, as well as books, in bed. The benefit was not having too many choices in front of me when I just want to read one thing. I went back to the printed book. You could say that’s as much of an affectation in 2023 as playing a vinyl record. Maybe. But it’s a choice.

I haven’t owned a laptop for many years. My primary machine is a Mac Mini set up in my home office. The cost is I can’t work from my couch or the local coffee shop. The benefit is I have some separation in my life between work and not work.

For me, these choices turn using the same machines everyone uses into a more personal experience."

...

"I also notice that when I look at these older machines and the old media they use, I often find myself feeling like I’m looking at a door to a world. I look at a book — there’s a world. Every playable disc in our house — each a world.

Once you become accustomed to worldspotting, you can see them in anything. Every object is a world.

In the World; of the Worlds

Perhaps the days of personal machines are over. Maybe the complexities that Mau and his cohort wrote about are not safely reducible. Maybe we can’t decomplexify the world of things. Maybe. And if we can, I wouldn’t dare imagine it could happen quickly.

But if we can, where do we start? What do we look at? What do we use again, despite there being sleeker, faster, frictionless options available? What limits do we embrace so that we can re-balance the human with the machine?

I have spent the last few years slowly disconnecting in various ways. I’ve chosen to use things that only do a part of what readily available alternatives do and more. I’ve chosen to stop using some things altogether. I have found that these choices have enhanced my experiences because they’ve supported true insight; they’ve helped me be more aware of what I’m doing, why I’m doing it, and who I am becoming. I have found that they change the world because they change my world.

Jung said that in each of us is another. I think that in each of us is another world. A good personal machine reveals that world and helps us shape it."]]></description>
<dc:subject>christopherbutler whatisacomputer porability computers computing objects 2023 personal personalmachines machines gadgets communication expression imagination toys technology laptops smartphones phones purpose utility entertainment infinitude devices audiencesofone portals identity exploration legendofzelda zelda worldbuilding brucemau massivechange complexity institutewithoutboundaries potential thoreau simplicity human humans balance invention creation distraction attention waste want voyeurism kylechayka personhood palmpilot capitalism mooreslaw worlds companions maremecum vademecum designfiction sciencefiction scifi projectara robinsloan marydoriarussell quantumleap limitations constraints choice kindle kobo iphone tradeoffs limits facebook disconnecting carljung jung</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8225eb3c6c52/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:christopherbutler"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:whatisacomputer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:porability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:computers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:computing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:objects"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2023"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:personal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:personalmachines"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:machines"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gadgets"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:communication"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:expression"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:imagination"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:toys"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:laptops"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:smartphones"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:phones"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:purpose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:utility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:entertainment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:infinitude"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:devices"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:audiencesofone"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:portals"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:identity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exploration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:legendofzelda"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zelda"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:worldbuilding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brucemau"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:massivechange"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:complexity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:institutewithoutboundaries"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:potential"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thoreau"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:simplicity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:human"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humans"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:balance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:invention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:distraction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:attention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:waste"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:want"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:voyeurism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kylechayka"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:personhood"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:palmpilot"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:capitalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mooreslaw"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:worlds"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:companions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maremecum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vademecum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designfiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sciencefiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scifi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:projectara"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robinsloan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marydoriarussell"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:quantumleap"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limitations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:choice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kindle"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kobo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:iphone"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tradeoffs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:facebook"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:disconnecting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:carljung"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jung"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://theconvivialsociety.substack.com/p/children-and-technology">
    <title>Children and Technology - by L. M. Sacasas</title>
    <dc:date>2023-06-15T21:57:22+00:00</dc:date>
    <link>https://theconvivialsociety.substack.com/p/children-and-technology</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["1. Resist technocratic models of what it means to raise a child

2. Resist a reactionary approach to technology

3. Resist technologies that erode the space for childhood

4. Resist technologically mediated liturgies of consumption

5. Be skeptical of running unprecedented social experiments on children

6. Embrace limits

7. Embrace convivial tools

8. Cultivate wonder

9. Tell stories, read poetry"]]></description>
<dc:subject>lmsacasas education children 2020 childhood technology wonder neilpostman consumption consumerism conviviality ivanillich albertborgmann storytelling stories poetry teaching howweteach parenting resistance mediation experimentation limits limitations constraints</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:83607cbbf7c0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lmsacasas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:children"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2020"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:childhood"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wonder"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:neilpostman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:consumption"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:consumerism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conviviality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ivanillich"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:albertborgmann"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:storytelling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stories"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poetry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teaching"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howweteach"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:parenting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:resistance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mediation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experimentation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limitations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.rockpapershotgun.com/how-to-conference-call-with-red-dead-redemption-2">
    <title>People are using Red Dead Redemption 2 to hold conference calls | Rock Paper Shotgun</title>
    <dc:date>2023-03-22T01:57:54+00:00</dc:date>
    <link>https://www.rockpapershotgun.com/how-to-conference-call-with-red-dead-redemption-2</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[images throughout]

"It still beats Zoom.

"Found my own body floating down the river today. Didn't recognise myself for ages." This may sound like the start of a magical realist detective story, rather than something you'd say in a meeting with colleagues. But in Red Dead Redemption 2, which is rapidly emerging as an unlikely competitor to Zoom and Skype in the world of conference calling, this is business as usual.

I've long been a fan of the way the Cowboy Game - especially its multiplayer mode - mixes obsessive realism with glitchiness and ultraviolence to create a sense of weird, unreal melancholy. But writer, illustrator and good tweeter Viv Schwarz, who related the above anecdote to me, has discovered that this recipe was missing a crucial third ingredient: corporate culture. They've been meeting with workmates in the uncanny environs of RDR2 for some time now, and while they can't swear blind that it's the most efficient place to do business, it is at least not Zoom. So grab yourself a seat by the fire and a rusty tin of hawk viscera, and let's action some deliverables.

Viv brought this revelation to light with this thread on Twitter, which has since launched dozens of similar initiatives in small businesses with a taste for their weird, and has reputedly been received with delight at Castle Rockstar, where the Cowboys were originally created before being imprisoned in the game.

<blockquote>Zoom sucks, we started having editorial meetings in Red Dead Redemption instead. It's nice to sit at the campfire and discuss projects, with the wolves howling out in the night

— Viviane Schwarz (@vivschwarz) May 16, 2020</blockquote>

"Mostly we were just having a really crap time," said Viv when I spoke to them, about their meeting life before Cowboys. "We were having to deal with all those Zoom and Skype meetings and emails and phone calls... and we were just feeling worse and worse and more annoyed all the time." Minecraft was considered, apparently, but people tended to just wander off and start digging, or dumping gravel on the meeting table, "so picking the most ludicrous game to meet in seemed good."

But then, as it turned out, it wasn't quite as ridiculous as expected. "The thing is," Viv explained, "the Cowboys just look right when they're sitting around the campfire? They look like they're in a meeting: scratching noses and frowning, and occasionally gesturing."

Viv's colleagues have taken some steps to boost their immersion in the world of Cowboy conferencing, and work around the limitations of the game at the same time. "We keep trying to have coffee breaks, because it feels right - and because if you don't do anything you get kicked off the server for idling. So we order a load of coffee in, and keep brewing it to unidle". Apparently, the posse are considering getting a stew pot next, "because it feels kinda rude that we can't share snacks", but doing so will involve Viv becoming a trader, and they're a bit worried that doing so will make the camp too busy.

Etiquette, too, is important. It's polite to wash your face before a Cowboy meeting, of course, "as sometimes you can be really caked in blood and dirt, and not realise". And that's just not a professional look. Participants should also make liberal use of emotes. Viv, for example, sometimes opens up RDR2's weapon catalogue when they're reading a shared document IRL, because it makes it look like their Cowboy is thoughtfully studying it in-game. It's an expensive tactic, since if they don't order anything, their Cowboy just closes the catalogue and leaves the table, and it's pretty hard to negotiate purchasing while reading a document at the same time - but it's almost worth it for the realism.

An added perk to holding meetings in Cowboy space, Viv revealed, "is that when you agree that the meeting is over, you can all jump on your horses and do crime or justice, which is a lot less awkward than everyone smiling at the camera while they're trying to sign off". Not only that, but if colleagues are successful in the post-meeting rampage, they might just get to spend the next meeting sitting in nice mismatched chairs by the campfire, rather than having to squat on their haunches in the dirt. "Also, the landscape is amazing, so you can walk and talk, and if some other posse attacks they only get five minutes to fight you. So it's in effect a tea break, except you don't have to pretend to make tea, or agree when it happens."

Nevertheless, RDR2 is not without its drawbacks as a piece of conferencing software. And while it may avoid the ritualistic solving of minor audio and connection problems that attends the start of most conventional video calls, it comes with its own set of technical idiosyncrasies, as Viv's tweets attest:

<blockquote>"Can you parlay these people, they keep hogtying me"
"Where did you spawn?"
"Am I not on the map?"
"You're miles away... Let me just kick you out from to the posse and invite you again"

— Viviane Schwarz (@vivschwarz) May 16, 2020</blockquote>

And then there are the glitches. The main problem encountered, apparently, is that the meeting table sometimes doesn't exist for everyone. Occasionally, the whole camp will vanish, so along with the fire, leaving everyone talking away in the dark until it reappears. And if someone gets dropped out of the posse and returns, they can't sit down for the remainder of the discussion. Oh, and of course, there's the fact that "sit on the ground" is mapped to the same control as "strangle the nearest person", which can apparently lead to some pretty robust brainstorming sessions.

"It’s the same glitches as usual," Viv said, "only, they're funnier when you're talking about business about the same time. Like, you fall off a cliff, and your horse falls on your head and kills you, after which you respawn elsewhere. But your body and horse haven't disappeared. So your colleague gets distracted, silently wondering whether they should revive your horse, and trying to figure out whose body lies crushed beneath it, and all the while you're walking back from miles away, carrying on about the project."

But perhaps the eeriest presence in the world of business cowboys is Cripps, the ever-present NPC in charge of organising and maintaining the player's camp. "We thought it would be nicer to meet at the campfire rather than in a saloon, as we just liked being outdoors for a change", Viv lamented. "But we forgot that this would mean Cripps continually interjecting with stories about his life". Apparently, Viv's posse have had to work hard not to be distracted by his constant mouth-harp playing, which becomes particularly challenging when he begins to play more and more slowly. "My thoughts just slow down. I have to sit with my back to him or else the mouth harp drives me nuts," Viv said.

Sometimes, needless to say, Cripps disappears, but the sound of his mouth harp continues to haunt the camp. Viv is currently looking into whether you can silence the grim musician by continuing to trade with him, but fears that this wouldn't help anyone else in the posse, for whom the infernal jam would continue unabated. "I noticed it is possible for him to become invisible to team members, meaning they can then stand on him, while in their own world they are standing on the ground," Viv explained, running me through their logic in deducing the rules governing this eldritch presence. "But to be honest, he's a really good stand-in for the distractions we would have when meeting in a cafe usually, and he can be useful in breaking things up when we've lost focus."

The final drawback of the virtual campfire as a meeting venue is a significant one, unfortunately. You see, to get to a point where you can invite friends into a posse, and have a camp to meet at, you've got to go through the intro quests to Red Dead Online, which are unskippable, relatively dull, and time-consuming. It can take an hour or more for a Cowboy to progress through this mandatory prologue. "Especially," said Viv, "if the people you get paired up with for staff training decide to sabotage your horse wrangling".

We did discuss how fun and weird it would be if Rockstar opened up business-only servers for commercially-minded Cowboys. There's certainly a demand for it, if the interest shown by companies in the wake of Viv's tweets going big is to be believed. But we'd only floated the idea for a few minutes when we both realised how quickly the idea would sour: the whole endeavour would get bogged down in dull, intricate rules, and as Viv pointed out "it might technically be gentrification". Thinking about it, I was reminded suddenly of Deadwood, the best show ever on telly, and Al Swearengen's increasing worries over the encroachment of civilisation - somehow, then, its use as a venue for meetings has made RDR2 more thematically potent as a Western.

Perhaps, then, this West is best left wild? "I mean... it isn't a good game for an uninterrupted meeting," concluded Viv. "Or even... a meeting... really. But it still beats Zoom.""]]></description>
<dc:subject>natecrowley 2023 reddeadredemption reddeadredemption2 videogames zoom meetings rdr2 vivianeschwarz constraints howwework simulation vivschwarz</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c02d5c3cc478/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:natecrowley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2023"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reddeadredemption"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reddeadredemption2"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:videogames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zoom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meetings"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rdr2"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vivianeschwarz"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:simulation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vivschwarz"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=zJHf_SwNurY">
    <title>Two Things that Would Fix Twitter - YouTube</title>
    <dc:date>2022-11-29T01:00:57+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=zJHf_SwNurY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this clip, Hasan Minhaj mentions two things that he would add to the "Dear Twitter" video Marques made a few weeks ago. Then Marques talks about how he curates a positive Twitter experience by selectively responding to certain kinds of comments."

[See also:

"The Responsibility of Interviewing Powerful People"
https://www.youtube.com/watch?v=VghKXxtsyIk

"In this clip, Hasan Minhaj asks Marques what it's like to sit down with some of the most powerful people on the planet. They talk about Elon Musk, the late Kobe Bryant, and tech CEOs in general. "

and/or the full interview

"Are We Optimistic About Tech with Hasan Minhaj" [tags here also for this longer version]
https://www.youtube.com/watch?v=3Zch9Uaxtrw

"This week, Marques and Andrew sit down with Hasan Minhaj! They discuss everything from fantasy basketball to whether or not artificial intelligence can create art. There are a lot of upsides to new technologies, but there are also some serious negative aspects of technology that are worth discussing (hence this 2-hour long conversation). Despite all the downsides, Marques sheds some light on how he thinks about technology and continues to stay optimistic about the future. This is a good one!

Chapters:
00:00 Intro
02:00 Hasan Minhaj intro and fantasy basketball
07:55 Art and Basketball
20:33 Ad break
20:35 Hasan asks questions from his sticky notes
21:30 Staying honest as the YouTube algorithm has grown
30:00 Hasan's problem with tech
38:49 Is social media good for the entertainment industry?
49:31 Ad break
49:37 Screen addictions and anxiety
01:02:55 Conversations about AI and DALL-E 2
01:14:50 How to fix Twitter and incentivizing positive behavior online 
01:43:45 Elon Musk coverage and interviewing important people
01:55:34 A Race to Z with Hasan Minhaj
01:49:45 Outro"]]]></description>
<dc:subject>hasanminhaj marquesbrownlee 2022 twitter socialmedia behavior negativity reddit youtube scale commenting retweets identity anonymity whistleblowers technology humors wikipedia librarians ai dall-e trust elonmusk artificialintelligence algorithms dataextraction data privacy finitude infinity mortality risk life living art beauty emotions relationships meaning meaningmaking reality realism limitations constraints humanity humanness politics publicpolicy internet online web seo advertising contentcreation views attention generations constructivecriticism goodfaith badfaith engagement vulnerability marketing sensationalism spectacle incentives extremism media engineering science medicine problemsolving opinions techmedia power interviews trevornoah jonstewart softballinterviews interviewing collateraldamage finance society responsibility security</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:24913d77115d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hasanminhaj"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marquesbrownlee"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2022"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:twitter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialmedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:behavior"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:negativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reddit"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:youtube"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scale"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:commenting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:retweets"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:identity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anonymity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:whistleblowers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humors"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wikipedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:librarians"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ai"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dall-e"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:trust"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elonmusk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artificialintelligence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:algorithms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dataextraction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:data"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:privacy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:finitude"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:infinity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mortality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:risk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:life"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:living"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beauty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:emotions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:relationships"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meaning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meaningmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:realism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limitations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humanity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humanness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:publicpolicy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:seo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:advertising"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:contentcreation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:views"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:attention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:generations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constructivecriticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:goodfaith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:badfaith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:engagement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vulnerability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marketing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sensationalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:spectacle"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:incentives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:extremism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:engineering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:medicine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:problemsolving"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:opinions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:techmedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:power"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interviews"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:trevornoah"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jonstewart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:softballinterviews"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interviewing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collateraldamage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:finance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:responsibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:security"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=WQs-J3houJA">
    <title>How Chile's Socialists Won - YouTube</title>
    <dc:date>2022-03-10T02:15:00+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=WQs-J3houJA</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Chile's new president is a 36-year-old socialist, but that might just be the start of the country's changes. More than 30 years after the end of the U.S.-backed dictatorship, Chile might soon have a brand new constitution, one that Chileans actually get to vote on and approve.

But it's been a long journey to power for Chile's leftists. Fifty years ago, they were overthrown, imprisoned and even killed. This is the story of how a new generation won."]]></description>
<dc:subject>chile history 1973 1980 1990 constitution salvadorallende pinochet gabrielboric politics policy chicagoboys neoliberalism education charterschools penguinrevolution change protest strikes activism resistance healthcare water demonstrations 2011 2006 universities highereducation highered military constraints 2019 2022 2020 2021 constitutionalconvention pensions utilities socialmovements housing patriarchy violence law legal sebastiánpiñera indigenous indigeneity gender democracy apruebodignidad joséantoniokast dictatorship mayafernández camilavallejo socialism structuralchange left leftists coup latinamerica us richardnixon alejandraarriaza deregulation privatization ronaldreagan margaretthatcher 1925 socialwelfare government governance carolinapérezdattari markets capitalism gdp chileanmiracle inequality wealth 1981 nationalsecurity power 1988 patricioaylwin michellebachelet revoluciónpingüina indignados ows occupywallstreet arabspring pabloabufom 2013 congress centrists centristcoalition</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:abfb3412eebe/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chile"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1973"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1980"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1990"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constitution"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:salvadorallende"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pinochet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gabrielboric"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:policy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chicagoboys"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:neoliberalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:charterschools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:penguinrevolution"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:change"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:protest"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:strikes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:activism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:resistance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:healthcare"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:water"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:demonstrations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2006"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:universities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:highereducation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:highered"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:military"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2019"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2022"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2020"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2021"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constitutionalconvention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pensions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:utilities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialmovements"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:housing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patriarchy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:violence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:law"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:legal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sebastiánpiñera"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:indigenous"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:indigeneity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:democracy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:apruebodignidad"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:joséantoniokast"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dictatorship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mayafernández"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:camilavallejo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:structuralchange"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:left"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:leftists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coup"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:latinamerica"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:us"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:richardnixon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alejandraarriaza"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deregulation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:privatization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ronaldreagan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:margaretthatcher"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1925"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialwelfare"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:government"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:governance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:carolinapérezdattari"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:markets"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:capitalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gdp"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chileanmiracle"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inequality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wealth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1981"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nationalsecurity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:power"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1988"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patricioaylwin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:michellebachelet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:revoluciónpingüina"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:indignados"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ows"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:occupywallstreet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arabspring"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pabloabufom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2013"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:congress"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:centrists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:centristcoalition"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://nofilmschool.com/2020/05/wanting-mare-fantasy-universe">
    <title>This Filmmaker Made a Fantasy Epic With No Major Studio Support</title>
    <dc:date>2020-09-02T15:50:39+00:00</dc:date>
    <link>https://nofilmschool.com/2020/05/wanting-mare-fantasy-universe</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[trailer for The Wanting Mare here:
https://www.youtube.com/watch?v=i-lgy_tiRgQ ]]]></description>
<dc:subject>filmmaking diy 2020 micahvanhove film nicholasashebateman thewantingmare constraints via:justinpickard</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:15d954f9641c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:filmmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2020"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:micahvanhove"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nicholasashebateman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thewantingmare"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:justinpickard"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://twitter.com/aresnick/status/1206336018410082305">
    <title>Alec Resnick on Twitter: “OK, via prompt by @vgr, 1 like = 1 opinion about unschooling”</title>
    <dc:date>2019-12-15T23:54:10+00:00</dc:date>
    <link>https://twitter.com/aresnick/status/1206336018410082305</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“1. Unschooling’s greatest mistake was situating itself in the negative space of school.  It doesn’t have a coherent position on what learning is.

2. Because unschooling is reacting to school’s coercive structures, it has developed an overly naturalistic view of learning that’s about “getting out of the way” which idealizes youth, learning, and often glosses over the complexities of actually learning and working.

3. The future of unschooling is much more likely to be invented in the world of work than the world of school or unschooling.  And it probably won’t even be named as education per se for much of its infancy.

4. Mostly we talk about “learning” only to make sense of either (a) doing something inauthentic, or (b) being a novice.  At some point, you stop “learning” the guitar and start just getting better.  The most radical perspectives abandon treating learning as a distinct activity.

5. The most meaningful part of “unschooling” is the phase people go through in learning to learn and get things done without school-like structures.  Understanding why we go through that phase has much more to do with psychology than education and is woefully under-explored.

6. Education won’t see meaningful reform until the time and money associated with schooling is made available for invention and experimentation.  Unschooling, as long as it remains an “exit” strategy (in the AO Hirschman) sense, will never be instrumental to this.

7. One’s opinion about the relative decomposition of the premia which formal education earns people into human, network, and social/cultural capital is a far more important term in the mid-term future of school, learning, and unschooling than anyone’s pedagogy.

8. Education is a prematurely professionalized sector.  Basic standards of rigor, consistency, shared vocabulary, and similar which other professions take for granted don’t yet exist.  Unschooling has inherited and amplified this hubris as a reactionary position and community.

9. Human development is slow.  Experimentation requires longer time horizons than most investment vehicles permit.  To a first approximation, you can probably ignore research or reform efforts which don’t have built into their structure deep acknowledgment of this.

10. By framing its superiority in terms of rights, humane-ness, and ethics (as opposed to, e.g., efficacy), unschooling opts for the losing side of the political economy in conversations about the future of learning.  This is a harsh critique of both unschooling and education.

11. Unschooling hand-waves at the reasons school exists (e.g. “industrial revolution factory model”), but has failed to develop a coherent analysis of school’s robustness to change and staying power.  “What’s adaptive about school for whom?” is an underappreciated question.

12. School [and un-schooling] have much more to learn from kindergarten and the world of work than either appreciate.

13. It is a deep and important question why, for the most part, graduates from graduate schools of education (having nominally studied how people learn and grow), are not some of the most highly paid and sought after designers/managers in fields where knowledge work dominates.

14. A basic incoherence in discussions of unschooling, learning, and education, is that [mostly] people treat learning as a domain-independent activity.  Domain specificity of methods’ relevance/efficacy is ignored because of the political functions of discourse around learning.

15. The set of things people worry about learning is ~arbitrary, a minute sliver of what’s out there.  The process of identifying, creating curricula for, and developing educators to support learning a topic is so slow so as to make content-first reformers largely irrelevant.

16. Most discussions of learning wildly overindex on “fit” of topic-defined interest.  Learning and motivation are driven by the social and cultural contexts in which people find themselves.

17. When given the chance to focus on “cognitive” or “affective” factors in someone’s learning, returns are almost always higher emphasizing the affective.  We don’t yet have fundamental explanations for this, but it is a fact largely ignored by unschoolers and schoolers alike.

18. At most conferences, you hear about new ideas and new work.  Unschooling/alt-ed conferences are much more similar to a political caucus coming together around values.  Whether this is cause or effect, the intellectual stagnation has yet to even be identified by the sector.

19. Unschooling [and school] has never really grappled with the reality that choice amongst “education options” is better understood as choice among “insurance products” than “investment products”.  i.e. it is about raising the floor to which you can fall.

20. The timescale required to capture the long-term returns of human capital development mean that for all intents and purposes, only governments, churches, universities, and visionary billionaires will be in a position to meaningfully experiment with new K12 institutions.

21. Much of the work of unschooling has as little to do with school and learning as remediating an unhealthy relationship to body image has to do with the theory of nutrition.

22. One of the greatest unrecognized reform strategies is to leverage new, salient skills (e.g. programming) to create cover for new pedagogy.  Doing this in K12 requires inventive, intellectual work connecting these skills to all the disciplines for which school is responsible.

23. Dewey, Montessori, Reggio Emilia, Waldorf, etc.—the extent to which these have succeeded or not has ~nothing to do with their pedagogical efficacy.  It is a political/financial/cultural fact.  Efforts which do not have a historical analysis and story about this are unserious.

24. One of the most important [false] things you learn in school is that you learn by being taught.  In unschooling, many people never unlearn this, instead substituting other classes or courses for the classroom that’s now gone.

25. Many explain away counterfactuals about people who drop out/unschool/homeschool by pointing to privilege.  This is a fascinating datum.  If it were an honest point, then educators would be interested in the pedagogical and managerial insights of the upper-middle class family.

26. There are approximately as many people homeschooled as there are in charter schools.  “Charter school” is a design and governance mechanism.  As is “homeschooling”.  Talking about them as though they are pedagogies—e.g. “Does homeschooling work?”—is pure confusion.

27. Just as corporations have offered us new [often dark] visions of what the next nation states look like, so too will the first entities to figure out how to leverage tools like income share agreements to securitize human capital offer us new [maybe dark] visions of cities.

28. The bias to emphasize the cognitive in education leads people to vastly overestimate the power of remote technologies and experiences to transform learning.  If it is fundamentally social, much of it will be fundamentally local.

29. To the extent unschooling recognizes learning is a slow, social, high-touch, and therefore local process it has one up on every company tackling this space which aims to be the first in history to create a large-scale, high-touch organization anyone wants to join.

30. One of the most valuable skills those who unschool and support others who unschool develop is the ability to introduce people to a map of an intellectual territory without confusing exposure for attempted mastery.  Formal education could learn a great deal from this.

31. The most important ratio in the future of learning is the relative balance of dollars and minutes which go into (a) investigating how school works and could be improved, (b) investigating how “non-traditional” learning works, & (c) inventing new tools/approaches.

32.  Pick any organizational unit (company, lab group, whatever).  The first 100h of activity on-boarding a junior colleague to that group likely represents 1000h (8–10m full-time) of rigorous activity for a young person.  Unschooling should focus on organizing access to this.

33. One of the cleverest sleights of hand—whose provenance I’m still mystified by—is that we discuss learning’s future in terms of methods instead of entrants/products.  Learning is one of the most “execution-dependent” and “recipe-resistant” activities I can imagine.

34. Once you assume the moniker of “alternative”, you’ve lost the whole ball game.

35. Unschooling is really a battle against legibility.  Competing with school will mostly be about subverting or competing with its measures of legibility.  School’s measures are far less meaningful than most will admit.  In whose interest is it to improve them?

36. To the extent that unschooling (and school reform) must confront legibility, as work product becomes increasingly structured and digitized (e.g. Figma, GitHub, etc.) there is a growing opportunity to leverage passive process artifacts for analysis and evaluation.

37. Conversely, most attempts to leverage portfolios or similar dramatically underestimate the sensing bandwidth constraints they’re up against.  Last I checked, MIT spends an average of eleven (11) minutes evaluating a candidate.

38.  Unschooling rightly recognizes an opportunity to unbundle (often leveraging online and community resources).  Its efficacy requires knowing youth well (which dramatically increases CAC).  No one knows whether, including that, there’s any value to be unlocked by unbundling.

39. Many undertake alternative educational arrangements/endeavors prompted by their own children.  Though an authentic motive, it is not durable: Starting and growing the organization will outlive your kid’s needs.

40. A core challenge in organizing for educational change (in unschooling and elsewhere) is that your constituency (youth and families) are definitionally ephemeral.  Someone is only in middles school for three years.  The average urban superintendent is in office for ~3y.

41. One of the hardest rhetorical positions unschooling (and any reform) are forced to adopt is “doing less” than school.  School doesn’t do what it sets out to for many youth.  But, it controls the dialogue around new entrants and can hold them to that, unachieved standard.

42. In the analogy to environmentalism, if “unschooling” is “going off grid”, we are still in search of our Rachel Carson, our _Silent Spring_, our Learning Environment Protection Agency.  Without that, efficacy at the margin is irrelevant.

43. Continuing the environmental analogy: Unschooling would do well to find its Alice Waters https://en.wikipedia.org/wiki/Alice_Waters — What is its Chez Panisse?  What is the highest practice of it which is unimpeachable, even if it is upmarket and unreplicable?

44. The legal/political approaches which characterized the rise of homeschooling are underfunded and underexplored.  e.g. Whence families’ [and youth's] rights to free assembly?  Pursuing these requires meaningful alternatives, which is one function of

<blockquote>43. Continuing the environmental analogy: Unschooling would do well to find its Alice Waters https://en.wikipedia.org/wiki/Alice_Waters — What is its Chez Panisse?  What is the highest practice of it which is unimpeachable, even if it is upmarket and unreplicable?</blockquote>

45. Learning experiences involve tools/materials, learners, and facilitators.  We are limited by our tools and materials.  Many are designed for school.  Funding the creation of new tools and materials generally requires targeting schools as your customer.  This is unsolved.

46. An underappreciated question for theories of change which assume you can work forward from school as it exists: If culture eats strategy for breakfast, and if many of the fundamental, sector-wide issues in schooling are cultural, what form should your answer to that take?

47. A basic human capital challenge facing both unschooling and schooling: For youth to [learn to think critically, develop and pursue their own projects, whatever], they need to see people doing that.  How do you define adults’ role as _both_ facilitators and investigators?

48. One of the most exciting shifts now possible (given the nature of remote knowledge work) is the economic emancipation of youth aged 14–18.  Small steps toward this represent radical threats for traditional educational establishments.

49. A big strategic obstacle facing unschooling is that school can always shift internal structures to enable ongoing rent-seeking on your education.  So you should expect (as you see), more options for flexible “school” experiences which don’t threaten the institution overall.

50. Just as we have postmortems and sunsets of companies and their strategies, we need the same for educational thinkers and initiatives.  The arc of work by someone like John Holt can tell us a lot about the dangers and obstacles for reformers, these remain unarticulated.

51. Whatever your flavor of reform, one of the most valuable distinctions to make is between the political question of who should control youth’s experience how, and the technical question of how to support learning.  Incumbents benefit from their conflation.

52. In the near-term, unschooling will be a force for increased socioeconomic and racial stratification.  Whether it will be so in the long term is a question of institutions.  This makes unschooling’s failure to engage with institutional politics all the more serious.

53. One of the most radical exogenous events which could unfold for unschooling (and many of the caring professions) is the development of a UBI and UBI-like systems.

54. There are many reasons you see “alternatives” flourish in K5, to a lesser extent 6–8, and not at all in 9–12.  The proximity of social/economic realities of adulthood.  Without changing this, those constraints will always backpropagate through the ghost of high school future.

55. In searching for an alternative identity, unschooling groups have a lot to learn from other groups which are quite narrow but seen as broadly rigorous (Iowa Writers Workshop, MIT Media Lab, Harvard Law School).

56. One of the core things unschooling [often] gets right is a set of advantages taken for granted by every upper-middle class family: a small set of people who know you well, are invested in your success, and can responsively allocate resources on the behalf of your development.

57. Another conceptual challenge for unschooling: Conceptually, what is the difference between a great book and a great lecture?  How would you criticize a lecture without resorting to stereotypes of bad lectures?  Or coercive elements?

58. Oftentimes, it is hard or impossible to get interested in things which are not in your environment.  To the extent that unschooling focuses on the absence of structure, it also fails to grapple with the question of how to think about fertilizing youth’s soil.

[NB From this thread so far, it may sound like I'm just dumping on unschooling.  If so, this is merely the narcissism of small differences: I have so much hope for alternative approaches, I wish their proponents tackled these bigger questions more seriously and aggressively!]

59. One of the greatest opportunities facing various, self-selected communities of “alternative” education is to use their access to time with youth and adults as the foundation for an organization analogous to the Mayo Clinic or Media Lab or Xerox PARC.

60. One of the most radical requirements of taking unschooling seriously is defining a social life/role for youth distinct from their identity as students.  The dramatic expansion of the ease and possibility of this when you can be Very Online™️ is a tremendous opportunity.

61. One of the deeper things Seymour Papert ever said was that you can’t think about thinking without thinking about thinking about something.  Strategically, this suggests that unschooling might do better to tackle supremacy topic by topic, tool by tool.

62. Significant portions of unschooling and homeschooling are not about alternative pedagogies.  They are about avoiding toxic environments, securing needed special education services, and similar.

63. One of the beautiful things about the idea of “public” education is its availability to everyone.  Minority needs (special education, English Language Learners, etc.) play an outsized role in school bureaucracy.  Unschooling has ~ no answer to these questions currently.

64. One of the most important consequences of a constitutional guarantee of freedom of education would be to, over time, force the government to unbundle funding and services for these minority needs.

65. This is the most exciting/frustrating time to be alive if you’re interested in the future of learning.  The gap between novices and real, intellectual work is shrinking at an unprecedented rate.  There are lifetimes of work to be had mining the progress of the past decade.

66. Early College High School is a model for what rent-seeking will look like as alternatives push their way into school: https://en.wikipedia.org/wiki/Early_college_high_school Its insight and reform is literally _send youth to less high school_.  And they managed to get high schools to own it!

67. [For the wealthy,] the equivalent on the consumer side will look increasingly like the relationship between, say, Stanford and YC.  Consumers will secure intangible cultural capital through institutional affiliation, and someone else will take on human capital.

68. Some branding alternatives for unschooling (if it is really about self-directed learning and removing school’s structures): PhD, MFA, apprenticeship, football team, contemplative practice.  All of these have less brand liability than unschooling.  Why stick with it?

69. One of the scariest suspicions of my own beliefs (as they align with unschooling) is that perhaps our relationship to institutions is just as fundamental, immovable, and worth just working forward from as our relationship to any other tribe.

70. Self-direction is powerful.  It leaves largely unanswered questions of critique and quality.  To the extent excellence emerges from environments of intense critique and aspirations to excellence, neither school nor unschooling have coherent answers to this cultural question.

71. One of the most powerful corollaries of erasing the line between learning/living is that you realize that novices are often doing the same _kind_ of intellectual work as professionals, just less effectively.  Unschooling should leverage this opportunity for apprenticeship.

72. The biggest problem in unschooling is access to time with youth + money to spend it well.  The second biggest is access to adults who can create intellectually rich/rigorous environments for youth.  The third biggest is access to great tools and materials to support work.

73. A common question in confronting unschooling and similar is, “But what if they [don't want to, are bored, don't know what they're interested in, etc.]?”  One of unschooling’s great integrities is pointing out that school has approximately no answer to this question either.

74. A categorical question unschooling must answer if it is to ever become mainstream: Left to their own devices, under what conditions can/should a young person be able to choose an “inferior” educational product or experience?  Technocrats will say “None”, purists “Any”.

75. Every educational innovation is “experimenting” on youth, nearly nothing is validated with anything approaching the rigor or seriousness that you expect of any other good or service in the public sector.

76. One of the biggest reasons this is not a problem in practice is because youth are remarkably robust.  This is as an advantage of this sector’s!  Very little of what systems do or don’t has an outsized effect.  Class remains the strongest predictor. [referencing 74]

77. People’s concerns about the “socialization” of unschooled youth are disconnected from reality.  One of the best things unschooling could do would be to cement its position as often a socially and emotionally healthier pathway to reframe its work as a public health issue.

78. This is a photograph from the original Sudbury Valley School a few years ago.  https://sudburyvalley.org It is the rules for operating the microwave.  Democratic/free-schools make the same mistake as those suggesting that everyone need to re-discover calculus for themselves.

79. In contrast, this is a photograph from a Boston Public School.  Plenty of people choose unschooling or free schooling or democratic schooling over public school because of nothing other than what the semiotics of this juxtaposition imply. [compared to 78]

80. Neither schooling nor unschooling will play a significant role in the liberal goals of equalizing society.  School will always play handmaiden to the structure of labor and capital.  The most radical efforts look for ways to leverage this fact.

81. Understandably, unschooling is full of people with a fraught relationship to school.  Many in school look down on them (either irrelevant bc they are wealthy or irrelevant bc they secretly think failure in school makes you a failure).  This is a serious strategic challenge.

82. In my lifetime, ~free college will become a reality in the United States.  This will be an enormous opportunity for those interested in unschooling.  They will not take this opportunity; industry will.  And so industry will define the future of “alternative” education.

83. One of the most persistent sociological effects in education research is that poor youth define “good” students by obedience/work ethic while rich do so by creativity/intelligence.  Changing this is one of the most politically radical projects unschooling could tackle.

84. Structure is not coercion.  Just because something is hard does not mean it is rigorous.  Just because something isn’t fun doesn’t mean its coercive.  These distinctions matter, and both school and unschooling confuse them to no end.

85. As unhealthy as they can be, one of the better facets of, say, hustle culture or creative self-help is the embrace of meaningful work + fulfillment as hard + challenging.  Progressive education (incl. unschooling) must get beyond handwaving about how to support this well.

86. The first thing people did w/ the movie camera was make films of plays.  We’ve made online, distributed classes.  Unschooling could be a *small* market for those exploring meaningful, creative applications of technology with youth.  But it won’t be VC scale in the next 20y.

87. Nintendo spends more on R&D than the NSF spends on education research each year.  These alternative sources of capital are long frustrated with the irrelevance of their results to traditional school.  Unschooling, homeschooling, and similar could be real partners for them.

88. Graduate schools of education don’t investigate homeschooling and unschooling (or better yet, run their own educational environments) because (a) their clientele are traditional schools, and (b) they cannot afford the brand risk of failing.  Business model is destiny.

89. One of the signs of a healthy professional and intellectual community is self-critique and reflection.  I may not be in the community enough to know, but as a small, alternative perspective, unschooling has yet to muster this capacity.

90. At some point, industries w/ a surplus of inbound talent will take the already nearly-formalized structure of tech internships to their logical conclusion and begin charging tuition.  One of the best things unschooling could do is offer case management around these paths.

91. One of the silliest illusions education reformers (including unschooling) labors under is that improved results will persuade the system to do anything.

92. In many other domains, 10x improvement is possible.  In education, 10x improvement is ~ impossible on time or cost for reasons of human development.  This has serious ramifications for the challenges of organizational change, theory of change, funding innovation, and similar.

93. Something unschooling gets right is that it frames its work as a movement and school of thought.  Too much change these days is framed in terms of individual entrants, products, and technologies.  The staying power of incumbents requires institutional time scales.

94. Something unschooling gets wrong, having gotten its timescales right, is its complete lack of any [critical] sense of history.  There are no consensus explanations for the arc of unschooling’s success or lack thereof.  This is a crazy situation for a reform movement.

95. The @recursecenter is one of the most serious and thoughtful efforts in (influenced by?) unschooling I know of.  As practitioners, they have more to say about the practicalities of these issues than 90% of the people I meet.

96. Unschooling has many unknown allies in other disciplines and domains.  The refusal, by and large, to engage the academy or its output means there are significant, low-hanging fruit to seize to bring to unschooling.  This will require making epistemology and psychology allies.

97. Much as great management and communication is often the limiting reagent on a team, great management and mentorship is often the limiting reagent in human development.  Pedagogy has nearly no language for this.  Most differences in efficacy therefore go unexplained.

98. From the POV of theory of change, one of the most challenging aspects of beginning work w/ marginal communities is that you actually bolster and improve the position of the incumbent.  “Disruptive” innovation moving upmarket requires feedback loops which don’t exist.

99. Confidence is socially constructed, and represents a significant part of what forms the cultural capital of top tier schools and similar.  Unschooling would do well to establish and build counter-narratives around artifacts like this https://youtube.com/watch?v=Ng5qzH39nyg

100. Despite all of these challenges, I believe that inventing the future of learning is among the most exciting and impactful work anyone can do.  It beats the constraints of industry and artifice of the academy.  Unschooling would do well to leverage this to attract talent.

OK that’s 100.  I have no original ideas.  If you found anything in this thread interesting, please take the time to review, in detail, the work of thinkers like Holt, Papert, and Dewey.  None have the answer, but they and others have done incredible work on these questions.

For those interested, a few starting points:

Dewey’s “My Pedagogic Creed” http://dewey.pragmatism.org/creed.htm

Papert’s _Mindstorms_ http://mindstorms.media.mit.edu

Illich’s Deschooling Society http://davidtinapple.com/illich/1970_deschooling.html

Holt’s How Children {Learn; Fail} https://amazon.com/dp/B074MGJ457 https://amazon.com/dp/0201484021

Please feel free to DM me or reach out to alec@powderhouse.org if you’d like to chat about any of this!

Thanks @vgr for the prompt!“]]></description>
<dc:subject>unschooling alecresnick education learning deschooling legibility credentials charterschools howwelearn pedagogy howweteach schools schooling society work chezpaniesse local alicewatters learningecologies environment rahcelcarson resources tools organization organizing montessori reggioemilia portfolios formal informal informallearning mastery labor homeschool waldorf johndewey history psychology humandevelopment skills coercion alternative altedu greatbooks networks networking class canon classism inequality universalbasicincome ubi constraints economics race institutions flexibility disciplines specialization exposure edg srg mitmedialab ledialab xeroxparc access identity opportunity edtech branding culture culturalcapital rent-seeking bureaucracy sudburyschools sudburyvalleyschools reality social technocrats publicschools publicgood apprenticeships mentoring publicgoods medialab</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:997cf2837970/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alecresnick"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:legibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:credentials"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:charterschools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwelearn"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pedagogy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howweteach"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:schools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:schooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:work"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chezpaniesse"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:local"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alicewatters"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learningecologies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:environment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rahcelcarson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:resources"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:organization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:organizing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:montessori"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reggioemilia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:portfolios"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:formal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:informal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:informallearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mastery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:labor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:homeschool"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:waldorf"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:johndewey"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:psychology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humandevelopment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skills"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coercion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alternative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:altedu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:greatbooks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:networks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:networking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:canon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inequality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:universalbasicincome"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ubi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:economics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:institutions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flexibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:disciplines"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:specialization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exposure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:srg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mitmedialab"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ledialab"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:xeroxparc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:access"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:identity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:opportunity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edtech"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:branding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culturalcapital"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rent-seeking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bureaucracy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sudburyschools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sudburyvalleyschools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:social"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technocrats"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:publicschools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:publicgood"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:apprenticeships"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mentoring"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:publicgoods"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:medialab"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.newyorker.com/culture/the-new-yorker-interview/going-home-with-wendell-berry">
    <title>Going Home with Wendell Berry | The New Yorker</title>
    <dc:date>2019-07-16T02:27:01+00:00</dc:date>
    <link>https://www.newyorker.com/culture/the-new-yorker-interview/going-home-with-wendell-berry</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via: https://twitter.com/annegalloway/status/1150867868696772608 ]

[Too much to quote, so here’s what Anne quoted:]

“Lancie Clippinger said to me, and he was very serious, that a man oughtn’t to milk but about twenty-five cows, because if he keeps to that number, he’ll see them every day. If he milks more than that, he’ll do the work but never see the cows! The number will vary from person to person, I think, but Lancie’s experience had told him something important.”]]></description>
<dc:subject>via:anne wendellberry rural slow small empathy kindness georgesaunders relationships neighbors amish care caring maintenance human-animalrelations human-animalrelationships culture farming agriculture local locality place trees history multispecies morethanhuman language restorativejustice justice climatejustice socialjustice johnlukacs environment sustainability kentucky land immigration labor work gender ownership collectivism conversation lancieclippinger god faith religion christianity submission amandapetrusich individualism stewardship limits constraints memory robertburns kafka capitalism corporations life living provincialism seamusheaney patrickkavanagh animals cows freedom limitlessness choice happiness davidkline thomasmerton service maurytilleen crops us donaldtrump adlaistevenson ezrataftbenson politics conservation robertfrost pleasure writing andycatlett howwewrite education nature adhd wonder schools schooling experience experientiallearning place-based hereandnow presence learning</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8fe586521de3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:anne"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wendellberry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rural"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:slow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:small"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:empathy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kindness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:georgesaunders"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:relationships"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:neighbors"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:amish"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:care"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:caring"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maintenance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:human-animalrelations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:human-animalrelationships"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:farming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:agriculture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:local"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:locality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:place"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:trees"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:multispecies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:morethanhuman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:restorativejustice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:justice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:climatejustice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialjustice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:johnlukacs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:environment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sustainability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kentucky"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:land"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:immigration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:labor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:work"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ownership"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collectivism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conversation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lancieclippinger"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:god"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:faith"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:religion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:christianity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:submission"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:amandapetrusich"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:individualism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stewardship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:memory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robertburns"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kafka"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:capitalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:corporations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:life"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:living"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:provincialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:seamusheaney"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patrickkavanagh"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:animals"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cows"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freedom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limitlessness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:choice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:happiness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:davidkline"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thomasmerton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:service"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maurytilleen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:crops"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:us"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:donaldtrump"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:adlaistevenson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ezrataftbenson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conservation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robertfrost"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pleasure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:andycatlett"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwewrite"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:adhd"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wonder"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:schools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:schooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experientiallearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:place-based"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hereandnow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:presence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=TiHKbeDOXas">
    <title>Laurel Schwulst, &quot;Blogging in Motion&quot; - YouTube</title>
    <dc:date>2019-05-07T22:19:07+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=TiHKbeDOXas</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This video was originally published as part of peer-to-peer-web.com's NYC lecture series on Saturday, May 26, 2018 at the at the School for Poetic Computation.

It has been posted here for ease of access.

You can find many other great talks on the site:
https://peer-to-peer-web.com

And specifically more from the NYC series:
https://peer-to-peer-web.com/nyc "

[See also:
https://www.are.na/laurel-schwulst/blogging-in-motion ]]]></description>
<dc:subject>laurelschwulst 2019 decentralization p2p web webdesign blogging movement travel listening attention self-reflection howwewrite writing walking nyc beakerbrowser creativity pokemon pokemonmoon online offline internet decentralizedweb dat p2ppublishing p2pweb distributed webdev stillness infooverload ubiquitous computing internetofthings casygollan calm calmtechnology zoominginandout electricity technology copying slow small johnseelybrown markweiser xeroxparc sharing oulipo constraints reflection play ritual artleisure leisurearts leisure blogs trains kylemock correspondence caseygollan apatternlanguage intimacy dweb pokémon iot</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:7a3fc36f5a3b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:laurelschwulst"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2019"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:decentralization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:p2p"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blogging"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:movement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:travel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:listening"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:attention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:self-reflection"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwewrite"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:walking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beakerbrowser"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pokemon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pokemonmoon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:offline"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:decentralizedweb"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dat"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:p2ppublishing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:p2pweb"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:distributed"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdev"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stillness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:infooverload"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ubiquitous"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:computing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internetofthings"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:casygollan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:calm"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:calmtechnology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zoominginandout"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:electricity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:copying"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:slow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:small"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:johnseelybrown"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:markweiser"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:xeroxparc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sharing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:oulipo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reflection"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:play"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ritual"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artleisure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:leisurearts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:leisure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blogs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:trains"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kylemock"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:correspondence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:caseygollan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:apatternlanguage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intimacy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dweb"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pokémon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:iot"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=t_tUZ6dybrc">
    <title>The Black Outdoors: Fred Moten &amp; Saidiya Hartman at Duke University - YouTube</title>
    <dc:date>2017-12-24T00:17:55+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=t_tUZ6dybrc</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Black Outdoors: Humanities Futures after Property and Possession seeks to interrogate the relation between race, sexuality, and juridical and theological ideas of self-possession, often evidenced by the couplet of land-ownership and self-regulation, a couplet predicated on settler colonialism and historically racist, sexist, homophobic and classist ideas of bodies fit for (self-) governance. 

The title of the working group and speaker series points up the ways blackness figures as always outside the state, unsettled, unhomed, and unmoored from sovereignty in its doubled-form of aggressively white discourses on legitimate citizenship on one hand and the public/private divide itself on the other. The project will address questions of  the "black outdoors" in relationship to literary, legal, theological, philosophical, and artistic works, especially poetry and visual arts.

Co-convened by J. Kameron Carter (Duke Divinity School/Black Church Studies) and Sarah Jane Cervenak (African American and African Diaspora Studies, UNC-G)"

…

[Fred Moten (31:00)]

"Sometimes I feel like I just haven't been able to… well, y'all must feel this… somehow I just can't quite figure out a good way to make myself clear when it comes to certain things. But I really feel like it's probably not my fault. I don't know that it's possible to be clear when it comes to these kinds of things. I get scared about saying certain kinds of stuff because I feel like sometimes it can seem really callous, and I don't want to seem that way because it's not because I don't feel shit or because I don't care. But let's talk about it in terms of what it would mean to live in a way that would reveal or to show no signs of human habitation.

Obviously there's a field or a space or a constraint, a container, a bounded space. Because every time you were saying unbounded, J., I kept thinking, "Is that right?" I mean I always remember Chomsky used to make this really interesting distinction that I don' think I ever fully understood between that which was bounded, but infinite and that which was unbounded, but finite. So another way to put it, if it's unbounded, it's still finite. And there's a quite specific and often quite brutal finitude that structures whatever is going on within the general, if we can speak of whatever it is to be within the general framework of the unbounded.

The whole point about escape is that it's an activity. It's not an achievement. You don't ever get escaped. And what that means is whatever you're escaping from is always after you. It's always on you, like white on rice, so to speak. But the thing about it is that I've been interested in, but it's hard to think about and talk about, would be that we can recognize the absolute horror, the unspeakable, incalculable terror and horror that accompanies the necessity of not leaving a trace of human inhabitation. And then there's the whole question of what would a life be that wasn't interested in leaving a trace of human habitation? So, in church, just because my friend Ken requested it, fuck the human. Fuck human inhabitation. 

It's this necessity… The phrase I use sometimes and I always think about specifically in relation to Fannie Lou Hamer — because I feel like it's me just giving a spin on a theoretical formulation that she made in practice — is "to refuse that which has been refused to you." That's what I'm interested in. And that doesn't mean that what's at stake is some kind of blind, happy, celebratory attitude towards all of the beautiful stuff we have made under constraint. I love all the beautiful stuff we've made under constraint, but I'm pretty sure I would all the beautiful stuff we'd make out from under constraint better.

But there's no way to get to that except through this. We can't go around this. We gotta fight through this. And that means that anybody who thinks that they can understand how terrible the terror has been without understanding how beautiful the beauty has been against the grain of that terror is wrong. there is no calculus of the terror that can make a proper calculation without reference to that which resists it. It's just not possible."]]></description>
<dc:subject>fredmoten saidiyahartman blackness 2016 jkameroncarter fredricjameson webdubois sarahjanecervenak unhomed unsettled legibility statelessness illegibility sovereignty citizenship governance escape achievement life living fannielouhamer resistance refusal terror beauty cornelwest fugitives captives captivity academia education grades grading degrading fugitivity language fellowship conviviality outdoors anarchy anarchism constraints slavery oppression race racism confidence poverty privilege place time bodies body humans mobility possessions</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:08cb945fcfe8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fredmoten"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:saidiyahartman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blackness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2016"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jkameroncarter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fredricjameson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdubois"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sarahjanecervenak"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unhomed"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unsettled"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:legibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:statelessness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:illegibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sovereignty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:citizenship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:governance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:escape"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:achievement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:life"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:living"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fannielouhamer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:resistance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:refusal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:terror"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beauty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cornelwest"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fugitives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:captives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:captivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:academia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:grades"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:grading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:degrading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fugitivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fellowship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conviviality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:outdoors"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anarchy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anarchism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:slavery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:oppression"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:confidence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poverty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:privilege"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:place"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:time"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bodies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:body"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humans"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mobility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:possessions"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://crapfutures.tumblr.com/post/138659230834/counter-constraints">
    <title>crap futures — counter-constraints</title>
    <dc:date>2016-02-23T09:38:06+00:00</dc:date>
    <link>http://crapfutures.tumblr.com/post/138659230834/counter-constraints</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In recent posts, starting with ‘how the future happens’, we have been exploring the factors that keep us to established paths or limit the potential for preferable futures. But as we aim in this blog (and in life generally) to go beyond mere critique, the next batch of posts will outline the concept of counter-constraints.

Counter-constraints take the identified constraining factors and invert, work around, or ignore them entirely to propose fresh perspectives and possibilities. The resulting new ways of thinking about technological futures may be more inclusive, imaginative, socially-orientated, non-corporate, or they might simply facilitate a more meaningful relationship between science and society.

For example, open-source everything can be seen as a series of counter-constraints to restrictive infrastructure such as copyright laws, gated knowledge systems, and complex production lines. Back in the 1970s, Italian designer Enzo Mari sought to democratize furniture construction with autoprogettazione?, a DIY approach to ‘making easy-to-assemble furniture using rough boards and nails’. Mari wrote:

In my job as designer, or rather as an intellectual who contradicts the actual state of things, I try within the network of commissions and projects to ‘smuggle in’ moments of research and ways of creating the stimulus to free oneself from ideological conditioning, standard norms, behaviour and taste.
The book is full of beautiful stuff - we’ve already made two ping-pong tables and a couple of chairs from his instructions. Taking Mari’s lead, it is possible for anyone - without sophisticated tools or machinery - to sidestep the usual trip to Ikea.

Well, almost anyone - you still need basic building skills. The Enzo Mari example also relates to another constraint we’ve discussed, that of education. We’ve used his book to teach students the kinds of skills that are becoming rarer these days thanks to over-digitalisation, the consequential focus on 3D printing and laser-cutting, and the rapid shift toward sealed-box design.

Time for coffee and toast. In our next post we’ll look at how to ‘counter-constrain’ progress dogma.

note: apologies to the Mari purists. We used screws rather than nails for dismantleability."]]></description>
<dc:subject>constraints counter-constraints enzomari 2016 diy furniture autoprogettazione inversion futures future design crapfutures democratization 1970s science society technology knowledgesystems perspective possibilty</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b967d515a4fc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:counter-constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:enzomari"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2016"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:furniture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:autoprogettazione"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inversion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:futures"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:future"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:crapfutures"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:democratization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1970s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:knowledgesystems"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perspective"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:possibilty"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://crapfutures.tumblr.com/post/134923133759/constraint-no-2-legacies-of-the-past">
    <title>crap futures — constraint no. 2: legacies of the past</title>
    <dc:date>2016-01-12T06:27:56+00:00</dc:date>
    <link>http://crapfutures.tumblr.com/post/134923133759/constraint-no-2-legacies-of-the-past</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We are locked into paths determined by decisions or choices made in previous eras, when the world was a much different place. For various reasons these legacies stubbornly persist through time, constraining future possibilities and blinkering us from alternative ways of thinking.

Here, sketched as usual on a napkin over coffee and toast, are some thoughts on legacies of the past that exercise power over our future.

Infrastructure. Take energy, for example. Tesla’s invention of alternating current became the dominant system - rather than Edison’s direct current - essentially because it allowed electricity generated at power stations to be capable of travelling large distances. Tesla’s system has, for the most part, been adopted across the world - an enormous network of stations, cables, pylons, and transformers, with electrical power arriving in our homes through sockets in the wall. This pervasive system dictates or influences almost everything energy related, and in highly complex ways: from the development of new energy generation methods (and figuring out how to feed that energy into the grid) to the design of any electrical product.

Another example is transportation. As Crap Futures has discovered, it is hard to get around this volcanic and vertiginous island without a car. There are no trains, it is too hilly to ride a bike, buses are slow and infrequent, and meanwhile over the past few decades the regional government - one particular government with a 37-year reign - poured millions into building a complex network of roads and tunnels. People used to get to other parts of the island by boat; now (and for the foreseeable future) it is by private car. This is an example of recent infrastructure that a) perpetuated and was dictated by dominant ideas of how transportation infrastructure should be done, and b) will further constrain possibilities for the island into the future.

Laws and insurance. There is a problematic time-slip between the existence of laws and insurance and the real-life behaviour of humans. Laws and insurance are for the most part reactive: insurance policies, for example, are based on amassed data that informs the broker of risk levels, and this system therefore needs history to work. So when you try to insert a new product or concept - a self-driving car or delivery drone - into everyday life, the insurance system pushes back. Insurance companies don’t want to gamble on an unknown future; they want to look at the future through historical data, which is by nature a conservative lens.

Laws, insurance, and historical infrastructure often work together to curb radical change. This partly explains why many of the now technologically realisable dreams of the past, from jetpacks to flying cars, are unlikely to become an everyday reality in that imagined form - more likely they will adapt and conform to existing systems and rules.

<blockquote>"No great idea in its beginning can ever be within the law. How can it be within the law? The law is stationary. The law is fixed. The law is a chariot wheel which binds us all regardless of conditions or place or time." — Emma Goldman, Anarchism and Other Essays (1910)</blockquote>

It is true that laws sometimes outstay their welcome or impede progress. The slow pace at which laws change becomes more and more apparent as the pace of innovation increases. But there are positive as well as negative constraints, and laws often constrain us for good (which of course is their supposed function). At best, they check our impulses, give us a cooling off period, prevent us from tearing everything down at a whim.

So the law can be a force for good. But then of course - good, bad, or ineffectual - there are always those who find ways to circumvent the law. Jonathan Swift wrote: ‘Laws are like cobwebs, which may catch small flies, but let wasps and hornets break through.’ With their shock-and-awe tactics, companies like Uber manage to overcome traditional legal barriers by moving faster than local laws or simply being big enough to shrug off serious legal challenges.

Technology is evolutionary. (See Heilbroner’s quote in the future nudge post.) Comparisons between natural and technological evolution have been a regular phenomenon since as far back Darwin’s On the Origin of Species (1859). Darwin’s revolutionary work inspired philosophers, writers, and anthropologists - Marx and Engels, Samuel Butler, Augustus Pitt-Rivers - to suggest that technological artefacts evolve in a manner similar to natural organisms. This essentially means that technological development is unidirectional, and that radical new possibilities do not happen.

Viewing technology in evolutionary terms would appear to constrain us to only the possibilities that we could reasonably ‘evolve’ into. But this does not have to be the case: natural evolution works by random mutation and natural selection with no ‘plan’ as such, whereas technological innovation and product design are firmly teleologic (literally ‘end-directed’). In other words, the evolutionary model of technological change ignores basic human agency. While natural organisms can’t dip into the historical gene pool to bring back previous mutations, however useful they might be, innovators and designers are not locked into an irreversible evolutionary march and can look backward whenever they choose. So why don’t they? It is a case - circling back to constraint no. 1 - of thinking under the influence of progress dogma."]]></description>
<dc:subject>crapfutures constraints darwin evolution innovation future progress progressdogma transportation infrastructure law legal time pace engels friedrichengels technology californianideology emmagoldman anarchism insurance policy electricity nikolatesla thomasedison systems systemsthinking jonathanswift samuelbutler karlmarx longnow bighere augustuspitt-rivers 2015 charlesdarwin</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:a3f21afca119/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:crapfutures"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:darwin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:evolution"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:innovation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:future"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:progress"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:progressdogma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:transportation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:infrastructure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:law"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:legal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:time"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pace"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:engels"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:friedrichengels"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:californianideology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:emmagoldman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anarchism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:insurance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:policy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:electricity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nikolatesla"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thomasedison"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systems"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systemsthinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jonathanswift"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:samuelbutler"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:karlmarx"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:longnow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bighere"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:augustuspitt-rivers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2015"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:charlesdarwin"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://crapfutures.tumblr.com/post/134529897709/constraint-no-1-progress-dogma">
    <title>crap futures — constraint no. 1: progress dogma</title>
    <dc:date>2016-01-12T06:22:58+00:00</dc:date>
    <link>http://crapfutures.tumblr.com/post/134529897709/constraint-no-1-progress-dogma</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Despite the name, Crap Futures is not all gloom and doom. We may view notions of progress with a sceptical eye, but we still subscribe - heartily, even - to the pursuit of a better world, however small our contribution might be.

In that spirit of improvement - and to introduce the first in our new series on constraints - let us turn for a moment to Ray Bradbury, the presiding Crap Futures muse. In his short story ‘A Sound of Thunder’ (1952), the protagonist, Eckels, travels back to the Late Cretaceous period to track and kill a Tyrannosaurus Rex. The slogan of the company that organises these tours, Time Safari, Inc., is straightforward: ‘Safaris to any year of the past … we take you there, you shoot it.’ Time Safari’s main job, aside from organising tours, is making sure each hunter leaves no footprint, literally or figuratively, in or on the past (or future - whatever, it’s confusing).

The spark in Bradbury’s cautionary tale is Time Safari’s meticulous treatment of the prehistoric ecosystem. With the vast timeframes involved, minute changes to a particular point in the past - increasing exponentially through time - can lead to dramatic differences in everything proceeding from that point. To avoid contaminating the past and altering the future, an ‘anti-gravity metal’ path hovers above the prehistoric jungle, from which hunters are instructed never to stray in even the slightest. The possible impact of any deviation from the path is conveyed in dramatic terms by the tour guide: ‘Step on a mouse and you crush the Pyramids. Step on a mouse and you leave your print, like a Grand Canyon, across Eternity.’ The hunters even wear special ‘oxygen helmets’ to avoid introducing ‘bacteria into the ancient atmosphere’.

Naturally enough, however, Eckels panics at the sight of the Tyrannosaurus and accidentally steps off the path. This leads to a typically Bradburyesque climax - which we won’t spoil here for those of you who haven’t read it.

The key message of Constraint No. 1 is that unlike Time Safari, most of those with a hand in ‘how the future happens’ have no motivation to think about long term consequences of their actions. So blinded are they, in fact, by the bright lights of progress and its successor innovation that any potentially negative impact is ignored. This positivistic message about technology is endemic, and is only being exacerbated by the ‘thumbs up’ and ‘like’ culture of the social network. Unfortunately, as we know, life is complicated and unforeseen negative outcomes happen.

Progress dogma keeps us on the current technological trajectory - it is belief as a motivational force of change. It gives this trajectory huge momentum, meaning that is is virtually impossible to change course. If you’ll pardon the bleak image, it’s a bit like the Titanic sailing directly into potentially fatal waters without a care in the world.

Once we remove the constraints of positive thinking, it becomes possible to more realistically apprehend the future in (some of) its complexity, helping us to figure out what to avoid as well as where to aim. So, how can we rethink progress to identify possible implications? How can we disconnect from the utopian mantra and twentieth-century mindset of positivist corporate culture?']]></description>
<dc:subject>crapfutures raybradbury design titanic dinosaurs sciencefiction scifi innovation constraints progress technology systemsthinking time longnow bighere skepticism timesafari implications consequences caution positivism future duediligence diligence change ecosystems californianideology 2015</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:dbcc52ff5d70/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:crapfutures"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:raybradbury"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:titanic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dinosaurs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sciencefiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scifi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:innovation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:progress"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systemsthinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:time"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:longnow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bighere"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skepticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:timesafari"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:implications"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:consequences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:caution"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:positivism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:future"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:duediligence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diligence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:change"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ecosystems"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:californianideology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2015"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://digitalmateriality.com/">
    <title>DIGITAL-MATERIALITY-OF-GIFS</title>
    <dc:date>2016-01-05T06:39:57+00:00</dc:date>
    <link>http://digitalmateriality.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[HI, my name is Sha.

I love gifs.

Some of my best friends are gifs. One of my sideprojects is GifPop, a site where people upload gifs to print animated cards.

But that's a longer story.

What I do want to talk about is animated gifs as a design material. 

But first off, a quick reminder: no one owns language.

People argue about gif or jif, but it doesn't matter. No one owns language, and even if anyone did no one is a jraphic designer or jraffiti artist.

What i love about gifs are their history and their materiality.

First specified in 1987, the creators later stated in their 1989 revision that "the graphics interchange format is not intended as a platform for animation, even though it can be done in a limited way."

And what a gloriously, gloriously limited way it is.

Animated gifs, whether you are hypnotized by them or nauseated by them, have become a visual language unto themselves, an emotive vocabulary made out of culture.

Gifs are now a medium, and their portability and accessibility to anyone allows for endless remixing and reinterpretation.

Gifs weren't always this way. 

We all remember the various under construction or dancing baby gifs from the 90s, and all the bedazzled backgrounds on myspace pages.

The gif spec limits color palettes to 256 colors, and must store the pixels that have changed for every frame of animation.

This makes them very inefficient for rendering or storing entire movies, but has made them nicely equipped to capture the most delicate of moments.

Because gifs can specify an infinite loop, they both break time and increase legibility, creating the beauty we call a reaction gif.

But gifs aren't just about cutting up bits of media.

The inefficiency of the file format and the upload limits of the social networks themselves have created a whole ecosystem of experimentation and juggling around constraints.

In Jamie Beck and Kevin Burg's work, they realized that by isolating movement they could make gifs at a much higher quality than most, and still fit Tumblr's strict upload requirements, creating the style they call cinemagraphs.

Sports editors like @dshep25 have taken this technique even further, taking advantage of controlled camera angels to collapse and collage many similar shots into a single gif, like this one of Lebron James.

Artists of course are leading this exploration.

The work of dvdp and 89-a both explore extremely limited color palettes while using tight loops and large swaths of black to reduce file size.

The work of Nicolas Fong explores this dense looping to a ridiculous extreme, creating hyperintricate animations that evoke the phenakistoscopes of the 1800s.

And we even see the seams of the network in the content that's posted.

On Tumblr, where upload limits are small but multiple side-by-side gifs are permitted, people collage snippets of dialogue together.

On Imgur, the preferred uploader for redditors, upload limits are much higher, enough for entire scenes to be remixed.

Here on Newhive, artists like molly soda take advantage of the support for transparency and collaging to make pieces like this, displaying messages from her Okcupid inbox.

Content like this just explodes, and with attention comes money.

Newer networks like Vine have popped up, creating their own medium of looping video.

These days for every Vine THERE are a dozen competing looping apps trying to capitalize on this meme economy.

But while these advances are exciting, the mainstreaming of gifs is not without its losses.

Tumblr now has a minimum resolution size. 

Imgur is now promoting its own videogif format.

Facebook and Twitter have started converting gifs to video by default.

While individually these decisions to decrease file sizes or stop gifs from autoplaying make sense, this desire to optimize as well as commercialize gifs ends up siloing these animations from each other, removing the portability and ease of remixing that makes gifs exciting at all.

Gifs are a dumb, limited file format, and in the end this is why they are  important: 

They do not belong to anyone.

Because of their constraints they become a design material, to be played with, challenged, and explored. to try and domesticate them would be missing the point.

This was written BY SHA HWANG For a Pecha Kucha talk in Brooklyn and made into a remixable newhive. The ideas are from the internet.

Thank you to animatedtext for creating the amazing title gif. more detailed sources are INLINE ON THE PAGE to the right >>>>>>>>>

[Also at this URL: http://newhive.com/shashashasha/digital-materiality-of-gifs ]]]></description>
<dc:subject>shahwang gifs animatedgifs internet web facebook vine twitter fileformats constraints art webart tumblr memes remixing portability video animation emotions imgur okcupid redit newhive phenakistoscopes dvdp 89-a @dshep25 cinemagraphs jamiebeck kevinburg history media legibility resolution reactiongifs accessibility 1987 1989 gifpop culture remixculture multiliteracies</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6f5dc982dab2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shahwang"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gifs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:animatedgifs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:facebook"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:twitter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fileformats"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tumblr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:memes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:remixing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:portability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:video"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:animation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:emotions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:imgur"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:okcupid"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:redit"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:newhive"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:phenakistoscopes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dvdp"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:89-a"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:@dshep25"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cinemagraphs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jamiebeck"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kevinburg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:legibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:resolution"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reactiongifs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:accessibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1987"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1989"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gifpop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:remixculture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:multiliteracies"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://vimeo.com/album/3447854/video/131786900">
    <title>Sha Hwang - Keynote [Forms of Protest] - UX Burlington on Vimeo</title>
    <dc:date>2016-01-03T23:26:06+00:00</dc:date>
    <link>https://vimeo.com/album/3447854/video/131786900</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Let’s close the day by talking about our responsibilities and opportunities as designers. Let’s talk about the pace of fashion and the promise of infrastructure. Let’s talk about systematic failure — failure without malice. Let’s talk about the ways to engage in this messy and complex world. Let’s throw shade on fame and shine light on the hard quiet work we call design."]]></description>
<dc:subject>shahwang 2015 design infrastructure fashion systemsthinking complexity messiness protest careers technology systems storytelling scale stewartbrand change thehero'sjourney founder'sstory politics narrative narratives systemsdesign blame control algorithms systemfailure healthcare.gov mythmaking teams purpose scalability bias microaggressions dignity abuse malice goodwill fear inattention donellameadows leveragepoints making building constraints coding code programming consistency communication sharing conversation government ux law uxdesign simplicity kindness individuals responsibility webdev web internet nava codeforamerica 18f webdesign</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0b92c4398a0b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shahwang"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2015"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:infrastructure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fashion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systemsthinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:complexity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:messiness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:protest"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:careers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systems"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:storytelling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scale"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stewartbrand"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:change"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thehero'sjourney"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:founder'sstory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:narrative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:narratives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systemsdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:blame"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:control"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:algorithms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systemfailure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:healthcare.gov"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mythmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teams"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:purpose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scalability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bias"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:microaggressions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dignity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:abuse"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:malice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:goodwill"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fear"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inattention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:donellameadows"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:leveragepoints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:building"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:code"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:programming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:consistency"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:communication"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sharing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conversation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:government"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ux"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:law"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:uxdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:simplicity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kindness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:individuals"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:responsibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdev"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nava"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:codeforamerica"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:18f"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdesign"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://vimeo.com/143685855">
    <title>The Art Of Not Working on Vimeo</title>
    <dc:date>2015-12-06T21:15:38+00:00</dc:date>
    <link>https://vimeo.com/143685855</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The artist Ignacio Uriarte was stuck at a dead-end office job. Until one day he started to experiment with this concept—doing office work but without the actual work.

Episode two looks at art, office life and the freedom of zoning out.

Notes for this Episode:
I first heard about Ignacio’s work on Benjamen Walker’s podcast Theory of Everything: http://goo.gl/MYirOQ
You can see more of Ignacio’s art on his website: http://ignaciouriarte.com/ "]]></description>
<dc:subject>igniaciouriarte art work labor officework productivity 2015 freedom constraints repetition</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:317eae3e5348/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:igniaciouriarte"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:work"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:labor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:officework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:productivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2015"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freedom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:repetition"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=cPMp2dvizCw">
    <title>Anthony Ptak: Solving Problems Within Constraints - LocateFlow - YouTube</title>
    <dc:date>2015-09-25T14:42:53+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=cPMp2dvizCw</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["An interview with Anthony Ptak, theraminist, artist, and educator. We explore the definition of creativity, how to move past creative blocks and we perform a creative exercise."]]></description>
<dc:subject>creativity constraints anthonyptak 2013 interviews</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:dafbf6f654c9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anthonyptak"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2013"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interviews"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://idlewords.com/talks/web_design_first_100_years.htm">
    <title>Web Design - The First 100 Years</title>
    <dc:date>2015-07-22T15:35:17+00:00</dc:date>
    <link>http://idlewords.com/talks/web_design_first_100_years.htm</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Today I hope to persuade you that the same thing that happened to aviation is happening with the Internet. Here we are, fifty years into the computer revolution, at what feels like our moment of greatest progress. The outlines of the future are clear, and oh boy is it futuristic.

But we're running into physical and economic barriers that aren't worth crossing.

We're starting to see that putting everything online has real and troubling social costs.

And the devices we use are becoming 'good enough', to the point where we can focus on making them cheaper, more efficient, and accessible to everyone.

So despite appearances, despite the feeling that things are accelerating and changing faster than ever, I want to make the shocking prediction that the Internet of 2060 is going to look recognizably the same as the Internet today.

Unless we screw it up.

And I want to convince you that this is the best possible news for you as designers, and for us as people."

…

"So while Moore's Law still technically holds—the number of transistors on a chip keeps increasing—its spirit is broken. Computers don't necessarily get faster with time. In fact, they're getting slower!

This is because we're moving from desktops to laptops, and from laptops to smartphones. Some people are threatening to move us to wristwatches.
In terms of capability, these devices are a step into the past. Compared to their desktop brethren, they have limited memory, weak processors, and barely adequate storage.

And nobody cares, because the advantages of having a portable, lightweight connected device are so great. And for the purposes of taking pictures, making calls, and surfing the internet, they've crossed the threshold of 'good enough'.

What people want from computers now is better displays, better battery life and above all, a better Internet connection.

Something similar happened with storage, where the growth rate was even faster than Moore's Law. I remember the state-of-the-art 1MB hard drive in our computer room in high school. It cost a thousand dollars.
Here's a photo of a multi-megabyte hard drive from the seventies. I like to think that the guy in the picture didn't have to put on the bunny suit, it was just what he liked to wear.

Modern hard drives are a hundred times smaller, with a hundred times the capacity, and they cost a pittance. Seagate recently released an 8TB consumer hard drive.

But again, we've chosen to go backwards by moving to solid state storage, like you find in smartphones and newer laptops. Flash storage sacrifices capacity for speed, efficiency and durability.

Or else we put our data in 'the cloud', which has vast capacity but is orders of magnitude slower.

These are the victories of good enough. This stuff is fast enough.

Intel could probably build a 20 GHz processor, just like Boeing can make a Mach 3 airliner. But they won't. There's a corrollary to Moore's law, that every time you double the number of transistors, your production costs go up. Every two years, Intel has to build a completely new factory and production line for this stuff. And the industry is turning away from super high performance, because most people don't need it.

The hardware is still improving, but it's improving along other dimensions, ones where we are already up against hard physical limits and can't use the trick of miniaturization that won us all that exponential growth.

Battery life, for example. The limits on energy density are much more severe than on processor speed. And it's really hard to make progress. So far our advances have come from making processors more efficient, not from any breakthrough in battery chemistry.

Another limit that doesn't grow exponentially is our ability to move information. There's no point in having an 8 TB hard drive if you're trying to fill it over an AT&T network. Data constraints hit us on multiple levels. There are limits on how fast cores can talk to memory, how fast the computer can talk to its peripherals, and above all how quickly computers can talk to the Internet. We can store incredible amounts of information, but we can't really move it around.

So the world of the near future is one of power constrained devices in a bandwidth-constrained environment. It's very different from the recent past, where hardware performance went up like clockwork, with more storage and faster CPUs every year.

And as designers, you should be jumping up and down with relief, because hard constraints are the midwife to good design. The past couple of decades have left us with what I call an exponential hangover.

Our industry is in complete denial that the exponential sleigh ride is over. Please, we'll do anything! Optical computing, quantum computers, whatever it takes. We'll switch from silicon to whatever you want. Just don't take our toys away.
But all this exponential growth has given us terrible habits. One of them is to discount the present.

When things are doubling, the only sane place to be is at the cutting edge. By definition, exponential growth means the thing that comes next will be equal in importance to everything that came before. So if you're not working on the next big thing, you're nothing.

…

A further symptom of our exponential hangover is bloat. As soon as a system shows signs of performance, developers will add enough abstraction to make it borderline unusable. Software forever remains at the limits of what people will put up with. Developers and designers together create overweight systems in hopes that the hardware will catch up in time and cover their mistakes.

We complained for years that browsers couldn't do layout and javascript consistently. As soon as that got fixed, we got busy writing libraries that reimplemented the browser within itself, only slower.

It's 2014, and consider one hot blogging site, Medium. On a late-model computer it takes me ten seconds for a Medium page (which is literally a formatted text file) to load and render. This experience was faster in the sixties.

The web is full of these abuses, extravagant animations and so on, forever a step ahead of the hardware, waiting for it to catch up.

This exponential hangover leads to a feeling of exponential despair.

What's the point of pouring real effort into something that is going to disappear or transform in just a few months? The restless sense of excitement we feel that something new may be around the corner also brings with it a hopelessness about whatever we are working on now, and a dread that we are missing out on the next big thing.

The other part of our exponential hangover is how we build our businesses. The cult of growth denies the idea that you can build anything useful or helpful unless you're prepared to bring it to so-called "Internet scale". There's no point in opening a lemonade stand unless you're prepared to take on PepsiCo.

I always thought that things should go the other way. Once you remove the barriers of distance, there's room for all sorts of crazy niche products to find a little market online. People can eke out a living that would not be possible in the physical world. Venture capital has its place, as a useful way to fund long-shot projects, but not everything fits in that mold.

The cult of growth has led us to a sterile, centralized web. And having burned through all the easy ideas within our industry, we're convinced that it's our manifest destiny to start disrupting everyone else.

I think it's time to ask ourselves a very designy question: "What is the web actually for?"
I will argue that there are three competing visions of the web right now. The one we settle on will determine whether the idiosyncratic, fun Internet of today can survive.

…

Vision 1: CONNECT KNOWLEDGE, PEOPLE, AND CATS.

This is the correct vision.

…

Vision 2: FIX THE WORLD WITH SOFTWARE

This is the prevailing vision in Silicon Valley.

…

Vision 3: BECOME AS GODS, IMMORTAL CREATURES OF PURE ENERGY LIVING IN A CRYSTALLINE PARADISE OF OUR OWN CONSTRUCTION

This is the insane vision. I'm a little embarrassed to talk about it, because it's so stupid. But circumstances compel me.

…

There's a William Gibson quote that Tim O'Reilly likes to repeat: "the future is here, it's just not evenly distributed yet."

O'Reilly takes this to mean that if we surround ourselves with the right people, it can give us a sneak peek at coming attractions.

I like to interpret this quote differently, as a call to action. Rather than waiting passively for technology to change the world, let's see how much we can do with what we already have.

Let's reclaim the web from technologists who tell us that the future they've imagined is inevitable, and that our role in it is as consumers.

The Web belongs to us all, and those of us in this room are going to spend the rest of our lives working there. So we need to make it our home.

We live in a world now where not millions but billions of people work in rice fields, textile factories, where children grow up in appalling poverty. Of those billions, how many are the greatest minds of our time? How many deserve better than they get? What if instead of dreaming about changing the world with tomorrow's technology, we used today's technology and let the world change us? Why do we need to obsess on artificial intelligence, when we're wasting so much natural intelligence?


When I talk about a hundred years of web design, I mean it as a challenge. There's no law that says that things are guaranteed to keep getting better.

The web we have right now is beautiful. It shatters the tyranny of distance. It opens the libraries of the world to you. It gives you a way to bear witness to people half a world away, in your own words. It is full of cats. We built it by accident, yet already we're taking it for granted. We should fight to keep it! "]]></description>
<dc:subject>technology web webdesign internet culture design history aviation airplanes planes 2014 constraints growth singularity scale webdev siliconvalley technosolutionism boeing intel microsoft cloud raykurzweil elonmusk williamgibson inequality mooreslaw timoreilly software bloat progress present future manifestdestiny singularitarianism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:1dbd883cac5f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aviation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:airplanes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:planes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2014"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:growth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:singularity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scale"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:webdev"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:siliconvalley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technosolutionism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:boeing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:microsoft"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cloud"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:raykurzweil"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elonmusk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:williamgibson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inequality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mooreslaw"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:timoreilly"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:software"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bloat"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:progress"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:present"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:future"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:manifestdestiny"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:singularitarianism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=Muv99kqKU4U">
    <title>To Count for Nothing: Poverty Beyond the Statistics by Professor Ruth Lister - YouTube</title>
    <dc:date>2015-03-27T19:21:37+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=Muv99kqKU4U</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The lecture, chaired by Professor Sir John Hills CBE FBA, London School of Economics, was held at the British Academy in Carlton House Terrace in London on February 5th 2015.

Beyond the statistics that tend to dominate much public debate, a focus on the experience of poverty reveals its relational as well as material nature. The lecture explored this understanding of poverty with reference to the impact of the discourses that shame 'the poor' as 'the other' who 'count for nothing'. It argued that acknowledgement of the agency of people in poverty and the structural constraints and insecurity within which it is exercised together with a focus on human rights can frame counter discourses. The lecture ended with some brief reflections on political and policy implications.

About the speaker:
Ruth Lister is a Member of the House of Lords and Emeritus Professor of Social Policy, Loughborough University. She is also Honorary President and former Director of the Child Poverty Action Group, and Member of the Joint Committee on Human Rights. Baroness Lister has served on various independent Commissions, and she has published widely on poverty, social security, citizenship and gender."

[via somewhere I have forgotten a while ago and now via: https://twitter.com/josiefraser/status/581437348082249729 ]]]></description>
<dc:subject>ruthlister poverty resilience policy economics agency dignity humanrights 2015 constraints shame benefits dehumanization humanism sanctioning statistics welfare wages</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:5f1448b0b359/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ruthlister"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poverty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:resilience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:policy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:economics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:agency"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dignity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humanrights"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2015"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shame"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:benefits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dehumanization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humanism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanctioning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:statistics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:welfare"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wages"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://godardmontage.blogspot.com/2010/11/chris-markers-camera-stylo-notes-on.html">
    <title>GODARD MONTAGE: Chris Marker's Camera-Stylo / &quot;Notes On Filmmaking&quot;</title>
    <dc:date>2015-03-08T07:50:47+00:00</dc:date>
    <link>http://godardmontage.blogspot.com/2010/11/chris-markers-camera-stylo-notes-on.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["To return to Astruc, tonight's film Sans Soleil is an example of "La Camera-Stylo" par excellence. An entire book could be dedicated to Marker's editing in the film, so I will not focus on it in particular at the moment; suffice to say the montage would not have been as effective if the footage itself was not shot with such patient and active framing and movement, by a true camera-writer. I am also choosing not to mention the text, which is of course essential to the film – my focus is solely on the creative independence offered by the small camera, which Astruc so presciently predicted.  

The majority of the footage was shot by Marker himself, using a silent 16mm Beaulieu film camera to capture his own compendium of "things that quicken the heart." Although notes on the production are scare if existent at all due to Marker's public reclusiveness, we can assume a number of basic qualities that tie back to Astruc's ideas. Marker's footage seems to have been shot as the events and subjects were discovered and unfolding, and the lightweight Beaulieu provided the discreet ability to write with motion anywhere at any time during Marker's travels. Here we can note the uncanny clarity and purpose with which Marker investigates and focuses on his subjects. Early in the film at the cat cemetery in Tokyo, we have reason to suspect the man behind the camera is not an amateur but truly an auteur cameraman, as Marker moves to reframe the woman praying to the cat shrine. 

[image]

Some of my other favorite stills from the film – needless to say a pretty difficult task to choose. Note the care in framing and composition:

[images]

Serving as the film's editor as well as the fictional narrator and fictional cameraman Sandor Krashna (Krashna's friend Hayao Yamaneko is also Marker, the name translating to "Mountain Cat" or "Wild Cat," cats being of course a favorite animal [of the filmmaker]) Marker creates a work that the term "essay film" only begins to describe. Indeed, this type of filmmaking seems a direct extension of Astruc's idea of the roles of screenwriter and director losing their distinction as new technology permits the evasion of the industrial mode of filmmaking that had so far codified into the classical Hollywood system and its worldwide exponents. 

Marker's process is not unlike writing a novel or essay, wherein the author is alone with his stylus, writing an excess of ideas and musings which will ultimately be edited into its final form. Except with Marker, the writer is out engaging with the events of the world. Watching the film I feel as I am discovering cinema's potential for the first time – Sans Soleil gives lie to the notion that a fledgling filmmaker must be follow some arbitrary industrial production procedure in order to produce a work that is personal, affective, complex and sincere. As Abbas Kiarostami notes on his masterclass 10 on Ten, in regards to the small DV camera he used on Ten, small cameras "allow the artist to work alone again." Here the distinction between documentary and fiction loses its relevance in the same way it did for Godard in 2 or 3 Things I Know About Her. As Sam mentioned following the screening, it's simply because Marker and Godard choose to simply make a film and do not worry about the categories and genres which are ascribed after the fact. 

Below is an excerpt from Marker's text I transcribed from the Criterion box set for Sans Soleil/La Jetee. I cannot help but take Marker's point that technology today could allow for anyone to create something extremely personal and exploratory, free from the restraints of capital. Although his reference to Vertov is certainly appropriate, Astruc could have been evoked just as easily. The real question is: with the advent of incredibly cheap HD video cameras (this generation's Beaulieu), why aren't there more films produced in kindred spirit with Sans Soleil? Why are there virtually no other camera-writers and most importantly:

"Will there be a last letter?"

- Ian

----------------------------------------------------------------------------------------------

Notes On Filmmaking
by Chris Marker

Working on a shoestring, which in my case is more often a matter of circumstance than of choice, never appeared to me as a cornerstone for aesthetics, and Dogme-type stuff just bores me. So it's rather in order to bring some comfort to young filmmakers in need that I mention these few technical details: The material for La Jetee was created with a Pentax 24x36, and the only "cinema" part (the blinking of the eyes) with an Arriflex 35mm film camera, borrowed for one hour. Sans Soleil was entirely shot with a 16mm Beaulieu silent film camera (not one sync take within the whole film), with 100-foot reels – 2'44" autonomy! –and a small cassette recorder (not even a Walkman; they didn't exist yet). The only "sophisticated" device – given the time – was the spectre image synthesizer, also borrowed for a few days. This is to say that the basic tools for these two films were literally available to anyone. No silly boasting here, just the conviction that today, with the advent of computer and small DV cameras (unintentional homage to Dziga Vertov), would-be directors need no longer submit their fate to the unpredictability of producers or the arthritis of televisions, and that by following their whims or passions, they perhaps see on day their tinkering elevated to DVD status by honorable men."]]></description>
<dc:subject>chrismarker budget filmmaking lajetée sanssoleil audio film tools howwework cinematography cameras editing framing composition dzigavertov technology constraints</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:548182a301a8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chrismarker"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:budget"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:filmmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lajetée"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanssoleil"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:audio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cinematography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cameras"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:editing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:framing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:composition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dzigavertov"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://storify.com/laurajnash/80-days">
    <title>80 Days at GDC (with images, tweets) · laurajnash · Storify</title>
    <dc:date>2015-03-04T04:06:50+00:00</dc:date>
    <link>https://storify.com/laurajnash/80-days</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Recaps and Livetweets of Meg Jayanth's (@betterthemask) presentation."

Taking Risks

"On #80Days, @betterthemask: "my job was to tempt players into making bad choices." Oh, and also writing those 500,000 words ;)

.@betterthemask: "our goal was to teach players that making a bad strategic decision can lead to a better story" omg I'm in love

.@betterthemask talking about tricking players into making foolish decisions "because it's more fun winning by the skin of your teeth"

"It's the near-misses, the catastrophes, the daring escapes that players remember." This 100%. via @betterthemask http://www.gamasutra.com/view/news/237810/Narrative_and_design_insights_from_80_Days_writing_lead

The Dark Stuff

.@betterthemask: Don't avoid sensitive topics, but do think ethically and politically about what you're saying. #GDC2015

.@betterthemask: Slave-catching expedition is not a mechanics punishment. It's a narrative consequence for a narrative decision. #GDC2015

.@betterthemask: 80 Days deliberately deconstructs the classism, racism, and sexism of Verne's novel and steampunk in general. #GDC2015

Playing the Sidekick

.@betterthemask: The world of 80 Days turns, but it doesn't turn around you. Not being the most important person is liberating. #GDC2015

I liked the idea of the world not revolving around the main characters in the 80 days talk #GDC

Props to @betterthemask for that - playing as a minor hero was a refreshing bit of humility from the god complex of too many games n gamers.

Romance

.@betterthemask: Romances in 80 Days are important to players, but those narratives are unpredictable. Can't game the romance. #GDC2015

#gdc .@betterthemask on the value of romances that aren't skill checked and cannot be gamed

Behind-the-Scenes

I love @betterthemask’s description of approaching 80 Days as “a machine for telling stories”.

It's about READING #gosh #gasp @betterthemask 

"Talking about mechanics and narrative as oppositional completely misses the point."
#80Days 
- @betterthemask

@betterthemask, wonderful talk about building a strong narrative foundation while embracing constraints and collaboration. #GDC2015

On getting lost in research - 80-90% of the research @betterthemask did never made it into the game; rabbit-holes not avoided on 80 Days.

.@betterthemask: In games, you have to create your own editing process. Find a first reader & redraft. Protect redrafting time. #GDC2015

Writers: think ethically about your game writing, what you leave out is as critical as what you put in.  seek criticism- @betterthemask

.@betterthemask: Hire writers early and involve them in the process! (I couldn't agree more.) Use each other's strengths. #GDC2015

.@betterthemask: Make efficient design choices; figure out how to be as lazy as possible. It's a necessity. #GDC2015

Things I didn't know about 80 Days:

.@betterthemask: 80 Days has more text than the LOTR trilogy (but not as much as the first five ASOIAF books). :)  #GDC2015

.@betterthemask: Europe is all introductory. Asia adds complexity. Americas ramps up the tension. #GDC2015

So it turns out you can die tragically in @betterthemask's 80 days. Kinda stunned here  http://www.inklestudios.com/80days/journeys/?id=7qwvUJqmv4&playerName=@john_brindle 

Recaps

Narrative and design insights from 80 Days' writing lead
http://www.gamasutra.com/view/news/237810/Narrative_and_design_insights_from_80_Days_writing_lead.php

ICYMI @_shortgame on 80 Days, we pile on praise, mock “evocative”, fail at French and hype camels, drag, romance… http://www.theshortgame.net/36-80-days/ "]]></description>
<dc:subject>via:robinsloan 80days games gaming storytelling writing megjayanth edg srg research process howwework reading howweread text interactivefiction collaboration constraints tension complexity gamedesign videogames gamedev gamedevelopment if</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:54275b4a9f5e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:robinsloan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:80days"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gaming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:storytelling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:megjayanth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:srg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:research"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:process"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howweread"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:text"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interactivefiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tension"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:complexity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamedesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:videogames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamedev"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamedevelopment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:if"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.newyorker.com/arts/critics/musical/2014/07/07/140707crmu_music_frerejones?currentPage=all">
    <title>Sasha Frere-Jones: Brian Eno’s Quiet Influence : The New Yorker</title>
    <dc:date>2014-07-02T23:12:17+00:00</dc:date>
    <link>http://www.newyorker.com/arts/critics/musical/2014/07/07/140707crmu_music_frerejones?currentPage=all</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In January, 1975, the musician Brian Eno and the painter Peter Schmidt released a set of flash cards they called “Oblique Strategies.” Friends since meeting at art school, in the late sixties, they had long shared guidelines that could pry apart an intellectual logjam, providing options when they couldn’t figure out how to move forward. The first edition consisted of a hundred and fifteen cards. They were black on one side with an aphorism or an instruction printed on the reverse. Eno’s first rule was “Honour thy error as a hidden intention.” Others included “Use non-musicians” and “Tape your mouth.” In “Brian Eno: Visual Music,” a monograph of his musical projects and visual art, Eno, who still uses the rules, says, “ ‘Oblique Strategies’ evolved from me being in a number of working situations when the panic of the situation—particularly in studios—tended to make me quickly forget that there were other ways of working and that there were tangential ways of attacking problems that were in many senses more interesting than the direct head-on approach.”

Eno is widely known for coining the term “ambient music,” and he produced a clutch of critically revered albums in the nineteen-seventies and eighties—by the Talking Heads, David Bowie, and U2, among others—but if I had to choose his greatest contribution to popular music it would be the idea that musicians do their best work when they have no idea what they’re doing. As he told Keyboard, in 1981, “Any constraint is part of the skeleton that you build the composition on—including your own incompetence.” The genius of Eno is in removing the idea of genius. His work is rooted in the power of collaboration within systems: instructions, rules, and self-imposed limits. His methods are a rebuke to the assumption that a project can be powered by one person’s intent, or that intent is even worth worrying about. To this end, Eno has come up with words like “scenius,” which describes the power generated by a group of artists who gather in one place at one time. (“Genius is individual, scenius is communal,” Eno told the Guardian, in 2010.) It suggests that the quality of works produced in a certain time and place is more indebted to the friction between the people on hand than to the work of any single artist.

The growing influence of this idea, ironically, makes it difficult to see clearly Eno’s distinct contributions to music—his catalogue of recordings doesn’t completely contain his contribution to the pop canon. When someone lies on the studio floor and sings at a microphone five feet away, Eno is in the air. When a band records three hours of improvisation and then loops a four-second excerpt of the audiotape and scraps the rest, Eno has a hand on the razor blade. When everybody except for the engineer is told to go home, Eno remains. Behind Eno stand John Cage, Marcel Duchamp, and Erik Satie, but those guys didn’t make pop records.

It feels odd to call Eno’s new album, “High Life,” released this week, a collaboration. Credited to Eno and Karl Hyde, of the electronic duo Underworld, “High Life” is indeed the work of several people. But deciding that any one project of Eno’s is a collaboration seems off, because collaboration is Eno’s primary mode. Eno’s first recorded work was the sound of a pen hitting a lamp. Who deserves credit for that—Eno, the pen, or the lamp?"

…

"What became increasingly clear in the seventies was that Eno’s embrace of possibility and chance wasn’t as free-form as it seemed—it was a specific aesthetic. His name shows up on very few records you would describe as hard or aggressive, and his love of the perverse has never been rooted in hostility. Eno fights against received wisdom and habit, but rarely against the listener.

In fact, as Eno found more ways for technology to carry out his beloved generative rules, his music became less and less like rock music and closer to a soundtrack for meditation. The same year that he released “Another Green World,” he also put out “Discreet Music.” The A side was a thirty-minute piece that was written as much by machines as by Eno. In the liner notes, Eno wrote, “If there is any score for the piece, it must be the operational diagram of the particular apparatus I used for its production. . . . Having set up this apparatus, my degree of participation in what it subsequently did was limited to (a) providing an input (in this case, two simple and mutually compatible melodic lines of different duration stored on a digital recall system) and (b) occasionally altering the timbre of the synthesizer’s output by means of a graphic equalizer.”

The result is an area of sound without borders or time signature. There is no rhythm track, just layers of monody, lines programmed into a synthesizer and playing over each other. It is hypnotic, and fights your attempts to focus on it. In 1978, he started to use the term “ambient music”: the concept stretched back to describe “Discreet Music” and the work of earlier composers, like Satie, who coined the term “furniture music,” for compositions that would be more functional than expressive. In the liner notes of “Ambient 1: Music for Airports” (1978), Eno wrote, “Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.”

But “Music for Airports” was not nearly as docile as Eno wanted it to be. Though the music is gentle enough to be background music, it is too vocal in character and too melodic to be forgotten that easily. I can recall entire sequences without much difficulty. As much as Eno wanted his music to recede, and as potent as the idea was, he failed by succeeding: the album is too beautiful to ignore. But, in some ways, history and technology have accomplished what Eno did not. With the disappearance of the central home stereo, and the rise of earbuds, MP3s, and the mobile, around-the-clock work cycle, music is now used, more often than not, as background music. Aggressive music can now be as forgettable as ambient music."

…

"“I have a trick that I used in my studio, because I have these twenty-eight-hundred-odd pieces of unreleased music, and I have them all stored in iTunes,” Eno said during his talk at Red Bull. “When I’m cleaning up the studio, which I do quite often—and it’s quite a big studio—I just have it playing on random shuffle. And so, suddenly, I hear something and often I can’t even remember doing it. Or I have a very vague memory of it, because a lot of these pieces, they’re just something I started at half past eight one evening and then finished at quarter past ten, gave some kind of funny name to that doesn’t describe anything, and then completely forgot about, and then, years later, on the random shuffle, this thing comes up, and I think, Wow, I didn’t hear it when I was doing it. And I think that often happens—we don’t actually hear what we’re doing. . . . I often find pieces and I think, This is genius. Which me did that? Who was the me that did that?”"]]></description>
<dc:subject>2014 brianeno sashafrere-jones music johncage marcelduchamp eriksatie scenius collaboration notknowing constraints rules obliquestrategies art process howwework happenings bryanferry improvisation generative possibility chance genius uncertainty</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e19508f53aec/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2014"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brianeno"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sashafrere-jones"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:johncage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marcelduchamp"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eriksatie"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scenius"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:notknowing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rules"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:obliquestrategies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:process"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:happenings"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bryanferry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:improvisation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:generative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:possibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:genius"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:uncertainty"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theverge.com/2014/6/27/5849272/material-world-how-google-discovered-what-software-is-made-of">
    <title>Material world: how Google discovered what software is made of | The Verge</title>
    <dc:date>2014-06-30T04:53:23+00:00</dc:date>
    <link>http://www.theverge.com/2014/6/27/5849272/material-world-how-google-discovered-what-software-is-made-of</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We’re hardwired to comprehend physical things, Duarte says, and software all too often behaves in ways that break with our models and expectations. Wiley thinks of it as breaking the suspension of disbelief, as when something happens in a sci-fi movie that doesn’t follow its own internal logic. Duarte is a little more direct, with a subtle dig at Apple’s iOS and its flying software layers: "We’re not hurtling you through space at high speeds," he says. "We’re not puncturing your hand with invisible, impossible surfaces."

"Design is all about finding solutions within constraints," Duarte says, "If there were no constraints, it’s not design — it’s art."

Google’s designers steadfastly refuse to name the new fictional material, a decision that simultaneously gives them more flexibility and adds a level of metaphysical mysticism to the substance. That’s also important because while this material follows some physical rules, it doesn’t fall into the old trap of skeuomorphism. The material isn’t a one-to-one imitation of physical paper, but instead it’s "magical," as Duarte puts it.

It can do things that physical paper can’t, like grow and shrink with animations. Those animations were important to Google, because they help users understand where they are inside an app. "A lot of software … kind of feels like television or film in terms of jump cuts," Wiley says, causing you to lose your sense of time and place. For apps, you want something more akin to a stage play. "It’s going from one moment to the next," he says, "that scene change, and what’s happening onstage is choreographed and transitioned, and there’s meaning.""]]></description>
<dc:subject>design android google materialdesign constraints rules 2014 dieterbohn xeroxparc objects predictability matiasduarte</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:92ac4341a438/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:android"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:google"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:materialdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rules"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2014"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dieterbohn"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:xeroxparc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:objects"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:predictability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:matiasduarte"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.salon.com/2014/06/14/educations_war_on_millennials_why_everyone_is_failing_the_digital_generation/">
    <title>Education’s war on millennials: Why everyone is failing the “digital generation” - Salon.com</title>
    <dc:date>2014-06-14T23:03:27+00:00</dc:date>
    <link>http://www.salon.com/2014/06/14/educations_war_on_millennials_why_everyone_is_failing_the_digital_generation/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Both reformers and traditionalists view technology as a way to control students — and they're getting it very wrong"

…

"In addressing the hundreds of thousands who watch such videos, students aren’t the only ones in the implied audience. These videos appeal to many nonacademic viewers who enjoy watching, from a remove, the hacking of obstreperous or powerful systems as demonstrated in videos about, for instance, fooling electronic voting booths, hacking vending machines, opening locked cars with tennis balls, or smuggling contraband goods through airport x-ray devices. These cheating videos also belonged to a broader category of YouTube videos for do-it-yourself (DIY) enthusiasts— those who liked to see step-by-step execution of a project from start to finish. YouTube videos about crafts, cooking, carpentry, decorating, computer programming, and installing consumer technologies all follow this same basic format, and popular magazines like Make have capitalized on this sub-culture of avid project-based participants. Although these cultural practices may seem like a relatively new trend, one could look at DIY culture as part of a longer tradition of exercises devoted to imitatio, or the art of copying master works, which have been central to instruction for centuries."

…

"Prior to the release of this report, Mia Consalvo had argued that cheating in video games is expected behavior among players and that cheaters perform important epistemological work by sharing information about easy solutions on message boards, forums, and other venues for collaborations.

Consalvo also builds on the work of literacy theorist James Paul Gee, who asserts that video game narratives often require transgression to gain knowledge and that, just as passive obedience rarely produces insight in real classrooms, testing boundaries by disobeying the instructions of authority figures can be the best way to learn. Because procedural culture is ubiquitous, however, Ian Bogost has insisted that defying rules and confronting the persuasive powers of certain architectures of control only brings other kinds of rules into play, since we can never really get outside of ideology and act as truly free agents, even when supposedly gaming the system.

Ironically, more traditional ideas about fair play might block key paths to upward mobility and success in certain high-tech careers. For example, Betsy DiSalvo and Amy Bruckman, who have studied Atlanta-area African-American teens involved in service learning projects with game companies, argue that the conflict between the students’ own beliefs in straightforward behavior and the ideologies of hacker culture makes participation in the informal gateway activities for computer science less likely.  Thus, urban youth who believe in tests of physical prowess, basketball-court egalitarianism, and a certain paradigm of conventional black masculinity that is coded as no-nonsense or—as Fox Harrell says—“solid” might be less likely to take part in forms of “geeking out” that involve subverting a given set of rules. Similarly, Tracy Fullerton has argued that teenagers from families unfamiliar with the norms of higher education may also be hobbled by their reluctance to “strategize” more opportunistically about college admissions. Fullerton’s game “Pathfinder” is intended to help such students learn to game the system by literally learning to play a game about how listing the right kinds of high-status courses and extracurricular activities will gain them social capital with colleges."

…

"However, Gee would later argue in “The Anti-Education Era” that gamesmanship that enables universal access and personal privilege may actually be extremely counterproductive. Hacks that “make the game easier or advantage the player” can “undermine the game’s design and even ruin the game by making it too easy.” Furthermore, “perfecting the human urge to optimize” can go too far and lead to fatal consequences on a planet where resources can be exhausted too quickly and weaknesses can be exploited too frequently. Furthermore, Gee warns that educational systems that focus on individual optimization create cultures of “impoverished humans” in which learners never “confront challenge and frustration,” “acquire new styles of learning,” or “face failure squarely.”"

…

"What’s striking about the ABC coverage is that it lacked any of the criticism of the educational status quo that became so central for a number of readers of the earlier Chronicle of Higher Education story—those who were asking as educators either (1) what’s wrong with the higher education system that students can subvert conventional tests so easily, or (2) what’s right with YouTube culture that encourages participation, creativity, institutional subversion, and satire."

…

"This attitude reflects current research on so-called distributed cognition and how external markers can help humans to problem solve by both making solutions clearer and freeing up working memory that would otherwise be tied up in reciting basic reminders. Many of those commenting on the article also argued that secrecy did little to promote learning, a philosophy shared by Benjamin Bratton, head of the Center for Design and Geopolitics, who actually hands out the full text of his final examination on the first day of class so that students know exactly what they will be tested on."

…

"This book explores the assumption that digital media deeply divide students and teachers and that a once covert war between “us” and “them” has turned into an open battle between “our” technologies and “their” technologies. On one side, we—the faculty—seem to control course management systems, online quizzes, wireless clickers, Internet access to PowerPoint slides and podcasts, and plagiarism-detection software. On the student side, they are armed with smart phones, laptops, music players, digital cameras, and social network sites. They seem to be the masters of these ubiquitous computing and recording technologies that can serve as advanced weapons allowing either escape to virtual or social realities far away from the lecture hall or—should they choose to document and broadcast the foibles of their faculty—exposure of that lecture hall to the outside world.

Each side is not really fighting the other, I argue, because both appear to be conducting an incredibly destructive war on learning itself by emphasizing competition and conflict rather than cooperation. I see problems both with using technologies to command and control young people into submission and with the utopian claims of advocates for DIY education, or “unschooling,” who embrace a libertarian politics of each-one-for-himself or herself pedagogy and who, in the interest of promoting totally autonomous learning in individual private homes, seek to defund public institutions devoted to traditional learning collectives. Effective educators should be noncombatants, I am claiming, neither champions of the reactionary past nor of the radical future. In making the argument for becoming a conscientious objector in this war on learning, I am focusing on the present moment.

Both sides in the war on learning are also promoting a particular causal argument about technology of which I am deeply suspicious. Both groups believe that the present rupture between student and professor is caused by the advent of a unique digital generation that is assumed to be quite technically proficient at navigating computational media without formal instruction and that is likely to prefer digital activities to the reading of print texts. I’ve been a public opponent of casting students too easily as “digital natives” for a number of reasons. Of course, anthropology and sociology already supply a host of arguments against assuming preconceived ideas about what it means to be a native when studying group behavior.

I am particularly suspicious of this type of language about so-called digital natives because it could naturalize cultural practices, further a colonial othering of the young, and oversimplify complicated questions about membership in a group.  Furthermore, as someone who has been involved with digital literacy (and now digital fluency) for most of my academic career, I have seen firsthand how many students have serious problems with writing computer programs and how difficult it can be to establish priorities among educators—particularly educators from different disciplines or research tracks—when diverse populations of learners need to be served."

…

"Notice not only how engagement and interactivity are praised and conflated, but also how the rhetoric of novelty in consumer electronics and of short attention spans also comes into play."]]></description>
<dc:subject>education technology edtech control reform policy power 2014 traditionalism traditionalists plagiarism pedagogy learning schools cheating multitasking highered highereducation politics elizabethlosh mimiito ianbogost jamespaulgee homago betsydisalvo amybruckman foxharrell geekingout culture play constraints games gaming videogames mckenziewark janemcgonigal gamesmanship internet youtube secrecy benjaminbratton unschooling deschooling collaboration cooperation agesegregation youth teens digitalnatives marshallmcluhan othering sivavaidhyanathan digital digitalliteracy attention engagement entertainment focus cathydavidson</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2a7d45193b25/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edtech"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:control"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reform"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:policy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:power"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2014"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:traditionalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:traditionalists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:plagiarism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pedagogy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:schools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cheating"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:multitasking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:highered"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:highereducation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elizabethlosh"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mimiito"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ianbogost"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jamespaulgee"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:homago"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:betsydisalvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:amybruckman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:foxharrell"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:geekingout"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:play"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gaming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:videogames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mckenziewark"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:janemcgonigal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamesmanship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:youtube"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:secrecy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:benjaminbratton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cooperation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:agesegregation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:youth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teens"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:digitalnatives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marshallmcluhan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:othering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sivavaidhyanathan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:digital"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:digitalliteracy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:attention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:engagement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:entertainment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:focus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cathydavidson"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.youtube.com/watch?v=CpAXqHmRa0E">
    <title>▶ TOC 2012: Tim Carmody, &quot;Changing Times, Changing Readers: Let's Start With Experience&quot; - YouTube</title>
    <dc:date>2013-12-03T19:15:40+00:00</dc:date>
    <link>http://www.youtube.com/watch?v=CpAXqHmRa0E</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[Referenced here: http://stet.editorially.com/articles/attention-rhythm-and-weight/ ]]]></description>
<dc:subject>reading writing timcarmody 2012 books papermodernism paper history scrolls experience bookfuturism mallarmé skeuomorph skills literacy literacies multiliteracies constraints stéphanemallarmé</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:59906aab413c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:timcarmody"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:papermodernism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paper"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scrolls"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bookfuturism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mallarmé"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skeuomorph"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skills"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:literacy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:literacies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:multiliteracies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stéphanemallarmé"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.thersa.org/events/video/vision-videos/howard-gardner">
    <title>RSA - The App Generation: identity, intimacy and imagination in the digital era</title>
    <dc:date>2013-11-25T20:30:58+00:00</dc:date>
    <link>http://www.thersa.org/events/video/vision-videos/howard-gardner</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Professor Howard Gardner explores the challenges facing today's young people as they navigate three vital areas of adolescent life - identity, intimacy and imagination - in a digital world. How can we ensure that new technologies act as a springboard to greater creativity and higher aspiration?"

[Direct link to video: http://www.youtube.com/watch?v=sTqY-a2kvk8 ]]]></description>
<dc:subject>howardgardner education generations digital digitalage 2013 creativity imagination writing technology identity intimacy texting openstudioproject lcproject gettinglost vulnerability visual text graphicarts empathy constraints freedom</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:29cce812023a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howardgardner"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:generations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:digital"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:digitalage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2013"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:imagination"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:identity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intimacy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:texting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:openstudioproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lcproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gettinglost"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vulnerability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:visual"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:text"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graphicarts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:empathy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freedom"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.bogost.com/writing/shit_crayons.shtml">
    <title>Ian Bogost - Shit Crayons</title>
    <dc:date>2012-12-04T03:24:27+00:00</dc:date>
    <link>http://www.bogost.com/writing/shit_crayons.shtml</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Chaim Gingold gave us the useful concept of the Magic Crayon… a tool that facilitates creativity in a way that wouldn't otherwise be possible… lets its users breathe life into things.

…has a shadow side…

Inspirations like that are not magic crayons, but shit crayons…

Shit stinks. When forced to root in it, we wretch and cower. It strips us of our pride. And yet, despite it all, we rise above. We find tiny crevasses in the slippery stone walls of our cells and we climb up out of the filth. We overcome.

How resilient is the human spirit that it withstands so much? No matter what shit we throw, nevertheless people endure, they thrive even, spinning shit into gold.

Minecraft is a game about that resilience rather than one that just incites it, a masterful magic crayon made of shit crayons. A ludic prisonette.

Even if creativity comes from constraint, there's constraint and there's incarceration. A despot in a sorcerer's hat does not deserve praise for inciting desperate resilience."]]></description>
<dc:subject>poetry williamblake fanfiction videogames gaming games ingenuity constraints cowclicker inspiration making resilience wolesoyinka chaimgingold shotcrayons 2011 ianbogost creativity</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:cc0798328e68/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poetry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:williamblake"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fanfiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:videogames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gaming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ingenuity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cowclicker"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inspiration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:resilience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wolesoyinka"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chaimgingold"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:shotcrayons"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ianbogost"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.wired.com/wired/archive/7.01/eno.html">
    <title>Wired 7.01: The Revenge of the Intuitive</title>
    <dc:date>2012-11-15T01:01:00+00:00</dc:date>
    <link>http://www.wired.com/wired/archive/7.01/eno.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The trouble begins with a design philosophy that equates "more options" with "greater freedom." Designers struggle endlessly with a problem that is almost nonexistent for users: "How do we pack the maximum number of options into the minimum space and price?" In my experience, the instruments and tools that endure (because they are loved by their users) have limited options.

Software options proliferate extremely easily, too easily in fact, because too many options create tools that can't ever be used intuitively. Intuitive actions confine the detail work to a dedicated part of the brain, leaving the rest of one's mind free to respond with attention and sensitivity to the changing texture of the moment. With tools, we crave intimacy. This appetite for emotional resonance explains why users - when given a choice - prefer deep rapport over endless options. You can't have a relationship with a device whose limits are unknown to you, because without limits it keeps becoming something else.

Indeed familiarity breeds content. When you use familiar tools, you draw upon a long cultural conversation - a whole shared history of usage - as your backdrop, as the canvas to juxtapose your work. The deeper and more widely shared the conversation, the more subtle its inflections can be.

This is the revenge of traditional media. Even the "weaknesses" or the limits of these tools become part of the vocabulary of culture. I'm thinking of such stuff as Marshall guitar amps and black-and-white film - what was once thought most undesirable about these tools became their cherished trademark."

"Since so much of our experience is mediated in some way or another, we have deep sensitivities to the signatures of different media. Artists play with these sensitivities, digesting the new and shifting the old. In the end, the characteristic forms of a tool's or medium's distortion, of its weakness and limitations, become sources of emotional meaning and intimacy.

Although designers continue to dream of "transparency" - technologies that just do their job without making their presence felt - both creators and audiences actually like technologies with "personality." A personality is something with which you can have a relationship. Which is why people return to pencils, violins, and the same three guitar chords."]]></description>
<dc:subject>howwework thetoolsweuse intuition intuitive via:vruba 1999 familiarity limitations mediation experience toolmaking features featurecreep options freedom seams distortion software design creativity technology culture tools constraints tradition art intimacy brianeno music seamlessness</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:a0a8162b1885/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thetoolsweuse"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intuition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intuitive"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:vruba"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1999"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:familiarity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limitations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mediation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:toolmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:features"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:featurecreep"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:options"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freedom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:seams"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:distortion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:software"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tradition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intimacy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brianeno"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:seamlessness"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://vimeo.com/44255562">
    <title>Don't Worry About Your Gear: Casey Neistat's Guide to Getting Started on Vimeo</title>
    <dc:date>2012-11-03T07:36:19+00:00</dc:date>
    <link>https://vimeo.com/44255562</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Do you yearn to express your creative vision, but don’t have access to the latest and greatest gear? Don’t despair! Casey Neistat shows you how to capture the story you want to tell while maximizing the equipment at your immediate disposal. If you’re just getting into the world of video, this highly practical workshop is the perfect launchpad for your ideas."

[Related: http://www.thefader.com/2010/11/17/explorers-series-casey-neistat/ OR http://www.youtube.com/watch?v=hZeWsELwTK4 ]

[Also related: http://www.youtube.com/watch?v=bs2JAyEdmXA ]

[Another two: http://www.youtube.com/watch?v=gBrs3LxsruA AND http://www.youtube.com/watch?v=5skYdSWiHyM via http://constructingmodernknowledge.com/cmk08/?p=1286 ]

[And Van Neistad http://www.youtube.com/watch?v=wEOSt1vN4es AND http://www.youtube.com/watch?v=XpXDzL-h7cI AND http://www.youtube.com/watch?v=INCNXyc1NOw ]

[Studio: http://nymag.com/news/features/all-new/53362/ + http://nymag.com/news/articles/09/01/week3/nestiatbros/ ]]]></description>
<dc:subject>neistatbros vanneistat caseyneistat deschooling unschooling constraints limitations process howwework experience experiences srg edg creativity howto video film 2012 storytelling filmmaking</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:571eefe0b0d3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:neistatbros"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:vanneistat"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:caseyneistat"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limitations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:process"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experiences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:srg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howto"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:video"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:storytelling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:filmmaking"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.tomlafarge.com/">
    <title>Tom La Farge, fabulist</title>
    <dc:date>2012-10-12T05:29:14+00:00</dc:date>
    <link>http://www.tomlafarge.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Reading and travel — twin vectors of escape — have formed me as a writer by exciting a love of strangeness and an impatience with exclusive concepts (adult/​child, male/​female, human/​animal) and proprietary domains (realism/​fantasy, serious fiction/​genre fiction). I have always written to readers as a reader."]]></description>
<dc:subject>reading travel strangeness books constraints oulipo writers writing nyc brooklyn tomlafarge</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ca3cf5e04dcb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:travel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:strangeness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:oulipo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brooklyn"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tomlafarge"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://jacobinmag.com/2012/08/designing-culture/">
    <title>Designing Culture | Jacobin</title>
    <dc:date>2012-09-03T06:32:25+00:00</dc:date>
    <link>http://jacobinmag.com/2012/08/designing-culture/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“Design is one of the linchpins of capitalism, because it makes alienated labor possible.”

"My main beef with that definition is that after a year in a postgraduate design program and too many hours spent between stacks of anthropology textbooks, I still can’t figure out what “form” and “culture” even mean.

design is subject to the same limitations as any other so-called creative practice, and designers are no more authors than, well, authors are.

Yes, everyone buys too much shit and poor people get exploited in the process, but forty-two years after Baudrillard’s Consumer Society we know it’s not that simple. The ideas of waste and need are monumentally more complicated than a lot of leftists are willing to admit. Who can I trust to tell me which of my needs are real? How can I know whether I’m wasting money or investing in symbolic capital?

Design’s real power is that it makes relationships and divisions between people concrete. Without physical stuff to remind us of how we supposedly differ from one another, our hierarchies would be awfully ramshackle; stripped of our possessions, categories like “class” start to look like just a bunch of learned behaviors and confused ideas.

The point would not be lost on a five-year-old, who would realize immediately that compared to her brother’s LEGOs, hers look like they were made for an idiot.

Spatial arrangements of objects in the home, for example, or the use of different farming tools at different times of year, come to stand for intangible relationships between genders, social strata and the like, thereby anchoring abstract ideas about social organization to the physical world.

Homewares companies started designing extra-low-quality furniture and crockery and marketing them to the rich as items for their servants to use, the idea being that anyone who ate and slept on stuff that bad couldn’t help but know their place.

But it wasn’t particularly important whether the servants were savvy to the situation or not, because their employers had fulfilled their real goal: they’d successfully created material environments that reassured them that they were better than the people who worked for them, which enabled them to keep acting like they actually were better.

Once you realize that all designed objects carry this sort of encrypted information about the organization of society, something amazing happens: you suddenly stop feeling bored in home furnishings stores.

Maybe the problem with designers who boast that they are “giving form to culture” is that they don’t realize how big a responsibility they’re claiming. …

That’s not to say that designers are powerless. Far from it. They occupy a nodal position in the capitalist mode of production, and they’ll be important for getting out of it. Stuff – objects, spaces, images, technologies – play just as critical a role in restructuring relations between people as they do in maintaining them, and a solar cooker or a free software application requires way more design work than a Philippe Starck lemon squeezer. But any kind of progressive work is difficult if we’re deluded about what we actually do. As designers, we’d do well to abandon preoccupations with our own ability to generate solutions, and start being more aware of the ways that we participate in the problems."]]></description>
<dc:subject>society influence power history pierrebourdieu lego industrialdesign constraints purpose colinmcswiggen via:litherland 2012 opinion culture politics capitalism consumerism design baudrillard jeanbaudrillard</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:db9c0231f596/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:influence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:power"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pierrebourdieu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lego"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:industrialdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:purpose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colinmcswiggen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:litherland"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:opinion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:capitalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:consumerism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:baudrillard"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jeanbaudrillard"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://instagram.com/p/OfHXEfJtW5/">
    <title>Photo by caseyneistat • Instagram [&quot;How To Be A Filmmaker. an abridged essay from 2007.&quot;]</title>
    <dc:date>2012-08-18T22:52:44+00:00</dc:date>
    <link>http://instagram.com/p/OfHXEfJtW5/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["12.14.2007
Mexico City
Casey's Space (Righty)
Mexico City, Mexico

If you want to be a filmmaker. really want to be filmmaker, give it everything you've got. Your excuses are your own, everybody's got them. Too busy with your job? Quit. Don;t have a camera? Steal you mom's. Can't afford a computer? get 2 VCR's.

Doing what you want in life is hard but you're definitely going to die at some point in time so you should at least try."]]></description>
<dc:subject>2007 wantingit motivation howwecreate constraints excuses life filmmaking caseyneistat</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f2aef43214a7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2007"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wantingit"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:motivation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwecreate"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:excuses"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:life"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:filmmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:caseyneistat"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://therumpus.net/2012/08/the-rumpus-interview-with-francis-ford-coppola-2/">
    <title>The Rumpus Interview With Francis Ford Coppola - The Rumpus.net</title>
    <dc:date>2012-08-18T22:17:59+00:00</dc:date>
    <link>http://therumpus.net/2012/08/the-rumpus-interview-with-francis-ford-coppola-2/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I wanted a clean slate so I decided to embark on a series of “student films” for myself to begin anew. I thought, “How do you be like a student?” Easy, you have no money. If you have no money to pay for everything, that’s when things get interesting. The films I make now have to be inexpensive enough that I can finance them myself. This was how I made a new beginning for myself. There’s a scene in a Kurosawa movie where they get this guy, & they practically kill him, & he’s in a box. He just has this knife, & these leaves are blowing, & he throws the knife & tries to get the knife to go through a leaf, & that’s how he builds himself up. I had to do that: be broken in a box & have a second life. To do that I needed to be a student. I thought I should try to make movies w/ nothing. No money, just whatever I have. So I made Youth without Youth, then Tetro, which was very personal, then this wacky film TWIXT. I really wanted to make this last film to have fun, but even that got personal."]]></description>
<dc:subject>purity minimalviableproduct thebasics glvo creativity 2012 money constraints filmmaking francisfordcoppola</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2aef4c2e1c16/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:purity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:minimalviableproduct"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thebasics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:money"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:filmmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:francisfordcoppola"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://naffidy.blogspot.com/2007/06/andrea-zittel-these-things-i-know-for.html?m=1">
    <title>naffidy: Andrea Zittel -----&quot;These things I know for sure&quot;</title>
    <dc:date>2012-07-31T22:21:20+00:00</dc:date>
    <link>http://naffidy.blogspot.com/2007/06/andrea-zittel-these-things-i-know-for.html?m=1</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["1. It is a human trait to organize things into categories. Inventing categories creates an illusion that there is an overriding rationale in the way that the word works.

2. Surfaces that are "easy to clean" also show dirt more. In reality a surface that camouflages dirt is much more practical than one that is easy to clean.

3. Maintenance takes time and energy that can sometimes impede other forms or progress such as learning about new things.

4. All materials ultimately deteriorate and show signs of wear. It is therefore important to create designs that will look better after years of distress.

5. A perfect filling system can sometimes decrease efficiency. For instance, when letters and bills are filed away too quickly, it is easy to forget to respond to them.

6. Many "progressive" designs actually hark back towards a lost idea of nature or a more "original form."

7. Ambiguity in visual design ultimately leads to a greater variety of functions than designs that are functionally fixed.

8. No matter how many options there are, it is human nature to always narrow things down to two polar, yet inextricably linked choices.

9. The creation of rules is more creative than the destruction of them. Creation demands a higher level of reasoning and draws connections between cause and effect. The best rules are never stable or permanent, but evolve, naturally according to content or need.

10. What makes us feel liberated is not total freedom, but rather living in a set of limitations that we have created and prescribed for ourselves.

11. Things that we think are liberating can ultimately become restrictive, and things that we initially think are controlling can sometimes give us a sense of comfort and security.

12. Ideas seem to gestate best in a void--- when that void is filled, it is more difficult to access them. In our consumption-driven society, almost all voids are filled, blocking moments of greater clarity and creativity. Things that block voids are called "avoids."

13. Sometimes if you can't change a situation, you just have to change the way you think about the situation.

14. People are most happy when they are moving towards something not quite yet attained (I also wonder if this extends as well to the sensation of physical motion in space. I believe that I am happier when I am in a plane or car because I am moving towards an identifiable and attainable goal.)

15. What you own, owns you.

16. Personal truths are often perceived as universal truths. For instance it is easy to imagine that a system or design works well for oneself will work for everyone else."

[Also (only 1-14) printed here: http://books.google.com/books/about/Andrea_Zittel.html?id=-uZiQgAACAAJ ]]]></description>
<dc:subject>andreazittel criticalspace progressive human humans sorting dichotomy dichotomies categorization patternfinding patterns generalizations generalization surfaces maintenance time art learning filingsystems design rules constraints personaltruths universaltruths truths happiness movement progress attainability goals perspective comfort security clarity creativity freedom creation choice polarization ambiguity function</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:247a3c2f81a0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:andreazittel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:criticalspace"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:progressive"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:human"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humans"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sorting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dichotomy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dichotomies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:categorization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patternfinding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:patterns"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:generalizations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:generalization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surfaces"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maintenance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:time"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:filingsystems"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rules"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:personaltruths"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:universaltruths"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:truths"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:happiness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:movement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:progress"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:attainability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:goals"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perspective"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:comfort"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:security"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:clarity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freedom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:choice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:polarization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ambiguity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:function"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://blog.jackcheng.com/post/27433804293/the-line-sitters">
    <title>The Line Sitters – Jack Cheng</title>
    <dc:date>2012-07-18T23:18:13+00:00</dc:date>
    <link>http://blog.jackcheng.com/post/27433804293/the-line-sitters</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I wrote and posted this story in the span of four hours, while waiting in line for a ramen event in the East Village. The only changes I made after the event were copy edits to fix typos, grammatical errors, and formatting issues."
]]></description>
<dc:subject>constraints writing 2012 jackcheng storytelling stories</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e7ae20b6d71e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jackcheng"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:storytelling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stories"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://storify.com/maxfenton/jack-cheng-waits-for-ramen-uses-time-wisely">
    <title>Jack Cheng waits for ramen, uses time wisely. (with images, tweets) · maxfenton · Storify</title>
    <dc:date>2012-07-18T23:14:02+00:00</dc:date>
    <link>http://storify.com/maxfenton/jack-cheng-waits-for-ramen-uses-time-wisely</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Since I have four hours to kill, here's what I'm going to do. I'm going to write a short story while I'm waiting. #ivanramen

…

First written draft is done. Water break, and then it's time to type! #ivanramen http://pic.twitter.com/ZM9AYyGF

…

Here it is! http://blog.jackcheng.com/post/27433804293/the-line-sitters Time to eat. #ivanramen

…

My hands are shaking from the adrenaline right now.

…

#ivanramen http://instagr.am/p/NMu71-xt0v/ "
]]></description>
<dc:subject>constraints classideas howwewrite howwework robinsloan writing storytelling stories food jackcheng ramen storify</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:1af7a0d3a73c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwewrite"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robinsloan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:storytelling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stories"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:food"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jackcheng"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ramen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:storify"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.fastcompany.com/magazine/161/creative-business-people">
    <title>The Disrupters: Working Outside The Business Norm | Fast Company</title>
    <dc:date>2012-02-22T10:38:34+00:00</dc:date>
    <link>http://www.fastcompany.com/magazine/161/creative-business-people</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[From 3. Joi Ito]

"The Japanese government once asked me to be on a committee about taxes and information technology. The first thing I said was, 'Let's figure out a way to use resources more efficiently to lower taxes.' And they said, 'No, no, no--this committee is about using computers to collect more tax.' So I asked, 'How do we reduce costs?' And they said, 'Oh, there's no committee for that.' [Laughs] That's the problem with large organizations. They create roles and constraints, and sometimes people forget why they're there."]]></description>
<dc:subject>creativity innovation business leadership 2012 joiito committees scale roles bureaucracy constraints organizations</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:9625f6b8d051/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:innovation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:business"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:leadership"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:joiito"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:committees"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scale"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:roles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bureaucracy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:organizations"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.youtube.com/watch?list=PL16E261CDB64A51AF&amp;v=CpAXqHmRa0E">
    <title>TOC 2012: Tim Carmody, &quot;Changing Times, Changing Readers: Let's Start With Experience&quot; - YouTube</title>
    <dc:date>2012-02-21T08:45:08+00:00</dc:date>
    <link>http://www.youtube.com/watch?list=PL16E261CDB64A51AF&amp;v=CpAXqHmRa0E</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Notes here by @tealtan:

"unusual contexts in writing / reading text

“In a hyperliterate society, the vast majority of reading is not consciously recognized as reading.”

“What readers expect is more important than what readers want.”

Bill Buxton: “every tool is the best at something and the worst at something else”

skills, path-dependency, learning effects

“…we actually like constraints once we're in them.”"

And notes from @litherland:

"11:40: “I do things like … just obsess about weird little details. So, for instance … like, how do you do text entry in a Netflix app on the Wii? You know? I think about this a lot.” Your many other talents notwithstanding, Tim, you may have missed your calling as a designer. / 

18:30: “I think it’s a tragedy that we have not been able to figure out a good interface for pen and ink on reading devices.” Holy grail. My dream for years. I would give anything. I would give anything to be smart enough to figure this out."]]></description>
<dc:subject>design reading writing journalism history timcarmody toc2012 via:tealtan constraints billbuxton bookfuturism ebooks stéphanemallarmé paper 2012 media mediarevolutions sentencediagramming advertising photography change books publishing printing modernism context interface expectations conventions skills skeuomorph mallarmé</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:abfd549bf1a3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:journalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:timcarmody"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:toc2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:tealtan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:billbuxton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bookfuturism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ebooks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stéphanemallarmé"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paper"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mediarevolutions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sentencediagramming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:advertising"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:change"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:publishing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:printing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:modernism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:context"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interface"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:expectations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conventions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skills"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:skeuomorph"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mallarmé"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://storify.com/tealtan/bookmarks-tagging-and-taxonomies">
    <title>Bookmarks Tagging and Taxonomies · tealtan · Storify</title>
    <dc:date>2012-01-23T20:13:26+00:00</dc:date>
    <link>http://storify.com/tealtan/bookmarks-tagging-and-taxonomies</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>search recall truth-telling commentary hashtags flickr socialbookmarking discovery serendipity batchedits messiness systems constraints bookmarking bookmarks taxonomy storify twitter comments conversation tumblr pinboard del.icio.us tagging tags folksonomy 2012 carenlitherland allentan</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:601af792b448/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:search"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:recall"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:truth-telling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:commentary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hashtags"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flickr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialbookmarking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:discovery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:serendipity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:batchedits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:messiness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systems"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bookmarking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bookmarks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:taxonomy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:storify"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:twitter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:comments"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conversation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tumblr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pinboard"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:del.icio.us"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tagging"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tags"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:folksonomy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:carenlitherland"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:allentan"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://blog.makezine.com/archive/2011/11/zen-and-the-art-of-making.html">
    <title>MAKE | Zen and the Art of Making</title>
    <dc:date>2011-11-10T03:02:06+00:00</dc:date>
    <link>http://blog.makezine.com/archive/2011/11/zen-and-the-art-of-making.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Some of the most talented and prolific people I know have dozens of interests and hobbies. When I ask them about this, the response is usually something like “I love to learn.” I think the new discoveries and joys of learning are the crux of this beginner thing I’ve been thinking about. Sure, when you’ve mastered something it’s valuable, but then part of your journey is over — you’ve arrived, and the trick is to find something you’ll always have a sense of wonder about. I think this is why scientists and artists, who are usually experts, love what they do: there is always something new ahead. It’s possible to be an expert but still retain the mind of a beginner. It’s hard, but the best experts can do it. In making things, in art, in science, in engineering, you can always be a beginner about something you’re doing — the fields are too vast to know it all."]]></description>
<dc:subject>philliptorrone making learning unschooling curiosity education experts generalists creativegeneralists 2011 zen knowledge expertise lewiscarroll makers electronics art artists science scientists tinkering tinkerers lifelonglearning deschooling mindset beginners invention arduino fear risktaking riskaversion teaching lcproject failure stasis yearoff openminded children interestedness specialists motivation intrinsicmotivation exploration internet web online constraints specialization interested beginnersmind zenbuddhism</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2a47a3fb163b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:philliptorrone"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curiosity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:generalists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativegeneralists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:knowledge"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:expertise"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lewiscarroll"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:makers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:electronics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:scientists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tinkering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tinkerers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lifelonglearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mindset"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beginners"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:invention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:arduino"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fear"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:risktaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:riskaversion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teaching"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lcproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:failure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stasis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:yearoff"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:openminded"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:children"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interestedness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:specialists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:motivation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:intrinsicmotivation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exploration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:specialization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interested"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beginnersmind"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:zenbuddhism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://the99percent.com/tips/7034/Developing-Your-Creative-Practice-Tips-from-Brian-Eno">
    <title>Developing Your Creative Practice: Tips from Brian Eno :: Tips :: The 99 Percent</title>
    <dc:date>2011-09-18T22:02:02+00:00</dc:date>
    <link>http://the99percent.com/tips/7034/Developing-Your-Creative-Practice-Tips-from-Brian-Eno</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["1. Freeform capture. Grab from a range of sources without editorializing…

2. Blank state. Start with new tools, from nothing, and toy around…

3. Deliberate limitations. Before a project begins, develop specific limitations…

4. Opposing forces. Sometimes it’s best to generate a forced collision of ideas…

5. Creative prompts. In the ‘70s Eno developed his Oblique Strategies cards, a series of prompts modeled after the I Ching to disrupt the process and encourage a new way of encountering a creative problem. On the cards are statements and questions like: “Would anybody want it?” “Try faking it!” “Only a part, not the whole.” “Work at a different speed.” “Disconnect from desire.” “Turn it upside down.” “Use an old idea."…

In the end, don’t underestimate your personal feelings about a project. Eno states: “Nearly all the things I do that are of any merit at all start off as just being good fun.” Amen to that."]]></description>
<dc:subject>art creativity music productivity brain neuroscience via:preoccupations brianeno 2011 jonahlehrer ideation classideas innovation noticing limitations constraints making doing glvo howwework process idleness boredom thinking ideas</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8c019ba1ad37/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:productivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:neuroscience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:preoccupations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brianeno"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jonahlehrer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ideation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:innovation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:noticing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limitations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:doing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:process"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:idleness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:boredom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ideas"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://blog.frankchimero.com/post/8392329411">
    <title>Frank Chimero’s Blog: Everything you ever needed to know about design, answered in five minutes by Charles Eames.</title>
    <dc:date>2011-08-03T12:11:26+00:00</dc:date>
    <link>http://blog.frankchimero.com/post/8392329411</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Everything you ever needed to know about design, answered in five minutes by Charles Eames.

The video was produced for the exhibition “Qu’est ce que le design?” (or What is Design?) at the Musée des Arts Décoratifs, Palais de Louvre in 1969. A full transcript of the interview can be found here, and the video is available as part of The Films of Charles & Ray Eames DVD set."]]></description>
<dc:subject>design art eames charleseames definition frankchimero action creation designethic constraints</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:1ad1485d3f6b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:eames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:charleseames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:definition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:frankchimero"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:action"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designethic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.wired.com/wiredscience/2011/07/the-auteur-myth/">
    <title>The Auteur Myth | Wired Science | Wired.com</title>
    <dc:date>2011-07-29T03:23:46+00:00</dc:date>
    <link>http://www.wired.com/wiredscience/2011/07/the-auteur-myth/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["…it’s also important to remember that nobody creates Vertigo or the iPad by themselves; even auteurs need the support of a vast system. When you look closely at auteurs, what you often find is that their real genius is for the the assembly of creative teams, trusting the right people with the right tasks at the right time. Sure, they make the final decisions, but they are choosing between alternatives created by others. When we frame auteurs as engaging in the opposite of collaboration, when we obsess over Hitchcock’s narrative flair but neglect Lehman’s script, or think about Jobs’ aesthetic but not Ive’s design (or the design of those working for Ives), we are indulging in a romantic vision of creativity that rarely exists. Even geniuses need a little help."]]></description>
<dc:subject>jonahlehrer creativity collaboration alfredhitchcock stevejobs johngruber design film decisionmaking auteurs howwework constraints support making business teamwork leadership 2011</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:207012c09e02/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jonahlehrer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alfredhitchcock"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stevejobs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:johngruber"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:decisionmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:auteurs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:support"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:business"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teamwork"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:leadership"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theawl.com/2011/07/weekend-at-kermies-the-muppets-strange-life-after-death">
    <title>Weekend At Kermie's: The Muppets' Strange Life After Death | The Awl</title>
    <dc:date>2011-07-25T21:20:11+00:00</dc:date>
    <link>http://www.theawl.com/2011/07/weekend-at-kermies-the-muppets-strange-life-after-death</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A character without specificity is not one."

"To demonize is to become the demon."

"When I say that the Muppets’ art direction is makeshift, I don’t mean that it’s shoddy. But it celebrates human limitation. As we watch one of these movies, we never lose our awareness that these scenes were made by men and women. Craftmanship, the game of how good any one artist can be, is presented—not hidden—and as such it can inspire others."

"What matters in the Muppet universe isn’t perfection, but expression. Dancing across the screen, they embody the philosophy that it is not what you look like that matters, but what you do."]]></description>
<dc:subject>art creativity film copyright muppets puppets perfection human humanism specificity makeshift making craft limitations constraints via:rushtheiceberg doing meaning purpose glvo jasonsegel jimhenson remix remixing remixculture craftsmanship</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:9ce03fe8046a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:copyright"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:muppets"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:puppets"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perfection"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:human"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:humanism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:specificity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:makeshift"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:craft"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limitations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:rushtheiceberg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:doing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:meaning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:purpose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jasonsegel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jimhenson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:remix"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:remixing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:remixculture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:craftsmanship"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://dashes.com/anil/2011/07/animated-gifs-triumphant.html">
    <title>Animated GIFs Triumphant - Anil Dash</title>
    <dc:date>2011-07-12T21:05:54+00:00</dc:date>
    <link>http://dashes.com/anil/2011/07/animated-gifs-triumphant.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The facts about animated GIFs are stark. They only support a palette of 256 colors. No current browser lists support for animated GIF as a codec for the HTML5 <video> tag. That omission is understandable, as GIF compression of animation isn't particularly efficient. They even lived under an unfashionable cloud of patent uncertainty during the web's formative years. And those are just some of the traits I love about the format…

But to my eye, GIF is the most popular animation and short film format that's ever existed. It works on smartphones in millions of people's pockets, on giant displays in museums, in web browsers on a newspaper website. It finds liberation in constraints, in the same way that fewer characters in our tweets and texts freed us to communicate more liberally with one another. And it invites participation, in a medium that's both fun and accessible, as the pop music of moving images, giving us animations that are totally disposable and completely timeless."]]></description>
<dc:subject>culture history web animation anildash animatedgifs gifs 2011 kickstarter constraints technology</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d51feac49ad2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:animation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:anildash"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:animatedgifs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gifs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:kickstarter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://learning.blogs.nytimes.com/2011/03/28/less-is-more-using-social-media-to-inspire-concise-writing/">
    <title>Less Is More: Using Social Media to Inspire Concise Writing - NYTimes.com</title>
    <dc:date>2011-04-04T15:33:25+00:00</dc:date>
    <link>http://learning.blogs.nytimes.com/2011/03/28/less-is-more-using-social-media-to-inspire-concise-writing/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["How can online media like Twitter posts, Facebook status updates and text messages be harnessed to inspire and guide concise writing? In this lesson, students read, respond to and write brief fiction and nonfiction stories, and reflect on the benefits and drawbacks of “writing short.”"

[Related: http://www.nytimes.com/2011/03/20/opinion/20selsberg.html AND http://www.pdscompasspoint.com/?p=4466 ]]]></description>
<dc:subject>writing literature twitter facebook brevity classideas fiction stories storytelling socialmedia summary texting constraints</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b88195738ca4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:twitter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:facebook"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brevity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:fiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:stories"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:storytelling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialmedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:summary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:texting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://journal.davidbyrne.com/2010/03/031810-collaborations-updated.html">
    <title>David Byrne's Journal: 03.18.10: Collaborations [updated]</title>
    <dc:date>2011-02-27T06:37:59+00:00</dc:date>
    <link>http://journal.davidbyrne.com/2010/03/031810-collaborations-updated.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["why collaborate if one doesn’t have to? … one big reason is to restrict one’s own freedom in the writing process. There’s a joy and relief in being limited, restrained. … But one might also ask: Is writing ever NOT collaboration? Doesn’t one collaborate with oneself, in a sense? Don’t we access different aspects of ourselves, different characters and attitudes and then, when they’ve had their say, switch hats and take a more distanced and critical view — editing and structuring our other half’s outpourings? Isn’t the end product sort of the result of two sides collaborating? Surely I’m not the only one who does this?"]]></description>
<dc:subject>music collaboration creativity davidbyrne writing constraints limits tcsnmy classideas editing via:preoccupations</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:941a036864f3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:davidbyrne"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:limits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tcsnmy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:editing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:preoccupations"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://en.wikipedia.org/wiki/Uncleftish_Beholding">
    <title>Uncleftish Beholding - Wikipedia</title>
    <dc:date>2011-02-22T08:53:27+00:00</dc:date>
    <link>http://en.wikipedia.org/wiki/Uncleftish_Beholding</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Uncleftish Beholding (1989) is a short text written by Poul Anderson. It is written using almost exclusively words of Germanic origin, and was intended to illustrate what the English language might look like if it had not received its considerable number of loanwords from other languages, particularly Latin, Greek and French.

The text is about basic atomic theory and relies on a number of word coinings, many of which have analogues in modern German. The title "uncleftish beholding" calques "atomic theory". The text begins:

"For most of its being, mankind did not know what things are made of, but could only guess. With the growth of worldken, we began to learn, and today we have a beholding of stuff and work that watching bears out, both in the workstead and in daily life.""]]></description>
<dc:subject>language history english linguistics via:migurski uncleftishbeholding 1989 poulanderson theory german germanic constraints classideas writing literature</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:06141751199b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:english"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:linguistics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:migurski"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:uncleftishbeholding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:1989"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poulanderson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:theory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:german"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:germanic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:literature"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://observatory.designobserver.com/entry.html?entry=24558">
    <title>Does a strict upbringing make you a better designer?: Observatory: Design Observer</title>
    <dc:date>2011-02-03T22:07:45+00:00</dc:date>
    <link>http://observatory.designobserver.com/entry.html?entry=24558</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Coment from pboy: "Oh, barf! Even the Tiger Mom has expressed some ambiguity about the outcomes of her parenting philosophy, but to use the current craze over her as the excuse for yet another reification of the moldy-oldie of graphic design 'Modernism' is just pathetic. Beirut was lucky to have experienced the Kalman corrective to Vignelli's moribund fake discipline. ... romanticize the intolerant and didactic daddies all you want, it's the generation that finally walked away from what had devolved into a rigid and phony stance that let the 'discipline' grow. And that includes Beirut, even if he's too traumatized by his own experience with tough love to be able to recognize it, or to be able admit more clearly, and without the unnecessary flattery to Vignelli, that he learned to think for himself, and move on."]]></description>
<dc:subject>design typography modernism michaelbierut via:migurski parenting amychua rigidity graphicdesign massimovignelli authoritarianism creativity criticalthinking toughlove teaching education learning identity unschooling deschooling discipline tiborkalman rules constraints</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:4ca7d92cdb00/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:typography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:modernism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:michaelbierut"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:migurski"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:parenting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:amychua"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rigidity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graphicdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:massimovignelli"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:authoritarianism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:criticalthinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:toughlove"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teaching"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:identity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:discipline"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tiborkalman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rules"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://vimeo.com/19242995">
    <title>Tom Armitage on Vimeo</title>
    <dc:date>2011-01-31T08:08:48+00:00</dc:date>
    <link>http://vimeo.com/19242995</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>games rules play gaming tomarmitage gamedesign systems systemsthinking constraints gamemechanics interestingnorth classideas</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:60d555e1a3d5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rules"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:play"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gaming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tomarmitage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamedesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systems"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systemsthinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gamemechanics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:interestingnorth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://interconnected.org/home/2011/01/15/space_clearing">
    <title>space clearing (15 Jan., 2011, at Interconnected)</title>
    <dc:date>2011-01-16T18:58:56+00:00</dc:date>
    <link>http://interconnected.org/home/2011/01/15/space_clearing</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Constrained walks and the dérive both reveal the city's psychogeography, and force the city to give up more of itself. It's funny to find, right on my doorstep, the streets I didn't know that I didn't know, the ones I'd got the unknown habit of avoiding. The city grows.

Space clearing makes visible and disrupts the psychogeography of my home. By standing in far corners, I find new perspectives. I strengthen rarely visited spots in my own mental map. Later, I find myself noticing the corners more. My house looks larger. The changed shape of my rooms encourages me to walk differently about the space. I stand in slightly unfamiliar spots, look at my bookshelves with a new-found unfamiliarity, and this prompts new combinations of titles to come to my attention, and new ideas.

I wonder if I could make something to do this for me? Maybe a robot vacuum cleaner programmed to find rarely visited corners and play an attention-grabbing sample, hey, over here, over here."]]></description>
<dc:subject>space perspective mattwebb situationist dérive psychogeography robots constraints flaneur cities homes spaceclearing mentalmaps mapping maps attention 2011 derive flâneurs flaneurs flâneur</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:4d9eca59a6e9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perspective"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mattwebb"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:situationist"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dérive"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:psychogeography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robots"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flaneur"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:homes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:spaceclearing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mentalmaps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mapping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:attention"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:derive"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flâneurs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flaneurs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flâneur"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://snarkmarket.com/2010/6489">
    <title>Film History 101 (via Netflix Watch Instantly) « Snarkmarket</title>
    <dc:date>2010-12-27T04:58:48+00:00</dc:date>
    <link>http://snarkmarket.com/2010/6489</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Robin is absolutely right: I like lists, I remember everything I’ve ever seen or read, and I’ve been making course syllabi for over a decade, so I’m often finding myself saying “If you really want to understand [topic], these are the [number of objects] you need to check out.” Half the fun is the constraint of it, especially since we all now know (or should know) that constraints = creativity."

[See also Matt Penniman's "Sci-fi Film History 101" list: http://snarkmarket.com/2010/6492 ]]]></description>
<dc:subject>film netflix history cinema movies timcarmody snarkmarket teaching curation curating constraints lists creativity forbeginners thecanon pairing sharing expertise experience education learning online 2010 frankchimero surveycourses surveys web internet perspective organization succinct focus design the101 robinsloan classes classideas format delivery guidance beginner reference pacing goldcoins surveycasts</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:45c98caa936b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:netflix"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cinema"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:movies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:timcarmody"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:snarkmarket"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teaching"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curating"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:forbeginners"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thecanon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pairing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sharing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:expertise"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2010"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:frankchimero"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surveycourses"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surveys"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perspective"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:organization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:succinct"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:focus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:the101"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robinsloan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:format"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:delivery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:guidance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beginner"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reference"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pacing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:goldcoins"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surveycasts"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://snarkmarket.com/2010/6486">
    <title>The 101 « Snarkmarket</title>
    <dc:date>2010-12-27T04:57:28+00:00</dc:date>
    <link>http://snarkmarket.com/2010/6486</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Some of the teachers I remember most from college are the ones who would say something like: “Listen. There are only two movies you need to understand to understand [whole giant big cinematic movement X]. Those two movies are [A] and [B]. And we’re gonna watch ‘em.” (I feel like this is something Tim is extremely good at, actually.) It’s a step above curation, right? Context matters here; so does sequence. So we’re talking about some sort of super-sharp, web-powered, media-rich syllabus. I always liked syllabi, actually. They seem to make such an alluring promise, you know? Something like:

Go through this with me, and you will be a novice no more."]]></description>
<dc:subject>curation curating robinsloan frankchimero lists organization experience expertise teaching learning online web classes classideas format delivery guidance beginner forbeginners reference 2010 pacing goldcoins surveys surveycourses the101 education internet perspective succinct focus design history constraints creativity thecanon pairing sharing surveycasts</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f519438b9ed0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curating"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robinsloan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:frankchimero"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:organization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:expertise"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teaching"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:format"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:delivery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:guidance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beginner"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:forbeginners"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reference"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2010"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pacing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:goldcoins"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surveys"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surveycourses"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:the101"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perspective"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:succinct"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:focus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thecanon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pairing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sharing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surveycasts"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://blog.frankchimero.com/post/2192456624/the-two-best-things-on-the-web-2010">
    <title>Frank Chimero - The Two Best Things on the Web 2010</title>
    <dc:date>2010-12-27T04:54:59+00:00</dc:date>
    <link>http://blog.frankchimero.com/post/2192456624/the-two-best-things-on-the-web-2010</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["My top two choices, however, stood tall as perhaps the best stock I’ve had the pleasure of reading on the web, both in terms of their scope, but more interestingly about how they treated their content and audience. There’s a pattern here that I enjoy. I’d like to introduce you to them, and hopefully in the process make a bit of a point about the direction I want the web to take in the next year."

"I suppose I’m hungry for curated educational materials online. These are more than lists of books to read: they’re organized, edited, and have a clear point of view about the content they are presenting, and subvert the typical scatter-shot approach of half the web (like Wikipedia), or the hyper-linear, storyless other half that obsesses over lists. And that’s the frustrating thing about trying to teach yourself things online: you’re new, so you don’t know what’s important, but everything is spread so thin and all over the place, so it’s difficult to make meaningful connections."]]></description>
<dc:subject>education learning online lists 2010 frankchimero surveycourses surveys teaching forbeginners web internet curating curation perspective organization succinct focus design history constraints creativity thecanon pairing sharing expertise experience the101 robinsloan classes classideas format delivery guidance beginner reference pacing goldcoins surveycasts</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b8cb4f70dd70/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:online"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2010"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:frankchimero"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surveycourses"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surveys"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teaching"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:forbeginners"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curating"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perspective"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:organization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:succinct"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:focus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thecanon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pairing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sharing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:expertise"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:the101"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:robinsloan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:format"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:delivery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:guidance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:beginner"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reference"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pacing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:goldcoins"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:surveycasts"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.wired.com/wiredscience/2010/11/the-cognitive-cost-of-expertise/">
    <title>The Cognitive Cost Of Expertise | Wired Science | Wired.com</title>
    <dc:date>2010-11-22T03:01:32+00:00</dc:date>
    <link>http://www.wired.com/wiredscience/2010/11/the-cognitive-cost-of-expertise/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Now for the bad news: Expertise might also come with a dark side, as all those learned patterns make it harder for us to integrate wholly new knowledge.  Consider a recent paper that investigated the mnemonic performance of London taxi drivers. In the world of neuroscience, London cabbies are best known for their demonstration of structural plasticity in the hippocampus, a brain area devoted (in part) to spatial memory. Because the cabbies are required to memorize the entire urban map of London – it’s the most rigorous driving test in the world – their posterior hippocampi swell and expand, leading to permanent changes in the brain. Knowledge shapes matter."]]></description>
<dc:subject>neuroscience psychology constraints jonahlehrer perception brain chess thinking science expertise memory plasticity generalists specialization mindchanges permanence specialists mindchanging</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:1ab22e67d31b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:neuroscience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:psychology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jonahlehrer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perception"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:brain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chess"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:expertise"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:memory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:plasticity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:generalists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:specialization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mindchanges"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:permanence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:specialists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mindchanging"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://en.wikipedia.org/wiki/Institute_for_Advanced_Study">
    <title>Institute for Advanced Study - Wikipedia, the free encyclopedia</title>
    <dc:date>2010-08-29T19:14:14+00:00</dc:date>
    <link>http://en.wikipedia.org/wiki/Institute_for_Advanced_Study</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Richard Feynman on the place: "When I was at Princeton in the 1940s I could see what happened to those great minds at the Institute for Advanced Study, who had been specially selected for their tremendous brains and were now given this opportunity to sit in this lovely house by the woods there, with no classes to teach, with no obligations whatsoever. These poor bastards could now sit and think clearly all by themselves, OK? So they don't get any ideas for a while: They have every opportunity to do something, and they're not getting any ideas. I believe that in a situation like this a kind of guilt or depression worms inside of you, and you begin to worry about not getting any ideas. And nothing happens. Still no ideas come.

Nothing happens because there's not enough real activity and challenge: You're not in contact with the experimental guys. You don't have to think how to answer questions from the students. Nothing!"]]></description>
<dc:subject>education princeton science thinking ideas richardfeynman teaching explaining constraints freedom challenge motivation instituteforadvancedstudy freemandyson alberteinstein paulerdos</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f1ee7841f086/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:princeton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:thinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ideas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:richardfeynman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teaching"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:explaining"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freedom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:challenge"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:motivation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:instituteforadvancedstudy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:freemandyson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alberteinstein"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:paulerdos"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://the99percent.com/articles/6775/is-consumerism-killing-our-creativity">
    <title>Is Consumerism Killing Our Creativity? :: Articles :: The 99 Percent</title>
    <dc:date>2010-08-22T19:47:14+00:00</dc:date>
    <link>http://the99percent.com/articles/6775/is-consumerism-killing-our-creativity</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Have you ever fallen into a black hole of comparison shopping? You’re looking for a new digital camera, for instance. You head over to Cnet.com and read some reviews of various cameras, watch the video demos, identify the model you want. Then perhaps you employ Google’s shopping search to price out the options and find the best deal. All of the sudden, it’s four hours later. You’ve found the perfect camera, but your purchasing triumph is tainted by a creeping feeling of, well, disgust. Couldn’t that time have been used better?…

“Highly creative adults frequently grew up with hardship. Hardship by itself doesn’t lead to creativity, but it does force kids to become more flexible—and flexibility helps with creativity.”

When we have less to work with, we have to be more creative. Think about that the next time the consumerist impulse is threatening to encroach on your creativity."]]></description>
<dc:subject>consumerism addiction marketing neuroscience creativity productivity consumption constraints hardship pobronson annieleonard</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0b1dbdb15ba0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:consumerism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:addiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:marketing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:neuroscience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:productivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:consumption"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hardship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:pobronson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:annieleonard"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.economist.com/blogs/babbage/2010/08/jugaad">
    <title>Jugaad: Questions for Santosh Ostwal | The Economist</title>
    <dc:date>2010-08-11T07:34:49+00:00</dc:date>
    <link>http://www.economist.com/blogs/babbage/2010/08/jugaad</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["SANTOSH OSTWAL, husband and father of two, lost his apartment in 2001 after quitting his job in Pune to solve an engineering problem he’d been thinking about for twenty years. Today his solution – a mobile-phone adaptation that triggers irrigation pumps remotely – is saving water in India and helping more than 10,000 farmers avoid several taxing, dangerous long walks a day. I talked to Mr Santosh for a podcast earlier this year, but it’s worth digging back into the transcript now to help explain the Indian concept of jugaad, an inspired kind of duct-taped ingenuity that employs only the tools at hand."]]></description>
<dc:subject>via:blackbeltjones jugaad santoshostwal india hacking hardware constraints makedo localsolutions theadjacentpossible engineering chimericthinking</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:92f121b2e9aa/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:blackbeltjones"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jugaad"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:santoshostwal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:india"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hacking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hardware"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:makedo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:localsolutions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:theadjacentpossible"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:engineering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chimericthinking"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.core77.com/blog/columns/design_thinking_dear_don__17042.asp">
    <title>Design Thinking: Dear Don . . . - Core77</title>
    <dc:date>2010-08-03T18:01:37+00:00</dc:date>
    <link>http://www.core77.com/blog/columns/design_thinking_dear_don__17042.asp</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Design thinking harnesses the power of intuition. It is a process, evolved gradually by designers of all kinds, which can be applied to create solutions to problems. People of any background can use it, whether or not they think of themselves as designers. It uses the subconscious as well as the conscious mind, subjective as well as objective thinking, tacit knowledge as well as explicit knowledge, and embraces learning by doing. I like the analogy of an iceberg that has just a little ice above water level, with a vast mass submerged. Rigorous explicit thinking, of the kind encouraged in institutions of higher learning, limits people to conscious thinking and hence to using just a tiny proportion of the potential in their minds - like the ice above the water. The design thinking process allows us to follow our intuition, valuing the sensibilities and insights that are buried in our subconscious - like the ice below the water..."]]></description>
<dc:subject>architecture core77 designthinking industrialdesign graphicdesign process constraints tcsnmy evaluation criticalthinking prototyping visualizaton slection uncertainty iteration iterative synthesis framing ideation envisioning learning making doing handsonlearning learningbydoing unschooling deschooling lcproject methods design billmoggridge</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:521525281c38/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:core77"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:designthinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:industrialdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:graphicdesign"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:process"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tcsnmy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:evaluation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:criticalthinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:prototyping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:visualizaton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:slection"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:uncertainty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:iteration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:iterative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:synthesis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:framing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ideation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:envisioning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:doing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:handsonlearning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:learningbydoing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lcproject"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:methods"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:billmoggridge"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.olpcnews.com/countries/uruguay/expo_fotos_an_exhibition_based_on_photos_taken_with_xos.html">
    <title>eXpO fotos: an exhibition based on photos taken with XOs - OLPC News</title>
    <dc:date>2010-07-19T00:40:30+00:00</dc:date>
    <link>http://www.olpcnews.com/countries/uruguay/expo_fotos_an_exhibition_based_on_photos_taken_with_xos.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The cool thing is that all of the photos were taken by pupils from four different schools here in Montevideo. The pupils had participated in a workshop organized by a museum which focused on how to use their XOs to capture impressions from their lives and environment... When first heard about the exhibition I was admittedly a little skeptical about the quality of the print-outs. Because even though the XO's camera is actually quite good the quality of the saved images leaves something to be desired. However after actually seeing the photos I have to say that the quality isn't distracting at all, in fact it's actually part of the charm of the whole thing (reminding me of scanner photography in many ways)... in many ways the exhibition served as a reminder of how versatile the XO is. Yes, it's an educational tool but at the same time it definitely also has a lot of potential as an artistic tool."]]></description>
<dc:subject>olpc xo photography exhibits uruguay montevideo perspective art constraints olpcxo</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:bacd2a7c5697/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:olpc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:xo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:exhibits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:uruguay"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:montevideo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:perspective"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:olpcxo"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.dallasnews.com/sharedcontent/dws/dn/latestnews/stories/062610dn1Atwitter.1e82d09.html">
    <title>Chris Vognar: Twitter's character limit sparks new style of short-form writing | News for Dallas, Texas | Dallas Morning News | Latest News</title>
    <dc:date>2010-07-03T22:39:55+00:00</dc:date>
    <link>http://www.dallasnews.com/sharedcontent/dws/dn/latestnews/stories/062610dn1Atwitter.1e82d09.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Clark, Ebert, Poniewozik and Karr all agree on one thing: Long writing isn't necessarily good writing. And Twitter doesn't allow for bloat. I've found that paring down my tweets has made my prose leaner. I chop out more adverbs than I used to.

"Having that calculator of characters really drives you to certain strategies which are probably good for writing in general," Clark told me. "You're more inclined to use nouns and verbs rather than adjectives and adverbs. You're more inclined to make sure every single word works. If I had written what I'd just said I would take out the word 'single,' because it doesn't do any work."

No one argues that Twitter will replace the novel. The point is that good writers find ways to adapt to and play with available technology. That's been happening since before the printing press. Whether you're just tightening your prose or creating a new genre of fiction, Twitter is another fun tool for the toolbox."]]></description>
<dc:subject>twitter writing socialmedia constraints short-form chrisvognar rogerebert</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:61fd8863f3de/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:twitter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialmedia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:short-form"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chrisvognar"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rogerebert"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://berglondon.com/blog/2010/07/01/hopeful-monsters-and-the-trough-of-disillusionment/">
    <title>Hopeful Monsters and the Trough Of Disillusionment – Blog – BERG</title>
    <dc:date>2010-07-01T23:21:41+00:00</dc:date>
    <link>http://berglondon.com/blog/2010/07/01/hopeful-monsters-and-the-trough-of-disillusionment/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Having done so – we had a discussion about how they might breed or be re-contextualised in order to create interesting new products.]]></description>
<dc:subject>berg berglondon mattwebb mattjones recombinantgizmos recombinant hacks hacking troughofdisillusionment hopefulmonsters mashups almostdeadtechnologies technology hardware software constraints rfid computing emergence inspiration 2010 theadjacentpossible foocamp glvo hypecycle</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ada0a6535c85/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:berg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:berglondon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mattwebb"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mattjones"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:recombinantgizmos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:recombinant"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hacks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hacking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:troughofdisillusionment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hopefulmonsters"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mashups"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:almostdeadtechnologies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hardware"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:software"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:rfid"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:computing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:emergence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inspiration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2010"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:theadjacentpossible"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:foocamp"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hypecycle"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://blog.mrmeyer.com/?p=6176">
    <title>dy/dan » Blog Archive » TEDxNYED Metadata [Forgot to bookmark this—thanks to Basti for making it resurface. Also, see the comment from Michael Wesch.]</title>
    <dc:date>2010-05-04T15:10:02+00:00</dc:date>
    <link>http://blog.mrmeyer.com/?p=6176</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I'm not saying that the only people capable of describing or critiquing classroom teaching are classroom teachers. There are people who don't work in a classroom who know a lot more about my business than I do. I'm saying it's difficult, as one of public education's foot soldiers, to do much with inspiration. I don't have many places to put inspiration, certainly not as many as the edtechnologists walking away from TEDxNYED minds buzzing, faces aglow, and so it tends to settle and coagulate around my bile duct. It's too hard to forget that tomorrow I and three million others will have to teach too many standards of too little quality to too many students with too few resources. What can you do with this?"
]]></description>
<dc:subject>danmeyer education tedxnyed curriculum math reflection reform theory practical doingvsimagining wcydwt teaching schools doing inspiration doingvsinspiring edtech hereandnow now implementation constraints frustration flexibility constructivecriticism power control jeffjarvis michaelwesch georgesiemens davidwiley andycarvin</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:210016e22262/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:danmeyer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tedxnyed"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:curriculum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:math"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reflection"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reform"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:theory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:practical"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:doingvsimagining"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:wcydwt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:teaching"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:schools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:doing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:inspiration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:doingvsinspiring"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edtech"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hereandnow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:now"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:implementation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:frustration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:flexibility"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:constructivecriticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:power"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:control"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:jeffjarvis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:michaelwesch"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:georgesiemens"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:davidwiley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:andycarvin"/>
</rdf:Bag></taxo:topics>
</item>
</rdf:RDF>