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	<rdf:li rdf:resource="https://emmlab.info/Resources_page/EMMLAB_WhitePaper_ZineBasedConferencing_2023.pdf"/>
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	<rdf:li rdf:resource="http://interconnected.org/home/2020/06/15/hallway_track"/>
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	<rdf:li rdf:resource="https://knightfoundation.org/articles/artists-from-around-the-world-gather-in-st-paul-for-little-brown-mushrooms-summer-camp-for-socially-awkward-storytellers/"/>
	<rdf:li rdf:resource="https://twitter.com/MatthewPaskins/status/1163198119623954434"/>
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	<rdf:li rdf:resource="https://twitter.com/ZoeSTodd/status/1063889272514609152"/>
	<rdf:li rdf:resource="https://displacements.jhu.edu/"/>
	<rdf:li rdf:resource="https://www.seanmichaelmorris.com/an-upsurge-of-questioning-and-critique-toward-a-community-of-critical-pedagogy/"/>
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	<rdf:li rdf:resource="https://www.springer.com/us/book/9783319530963"/>
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	<rdf:li rdf:resource="http://quietbabylon.com/2014/what-we-talk-about-when-we-talk-about-what-we-talk-about-when-we-talk-about-making/"/>
	<rdf:li rdf:resource="http://incisive.nu/2014/codes-of-conduct/"/>
	<rdf:li rdf:resource="http://failureinthearchives.wordpress.com/"/>
	<rdf:li rdf:resource="http://irl.so/2014/04/07/notes.html"/>
	<rdf:li rdf:resource="http://sparkcamp.com/sparking-connections/"/>
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	<rdf:li rdf:resource="http://www.theverge.com/2013/2/27/4028174/beyond-televangelism-inside-teds-new-gospel"/>
	<rdf:li rdf:resource="http://www.swellcontent.com/2012/11/i-want-a-world/"/>
	<rdf:li rdf:resource="http://www.theverge.com/2012/9/19/3359592/xoxo-festival-2012-internet-party-conference"/>
	<rdf:li rdf:resource="http://www.reasonablyinteresting.co.uk/"/>
	<rdf:li rdf:resource="http://alliedmedia.org/"/>
	<rdf:li rdf:resource="http://www.kickstarter.com/projects/waxpancake/xoxo-festival"/>
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	<rdf:li rdf:resource="http://nymag.com/print/?/news/features/ted-conferences-2012-3/"/>
	<rdf:li rdf:resource="http://www.kernelmag.com/comment/column/1408/when-unconferences-fail-horribly/"/>
	<rdf:li rdf:resource="http://www.twistimage.com/blog/archives/the-death-of-the-unconference/"/>
	<rdf:li rdf:resource="http://poptech.org/iceland"/>
	<rdf:li rdf:resource="http://blog.frankchimero.com/post/11620616234"/>
	<rdf:li rdf:resource="http://educacionsinescuelacolombia.wordpress.com/"/>
	<rdf:li rdf:resource="http://diydays.com/"/>
	<rdf:li rdf:resource="http://www.marco.org/2011/09/26/gruber-merlin-sxsw-2009"/>
	<rdf:li rdf:resource="http://designcrossing.blogspot.com/2011/06/x-school-reflections-on-path.html?spref=tw"/>
	<rdf:li rdf:resource="http://youngrewiredstate.org/"/>
	<rdf:li rdf:resource="http://rewiredstate.org/"/>
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  </channel><item rdf:about="https://www.spreaker.com/episode/dr-anne-pasek--56356297">
    <title>Dr. Anne Pasek</title>
    <dc:date>2024-11-24T23:52:52+00:00</dc:date>
    <link>https://www.spreaker.com/episode/dr-anne-pasek--56356297</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Gettin' Air with Anne Pasek. Dr. Pasek runs the Experimental Methods and Media Lab which "provides resources and structure for interdisciplinary collaboration at Trent University". In this episode we dicsuss the EMM Lab's recently released white paper which is a guide on how to run a zine-based conference, which used their experience running just such a conference, DIY Methods 2022, as the basis for the guide. As you can guess, the process leads to "insightful, weird, and frequently delightful" products!"]]></description>
<dc:subject>annepasek diymethods trentuniversity collaboration 2022 zines conferences publishing print emmlab</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b019b8d75cde/</dc:identifier>
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<item rdf:about="https://diymethods.net/">
    <title>DIY Methods 2024 (also info about 2022 and 2023)</title>
    <dc:date>2024-11-24T23:43:18+00:00</dc:date>
    <link>https://diymethods.net/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A Mostly Screen-Free, Zine-Full, Remote-Participation Conference on Experimental Methods for Research and Research Exchange

As the past years have proven, the methods for conducting and distributing research that we’ve inherited from our disciplinary traditions can be remarkably brittle in the face of rapidly changing social and mobility norms. The ways we work and the ways we meet are questions newly opened for practical and theoretical inquiry; we both need to solve real problems in our daily lives and account for the constitutive effects of these solutions on the character of the knowledge we produce. Methods are not neutral tools, and nor are they fixed ones. As such, the work of inventing, repairing, and hacking methods is a necessary, if often underexplored, part of the wider research process.

This conference aims to better interrogate and celebrate such experiments with method. Borrowing from the spirit and circuits of exchange in earlier DIY cultures, it takes the form of a zine ring distributed via postal mail. Participants will craft zines describing methodological experiments and/or how-to guides, which the conference organisers will subsequently mail out to all participants. Feedback on conference proceedings will also proceed through the mail, as well as during optional workshops and discussion sessions on Zoom during the zine-making process.

The conference itself is thus an experiment with different temporalities and medialities of research exchange. As a practical benefit, this format guarantees that the experience will be free of Zoom fatigue, timezone difficulties, travel expenses, and visa headaches. More generatively, it may also afford slower thinking, richer aesthetic possibilities, more diverse forms of circulation, and perhaps even some amount of delight. The conference format itself is part of the DIY experiment.


Conference Format
Prospective participants will submit approximately 300-500 word pitches to lowcarbonmethods@gmail.com by April 15th, describing their proposed topic and format. These submissions will be juried, with conference acceptance determined through a combined assessment of potential analytic merit, aesthetics, and the viability of the project plan.

Completed zines will be due on July 29. Participants will have the choice of either printing and mailing copies of their zine to the conference team, or sending in a print master or digital file to the conference team for print production. Printed zines will be packaged and mailed en masse to all conference attendees in September, along with pre-addressed envelopes and a subsidy for postage to help you craft replies to your fellow participants. A digital volume containing all the zines (the conference proceedings, if you will) will also be published online via the Low-Carbon Research Methods Group’s website, allowing for wider circulation and archiving. Let us know if you would like to receive an update once conference proceedings have been published online."]]></description>
<dc:subject>academia activism art climate climatechange emmlab zines sarahtayner annepasek 2023 conferences form exchange covid-19 coronavirus pandemic travel sustainability lowtech zero-carbonconferences publishing mail mailart correspondence sharing usps emissions flight flights carbonfootprint environment decarbonization biennials virtual inclusivity regional local openaccess carbonneutrality carbonemissions globalwarming airplanes airtravel aviation zoom streaming participation participatory access zoomfatigue 2024 2022 diymethods</dc:subject>
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    <title>Zine Based Conferenceing: A Guide, an EMM Lab White Paper by Sarah Rayner and Anne Pasek [.pdf]</title>
    <dc:date>2024-11-24T23:27:52+00:00</dc:date>
    <link>https://emmlab.info/Resources_page/EMMLAB_WhitePaper_ZineBasedConferencing_2023.pdf</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via:
https://www.are.na/block/25555435 ]

"RATIONALE
WHY CONDUCT A CONFERENCE BY MAIL?

At first this may seem to be an anachronism. The history of academic research exchange can be told as one of progressive technological advances.1 Letters to distant colleagues were a useful (and often sole) option in the early history of universities, configured by post and print into a Republic of Letters. However, with the rise of trains, cars, and airplanes, academics have been keen passengers on an ever-wider itinerary of in person meetings and lectures. And, when the COVID-19 pandemic put a (seemingly temporary) halt on this, we quickly upped the technological ante with streaming video talks and workshops.

This confluence of technologies and mobilities have shaped our expectations around what ‘good’ research exchange looks like.We expect academic talks to look a certain way (prim powerpoints) and for networking to happen under certain conditions (in a rush after a panel, in the hallway of a conference hotel, or—indeed—at the hotel bar).

When the pandemic threatened the continuity of this system, we rushed to rebuild it online, mimicking our old norms as closely as possible. This has only been a partial success; while more people than ever can enjoy a wide variety of conferences and talks from their laptops, complaints about poor attention, lost connections, and (of course) Zoom fatigue abound.

What’s more, it’s not clear that our old norms were doing the work we hoped them to do—at least, not for everyone. Conference travel is expensive, time-consuming, and often requires border crossing and visas. This shapes the kinds of academics who are likely to show up at conferences (namely those with favorable funding, passports and familial care arrangements) and thus the kinds of voices that dominate our fields.2 It also limits the way we express and receive ideas: most often, one slide after another,3 followed by a clipped and chaotic Q&A.4 Finally, it’s clear that all this travel5 (and perhaps too, all this video streaming6) is unsustainable for the climate system. If we want to cut our carbon emissions, and increase the equity and conviviality of our gatherings, we’ll need to try something different.

Mail offers a low-tech, low-carbon, high-fidelity, screen-free alternative. It’s also a usefully unusual format to academics today, free of formal expectations for what research exchange and collegial participation should look like in the medium. If you wanted to convey your research-in-progress on the page, but not yet as a formal journal publication, what would be the best way to do so? And how should your audience best share their response with you in turn? These questions matter so much at this moment because they are unanswered.

We (the Experimental Methods & Media Lab + the Low-Carbon Research Methods Group) explored one set of possible answers in running DIY Methods, a zine-based conference. Our first year was 2022, culminating in an exchange between over 90 academics in 7 different countries. Everyone got over 1 kg of zines in the mail detailing different methodological experiments and provocations in a variety of printed formats. Many involved participatory elements, soliciting their reader to fill out prompts, response forms, and to send postcards back to the author. The conference materials were also digitized and uploaded to H-Commons, where anyone could access them.

It was a lot of fun. Conference contributors made beautiful, exciting work, and reported feeling more enthusiastic about participating in the event than in their regular conferences. The zines were insightful, weird, and frequently delightful. No one got Zoom fatigue.

It was also a fair bit of work for the conference organizers. To be fair, so is every conference ever organized. But there are a fair few peculiarities to working with zines and the postal service, and plenty of lessons learned along the way. To remind our future selves, and to support the development of other such experiments, we decided to write a white paper outlining logistical and social considerations in organizing conferences by mail. We aim here to share both our enthusiasm, experiences, and a few cautionary tales. We hope that it inspires and supports many more experiments in accessible and sustainable research exchange.


...

TABLE OF CONTENTS
Rationale 1
Conference Timeline 4
Call-for-Zines 4
Supporting Zine Development 8
Receiving Submission s 10
Printing 11
Mailing 16
Digital Distribution 19
Online Exchanges 21
Budget Breakdown 26
Conclusions 27
Bibliography / More Resources 29"]]></description>
<dc:subject>zines sarahtayner annepasek 2023 academia conferences form exchange covid-19 coronavirus pandemic travel sustainability lowtech zero-carbonconferences publishing mail mailart correspondence sharing usps emissions flight flights carbonfootprint environment decarbonization biennials virtual inclusivity regional local openaccess carbonneutrality carbonemissions climatechange globalwarming airplanes airtravel aviation zoom streaming participation participatory access zoomfatigue emmlab diymethods</dc:subject>
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    <title>Skateboarding Has Its Very Own Academic Conference Now</title>
    <dc:date>2024-09-03T21:55:23+00:00</dc:date>
    <link>https://www.vice.com/en/article/skateboarding-has-its-very-own-academic-conference-now/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>tedbarrow academia skateboarding skating 2018 conferences pushinboarders fredmoragne artoaari sammcguire oceanhowell arthistory karlwatson mariedabbadie elissasteamer alexissablone gustaveden iainborden kavavaz kylebeachy jasonjessee daniabulhawa andrewgorham anthonypappalardo</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=IQydDDURArw">
    <title>Decarbonizing my professional travel: a risky idea - YouTube</title>
    <dc:date>2024-06-03T00:36:26+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=IQydDDURArw</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Today I consider a way of reducing my carbon footprint by suspending are travel in favor of train and video.
What do you think?"]]></description>
<dc:subject>zero-carbonconferences bryanalexander conferences academia highered highereducation sustainability carbonneutrality flights travel carbonemissions climatechange globalwarming environment airplanes airtravel aviation decarbonization</dc:subject>
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<item rdf:about="https://www.nature.com/articles/d41586-020-02057-2">
    <title>An analysis of ways to decarbonize conference travel after COVID-19</title>
    <dc:date>2020-07-15T22:36:34+00:00</dc:date>
    <link>https://www.nature.com/articles/d41586-020-02057-2</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Biennials, regional hubs and virtual attendance can slash emissions, new calculations show.

[from this thread via Rod Robbins:

Just published in @nature. Our comment how to decarbonize conference travelAirplane arriving&include under-represented groupsEarth globe europe-africa. Go virtual+Regional hubs = No intercontinental flights & 80% CO₂ savings & occasional face2face. As COVID taught us, virtual is possible. https://www.nature.com/articles/d41586-020-02057-2 1/6

Why is conference travel bad? A single meeting can emit as much CO₂ as a city in a week. For @theAGU 2019, scientists flew 285million km to San Francisco&back≈2xEarth-Sun=Earth globe europe-africaAirplane departureSun with faceAirplane arrivingEarth globe asia-australia. But virtual alternatives exist, which are cheap, time-efficient, inclusive and ~net-zero. 2/6

COVID questioned the necessity of recurrent conference air travel - but will virtual conferences become the new normal? What needs to change: 3/6

(1) Reorganize of conferences to minimize emissions, increase virtual participation and therefore inclusivity. Choose accessible venues, merge with other conferences, create regional hubs. Go biennial with fully virtual meetings in between. 4/6

(2) Include carbon budgets in research grants. Respect that “necessary travel” depends on career, field, etc

(3) Invest time,effort&money into virtual technologies. Virtual: posters, comm channels (e.g. @discord, @SlackHQ), social events etc. Open-access to increase outreach. 5/6

(4) Researchers: speak virtually or better let colleagues from under-represented groups speak. 6/6
@DebbieHopkins_ @ThomsenSoeren @KA_Nicholas @flyingless @ScientistsX @coralsncaves @KevinClimate @groovybeatz1 @JKSteinberger @clequere @oxfordgeography @V_BlueDecade @jellsmoor]

Before the pandemic, many academics were frequent flyers. We travelled to conferences and board meetings, to conduct fieldwork, to visit collaborators and to give seminars and lectures. Many of us took multiple long-haul flights per year and have accrued thousands of air miles.

Yet we are also acutely aware of the negative impacts of travel. Before the outbreak of COVID-19, the transport sector as a whole accounted for 24% of annual global emissions of carbon dioxide. Aviation was responsible for about 3%, road transport 18% and rail less than 1%1.The vast majority of flights were taken by a small minority of frequent flyers. In the United Kingdom, 15% of the population was responsible for 70% of the flights2. There are clear inequalities in who travels by air3.

Academics are part of this hypermobile lifestyle. The sum total of travel associated with attendance at one large academic conference can release as much CO2 as an entire city in a week. Take the Fall Meeting of the American Geophysical Union (AGU) — the world’s largest Earth- and space-science conference — held in San Francisco, California, last December. We calculate that its 28,000 delegates travelled 285 million kilometres there and back — almost twice the distance between Earth and the Sun. In doing so, they emitted the equivalent of about 80,000 tonnes of CO2 (tCO2e). This is about 3 tonnes per scientist, or the average weekly emissions of the city of Edinburgh, UK4. Other big conferences will have had similarly large carbon footprints.

The COVID-19 pandemic has forced us to rethink what constitutes necessary travel. Many of this year’s conferences have been cancelled. Some have gone virtual. For example, in May, the annual meeting of the European Geosciences Union (EGU) ran its sessions and panels online. It is the largest European meeting of geoscientists, with 16,000 attendees in a typical year. There was an upside to making it virtual — attendance rose to 26,000. Some climate and sustainability conferences have long been held online, including the Virtual Island Summit and Virtual Blue COP25.

Of course, for some academics, especially in their early career stages, occasional face-to-face interactions are likely to remain important, for example to aid networking.

Here, we present an original analysis of the potential emissions savings of doing things differently. We compare several actions that, by our calculations, can reduce conference travel emissions by up to 90%, including holding a conference biennially in accessible locations, having regional hubs, and increasing virtual presentations.

Fall International Earth and space science meeting 2019, 9-13 December 2019.
Some 28,000 people travelled to the American Geophysical Union’s 2019 Fall Meeting, resulting in 80,000 tonnes of carbon emissions.Credit: AGU

Before the pandemic, many academics were frequent flyers. We travelled to conferences and board meetings, to conduct fieldwork, to visit collaborators and to give seminars and lectures. Many of us took multiple long-haul flights per year and have accrued thousands of air miles.

Yet we are also acutely aware of the negative impacts of travel. Before the outbreak of COVID-19, the transport sector as a whole accounted for 24% of annual global emissions of carbon dioxide. Aviation was responsible for about 3%, road transport 18% and rail less than 1%1.The vast majority of flights were taken by a small minority of frequent flyers. In the United Kingdom, 15% of the population was responsible for 70% of the flights2. There are clear inequalities in who travels by air3.

Academics are part of this hypermobile lifestyle. The sum total of travel associated with attendance at one large academic conference can release as much CO2 as an entire city in a week. Take the Fall Meeting of the American Geophysical Union (AGU) — the world’s largest Earth- and space-science conference — held in San Francisco, California, last December. We calculate that its 28,000 delegates travelled 285 million kilometres there and back — almost twice the distance between Earth and the Sun. In doing so, they emitted the equivalent of about 80,000 tonnes of CO2 (tCO2e). This is about 3 tonnes per scientist, or the average weekly emissions of the city of Edinburgh, UK4. Other big conferences will have had similarly large carbon footprints.

The COVID-19 pandemic has forced us to rethink what constitutes necessary travel. Many of this year’s conferences have been cancelled. Some have gone virtual. For example, in May, the annual meeting of the European Geosciences Union (EGU) ran its sessions and panels online. It is the largest European meeting of geoscientists, with 16,000 attendees in a typical year. There was an upside to making it virtual — attendance rose to 26,000. Some climate and sustainability conferences have long been held online, including the Virtual Island Summit and Virtual Blue COP25.

Of course, for some academics, especially in their early career stages, occasional face-to-face interactions are likely to remain important, for example to aid networking.

Here, we present an original analysis of the potential emissions savings of doing things differently. We compare several actions that, by our calculations, can reduce conference travel emissions by up to 90%, including holding a conference biennially in accessible locations, having regional hubs, and increasing virtual presentations.

Long-haul aviation

To learn more about transport emissions from major conferences, we analysed the travel patterns of delegates to the AGU’s 2019 Fall Meeting. We located the affiliations of all 24,008 presenters of talks and posters at the conference and estimated how far each had travelled from their home institution. We scaled up the result for all 28,000 attendees (see ’Emissions en route’).

[image]

We assumed a typical mode of transport for each attendee, depending on the distance they travelled to San Francisco. Around 92% travelled more than 400 kilometres and were assumed to have flown. A car, bus or train journey was assumed for the remaining 8%.

We assigned average emissions rates to each transport type. Car, bus and train journeys were averaged into a single emission category, because their respective share among attendees is unknown. Flights produce three to five times more emissions per kilometre per person than does overland transport. These emission factors take into account the average fuel consumption, fuel weight, deviations from the shortest distance, the number of passengers per vehicle and indirect CO2 effects caused by aircraft emitting at high altitudes (see Supplementary information for details, including the sensitivity to our assumptions, such as those for emissions factors).

Intercontinental flights are the main source of emissions: one return flight between Hong Kong and San Francisco releases more CO2 than does the average British person’s activities over an entire year, or than those of ten people living in Ghana.

Seventy-five per cent of the AGU 2019 emissions were generated by intercontinental flights for one-way distances greater than 8,000 km, made by 36% of the attendees (about 10,000 people), who travelled from outside North America. The highest emissions were due to 17% of the attendees (about 5,000 people) and account for 39% of the total emissions (see Fig. S1 in Supplementary information). These people had travelled the farthest — mostly from India, Australia and China (see Fig. S2).

By contrast, only 2% of the AGU 2019 emissions were caused by the 22% of delegates who took flights of less than 1,500 km one way (see Fig. S1). Changing their mode of transport would therefore make little difference to total emissions. Even if all 22% were to use trains, buses or carpools instead of aeroplanes, this would reduce total emissions by only 1%. Similarly, even for regional conferences that can be accessed by a well-connected rail network, such as the EGU meeting held each year in Vienna, a switch from plane to train reduces emissions by 10% at most (see Fig. S3).

We also assessed the impact on emissions of moving the AGU Fall Meeting to a different location in the United States. Holding the conference in the middle of the country, rather than on one coast or the other, would reduce travel emissions. Chicago in Illinois emerged as an optimum location, saving 12% in emissions (Fig. S4). Moving it to Hawaii, by contrast, would increase emissions by 42%, because almost everyone would need to fly more than 4,000 km to attend.

Conferences reimagined

The following three measures would reduce travel emissions associated with international conferences.

Choose accessible venues. Future conference locations should be selected, in part, to minimize transport emissions. Decisions could be informed by modelling delegates’ journeys, as we did. Because air travel would still be necessary for most participants, virtual attendance should be considered instead of long-haul trips whenever possible. Low-carbon alternatives to air travel, such as trains, buses or carpools should be encouraged for those who are able to use them, and for regional meetings.

Increase virtual attendance. Virtual conferences should do more than replicate an in-person conference online. Text-based online forums allow discussions to continue for days or weeks in any time zone, and increase the participation compared with in-person question-and-answer sessions. Virtual content should be archived and made open access to increase outreach. Lower fees will boost virtual attendance. For example, the EGU’s virtual meeting in May was free to attend and attracted 60% more participants than last year’s in-person conference.

Become biennial. Some major conferences, such as the AGU’s Ocean Sciences Meeting, are held every other year. All things being equal, this immediately cuts a conference’s annual travel emissions by 50%. Biennial meetings could be complemented by a fully virtual conference in alternate years.

By following all three steps, we calculate that travel-related carbon emissions for the AGU Fall Meeting could be reduced by more than 90% if the meeting were held biennially in Chicago, and with about one-third of the participants, those responsible for most of the emissions, attending virtually.

[image]

The downside is that this would exclude many scientists based outside the United States from attending in person, potentially resulting in a two-tier conference system and conflicting with aspirations for a global scientific community. Ways of improving opportunities for a wide range of researchers to participate are therefore needed.

Three-hub model

Merging regional annual conferences is a possible way of reducing emissions and improving equity. For example, the EGU meeting (held in April), and the Japan Geoscience Union (JpGU) meeting (held near Tokyo in May) complement the AGU Fall Meeting. These conferences often have sessions on similar themes and are already developing collaborative links. Before the pandemic, the AGU and the JpGU were planning a joint in-person conference in Japan in May this year.

We propose combining these conferences. A single global ‘World Geosciences Union’ conference would take place simultaneously in three hub locations, linked by dedicated virtual-room facilities to allow anyone to participate in any session. Attendees would travel only to their nearest hub. On the basis of current attendance patterns, Chicago, Tokyo and Paris would be suitable host cities (see Supplementary information). Such a three-hub model could reduce the combined total travel emissions of the three meetings by about 80%. (See ‘Shrink the footprint’ for a comparison of emissions from the AGU Fall Meeting and various other options.)

[image]

Time differences would have to be accommodated. A global meeting might open on a Monday morning in Tokyo and run for five days continuously until Friday evening in Chicago. Sessions with high attendance could be held in each hub in the afternoon, to allow live late-evening and early-riser participation at the other two hubs. Participants would have to accept sessions occurring at unconventional hours, but this is likely to be less stressful than back-to-back intercontinental flights5.

Critics might counter that such a model would still disadvantage academics in parts of the world remote from these hubs, such as the Southern Hemisphere. Academics based in the Northern Hemisphere are more likely to reap the benefits of increasing their contacts, building trust and sharing informal knowledge in person, even under our three-hub model. Fully virtual conferences might provide more equality in this respect (see go.nature.com/38de0sr).

Further regional meetings might join and complement the main three. Virtual attendance could help early-career researchers to gain exposure to the entire global community at one meeting. People who might have struggled to attend for personal reasons, such as lack of childcare, low travel budgets or visa restrictions, could take part. For example, the Virtual Island Summit connects more than 250 island communities worldwide, especially from the global south, which would not be possible in person because of the vast distances and travel costs. Questions of equity are important, and need more consideration to avoid exacerbating existing inequalities.

Another issue is that the software currently used for running virtual conferences remains basic6. Although no more than a laptop or tablet with an Internet connection is required to participate, Internet connectivity can be a bottleneck for streaming video presentations. Uploaded recordings, digital posters and text-based discussions would reduce pressure on the technology. To enhance the virtual experience without limiting access, conferences should offer platforms for both low- and high-bandwidth connections. In addition, online community platforms such as Discord and Slack are essential to provide virtual attendees with opportunities to network and socialize at coffee and lunch breaks and other social events.

Action points

Recurrent in-person conference attendance is one of the least-necessary reasons for academics to travel. Scholarly success generally does not increase in line with air miles7. But the current move to online conferences in response to COVID-19 will not become the norm by default. Many actors need to be mobilized to transform the shift to a fair conference model for a net-zero carbon future.

Academic associations and professional bodies. Such groups should support the reorganization of conferences around emissions, virtual participation and inclusivity. They should set criteria for funding conferences — those that ignore emissions targets should not be supported. As a first step, there should be an immediate move to biennial conferences, with fully virtual meetings in alternate years.

Funding bodies. These should consider low-carbon and open-access dissemination of research output, support virtual conference presentations rather than conference travel, and reward regional attendance. They should consider carbon budgets as well as financials in grant applications and in contractual terms and conditions.

Academic institutions. Universities and others should reallocate conference funding from travel and accommodation to the costs of virtual hosting, including investment in virtual technologies, technical support and conference social-media engagement. Funding should cover expenses for virtual attendance, and there should be mechanisms for requesting ‘conference leave’ to allow full virtual participation. Promotion and research-assessment exercises should recognize conference contributions under the new model. Just as academics have an annual travel budget, institutions should look to implement differentiated carbon budgets (by career stage and other criteria)8.

Researchers. Participants should promote and support virtual conferences wherever possible. Opportunities to present at virtual conferences should be accepted and virtual presentation should be demanded if it is not offered. Role models will be crucial, and senior scholars should insist on delivering invited keynote speeches virtually9, or should pass on those opportunities to scientists from groups that are under-represented in their fields10.

Conference organizers. When selecting a host city, event organizers should consider the emission profile of delegate travel. Conference hubs should be created to minimize the need for long-haul flights. Most aspects of conference participation should be moved online, including the live-streaming and recording of presentations, digital posters with discussion channels and virtual social events. Virtual presentation should be encouraged and time-slot preferences accommodated. Connections between similar conferences should be established. Money saved by going virtual should be used to increase the participation of scientists from the global south.

Virtual-technology providers. These should be funded to develop online conferencing solutions for the academic community. Open-source virtual technologies should be prioritized to avoid further dependence on expensive licensing, which creates and perpetuates exclusion.

Only through a concerted and coordinated effort will the transition towards a decarbonized model of academic conferencing gain traction. As COVID-19 has taught us, changes to deeply embedded and seemingly intractable practices can happen in a global emergency with remarkable speed.

_Nature 583, 356-359 (2020)

doi: 10.1038/d41586-020-02057-2_”]]></description>
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    <title>Abolition University - studying within/against/beyond the university</title>
    <dc:date>2020-06-18T21:11:54+00:00</dc:date>
    <link>https://abolition.university/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“studying within/against/beyond the university”

“We think it’s time to take up an abolitionist approach to the university. We can’t do it without you. But you’re anxious, as are we, when faced with the uncertainty of what that might entail. We’ve got that in common. Maybe you rather like universities and believe in their value. Or maybe you simply need to have a job, and yours happens to be there. Maybe you’ve been a prison abolitionist since long before everyone was calling themselves one, and you’re concerned about the drift of the signifier “abolitionist” from a specific set of collective struggles to an individual mode of self-branding. Or maybe you saw what the Right did (and continues to do) with calls for the abolition of whiteness from the journal Race Traitor in the late 1990s and early 2000s.[1] And so maybe you’re concerned that bringing the word abolition into too intimate a proximity with the university might offer ammunition to Republicans eager to continue their assaults on higher education and to Democrats eager to distance themselves from the Left.

Abolitionism is itself a terrain of struggle. In the anti-slavery movement, some abolitionists sought full freedom and equality for all Black people. Others perpetuated anti-black racism and hoped to ship formerly enslaved people to Africa. Today, the Right has continued the racist tendency of abolitionism with its Abolish Human Abortion movement, which emerged from attempts to protect segregated schools in the 1970s.[2] The Right has also dabbled in taking an abolitionist stance toward universities, such as with conservative professor, Jason Hill, who claims that “the gravest internal threat to our country … is leftist professors who are waging a war against America.”[3]

We call for bringing abolitionism to the university in a very different sense, one aligned with the Left abolitionist tendency, which has been expressed most strongly in recent years with the movement to abolish prisons and police, seeing these violent institutions as continuations of slavery by another name. Leftist abolitionisms have always been both destructive—dismantling racial capitalism—and constructive, building alternatives, from the “abolition democracy” of Reconstruction to today’s projects seeking to divert people’s attachments to prisons and police into alternative practices of community accountability, safety, and transformative justice. Our left abolitionist approach to universities also negotiates these two paths at once: reckoning with universities’ complicity with a carceral, racial-capitalist society while creating an alternative, abolition university. We ask, Are prisons and universities two sides of the same coin? When we raise this question, does it make you anxious? We feel this anxiety, too, and we want to sit with it, to grapple with the impasse such questions open up.

Our aim here is not to allay or dismiss these concerns but to invite you to a different way of moving in relation to them. Abolitionist thought teaches us that when an institution—whether slavery, the prison, or the university—has become attached to so many real and meaningful anxieties about politics and purpose, life and living, it has come to wield the force of necessity. Indeed, universities resist knowledge of themselves, as any researcher who has ever encountered the fifty-year embargoes placed on private universities’ board meetings will be more than a little familiar with.  This epistemological refusal of knowledge that constitutes the institution as such works by constantly normalizing its modes of forgetting behind the veil of institutional obviousness.  Such an institution resists both theory and strategy alike because of how fixedly it attaches to what we need and value in the world. The anxiety generated when abolitionist sidles up to the university confronts us with crisis in the negative sense of social deterioration. Abolition thus offers the occasion for thinking about the university in ways that the institution itself might otherwise render impossible. And in doing so it may offer an occasion to trouble the institution as we know and inhabit it—and as it inhabits us. What follows is an attempt to shift our relation to that anxiety. We are looking to find a different path to the question, What would an abolitionist approach to the university say yes to?

We are inspired by Stefano Harney and Fred Moten’s call to reinterpret abolitionism as: “Not so much the abolition of prisons but the abolition of a society that could have prisons, that could have slavery, that could have the wage, and therefore not abolition as the elimination of anything but abolition as the founding of a new society.”[4] They sense a new abolitionism—a positive, world-making one—lurking in the university’s “undercommons.” We are also thinking with Dylan Rodríguez’s writing on abolitionist politics within and in relationship to the academy. We share his ambivalence about the possibilities for transforming these institutions and, like him, we hold on to the “radical creativity that can come from the standoff position in-and-of-itself.”[5] This work is further animated by W.E.B. Du Bois’s and Angela Davis’s respective conceptualization of “abolition democracy.” For Du Bois, “abolition democracy” marked “the grand, unrealized potential of social and economic change initiated during the Reconstruction era” and for Davis, it enabled a proposal for “the creation of an array of social institutions that would begin to solve the social problems that set people on the track to prison, thereby helping to render prison obsolete.”[6] Along the lines of this constructive abolitionism, we raise questions about the possibility of an “abolition university.” What kinds of spaces, relationships, ways of knowing, and even institutions might an abolitionist approach to the university bring into being?

This question brings us to one of the arguments guiding this invitation. One of the defining features of the university in the U.S. context is the accumulation of lands, lives, resources, and relationships. The university’s appearance of necessity is no mere mirage but rather the effect of its centrality within settler colonial and racial capitalist regimes of accumulation. To turn the university into an object of analysis, a site of intervention, and a resource to be exploited, abolitionist university studies needs to account for the shifting regimes of accumulation that constitute the university as such. All the better, we think, to change our relation to it. The import of this framework is in the breathing room it offers. Not only does tying our understanding of the university to different regimes of accumulation offer a more precise mode of accounting for the history and historicity of the university, its usefulness also consists in the way that it frees us from the conflation of universities with education, study, and the production of knowledge and, instead, to see universities as complex terrains with many conflicting and intersecting modes of world-making.

More practically, to think the university through an abolitionist mode entails approaching our study of and relationship to such institutions through a combination of social critique and a willingness to struggle to think and build the impossible. We have chosen this name, a name that positions the university as the object of abolition, in an effort to short-circuit the university’s claims of a priori goodness, as a way of making the university newly available for thinking. For us, an abolitionist approach is one which confronts the foundational epistemological and material violences of the U.S. state, liberalism, and capitalism.

Davis, Moten, Harney, and Rodríguez are just a few of the many thinkers who animate our efforts to embrace abolition as a generative rather than merely negative project. We aim to build relations that steal the sheen from the university’s romanticized history and to repurpose its resources, capacities, and function of reproducing sociality with and for other ways of being, other ways of living. This generative abolitionism requires seeing how the politics of universities is bound up with the politics of memory, itself an accumulative process. The dominant popular and scholarly narratives about U.S. universities tend to portray “progress” with linear distinctions between past, present, and future, as well as “crisis” with moral distinctions between these temporal images—that is, asking: “Where did we go wrong in the past that led to the present crisis, and how can we solve it to build a better future?” Such simplifying approaches to history obscure how all historical narratives are constructed from politically interested perspectives that selectively recall certain memories and forget or ignore others.

Being open about our abolitionist perspective, we push back against these depoliticizing histories by revealing their politics as well as the role of universities in their authorization. We therefore approach the study of the history and social function of colleges and universities with a keen awareness of the ways such institutions—and the knowledge they enable, proffer, and archive—are fundamentally conditioned by modes of studying, remembering, and imagining limited by and indebted to white-supremacist, heterosexist, ableist, settler-colonial, capitalist epistemologies. An abolitionist approach unearths the counter-memories of people who have been buried in the dominant histories, people who have resisted the dominant worldmaking project and created alternatives.

In what follows, we lay out a conceptual framework through which to approach an abolitionist university studies that is especially attentive to questions of periodization and informed by a historical materialist interest in modes and regimes of accumulation. We begin with a discussion of the most dominant periodization in contemporary work on the university, represented by work in Critical University Studies, which focuses largely on the eras following World War II (and sometimes the 1890s). We then propose an alternative periodization by highlighting how the university’s dominant modes of accumulation have changed across history along with shifts in broader regimes of accumulation. In this framing, we argue for the importance of understanding the “post-slavery university.” By centering this new concept, we aim to emphasize the unfinished work of the abolitionist movement by situating US universities after the Civil War as continuous with a broader terrain of struggles pitting what Du Bois called the “counter-revolution” of capital and property against abolitionism and Reconstruction. In other words, with the formal end of slavery, capital aspired to use the post-slavery university for accumulation by other means. Bringing our periodization up to the present, we analyze the university’s dominant modes of accumulation within the broader contemporary accumulation regime: individual accumulation (and individualization itself) through education, institutional accumulation, the circulation of capital, the expropriation of labor, and the non-circulation of wages (i.e., from the perspective of students’ wageless labor). We conclude by raising questions for a constructive university abolitionism, asking how an abolitionist perspective can highlight spaces of organizing, resistance, subversion, and accumulation towards non-capitalist ends within, through, and in relation to universities. By developing a specifically abolitionist approach to the university—its histories, its present, and its futures—and in conversation with you and with others, we want to build an abolition university. We invite you to join us.”]]></description>
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    <title>Filtered for hallway tracks and spreadsheet parties (Interconnected)</title>
    <dc:date>2020-06-16T02:33:44+00:00</dc:date>
    <link>http://interconnected.org/home/2020/06/15/hallway_track</link>
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<item rdf:about="http://www.mnartists.org/article/secret-grace-summer-camp-socially-awkward-storytellers">
    <title>The Secret Grace of Summer Camp for Socially Awkward Storytellers - Mn Artists</title>
    <dc:date>2020-01-23T01:34:11+00:00</dc:date>
    <link>http://www.mnartists.org/article/secret-grace-summer-camp-socially-awkward-storytellers</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“Thanks to Alec Soth and the team of Little Brown Mushroom, a group of international artists and writers find themselves immersed in finding the stories hiding in plain sight within the marvelous mundanities of the Midwest.

“ALL OF THIS COULD JUST BE A MASSIVE FAILURE, one never knows,” Alec Soth shrugs, his slim frame curled into a Thinker pose as he rests in a swivel chair in the converted garage space that serves as his studio and office. He’s speaking about the Summer Camp for Socially Awkward Storytellers, a recent arts workshop held at Little Brown Mushroom, the Saint Paul publishing house Soth co-founded. His “take it as it comes” attitude is fitting to the project, as Soth and his fellow instructors envisioned the camp as something of a repudiation of the glut of tightly scheduled, for-profit workshops that dominate the photography landscape.

As an internationally celebrated photographer, Soth gets invited to participate in those workshops all the time. “I’ve always avoided them for a variety of reasons,” he says, running a hand over his dark, close-cropped beard. “If it’s somewhere else, I don’t want to just fly off and go do a thing in Cuba or wherever. It always sounds exotic, but then that’s also problematic. They tend to be very expensive for the participants so that it can make money. And that’s fine, but it attracts dentists.”

Affordability and accessibility have always been cornerstones of the Little Brown Mushroom philosophy – their photo essay books generally retail for less than $20, with pricier special editions available for serious collectors. The idea is to produce high-quality artwork that stays in the price range of students, casual arts patrons and other folks who can’t or won’t pony up for the usual high-end art books. Not long ago, it dawned on Soth that the same ethos could be applied to those big-ticket workshops.

“I thought, I keep getting asked to do these workshops, but what if I did a workshop here? Because I’m hungry to be involved in education in some way, but I also want to do it on my own terms,” Soth explains. Once the seed was planted, the framework came together quickly: Little Brown Mushroom would invite artists to apply for a free, five-day workshop based in the cozily industrial confines of the company’s Saint Paul offices. Making the workshop cost-free was hugely important, not just because it kept things affordable for the applicants, but also because it provided Soth and his collaborators with a little more room to move. “It relieves some of the burden of having to fulfill a specific expectation,” Soth says. “It’s free to be more experimental. Also, it allowed us to cherry-pick really interesting applications. We got a ton of applications, really fascinating ones. We could’ve done it 20 times over. The only negative to this whole process so far has been saying no to people with these wonderful applications.”

That freedom also allowed the Summer Camp for Socially Awkward Storytellers to focus on perhaps the stickiest aspect of the Little Brown Mushroom mission: exploring the possibilities of photo-centric narratives. In a side room the staff refers to as “The Cave” stands Soth’s sizable collection of photography books. The library ranges from well-known classics to recent obscurities, but in Soth’s eyes the real jewels are a smattering of books that attempt to wed photos to some sort of overarching narrative. There are children’s books, Mexican fotonovelas, even a few more adult-oriented artistic efforts like Daniel Seymour’s A Loud Song. Soth has long explored the intersection of storytelling and photography in his own work, most recently in his series of LBM Dispatch collaborations with author and Little Brown Mushroom team member Brad Zellar.

“The thing about Little Brown Mushroom is it’s always a combination of text and image,” Soth says. “We use a storybook, like Little Golden Books, as sort of a template for visual storytelling. It’s really storytelling at its most basic form. And then something like these “dispatches,” that’s more modeled after newspaper journalism, but also something like Life photo essays. It’s kind of a dated thing, but Dorthea Lange and Paul Taylor collaborated, Margaret Bourke-White and Erskine Caldwell, these writer-photographer collaborations. It’s kind of a bygone era.”

Despite Soth’s fascination with and enthusiasm for narrative photography, he’s not convinced that it’s a particularly effective format. “Truthfully,” he says, “I don’t think they go together very well, images and text. I think they fight each other. But I feel hungry for it. As an artist, [this workshop] is a way for me to play around and experiment with other artists in terms of, ‘what are the possibilities of this?’”

With that loose mission statement in hand, Soth and the Summer Camp for Socially Awkward Storytellers staff – Zellar, photographers Carrie Thompson and Ethan Jones, designer Hans Seeger, visual artist Jason Polan and filmmaker Galen Fletcher – sorted through the more than 400 applications and picked out 15 attendees from all around the world. The final roster included artists from corners as far-flung as Germany and Venezuela, with just one Minnesotan in the mix. (In the interest of getting as diverse a selection of perspectives as possible, the staff intentionally decided to limit the locals and only consider applicants with whose work they were unfamiliar.)

The campers roll in on Tuesday with little idea of what to expect from the undertaking. Much of their trepidation has to do with working in teams. “Collaboration is kind of a new thing for me,” says Jeff Barnett-Winsby, a photographer from New York. “But it’s definitely something that I’ve been enjoying. I think a lot of photographers [are concerned that], because our work is so representational, it’s also easily replicated or at least emulated. It makes for a really insecure artist. Those artists are notoriously bad at collaborating, because you have to give up control and authorship. I think we did a really great job – but maybe I’m just talking about me.”

When we speak, before camp starts, Soth admits that he himself has only a basic idea of how the week will unfold. “We’re going to pair people off for the first day to do little collaborative projects. Ideally we’ll get as much of a mix of mediums between those people as possible,” Soth explains. “They go out and they have to generate some sort of story. It can be a very simple thing… It’s like a children’s book, the primal form of storytelling. Like, ‘I went to Hawaii. I saw the dolphin.’ Except in a more sophisticated way: ‘I went to Menards. I photographed someone in a wedding dress.’”

He’s not kidding about Menards, either. Exploring the untapped wonders of Saint Paul, especially the nearby Saint Anthony and Midway neighborhoods, is very much a part of the workshop agenda. William Faulkner once said that a key to his success as a novelist was the realization that “my own little postage stamp of soil was worth writing about and that I would never live long enough to exhaust it.” Soth clearly abides by a similar philosophy.

“They’re going out in this vicinity,” he says. “A big belief of mine is that I don’t have to go to Cuba to do a photo workshop, or to see the exotic people. It’s exotic here. It’s interesting. Menards is very interesting. One can do a photo workshop here as well as anywhere else. In some ways it helps to avoid some of the clichés.”

And so it is that a group of international artists and writers find themselves checking in at Al’s Diner in Dinkytown, wandering the woods outside of the city and otherwise immersed in the marvelous mundanities of the Midwest. The unstructured nature of the undertaking foments some peculiar – and, it seems, welcome – digressions. Easter Trouble Press founder Jim Reed, a fan of Soth’s work who traveled from Frankfort, Germany to take part in the camp, finds himself inspired to experiment with William Eggleston’s “democratic camera” concept during the group’s trip to the forest. “I decided I’m going to drink beer and get intoxicated, in the spirit of Eggleston, and go around and sit and stare at objects, try to give objects their full worth the way that Eggleston gave objects their full worth,” Reed says. He eventually evolves that idea into a sort of conceptual Easter egg hunt for the other campers.

There are probably a lot of arts workshops where that sort of thing wouldn’t fly, but as far as Soth is concerned, anything that helps an artist tap into a vein of storytelling is fair game. “Part of the name, the whole ‘Socially Awkward’ thing, is that photographers and writers are generally more reclusive people. Certainly I was. That’s part of my reason for doing it. But I am interested in storytelling as communication. Wouldn’t it be interesting just to experiment with this form of presenting material in a slideshow? And in part it comes from personal experience, because I’ve been forced into this situation. I’m not saying I’m good at it at all. I give the standard slideshow, like an artist’s lecture. But I thought there was potential here for something.”

From the look of things around the Little Brown Mushroom offices on Wednesday evening, after the second full day of workshops, the campers are finding the challenge daunting but are eager to rise to it. A dimly lit back room hums with quiet energy as duos hunch over MacBooks and try to pull loose narratives out of their day’s outing in the forest. Soth and some Little Brown Mushroom staffers mill about up front, chatting about upcoming projects and allowing the artists to go well over their allotted work time.

It’s pushing on past 8 pm when the instructors finally give the “pencils down” call. The campers have prepared a series of slideshows in which they’ve tied their photos together with some manner of narrative thread. It’s a practice run for the camp’s grand finale, a live slideshow event in front of an audience at The Soap Factory, complete with a DJ set by Brad Zellar and snappy patter from comedian Brian Beatty. The campers, who didn’t know coming in that there would be a performance element, seem both sheepish about sharing their day’s output and grateful for the chance to get in a few dry runs before the big event. While they come from a broad range of artistic backgrounds, theater is not the first item on anyone’s résumé. The storytelling is loose, brief and laced with in-jokes that make it clear that the group already has a fair bit of bonding under its collective belt. There are still plenty of bugs to work out, but it appears as though they’re making heady progress toward Soth’s goal of unearthing some new revelations about photographic narrative.

“I think it’ll be fun,” Soth says of the then fast-approaching performance. “Part of the thing about showing it to an audience is, it’s not that you have to entertain, but you have to engage on some level. I think there’s a tendency in the art world to sort of forget about the audience. ‘I’m doing this for myself.’ If you’re faced with an audience, there’s some sort of obligation to engage with them on some level. Make it compelling, so it’s not utterly boring. But maybe even making it boring is OK. If you choose to do that, that’s OK.”

That last sentence could be a thesis statement for the Camp for Socially Awkward Storytellers, and that overriding sense of OK-ness seems like a solid groundwork for many more camps to come.”]]></description>
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    <title>The Little Brown Mushroom Camp for Socially Awkward Storytellers - April Dobbins</title>
    <dc:date>2020-01-23T00:55:16+00:00</dc:date>
    <link>https://cargocollective.com/aprildobbins/The-Little-Brown-Mushroom-Camp-for-Socially-Awkward-Storytellers</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“In July, I attended Little Brown Mushroom’s Camp for Socially Awkward Storytellers, which was helmed by Alec Soth. He and the LBM crew picked fifteen artists out of over 400 applicants.

Was it fun? In hindsight, I guess it was at times.

Was it traumatic? Yes. Still.

Did I learn a lot? Man, that’s an understatement.

Better you tour the press links: [links]“]]></description>
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<item rdf:about="http://www.littlebrownmushroom.com/popsicle-27-lbm-camp-for-socially-awkward-storytellers/">
    <title>Popsicle #27: LBM Camp for Socially Awkward Storytellers « Little Brown Mushroom</title>
    <dc:date>2020-01-23T00:54:53+00:00</dc:date>
    <link>http://www.littlebrownmushroom.com/popsicle-27-lbm-camp-for-socially-awkward-storytellers/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“The other day my daughter and I had a conversation about the event I was hosting at my studio, The Camp For Socially Awkward Storytellers. While she agreed that I’m something of an expert on social-awkwardness, she disputed the notion that I’m a storyteller. “You take pictures and put them into books,” she said, “but they aren’t really stories.”

Her words bruised a bit, but deep down I knew she was right. I know very little about storytelling. If anything, the camp was an elaborate con to get fifteen exceptional artists from around the world to travel to Minnesota to teach me about storytelling. Man, did it work. In five short days I learned more about the possibilities of visual storytelling than I’d probably learn in a year of grad school. But there was another lesson of equal importance: the value of having real encounters with real people in the real world.

I sometimes feel like I’m drowning in digital culture. More and more of my daily life is lived in a virtual space behind the screen of my computer. On Saturday night, this virtual space was turned inside out. Fifteen flesh and blood artists projected images onto a screen in front of a flesh and blood audience. The result was, in a word, alive.

In the last few weeks I’ve expanded my “social network” to include Instagram. As expected, I quickly became caught up in the Pavlovian ego-boost of the ‘like’ count. After Saturday night, I understand why screen actors return to the stage. The sound of people laughing and clapping means more than a million ‘likes.’

For the fourth time in 27 posts, George Saunders:

<blockquote>I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another… The writer… can put whatever he wants in there. What’s important is that something undeniable and nontrivial happens to the reader between entry and exit… The black box is meant to change us.</blockquote>

A ‘like’ is not a change. Nor is a thousand ‘likes.’ I believe virtual social networks have great creative potential, but it is almost impossible to quantify. Sometimes you just need to climb into the black box with other people.

I’m so grateful to everyone who climbed into that box with me last week. Along with thanking the Soap Factory and their amazing audience, I want to individually thank the camp participants:

Wenxin Zhang, Tara Wray, Caitlin Warner, Jim Reed, Diana Rangel, Bucky Miller, Colin Matthes, Adam Forrester, Brad Farwell, April Dobbins, Elaine Bleakney, Julian Bleecker, Jeff Barnett-Winsby, Horatio Baltz, Delaney Allen.

The visiting artists: Brian Beatty, David Sollie, Vince Leo.

Our interns: Yara Van der Velden, Kayla Huett, Phil Bologna.

And the LBM team: Brad Zellar, Carrie Thompson, Hans Seeger, Jason Polan, Ethan Jones, Galen Fletcher.

I truly feel changed.

Alec”]]></description>
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<item rdf:about="https://www.mprnews.org/story/2013/07/11/photographer-alec-soth-mounts-storytellers-summer-camp-awkwardly">
    <title>Photographer Alec Soth mounts storyteller's summer camp awkwardly | MPR News</title>
    <dc:date>2020-01-23T00:54:23+00:00</dc:date>
    <link>https://www.mprnews.org/story/2013/07/11/photographer-alec-soth-mounts-storytellers-summer-camp-awkwardly</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“Internationally acclaimed St. Paul photographer Alec Soth constantly pushes the boundaries of his medium. This week, he’s running a summer camp for artists from around the world. No one – particularly Soth – claims to know how it will turn out.

Until now, there’s never been a Summer Camp for Socially Awkward Storytellers.

Sitting in one of the workrooms in his St. Paul studio, Soth tells the 15 participants he has decided speed dating is the best way to get everyone to meet as quickly as possible. Moments later, the room is filled with animated conversations across a very long table. Every two minutes at the clang of a cowbell everyone moves and meets another camper.

They are photographers, illustrators and writers. Soth and his staff selected them from more than 400 applicants for this free summer camp sponsored by Soth’s small press, Little Brown Mushroom. One came from Germany, another from Venezuela. All responded to a simple post on Soth’s website. There were few details.

Soth and Brad Zellar, his long-time collaborator writer, claim they are making up the camp as they go along. They use the speed dating session to decide what to do next.

Given that Soth called the camp Socially Awkward Storytellers because he’s so uncomfortable speaking publicly, that next thing - a slideshow - makes sense.

“This whole thing about social awkwardness and public speaking is that the slide projector is a great way to, like, pull people’s attentions away,” Soth says, switching on his projector. “That’s why I am diving right into it.”

This really is a camp about telling stories – with pictures. In a world where smart phones have made cameras ubiquitous, Soth challenges the group to return to an older form of storytelling – the slideshow.

“Given that we have a limited amount of time,” he says, “why don’t we use that as the model for this workshop and practice telling stories that way.”

And just to raise the ante, everyone will present their slideshow Saturday evening at the Soap Factory gallery in Minneapolis. It’s open to the public – another detail omitted from the original description of the summer camp.

No one seems too put off.

“You know I like Alec’s work, and I’d heard him talk and he didn’t seem like a jerk,” Brad Farwell says during a break.

Like many of the participants, Farwell, who came to the camp from New York, is interested in how photography has changed. He says for many people it’s become a performance, with people taking them without the intention of ever making a print.

“They sort of make a photograph, and then see it on the back of the camera and then a lot of those photographs exist on the back of the camera in the instant of their making, and then disappear.”

As the group ate lunch cooked on the grill in the parking lot, Wenxin Zhang – formerly of China, now of San Francisco – and Colin Matthes of Milwaukee, a visual artist who denies having any photography skills, compared notes.

“I think the schedule is like a spy schedule,” she says. “You are going to bomb this building today. Tomorrow you are going to dig into the ground and find some gold.”

“I like that we didn’t know anything beforehand,” says Matthes. “We had no idea about the schedule besides it starts around 9 or 10 every day.”

Twenty-four hours later the group is standing in a clearing in a Minneapolis park learning about their next mission.

It’s an artistic capture the flag game where they have to find their group leader hiding somewhere in the woods and document whatever he’s looking at. That group leader will be chugging beer too, so he may not be that focused.

Soth looks on, loving it. The previous evening he had sent the campers out to hunt down stories in the city.

“I mean they, within four hours, produced so much quality work, it was staggering,” he says.

There were explorations of Minneapolis, and a documentation of a receptionist’s life. One of the staff interns said they produced more in one evening than an entire year of grad school. Soth says the camp is still an exercise in spontaneity, but he this already thinks it’s been a success.

“This is fantastic,” he adds. “And it’s also a story. Something unexpected happened. I mean I had no clue that a fellow was going to run off in the woods and hide and we’re going to track him down. It’s an adventure, and that’s what it’s all about.”

Soth and Zellar both say, if nothing else, it’s given them a chance to get to know some interesting people.

“Some of these people are mind-blowingly talented,” Zellar says. “I mean some of these applications … they created a little project and a .pdf (document). It’s light years beyond anything I could conceive of, ever.””]]></description>
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<item rdf:about="https://knightfoundation.org/articles/artists-from-around-the-world-gather-in-st-paul-for-little-brown-mushrooms-summer-camp-for-socially-awkward-storytellers/">
    <title>Artists from around the world gather in St. Paul for Little Brown Mushroom’s Summer Camp for Socially Awkward Storytellers – Knight Foundation</title>
    <dc:date>2020-01-23T00:35:14+00:00</dc:date>
    <link>https://knightfoundation.org/articles/artists-from-around-the-world-gather-in-st-paul-for-little-brown-mushrooms-summer-camp-for-socially-awkward-storytellers/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Little Brown Mushroom’s Summer Camp for Socially Awkward Storytellers culminates in a public event Saturday July 13 at the Soap Factory in Minneapolis.

This weekend, 15 “visual storytellers” from all over the world are convening at the headquarters of Little Brown Mushroom (LBM), an interdisciplinary publishing outfit based out of photographer Alec Soth’s St. Paul studio. The LBM team – including Soth and photographers Carrie Thompson, Ethan Jones, Galen Fletcher,  writer Brad Zellar, plus a rotation of interns and collaborative partners – invited artists of all kinds to apply for a spot in their week-long Summer Camp for Socially Awkward Storytellers. LBM selected a final list of 15 artists and writers from the pool of more than 400 who responded to the call; the international assortment of “campers” gathered in Soth’s studio for the free, five-day workshop this week.

The original call for artists describes the endeavor this way:

<blockquote>Visual storytelling tends to be a lonely business. As such, it attracts more than its share of wallflowers. Here at LBM (home to more than a couple introverts), we thought it would be worthwhile to bring creative loners together to see what we can learn from each other. We’re envisioning a gathering that is more summer camp than classroom. After various daytime outings, we’ll sit around the digital projector and tell each other stories. From there we’ll discuss the ways in which visual stories can be translated into book form.</blockquote>

In a recent email, Soth said the group will spend four days this week in various workshops. On the fifth and final evening, Saturday, July 13, the participants will offer brief, Pecha Kucha-style presentations of their work, at a public event emceed by comedian and writer Brian Beatty at the Soap Factory in Minneapolis. A party will follow, with a cash bar, socializing and dancing to tunes spun by DJ Vu-Vu Zella (aka Brad Zellar).

Participating “campers” include: the LBM team, plus Hans Seeger, Delaney Allen, Horatio Baltz, Jeff Barnett-Winsby, Julian Bleecker, Elaine Bleakney, April Dobbins, Brad Farwell, Adam Forrester, Colin Matthes, Bucky Miller, Diana Rangel, Jim Reed, Caitlin Warner, Tara Wray and Wenxin Zhang.

Photo courtesy of Little Brown Mushroom. Pro tip: The “summer camp” t-shirts pictured on the LBM team above will be available to buy at the event on Saturday, July 13. As far as I know, the RV is not for sale.

I’m telling you – this can’t help but be interesting. Little Brown Mushroom has been publishing such surprising, compelling stuff in recent years. Of particular note is the “LBM Dispatch,” occasional road trip photo and text collaborations by Soth and writer Brad Zellar – tabloid-sized newsprint pieces produced in the style of a small-town newspaper. Thus far, LBM has published five installments: “Ohio,” “Upstate,” “Michigan,” “Three Valleys” and, most recently, “Colorado.” (The pair recently wrote a fabulous piece on the project for Vice magazine, if you’re interested in reading more.)

Little Brown Mushroom’s Summer Camp for Socially Awkward Storytellers runs from July 9 through 13. The camp culminates with an event, The Socially Awkward Storytellers’ Slideshow and Dance, on Saturday, July 13 at 7 p.m. at the Soap Factory, 514 Second Street SE, Minneapolis. Admission is free and open to the public. For more information, visit www.littlebrownmushroom.com."]]></description>
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<item rdf:about="https://twitter.com/MatthewPaskins/status/1163198119623954434">
    <title>Matthew Paskins on Twitter: &quot;When I tell colleagues I don’t fly, quite a lot of them, especially senior ones, respond—“oh, I should fly less.” I respect this response, but /1&quot; / Twitter</title>
    <dc:date>2019-08-18T22:29:56+00:00</dc:date>
    <link>https://twitter.com/MatthewPaskins/status/1163198119623954434</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via: https://twitter.com/justinpickard/status/1163199568332447744 ]

“When I tell colleagues I don’t fly, quite a lot of them, especially senior ones, respond—“oh, I should fly less.” I respect this response, but /1

I suspect it’s very unlikely that you will start to fly less if your professional persona and way of being depends on it. People just don’t actually give it up, you know? /2
 
Some do, some reduce, some have great aspirations; some use the security of professorial status or tenure to reduce their transport load. But in general flying is too central to a way of being and a kind of thriving to give up. /3

(I think. I’d love to be wrong). /4

The reason I don’t fly isn’t straightforwardly instrumental—it isn’t that I think I’m grounding enough planes to make a big difference. It’s that I can’t bear a model of scholarship which is as dependent on the sociotechnical system of aviation and border control as ours is. /5

And I would like to have contributed in whatever small way I can to the anticipatory labour of making a less unjust academy. That is obviously complicated and obviously fraught with inequities. /6

And senior people are going to continue to behave with the combination of grace and ruthlessness which got them where they are. That means, most of the time, accepting the immense subsidy for elite networking which universities pay out. /7

What those people can meaningfully do—what you can do if you’re one of those people—is support colleagues whose mobility is limited: whether that’s through refusal to fly, the operation of tyrannous Visa systems, or because they have caring responsibilities. /8

I don’t mean me—or just the performative act of attempting to refuse to reproduce institutional injustice: a lot of the people who feel they can afford to do that are already fortunate, or very stubborn can or both /9

But limited access to transport is an injustice that reaches far beyond that group. /10

I would love for the conversation to go: “I don’t fly.” “Oh that’s interesting, I’ve just written a letter this week to a colleague who can’t travel about how we could work together.” Or “Cool, I’ve been making sure people are reading stuff by [so-and-so]”. /11

Etc. These are tiny wishes but they are achievable in a way that individual flight-reduction may not be. THE END. /12"]]></description>
<dc:subject>flight flying academia highered highereducation opportunity matthewpaskins aviation status security inequality inequity elitism networking conferences borders visas travel injustice socialjustice climatechange sustainability flightshame flyingshame flygskam carbonemissions emissions airlines climate airplanes carbonfootprint zero-carbonconferences carbonneutrality globalwarming environment flights airtravel decarbonization</dc:subject>
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<item rdf:about="https://twitter.com/tuckeve/status/1141501422611128320">
    <title>Eve Tuck on Twitter: &quot;I was just asked by a colleague how I facilitate Q &amp; A sessions—I guess the word is out that I am very deliberate about how an academic Q &amp; A should go after a talk or panel. I think of this as an Indigenous feminist approach to fa</title>
    <dc:date>2019-06-21T23:38:12+00:00</dc:date>
    <link>https://twitter.com/tuckeve/status/1141501422611128320</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I was just asked by a colleague how I facilitate Q & A sessions—I guess the word is out that I am very deliberate about how an academic Q & A should go after a talk or panel. I think of this as an Indigenous feminist approach to facilitating academic Q & A. 1/

Ever since I was in graduate school, I thought I hated giving public talks. But I soon realized it’s not the presentation, but the Q & A that can feel so awful. Academic audiences can be arrogant, hostile, and self-absorbed.  2/

People don’t always bring their best selves to the Q & A—people can act out their own discomfort about the approach or the topic of the talk. We need to do better. I believe in heavily mediated Q & A sessions. 3/

Before I give a talk, I ask my host to please find someone to facilitate the Q & A. It is better for someone who knows the people in the audience to choose who gets to ask questions in public, because they know who is a bully, who to avoid, who will derail a conversation. 4/

The tips in this thread are both what I do after my own talks, and what I do when I am chairing a session. I especially do this for graduate students and early career scholars. 5/

I make it clear that it is the audience’s responsibility to help craft a positive public speaking experience for graduate students and early career scholars. I tell the audience to help keep the good experience going and tell them not to ask violent questions. 6/

Right after I am finished talking or all the panelists have shared their papers, I invite the audience to take 5-10 minutes to talk to each other. After 45-70 minutes of listening, people are bursting to talk, 7/

and taking the time to turn to talk to a neighbor keeps the first question from being from a person who just felt the urgency to talk. Also, I often need a breather and a moment to drink water or even step out to use the washroom. 8/

So, I give the audience 5-10 minutes to talk to a neighbor. I suggest that they use the time to peer review their questions. 9/

I say that this is a time for them to share a question they are considering posing in the q and a, and that they should 

a) make sure it is really a question; 

b) make sure they aren’t actually trying to say that THEY should have given the paper; 10/

c) figure out if the question needs to be posed and answered in front of everyone; 

d) I remind the audience that the speaker has just done a lot of work, so they should figure out if their question is asking the speaker to do work that really the question-asker should do. 11/

Then, after 5-10 mins, I will sometimes ask for the first question to come from particular people in the room— Indigenous graduate students, etc. 

Or, if opening it up for anyone to begin, I will ask, “did you peer review your question?” before the person takes the mic. 12/

People kind of laugh it off, but once they realize that I am serious--that the expectation is that they are thoughtful about the quality of their question and whether it really needs to be asked--it often helps to make the conversation much more satisfying. 13/

We often treat Q & A as something that is to be endured, and are willing to gamble on it not going well by having very passive facilitation. We can shift how we interact with one another and make it better. Thanks to Daniel Heath Justice @justicedanielh for asking about this! 14/"]]></description>
<dc:subject>conferences howto q&amp;a academia facilitation evetuck</dc:subject>
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    <title>The Spark: National Geographic: Asha De Vos - YouTube</title>
    <dc:date>2019-04-27T04:43:20+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=IAr84zbt80w</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>ashadevos empowerment vulnerabilty srilanka oceans sustainability whales bluewhales science decolonization water swimming srg visibility marinebiology marineconservation conservation indianocean research impact training local access accessibility mentoring mentorships canon assessment judgement mentorship diversification funding conferences gatekeeping publishing extraction context</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=H3z6z0dyX0U">
    <title>Raising Free People | Raising Aware People #LRC2018 - YouTube</title>
    <dc:date>2019-01-14T22:11:23+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=H3z6z0dyX0U</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What are your experiments with the intersection of Unschooling / Self Directed Education and Social Justice.  And your understanding of this intersection.  While, hey are inextricably linked, the practice of unschooling as social justice and raising aware people isn't widely understood, spoken about or shared.  

So at Learning Reimagined 2018, we hosted an interactive panel discussion as an introduction to the relationship and practice of the two, with the hope that this will help participants and now viewers to think around these issues and to then discuss and share further in their communities and here with us online so we can learn too. 

The panel consisted of a mix of young unschoolers and featured speakers (Akilah Richards, Bayo Akomolafe, Teresa Graham Brett) at Learning Reimagined 2018."

[from the  Learning Reimagined 2018: Unschooling As Decolonisation conference conference: https://www.growingminds.co.za/learning-reimagined-conference-2018/ ]]]></description>
<dc:subject>unschooling education socialjustice self-directed self-directedlearning akilahrichards teresagrahambrett liberation justice zakiyyaismail deschooling learning politics southafrica us difference scaffolding parenting poc howwelearn decolonization 2018 race racism inclusivity conferences lrc2018 bias inclusion community privilege kaameelchicktay elitism schools schooling indigeneity class classism humanism language english africa colonization agilelearningcenters agilelearning lcproject openstudioproject children bayoakomolafe</dc:subject>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:children"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bayoakomolafe"/>
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</item>
<item rdf:about="https://twitter.com/bazintastic/status/1050225871963996161">
    <title>Scott Richmond on Twitter: &quot;Are any academic organizations thinking about or planning for the replacement for &quot;1,000+ people all fly to the same city&quot; model for a conference? If we do this fighting climate change thing right, flying will get massively mor</title>
    <dc:date>2018-11-19T00:34:52+00:00</dc:date>
    <link>https://twitter.com/bazintastic/status/1050225871963996161</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Are any academic organizations thinking about or planning for the replacement for "1,000+ people all fly to the same city" model for a conference? If we do this fighting climate change thing right, flying will get massively more expensive. And I like intellectual community.

I'm flying to St. Louis this upcoming weekend to give a 15-minute paper. I'm staying a single night. This feels untenable.

If I had more followers I'd do a poll: Why do you go to an academic conference? But I don't have enough for it to be meaningful. It would have answers like (a) hear new scholarship (b) give a paper and impress folx (c) meet new people (d) see my friends and drink.

My intuitive sense (but I could be wrong!) is that (c) and (d) are the most important, depending on how old you are and how quickly you alienate your friends.

Jesse Stommel (@Jessifer):
What I’d love to see is more distributed communities, with regional nodes simultaneously meeting in person and using digital tools to connect with a bigger international community. I think we’d have to build this around things broader than single disciplines.

Scott Richmond:
That's a thing I have a vague, warm, fuzzy fantasy about. Basically, that sounds & feels right, but I can think of at least a dozen deal-breaking objections to work through, from disciplinary integrity to scholars in further-flung places remaining isolated to funding models.

Which is to say, there's a lot of devil in them there details, and actual execution will be both difficult & important. I'd love to know if any organizations have been working on practical & practicable models for this kind of thing. Canada's Congress might actually be a start.

Shannon Mattern (@shannonmattern):
The Society for Cultural Anthro hosted a distributed virtual conference in April! https://displacements.jhu.edu 

Scott Richmond:
Thanks, Shannon! This, too, looks like a v. interesting model. i worry about how to foster things that aren't the talks at conferences—schmoozing, dinners, parties, Q&A, chance encounters, etc. If you can do it alone at your computer, it's not really a conference..."

Susan Potter (@specksofthings):
Following. There's also the UCSB guide http://hiltner.english.ucsb.edu/index.php/ncnc-guide/ … Myself and colleagues in a smaller scholarly community, Women and Film History International, are thinking about this. @Jennife24950218

Scott Richmond:
Wow. Thank you very much for this link.

I have reservations about any version of a conference that takes the form of sitting alone at a computer, but this is rich & obviously very well thought through.

Susan Potter:
I have the same reservations. I wonder if shorter (carbon neutral) trips to conference nodes might be the answer. Someone else in this thread mentioned that. I've been thinking about the (no doubt) fanciful idea of of cruise ship conferences ;-)

Scott Richmond:
.@Jessifer had a substantially similar idea: train trip conferences! I like fanciful. I think we need fancy & whimsy & not mere technocracy and tech fetishism to work this out. We have to expand our imaginations about our ways of being & thinking & working together.

V21 Collective (@V21collective):
Caroline Levine is very invested in this.  there was a big virtual endeavor at usb http://www.news.ucsb.edu/2016/016796/more-conference-less-carbon

Scott Richmond:
Thanks!!! I knew I couldn't be the only person thinking about this.

This is v. interesting, but also gives up the thing about conferences—being together, the conviviality of thinking. (I mean, in the humanities, we just read at one another; why not just post papers online?)

V21 Collective:
conviviality and collective collaborative thinking are huge; giving them up would be devastating.  but drastic changes are necessary.  preferably starting with fossil fuel producers!  tho some advocate starting w consumers."]]></description>
<dc:subject>displacement displacements #displace18 conferences sustainability academia highered highereducation scottrichmond jesestommel distributed decentralization climatechange events susanpotter 2018 v21collective education zero-carbonconferences carbonneutrality carbonemissions travel globalwarming environment flights airplanes airtravel aviation decarbonization</dc:subject>
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<item rdf:about="https://culanth.org/fieldsights/1595-reflections-on-displace18">
    <title>Reflections on #displace18 — Cultural Anthropology</title>
    <dc:date>2018-11-19T00:28:00+00:00</dc:date>
    <link>https://culanth.org/fieldsights/1595-reflections-on-displace18</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In the spring of 2018, the Society for Cultural Anthropology (SCA) organized an international conference in the form of a virtual and distributed event, to our knowledge the first of its kind in anthropology. Displacements was the 2018 iteration of the SCA biennial meeting, cosponsored by the Society for Visual Anthropology. SCA biennials had hitherto taken place in cities around the United States, most recently Ithaca, Detroit, Providence, and Santa Fe. This year, the conference instead took place as a hybrid virtual and in-person gathering. Taking place in this manner, the meeting was meant to focus anthropological attention on contemporary forms of displacement, but also to displace the conventional conference format. The meeting was anchored by a dedicated website (https://displacements.jhu.edu) that hosted and streamed over one hundred prerecorded multimedia presentations. Participants were invited to watch these on their own or to gather with others to take in the conference experience collectively at one of dozens of nodes around the world. The conference thus unfolded as a distributed happening; people were invited to participate wherever they were.

Planning and organizing an event of this kind, we had many rationales in mind. Conference travel carries one of the most significant carbon footprints for scholars and academics, sometimes involving millions of miles of carbon-fueled travel for everyone to reach one place. We were also thinking about equitable access—the fact that many people can’t afford such travel, including students and scholars working in precarious circumstances, and that many others can’t do it at a time of travel bans and visa restrictions, especially here in the United States. Finally, we had been thinking about the odd experience that one often has as an anthropologist, trying to give some immersive and evocative sense of a distant place while standing in the midst of an ornate hotel ballroom or bland corporate conference center. If we gave presenters the chance to craft their presentations as audiovisual artifacts, could this mode of presentation actually be more immersive and engaging than a conference talk rather than less so?

The conference was an experiment, one that was charged with a tremendous degree of uncertainty. It was exciting to visualize and plan, but frankly also rather nerve-wracking. Ultimately, Displacements proved an unexpected success. In the past, SCA biennials have typically drawn around 200 participants, most of whom come from somewhere in the United States. In 2018, with Displacements, over 1,300 people participated from over 40 countries, more than half from outside the United States. The conference provided a way to pursue an internationalization of access to anthropological knowledge on a shoestring budget, in a format that was also much more financially accessible to those without formal and secure employment in the field. And all this through what one attendee described enthusiastically as “one of the best binge-watching experiences”: not a bad verdict in this era of streaming video!

In the years ahead, we hope to see more experiments of this kind, especially as the discipline wrestles with the difficult work conditions under which ever more anthropologists pursue the vocation. Such experiments can serve as crucial ways of responding to the geopolitical, professional, and institutional hierarchies that still organize the production and dissemination of knowledge in the field. With an eye to such future possibilities, we present here a few lessons from our own pursuit of this endeavor, with the hope that they might be useful to others thinking of going down this road. What follows is derived from the experiences of the conference planning team; analytics from the various technical interfaces we used; survey data gleaned from conference presenters, attendees, and node organizers; and social media reportage on the event. Those of us most closely involved in this effort believe that it poses a viable alternative to the in-person megaconference model, and we hope that these findings will substantiate why."]]></description>
<dc:subject>anandpandian 2018 events conferences eventplanning academica sustainability climatechange distributed decentralization displacements #displace18 highered highereducation academia education zero-carbonconferences carbonneutrality carbonemissions travel globalwarming environment flights airplanes airtravel aviation decarbonization</dc:subject>
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<item rdf:about="https://twitter.com/camerontw/status/1058863743017213952">
    <title>cameron tonkinwise on Twitter: &quot;How long is the list of things you have learned from attending a conference (that you could not have learned by reading a blogpost/article [versus: would not have learned because TL;DR/‘pivot to video’]?&quot;</title>
    <dc:date>2018-11-19T00:27:34+00:00</dc:date>
    <link>https://twitter.com/camerontw/status/1058863743017213952</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["How long is the list of things you have learned from attending a conference (that you could not have learned by reading a blogpost/article [versus: would not have learned because TL;DR/‘pivot to video’]?

Of those things you did learn, how many did you put into (your) practice [without reading further to get more detail]?"

[my response, in a way:
https://twitter.com/rogre/status/1059178110703136768

"@jarrettfuller I fell asleep thinking about this"

@jarrettfuller and I woke up thinking about how your look into video essays http://jarrettfuller.com/projects/roughsketch … +

@jarrettfuller might go very well with the idea of the zero(/low)-carbon conference https://pinboard.in/u:robertogreco/t:conferences/t:sustainability … (first three bookmarks) + [no longer the fist three, but more than that]

@jarrettfuller and now I am wondering about what that would mean for teaching writing (video essay producing) and also what this all means now that we have seen the pivot-to-video debacle /fin ]]]></description>
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<item rdf:about="https://twitter.com/ZoeSTodd/status/1063889272514609152">
    <title>Dr Fish Philosopher🐟 on Twitter: &quot;1. #AmAnth2018 is taking place in the midst of one of the deadliest fires in California history. If breathing in the smoke of burning trees, homes, cities doesn't convince us that we need radically different ways to en</title>
    <dc:date>2018-11-19T00:11:15+00:00</dc:date>
    <link>https://twitter.com/ZoeSTodd/status/1063889272514609152</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["1. #AmAnth2018 is taking place in the midst of one of the deadliest fires in California history. If breathing in the smoke of burning trees, homes, cities doesn't convince us that we need radically different ways to engage beyond conference center model...I don't know what will

2. I have deep respect for labour that goes into planning these events. I know folks are doing their best+striving to make spaces for connection. I hope we can build on that spirit+find ways to support relationality while tending to the disasters (thinking with @hystericalblkns )

3. Things I am thinking about after the #RefuseHAU #HAUTalk panel is: how do we ensure those who are most marginalized within anthro (and beyond) are seen, heard, cited while also disrupting the structures that operate to exclude myriad voices. What can we salvage from anthro?

4. This year, with the smoke, #AmAnth2018 really feels like a salvage operation (thinking here with Anna Tsing). What can we take from the existing structures -- what can we reconfigure to make these more capacious spaces at the end of certain worlds?

5. It may very well be that the environment refuses these spaces for us -- makes it that much harder to operate as 'normal'. What ethical imaginations can we mobilize to maintain and foster connection while considering our nonhuman kin literally burning/vaporizing as we meet."

[See also:
https://twitter.com/LysAlcayna/status/1064172084325048320
"Two takeaways from #AmAnth18: ‘the smoke is telling us something’ @ZoeSTodd | ‘anti-capitalism is the only sane position - the alternative is just f*cking ridiculous’ @profdavidharvey"

…

https://twitter.com/anandspandian/status/1063947610216525824
"One utopian vision after smoky #AmAnth2018. Make the megaconference a biennial. Imagine instead, every other year, dozens of simultaneous regional gatherings, each streaming sessions online and holding virtual meetups. Gather with folks in person & tune in elsewhere. Speculating."

https://twitter.com/anandspandian/status/1064166786294317056
"Here's a description of the distributed model we used at @culanth for #displace18 this spring. Registration for $10, less than 1% of typical carbon emissions, and an average panel audience of 125 people. An alternative to the empty conference center room. https://culanth.org/fieldsights/1595-reflections-on-displace18 "

https://twitter.com/OmanReagan/status/1063952375428218880
"Reading this, I also realized I was able to attend more talks at Displacements by tuning in from home (cost: $10), than I was able to attend at #AmAnth2018 by actually flying to San Jose for two days with two days of travel on either end to present my paper (cost: over $900)."

https://twitter.com/nativeinformant/status/1063952575647703040
"I like this, although for those of us at small teaching colleges with little intellectual community, conferences are a welcome (though exhausting and expensive) change."

https://twitter.com/RJstudies/status/1064208726461112320
"I have this problem. There are universities close by who could be more welcoming to those of us not working at research institutions. I am thrilled that this conversation is happening."

https://twitter.com/nha3383/status/1063980370901655552
"Probably the most expensive academic conference I have ever participated/presented in coming from the Global South. My university covered me but what about those scholars who will never get an opportunity because AAA provides no bursaries or lower rates for membership. Ripoff."

…

https://twitter.com/anandspandian/status/1063939720202186752
"I'm trying to imagine how to salvage the promise of connection & kinship without binging so much on carbon & vaporizing life. No simple answer. Building & deepening regional intellectual communities as an alternative? A social foundation for a distributed conference model."

https://twitter.com/ZoeSTodd/status/1063940974391418880
"Yes, the conversation today has given me lots to think about. How do we balance need for meaningful opportunities to engage while also addressing the visceral environmental, economic issues that come any professional organization converging on a city."

https://twitter.com/anandspandian/status/1063940871538671616
"I would also love to see develop a virtual platform for alternative access to the @AmericanAnthro annual meeting, not to substitute, but to supplement. Those who can't afford to attend in person, or can't stomach the carbon burden, shouldn't have to fly this far in a digital era."

https://twitter.com/g_mascha/status/1064082401004056577
"There's an obsession with attending all annual meetings. It's not necessary, exhausting and takes time from regional networking that could emphasize not just presenting but working with each other. Also, AAA could alternate between virtual and in-person (+virtual) meetings."]]]></description>
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<item rdf:about="https://displacements.jhu.edu/">
    <title>Displacements – The 2018 Biennial Meeting of the Society for Cultural Anthropology</title>
    <dc:date>2018-10-11T05:21:53+00:00</dc:date>
    <link>https://displacements.jhu.edu/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[somehow never bookmarked this, but reminded by this thread: 

"Are any academic organizations thinking about or planning for the replacement for "1,000+ people all fly to the same city" model for a conference? If we do this fighting climate change thing right, flying will get massively more expensive. And I like intellectual community."
https://twitter.com/bazintastic/status/1050225871963996161

agree with Jesse Stommel:
"What I’d love to see is more distributed communities, with regional nodes simultaneously meeting in person and using digital tools to connect with a bigger international community. I think we’d have to build this around things broader than single disciplines."
https://twitter.com/Jessifer/status/1050229105264943106 ]

"Displacements are in the air: episodes of profound political upheaval, intensified crises of migration and expulsion, the disturbing specter of climatic and environmental instability, countless virtual shadows cast over the here and now by ubiquitous media technologies. What does it mean to live and strive in the face of such movements? What social and historical coordinates are at stake with these challenges? And what kind of understanding can anthropology contribute to the displacements of this time—given, especially, that our most essential techniques like ethnography are themselves predicated on the heuristic value of displacement, on what can be gleaned from the experience of unfamiliar circumstances?

Exclusionary politics of spatial displacement always depend on rhetorical and imaginative displacements of various kinds: a person for a category, or a population for a problem. In the face of such moves, the critical task of ethnography is often to muster contrary displacements of thought, attention, imagination, and sensation. What forms of social and political possibility might be kindled by anthropological efforts to broach unexpected places, situations, and stories? This conference invites such prospects in tangible form, as experiences of what is elsewhere and otherwise. This is a meeting that will itself displace the conventional modes of gathering, taking place wherever its participants individually and collectively tune in.

For the first time, in 2018, the Biennial Meeting of the Society for Cultural Anthropology will take place as a virtual event. Air travel is one of the fastest growing sources of greenhouse gas emissions worldwide, and one of the chief ways that an academic livelihood contributes to carbon pollution. We are exploring the virtual conference format with the ideal of carbon-conscious activity in mind, taking inspiration from prior such efforts. This format will also enable broader geographical participation, most especially against the backdrop of a political climate of unequal restrictions on international travel. We hope, too, that the web-based media platform we are developing for the conference will allow for novel explorations of expressive form in anthropology.

One of the chief values of the academic conference no doubt lies in face-to-face conversations and interactions. With this in mind, the conference encourages the formation of local “nodes,” decentralized, affinity-based forms of collaboration and exchange, in the spirit of experimentation that SCA and our partners in the Society for Visual Anthropology have long encouraged.  The aim of this virtual conference is to extend access to anthropological knowledge and dialogue in as many ways as possible, and to invite other such experiments of this kind."]]></description>
<dc:subject>conferences sustainability distributed culturalanthropology displacement displacements environment virtual climatechange globalwarming waste academia highered highereducation education #displace18 zero-carbonconferences carbonneutrality carbonemissions travel flights airplanes airtravel aviation decarbonization</dc:subject>
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<item rdf:about="https://www.seanmichaelmorris.com/an-upsurge-of-questioning-and-critique-toward-a-community-of-critical-pedagogy/">
    <title>An Upsurge of Questioning and Critique: toward a Community of Critical Pedagogy</title>
    <dc:date>2018-04-29T21:20:49+00:00</dc:date>
    <link>https://www.seanmichaelmorris.com/an-upsurge-of-questioning-and-critique-toward-a-community-of-critical-pedagogy/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["There has been, of late, a lot of talk about centers of teaching and learning, digital innovation centers, and efforts to grapple with the emergent nature of the educational profession and practice. Academics of a certain shade are padding down desire lines toward a future where learning and progressive digital education might leave its paddock and find its space upon the wider pasture of higher education. Many of these efforts, though, look and feel like paddocks themselves, circumscribed around professionalism, administrative power or vision, closed by the choice of their constituency even in their testament of openness.

If leaders choose groups of leaders, if those groups publish upon their pedigree in The Chronicle of Higher Education, Inside Higher Ed, Times Higher Ed, &c, then they will be hard put to magnify their purpose through an allegiance with education’s lesser privileged: students, adjuncts, “drop outs,” instructional designers—those without access, without committees, without the funding to network, without the key cards necessary to open certain doors. Change kept at high levels—change which doesn’t include, but makes obsequious gestures towards, those who lack the privilege to debate change—cannot be productive except to elevate higher the privileged and further disenchant those who most need change to occur.

Change, in other words, cannot be accomplished with a coffee klatsch, no matter how well-funded by a Mellon grant.

Maxine Greene writes that conscientization—that critical consciousness that alerts us to our agency, and that spurs us to intervene in the world—to make change— “is only available to those capable of reflecting on their own situationality” (102). If we find ourselves finally capable of that reflection only when or if we clear a certain pay band, or are granted a certain title, or are invited into the right rooms (rooms too often unlocked by respectability politics), then what of those who remain outside those rooms, who cannot—or refuse to—participate in respectability, those without the titles, those underpaid?

Doesn’t leadership in education also include the adjunct who offers their time to an online community college student? Doesn’t leadership include a student who conscientiously objects to Turnitin? If leadership in education has to include a 3D printer, an Oculus Rift, a budget to hold “summits” and attend conferences, then I fear there are too many leaders being left out.

Quoting Maurice Merleau-Ponty, Greene writes:

<blockquote>Praxis cannot be the viewed as the project of any single individual. Rather, it is “the cluster of relations of an ideology, a technique, and a movement of productive forces, each involving the others and receiving support from them, each, in its time, playing a directive role that is never exclusive, and all, together, producing a qualified phase of social development.” (99)</blockquote>

In other words, change requires movement across many lives, the weaving together of multiple and unexpected intelligences, and a radical inclusivity that is bound to make uncomfortable those who issue the call, that disrupts the disruptors, that leaves humbled leadership. It’s not that a community formed around inclusion must aim to unsettle and unseat, but rather that the myriad diversity that answers the call will necessarily yield the unexpected. A multitude will never be of a single mind; but it is a multitude, by Merleau-Ponty’s accounting, which is the only means toward change.

Similarly, Jesse Stommel has written about critical digital pedagogy, that praxis:

<blockquote>must remain open to diverse, international voices, and thus requires invention to reimagine the ways that communication and collaboration happen across cultural and political boundaries;
will not, cannot, be defined by a single voice but must gather together a cacophony of voices.</blockquote>

Cultivating these many voices to realize a praxis is an ongoing project. I wrote recently to a friend affected by the recent UCU strike in England:

<blockquote>There are times when a critical pedagogy refuses to be merely theoretical. It is a tradition that comes out of a concern for labor, for the agency of those doing labor, and the perspicacity inherent behind that agency. The imagination is not an impractical facility at all, not a dreamer’s tool only, but a precision instrument that delivers a certainty that things can be otherwise; and in the face of circumstances that are unfair, the imagination gives us insight into what is just.</blockquote>

Similarly, though, the imagination asks us to consider justice an evolutionary project, if not an asymptote we will never quite reach, a process more than a destination. “The role of the imagination,” Greene tells us, “is not to resolve, not to point the way, not to improve. It is to awaken, to disclose the ordinary unseen, unheard, and unexpected.” Each new dialogue around justice leads to new insights, new confrontations, new inventions, and each new dialogue necessarily also uncovers old hurts, systemic injustices, and offenses nested within un-inspected assumptions and behaviors.

It is with this in mind that I find myself so often blinking into a teacher’s or administrator’s assertions about grading, or plagiarism, or taking attendance, or just “making sure they do it.” There are undetected injustices riding under our teaching policies, the teaching we received, and the teaching we deliver.

There are likewise injustices riding under so many attempts to gather in our circles of prestige. To enact a just agency, we must step outside those circles into unexpected places. “An upsurge of questioning and critique must first occur,” Greene insists, “experiences of shock are necessary if the limits or the horizons are to be breached” (101)."

…

"It’s my belief that the Lab must be a place where a cacophony of voices can be heard, where an upsurge of questioning and critique is the mode of the day. And to make this happen, no door is left unopened. If praxis “signifies a thinking about and an action on reality” (98), then Digital Pedagogy Lab seeks to be praxis, and to make change through the movement of productive forces, new insights, new confrontations, new inventions. All gathered together in matching tee-shirts."]]></description>
<dc:subject>seanmichaelmorris criticalpedagogy lcproject openstudioproject pedagogy inclusivity 2018 digitalpedagogylab mauricemerleau-ponty maxinegreene jessestommel praxis inclusion justice vision administration hierarchy injustice professionalism power openness open teaching learning howweteach howwelearn privilege change respectabilitypolitics respectability conferences labs ideology diversity highered highereducation academia education</dc:subject>
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<item rdf:about="https://docs.google.com/document/d/1oaPfmKrCZRum7sdPOYLNeGH_v0PuKVmna6aiyDBDVpI/edit">
    <title>Festival of Maintenance - Google Docs</title>
    <dc:date>2018-02-13T01:32:55+00:00</dc:date>
    <link>https://docs.google.com/document/d/1oaPfmKrCZRum7sdPOYLNeGH_v0PuKVmna6aiyDBDVpI/edit</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["At the December 2017 Maker Assembly [blog post], we talked about the challenges of maintaining, repairing and sustaining, particularly in the maker / makerspace world, but more broadly in open source, open hardware, and repair/reuse/remanufacturing. It often feels like this important work is seen as boring, unclear or risky, and so we don’t do as much of it as we should.  Maintaining stuff isn’t as cool as inventing or making new things; sustaining work (in hardware, software, and communities) isn’t valued socially or economically; it’s hard to find good business models for long lasting products or for looking after infrastructure; commons models, where groups share and steward resources, are scarce. 

Let’s make maintaining as cool as making! 
[is there a less ‘cool’ focussed slogan? Reduce competitive flavour…]

We came up with the idea of a Festival of Maintenance, a one day event to celebrate maintainers, repairers and those who are looking after and sustaining things that matter, caring and maintaining infrastructure, and to share experiences, learning and practice across different kinds of maintenance. It feels like there is something valuable in bringing together people and organisations who are working on maintenance in different ways and sectors. We should try to run it in 2018, in the UK :) 

The Festival should be more about practice and lived experience than The Maintainers events which are more academic (as well as being in the UK not the US). And more about ways to get more maintenance and support it better, more than howto do repairs (which Fixfests do). Also should include both pioneers experimenting with new ways to build and maintain physical and digital goods, and established maintainers, repairers, and stewards.

Find us online:
https://twitter.com/MaintenanceFest 
festivalofmaintenance@gmail.com 
Maintenancefest.slack.com - email us to join!"]]></description>
<dc:subject>conferences maintenance care caring themaintainers maintainers</dc:subject>
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<item rdf:about="http://laurajdt.tumblr.com/post/168646338790/winchysteria-ossacordis-crockpotcauldron">
    <title>General Vagaries. • winchysteria: ossacordis: crockpotcauldron: ...</title>
    <dc:date>2018-02-11T03:38:56+00:00</dc:date>
    <link>http://laurajdt.tumblr.com/post/168646338790/winchysteria-ossacordis-crockpotcauldron</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["there’s something endlessly hilarious to me about the phrase “hotly debated” in an academic context. like i just picture a bunch of nerds at podiums & one’s like “of course there was a paleolithic bear cult in Northern Eurasia” and another one just looks him in the eye and says “i’l kill you in real life, kevin” 

>>

[image

"The Milton scholars screamed and argued about how the serpent was supposed to move before it crawled on its belly. Dr. Matthews, enraged that Dr. Goldstein could believe the serpent bounced around on the coiled end of its tail, flipped over the conference table. "Satan is not a fucking pogo stick!" he howled."]

>>

I heard a story once about two microbiologists at a conference who took it out into the parking lot to have a literal fistfight over taxonomy. 

>>

have i told this story yet? idk but it’s good. The Orangutan Story:

my american lit professor went to this poe conference. like to be clear this is a man who has a doctorate in being a book nerd. he reads moby dick to his four-year-old son. and poe is one of the cornerstones of american literature, right, so this should be right up his alley?

wrong. apparently poe scholars are like, advanced. there is a branch of edgar allen poe scholarship that specifically looks for coded messages based on the number of words per line and letters per word poe uses. my professor, who has a phd in american literature, realizes he is totally out of his depth. but he already committed his day to this so he thinks fuck it! and goes to a panel on racism in poe’s works, because that’s relevant to his interests.

background info: edgar allen poe was a broke white alcoholic from virginia who wrote horror in the first half of the 19th century. rule 1 of Horror Academia is that horror reflects the cultural anxieties of its time (see: my other professor’s sermon abt how zombie stories are popular when people are scared of immigrants, or that purge movie that was literally abt the election). since poe’s shit is a product of 1800s white southern culture, you can safely assume it’s at least a little about race. but the racial subtext is very open to interpretation, and scholars believe all kinds of different things about what poe says about race (if he says anything), and the poe stans get extremely tense about it.

so my professor sits down to watch this panel and within like five minutes a bunch of crusty academics get super heated about poe’s theoretical racism. because it’s academia, though, this is limited to poorly concealed passive aggression and forceful tones of inside voice. one professor is like “this isn’t even about race!” and another professor is like “this proves he’s a racist!” people are interrupting each other. tensions are rising. a panelist starts saying that poe is like writing a critique of how racist society was, and the racist stuff is there to prove that racism is stupid, and that on a metaphorical level the racist philosophy always loses—

then my professor, perhaps in a bid to prove that he too is a smart literature person, loudly calls: “BUT WHAT ABOUT THE ORANGUTAN?”

some more background: in poe’s well-known short story “the murder in the rue morgue,” two single ladies—a lovely old woman and her lovely daughter who takes care of her, aka super vulnerable and respectable people—are violently killed. the murderer turns out to be not a person, but an orangutan brought back by a sailor who went to like burma or something. and it’s pretty goddamn racially coded, like they reeeeally focus on all this stuff about coarse hairs and big hands and superhuman strength and chattering that sounds like people talking but isn’t actually. if that’s intentional, then he’s literally written an analogy about how black people are a threat to vulnerable white women, which is classic white supremacist shit. BUT if he really only meant for it to be an orangutan, then it’s a whole other metaphor about how colonialism pillages other countries and brings their wealth back to europe and that’s REALLY gonna bite them in the ass one day. klansman or komrade? it all hangs on this.

so the place goes dead fucking silent as every giant ass poe stan in the room is immediately thrust into a series of war flashbacks: the orangutan argument, violently carried out over seminar tables, in literary journals, at graduate student house parties, the spittle flying, the wine and coffee spilled, the friendships torn—the red faces and bulging veins—curses thrown and teaching posts abandoned—panels just like this one fallen into chaos—distant sirens, skies falling, the dog-eared norton critical editions slicing through the air like sabres—the textual support! o, the quotes! they gaze at this madman in numb disbelief, but he could not have known. nay, he was a literary theorist, a 17th-century man, only a visitor to their haunted land. he had never heard the whistle of the mortars overhead. he had never felt the cold earth under his cheek as he prayed for god’s deliverance. and yet he would have broken their fragile peace and brought them all back into the trenches.

much later, when my professor told this story to a poe nerd friend, the guy said the orangutan thing was a one of the biggest landmines in their field. he said it was a reliable discussion ruiner that had started so many shouting matches that some conferences had an actual ban on bringing it up.

so my professor sits there for a second, still totally clueless. then out of the dead silence, the panel moderator stands up in his tweed jacket and yells, with the raw panic of a once-broken man:

WE! DO NOT! TALK ABOUT! THE ORANGUTAN!"]]></description>
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<item rdf:about="https://anthrodendum.org/2018/01/13/climate-change-ethics-code-end-aaa-annual-meeting/">
    <title>In an era of climate change, our ethics code is clear: We need to end the AAA annual meeting – anthro{dendum}</title>
    <dc:date>2018-01-22T04:40:10+00:00</dc:date>
    <link>https://anthrodendum.org/2018/01/13/climate-change-ethics-code-end-aaa-annual-meeting/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I remember when the AAA shifted from the old printed program to the new default paperless version.  It was part of a noble effort to “green” the meetings, and of course we all welcomed it.  But I couldn’t help but think it was all a bit quaint given that the annual meeting itself is so obviously an enormous carbon bomb.  The programs are barely a drop in the bucket.

Each year some 6,000 anthropologists descend on a North American city for five days.  The vast majority fly to get there, covering distances that average (I estimate) about 3,000 miles round trip, emitting 900 kgs of CO2 per person in the process.  For perspective, 900 kgs of CO2 more than twice what the average citizen of Bangladesh emits in a whole year.

In an age of dangerous climate change, is this morally justifiable?

Our ethics code suggests not.  It states: “Anthropological researchers must do everything in their power to ensure that their research does not harm the safety of the people with whom they work.”

We know that the effects of climate change are most acute in the global South – where most anthropologists work – and particularly among the poorest communities.  Climate change claims some 400,000 lives in the South each year, and inflicts damages up to $600 billion annually.  And this is just the beginning.  If we continue on our present trajectory and exceed 2C of warming, the South is likely to see mass famine and human displacement on a scale unlike anything we can imagine.

In order to avoid this catastrophic future, rich nations need to cut their emissions by around 10% per year, starting in 2015.  At the level of organizations like the AAA, by far the easiest way to do this is to cut out unnecessary flights.  And given our professional code of ethics, this is really less an option than an obligation.   It’s time to rethink the annual meeting.

There are lots of ways we could do this:

1. We could start by holding the meeting every other year, or even every third or fifth year. I can imagine that this would make them even more exciting and useful than they already are. More bang for our carbon buck, so to speak.

2. We could devolve the meeting to regional centers that can be reached by train or carpool. Washington DC for the East Coasters, San Francisco for the West Coasters, Chicago for the Midwesterners, etc. They would be smaller, more intimate, more engaging meetings.  Decentralizing knowledge production would make our knowledge more diverse, and hopefully more egalitarian.

3. We could shift the meeting online. Webinar technology has made extraordinary advances in recent years. Presenters could post their presentations as videos, accompanied by text and slides, and open them to comment and dialogue.  This would make it easier for us to engage with all the presentations we want without scurrying half-mad between meeting rooms.

Or we could do some permutation of the above.

Will this somehow cripple our discipline intellectually?  I don’t think so.  I’ve attended my fair share of AAA meetings, and I can’t say that they’ve been so vital to my research that I couldn’t manage without them in their present form.  I think most would agree.  Plus, even if the meeting was essential to our intellectual project, our ethics code is clear that the obligation to do no harm “can supersede the goal of seeking new knowledge.”

But what about the job center?  The pre-interviews to select for campus visits?  Good riddance, I say.  It’s just not necessary, and it generates immense amounts of needless angst.  The UK seems to manage just fine without it.  In fact, they manage without the whole campus-visit game altogether: they interview all finalists in a single day, and use video-link for those who can’t make it easily by train.

The important thing to remember about climate change is that the carbon budget is a zero-sum thing.  Every unnecessary ton of CO2 that we in rich nations emit is a ton that people in poor nations cannot emit in order to meet their basic needs.  This introduces a stark moral calculus.  By insisting on our carbon-intensive annual meeting, we’re effectively saying that our surplus pleasure (if it can be called that) is ultimately worth more than the survival of the very people we claim to care so much about.   This is not a morally tenable stance.

During the 20th century we established ourselves as the moral discipline – the discipline with a political conscience and a truly global perspective.  We leveraged the insights of our work to fight against racism and colonialism in its many forms.  If we want to maintain this stance into the 21st century, we have no choice but to take climate justice seriously.  After all, what’s at stake here is nothing short of carbon colonialism, shot through with violent disparities of race, class, and geography.

The US government will not help us toward this end – certainly not under Trump.  As cities around the country are now pointing out, we cannot wait for Congress to impose the necessary emissions reductions to keep us within our 2C budget, for by then it will be too late.  We have to take matters into our own hands, and quickly.

We as anthropologists – we as the AAA – have the opportunity to lead on this front, just as we led on anti-racism and anti-colonialism in the past.  We can set an example that other disciplines and professional associations will follow.  Climate scientists are already taking this step.  We should be right behind them.

The ethical imperative is clear: it’s time to end the annual meetings in their present form and come up with a safe, just, and sustainable alternative.  Paperless programs simply aren’t going to cut it – not in the face of climate emergency.  I have no doubt that this shift would attract landslide support among anthropologists eager to help usher in a better world.  Let’s make it happen, starting in 2018.  We have little time to lose."]]></description>
<dc:subject>events conferences 2018 ethics climatechange academia anthropology jasonhickel sustainability highered education highereducation racism colonialism anti-colonialism anticolonialism zero-carbonconferences carbonneutrality carbonemissions travel globalwarming environment flights airplanes airtravel aviation decarbonization</dc:subject>
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<item rdf:about="https://www.universityofcalifornia.edu/news/how-nearly-zero-carbon-conference-can-be-better-conference">
    <title>How a (nearly) zero-carbon conference can be a better conference | University of California</title>
    <dc:date>2017-07-19T22:59:07+00:00</dc:date>
    <link>https://www.universityofcalifornia.edu/news/how-nearly-zero-carbon-conference-can-be-better-conference</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A conference wrapped up recently at UC Santa Barbara, but this was not a typical academic conference. There was no mess to clean up at the end: no coffee-stained tablecloths and muffin crumbs. The attendees were from campuses all across California, but no one had to rush to catch a flight home. The cost of the conference: essentially free. The carbon footprint of the conference: nearly zero.

John Foran, professor of Sociology and Environmental Studies at UC Santa Barbara, was part of the team that put on the recent UC-CSU Knowledge Action Network Conference as part of UC’s Carbon Neutrality Initiative.

Given the topic of the conference — developing resources for teaching sustainability, climate change, climate justice and climate neutrality to all California students from kindergarten through college — the idea of having people fly in, and contribute greenhouse gases in the process, seemed sadly ironic, if not "morally bankrupt," in Foran's words.

In fact, air travel to conferences, talks and meetings accounts for about a third of the carbon footprint for a typical university. For many professors who travel to multiple conferences and meetings per year, air travel can easily make up over half of their annual carbon footprint.

“Knowing what we know now, it’s just not responsible to fly to conferences all over the world,” said Foran.

For universities concerned about trying to reduce — or even eliminate — their carbon footprints, the problem of air travel is especially acute. Both the carbon footprint and the cost of air travel and honoraria have pushed many institutions to support virtual meetings, but traditional teleconferencing has proved a largely unsatisfying alternative. Dropped connections, inadequate bandwidth and other technological issues have made live video conferences a poor substitute for in-person attendance."

[See also: http://www.news.ucsb.edu/2016/016796/more-conference-less-carbon ]

[See also: http://ehc.english.ucsb.edu/?page_id=16797/

"UC-CSU KAN Conference
a nearly carbon-neutral conference

Interested in staging a nearly carbon-neutral (NCN) conference? For the rationale behind this approach & details on how to coordinate such events, see our White Paper / Practical Guide.
[http://hiltner.english.ucsb.edu/index.php/ncnc-guide/ ]

“Building a UC/CSU Climate Knowledge Action Network”
Spring 2017 Nearly Carbon-Neutral Conference

The UC-CSU Knowledge Action Network
for
Transformative Climate and Sustainability Education and Action

…

Welcome!

We are delighted to host this virtual space and welcome you to our community – We’re all in for an adventure, if this goes as we hope!  This conference opened on Monday, June 12, 2017, and we now invite all participants to please view and comment on the talks for the next three weeks! On Monday, July 3, the conference and the Q&A will close.  After that, the website will remain open to the public and continue to invite participation in the building of this Knowledge Action Network.

 Guiding Principles

We affirm the essential roles social scientists, humanists, educators, and arts and culture play in advancing transformative climate action. We affirm the roles of California faculty in supporting younger generations to act on climate and in reaching beyond the campus to engage various publics to accelerate the shifts. We affirm the United Nations 2030 Sustainable Development Goal 4.7:  “To ensure that all learners acquire the knowledge and skills needed to promote sustainable development, including, among others, through education for sustainable development and sustainable lifestyles, human rights, gender equality, promotion of a culture of peace and non-violence, global citizenship and appreciation of cultural diversity and of culture’s contribution to sustainable development.”

Purpose

Over the course of the 2016-17 academic year, a network of 32 University of California and California State University teachers has been building a Knowledge Action Network (KAN) around issues of teaching sustainability, climate change, climate justice, and climate neutrality to all California students, from kindergarten to the graduate university level.

The purpose of this knowledge action network is to begin to take the steps necessary to provide California educators a collaborative framework to facilitate highly integrative sustainability and climate education and action. The KAN will accelerate California educators’ abilities to offer climate neutrality, climate change, climate justice,[1] and sustainability education to all Californian students in ways that are culturally contextualized, responsive and sustaining, as well as actionable and relevant to their futures. The network will also enable California educators to engage across and beyond our educational institutions for transformative climate action over time.
Process

In the spring of 2017, we came together in four regional workshops, and spent one and a half days together at each site getting to know each other, identifying the current state of climate change and climate justice education in California, envisioning what we hope to see in the future, and then beginning to identify ways to get there.  In doing so, we explored the facilitation process of “emergent strategy,” based on the book by Adrienne Maree Brown, Emergent Strategy:  Shaping Change, Changing Worlds.

The present “nearly carbon-neutral conference” is the next step in that process.  Each participant was asked to make a video of approximately fifteen minutes on one of the following themes:

Option 1: 

What is one of your best practices in teaching climate change, climate justice, carbon neutrality/greenhouse gas emissions reductions, and/or sustainability in a culturally responsive and sustaining way?

What makes it work?

How does/can it scale?

[If appropriate] What obstacles and barriers have you encountered?  Where are you stuck?  What would you need to go forward?

Option 2: 

What vision, proposal, or idea do you have for achieving the goals of the KAN in teaching climate change, climate justice, carbon neutrality/greenhouse gas emissions reductions, and/or sustainability in a culturally responsive and sustaining way?

What is exciting about it?

How does/can it scale?

[If appropriate] What obstacles and barriers have you already or might you encounter?  Where are you stuck?  What would you need or what would need to happen to make it a reality?

Format

This conference was unusual because of its format, as we took a digital approach. Because the conference talks and Q&A sessions reside on this website (the talks are prerecorded; the Q&As interactive), travel was unnecessary. By 2050, the aviation sector could consume as much as 27% of the global carbon budget (more). We need to immediately take steps to keep this from happening. This conference approach, which completely eschews flying, is one such effort (more).

Website

UCSB’s Environmental Humanities Initiative (EHI) is hosting this conference on the EHI website. While here, please feel free to explore the EHI site, perhaps starting with our Intro and Home pages."]]]></description>
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<item rdf:about="http://blogs.lse.ac.uk/lsereviewofbooks/2017/04/10/book-review-academic-conferences-as-neoliberal-commodities-by-donald-j-nicolson/">
    <title>Book Review: Academic Conferences as Neoliberal Commodities by Donald J. Nicolson | LSE Review of Books</title>
    <dc:date>2017-07-13T00:02:16+00:00</dc:date>
    <link>http://blogs.lse.ac.uk/lsereviewofbooks/2017/04/10/book-review-academic-conferences-as-neoliberal-commodities-by-donald-j-nicolson/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What role do academic conferences play in the construction of an academic career? In Academic Conferences as Neoliberal Commodities, Donald J. Nicolson examines the link between the value attributed to participation in academic conferences and the broader neoliberalisation of the academy. Fawzia Haeri Mazanderani welcomes this short book for beginning a meaningful conversation about the significance of this aspect of academic life.

******

While rarely interrogated for the role that they play, academic conferences form a significant part in the construction of an academic career. Any aspiring, or indeed expiring, academic has at some point presented at, or attended, a conference. How many researchers have sat sleepily in a stuffy room, listening to the chap who ate all the egg-and-cress sandwiches at lunch drone on about something that they suspect might be interesting and important, but which they can’t quite pay attention to because they are too distracted with thoughts of their own impending presentation? How many researchers have made obligatory nods to a slideshow that could have been in a different language for all they understood, and then bit their lip in silence when someone asked a ten-minute question that was not really a question but instead sounded suspiciously like self-aggrandisement?

If such ponderings resonate with you, then you have probably found yourself like Donald J. Nicolson, speculating on the value and purpose of attending an academic conference. Nicolson’s book Academic Conferences as Neoliberal Commodities provides an exploratory study into conferences in the social sciences, looking explicitly at the link between conferences and the neoliberalism of academia itself. In this strikingly original work, the author draws upon an assortment of methods, including an analysis of five conference case studies, notes made at conferences he personally attended, conference records, abstract booklets and interviews with people from a range of backgrounds. The novel layout of the book starts each chapter as though a conference presentation, with an abstract and keywords. Opening with a ‘Welcome’, the reader moves through several ‘parallel’ sessions before the ‘Closing Keynote’. Nicolson, a freelance writer with a background in academic research, writes independently of any university or funding body and employs a lucid writing style that makes for an accessible and enjoyable read.

After reflecting upon the difficulties of defining ‘neoliberal’, he argues that, ultimately, the neoliberalisation of the university has resulted in changes whereby in place of the traditional professional culture of open intellectual enquiry and debate, there is now an institutional stress on measurable performance. By seeing knowledge as a product that can arise from a conference, Nicolson considers such events as having a role in the ‘knowledge enterprise’ industry that by promoting a method, data set or research cause as a commodity, becomes the product and marketplace itself. The academic culture of conferences themselves may vary: a point noted by Les Back when he characterises Australian ones as ‘vicious and boozy’, US conferences as ‘status conscious and networking-obsessed’ and British equivalents as ‘polite and consensual’. While recognising that reasons for attending conferences are also variable, the book nonetheless demonstrates how the overarching function of the conference lies in its premise of promoting intellectual communication.

Acknowledging that academia plays out differently across contexts, the book alludes to what conferences of our increasingly neoliberal future may look like. Nicolson makes brief references to the rise of ‘5 minute presentations’ and ‘posters’, and relays the potential role of Twitter as well as variants on the academic conference, such as TED Talks. While his own study is not extensive, this raises the need for further exploration of the different directions in which academic conferences could be heading and the ways in which technology is changing the traditional structure of the conference.

Appreciating that ‘the Helsinki Conference would not have been the same had it been conducted as a group email’ (17), the author also considers the constraints of conference attendance where travel plays a pertinent role. He raises concerns about the environmental impact of carbon emissions from airplanes and money wasted on conferences. While academics from universities in the northern hemisphere may enjoy generous travel budgets and mobility, this is generally not the case for researchers coming from the Global South. Nicolson reflects upon how last year, at the biannual conference of the African Studies Association of the United Kingdom, an unconfirmed number of delegates were unable to attend due to visa refusals. Where a conference is hosted inevitably influences who can attend, and as such has implications for knowledge sharing and development: a pressing concern in a world of increasing walls. Nicolson importantly points out that while conferences are often labelled ‘international’ and ‘global’, the reality is that they often have a homogenising effect given that the intellectual environment within which they are held largely celebrates Anglo-American, English-speaking academic culture.

The book notes that a key reason for people to go to conferences is to engage with colleagues in their field and establish networks. As such, conferences can help prevent the isolation often associated with academia. In reality, however, conferences can themselves be potentially alienating, and such socialising may not come naturally to everyone. This is particularly the case given the ambiguous nature of ‘professional socialisation’, whereby one partakes in the awkward juggling act of grasping at something intelligent to say, while at the same time not too intelligent, lest you come across as if you aren’t a well-rounded person who has no interests beyond the article that is currently keeping you up at night. This socialisation may be traditionally performed over the conference dinner, a seemingly cordial opportunity for delegates to make new acquaintances or catch up with colleagues. Some of Nicolson’s respondents reflected upon how the ‘real work’ at a conference happens at the bar (53). While this point is not merely about enjoying an alcoholic beverage but rather the significance of face-to-face interaction, it again reflects the Eurocentric manner by which professional socialisation often takes place within academia. This is a point that Nicolson unfortunately does not reflect upon, but which might have bearing for scholars who do not drink alcohol for personal reasons or due to religious practices. Another limitation of the book, which the author duly acknowledges, is that the research reported does not provide a representative sample of conferences or interviewees.

Nonetheless, while narrow in its scope, Academic Conferences as Neoliberal Commodities represents the start of a meaningful conversation, and is highly recommended to anyone working within the social sciences who aspires to make the most out of this unexplored yet integral part of performing and producing academia. The lingering impression for me is that while calls for abstracts at conferences often express ambitious aims and desires to transform the face of a field, there is little evidence that conferences in themselves have led to ground-breaking change. Yet, as noted by Nicolson, the very notion of conferences having a measurable impact is in itself a reflection of neoliberal thinking whereby everything has a cost and a value. The examples in the book highlight how the impact of a conference need not be that it is paradigm-defining, but can be experienced at a personal level. This might just be through the strategic rationale of fluffing out one’s CV or through the way in which, if the conference is a good one, it could make the attendee feel excited and enthused about research, triggering new ideas. While demonstrating that the individual gain of conferences fits with neoliberal ideology, there is room to explore how conferences could serve as spaces for collaboration, and indeed, for resistance of the same structures that perpetuate their existence."

[via: https://twitter.com/AlJavieera/status/883043997362470912 ]]]></description>
<dc:subject>via:javierarbona books conferences events economics 2017 academia scholarship highered highereducation fawziahaerimazanderani donaldnicolson lesback education</dc:subject>
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<item rdf:about="https://www.springer.com/us/book/9783319530963">
    <title>Ethnographies of Conferences and Trade Fairs - Shaping | Hege Høyer Leivestad | Springer</title>
    <dc:date>2017-07-12T23:58:03+00:00</dc:date>
    <link>https://www.springer.com/us/book/9783319530963</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This anthology is an attempt to make sense of conferences and trade fairs as phenomena in contemporary society. The authors describe how these large-scale professional gatherings have become key sites for making and negotiating both industries and individual professions. In fact, during the past few decades, conferences and trade fairs have become a significant global industry in their own right. The editors assert that large-scale professional gatherings are remarkable events that require deeper analysis and scholarly attention."

[via: https://twitter.com/AlJavieera/status/883044558099030016 ]]]></description>
<dc:subject>ethnography conferences tradefairs economics via:javierarbona books attention academia scholarship professionalization highered highereducation</dc:subject>
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<item rdf:about="https://www.alliedmedia.org/amc">
    <title>Allied Media Conference | Allied Media Projects</title>
    <dc:date>2017-06-19T20:21:42+00:00</dc:date>
    <link>https://www.alliedmedia.org/amc</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A collaborative laboratory of media-based organizing strategies

Join us for the 19th annual Allied Media Conference: June 15-18, 2017. Held every summer in Detroit, the conference brings together a vibrant and diverse community of people using media to incite change: filmmakers, radio producers, technologists, youth organizers, writers, entrepreneurs, musicians, dancers, and artists. We define "media" as anything you use to communicate with the world. You are a media-maker!

We define media-based organizing as any collaborative process that uses media, art, or technology to address the roots of problems and advances holistic solutions towards a more just and creative world.

The Allied Media Conference is a collaboratively designed event. Conference content is curated with care every year by 100+ volunteer coordinators of tracks, practice spaces, and network gatherings. The conference features over 300 hands-on workshops, panels, film screenings, Detroit tours, art and music events, strategy sessions, karaoke, bowling, collaborative art and more!"

[via Jack Cheng: http://mailchi.mp/fb17da1d60fb/207-get-ready-stay-ready?e=b44b7ebd51 ]]]></description>
<dc:subject>conferences events togo detroit sfsh media mediamaking communication</dc:subject>
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<item rdf:about="https://t4sj.org/">
    <title>TEACHERS 4 SOCIAL JUSTICE</title>
    <dc:date>2016-11-21T17:16:47+00:00</dc:date>
    <link>https://t4sj.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["About:

Who We Are.
Teachers 4 Social Justice is a grassroots non-profit teacher support and development organization in San Francisco.  T4SJ is project of the Community Initiative Fund.

Our Mission.
Our mission is to provide opportunities for self-transformation, leadership, and community building to educators in order to affect meaningful change in the classroom, school, community and society. See more about our goals, principles, and vision in the next pages.

What We Do.
T4SJ organizes teachers and community-based educators and implements programs and projects that develop empowering learning environments, more equitable access to resources and power, and realizing a just and caring culture.

Join us!
If you want to join us and you live in the area, come to one of our general meetings or any of the events to get plugged in and connect!"

…

"Mission:

Teachers 4 Social Justice is a grassroots non-profit teacher support and development organization. Our mission is to provide opportunities for self-transformation, leadership, and community building to educators in order to affect meaningful change in the classroom, school, community and society.

T4SJ organizes teachers and community-based educators and implements programs and projects that develop empowering learning environments, more equitable access to resources and power, and realizing a just and caring culture."

…

"Goals:

1. Maintain a network of progressive educators to develop an environment of support and professional development.

2. Sustain a membership that is engaged in a continuing process of critical self-reflection and growth.

3. Evolve an education system that is responsive to the needs of the communities it serves and promotes equitable access to resources and power.

4. A membership with a level of competency in creating empowering learning environments."

…

"Principles:

1. Involvement of teachers of color in all aspects of the organization is crucial.

2. Democratic decision-making processes need to be upheld, ensuring the meaningful participation of every member in systems and structures.

3.  Shared accountability for our actions as individuals and as an organization.

4. Learning and collective action is a partnership between the students, teachers, parents, and community.

5. Our actions address root causes of systems of oppression at individual, group, and societal levels (racism, sexism, homophobia, age-ism, able-ism, etc.)

6. The development of our organization is based on the evolution of our individual and collective processes."

…

"We have established the following platform to offer a different vision for what is possible in American Public Schools:

Our Platform

1. Democratic School Governance:

TAG supports efforts to strengthen schools and communities by ensuring and protecting local parent, educator and student leadership of school governance at all levels. We believe in diverse, democratically elected local school boards and councils. We support the creation of structures that enable meaningful and informed inclusive participation.

2. School and Community-Based Solutions to School Transformation:

TAG believes that local communities and those affected by school reform should be looked to for the wisdom and knowledge to transform their local schools. This process should be bottom-up, participatory and highly democratic to engage schools and communities in school improvement and transformation. There should be mutual responsibility and accountability among educators, families, youth, and communities. This process must secure the voice, participation and self-determination of communities and individuals who have been historically marginalized.

3. Free, Public and Equitable Educational Opportunities for All Students:

TAG supports measures that ensure every student access to a fully funded, equitable public education that is not threatened by market-based reforms such as vouchers, charter schools, or turnarounds by entities that divert public funds to private enterprise. We demand increased funding to end inequities in the current segregated and unequal system that favors those with race or class privilege. We believe that resources should be distributed according to need, and particularly to those historically under-resourced by the impact of structural, racial and economic discrimination and disinvestment. Public schools should be responsive to the community, not the marketplace.

4. Curricula and Pedagogies that Promote Creative, Critical and Challenging Education:

TAG supports transformative curricula and pedagogies that promote critical thinking and creativity in our students. Curricular themes that are grounded in the lived experiences of students are built from and extend community cultural wealth and histories. We promote a pedagogy that leads to the development of people who can work collaboratively, solve problems creatively, and live as full participants in their communities. We promote a vision of education that counters the multiple forms of oppression, promotes democratic forms of participation (community activism) in our society and that generates spaces of love and hope.

5. Multiple, High-quality, Comprehensive Assessments:

TAG supports creation of assessments that identify school and student needs in order to strengthen, not punish, schools. We call for ending the reliance on standardized tests as the single measure of student and school progress and performance. Comprehensive assessment should include work sampling and performance-based assessment and should be an outgrowth of student-centered curriculum and instruction.

High stakes tests have historically perpetuated existing inequality; in contrast, fair assessments should be used to provide teachers with the information they need to meet the needs of all of their students. High-stakes tests should not be used to determine teacher and school performance. Instead, teacher evaluation should be an on-going, practice with the goal of improving teachers’ pedagogical, content, and cultural knowledge and should be based on authentic standards for the teaching profession, not student test scores.

6. Teacher Professional Development that Serves the Collective Interests of Teachers, Students, and Communities:

TAG believes that teacher professional development must support teachers to become effective partners with students and parents, and to be responsive to community needs. The form and content should be determined by teachers themselves with advice from parents and students and should work to develop social justice teaching practices.

7. Protect the Right to Organize:

TAG believes teachers have the right to organize to protect their rights as professionals and workers. Unions should be a place where teachers have a voice in creating and protecting an educational system that is set up in the best interests of students, families, and teachers. We support truly democratic governance of teacher unions and believe that they should champion policies that ultimately serve their communities.

8. School Climate that Empowers and Liberates Students:

TAG believes in working for school discipline policies and a school climate where students and teachers can thrive. Schools must be institutions that support the holistic social and emotional needs of all students, help equip young people with empathy and conflict resolution skills, and work to interrupt and transform oppressive dynamics that threaten the safety of the whole school community.

We support ending the practice of and reliance on punitive discipline strategies that push students out of school and into the military or prisons. Schools should remove zero tolerance policies, institute restorative practices and restorative justice models, and create time in the curriculum for community-building practices and social/emotional supports."]]></description>
<dc:subject>conferences education teaching teachers socialjustice sanfrancisco sfsh community society schoolclimate professionaldevelopment inequality pedagogy curriculum governance democracy equity equality race racism sexism gender homophobia age ageism ableism disability disabilities</dc:subject>
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<item rdf:about="http://blog.mrmeyer.com/2015/your-conference-session-is-the-appetizer-the-internet-is-the-main-dish/">
    <title>dy/dan » Blog Archive » Your Conference Session Is The Appetizer. The Internet Is The Main Dish.</title>
    <dc:date>2015-07-15T06:30:38+00:00</dc:date>
    <link>http://blog.mrmeyer.com/2015/your-conference-session-is-the-appetizer-the-internet-is-the-main-dish/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["ISTE just wrapped. NCTM wrapped several months ago. What was accomplished? What can you remember of the sessions you attended? Will those sessions change your practice and in what ways?

Zak Champagne, Mike Flynn, and I are all NCTM conference presenters and we were all concerned about the possibility that a) none of our participants did much with our sessions once they ended, b) lots of people who might benefit from our sessions (and whose questions and ideas might benefit us) weren’t in the room.

The solution to (b) is easy. Put video of the sessions on the Internet. Our solution to (a) was complicated and only partial:

Build a conference session so that it prefaces and provokes work that will be ongoing and online.

To test out these solutions, we set up Shadow Con after hours at NCTM. We invited six presenters each to give a ten-minute talk. Their talk had to include a “call to action,” some kind of closing homework assignment that participants could accomplish when they went home. The speakers each committed to help participants with that homework on the session website we set up for that purpose.

Then we watched and collected data. There were two major surprises, which we shared along with other findings with the NCTM president, president-elect, and executive director.

Here is the five-page brief we shared with them. We’d all benefit from your feedback, I’m sure."

[Document: https://docs.google.com/document/d/1c2Gsa3yRyJS8etrosi6KvvwNXPO_Mnzoh_AIp5vA34c/edit

"We were surprised to find that engagement in the talks was much greater on Twitter than on the website we created to host that engagement. People would watch the talks and then debate and discuss its substance through tweets on Twitter rather than through comments on our website."

…

"We recommend that NCTM provides each of its speakers with an anchor for their talks – a webpage – even if initially that anchor is only loosely embedded in the ground. The speakers themselves must voluntarily drive that anchor deeper by adding supporting resources, linking to conversations off site, uploading video or audio of their talks, offering a call to action, and interacting with the attendees who choose to extend their engagement. NCTM cannot do that work for the speakers, nor should they if they could, but NCTM’s current website forecloses speakers from doing that work if they want to. NCTM’s current website only allows speakers to strengthen their attachment to their audiences by uploading handouts.

We ask NCTM’s leadership to consider that the number of people who view the talks in Boston will never increase. That number is fixed at the people who were in the room on that day, at that time, limiting both engagement and access. Meanwhile, talks hosted online can increase in viewership effectively without limit, edifying viewers, spreading ideas, populating pages of search results, and promoting NCTM itself as the leading organization for math teachers for decades. We encourage NCTM to take several large steps down that path in the months and years to come." ]]]></description>
<dc:subject>danmeyer 2015 conferences professionaldevelopment nctm iste callstoaction internet web twitter video</dc:subject>
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<item rdf:about="http://blog.valerieaurora.org/2015/06/23/ban-boring-mike-based-qa-sessions-and-use-index-cards-instead/">
    <title>Ban boring mike-based Q&amp;A sessions and use index cards instead | Valerie Aurora's blog</title>
    <dc:date>2015-07-12T21:33:22+00:00</dc:date>
    <link>http://blog.valerieaurora.org/2015/06/23/ban-boring-mike-based-qa-sessions-and-use-index-cards-instead/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["If you’ve ever been to a conference, you know the problem: A brilliant and engaging talk is coming to a close, and already a line of fanatic wild-eyed people (okay, mostly men) is forming at the audience microphone. Just by looking at them you know they will inevitably start their questions with, “This is more of a comment than a question, but…” Actually, you are grateful for the ones who are that self-aware, because most of them seem to genuinely believe that their barely disguised dominance play or naked self-promotion is an actual question that the rest of the audience would like to hear the answer to. So you scooch down lower in your seat and open your Twitter client so you can complain about how awful Q&A sessions inevitably are.

Fortunately, there is a way to prevent this situation entirely! Here is the formula:

1. Throw away the audience microphones.
2. Buy a pack of index cards.
3. Hand out the cards to the audience before or during your talk.
4. Ask people to write their questions on the cards and pass them to the end of the row.
5. Collect the cards at the end of the talk.
6. Flip through the cards and answer only good (or funny) questions.
7. Optional: have an accomplice collect and screen the questions for you during the talk.

Better yet, if you are a conference organizer, buy enough index cards for every one of your talks and tell your speakers and volunteers to use them.

Why is the typical line-at-the-mike style of audience question so productive of bad questions? To start with, it gives the advantage to people who aren’t afraid to put themselves forward first and rush to the mike first. This means most or all of the questions are from people with relatively little self-doubt and a high opinion of themselves. Another draw for the self-centered overconfident type is the chance to be the center of attention while asking the question using the audience microphone. Then there is the lack of built-in limit on the time the purported question-asker is speaking. Finally, there is no way to screen the question for quality until the question has been fully asked (sometimes taking minutes). The end result is a system that practically invites self-centered, overconfident, boring, long-winded people to dominate it. (And you wonder why women almost never ask questions at your conference?)

By contrast, writing questions on index cards appeals more to quiet, thoughtful, self-effacing folks who are considerate of those around them. It allows you to screen the questions for quality. It limits the length of the question. It encourages actual genuine requests for clarification on the subject of your talk.

Get rid of line-at-the-mike style Q&A sessions. Replace them with index cards. Your conference attendees will thank you."]]></description>
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<item rdf:about="http://opennews.org/blog/srccon-tickets/">
    <title>SRCCON Ticketing—What We Did and Why | Knight-Mozilla OpenNews</title>
    <dc:date>2015-05-13T00:46:08+00:00</dc:date>
    <link>http://opennews.org/blog/srccon-tickets/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Loosely based on the pragmatic, building-centric sessions at the Mozilla Festival in London, SRCCON’s session formats are peer-led and highly participatory. In part because there are so many other opportunities to attend lecture-style, slide-heavy talks and presentations, we don’t do those things. Instead, our sessions range from structured games to skillshares with practice sessions to straight conversation groups focused on hashing out a shared problem among news organizations, be it technical, financial, or cultural.

Given that focus, we wanted to define a ticketing process that allowed people who pitched great sessions to actually attend, and that emphasized participation by design. In particular, we wanted everyone who felt able to pitch a session to do so, and to be assured of a ticket if their session was accepted. SRCCON relies on the enthusiasm and engagement of session facilitators, and on the variety of ideas and approaches they bring to the program. (We’ll talk more about our session solicitation and selection processes in the an upcoming post.)

We also didn’t want to create two classes of attendees—SRCCON is a conversation between enthusiastic equals—so all SRCCON attendees, including session facilitators, purchase a ticket. (Comp tickets are part of our scholarship and sponsorship packages, which are the exceptions to the rule.)

… 

We wanted SRCCON to be accessible and welcoming to people whose communities have been underrepresented in journalism and the tech industry—primarily women and people of color—and to people working in news organizations in smaller and non-coastal markets. We also wanted to make sure local news organizations and people who are allies of journalism tech but not actually in newsrooms, like civic hackers, were represented.

We wanted plenty of space for wildcards, and for people who should absolutely be at SRCCON but are far enough from our networks that they wouldn’t have heard about it before tickets went on sale."]]></description>
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<item rdf:about="http://opennews.org/blog/srccon-human-stuff/">
    <title>Making SRCCON Good for Humans | Knight-Mozilla OpenNews</title>
    <dc:date>2015-04-01T20:50:31+00:00</dc:date>
    <link>http://opennews.org/blog/srccon-human-stuff/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In our first year of planning SRCCON, we knew we wanted attendees be able to focus completely on the conference experience itself: sessions, activities, and other official stuff, but also the conversations in hallways and corners that are usually a highlight of gatherings of enthusiastic colleagues. To make that possible, we tried to arrange the SRCCON schedule, space, and life-support systems to be as accommodating and helpful as possible. And to be clear, that’s not the same thing as being fancy. We ran the conference on a nonprofit budget, and nothing we did was geared toward luxury—instead, we tried to just handle the basics thoughtfully so that attendees could relax and enjoy the work and socializing.

To assemble our wish-list of humane elements, we began by collecting our own experiences as frequent conference-goers and event organizers—and as people with widely differing family situations, metabolic needs, and feelings about coffee. And then we started working through the next order of human needs: the ones that none of us had, but that we might expect to encounter in a group the size of SRCCON, and that we’d heard people wish for at other events. Our list will certainly continue to evolve, but here’s our progress report from last year, and the things we’re keeping a close eye on for SRCCON 2015.

ATTENTION & RHYTHMS

For most people, a successful conference experience is only fractionally about the content of the sessions themselves. “Hallway conversations” are some of our favorite parts of any conference, so we built generous breaks in between sessions, as well as a long morning breakfast with enough real food that people could come straight to the venue in the morning and not starve. We also created a DIY coffee-hacking station in the center of our conference space—in part to ensure access to delicious hot drinks, but also to give attendees a semi-structured way to hang out and do something low-pressure together during breaks, or instead of attending a session during a given schedule block.

Our evening block on the first night of the conference was also about keeping attendees together, but breaking up the kinds of attention they were using. Instead of more sessions about coding and data in newsrooms, people ran cooking skillshares, played tabletop games, did lightning talks, and worked on projects together. And because we expected that folks would keep socializing well into the night, we started sessions at 11am on the second morning out of respect for early-morning zombie feels.

Lastly, we kept organizational affiliation off of the attendee nametags to help people connect in an individual, collegial ways and reduce conversational barriers and assumptions based on affiliation. (No one ever intends to do that kind of social shortcutting, but once sleepy conference-brain kicks in, it’s as hard to ignore as an airport TV, so we did what we could to help nix it.)

NOTES FOR NEXT TIME
Our session length options needed a little tuning, so we’re experimenting with a greater variety of length and format possibilities this year. And on the subtler side, we’ll be paying more attention this year to the culture markers we explicitly endorse as part of the evening events. Plenty of people enjoyed extra-nerdy references in our evening setup, but we also heard from some who found those elements alienating, so we’re thinking through ways of offering nerd-culture options without making people uncomfortable.

EATING & DRINKING

We planned the catered meals at SRCCON to be plentiful, varied, reasonably healthy, and friendly to many dietary preferences and restrictions. We also kept snack stations full of fresh fruit and vegetables, nuts and other protein snacks, and a few sweet things to keep everyone’s energy steady through the day. Our coffee-hacking station complemented catered coffee, tea, and sodas, and we had plenty of water at all times—which is the kind of thing I wish I didn’t need to list, but isn’t always the case at conferences.

On the allergy and dietary preferences tip, we made sure there were hot meals (and even morning doughnuts) that worked for people with gluten intolerances and common food allergies, as well as solid vegetarian and vegan options. SRCCON took place during Ramadan, so we also offered delayed meal options for anyone observing a fast.

When we offered alcohol, we also offered non-alcoholic drinks, and we served food at the same time to make it less likely for anyone to accidentally drink more than they’d intended. After dinner was cleared, we brought in ice cream and held activities throughout the space so that there were plenty of things to do that weren’t drinking-centric.

Finally, the director of events at the Chemical Heritage Foundation was able to connect us with a local shelter organization to make sure untouched food—a liability in any catering scenario—would go to good use and not be wasted.

NOTES FOR NEXT TIME
This year, we plan to include a more serious tea-making operation as well as the coffee-hacking equipment, and to get a little more hardline about labeling on the catered food, some of which had allergen labels and some of which didn’t, just for added peace of mind.

OTHER THINGS ABOUT ACCOMMODATING EMBODIED HUMANS

In addition to holding SRCCON in a wheelchair-accessible space, we brought in a live transcription team from White Coat Captioning (about which much more later this week) to livestream captions of three concurrent sessions throughout the event. For parents, we offered a free subscription to SitterCity, a childcare matchmaking service, and a clean, secure space for pumping and nursing. And, of course, we offered a clear code of conduct underpinned by action and safety plans.

NOTES FOR NEXT TIME
This year, we are taking a big step forward on childcare and offering licensed on-site care to all SRCCON attendees in a friendly space at the conference hotel next door, for free. We’ll also post meeting information for local AA chapters and other peer support groups so that it’s easy to find, and we’re absolutely taking the Ada Initiative’s suggestion to use color-coded lanyards to visually mark photo policy preferences.

ONWARD/UPWARD

Our goal was to be good enough at meeting basic human needs that people could focus on what they came to SRCCON for: learning together, hanging out with peers and colleagues, and having fun. In our first year of running the conference, we did pretty well, though we came out with a laundry list of things to do better this year.

Notably, none of the specific tasks we took on were particularly challenging, and many weren’t even expensive—they just involved taking the needs of a larger group into consideration when we made initial plans, rather than at the very end of the process (or not at all). For the pieces that did involve greater expense, we found that sponsors were very willing to help us come up with the money to help make SRCCON more accessible and more humane. Maybe most importantly, we learned that taking time up front to be thoughtful about human needs paid tremendous dividends at the event itself in the form of happy, rested, relaxed colleagues.

As always, we thrive on feedback and questions, so please send us a note if you have either one."]]></description>
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<item rdf:about="http://interconnected.org/home/2015/02/06/events">
    <title>The best event I've ever attended ( 6 Feb., 2015, at Interconnected)</title>
    <dc:date>2015-02-08T03:52:33+00:00</dc:date>
    <link>http://interconnected.org/home/2015/02/06/events</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I've been to a ton of events. Weekend campouts where, like Fight Club, everyone presents. Conferences which are a bundle of laughs with my friends I see once a year, and a massive mental accelerant. That one that James took me to in the basement under a shop that was all about magic and Plato and made me see the universe behind this one for like a month. Everyone in my world now knows how to make slides and give a talk; it used to be super raw and I loved that. Now talks aren't an hour, they're 18 minutes and everyone has the TED guidelines engraved on their soul: Black turtleneck and start with a personal story. Not bad, just different.

By the best event, I mean the one that has had the longest lasting effect on my thinking. And sure that's mostly about the content and the time in my life, but also a ton about the format:

Nature, space, society at Tate Modern, London, ran across three successive Fridays in 2004. Each started at 2.30pm, and took the same format: a lecture for one hour - with few or zero slides - followed by 90 minutes of panel discussion and audience questions. Then: done, go home.

The videos of the three speakers are online:

• Manuel DeLanda [http://www.tate.org.uk/context-comment/video/manuel-delanda-nature-space-society ]
• N. Katherine Hayles [http://www.tate.org.uk/context-comment/video/n-katherine-hayles-nature-space-society ]
• Bruno Latour [http://www.tate.org.uk/context-comment/video/bruno-latour-nature-space-society ]

The lectures are long by 2015 standards -- the speakers were captivating.

But the format! There was something about the weekly rhythm which meant that there was time for me to digest each download of new thoughts. The session stayed with me for the week... and the ideas were then multiplied by the following lecture.

Over the two weeks I was taken somewhere... somewhere not accessible in a dense day of short talks. An hour is time to explore and speculate, time for poetry. A week is time to discuss with friends, contemplate, see the deeper patterns. The repetition pumps the swing. But only three talks: Not a lengthy course, contained enough that it's still a single event.

And - honestly - Friday afternoons are a good time to take away from work. No getting distracted and anxious about email.

So over a decade later I look back, and I realise that these thinkers have guided me. Change happened in me.

If I was putting on an event now, this is what I'd want to do."]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=sbqNkz_mjng">
    <title>▶ Building for Inclusive Community Participation: Meeting Residents Where They Are - YouTube</title>
    <dc:date>2014-10-30T22:39:43+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=sbqNkz_mjng</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Laurenellen McCann, Civic Innovation Fellow, New America on the importance of meeting citizens where they are."]]></description>
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<item rdf:about="https://modelviewculture.com/issues/events">
    <title>Events | Model View Culture</title>
    <dc:date>2014-10-29T05:36:16+00:00</dc:date>
    <link>https://modelviewculture.com/issues/events</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this issue, we talk about creating accessible events, discuss the limitations of codes of conduct and critique tech’s alcohol culture. We feature lessons on building welcoming events from experienced organizers, and look at how microaggressions function at our meetups. We explore the status quo of today’s tech gatherings and cover the importance of centering marginalized voices. Plus: new Q&As, 10 tips on organizing diversity-focused events, and what “inclusion” and “safety” really mean for our conferences."]]></description>
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<item rdf:about="http://revdancatt.com/2014/10/06/conference_eaters">
    <title>Rev Dan Catt: Conference Eaters</title>
    <dc:date>2014-10-06T17:28:19+00:00</dc:date>
    <link>http://revdancatt.com/2014/10/06/conference_eaters</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The ushers usher us out of that hallowed place into the blinking bright sunlight the godly ones having already flown, blazing trails of CO2 in their wake.

And that's how conferences work.

Maybe I should back up a little and explain.

**The tech conference should not exist.**

Or at least not in its current form. This is what I used to believe until I finally understood the truth which I've written above. It's the only way I can make sense of it.

We are post future, we don't have flying cars but we do have the network slowly bringing us everything else. Hmmm, let me put it a different way, if you have a tech conference called "The state of the network" in 2014/15/16 in which speakers and audience travel from different parts of the country/world to talk/hear about how the network is making things better, then we've all clearly failed.

This is how technology and conferences are failing you.

People fly from one country to another, to sit in a room together and watch Edward Snowdon talk from yet another country up on a big screen. Don't even get me started on overflow rooms with screens for keynote speakers.

A conference cannot be about the dissemination of information because we have YouTube. Why reach an audience of 200 when you can reach the wired world? Tech conferences where a person stands at the front and preaches visions as a way to spread knowledge is so laughably outdated it's unreal. Vimeo, Twitch, YouTube, Podcasts, blogs, tweets are all faster and scale more than meatspace.

Maybe it's about the transference of money from supporters to speakers (and organisers). Perhaps those speakers wouldn't share their knowledge for free on the intertubes, maybe they've spent years working something important out and deserve to be remunerated for by a select few followers. Ah, Information as limited resources to give it value in a digital era, and of course not forgetting that speakers often don't get paid anyway.

Again technology is failing us if we can't work out a way to pay people for information in the age of the internet. However you're right, it's just like music. Bands have to accept that their music spreads for free (or even encourage it) as record labels cling to the last century, and make the money instead from gigs, a paying audience who want the live experience.

Which brings me to the final reason given for conferences. "That was inspiring" is the comment I often hear when asking someone how a conference went... "I'm not quite sure what they said is applicable to what I'm doing, but it was inspiring". Paying to be inspired, yeah ok, I get it. This goes smoothly into "it was a chance to get together with friends I don't normally get to see, and work paid for it".

If going to a conference is the only way to get time free from work to see your friends and peers then once again we have been tricked out of the technological future we were promised. The one where we weren't all so busy making computers do work for us that we had some leisure time beyond grabbing a coffee at lunch with the next start-up over.

The speakers are just a backdrop for the meetings in the corridors and bars. The solution to that is an Event not a Conference. Stop going to conferences, stop making conferences, stop flying people halfway around the world, putting them up in hotels and making them talk to 400 people in a room. Go to an event and talk with all 400 people in a room instead.

However...

**The tech conference should exist.**

That is what I believed for a long time. I stopped going to conferences, well the conferences itself, I've still gone to the location of a conference to meet my friends and hang out in the bar afterwards. Paid for the transport and hotel myself, and then caught up with the conference videos afterwards if available. Then worked out how to support the speakers by buying whatever it is they're selling, if anything.

No, this is what I realised.

A conference is a way to force a smart person hurtling forwards to stop and collect their thoughts by making them a speaker, otherwise they'd be too busy to record their own video or write a blog post.

Every conference speaker I've know has come out of a conference understanding themselves and what they are thinking about better then before they went in. Its been the same when I've spoken at conferences (which I've stopped doing now) the weeks beforehand gathering up all the threads of an idea or two, weaving it all together for a single point in time.

These brilliant minds, which often run along and beyond the bleeding edge need to be made to focus to raise them to the next level so we can all benefit.

We supplicate ourselves before our idols, allowing them to consume our energy and brain to evolve themselves further. And that is what conferences are for, because otherwise what use are they that we shouldn't have already solved with technology."]]></description>
<dc:subject>revdancatt conferences climatechange 2014 speakers information technology canon internet money waste</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6e8d23daff09/</dc:identifier>
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</item>
<item rdf:about="http://quietbabylon.com/2014/what-we-talk-about-when-we-talk-about-what-we-talk-about-when-we-talk-about-making/">
    <title>What We Talk About When We Talk About What We Talk About When We Talk About Making | Quiet Babylon</title>
    <dc:date>2014-09-18T04:07:55+00:00</dc:date>
    <link>http://quietbabylon.com/2014/what-we-talk-about-when-we-talk-about-what-we-talk-about-when-we-talk-about-making/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This is an era of networked wealth, going to scale, first mover advantage, positive feedback loops, virtuous cycles, high concentration, and high disparity. These are some of the intolerable conditions of the time we call (with subversive hope) Late Capitalism.

4
“We.”

5
I suspect that much of this essay will make very little sense unless you believe as I do that we are beset by wicked problems exacerbated by networks of sublime scale that have been built on top of millenia of injustice chaotically interacting with good works and hope.

…

8
I do not think it is possible to feel empathy for 7 billion people. I know it is not possible to mourn the ~400,000 souls we lose to death every day on this planet earth. In a city like New York, it is not even reasonable to say Hi to everyone you pass on the street. Forget New York, it wasn’t reasonable to say Hi to everyone I passed at XOXO. There are too many humans. Boundaries must be drawn. Who are our friends, who is in the community, who gets to count. The boundaries can be drawn wider or narrower, and with more or less care. But the starting points of those boundaries are necessarily accidents of history, and history is pretty messed up.

Andy and Andy have been public about their struggles to redraw the boundaries of the community that takes part in XOXO. This year was better, they said, but still too male and still far too white. They are working to do better still if they ever do an XOXO again.

If they do, they will have to carefully consider who gets on stage and work with those people about what they have to say. Because people who make things is a broad remit. The mission of XOXO is an admirable one: to be a place where independent creators can find themselves amongst people like them; to give the participants the feeling that even though independence can be lonely, we are not alone.

But to be sat amongst a community who do not share your concerns is a terribly alienating experience, especially if the speakers on stage are claiming a we for the room that you do not feel. A greater diversity of speakers and a greater diversity of participants means by definition fewer common experiences and a more complicated we.

9
Chinese factory workers are not welcome at XOXO. This is a profoundly uncomfortable thing to say because it feels like punching down, but it is true. Chinese factory workers are not independent creators. What inspiration would they find in hearing John Gruber talk about Google Reader’s impact on his business model? What advice would they pull from Anita Sarkeesian describing the conspiracy theories leveled against prominent women on the Internet? What series of completely patronizing assumptions did I make when I wrote those last two questions?

Marketers, brand managers, advertising agencies, and social media gurus are also not welcome at XOXO. This feels less uncomfortable to say because it feels like punching up. Harassers are completely unwelcome and Andy and Andy took public glee in sending them away.

Community design is a tricky thing and the debate about incremental improvement vs radical transformation is far from settled. Figuring out how to ethically exclude people, how to effectively include people, and which intolerable conditions of ambient injustice to accept as given is a wicked problem. Working through it requires care and nuance and vigilance against derailment.

Derailment is when discussion of one issue is diverted into another issue. For example: if someone were to say, We need to work hard to increase the non-white percentage of conference attendees, and someone else said, Yeah, but what about the Chinese workers who make your devices?

10
Context collapse is an important way of making sure that marginalized people and issues aren’t allowed to disappear completely and an excellent derailing tactic. Arguing that an issue being raised is a derailment is an excellent derailing tactic.

11
A lot of the problems described by people on stage at XOXO would not have been problems if no one on earth should ever be at risk of starvation or lack medical care was not a radical idea. But it is a radical idea and it is not possible to mourn everyone. So boundaries are drawn and communities are constructed which help their members understand what’s possible and not everyone gets to count.

The inability to effectively address all of this is also one of the intolerable conditions of late capitalism."]]></description>
<dc:subject>timmaly xoxo latecapitalism capitalism supplychains labor timcook apple disclosure context contextcollapse inclusing exclusion canon derailment conferences complexity boundaries communitydesign making makers scale hope dematerialization</dc:subject>
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</item>
<item rdf:about="http://incisive.nu/2014/codes-of-conduct/">
    <title>Why You Want a Code of Conduct &amp; How We Made One | Incisive.nu</title>
    <dc:date>2014-09-12T21:14:39+00:00</dc:date>
    <link>http://incisive.nu/2014/codes-of-conduct/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Now, this is all stuff that many others have said better than I have—see the big list of resources below for evidence. The thing I want to add is that the opportunity to define a code of conduct—to set clear behavioral and safety expectations—is an extraordinary opportunity.

I’m writing this in the late summer of 2014, and the last few weeks have been rough ones where I live. From the tech world’s routine accounts of casual harassment to the grind of violence and systemic unfairness that defines some part of every human society, we are surrounded on all sides by news that is alternately heartbreaking and enraging. And most of the time, in the face of these wrongs, we are helpless. Some of us can vote, some can investigate and expose. That’s often as far as it goes.

But to define a code of conduct is to formally state that your community—your event or organization or project—does not permit intimidation or harassment or any of the other terrible things that we can’t seem to prevent in the rest of the world. It’s to express and nurture healthy community norms. In a small, limited way, it’s to offer sanctuary to the vulnerable: to stake out a space you can touch, put it under your protection, and make it a welcoming home for all who act with respect.

And I think that’s what’s going to win. Enough of us clearly stating that in our spaces, this fuckery will not pass. And continuing to do it—one home, school, workplace, and community at a time—until the ground we cover with a mandate of mutual respect is larger than the gaps in between. Not out of any special benevolence, but because that’s what the world should be.

That’s enough to get me out of bed in the morning."]]></description>
<dc:subject>erinkissane events codeofconduct ethics community 2014 srccon inclusion safety pocketsofresistance planning conferenceplanning accessibility behavior conferences howto inclusivity eventplanning inlcusivity</dc:subject>
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<item rdf:about="http://failureinthearchives.wordpress.com/">
    <title>Failure in the Archives | A conference celebrating the failures &amp; frustrations of archival research.</title>
    <dc:date>2014-05-19T06:01:54+00:00</dc:date>
    <link>http://failureinthearchives.wordpress.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["‘Failure in the Archives’ will provide a forum to examine everything that doesn’t belong in traditional conferences and publications, from dead-end research trips to unanswered questions.

How do we respond to the resistance, or worse, the silences and gaps, that we find in the archives? Scholarship tends toward success stories, but this conference seeks presentations from a range of disasters that arise when navigating the depths of the archive: damaged, destroyed, mislabelled, misrepresented materials, forgeries, exaggerated significance, and gaps in the historical record. Overall, the experience of failure in the archive is truly interdisciplinary, skewing the warp and woof of close reading and big data alike, not to mention posing everyday problems for archivists and librarians working on the frontlines to make their collections accessible

We welcome proposals on any aspect of early modern archival work, manuscript or print, covering the period 1500-1750. Topics may include, but are not limited to:

• Materials which challenge cataloguing standards
• Uncatalogued material – how to find it, how to access it, how to use it
• Inaccurate cataloguing – tensions between past and present.
• Broken or dispersed collections
• Damaged, destroyed, or compromised collections
• The ethics of maintaining archives
• The ethics of archival research – especially when working with sensitive material
• Absences and silences in the archive
• Difficulties conserving and preserving materials
• Conflicts of information between archival sources
• Digitisation and its discontents
• Agents in the archives: collectors, archivists, researchers"]]></description>
<dc:subject>archives failure loss 2014 conferences cataloging ethics damage destruction maintenenance</dc:subject>
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</item>
<item rdf:about="http://irl.so/2014/04/07/notes.html">
    <title>Save The Data Drama</title>
    <dc:date>2014-04-08T21:42:41+00:00</dc:date>
    <link>http://irl.so/2014/04/07/notes.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Place

…

A location rife with beautiful signifiers of gentle exclusion seemed an ideal place for a conference like this. Within a few minutes of Friday's talks beginning, it became clear that almost everyone at this event knew each other, and if they didn't know the speakers they were probably grad students. I came to this thing from a periphery: close enough to some of the speakers to not be totally isolated, making work that's relevant to the topic, but not transactionally useful to the majority of the people there.

I admittedly have a knack for showing up in places where I am out of place. I tend to show up to such places bearing a massive, posture-ruining, class warfare chip on my shoulder. Some of this comes from the fact that being alive feels like being out of place, because honestly I wake up every day amazed that I'm still alive after an unrelated incident in 2009 that I don't really want to talk about.

One side effect of my terrible posture is that I'm a terrible liar. When faced with the elaborate theater of someone trying to convince me that this is the hippest data center ever or that he is the Most Important Man In The Room, I kind of just start laughing. And when I start to get worked up about how out of place I am in a given situation, I get defensive and snarky.

This isn't necessarily an apology (I don't think I have to apologize for for thinking that careerism is silly or for having reactions to however unintentionally hostile spaces); just context on the off-chance any of the Serious Important Men of Data Drama (who perhaps hereafter should be called the Data Drama Queens) who were probably annoyed with me read this. Don't worry guys, I'm just a silly woman living paycheck to paycheck, don't mind me.

…

Privilege

…

Honestly, I don't really like being the person at a gendered, privileged event talking about gender or privilege, because I know that I have so much privilege, and I don't want to claim to speak for the marginalized who are not in the room. Hell, we didn't even really get into how deeply white the conference was (in both speaker and audience makeup). There was a uniquely awkward moment when, during a Q&A session, filmmaker Ben Lewis complained about the difficulty he encountered finding people to interview who were concerned about or negatively affected by surveillance--this after James Bridle had given a talk about British citizens stripped of their citizenship essentially so they could be droned. The anger at Lewis' apparent ignorance was palpable, but not necessarily productive--while yes, someone probably should have said "Ben, perhaps you should consider speaking to people who don't look like you", there weren't that many examples of such people to point to in that conference room at Princeton.
…

When Data Drama Queens talk about the risks being faced in our new data age, the future adaptations of cyborg humans, the potential of World 2.0, who is actually being spoken about or spoken for? To what extent are these speculations of the future posed more or less for people like them?

…

Magic

The aesthetics of the slide talks and much of the work presented varied--from Metahaven's seapunk-Geocities collages to Adam Harvey's apparently oblivious fashion magazine-glossy male gaze--but there was a frequently ambivalent return to a rhetoric and aesthetics of awe. Despite ourselves, we are kind of in love with the technology, even if it is in the hands of the oppressor, and that's hard to reconcile.

Early on during Saturday's talks, a Q&A got into a discussion of magic, and that's the thing I keep coming back to. I'm not sure what that's going to look like, but I think it's got a lot of potential. I am for a dialogue on technology and society that allows for weirdness, allows for vulnerability, allows for humanity, requires a certain amount of faith, and isn't about pure mastery. I think there's more space for that in the language of magic, I don't know. Mostly I wanted to know how many of the people at that conference listen to Welcome to Nightvale."]]></description>
<dc:subject>ingridburrington datadrama 2014 data privilege place conferences magic nightvale mastery usmanhaque katecrawford cv honesty lying class classwarfare liamyoung jamesbridle benlewis</dc:subject>
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</item>
<item rdf:about="http://sparkcamp.com/sparking-connections/">
    <title>Mastering the Art of Sparking Connections</title>
    <dc:date>2013-12-09T19:45:50+00:00</dc:date>
    <link>http://sparkcamp.com/sparking-connections/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["1. People are the key ingredients.

2. The more varied the group, the more valuable the connections and outcome.

3. To foster a spirit of improvisation, create a comfortable environment.

4. We value discussion over presentation

5. Each camp is a series of small and loosely-joined events.

6. We value intimacy over publicity.

7. Productive discussions happen more easily with thoughtful, informed facilitation.

8. End — don't start — with a trust fall.

9. The better the planning, the smoother and more spontaneous the outcome.

10. We value experimentation and evolution over perfection.

…

How Spark Camp Will Evolve"]]></description>
<dc:subject>events sparkcamp amandamichel andypergam mattthompson amywebb planning values diversity improvisation comfort conferences discussion conversation howto loosely-joined intimacy publicity facilitation eventplanning unconferences experimentation perfection trust inclusion conferenceplanning accessibility inclusivity inlcusivity</dc:subject>
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<item rdf:about="http://learn-to-search.com/">
    <title>Learn to Search</title>
    <dc:date>2013-10-30T23:04:55+00:00</dc:date>
    <link>http://learn-to-search.com/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>gender search joannemcneil divyamanian 2013 humor conferences technology</dc:subject>
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<item rdf:about="https://medium.com/ladybits-on-medium/7efaf0900142">
    <title>The Uncanny Valley of Earnestness — LadyBits on Medium — Medium</title>
    <dc:date>2013-10-25T02:44:15+00:00</dc:date>
    <link>https://medium.com/ladybits-on-medium/7efaf0900142</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["No. Criticism is not negativity. Criticism is not saying you’re bad. Criticism is – it should be – a way of saying: I think you’re good. I know you can do better. I think you can figure out a way how.

I only saw about a third of the talks, but of those I did see, no one spoke of the value of criticism and iteration. It was beyond amazing to see people being honest and open about self-understanding and failure and feelings. Those of you who went there, and who I saw: Thank you.

But what about moving beyond that darkness and asking outside yourself for help? The hardest thing for me in all my darkest times has been knowing I am not alone, that people want to help me, that I am not a solitary soldier in a landscape of shit who will have to do it herself, over and over again, and the only way to celebrate this victory is to wait until I’m secure and have made it so I can reveal terrifying things for which I can finally be called a hero.

The Uncanny Valley of Earnestness is a place in between blindly shoring each other up and tearing each other down. This is the place where you give yourself the chance to be weirdly human and you try, with all your might, to give that chance to someone else. You will fail, on both an individual level and in big groups, and so will everyone else, but you will try again.

That space is where we teach each other, help one another to succeed, show each other where we’re failing and how we can do better — what we’re doing wrong and what the weak spots are — and turn amateurs into professionals and show professionals where they’ve let their fundamentals go weak."]]></description>
<dc:subject>leahreich 2013 xoxo criticism constructivecriticism earnestness community conferences</dc:subject>
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<item rdf:about="http://backupminds.wordpress.com/2013/10/20/numbers/">
    <title>Numbers | Savage Minds Backup</title>
    <dc:date>2013-10-20T09:13:36+00:00</dc:date>
    <link>http://backupminds.wordpress.com/2013/10/20/numbers/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["1. The other day I was thinking about conferences.  Let’s say you’re in a panel with 10 people, and each person pays a total of $500 dollars to get there.  This includes conference fees, airfare, hotel, and so on.  So that’s a grand total of $5000 dollars so everyone can write a paper, fly across the country, walk into a room, present their paper for 12-15 minutes and maybe have a group conversation for another 20 minutes or so.  It’s a lot of money.  Granted, conferences are about a lot more than just going to present.  They are about going to other presentations, making connections, seeing friends, etc.  But I think there are times when it might make sense to take that collective $5000, round up 10 people who want to collaborate, find a cheap central place to meet—and then do something.  Like write a book.  Create and actually start implementing a project.  Whatever.  Again, conferences have their place.  But I think sometimes it’s also good to look at what we’re doing—and what we want to do—and know when it’s the moment to do something a little different.  Imagine what 10 people with a common goal could really do if given some serious time to really put their heads together.

…

6. Now let’s talk about funding your fieldwork.  Everyone wants to get a grant.  A lot of time goes into writing them.  Now, think about the total amount of time you put into writing a grant.  Let’s say you work on a grant for a year, and you average 5 hours per week (of really working on it).  And, after that year, let’s say you get a grant for $10,000.  That would be about $38.46 per hour of work (this does not account for the work time of your adviser or anyone who helps you edit etc).  If you work on this grant for an average of 10 hours per week, that would be $19.23 per hour.  If you average 20 hours per week, that translates to about $9.62 per hour.  At what point does it make more sense to work slinging drinks in the local bar to fund your fieldwork?

7. How much money do undergraduate students spend on the average introductory textbook?  Let’s say it’s about 100 bucks.  And let’s say there are 300 undergrads in one particular department.  That’s $30,000.  Multiply that by 5 years.  Now we’re at $150,000.  Imagine what one department could do with 150 grand, a heap of political will, and all of the potential of open access publishing."]]></description>
<dc:subject>via:anne professionaldevelopment ideas money conferences research fieldwork funding grants efficiency academia highered highereducation openstudioproject snarkmarketseminar self-funding retreats generativewebevents 2013</dc:subject>
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<item rdf:about="http://blogs.mprnews.org/state-of-the-arts/2013/08/alec-soth-looks-back-at-his-socially-awkward-summer-camp/">
    <title>Alec Soth looks back at his Socially Awkward Summer Camp | State of the Arts | Minnesota Public Radio News</title>
    <dc:date>2013-08-15T18:14:30+00:00</dc:date>
    <link>http://blogs.mprnews.org/state-of-the-arts/2013/08/alec-soth-looks-back-at-his-socially-awkward-summer-camp/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I wanted this to be a camp and not a school. Because I wanted it not to turn into a curriculum and creating a budget and all the sort of infrastructure, and then losing the spontaneity of it,” he said.”So I am worried about the idea of repeating it because that’s what you supposed to do in school.

“It wouldn’t feel so alive. But I definitely want to do something.”"]]></description>
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    <title>Campsick: Julian Bleecker Reports from Alec Soth’s Camp for Socially Awkward Storytellers — Magazine — Walker Art Center</title>
    <dc:date>2013-08-03T04:42:40+00:00</dc:date>
    <link>http://www.walkerart.org/magazine/2013/alec-soth-julian-bleecker-summer-camp</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["To give a measure of what a Camp for Socially Awkward Storytellers is, let me describe some of its awkward moments.

1. Unspecified expectations, except whatever happens, it will be shared at a public slideshow on the last day.

2. No packing list. Usually, when I went to summer camp as a young tot, there were checklists of bug spray, 12 changes of underwear, swim trunks, swim goggles, toiletries, sleeping bag, wash cloth, pajamas, sun hat, etc.

3. No agenda, except to show up on July 9 at the offices of Little Brown Mushroom around 9:30 or 10.

4. Suburban excursion in a stout RV. That just sorta happened. Spontaneously.

5. Itchy, scratchy mosquito bites in spite of semi-legal, high-test, under-the-counter mosquito repellent.

6. Late-night slideshows. (Think of it as a modern variant of the campfire story telling hour.)

7. A surprise birthday cake.

8. A dance.

9. Campsick. It’s like homesick, but for camp. Specifically, an aching in the belly, like you’ve finished a great summer at camp and must immediately make plans to stay in touch and meet again. As soon as possible. Like something happened you didn’t want to stop, but you had to because it was too expensive to change flights and stay another day or two.

That was the Little Brown Mushroom Camp for Socially Awkward Storytellers, a project that brought together 15 eager campers from all over the map. Camp, as Soth described it to me, “evokes campfires and canoes, but the definition is actually quite flexible. ‘Camp’ simply means a summertime gathering that lacks the formal and institutionalized aura of school.” For Soth, the hope was “to just create a context in which people can make art happen.”

But that context, as camp’s name suggests, is decidedly awkward. That’s fitting for a group like Little Brown Mushroom. There is not the pretension that one might expect from a studio attached to an artist’s name. It would’ve been clear to anyone who knew of LBM—either through its blog, their books, or Soth’s work—that camp would not be supplicating students learning from the great master. First of all, Soth is self-admittedly awkward in front of people, so he would not be holding forth in the style of the self-indulgent artist. We’d be working among each other, campers and counselors on equal footing. It was activity-time camp, nearly 14 hours every day. We’d be defining the activities. Exuberant, exhausting, difficult, strange, get-your-game-face-on kinds of activities."

…


"I have no idea what’s going on, or what I’m doing, but I’m doing it.

And now, back at our encampment there are four of us quietly sitting, thinking, drawing, talking. Out of nowhere, Jim’s lying on the ground in front of the limb-and-leaf backdrop. He’s perfectly still. Is it overdone performance, or is he my muse for the day? I decide, game-face on, he’ll be my muse. Most people have left to find stories in the neighborhood surrounding the park. Some have driven to other parts of town.

The hard part is finding a story in that. You have to, though. Day Two slideshow is at 7 pm. That’s just a couple hours from now.

This is the day that I realize I need to be inspired by the constraints that exist at camp. There are constraints of time, obviously. Cooking out a slideshow from a day of conversations, excursions, light reading, trundling in RVs, following fellow campers in the woods. All this means I have to hold my ideas lightly, not make things too precious, keeping my nose up for any whiff of a story to find and tell.

Today, I’ve become sensitized to what Soth refers to as “humble epics.” Big, powerful things, perhaps in modest, carefully constructed, simple, compact, $18 or cheaper packages.

That’s a kind of storytelling that feels quite modern in a sense. The overwrought image and text story is not what will come out of camp. There are no Taschen-sized epics to be done here, at least for me. I find that liberating. As I quickly refine and hone and edit my forest slideshow, I consider LBM’s obsession with audaciously democratizing the pricing of their publications at $18. I think about Target, the Twin Cities mega-mega that I can imagine goes to nutso ends to whittle pricing by fractions of pennies to make them the no-brainer store. Soth mentions an LBM book that they couldn’t get cheaper than $24, and you can physically see the disappointment at the price-point in his shoulders. Soth would make a great Target buyer. You know, in case this whole photography thing doesn’t work out.

The inexpensive, accessible, humble, epic, image+text LBM books come with an inherent simplicity in production, packaging, and design that is an aesthetic in its own right. Accessible, humble epics are a thing of note, especially within the world that Soth could circulate. He’s a Minnesotan first, Magnum photographer second. Beautiful, seductive, tangible $18 stories-in-books are not a gimmick. Free camp isn’t a gimmick. I can see the earnestness in his explanation of the non-tuition camp. He wants it open. He doesn’t want to turn away someone who could not afford to attend because of a fee. He doesn’t want LBM to be big business.

And only now do I realize that we’re learning how to tell stories. I’ve never mentioned it and stifled the thought in my own head, but we’ve not had formal discussions about photography. At the end of Day Two, during the slideshow, I resolve the suspicion I’ve had since shortly before I arrived: this is not a photography camp, despite being in a photography studio. That thought relaxes me. No one’s geeking out on gear. There is scant feedback on technical elements of image-making or storytelling. We’re free to find stories. Of course, that’s liberating and debilitating at the same time. We’re not told what to do. We’re only told that “whatever you do, whatever story you want to tell at the public slideshow on Saturday, it mustn’t take more than five minutes to tell.”

Day Three
Bookmaking Day, although we don’t make books. We talk about books and their making and unmaking. Some campers wonder why we’re doing a slideshow rather than a book as a final deliverable. A book is easier to keep and share and show again and again. We have a nice, long discussion in the morning facilitated by Alec and designer and art director Hans Seeger. We talk about the materiality and tangibility of books. Their preciousness. The contrast in books designed too earnestly, and books devoid of design that are merely containers for famous photographs by famous photographers. We talked about the great glissade of books after 1986 when computers performed their radical democratization of visual design and publishing. And I wondered how short-form composition and networked dissemination frameworks like Twitter, Instagram, and Vine would do similar things. I wonder aloud to camp if the modern image+text story as we know it now—the things in Soth’s studio library—are for doddering “old” folks like us? I want to talk about the modern, modern image+text story? Is Adam Goldberg’s Vine feed tomorrow’s Willliam Eggleston, or perhaps Cindy Sherman? The comparison may sound idiotic. I once thought that instantly sharing one’s thoughts in 140 characters was idiotic and self-indulgent. I once thought #selfies were idiotic. Then the Arab Spring happened, facilitated in part by 140 characters and what protesters could share in a single image.

The bookmaking-day discussions turn into a list of books to get and a note to consider getting another bookshelf at home. That’s fine. Having a library of books—the material sort—is validated by LBM’s amazing collection. It’s the morning-quiet-time gathering place we all meander through as our coffee takes hold. There’s a quiet reverence to the library in the mornings as campers peruse the stacks, heads cocked to the side to read titles. I find my first photo book in the B’s [Hello, Skater Girl, 2012] and feel suddenly embarrassed at its earnest naivete. I wish I had been to camp and learned what I am learning at camp before I made that.

LBM is a publisher of stories, so one might think camp would do a book as a final outcome. But that brings along complexity and time and money, and you begin to obsess over the operational details of producing such a thing. The slideshow. It has a tradition. It’s familial. It’s familiar. It’s something that can be condensed into a short amount of time. It has history."

…

"I think about “bookmaking” day’s discussion of Darin Mickey’s Stuff I Gotta Remember Not To Forget and his image story about his father’s odd, Cohen-esque life as a salesman of storage space in underground vaults. In 27 images, Mickey tells a remarkable, humorous, heartfelt story about his father. And I think of Soth’s image of a strikingly pale Indonesian girl he stumbles upon, photographs for The Auckland Project, loses the photograph and then spends the rest of his time struggling to find a story, struggling to find an image that moves him. He finds “missing cat” posters, bird road kill, and pale models. Just hours before he leaves Auckland, he stumbles upon Diandra, the pale Indonesian girl, sitting delicately on a low wall, watching the tiniest bird.

These count as powerful stories in my mind and from what I’ve been learning at camp. I’m thinking about “humble epics,” creative constraints. And how to get done in the next four hours."]]></description>
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    <title>jeweled platypus · text · Leveling up conferences</title>
    <dc:date>2013-07-21T04:45:47+00:00</dc:date>
    <link>http://jeweledplatypus.org/cgi-bin/blosxom.cgi/text/conferences.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I’m in Portland for Community Leadership Summit this weekend, I’ll be at Defcon soon, and I’m going to XOXO in September, so I’ve been thinking about things AdaCamp did that I’d like to see more conference organizers consider. Of course I like the idea of making tech events better for women, but this stuff is especially interesting to me because worthwhile efforts to make a tech event more welcoming to women also make the event more welcoming to other non-majority types of people (for example, including women means not just including able-bodied women). It’s the magic of intersectionality! Some of these ideas are conveniently compiled on the page of resources for conference organizers on the Geek Feminism Wiki, but here’s my list too:

• If you have an application process, like AdaCamp and XOXO do, it’s great for the application to be as encouraging and inclusive as possible, with detail about how the conference is aiming for a crowd that is diverse in x and y and z ways. …

• Before the conference, providing a list of nearby low-cost hostels and hotels. …

• Giving people a choice of badge lanyards: green meaning “photographs always ok”, yellow meaning “ask before photographing”, and red meaning “photographs never ok”. …

• Laying blue tape on the floor to mark access paths where people shouldn’t stand or put chairs/bags; you can label them “walk and roll” (ha ha). …

• Being explicitly inclusive of people of all gender identities, including considering labeling all-gender bathrooms along with men-only bathrooms and women-only bathrooms. …

• Setting up a dedicated “quiet room” with a rule against talking in that room; people can use the space to nap or work/relax quietly. …

• Having a series of 90 second (1 slide) lightning talks - I thought 90 seconds sounded impossibly short compared to normal 5 minute lightning talks, but it turned out to be great.

• For evening meals: creating a spreadsheet on Google Docs with a list of nearby restaurants, and inviting people to type in their names to create small groups for dining out."]]></description>
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<item rdf:about="http://www.littlebrownmushroom.com/blog/the-lbm-camp-for-socially-awkward-storytellers/">
    <title>The LBM Camp for Socially Awkward Storytellers « Little Brown Mushroom</title>
    <dc:date>2013-07-10T06:53:26+00:00</dc:date>
    <link>http://www.littlebrownmushroom.com/blog/the-lbm-camp-for-socially-awkward-storytellers/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via: http://www.flickr.com/photos/julianbleecker/sets/72157634559501046/ ]

"Established in 2008 by Alec Soth, Little Brown Mushroom (LBM) is committed to exploring the narrative potential of the photo book. Having worked closely with photographers, writers and designers, we’re now eager to exchange ideas with students and emerging artists.

Visual storytelling tends to be a lonely business. As such, it attracts more than its share of wallflowers. Here at LBM (home to more than a couple introverts), we thought it would be worthwhile to bring creative loners together to see what we can learn from each other. We’re envisioning a gathering that is more summer camp than classroom. After various daytime outings, we’ll sit around the digital projector and tell each other stories. From there we’ll discuss the ways in which visual stories can be translated into book form.

When: July 9-13, 2013

Where: After gathering each morning at the Little Brown Mushroom headquarters in St. Paul, we’ll have regular outings around the Twin Cities. Participants should have their own transportation. Housing is not provided.

Who: The gathering will be led by LBM team: Alec Soth, Carrie Thompson, Galen Fletcher, Ethan Jones, Brad Zellar and Jason Polan. We are inviting photographers, writers, illustrators, designers or anyone interested in visual storytelling to apply. While social awkwardness isn’t mandatory, it is encouraged.

Cost: Free

How to apply: 

Create a single PDF (no bigger than 5mb) with the following:

• Your name and contact information
• A concise and informal biography (age, where do you live, what do you do, etc). We’d also love to see a picture of you.
• Examples of your work (this can be photography, writing, illustration, graphic design or anything else you can get into a PDF).
• A link to your website or other work you have online
• Important: we can not accept PDF files larger than 5mb

Email the PDF to camp@littlebrownmushroom.com

Deadline: April 15th. We will notify applicants about our selection by April 30th.

view this info as a printable PDF"

----

"Established in 2008 by Alec Soth, Little Brown Mushroom (LBM) is a small publishing house located in St. Paul, Minnesota. Working closely with photographers, writers and designers, LBM is committed to experimenting with new ways of creating and distributing visual stories."]]></description>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:caitlinwarner"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:experientialeducation"/>
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</item>
<item rdf:about="http://farmhouse.la/">
    <title>The Farmhouse in Hollywood, California</title>
    <dc:date>2013-03-26T21:43:48+00:00</dc:date>
    <link>http://farmhouse.la/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>hollywood coworking losangeles coliving conferences via:zachklein openstudioproject lcproject</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ad5fbd5c5aec/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:zachklein"/>
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</item>
<item rdf:about="http://www.theverge.com/2013/2/27/4028174/beyond-televangelism-inside-teds-new-gospel">
    <title>Beyond televangelism: inside TED's new gospel | The Verge</title>
    <dc:date>2013-03-01T07:23:38+00:00</dc:date>
    <link>http://www.theverge.com/2013/2/27/4028174/beyond-televangelism-inside-teds-new-gospel</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["My dad called yesterday to shoot the shit and I told him I was at the TED conference in Palm Springs, but that’s actually not true: I’m at some sort of weird kidult summer camp / workshop thing called TEDActive…"

"TEDActive is the overflow chapel to TED’s Long Beach Cathedral, but the production quality is stunning…"

"TED talks are sermons, and the “ideas worth spreading” held therein are the gospel. Going to Long Beach (which costs $7500) is an exclusive trip to Mecca; TEDActive is the first tier of secondhand appreciation akin to viewing a religious relic in a glass case. And those videos, cherished by intellectuals and sometimes catchy enough to go viral in the general populace, are the updated version of The 700 Club, Pat Robertson’s hugely-influential television broadcast that is a cornerstone of televangelism."

"This was the new type of religion I’ve often envisioned: the exuberant dedication of emotional and physical resources to a proven force of good, not to an irrational faith-based deity. This was a church without a god. Well maybe Bono is its god but that is a story for a different day."

"I still have my issues with TED, no matter how succinctly its concepts are executed. The Long Beach auditorium seems like some sort of not-so-secret New World Order, a future alternative UN that lays all its cards out on the table: the people in that room are rich, successful, and brilliant (don’t let this go to your head, Topolsky). Its public face is so flawlessly produced that even its failures are gracefully integrated into its mission, something you can’t say about Catholicism or Scientology. But the whole thing does still have that Diet Cult feeling I got from the Scientology Center."

[See also: http://www.quora.com/TED/Why-do-some-people-hate-TED/answer/Micah-Boswell ]

"TED, to me, has become to humanists what church is to baptists."

]]></description>
<dc:subject>ted trentwoble 2013 religion conferences micahboswell church</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b28b6a1bb428/</dc:identifier>
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</item>
<item rdf:about="http://www.swellcontent.com/2012/11/i-want-a-world/">
    <title>I Want a World | Swell Content - Swell Content</title>
    <dc:date>2012-11-22T19:21:23+00:00</dc:date>
    <link>http://www.swellcontent.com/2012/11/i-want-a-world/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I want a world where “killing it” and “crushing it” aren’t seen as positives.

Where my daughter is always invited to product meetings and my son can marry his boyfriend, no matter where they live.

Where my sister doesn’t have to pretend she’s a man to feel comfortable online.

Where I don’t have to make jokes about how many white dudes are speaking at a conference or sitting in a board room.

Where nobody has to defend their right to participate.

Where we don’t embrace violence and silencing others in our vernacular.

Where we work together and take the time to understand each other.

Where we listen and ask questions.

Where everyone’s welcome."

[See also: https://twitter.com/nicoleslaw/status/270937047055859712 ]]]></description>
<dc:subject>violence acceptance sexulaity women workplace conferences sexuality gender 2012 participation betterworld inclusiveness inclusion nicolejones nicolefenton feminism inclusivity inlcusivity</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:3c26628714ef/</dc:identifier>
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</item>
<item rdf:about="http://www.theverge.com/2012/9/19/3359592/xoxo-festival-2012-internet-party-conference">
    <title>The dream of the internet is alive in Portland: inside the XOXO Festival | The Verge</title>
    <dc:date>2012-09-20T08:52:14+00:00</dc:date>
    <link>http://www.theverge.com/2012/9/19/3359592/xoxo-festival-2012-internet-party-conference</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Should XOXO happen yearly, or never again? Should current attendees have first dibs on future festivals, or be discouraged from returning to make room for new people and ideas? My friend Leonard Lin imagined an OLPC model, where those who can afford to attend help pay the way for new makers, to ensure that the next Julia Nunes or Super Meat Boy can have a better chance to blossom. I might like to see more hands-on activities, more attendee diversity, and more Q&A sessions. These are standard questions for exciting new events: How do you keep the energy going? How do you reach more people?

SUMMER CAMP ISN'T SUPPOSED TO SCALE

But maybe the usual questions miss the point of XOXO. You go to summer camp to see old friends, to make new ones, and —if you're in Portland — to eat locally sourced, organic s'mores. Summer camp isn't supposed to scale, and you don't always come away with merit badges or a clear plan of action. But you re-energize the best part of yourself. You share ideas, stay up late, find a new crush, eat pizza or poutine, and laugh. You depart PDX inspired, with a head full of ideas, a belly full of tacos, and a heart full of Twitter handles.

XOXO wasn't really a conference. It was a face-to-face reminder of what's possible, a Sex Pistols gig of legend for modern creative geeks. That's the internet we should all live in."]]></description>
<dc:subject>summercamp doers makers internet oregon portland glvo openstudioproject events conferenceideas conferences lcproject andybaio 2012 xoxo</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:1b8a151fc739/</dc:identifier>
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</item>
<item rdf:about="http://www.reasonablyinteresting.co.uk/">
    <title>The 'Interesting' Conferences</title>
    <dc:date>2012-07-13T22:51:07+00:00</dc:date>
    <link>http://www.reasonablyinteresting.co.uk/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Interesting Conferences started with this post in March 2007. I'd been inspired by TED but wanted to do something cheaper, closer to home and less, well, zealous. So, I booked the Conway Hall, asked some people to speak and hoped people would want to come. It seemed to go well.

We did it again in 2008 and 2009 but had a break in 2010. (We had PaperCamp 2 instead). Fortunately in that year the Boring folk started up, giving the world's journalists the chance to say that Interesting had been cancelled due to lack of interest. We did another one in 2011 - with a slightly different format.

We also managed to inspire other, similar, events around the world. I can't take much credit for those, they did them all themselves.

I'm not quite sure what to do next. Last summer we organised Laptops and Looms which was smaller, longer and in Derbyshire but had a similar feel. Maybe Interesting will morph into something like that.

Or maybe it's over. That'd be fine too."]]></description>
<dc:subject>london nyc vancouver oregon portland papercamp laptopsandlooms 2011 2010 2009 2008 conferences events russelldavies interesting</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:084c03e9a585/</dc:identifier>
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</item>
<item rdf:about="http://alliedmedia.org/">
    <title>Allied Media Projects | Media strategies for a more just and creative world</title>
    <dc:date>2012-06-21T06:22:59+00:00</dc:date>
    <link>http://alliedmedia.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[“AMP shares and develops models for transforming our selves and our communities through creative communications.

Creating our own media is a process of speaking and listening that allows us to imagine other realities and then organize to make them real. Read the AMP MISSION.

The Allied Media Projects network emerges out of thirteen years of organic relationship-building across issues, identities, organizing practices and creative mediums. Read the AMP NETWORK PRINCIPLES.”]]></description>
<dc:subject>community activism conferences alliedmediaprojects grassroots media</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b91f73ccfadc/</dc:identifier>
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</item>
<item rdf:about="http://www.kickstarter.com/projects/waxpancake/xoxo-festival">
    <title>XOXO Festival by Andy Baio — Kickstarter</title>
    <dc:date>2012-05-24T17:51:29+00:00</dc:date>
    <link>http://www.kickstarter.com/projects/waxpancake/xoxo-festival</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Hey Kickstarter! We're organizing XOXO, an arts and technology festival in Portland, Oregon this September 13-16th.

XOXO is a celebration of disruptive creativity. We want to take all the independent artists using the Internet to make a living doing what they love — the makers, craftspeople, musicians, filmmakers, comic book artists, game designers, hardware hackers — and bring them together with the technologists building the platforms that make it possible. If you have an audience and a good idea, nothing’s standing in your way.

XOXO is in three parts:

Conference (Saturday – Sunday). Talks from artists and creative technologists around the country that are breaking new ground.
Market (Saturday – Sunday). A large marketplace with a tightly-curated list of the best of Portland's arts and tech scenes, sharing and selling their work, with food supplied by the best of our thriving food cart scene…"]]></description>
<dc:subject>via:caseygollan togo oregon interdisciplinary multidisciplinary crosspollination crossdisciplinary technology arts collaboration hackerspaces hackers hardware design 2012 events andybaio kickstarter disruptive conferences portland xoxo disruption</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:20fbd7c84a2e/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:andybaio"/>
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</item>
<item rdf:about="http://www.theatlantic.com/technology/archive/2012/03/how-ted-makes-ideas-smaller/253994/">
    <title>How TED Makes Ideas Smaller - Megan Garber - Technology - The Atlantic</title>
    <dc:date>2012-03-07T02:54:37+00:00</dc:date>
    <link>http://www.theatlantic.com/technology/archive/2012/03/how-ted-makes-ideas-smaller/253994/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["But: We live in a world of increasingly networked knowledge. And it's a world that allows us to appreciate what has always been true: that new ideas are never sprung, fully formed, from the heads of the inventors who articulate them, but are always -- always -- the result of discourse and interaction and, in the broadest sense, conversation. The author-ized idea, claimed and owned and bought and sold, has been, it's worth remembering, an accident of technology…

A TED talk, at this point, is the cultural equivalent of a patent: a private claim to a public concept. With the speaker, himself, becoming the manifestation of the idea…what TED has done so elegantly, though, is to replace narrative in that equation with personality. The relatable idea, TED insists, is the personal idea. It is the performative idea. It is the idea that strides onstage and into a spotlight, ready to become a star."]]></description>
<dc:subject>bylines copyright print conversation chrisanderson sethgodin creativity ownership ideas stardom personality conferences interaction discourse 2012 networkedknowledge sinclairlewis chautauqua megangarber ted innovation elipariser</dc:subject>
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</item>
<item rdf:about="http://nymag.com/print/?/news/features/ted-conferences-2012-3/">
    <title>Those Fabulous Confabs</title>
    <dc:date>2012-03-04T05:10:20+00:00</dc:date>
    <link>http://nymag.com/print/?/news/features/ted-conferences-2012-3/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["For a certain prosperous tier of the citizenry, the conferences serve as a higher-brow Learning Annex. But most simply, these events are about establishing and reinforcing new hierarchies. In a culture where social rank is ever more fluid, an entrepreneur who overnight goes from sleeping under his desk to IPO-ing into a billionaire needs a way to express his new status, stat. “We don’t have castles and noble titles, so how do you indicate you’re part of the elite?” as Andrew Zolli, PopTech’s executive director, puts it.

Thus the rise of a cohort of speakers and attendees who migrate along the same elite social-intellectual trade routes. Throw in Sundance and SXSW and Burning Man, and you get what Michael Hirschorn has called “the clusterfuckoisie,” tweeting at each other as they shuttle between events."]]></description>
<dc:subject>via:litherland saulwurman chrisanderson class socialrank elite davidbrooks sundance lift sxsw dolectures andrewzolli elitism status hierarchy society culture tedx 2012 conferences poptech ted</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:28cbdad04990/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:chrisanderson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialrank"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elite"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:davidbrooks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sundance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:lift"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sxsw"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:dolectures"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:andrewzolli"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:status"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:society"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tedx"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:poptech"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ted"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.kernelmag.com/comment/column/1408/when-unconferences-fail-horribly/">
    <title>When unconferences fail horribly – Alex Barrera – The Kernel</title>
    <dc:date>2012-02-20T06:03:15+00:00</dc:date>
    <link>http://www.kernelmag.com/comment/column/1408/when-unconferences-fail-horribly/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Unconference formats are great and powerful, but they require a thorough knowledge of the audience and speakers alike and very experienced moderators. I would suggest a simplification of the process for future endeavours.

Reduce the amount of tracks and talks to a minimum. one track, five to six talks per day, one hour each. As history keeps reminding us, less is more. Better off with six bad-ass, in-depth and engaging talks during a single track than four tracks and a myriad of cliched talks that barely scratch the surface of the topic."

[Seems to me that this misses the point of the unconference. There shouldn't be any talks at an unconference, just conversation (possibly activities/tinkering too). See the comment from Martin Eriksson. Also, unconferences are usually (but not exclusively) focused on the local.]
]]></description>
<dc:subject>terminology conferences 2012 via:chrisberthelsen unconferences alexbarrera</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d775b1e38039/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:terminology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conferences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:chrisberthelsen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unconferences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:alexbarrera"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.twistimage.com/blog/archives/the-death-of-the-unconference/">
    <title>The Death Of The Unconference | Six Pixels of Separation - Marketing and Communications Blog - By Mitch Joel at Twist Image [via: http://thatcamp.org/02/10/the-unconference-is-alive/ ]</title>
    <dc:date>2012-02-12T03:56:08+00:00</dc:date>
    <link>http://www.twistimage.com/blog/archives/the-death-of-the-unconference/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["You'd think that unconference are so passé. You'd be wrong. After attending close to 70 events each & every year, the handful that stick out in my mind are the more intimate unconferences that I have taken an active part in. An unconference creates an egalitarian moment in time where people from all walks of life (& all levels within an organization) can simply share, learn, communicate & grow. To run a conference & call it an unconference is a disservice to the unconference movement. Many people don't understand this because an unconference looks & acts nothing like their traditional definition of a conference (hence the name ;). It saddens me to see how many people start w/ the right spirit of an unconference but quickly get stuck in all of the trappings of what they think will create a great event (& this—unfortunately—looks a lot like a traditional conference).

If you've never taken part in an unconference, I would encourage you to look into it... or better yet…start your own."
]]></description>
<dc:subject>egalitarian hierarchy conferences education learning deschooling unschooling egalitarianism mitchjoel 2012 unconferences</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b9986623ee19/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:egalitarian"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:education"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:deschooling"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:egalitarianism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mitchjoel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unconferences"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://poptech.org/iceland">
    <title>PopTech : Reykjavik 2012</title>
    <dc:date>2011-11-20T15:54:39+00:00</dc:date>
    <link>http://poptech.org/iceland</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In a world fraught with disruptions, what causes some systems, organizations, communities and people to break down and others to bounce back? For those that rebound, what do they tell us about how to build a secure future, and sturdier selves to inhabit it?

To explore these pressing questions, in June 2012 PopTech will convene a gathering of researchers, practitioners and thought leaders—working in fields such as international development, global business, climate adaptation, social psychology, economics, systems ecology, public health, emerging technology, disaster relief and community activism—for a dialogue about the emerging field of resilience. This area of research is yielding powerful insights into how to build systems that anticipate disruption, heal themselves when breached and can reorganize themselves to maintain their core purpose."]]></description>
<dc:subject>resilience iceland 2012 conferences systems systemsthinking disruption self-healingsystems purpose economics psychology socialpsychology adaptability future</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ba4b4233f4c4/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:iceland"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2012"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:conferences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systems"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:systemsthinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:disruption"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:self-healingsystems"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:purpose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:economics"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:socialpsychology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:adaptability"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:future"/>
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</item>
<item rdf:about="http://blog.frankchimero.com/post/11620616234">
    <title>via Frank : I was asked to speak at the AIGA National...</title>
    <dc:date>2011-10-27T02:29:42+00:00</dc:date>
    <link>http://blog.frankchimero.com/post/11620616234</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Truth is, this phase, this time when you’re on the cusp of finishing one life and starting a new one, is usually laced with fear, but the bleary-eyed moment of wonder that happens when you step out of the dark cave has the potential to be one of the most thrilling things that has ever happened to you."

"We gain the opportunity to talk about other things in a very sympathetic way. Type and kerning are great. Paper is wonderful. Clients pretty much make this job possible. But what are we saying, and what is it for, and where is it going? What do we want to get out of this, and what do we want to do with it? Those are the sorts of questions you only arrive at from the seat of a plane."

"There is a part of me that will always design for the joy of making it, but I now understand that the point of it all is not for me to enjoy myself, but for the ones using whatever I make to have some sort of wonder when doing so."]]></description>
<dc:subject>frankchimero change life design cv 2011 purpose glvo making empathy work howwework conferences aigapivot aiga</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:89fb8825ce85/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cv"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2011"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:empathy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:work"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:howwework"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aigapivot"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aiga"/>
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</item>
<item rdf:about="http://educacionsinescuelacolombia.wordpress.com/">
    <title>3er Congreso Internacional Educación Sin Escuela</title>
    <dc:date>2011-10-26T01:30:30+00:00</dc:date>
    <link>http://educacionsinescuelacolombia.wordpress.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Los casos de familias y comunidades que deciden educar sin escuela y educar en familia crecen aceleradamente en diversos países del mundo, incluyendo a Colombia. Este fenómeno es nuevo para los intereses de investigación científica académica universitaria. Las agudas problemáticas de la deserción escolar, el absentismo escolar y la baja o nula motivación de los niños, niñas, adolescentes y jóvenes para asistir a la escuela, tienen directa relación con este campo de investigación académica. En algunos países, como Estados Unidos, Canadá, Reino Unido, España, Noruega y Francia, ha ido creciendo rápidamente la investigación universitaria sobre esto temas, denominados generalmente como Homeschooling o Unschooling."

[via: http://www.patfarenga.com/pat-farengas-blog/2011/10/20/education-without-school-conference-in-bogota-colombia.html ]]]></description>
<dc:subject>colombia bogotá unschooling homeschool education conferences</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0283bb6f8d27/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:colombia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:bogotá"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:unschooling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:homeschool"/>
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</item>
<item rdf:about="http://diydays.com/">
    <title>DIY Days – a roving conference for those who create</title>
    <dc:date>2011-10-17T19:10:21+00:00</dc:date>
    <link>http://diydays.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["DIY DAYS is a roving conference for those who create. Past stops have included Los Angeles, San Francisco, Boston and Philadelphia. FREE to participants and organized by volunteers – DIY DAYS is about the accessibility of ideas, resources and networking that can enable storytellers to fund, create, distribute and sustain."]]></description>
<dc:subject>diy conferences free losangeles sanfrancisco nomadic creativity glvo classideas sharing networking nyc making doing diydays media community roving collaboration</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:5ad2d22fc2a1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:diy"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:free"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:losangeles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nomadic"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:classideas"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:nyc"/>
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</item>
<item rdf:about="http://www.marco.org/2011/09/26/gruber-merlin-sxsw-2009">
    <title>Celebrity – Marco.org</title>
    <dc:date>2011-09-26T16:17:11+00:00</dc:date>
    <link>http://www.marco.org/2011/09/26/gruber-merlin-sxsw-2009</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In addition to inspiring me to be a better writer and inadvertently killing my conference-presentation confidence for a year, this famous little 2009 SXSW session leveled my juvenile notion of celebrity. After the talk, since I wasn’t allowed to leave, I was introduced to many more great people famous for their blog, software, humor, or music,3 and it went similarly well with all of them.

Among people who are well-known to subsets of internet geeks, nobody’s walking around with entourages or bodyguards…At the end of the day you still go outside and nobody knows who you are.”

…It turns out that we’re all just regular people who like similar things and are in the same little circle of interest.

So next time you’re at a geeky conference and have an opportunity to meet someone whose work you admire, just go up and introduce yourself, because they’re just a regular person, they never get “recognized” during the other 360 days each year, & they’ll probably really appreciate it."]]></description>
<dc:subject>marcoarment celebrity conferences writing merlinmann adamlisagor johngruber instapaper sxsw daringfireball 2011 2009 presentations introverts</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b8c39783812f/</dc:identifier>
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</item>
<item rdf:about="http://designcrossing.blogspot.com/2011/06/x-school-reflections-on-path.html?spref=tw">
    <title>DesignCrossing: X-School... Reflections on the path</title>
    <dc:date>2011-08-22T19:48:31+00:00</dc:date>
    <link>http://designcrossing.blogspot.com/2011/06/x-school-reflections-on-path.html?spref=tw</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Last month John Thackara ran his first 'X-School'…to continue a conversation about what a 'school' for a new design paradigm should look like. Myself and a group of design minds got together in the countryside to thrash it out over a weekend of chat and activity.

Whenever we talked about what we thought 'X-School' could be, somewhere in my head I heard 'Fight Club', as in 'the first rule of Fight Club is you do not talk about Fight Club', except of course, we were there to talk about X-school, and... nobody got hurt.  We played some games, we built a flint path, we slept under the stars and swam in the river, we drank real ale and ate pizza and we talked about X-school.  It wasn't like a 'conference', or 'workshop', or even as John put it 'a country house weekend', it was something new.'

…there is enormous value in doing, there is enormous value in not defining your purpose, but most of all there is enormous value in sharing that experience with others."]]></description>
<dc:subject>xskool johnthackara unfinished purpose community meaning doing improvisation 2011 experience conversation sharing designeducation education lcproject learning fightclub conferences unconferences workshops unworkshops openstudio openstudioproject openschools</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:7dd1f73d59f6/</dc:identifier>
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</item>
<item rdf:about="http://youngrewiredstate.org/">
    <title>Young Rewired State</title>
    <dc:date>2011-08-12T06:41:47+00:00</dc:date>
    <link>http://youngrewiredstate.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["YRS2011 is a week long event across the UK, where young people get to hack open data, in 14 great centres. Learn new skills & have fun!"
]]></description>
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</item>
<item rdf:about="http://rewiredstate.org/">
    <title>Rewired State – Coding a Better Country</title>
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    <link>http://rewiredstate.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We run hack days.

We take between 10 – 150 talented developers and give them money, time, space, caffeine, sugar and food, whilst they build cool/creative prototypes to solve your problems.

If you'd like to kickstart a new project or accelerate an existing Research & Development programme, get in touch."
]]></description>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:doing"/>
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