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    <title>FINJAN QAHWA - 3188 Mission St, San Francisco - Yelp</title>
    <dc:date>2026-03-29T01:42:25+00:00</dc:date>
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https://www.instagram.com/finjanqahwasf/ ]]]></description>
<dc:subject>bernalheights missiondistrict themission coffee tea yemeni sanfrancisco</dc:subject>
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<item rdf:about="https://www.openculture.com/2026/01/the-birth-of-espresso-the-story-behind-the-coffee-shots-that-fuel-modern-life.html">
    <title>The Birth of Espresso: The Story Behind the Coffee Shots That Fuel Modern Life | Open Culture</title>
    <dc:date>2026-01-03T07:13:36+00:00</dc:date>
    <link>https://www.openculture.com/2026/01/the-birth-of-espresso-the-story-behind-the-coffee-shots-that-fuel-modern-life.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Espresso is neither bean nor roast.

It is a method of pressurized coffee brewing that ensures speedy delivery, and it has birthed a whole culture.

Americans may be accustomed to camping out in cafes with their laptops for hours, but Italian coffee bars are fast-paced environments where customers buzz in for a quick pick-me-up, then head right back out, no seat required.

It’s the sort of efficiency the Father of the Modern Advertising Poster, Leonetto Cappiello [https://en.wikipedia.org/wiki/Leonetto_Cappiello ], alluded to in his famous 1922 image for the Victoria Arduino [www.victoriaarduino.com/en/history/ ] machine (below).

Let 21st-century coffee aficionados cultivate their Zen-like patience with slow pourovers [https://www.seriouseats.com/make-better-pourover-coffee-how-pourover-works-temperature-timing ]. A hundred years ago, the goal was a quality product that the successful businessperson could enjoy without breaking stride.

As coffee expert James Hoffmann [https://www.jameshoffmann.co.uk/ ], author of The World Atlas of Coffee [https://www.amazon.com/gp/product/1784724297 ] points out in the above video, the Steam Age [https://www.oxfordlearnersdictionaries.com/us/definition/english/the-age-of-steam ] was on the way out, but Cappiello’s image is “absolutely leveraging the idea that steam equals speed.”

That had been the goal since 1884, when inventor Angelo Moriondo [https://en.wikipedia.org/wiki/Angelo_Moriondo ] patented the first espresso machine (see below).

The bulk brewer caused a stir at the Turin General Exposition. Speed wise, it was a great improvement over the old method, in which individual cups were brewed in the Turkish style, requiring five minutes per order.

This “new steam machinery for the economic and instantaneous confection of coffee beverage” featured a gas or wood burner at the bottom of an upright boiler, and two sight glasses that the operator could monitor to get a feel for when to open the various taps, to yield a large quantity of filtered coffee. It was fast, but demanded some skill [https://www.youtube.com/watch?v=JELm1GePFP4 ] on the part of its human operator.

As Jimmy Stamp explains in a Smithsonian article [https://www.smithsonianmag.com/arts-culture/the-long-history-of-the-espresso-machine-126012814/ ] on the history of the espresso machine, there were  also a few bugs to work out.

Early machines’ hand-operated pressure valves posed a risk to workers, and the coffee itself had a burnt taste.

Milanese café owner Achille Gaggia [https://gaggiaprofessional.evocagroup.com/en/about-gaggia ] cracked the code after WWII, with a small, steamless lever-driven machine that upped the pressure to produce the concentrated brew that is what we now think of as espresso.

Stamp describes how Gaggia’s machine also standardized the size of the espresso, giving rise to some now-familiar coffeehouse vocabulary:

<blockquote>The cylinder on lever groups could only hold an ounce of water, limiting the volume that could be used to prepare an espresso. With the lever machines also came some new jargon: baristas operating Gaggia’s spring-loaded levers coined the term “pulling a shot” of espresso. But perhaps most importantly, with the invention of the high-pressure lever machine came the discovery of crema – the foam floating over the coffee liquid that is the defining characteristic of a quality espresso. A historical anecdote claims that early consumers were dubious of this “scum” floating over their coffee until Gaggia began referring to it as “caffe creme,“ suggesting that the coffee was of such quality that it produced its own creme.</blockquote>

Note: An earlier version of this post appeared on our site in 2021.

Related Content:

Coffee Entrepreneur Renato Bialetti Gets Buried in the Espresso Maker He Made Famous
https://www.openculture.com/2016/02/coffee-entrepreneur-renato-bialetti-gets-buried-in-the-espresso-maker-he-made-famous.html

The Life & Death of an Espresso Shot in Super Slow Motion
https://www.openculture.com/2021/02/the-life-death-of-an-espresso-shot-in-super-slow-motion.html

The Bialetti Moka Express: The History of Italy’s Iconic Coffee Maker, and How to Use It the Right Way
https://www.openculture.com/2022/01/the-bialetti-moka-express.html

Everything You Ever Wanted to Know about the Bialetti Moka Express: A Deep Dive Into Italy’s Most Popular Coffee Maker
https://www.openculture.com/2022/02/everything-you-ever-wanted-to-know-about-the-bialetti-moka-express.html

Ayun Halliday is an author, illustrator, and theater maker in NYC."

[direct link to video:

"The Birth of Espresso"
https://www.youtube.com/watch?v=I8uStVXNf0M

"I've often brought this poster up at talks, to explain the history of espresso (and to also explain how the idea of coffee shots was not exactly new...)"]]]></description>
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    <title>Don't Become a Connoisseur.</title>
    <dc:date>2025-12-08T20:05:16+00:00</dc:date>
    <link>https://www.joanwestenberg.com/dont-become-a-connoisseur/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[video version:
https://www.youtube.com/watch?v=F1D6kPJMDe8 ]

"One of the great pleasures of my life is a bacon double cheeseburger. The simpler the better. Meat, cheese, a good pickle, a lug of ketchup and some sizzling bacon. There's nothing particularly refined about it. And there's not much I'd choose to eat instead of it, whether I can get one from McDonalds, Burger King or a corner diner.

I'll say it plainly: I do not consider myself a connoisseur of anything. I am neither an epicure nor an aesthete. I like the things I like, and I like 'em simple and (where possible) I like 'em cheap.

Connoisseurship is widely understood to be a good thing: we call it a mark of sophistication - a form of self-improvement that deepens your relationship with beauty and pleasure.

I think this is almost exactly backwards.

In fact, I've started to believe that developing "refined taste" is one of the most reliable ways to make yourself worse off.

Let me explain.

Someone decides to "get into" wine, coffee, whiskey, or any other domain where refined taste is possible // encouraged. They read books, subscribe to newsletters, join clubs, and begin paying attention to what they're consuming instead of just consuming it.

Within a couple of years they have developed what they proudly call "a palate."

They have also, if they're being honest, stopped enjoying approximately 90% of the options available at normal human price points.

The cheap stuff they used to consume happily now tastes "thin" or "unbalanced" or possesses some technical flaw that their newly trained senses cannot ignore.

And yes, the wine expert experiences rapture at a great Burgundy that the casual drinker can never access. The trained musician hears structure and beauty in a symphony that the untrained ear misses entirely.

But I think we massively underestimate the costs and overestimate the benefits.

You spend enormous amounts of time and mental energy developing your discernment; you read, you practice, you compare, you discuss. This is time you could have spent doing almost anything else, including simply enjoying the thing you're trying to become expert at.

Simply: the aspiring coffee connoisseur who spends 200 hours learning to distinguish processing methods could have spent those 200 hours just drinking coffee and enjoying the hell out of it.

Then, once you've developed your refined taste, you've created an expensive new preference for yourself. Where before you were satisfied with a $12 bottle of wine or a $3 cup of coffee, you now need a $60 bottle or an $8 pour from a specialty roaster to achieve the same level of satisfaction.

You've shifted your hedonic baseline upward without actually capturing any more total pleasure from the experience. You are, in almost every way, worse off.

The casual coffee drinker has expectations that hover somewhere around "hot, contains caffeine." Almost every cup of coffee clears this bar.

The connoisseur has expectations calibrated to the best coffee they've ever encountered, which means almost every cup falls short.

You've traded a world where 90% of coffee is acceptable for a world where 10% of coffee is acceptable. This is not an improvement.

So why do people keep attempting to leap into the connoisseur category?

It's not a complicated question to answer.

Refined taste is a form of social currency. When you can discourse knowledgeably about single-origin chocolate or Japanese denim, you're signaling membership in a particular, educated, cultured, upper-middle-class tribe. You're demonstrating that you have the leisure time to develop these refined preferences, the disposable income to indulge them, and the social connections to learn the right vocabulary and opinions.

Connoisseur-ship is, basically, a very elaborate and expensive form of peacocking.

Which would be fine, I suppose, if people were honest about it. We pretend the acquisition of refined taste is a form of self-improvement. But what if it's mostly just competitive consumption?

Imagine you could take a pill that would give you all the functional benefits of the improvement without the social signaling value. Would you still want it?

If you could take a pill that would make cheap wine taste exactly as good to you as expensive wine, would you take it?

I think most honest people would say yes. The expensive wine doesn't actually contain more hedonic value; you've simply trained yourself to require more expensive inputs to achieve the same output. The pill would be pure upside.

But I think there are more than a few professed connoisseurs who would find the idea repulsive.

I'll admit: there really is something wonderful about understanding a complex domain, about being able to perceive distinctions that others miss, about having the vocabulary to articulate your experiences precisely. I don't want to deny this entirely.

But the joy of mastery is portable; it doesn't need to attach itself to consumption goods that will raise your cost of living and narrow your sources of pleasure.

If you want to develop deep expertise in something, develop it in something that won't make you more expensive to satisfy.

Become a connoisseur of free things: sunsets, birdsong, public domain blues recordings, the way light filters through leaves.

Or become expert in something productive, where your refined judgment actually creates value rather than just consuming it. Learn to distinguish good code from great code, or compelling prose from merely competent prose, and you've developed expertise that pays dividends rather than extracting them.

The trap of connoisseur-ship is that it disguises consumption as cultivation. You end up poorer in money and narrower in the range of things that can make you happy, but you get to feel like you've achieved something meaningful.

The lesson here is simple: be very careful about what you let yourself get good at noticing. Every distinction you learn to perceive is a new way for the world to fail your standards.

The critic's eye is a curse. Better to stay a little ignorant, a little undiscerning, a little easier to please. The man who can enjoy an Aldi wine and a fast food burger has access to pleasures that the refined palate has permanently foreclosed.

That kind of effortless enjoyment is worth protecting.

If you're young, or if you've somehow preserved your capacity for unselfconscious enjoyment, guard it fiercely.

Refined taste looks like elevation from the outside, and even on the inside it can feel like expanding. But it's actually a narrowing. Every palate you develop is a menu shrinking.

The happiest readers I know haven't built an identity around Proust. The happiest drinkers I know cannot distinguish a Burgundy from a Bordeaux. The happiest programmers I know use whatever works without agonizing about whether something might work better.

They are richer in experience than any connoisseur, even if their experiences are individually less exquisite. They read whatever looks interesting at the airport bookstore. They drink whatever their hosts are serving. They use whichever tool loads fastest.

The enthusiast might not be as refined as the connoisseur. But they have a good deal more fun."]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=2B2AnCXX1Ck">
    <title>Coffee Master! The Best Traditional Turkish Sand Coffee in Istanbul - Turkish Street Food - YouTube</title>
    <dc:date>2025-10-30T20:40:16+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=2B2AnCXX1Ck</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Coffee Master! The Best Traditional Turkish Sand Coffee in Istanbul - Turkish Street Food

💰 Price: 2 USD
📍 Location: Istanbul, Turkey
🗺️  Address: https://goo.gl/maps/Pq3k4yagKTs15maM8 "

[via:
https://whyisthisinteresting.substack.com/p/the-sand-coffee-edition

also here:
https://www.youtube.com/watch?v=tm1chYrG60s ]]]></description>
<dc:subject>coffee istanbul turkey 2024 cafes coffeeshops türkiye</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e9945156db09/</dc:identifier>
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<item rdf:about="https://sfstandard.com/2025/09/24/sohn-korean-american-cafe-san-francisco-menu/">
    <title>New Dogpatch cafe is a ‘love letter’ to SF’s booming Korean food scene</title>
    <dc:date>2025-10-17T22:49:53+00:00</dc:date>
    <link>https://sfstandard.com/2025/09/24/sohn-korean-american-cafe-san-francisco-menu/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The city is lining up at Sohn, a coffee shop from chef and cookbook author Deuki Hong."

[See also:

"For one night, a Dogpatch cafe was SF’s hottest Korean food spot

Popular pizzeria Outta Sight teamed up with new Korean cafe Sohn, drawing hordes to an industrial block of the city’s east side."
https://sfstandard.com/2025/10/17/korean-pizza-night-sohn-outta-sight/ ]]]></description>
<dc:subject>food restaurants korean dogpatch 2025 sanfrancisco coffee cafes coffeeshops</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:7b330ba54c05/</dc:identifier>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=5zhn746AV-A">
    <title>Why the &quot;Coffee Pod&quot; is the Dumbest Product Ever Made... - YouTube</title>
    <dc:date>2025-09-03T19:11:40+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=5zhn746AV-A</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A Discussion around the Coffee Pod, the history of Coffee and the Coffee Industry. How did the simple act of removing a few steps to the coffee making process create both a thriving new enterprise (and inconvenience?)"]]></description>
<dc:subject>idguy coffee 2025 history waste economics society socialimpact coffeehouses social culture latinamerica ethiopia industry cafes coffeeshops</dc:subject>
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<item rdf:about="https://www.abanicocoffee.com/">
    <title>Abanico Coffee Roasters</title>
    <dc:date>2025-07-18T03:52:14+00:00</dc:date>
    <link>https://www.abanicocoffee.com/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>coffee coffeeshops cafes sanfrancisco themission missiondistrict coffeehouses</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2e0444502cc2/</dc:identifier>
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<item rdf:about="https://papersoncoffee.com/about">
    <title>Paper Son Coffee</title>
    <dc:date>2025-07-18T03:25:16+00:00</dc:date>
    <link>https://papersoncoffee.com/about</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>coffee sanfrancisco dogpatch financialdistrict cafes coffeeshops coffeehouses</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d26564510a50/</dc:identifier>
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<item rdf:about="https://komakase.coffee/">
    <title>Komakase</title>
    <dc:date>2025-07-16T04:32:20+00:00</dc:date>
    <link>https://komakase.coffee/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Komakase is an intimate coffee omakase experience in San Francisco, showcasing the finest specialty coffees from around the world. Each curated course highlights unique brewing methods and flavor profiles, paired with small bites and palate cleansers to enhance the journey. Perfect for coffee lovers and the curious alike!"

...

"At Komakase we believe coffee is more than just a quick fix—it's an experience. Through our omakase-style approach, we slow things down, inviting you to appreciate the flavors, the process, and the story behind each cup. Our mission is to shift the fast-paced coffee culture, creating space for coffee lovers to connect with the origins and craftsmanship of their coffee. Through education and thoughtful curation, we aim to deepen your understanding of the journey from crop to cup and the rich supply chain that makes it all possible.

Josh, a coffee enthusiast with years of experience and a deep appreciation for the art of coffee brewing, and Kieran, a seasoned coffee professional with extensive industry expertise, have joined forces to create a unique coffee omakase experience. Together, they bring a shared passion and complementary skills to redefine how people connect with coffee."]]></description>
<dc:subject>coffee cafes sanfrancisco coffeeshops coffeehouses</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:60b0b7a2e62e/</dc:identifier>
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</item>
<item rdf:about="https://www.goldengoatcoffee.com/">
    <title>Golden Goat Coffee</title>
    <dc:date>2025-07-16T04:31:12+00:00</dc:date>
    <link>https://www.goldengoatcoffee.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["599 Third St
San Francisco, CA 94107"]]></description>
<dc:subject>southpark sanfrancisco coffee cafes coffeeshops coffeehouses</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:5c3d82d9e8ee/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:southpark"/>
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</item>
<item rdf:about="https://aintnormalcafe.com/">
    <title>Ain't Normal Café</title>
    <dc:date>2025-07-16T04:23:08+00:00</dc:date>
    <link>https://aintnormalcafe.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Ain't Normal is located in Oakland's Rockridge shopping district. Good Coffee, Wine & Beer, All In House Seasonally Driven Pastries & Food, Coffee Equipment is our thing. Need help with your next event? Check out our Espresso Bar and Wine & Beer catering for corporate and private events.

Ain't Normal is the Bay Area's coffee superstore. Our coffee selection features both domestic and international coffee roasters. You will find retail bags and coffee on bar from hyper local Bay Area coffee roasters, roasters from all around the US, and from abroad. Tell us how you like to enjoy your coffee and how you like it to taste and we will find a fitting bag or beverage for you. If you can't make it in to buy a bag consider joining our coffee subscription. 

Our approach to wine is casual and fun. We buy wines that we enjoy and love sharing them with you! Grab a bottle for later or have a glass on our patio. 

Baked goods, toasts, sandwiches, salads, and small bites all made in house with Love!  

We stock a range of coffee equipment—filters, drip brewers, kettles, scales, espresso machines, grinders. Let us know what you're looking for. Happy to help!

Coffee - Wine - All House Made Pastry & Food - Brewing Equipment
5701 College Ave
Oakland, CA 94618

Store Hours 7:00am to 6:00pm Seven Days a Week
Call us at (510) 735-9990"

[via:
https://missionlocal.org/2025/07/is-jimmy-butlers-bigface-square-espresso-worth-it/ ]]]></description>
<dc:subject>oakland food coffee acfes cafes coffeeshops coffeehouses</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:3a575d1f0f87/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:oakland"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coffee"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coffeehouses"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2020/01/15/world/middleeast/saudi-women-coffee-shops.html">
    <title>Saudi Society Is Changing. Just Take a Look at These Coffeehouses. - The New York Times</title>
    <dc:date>2025-06-29T04:20:06+00:00</dc:date>
    <link>https://www.nytimes.com/2020/01/15/world/middleeast/saudi-women-coffee-shops.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["As the government relaxes restrictions on men and women working and socializing together, coffeehouses are on the front lines of change."

[archived:
https://archive.ph/YbRX1 ]]]></description>
<dc:subject>2020 saudiarabia coffeehouses coffee cafes coffeeshops</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:eb260943717f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2020"/>
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</item>
<item rdf:about="https://daily.jstor.org/coffee-for-the-resistance/">
    <title>Coffee for the Resistance - JSTOR Daily</title>
    <dc:date>2025-06-29T04:17:58+00:00</dc:date>
    <link>https://daily.jstor.org/coffee-for-the-resistance/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["During Indira Gandhi’s autocratic Emergency in 1975, one New Delhi coffeehouse became a key gathering place for opponents of her politics."]]></description>
<dc:subject>cafes coffeeshops india indiragandhi newdelhi politics reistance organzing 1975 history 1936 coffee independence dictatorship liviagershon coffeehouses</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ae1edc41b6f9/</dc:identifier>
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</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.robinsloan.com/lab/surrendering-to-the-surface/">
    <title>Surrendering to the surface</title>
    <dc:date>2025-06-12T04:15:42+00:00</dc:date>
    <link>https://www.robinsloan.com/lab/surrendering-to-the-surface/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The lie at the center of the Jony and Sam video is that the coffee at Cafe Zoetrope is ter­rible. I’m very sure Jony knows it — that’s his neighborhood — and if Sam took a sip, he knows it too. Me? I know it because, for sev­eral years, I had an office above the cafe, and it was a source of per­sis­tent con­ster­na­tion that the iconic, super­cute estab­lish­ment at the building’s base was not, in any sense, actu­ally good.

No big deal … except that this video is a presentation, an incantation, that wants to cel­e­brate deep taste and deep skill. It wants also to cel­e­brate San Fran­cisco — the city’s extra­or­di­nary qualities! But the ter­rible coffee gives it away: oh, no, this is all about surface. In that way, the video has the flavor of AI slop: Cafe Zoetrope is what we imagine a great cafe in San Fran­cisco should look like. Alas it is not the real thing — the extra­or­di­nary thing — the deep thing.

Should have walked the stacks in City Lights instead.

(In other respects, I endorse Jason Snell’s assessment [https://sixcolors.com/post/2025/05/sam-and-jony-and-skepticism/ ]: with sin­cerely all credit where due, this is not the team to figure out the suc­cessor to the smartphone. Now is the time for feral upstarts, not designers emeritus.)"]]></description>
<dc:subject>2025 robinsloan sanfrancisco cafezoetrope jonyive samaltman citylights coffee authenticity taste skill cafes jasonsnell smartphones io openai chatgpt ai artificialintelligence feral</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://supernuclear.substack.com/p/stoop-coffee-how-a-simple-idea-transformed">
    <title>Stoop Coffee: How a Simple Idea Transformed My Neighborhood</title>
    <dc:date>2025-05-23T20:56:23+00:00</dc:date>
    <link>https://supernuclear.substack.com/p/stoop-coffee-how-a-simple-idea-transformed</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["What We’ve Learned

- Keeping it simple: we’ve realized that some of our best events require the smallest amount of effort. To avoid burnout, we’ve intentionally kept our community building as low-lift as possible, which has the added benefit of creating space for other people to step up.

- Broadening vs. deepening: we bucket our events into “broadening” events which have the purpose of meeting new neighbors and “deepening” events which allow us to get to know our existing neighbors better. Being aware of that classification has helped us be strategic depending on what feels needed for the time and season.

- Seasonal events: Naturally, the colder months have become a better time for deepening events that often occur in someone’s home (e.g. TV show watch parties, cookie swaps, potlucks), while warmer events are better for getting together outside and broadening our community (e.g. sidewalk chalk murals, pancake parties, bonus evening stoop beers).

- The street as a third space: most of our stoop coffees are held in the street in front of someone’s driveway. This has the benefit of being visible and inviting to other neighbors, while making use of a previously underutilized space. It’s also got us thinking of other unused spaces that we can turn into community-gathering spots, such as turning a nearby parking spot into a parklet or a transit stop into a community gathering space.

- Relying on the community: It can often feel overwhelming to take on planning a big event. We started using the phrase “the universe provides” because the real magic is found in asking and giving freely within the community. It’s a daily treat to see neighbors stepping up for one another in unexpected ways now that more of us are connected!"]]></description>
<dc:subject>coffee community sanfrancisco culture social stoops neighborhoods thirdspaces assembly 2025 pattysmith</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d4e6369d7ce6/</dc:identifier>
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<item rdf:about="https://www.ft.com/content/b1804820-c74b-4d37-b112-1df882629541">
    <title>Three things we learned about Sam Altman by scoping his kitchen</title>
    <dc:date>2025-05-14T19:10:00+00:00</dc:date>
    <link>https://www.ft.com/content/b1804820-c74b-4d37-b112-1df882629541</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Sam Altman is the guest for this weekend’s Lunch with the FT. Over pasta-infused garlic in his Napa Valley farmhouse, the OpenAI CEO discusses AI’s fearsome capabilities.

[video: "Sam Altman talks to the editor of the FT, Roula Khalaf, in his kitchen"]

Like architect Ludwig Mies van der Rohe, FT Alphaville believes that close examination of details can reveal essential truths. And like the author Xavier de Maistre, we’re going to test our readers’ patience by grinding that conceit into dust.

Here are three things we found out about Altman based on repeated watching of 22 uncomfortable seconds of his cooking prep.

1. He’s bad at olive oil

[image]

That’s Graza. It’s a trendy brand of olive oils from Jaén in southern Spain, the world’s olive-growing capital, that are sold through Whole Foods and direct. Cute packaging and squeeze-bottle convenience have helped build Graza’s following among Instagram types, but its big innovation was to split the range into easy-to-understand categories. There’s Sizzle, which is advertised as being best for cooking, and Drizzle, which is for dipping and finishing.

Altman sizzles with Drizzle.

[image]

The green bottle indicates it’s early harvest, when the olives are barely ripe. Harvesting fruit at the start of the season yields much less oil but the flavours are brighter.

It’s expensive stuff. Graza’s website charges $21 for 500ml for early harvest, which it labels very clearly as “finishing oil’.

[image]

Frying with early harvest is insanely wasteful and, quite frankly, an offence to horticulture.

Heat deodorises olive oil. Raising its temperature obliterates the difference between cheap and expensive oils by driving out the fragrance compounds that make them taste fresh, spicy, sour, or bitter. The food scientist Harold McGee has shown in blind taste tests that once heat’s applied, oils all end up tasting the same.

This is now sufficiently well known to inform Graza’s tiered pricing. It charges $16 for 750ml of late-harvest Sizzle and $14 for 750ml of Frizzle, a pulp blend it advertises as best for frying because it has a higher smoke point. (This is contested science, btw.)

Through ignorance or carelessness, when presented with three choices, Altman chooses badly, twice. It’s pointlessly, needlessly profligate. The video shows a bottle of Sizzle right next to his Drizzle.

[image]

A responsible cook would be frying in Frizzle, or literally any other pomace oil, for which they should expect to pay about $7 a litre. Altman’s input costs are around six times the going rate for no discernible benefit.

2. His coffee machine’s a Breville

[image]

More specifically, it’s a Breville The Oracle Touch, a top-of-the-range model sold under the brand name Sage in territories where Breville is associated with sandwich presses. It’s a semi-automatic, not fully-automated bean-to-cup, meaning it walks the user through pulling and frothing techniques while automating repetitive stuff like grinding and tamping. Expect to pay at least $2,000.

The internet hates the Oracle Touch. It gets shitbagged regularly on Reddit, where Altman was on the board for seven years, though you’d be hard pressed to find any evidence of his tenure. User Evostance on r/espresso catalogues some of the typical complaints: regular breakdowns, inconsistency around measures, and the constant need to correct its mistakes:

<blockquote>Right now, my £1.8k machine probably has about £500-800 of wasted features since other Sage/Breville machines would be better suited at this point. It’s also introduced a lot of faff and wasted time, as I’m trying to work around the auto functionality.</blockquote>

Nevertheless, ask ChatGPT to recommend a coffee machine and you can probably guess what happens:

[image]

Altman’s coffee machine seems to have a transparent box on top. We can’t be sure, but it’s possibly the optional Puck Sucker, an absurd bit of over-engineering as applied to the knock-box.

[image]

As explained on the Sage website: “An automatically activated suction cup creates a rapid vacuum which quietly releases the espresso coffee puck from the portafilter in one swift action.”

No one needs this. At around $90 retail, no one could think of this as an essential purchase. But maybe Altman has particular affinity for suckers?

3. There’s something off with his knife

[image]

OK, that’s one fancy-looking knife. Handle appears to be a walnut or ironwood, no rivets. Flat butt with a steel cap, useful for crushing 70 to 80 garlic cloves. Blade’s santoku, the distinctive workhorse of Japanese kitchens, with a bowed spine like the nose of a beluga whale. Bolster’s… hey, wait a minute.

There’s a lot of nerdery around knife handles. The Japanese type is light and simple, putting the weight nearer the tip for intricate work such as removing a pufferfish liver. The German type of handle is heavier, so the knife’s balance point is towards the middle, which suits a European kitchen where a lot of the chopping will be in a rocking motion.

Traditionally, Japanese knives don’t have a chunky finger protector between the handle and the heel, known as a bolster, or metal that runs all the way to the cap, known as full tang. Altman’s knife definitely has the former and probably has the latter.

These regional differences aren’t really fixed any more, with knife makers doing all sorts of east-west hybrids. Nevertheless, the number of design inconsistencies still makes this knife an oddity. (It’s also, because of the blade’s shallow curve, a poor choice for mincing large amounts of garlic.)

We couldn’t find an exact match online. Maybe it’s a one-off piece by an artisan steel forger who shuns tradition. Another possibility is that it’s a Chinese mass-produced blade that’s sold under countless names, usually in sets, often in a fancy presentation box or with fake Damascus patterns etched on the side. There are Sino-Niho-Germanic Frankenknives all over Amazon and AliExpress that look a lot like Altman’s.

All we can say with confidence is that Altman’s knife is either very expensive or very cheap. It’s impossible to know whether its oddness is the result of individual human creativity, or is an incoherent mash-up of disparate elements that may look impressive at first glance but doesn’t stand up to any kind of scrutiny. See where we’re going with this?

Cheap and expensive are not mutually-exclusive categories; Altman might have paid a lot for a bad knife. Whichever way, it looks poor quality because it resembles the machine-milled rubbish that has been flooding the market and poisoning the well.

Also, digression, we’ve just spotted something in the foreground:

[image]

It’s a *second bottle* of Drizzle. He has two bottles of $21 olive oil, both open and going stale simultaneously. Not only is that wasteful redundancy, it also introduces safety risks. As McGee writes:

<blockquote>All cooking oils are fragile. Fresh oil begins to deteriorate as soon as it’s exposed to light, heat, oxygen or moisture, all of which can break intact oil molecules into fragments. One set of fragments is responsible for the hints of cardboard, paint and fish that we smell in stale, rancid oil. It turns out that stale aromas, pleasant fried aromas and unpleasant scorched aromas all come from oil fragments called aldehydes that are more or less toxic to our cells, whether we eat them or inhale them during cooking. [...] Fresh oils, and in particular fresh olive oils, generate the fewest toxic aldehydes.</blockquote>

OpenAI’s difficult to understand. The project involves a lot of incomprehensibly big numbers. Anyone who doesn’t go billions blind should read Ed Zitron. For the rest of us, it’s enough to know that OpenAI is spending more private capital than any company in history to build a moat around products it can’t yet monetise. Each fundraising weaponises sunk-cost fallacy among a clique of companies that play the same game.

Backers are asked to believe that OpenAI is the most responsible guardian of The Dangerous Majick, while also understanding that the urgency of AI’s arms race frees it from all obligation to act responsibly. Burning cash is foundational to its business. There’s no time to sandbox new products or abide by laws when liquidity is only ever measured in months. The looming threat of insolvency is what propels OpenAI forward.

Does value-for-money get a look in? We know very little about OpenAI’s day-to-day operating costs, but we’ve learned a little more about the day-to-day operating costs of the CEO.

Maybe it’s useful to know that Altman uses a knife that’s showy but incohesive and wrong for the job; he wastes huge amounts of money on olive oil that he uses recklessly; and he has an automated coffee machine that claims to save labour while doing the exact opposite because it can’t be trusted. His kitchen is a catalogue of inefficiency, incomprehension, and waste. If that’s any indication of how he runs the company, insolvency cannot be considered too unrealistic a threat."]]></description>
<dc:subject>samaltman kitchens cooking technology 2025 bryceleder siliconvalley ai artificialintelligence chatgpt openai oliveoil coffee knives waste business inefficiency efficiency recklessness incomprehension ignorance</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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</item>
<item rdf:about="https://allegralaboratory.net/the-transformative-potential-of-intimacy-turkish-coffee-talk-and-ethnographic-listening/">
    <title>The Transformative Potential of Intimacy: Turkish Coffee Talk and Ethnographic Listening - Allegra Lab</title>
    <dc:date>2025-01-05T06:35:47+00:00</dc:date>
    <link>https://allegralaboratory.net/the-transformative-potential-of-intimacy-turkish-coffee-talk-and-ethnographic-listening/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Abstract: In this article, I explore the significance and challenges of emotional engagement in ethnographic research, drawing from my fieldwork experiences in Turkey. I highlight the parallels between the intimacy fostered during Turkish coffee talk (Türk kahvesi muhabbeti) and the intimate relationships that develop between researchers and participants during ethnographic encounters. I argue that listening with care and cultivating intimacy are crucial for obtaining reliable, nuanced data and upholding research ethics. In doing so, I challenge the conventional emphasis on critical distance and objectivity in academia. However, I also acknowledge that this intimacy poses emotional and ethical dilemmas for researchers who may lack the methodological and psychological tools to navigate the complexities of these relationships. I discuss the concept of samimiyet (intimacy) in the Turkish context, its role in creating safe spaces for sharing personal experiences, and the transformative potential of ethnographic conversations that become muhabbet (intimate talk). I also highlight the emotional risks and vulnerabilities researchers face when engaging with sensitive topics and the need for institutional support and training to address these challenges. Ultimately, I call for a reexamination of the practice of listening in ethnography, emphasising the importance of care, empathy, and the well-being of researchers in the process of decolonising research methods."]]></description>
<dc:subject>hazalaydin 2024 coffee ethnography method process turkishcoffee ethics relationships objectivity anthropology listening decolonization research researchmethods methodology intimacy via:justinpickard</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0097d2150f69/</dc:identifier>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=ibMd_Jx9daw">
    <title>Ted Gioia on AI's Threat To Music - YouTube</title>
    <dc:date>2024-08-26T19:22:17+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=ibMd_Jx9daw</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this episode I'm joined by author, historian, and futurist Ted Gioia for another far reaching conversation that ranges from AI's effect on culture to his thoughts on coffee."]]></description>
<dc:subject>tedgioia rickbeato ai artificialintelligence music culture coffee 2024</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:aca225723d37/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tedgioia"/>
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</item>
<item rdf:about="https://www.yelp.com/biz/atlas-cafe-san-francisco">
    <title>ATLAS CAFE - 3049 20th St, San Francisco, California - Yelp</title>
    <dc:date>2024-07-15T04:18:56+00:00</dc:date>
    <link>https://www.yelp.com/biz/atlas-cafe-san-francisco</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>food cafes restaurants sanfrancisco themission missiondistrict coffee sandwiches via:sophia</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:bc038c9abc51/</dc:identifier>
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</item>
<item rdf:about="https://www.saveur.com/how-lasagna-landed-africa/">
    <title>How Lasagna Landed in Africa | Saveur</title>
    <dc:date>2024-07-04T20:43:04+00:00</dc:date>
    <link>https://www.saveur.com/how-lasagna-landed-africa/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["After Italian occupation, Eritreans reclaimed the layered dish as their own"]]></description>
<dc:subject>rahawahaile 2017 lasgna food eritrea colonialism mussolini eastafrica asmara colonization ethiopia italy italia espresso coffee harissa bananas tabil pasta diaspora tunisia somalia libya makarouna macroona cuisine baasto zawaash benitomussolini</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:87ae23949d31/</dc:identifier>
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<item rdf:about="https://sf.eater.com/2024/6/10/24173825/indian-coffee-san-francisco-south-asian-bay-area">
    <title>How South Asians Leveled Up the San Francisco Bay Area’s Coffee World - Eater SF</title>
    <dc:date>2024-06-17T20:24:05+00:00</dc:date>
    <link>https://sf.eater.com/2024/6/10/24173825/indian-coffee-san-francisco-south-asian-bay-area</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Slowly, then all at once, Indian coffee captured San Francisco's hearts and minds. It’s all thanks to one coffee supergroup."]]></description>
<dc:subject>sanfrancisco coffee 2024 paolobicchieri</dc:subject>
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<item rdf:about="https://www.sfchronicle.com/projects/2024/world-coffee-bay-area/">
    <title>The next wave of Bay Area cafes is serving coffee from all over the world</title>
    <dc:date>2024-06-17T20:16:50+00:00</dc:date>
    <link>https://www.sfchronicle.com/projects/2024/world-coffee-bay-area/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Where to taste the future of Bay Area coffee
With spices and fresh juices, coffee has entered a multicultural era

[sections] Asian, Yemeni, Ethiopian, Latino"

[See also:

"Top coffee in the S.F. Bay Area
The Bay Area has a complex coffee scene, made up of cultural remixes that redefine the cup, iconic cafes that changed coffee culture forever and new blood etching a new caffeinated path."
https://www.sfchronicle.com/projects//best-coffee-san-francisco-bay-area/

"Yemeni coffee is booming in the Bay Area
This spiced coffee style is taking over the Bay Area"
https://www.sfchronicle.com/food/restaurants/article/yemeni-coffee-shop-cafe-18270887.php

"Outset Coffee is unlike any other in San Francisco
This coffee shop is unlike any other in S.F."
https://www.sfchronicle.com/food/restaurants/article/outset-coffee-18364542.php ]]]></description>
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<item rdf:about="https://bigthink.com/the-past/penny-universities-coffeehouse/">
    <title>&quot;Penny Universities&quot;: How coffeehouses changed the world - Big Think</title>
    <dc:date>2024-04-15T00:23:22+00:00</dc:date>
    <link>https://bigthink.com/the-past/penny-universities-coffeehouse/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Centuries ago, the typical British coffeehouse was more like a "school without a master" than a place to grab a quick boost of caffeine."

...

"* Coffeehouses in 17th-century Britain were called "Penny Universities," and they were gathering places for academics, artists, and intellectuals.

* These intellectual hubs democratized learning, opening avenues for people of all backgrounds to engage in scholarly discourse — including those who could not access higher education.

*The ideas swirling around these coffeehouses helped create some of today's major institutions, including Lloyds of London, the Royal Society, and the London Stock Exchange."

...

"Be careful when you next go into your favorite coffee shop. Sure, you might harmlessly be looking for a pick-me-up to get through that three-hour meeting, but what else might you find? Revolution, radicalization, and deviancy. That’s not caffeine you’re tasting — it’s danger. As King Charles II put it, coffee is “the great resort of idle and disaffected persons…[and] has produced very evil and dangerous effects.” People who hang about in coffee houses are the disreputable, dodgy sort — do you really want to be seen around those types?

For hundreds of years after their introduction, coffeehouses didn’t just sell coffee. They sold ideas. If you walked into an average 17th-century coffeehouse in Britain, you’d see gathered around the table academics, authors, artists, foreign exiles, revolutionaries, and political radicals. There would be a buzz in the air — the buzz of excited and scholarly debate. These coffeehouses were not hushed places of laptops and headphones. They were forums.

These were the “Penny Universities” of early modern Britain, and within their cozy, candlelit interiors, an intellectual revolution was brewing.

Unfiltered education

If you were born in Britain in the 1600s, you would have had a slim chance of getting a good education. Wealthy families in England would pay for private tutors or send their children to one of the expensive “King’s Schools” (founded by or named after Henry VIII). Anyone who didn’t own a mansion and a title would have to be either very smart or very lucky to get into a good school. After that, no matter how brilliant you might be, your education would come to a yanking halt in adulthood. In England, there were only two universities: Oxford and Cambridge, and both charged fees far beyond most people’s annual income (not to mention the books and board you had to pay for). Higher education was reserved for higher incomes.

So, what were intelligent and academically curious people to do? Well, drink coffee. The first coffeehouse in the UK opened in Oxford in 1650 and it was crammed with dissatisfied or disillusioned academics. These Oxford coffeehouses were massively exclusive (serving only university members) but they set a precedent. These were places of erudition, debate, science, and intellectual curiosity. And, importantly, they existed outside of formal institutions.

We’ve bean thinking

Coffee and coffeehouses spread to London soon enough, and it was here that a diarist named Samuel Pepys stumbled across one of the most famous: the Rota Club. Pepys was an early convert to coffee, and while at the Rota Club he was amazed by the ‘‘admirable discourse’’ and ‘‘exceeding good arguments” he heard there. In Pepys’ London, the “virtuoso” was a type of man that devoted himself to letters and learning. They were the intelligentsia of the 17th century, and they all gathered in coffeehouses like the Rota Club.

Most importantly, these coffeehouses didn’t care about your background — so long as you were someone who liked to think. These coffeehouses welcomed patrons from all walks of life and were a rare opportunity for the many social strata of Britain to meet and debate great ideas. As one French writer put it, “What a lesson to see a lord, or two, a baronet, a shoemaker, a tailor, a wine-merchant, and a few others of the same stamp pouring over the same newspapers. Truly the coffee houses… are the seats of English liberty.”

Places like the Rota Club had a spark and energy to them that was often lacking in the rigid lecture halls of Oxford or Cambridge. If you had wit and intelligence then you could take a seat at the coffeehouses, and, in all your many caffeinated discussions, you’d find there were few ideas left unexamined. Anyone could learn, and anyone could teach, if only you could pay the price of a coffee, which, back then, was a penny. And this is why these coffeehouses came to be known as “Penny Universities.”

A whole latte ideas

Of course, not everyone thought highly of these “Penny Universities.” One 1661 pamphlet decried that there were “neither moderators, nor rules” and that they resembled “a school without a master.” These critics laughed at the indiscriminatory and meandering “learning” that took place, mocking them as “tattling universities.” Patrons would debate astronomy and then literature in the time it took to drink a coffee. In a single afternoon, they might discuss mercantilism and mathematics, then Calvinism and chemistry.

But this was the whole point of Penny Universities. It was learning without rigid parameters, thinking outside the box. And in all this frantic and exciting exchange of ideas, great things were born. Then, as now, when intelligent and passionate people put their heads together, innovation and discovery soon follow after.

In Lloyd’s Coffee House, ship captains and their backers would gather for a brew. And from their “tattling” emerged the world’s largest insurance market: Lloyds of London. Meanwhile, down at the Grecian Coffeehouse, scientists were gathering to watch two scholars dissect a dolphin on a table. Those scholars were Isaac Newton and Edmund Halley, two of many scientists from the Royal Society who frequented coffeehouses. Over at Jonathan’s Coffee House, merchants and traders were discussing economics. And despite having “neither moderators, nor rules” they managed to create the London Stock Exchange — the first of its kind and the basis of so much of the modern economy.

So, the next time you buy a coffee from your favorite coffeehouse, think about the great history that began in places just like that."

[kind via:
https://www.are.na/block/24934810

"During their heyday, they were dynamic sites for democratic political discussion and commerce. They were often called “penny universities” because for the penny price of a cup of coffee, you could listen to learned intellectuals expound on their areas of expertise."]]]></description>
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<item rdf:about="https://onethingnewsletter.substack.com/p/the-meaning-of-a-moka-pot">
    <title>⬜ The meaning of a moka pot - One Thing</title>
    <dc:date>2024-03-31T20:45:36+00:00</dc:date>
    <link>https://onethingnewsletter.substack.com/p/the-meaning-of-a-moka-pot</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Good coffee pot design; bad coffee

Nate Gallant: We are no more surrounded by nostalgia than at any other moment in American culture. Trying to leap across the chasm of time in order to experience warm memories is, as always, a much easier task than reckoning with actual history — which “weighs like a nightmare on the brains of the living,” per Marx. Fine. But it’s still pleasant to have a few things around the house that evoke various flavors of the past. 

To this end, I've always found the classic, aluminum Bialetti moka pot to be a very satisfying sort of kitchen "thing." Not for its ability to carry the signs of "latent hedonism" (as Barthes says of Marx and Brecht's cigars), or for its Eurocore aesthetic (debatable), or even for its ability to produce incredible coffee (it's good, not amazing). Rather, I am attached to its ability to slough off culture. The moka pot is totally within itself. It carries the aesthetic formulation of experimental pre-war Italian design with relatively little historical freight and maximal functionality. Its construction quality has somehow survived the 21st century’s cheapening of housewares and appliances. 

The moka pot is sort of frozen in function, rather than in time. Cultures have developed around the Bialetti, and fancier versions have emerged, to be sure. However unlike, say, the laicization of barista-level pour-over coffee or the matte-black gadget-guy espresso workflows, to my knowledge, no "thingification" or trend has fundamentally altered it. It’s not hugely commercialized, nor is it particularly prone to class signaling. Anyone might have one, and a lot of people do. 

My hunch about its indelibility was confirmed when I attempted to upgrade my old Bialetti. I had wondered for some time if the many curious moka pot redesigns that had been continuously advertised to me from Alessi were any good. During a deep sale, I relented, and purchased one from a recent line of products by a mid-century designer I'd never heard of, Alessandro Mendini. Rather than the relatively smooth vertical geometry of the Bialetti, this Alessi version in bright stainless steel has shallow, horizontal curves that lightly terrace an hourglass-like shape. It looked like an upgrade. But the Alessi moka pot makes shit coffee, and never quite enough of it, either. It tastes both weaker and less satisfying than the old Bialetti, even though the only difference seems to be its bulbous silhouette.

Ultimately, though, I can only blame myself for the mistake. I betrayed my own attachment to the moka pot’s lack of aspirational design. Perhaps worse, I was potentially seduced by the billowy hourglass of a coffee maker. The mustachioed Bialetti mascot will continue to laugh at me from somewhere on the kitchen counter, casually outliving my attempts to better myself through aesthetic refinement. I never needed anything particularly semiotic from my coffee pot. As I desperately bobble toward feeding my caffeine addiction each morning, all I need is a smooth, steaming, industrialized runway."]]></description>
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    <title>Counter Space - YouTube</title>
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    <dc:creator>robertogreco</dc:creator><description><![CDATA["Counter Space is an experiential journey through culinary news, trends and innovations."
]]></description>
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<item rdf:about="https://sf.eater.com/2022/7/27/23280885/delah-coffee-new-san-francisco-yemeni">
    <title>San Francisco’s First Yemeni Cafe, Delah Coffee House, Arrives in SoMa - Eater SF</title>
    <dc:date>2023-01-04T07:05:05+00:00</dc:date>
    <link>https://sf.eater.com/2022/7/27/23280885/delah-coffee-new-san-francisco-yemeni</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The family behind the new Delah Coffee hopes to introduce Yemeni coffee traditions to the Bay Area"]]></description>
<dc:subject>coffee cafes restaurants sanfrancisco bayarea yemen yemeni 2022 soma</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:07a6d6d6d096/</dc:identifier>
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</item>
<item rdf:about="https://www.dezeen.com/2014/07/07/movie-alberto-alessi-la-conica-espresso-maker-aldo-rossi-form-follows-function/">
    <title>Movie: Alberto Alessi on Aldo Rossi's La Conica espresso maker</title>
    <dc:date>2022-01-31T07:33:43+00:00</dc:date>
    <link>https://www.dezeen.com/2014/07/07/movie-alberto-alessi-la-conica-espresso-maker-aldo-rossi-form-follows-function/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[direct link to video:
https://www.youtube.com/watch?v=VRfwaBJyi8E
https://vimeo.com/99916883 ]]]></description>
<dc:subject>alsorossi design mokacoffeepot moka coffee mokaexpress alessi albertoalessi express</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:361d89206b83/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:mokacoffeepot"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:moka"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coffee"/>
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</item>
<item rdf:about="https://en.wikipedia.org/wiki/Neapolitan_flip_coffee_pot">
    <title>Neapolitan flip coffee pot - Wikipedia</title>
    <dc:date>2022-01-31T06:27:37+00:00</dc:date>
    <link>https://en.wikipedia.org/wiki/Neapolitan_flip_coffee_pot</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Neapolitan flip coffee pot (Italian: napoletana or caffettiera napoletana, pronounced [kaffetˈtjɛːra napoleˈtaːna]; Neapolitan: cuccumella, pronounced [kukkuˈmɛllə]) is a drip brew coffeemaker for the stove top that was very popular in Italy until last century. Unlike a moka express, a napoletana does not use the pressure of steam to force the water through the coffee, relying instead on gravity."]]></description>
<dc:subject>coffee neapolitanflipcoffeepot history italy moka mokaexpress mokacoffeepot express italia</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c5307ba9a3c7/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:italy"/>
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</item>
<item rdf:about="https://podcasts.apple.com/us/podcast/episodio-52-la-storia-della-caffettiera-bialetti/id1295287516?i=1000534582096">
    <title>Learn Italian with Lucrezia: Episodio 52. La storia della caffettiera Bialetti on Apple Podcasts</title>
    <dc:date>2022-01-31T06:21:45+00:00</dc:date>
    <link>https://podcasts.apple.com/us/podcast/episodio-52-la-storia-della-caffettiera-bialetti/id1295287516?i=1000534582096</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Oggi voglio raccontarti la storia della Moka Bialetti, la caffettiera che mi vedi sempre usare la mattina o dopo pranzo per fare il caffè.

Come ben sai, ogni mattina a casa mia si ripete questo rito."]]></description>
<dc:subject>bialetti coffee moka mokacoffeepot 2021 mokaexpress naples napoli express italia italy</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:51a3b1e5e403/</dc:identifier>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=GeI9DHf1Vkw">
    <title>Review: All of IKEA's Coffee Stuff - YouTube</title>
    <dc:date>2021-08-14T19:38:20+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=GeI9DHf1Vkw</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>ikea coffee 2019</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:c4a1c1f3a807/</dc:identifier>
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</item>
<item rdf:about="https://www.cafeteraintelectual.com/">
    <title>Cafetera Intelectual</title>
    <dc:date>2021-08-11T17:31:09+00:00</dc:date>
    <link>https://www.cafeteraintelectual.com/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>podcasts spanish español coffee sandraelisaloofbourow</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:0eaa4e65212c/</dc:identifier>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=CIwOCd8HUyE">
    <title>Unforgetting: Family, Migration, Gangs, Borders, and Revolution - YouTube</title>
    <dc:date>2020-09-02T22:29:18+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=CIwOCd8HUyE</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Join Roberto Lovato and Mike Davis for a lively conversation on violence, migration, and the possibility of revolution.

----------------------------------------------------

Join authors Roberto Lovato and Mike Davis for a lively conversation on violence, migration, and the possibility of revolution, in celebration of the release of Lovato’s gripping new memoir Unforgetting.

An urgent, no-holds-barred tale of gang life, guerrilla warfare, intergenerational trauma, and interconnected violence between the United States and El Salvador, Roberto Lovato’s memoir excavates family history and reveals the intimate stories beneath headlines about gang violence and mass Central American migration, one of the most important, yet least-understood humanitarian crises of our time—and one in which the perspectives of Central Americans in the United States have been silenced and forgotten.

The child of Salvadoran immigrants, Roberto Lovato grew up in 1970s and 80s San Francisco as MS-13 and other notorious Salvadoran gangs were forming in California. In his teens, he lost friends to the escalating violence, and survived acts of brutality himself. He eventually traded the violence of the streets for human rights advocacy in wartime El Salvador where he joined the guerilla movement against the U.S.-backed, fascist military government responsible for some of the most barbaric massacres and crimes against humanity in recent history.

Roberto returned from war-torn El Salvador to find the United States on the verge of unprecedented crises of its own. There, he channeled his own pain into activism and journalism, focusing his attention on how trauma affects individual lives and societies, and began the difficult journey of confronting the roots of his own trauma. As a child, Roberto endured a tumultuous relationship with his father Ramón. Raised in extreme poverty in the countryside of El Salvador during one of the most violent periods of its history, Ramón learned to survive by straddling intersecting underworlds of family secrets, traumatic silences, and dealing in black-market goods and guns. The repression of the violence in his life took its toll, however. Ramón was plagued with silences and fits of anger that had a profound impact on his youngest son, and which Roberto attributes as a source of constant reckoning with the violence and rebellion in his own life.

In Unforgetting, Roberto interweaves his father’s complicated history and his own with first-hand reportage on gang life, state violence, and the heart of the immigration crisis in both El Salvador and the United States. In doing so he makes the political personal, revealing the cyclical ways violence operates in our homes and our societies, as well as the ways hope and tenderness can rise up out of the darkness if we are courageous enough to unforget.

Roberto Lovato is a journalist and a member of The Writers Grotto. He is one of the country’s leading writers and thinkers on Central American gangs, refugees, violence and other issues. Lovato is also a co-founder of #DignidadLiteraria, the national movement formed to combat the invisibility and silencing of Latinx stories and books in the U.S. publishing industry. He is also recipient of a reporting grant from the Pulitzer Center and a former fellow at U.C. Berkeley’s Latinx Research Center. His essays and reporting have appeared in numerous publications including Guernica, Boston Globe, Foreign Policy, Guardian, Los Angeles Times, Der Spiegel, La Opinion, and other national and international publications. He lives in San Francisco.

Mike Davis is the author of City of Quartz, Late Victorian Holocausts, Buda’s Wagon, and Planet of Slums. He is the recipient of a MacArthur Fellowship and the Lannan Literary Award. He lives in San Diego."]]></description>
<dc:subject>robertolovato mikedavis 2020 migration immigration violence border borders revolution gangs family families guerillawarfare elsalvador centralamerica us gangviolence imperialism truth history activism organizing unforgetting forgetting latinamerica memory storytelling society refugees sanfrancisco losangeles solidarity coffee capitalism</dc:subject>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:refugees"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sanfrancisco"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coffee"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:capitalism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://twitter.com/zunguzungu/status/1116699035757244417">
    <title>Aaron Bady on Twitter: &quot;When you read about history of &quot;The Coffee Shop,&quot; writers LOVE to gloss over the Middle-Eastern origin so they can get to the fun part where England invents The Public Sphere&quot;</title>
    <dc:date>2019-04-13T21:08:50+00:00</dc:date>
    <link>https://twitter.com/zunguzungu/status/1116699035757244417</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["When you read about history of "The Coffee Shop," writers LOVE to gloss over the Middle-Eastern origin so they can get to the fun part where England invents The Public Sphere

My man Ralph Hattox in 1985 seems to know what's up, tho https://archive.org/stream/CoffeeAndCoffeehouses/%5BRalph_S._Hattox%5D_Coffee_and_Coffeehouses_The_Ori%28BookZZ.org%29_djvu.txt

love "the near east"

"Once coffee had been taken out of the context of the Sufi dhikr and introduced into general consumption, it was embraced by an entirely different group of advocates, and with them the associations and images connected with the drink changed..."

"...While it remained one of the props of the nocturnal devotional services of the Sufis, others, perhaps less spiritually inclined, found it a pleasant stimulus to talk and sociability. From this the coffeehouse was born"

"If you draw the analogy between coffee and intoxicants you are drawing a false one . . . One drinks coffee with the name of the lord on his lips, and stays awake, while the person who seeks wanton delight in intoxicants disregards the Lord, and gets drunk""]]></description>
<dc:subject>aaronbady coffeeshops cafes history middleeast coffee neareast 2019 1985 ralphhattox coffeehouses</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e648aed7d4f6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:aaronbady"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:history"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:2019"/>
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</item>
<item rdf:about="https://www.eater.com/drinks/2015/5/11/8583833/espresso-tonics">
    <title>Meet the Espresso Tonic, Iced Coffee's Bubbly New Cousin - Eater</title>
    <dc:date>2018-11-02T22:27:17+00:00</dc:date>
    <link>https://www.eater.com/drinks/2015/5/11/8583833/espresso-tonics</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[via: this thread

"Logged in here to say that espresso with tonic water and lime over ice is very very -very- good and I especially wanted to inform @gautampremnath of this news"
https://twitter.com/AlJavieera/status/1058129543272161280

[link to this recipe]
https://twitter.com/AlJavieera/status/1058201709174878209 ]

[related:
https://www.bonappetit.com/drinks/non-alcoholic/article/cold-brew-tonic
https://europeancoffeetrip.com/espressoandtonic-story/
http://imbibemagazine.com/espresso-tonic-recipe/
https://www.perfectdailygrind.com/2015/08/is-espresso-tonic-a-match-made-in-heaven-or-hell/
https://www.cosmopolitan.com/uk/worklife/a9188926/espresso-tonics/
https://www.thekitchn.com/coffee-and-tonic-water-your-new-favorite-summer-drink-221546
http://www2.philly.com/philly/food/coffee-tonic-summer-drink-elixr-hermans-rally-20180524.html ]]]></description>
<dc:subject>coffee drinks espresso recipes food tomake</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:48e0baf21dae/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coffee"/>
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</item>
<item rdf:about="http://petergiuliano.tumblr.com/post/22177089634/why-you-should-stop-cold-brewing-and-use-the">
    <title>Pax Coffea. - Why you should stop cold-brewing, and use the Japanese Iced Coffee Method.</title>
    <dc:date>2018-07-28T07:10:00+00:00</dc:date>
    <link>http://petergiuliano.tumblr.com/post/22177089634/why-you-should-stop-cold-brewing-and-use-the</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>coffee</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:4d2fd9f76c9f/</dc:identifier>
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</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.ioes.ucla.edu/article/greening-grocery-cart/">
    <title>Greening your grocery cart - UCLA IoES</title>
    <dc:date>2017-07-19T22:38:53+00:00</dc:date>
    <link>https://www.ioes.ucla.edu/article/greening-grocery-cart/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["So if you drink instant coffee, eat chicken instead of beef, favor wild-caught salmon, avoid frozen meals, eat whole wheat bread, avoid bottled water, drink beer in cans instead of bottles, opt for soy milk, indulge in dark chocolate instead of milk chocolate, dry your hands with reusable towels and bring a reusable bag to the store, you have matched a pretty sizeable woodlot of 70 trees. And these are but a handful of the choices you make at the grocery store.

If ten million people—again, a little over three percent of the U.S. population—made those same climate-smart choices, it would be the equivalent of half a billion trees. Clearly, small decisions add up.

Unfortunately, grocery choices are not labeled with “CO2 equivalents” in the same way they are all labeled with calories. Without drastically changing your lifestyle, imagine how much you could do for climate if emissions information were routinely associated with the products we buy?"]]></description>
<dc:subject>food emissions climatechange classideas meat dairy coffee chocolate cans bottles beer bags</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:50cf6b14e3c4/</dc:identifier>
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<item rdf:about="http://georgeandlennie.com/">
    <title>George And Lennie</title>
    <dc:date>2017-05-07T19:26:23+00:00</dc:date>
    <link>http://georgeandlennie.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also:
http://sprudge.com/george-and-lennie-92056.html
https://www.hoodline.com/2015/07/new-coffee-shop-george-and-lennie-headed-to-golden-gate-hyde
http://www.refinery29.com/san-francisco-baristas
https://soundcloud.com/the-intersection-844050211/05-change
http://www.vogue.com/article/restaurants-run-by-artists-hirst

https://www.yelp.com/biz/george-and-lennie-san-francisco
http://everybodydoesntlikebrettwalker.com/
https://twitter.com/brettmakesart
https://www.instagram.com/george.and.lennie/ ]]]></description>
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<item rdf:about="https://sf.eater.com/maps/best-coffee-shops-san-francisco-oakland-berkeley">
    <title>27 of San Francisco's Essential Coffee Shops</title>
    <dc:date>2017-05-07T18:49:57+00:00</dc:date>
    <link>https://sf.eater.com/maps/best-coffee-shops-san-francisco-oakland-berkeley</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>coffee sanfrancisco cafes coffeeshops openstudioproject 2017 coffeehouses</dc:subject>
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<item rdf:about="https://www.artsy.net/article/artsy-editorial-9-artist-run-restaurants-you-need-to-know">
    <title>9 Artist-Run Restaurants You Need to Know</title>
    <dc:date>2017-05-07T18:39:52+00:00</dc:date>
    <link>https://www.artsy.net/article/artsy-editorial-9-artist-run-restaurants-you-need-to-know</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In the fall of 1971, the doors of a curious restaurant located at 127 Prince Street opened just south of New York’s Houston Street. Inside, if you were hungry, an artist might ladle you a steaming bowl of caldo gallego from one of three large cauldrons bubbling away over a low stove in the center of the room. Soup in hand, you’d make your way to a table where slices of bread were stacked around a huge heap of butter. Come another night and you might’ve been served the now-famous “bone dinner”—frogs’ legs and roasted marrow bones, among other skeletal dishes—then left with the remnants, rigorously cleaned and given a second life as wearable jewelry.

This was the restaurant and conceptual art project Food, run by artists Carol Goodden, Tina Girouard, and Gordon Matta-Clark, among others. Given a mini-retrospective at Frieze New York’s 2013 fair, involving several of the original chefs, the short-lived project has secured its place as one of the most iconic blurrings of the lines between art and food. The 1970s Soho establishment is far from the only artistic foray into the culinary realm, however, so we checked in on a handful that have been around for years, and a few others that are still taking shape.

Zagreus Projekt 
ULRICH KRAUSS 
BERLIN

“Food and art were the two elements in my life that were always there,” explains Ulrich Krauss, the founder of the Berlin food project space Zagreus Projekt. “I grew up in a butcher shop and I studied art.” He went on to apprentice as a chef, spending time cooking at a fancy hotel in southern Germany. “When you are in that world, it is so restricted, and you have rules for everything,” Krauss says. “It’s a very narrow world, so I got the feeling I had to escape from that.” Krauss left for Berlin, where he balanced artmaking—mostly performances—with cooking in restaurants. “I have to found a place where I bring things together,” he remembers thinking of his double life. Zagreus Projekt took shape.

Its first iteration found a home in the backroom of Galerie Markus Richter, a space for conceptual and minimal art that shuttered in 2005. Since then, Zagreus Projekt, which Krauss is careful to point out is not a gallery, has relocated to the elegant Mitte district. Artists bring ideas for exhibitions that in some way relate back to food, and a collaboration ensues to devise a menu that matches. FOOD ART, a collaboration that launches April 8th, pairs the talents of the artist-turned-chef with a Swiss-German artist couple, Hendrikje Kühne and Beat Klein, who make elaborate, three-dimensional collage sculptures, often including images of food and fragments of advertising and newspapers. “With every exhibition we do here, we have a different point of view on food or on the situation of eating, and that is the most important thing,” Krauss explains. But the demands of the project, 16 years on, are not without their toll. “I don’t see myself as an artist anymore,” says Krauss. “I see myself as a chef.”

Pharmacy 2 
DAMIEN HIRST 
NEWPORT STREET GALLERY, LONDON

Damien Hirst, dispenser of hand-painted pills and shark vitrines, blends two environments to unusual effect in his newest restaurant endeavor, Pharmacy 2, which opened at his Newport Street Gallery several weeks ago. After taking in vibrant work by John Hoyland, one of Britain’s key abstract painters, a Hirst devotee can round out the experience in the new spot. Uniquely crafted pills dot the marble floor, and a clinically cool neon sign that reads “prescriptions” hangs over the bar in view of works from Hirst’s “Medicine Cabinets” and “Kaleidescope paintings.” 

Diners enjoy chef-collaborator Mark Hix’s cooking, which eschews pharmaceuticals for fresh ingredients and a British-inflected menu of European classics, including crispy squid with green chilis or Hix’s riff on the traditional German apples-and-potatoes side “Heaven and Earth.” “Damien designed a formaldehyde ‘Cock and Bull’ for my restaurant Tramshed, so it makes sense for me to exchange my skills,” the chef explains.

[restaurant not yet named]
RAPHAEL LYON 
NEW YORK

“There is a long-running joke in the food industry that most artists are unrealized chefs,” the artist Raphael Lyon, who grows sculptures using geologic processes, tells me. “Which is just a way of saying that huge numbers of self-identified artists may have turned to art only because they wanted to be respected for working creatively with their hands, and that maybe they would have been more fulfilled in a kitchen rather than a studio.” Together with partner Arley Marks, Lyon is opening a restaurant off the Jefferson Street stop of New York City’s L train in the coming weeks. He also owns Enlightenment Wines, where he works as a “mazer,” fermenting honey and herbs into a wine-like beverage. “This will be something like a public home for that research,” he explains.

Lyon also hopes it will be “a place of sincere curiosity—whether it’s for a dry mead made out of Christmas trees and gold flake or just rethinking the pickled egg.” The artist’s deep knowledge of food and wine yields unusual revelations. “What interests me about winemaking, and more generally the American food scene writ large, is how until very recently discourse around it was obsessed with really awkward notions of authenticity,” Lyon observes. He suggests there’s a link between this approach to thinking about food and how people talked about European painting before Modernism. “A good part of the development of art in the last century was a move away from validity based on authentic regional expression to validity based on ideas,” he continues. “That’s happening in the food world, particularly in New York.”

ZAX Restaurant
WILL STEWART 
BROOKLYN

“Generally, the stereotype of ‘starving artist’ isn’t far off the mark in New York,” says Will Stewart, an artist in the city whose work engages the environment and the architecture of space. “You’ve got people living in strange shared spaces, and everybody’s out running around every night doing something.” It’s a city that Stewart thinks “operates as a pressure cooker.” A year and a half ago, he started wondering about setting up a makeshift restaurant. “There’re how many hundreds of thousands of people?” Stewart says, retracing the thoughts that led him to set up ZAX—his fixed-price, vegetarian-only supper club in a vacant space adjacent to his studio. “There will always be at least 20 people who are going to want to come by and have dinner.”

ZAX’s December “Fertility Meal,” put together by artists/guest chefs Maia Ruth Lee and Violet Dennison, included “Estrogen Seeds” (an appetizer made with anise and sugar crystals) and “New Mother Nourishment Soup” (seaweed, daikon, enoki mushrooms, shishito peppers, miso, and fingerling potatoes), among other peculiar dishes and libations. For a few extra dollars, heat acupuncture was also part of the meal. Though Stewart has put his restaurant-in-a-studio on hold, he plans to bring it back in Greenpoint sometime in April.

Conflict Kitchen
DAWN WELESKI & JON RUBIN 
PITTSBURGH

“What you choose to eat every day is a creative moment,” says Dawn Weleski, who, together with Jon Rubin, directs the Pittsburgh eatery Conflict Kitchen. “We provide an outlet for that creative expression.” The two artists work to address thorny social issues through food. “We were always thinking about how to re-envision the city, how to make it the city we wanted to live in,” Weleski, a Pittsburgh native, observes.

A simple but powerful premise guides their restaurant: Serve cuisines from countries with which the United States is in conflict. In its six years of operation, hungry residents who might not have given much thought to the social implications of U.S. foreign policy have filled up on Afghan, Cuban, Venezuelan, Palestinian, North Korean, and, most recently, Iranian cuisine. “We were trying to think of ways with which to engage the politics of the city, and to get people to have conversations in public spaces that weren’t typically had in Pittsburgh, let alone in the rest of America,” Weleski explains. 

Currency Exchange Café 
THEASTER GATES 
CHICAGO

It’s difficult to pinpoint the exact moment at which Theaster Gates’s expansive approach to artmaking came to include food. One starting point was the artist’s frequent dinners, at which guests ate soul food while discussing its origins and cultural importance. Another was getting the Currency Exchange Café, decorated with materials salvaged from the currency exchange that used to occupy the space, off the ground serving breakfast and lunch to residents of Chicago’s south side Washington Park neighborhood (ample shelves stocked with books line the walls and there are plans for a 35mm slide collection). With projects like these as well as the establishment of his Rebuild Foundation behind him, Gates is at work on ArtHouse: A Social Kitchen, taking shape just across the border in Gary, Indiana.

The project joins the Gary barbecue-and-soul-food fixture Mama Pearl’s, which is and will remain in the space, as a tenant in a large building being transformed into a multi-use facility boasting a commercial kitchen for training, an incubator for culinary businesses, a pop-up café with a menu that changes based on input from incubator participants, and even an exhibition space for art. The ambitious project is sewing the first seeds of what the rustbelt city hopes will be a leap toward fostering a cultural district, bringing to its residents a place where they can come together over a meal and admire the many talents of their neighbors. 

Thank You For Coming
LAURA NOGUERA, JONATHAN ROBERT, JENN SU TAOHAN, AND CYNTHIA SU TAOPIN
LOS ANGELES

Thank You For Coming is an experimental space that pairs a permanent restaurant serving simple weekend brunches with a series of creative residencies, as well as playing host to an eclectic array of additional programming. The mission is to “encourage spontaneous interactions and alternative understandings of food associations.” Located just across the Los Angeles River from Los Feliz in Atwater Village, the open-ended project space welcomes performances and installations, and makes its commercial kitchen available for use. Those who come do everything from bread-baking to zine-making, and well beyond. It has also reworked the cardboard-box-full-of-potatoes approach to the CSA, letting that final ‘A’ stand for art as well as agriculture. Members can expect packages including cheeses, hand salves, delicious fruit preserves, infused spirits, hand-sewn aprons, or “an artist-made functional object.”

George and Lennie
BRETT WALKER
SAN FRANCISCO

Brett Walker opened George and Lennie, a coffee shop in San Francisco’s centrally located Tenderloin neighborhood, last August. The project came about, in part, when Walker realized there were two pronounced continuities in his life: making art and making coffee. Walker came to San Francisco for a conceptually rigorous graduate program at Berkeley, where he made sculptures like inflatable rain jackets or plant-watering systems constructed from dehumidifiers, all while working at the trendy San Francisco café Four Barrel Coffee. “I was getting tired of having my art have to be about something,” Walker admits. “I slowly began making less and less obtuse conceptual art.”

Frequently, the work addressed the strained relationship between being an artist and a common laborer, circling around the necessity of supporting himself and his family through something other than art. “It occurred to me that for these reasons, I needed to do a show of my work in the place where I worked,” he says. So he swallowed his “snobby art-school pretensions” and took pains to fine-tune and perfectly hang pieces in the café where he was working. Eventually, the opportunity to run his own place came around, and Walker seized it. “Opening the café was no different than taking on some sort of art project,” he says of his merging of these two threads in his life with George and Lennie, which, fittingly for the artist’s work, takes its name from Of Mice and Men. He’s even transformed it into a makeshift portrait studio in which he creates images of his patrons.“This is an artist-run place,” Walker explains of his café, “but I think I view it as less an artist-run space and more of an art project in and of itself.”"]]></description>
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<item rdf:about="https://www.nytimes.com/2017/04/10/dining/coffee-locol-restaurant-one-dollar-cup.html">
    <title>Has Coffee Gotten Too Fancy? - The New York Times</title>
    <dc:date>2017-04-11T21:14:32+00:00</dc:date>
    <link>https://www.nytimes.com/2017/04/10/dining/coffee-locol-restaurant-one-dollar-cup.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also: http://yesplz.coffee/ ]

"But unlike those shops, where a cup can cost $3 or more, Locol charges just $1 for a 12-ounce coffee, or $1.50 if you want milk and sugar. Rather than offer free condiments and pass on the cost to all customers, those who want milky, sweet coffee pay for their pleasures, while drinkers of black coffee get a break. As for getting it chilled, that’s on the house: Iced coffee costs the same as hot.

“There’s an extreme democratization that I really want to make happen in coffee,” said Tony Konecny, 44, the head of Locol’s coffee operation, who goes by Tonx. Good coffee, Mr. Konecny said, should be brought to a broad audience, not just a “self-selecting group” of epicures.

“Coffee still thinks that mass appeal is a sign of selling out and inauthenticity, but everybody wears Levi’s,” he said of the culture. “I think contemporary coffee has failed to find the consumers it should be finding.”"

…

"Locol is rolling out a coffee brand called Yes Plz and plans to eventually open coffee windows and stand-alone shops in addition to supplying its three locations: a restaurant and a bakery in Oakland, Calif., and the restaurant in Watts. A 12-ounce bag of Yes Plz coffee sells for $8 to $9. (By comparison, a 16-ounce bag of Dunkin’ Donuts Original Blend is $8.99.)

There is, of course, another fast-food chain that is known for its coffee: McDonald’s. The company has embarked on a project to make all of its coffee sustainable by 2020 by innovating at every level of its supply chain — investing in its farmers, for instance, as many of the much smaller, high-end coffee companies do. (Coffee sold at McDonald’s restaurants in Europe already meets the company’s sustainability standards.)

The scale of McDonald’s business is vastly different from Locol’s, but the consumer experience isn’t, not when it comes to coffee: Both offer a cup that is cheap and approachable.

The efficiencies of the fast-food model are what allow Mr. Konecny to buy high quality beans at a premium of about three times the price of commodity coffee and still sell it for $1. The coffee comes from Red Fox Coffee Merchants, a boutique importer that supplies some of the country’s most exacting roasters; Mr. Konecny work closely with that company’s buyer, who in turn works with farmers to finance them and determine best practices for growing the beans.

The coffee is brewed by Locol’s kitchen staff, and when a new batch is prepared the old batch is cooled and mixed in with cold-brew coffee to be served on ice: There is no waste. Black coffee is easy to scale up; stand-alone coffee shops, with their intricate menus (cortados, almond milk lattes, iced matcha spritzers) can’t compete.

“You couldn’t run a coffee shop selling coffee for a dollar,” Mr. Konecny said. “It wouldn’t be a sustainable business.”"

…

"Still, Mr. Rubinstein says that Mr. Konecny makes a good point. “Kudos to him for trying something so out of the box,” he said. “It makes you think about all the restaurants that are doing exactly what he’s doing, and literally are charging five times what he’s charging.”

Mr. Konecny’s ambitions for Yes Plz go beyond selling a high-quality cup of coffee at that magic price point, though he recognizes that it sends a powerful message. What he wants to do is shift the very nature of coffee culture. He has no patience for what he calls the “culinary burlesque” of pour-over bars, with their solemn baristas and potted succulents. “It’s dress-up,” he said.

Those settings and presentations, he said, send the wrong message: that good coffee must also be expensive and fetishized.

“We have become overly focused on this ingredient preciousness, single-origin puritanism,” he said. As a result, he added, coffee just keeps getting “fancier and fancier.”

In a sense, Mr. Konecny is facing off with his own history. A respected veteran of “specialty” coffee, the industry term for the high-end market, he worked for Victrola Coffee Roasters in Seattle starting in 2002, when the company was a hive of innovation. He was then hired by Intelligentsia Coffee to help direct its expansion to Los Angeles, and later started his own roaster, Tonx, which he sold to Blue Bottle Coffee in 2014.

“A lot of my colleagues don’t understand what I’m doing here,” he said.

The mistake, in his view, was for independent coffee shops to define themselves in opposition to Starbucks and other chains, and to create — inadvertently — a culture of nerdy superiority.

“You throw at all your customers that coffee is this delicate, special thing that has to be done exactly right on exactly this equipment,” he said.

But does the $1 price go too far? “My worry is that this will reinforce the idea that specialty coffee is inherently overpriced, when it’s the opposite,” said Charles Babinski, a co-owner of G&B Coffee and Go Get Em Tiger, in Los Angeles. “The best coffees in the world cost nothing when you compare it to the best beers or a fancy glass of wine, and the margins that businesses take on coffee are smaller than you’re going to find in a bar.”"

…

"Mr. Konecny is following a different formula. If Verve and other high-end shops identify with the world of gastronomy, Locol looks to street culture. “There’s something about street wear in particular, where a kid from around here and a billionaire getting off a private jet are both wearing the same thing,” he said. His vision is for Yes Plz to be the shaded part on a Venn diagram where the tastes of wildly different demographics converge.

That’s why there is no gastro-sermonizing at Locol, no talk of farms or varieties. The coffee on the menu is either hot or cold, and served with a cheerful lack of ceremony.

Still, the information is there for those who want it: A dedicated Twitter feed will relay details of that week’s coffees. “People who want to go down the rabbit hole can, but it’s not what we put on the bag,” he said. “You don’t have to buy into a set of conceits about how to buy or understand coffee to enjoy it.”

The way Mr. Konecny sees it, good, inexpensive coffee can and should be everywhere, and not just at Locol: “What we know about coffee sourcing, coffee roasting, coffee brewing, coffee service — there’s really no reason why you couldn’t make the coffee at every bodega taste good.”"]]></description>
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<item rdf:about="https://vimeo.com/147835753">
    <title>​Show and Tell: Alberto Alessi on Vimeo</title>
    <dc:date>2015-12-12T21:13:21+00:00</dc:date>
    <link>https://vimeo.com/147835753</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also: https://www.nowness.com/series/show-and-tell/alberto-alessi-emile-rafael ]]]></description>
<dc:subject>moka coffee albertoalessi food design industrialdesign bialetti video interviews mokaexpress express mokacoffeepot</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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</item>
<item rdf:about="https://tinyletter.com/vruba/letters/6-68-questions">
    <title>6, 68: Questions</title>
    <dc:date>2015-10-05T06:11:43+00:00</dc:date>
    <link>https://tinyletter.com/vruba/letters/6-68-questions</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Imagine a big-budget documentary series on coffee, tea, and chocolate. I’m thinking of something between Planet Earth and Parts Unknown, but with special attention to problems of representation. It’s very easy to imagine this being full of clichés, talking down to both its audience and its subjects. I want to see something that has lovely 30 second panoramic shots of Sri Lankan hills and can hold the camera on a tea-picker talking about their economic conditions in their own words for the same length of time. I want something that can mention certain points about coffee prices and the IMF’s structural adjustments in Rwanda leading up to 1994. I want something that can talk about why several hundred Guere people died in Duékoué on 28–29 March 2011, and what that has to do with a Hershey bar.
I’m not looking for muckraking in particular. I want the interviews with the louche tasting-master, and the gruff operator of the cocoa butter mixer, and the slightly prickly olfactory researcher in the paper-filled office saying something counterintuitive. We all know coffee, tea, and chocolate are touchstones – of shared sensory experience, as social nucleation sites, casual drugs, conduits of globalization, economic staples – we get this. So someone should go out and ring the changes. Walk us through it. Let’s see it. There have been many good, small documentaries about these things, but I want a big one, something with a bank and an arc – crack out the fancy cameras, hire the good interpreters, add some zeros to the travel budget.

Look, I can pitch some episodes right now:

• The Chain. First episode if they’re 40 minutes, first three if they’re 20. For each of the drinks, we go from a plantation, through processing, to a shelf. I don’t care if we have to blur out logos because we don’t have permission. All we’re doing is orienting the viewer in the jargon and in our style.

• Health. What does caffeine do in the brain? What is addiction, like medically what is it? We talk to long-distance truckers. Why does green tea make some people sleepy? Are coffee, chocolate, and tea good for you? (Not: Is there a negligible trace constituent of chocolate that, if you feed ten grams per kilogram per day of it to rats, they have infinitesimally lower blood pressure? Not: “Black tea has long been said to be…”.) Why do these plants have caffeine at all?

• Land, Part 1. We’re at the edge of the Mau forest in Kenya. It’s the largest highland forest remaining in East Africa, and it’s disappearing fairly quickly – for, among other things, controversially, tea. And there are suspicious evictions: some people don’t seem sure where various park borders really are on the ground. Tea is economically complicated because it’s valuable but the markets are variable. We think about how multicropping, banking, a welfare system, trade, and hierarchical ownership are all ways of aiming for economic sustainability. We hear from two different tea smallholders, and one who had to make the switch to dairy. We hear from optimists, and from environmentalists talking about how hard it is to balance conservation against development. Comments from insightful academics who have worked in the area (say, Pratyusha Basu, who has looked at gender and dairy farming here) are recounted to and remarked upon by the smallholders. As in every episode, precedence is given to academics with more local experience – say, in this case, Naomi Shanguhyia, who grew up in the area and did a doctorate on tea farming among other things. What’s this? A grandparent remembers the UK and Canada’s program of persecution, encampment, and torture in the area in the 1950s, and how the montane forest was used as a redoubt. We think about the fact that coffee and tea both like high elevations in tropical climates, and bring this to James C. Scott’s ideas about using hills to hide from state power, and the taxability of tea.

• Everything Else. Stuff people do with cocoa that isn’t candy bars or hot chocolate: Why is cocoa butter used so much in beauty products? How do you make tejate? Or mole Guatemalteco? We talk with Mexican experts to reconstruct a plausible recipe for the earliest known drinking chocolates, and taste-test it. Coffee: How good a fertilizer is coffee grounds? Tea: Check it out, you can make cellulose from kombucha.

• Fermentation and Oxidation. How are washed and unwashed coffees different? What does the “washing” look like? When chocolate pickers cover the beans with banana leaves, what’s going on? How could it be that as recently as ten years ago we thought Pu-erh tea fermentation was led by black mold fungus, but now we think it’s primarily Aspergillus luchuensis? What do completely green/unfermented versions of each drink taste like if you make them in the ordinary way? What about over-fermented versions? We visit several tea processing facilities in China, taking flavor and microbial profiles of the leaves at various stages, and talk to people in Tibet for whom Pu-erh is the primary source of certain micronutrients.

• At Home. We look in detail at how some people who grow and collect the drinks use them. How does a Nilgiri tea picker brew it, or do they? Do cocoa farmers in rural Côte d’Ivoire know what chocolate is? (Spoiler: many of them do not.) When I hear that some Ethiopian coffee-growers like to roast their beans with butter, is that the same butter as is in my fridge? (This is, of course, an excuse to look at living conditions. But also I’m just mundanely curious about recipes.)

• Hipsters. Where does American third-wave coffee come from? What was the causal braid from Ethiopia through invasion to Italy through occupation to GIs on the US’s West Coast to hipsters to the national fashion for Seattle in the 90s to people being mad at the word “barista”? We talk to competitors and judges at the World Barista Championships, treating them with the dignity and assumption of subjectivity that is due to any human being, and with the people who write lengthy tasting notes that make you kind of embarrassed for them. How has the flat white been spreading over this last decade? Can people with bangs and beards tell the difference between Blue Bottle and Starbucks in a double-blind taste test? We talk to mom and pop coffeeshop owners about the economics, difficulties, and pleasures of the business. (I know just the ones. The rumors that I liked their coffeeshop so much that I moved into their spare room, 2011–2012, are slightly exaggerated.)

• Timing. We visit with a commodities day-trader, a logistics expert at a processing plant, a logistics expert at a shipping company, someone who works with agricultural prediction, meteorologists, trendspotters, whatever you call the people who develop and test things like Pumpkin Spice Latte®, and so on. Starting with recollections from farmers, we look at how weather and politics in given years affected prices. (What happens in Chiapas if the belg was late?)

• Final Episode. We look at behind-the-scenes footage. How did the interviewers talk to the interviewees when the (main) cameras weren’t rolling? We meet the fixers, the translators, the camera operators. The presenters talk about what they learned: as cliché as it is, do they think about a latte differently now? We watch people who were interviewed watching episodes they were in – or rough cuts, at least. What about the time in New Guinea when rain got in the $50,000 camera? How many shots did the medical insurer insist they get before equatorial travel? What news has there been of issues covered in the first episodes? A producer explains how they persuaded someone at the head office to sign off on some inadvisable travel that produced a single 30 second subsegment. An editor describes how they tried to wedge that shot in but there was just no way. We see that shot.

Is this making sense? We could easily brainstorm as many again – on history, on economics, on botany. I want something that would mostly fit inside this decade’s dominant documentary formats, but which wouldn’t take the “look at the quaint poor people” stance that is still mostly normal. (Nor the “anything called development must be good” stance, nor the “look what corporations did” stance, nor, nor, nor.) I want to learn why the Japanese market buys almost all the Jamaican Blue Mountain coffee produced. I want to learn why Coffea liberica isn’t more popular, and what’s up with the boutique chocolate market segment since Dagoba got bought, and whether tea pickers can talk to each other while they work. I’m willing to have a slightly square documentary if that’s what it takes to talk about the effects of theobromine, and a slightly radical one if that’s what it means to talk about why people making luxury goods can be hungry, and a slightly Vice-y one if that’s what it takes to look at child labor up close. It seems like such an obvious topic, so woven into timely and visually appealing issues."]]></description>
<dc:subject>charlieloyd questions curiosity 2015 coffee tea interestedness howtoaskquestions questionasking learning howwelearn commodities systemsthinking food drink health history geography science politics askingquestions interested</dc:subject>
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<item rdf:about="http://www.nytimes.com/2015/05/12/upshot/more-consensus-on-coffees-benefits-than-you-might-think.html?abt=0002&amp;abg=1">
    <title>More Consensus on Coffee’s Benefits Than You Might Think - NYTimes.com</title>
    <dc:date>2015-05-12T08:08:43+00:00</dc:date>
    <link>http://www.nytimes.com/2015/05/12/upshot/more-consensus-on-coffees-benefits-than-you-might-think.html?abt=0002&amp;abg=1</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["When I was a kid, my parents refused to let me drink coffee because they believed it would “stunt my growth.” It turns out, of course, that this is a myth. Studies have failed, again and again, to show that coffee or caffeine consumption are related to reduced bone mass or how tall people are.

Coffee has long had a reputation as being unhealthy. But in almost every single respect that reputation is backward. The potential health benefits are surprisingly large.

When I set out to look at the research on coffee and health, I thought I’d see it being associated with some good outcomes and some bad ones, mirroring the contradictory reports you can often find in the news media. This didn’t turn out to be the case.

Just last year, a systematic review and meta-analysis of studies looking at long-term consumption of coffee and the risk of cardiovascular disease was published. The researchers found 36 studies involving more than 1,270,000 participants. The combined data showed that those who consumed a moderate amount of coffee, about three to five cups a day, were at the lowest risk for problems. Those who consumed five or more cups a day had no higher risk than those who consumed none.

Of course, everything I’m saying here concerns coffee — black coffee. I am not talking about the mostly milk and sugar coffee-based beverages that lots of people consume."]]></description>
<dc:subject>coffee health 2015 aaroncarroll</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:79fbdb458c19/</dc:identifier>
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<item rdf:about="http://qz.com/321242/the-real-controversy-about-the-coffee-flat-white-has-nothing-to-do-with-starbucks/">
    <title>The real controversy about the coffee “flat white” has nothing to do with Starbucks - Quartz</title>
    <dc:date>2015-03-18T07:00:36+00:00</dc:date>
    <link>http://qz.com/321242/the-real-controversy-about-the-coffee-flat-white-has-nothing-to-do-with-starbucks/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>coffee starbucks culture australia newzealand 2015 flatwhites</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:1c6f2976d476/</dc:identifier>
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<item rdf:about="http://www.nytimes.com/2014/07/30/dining/australians-arrive-serving-breakfast.html">
    <title>Australian Cafes Arrive in New York - NYTimes.com</title>
    <dc:date>2015-03-18T06:59:38+00:00</dc:date>
    <link>http://www.nytimes.com/2014/07/30/dining/australians-arrive-serving-breakfast.html</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>cafes nyc australia coffeeshops coffee 2014 brooklyn food coffeehouses</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:ae3169a2a604/</dc:identifier>
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<item rdf:about="http://kottke.org/14/07/every-cup-of-coffee-is-a-spectacle-of-logistics">
    <title>Every cup of coffee is a spectacle of logistics</title>
    <dc:date>2015-01-08T01:57:54+00:00</dc:date>
    <link>http://kottke.org/14/07/every-cup-of-coffee-is-a-spectacle-of-logistics</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Meyer's essay is part of what seems like a still-developing genre--Paul Ford's essay on "the American room" is another example--of stories that excavate the hidden infrastructure that make everyday experiences possible. These systems are utterly prosaic exactly because they're the product of huge amounts of manpower and material working according to painstakingly developed protocols. The author's motivation for exposing them seems to be to both demystify and reenchant the world, and the attitude expressed is a mixture of admiration, awe, and dread.

Neal Stephenson's classic Wired essay "Mother Earth, Mother Board" might be the model for the genre, like Tolkien is for epic fantasy. Let's call it the "systemic sublime.""]]></description>
<dc:subject>coffee logistics timcarmody 2014 robinsomeyer supplychains systemicsublime systems systemsthinking</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f644df55c782/</dc:identifier>
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<item rdf:about="http://tinyletter.com/vruba/letters/6-35-moonlight">
    <title>6, 35: Moonlight</title>
    <dc:date>2014-12-08T06:28:05+00:00</dc:date>
    <link>http://tinyletter.com/vruba/letters/6-35-moonlight</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Things I wish someone had explained to me sooner…

• To people who don’t love you, your intentions don’t matter. If you hurt them accidentally, you’ve hurt them.

• Broadly, experts get that way because they care about what they do. Because they care about it, they want to tell you about what they know. It’s easy for them to leave out what they don’t know. And so, accidentally, they tend to make their fields sound more boring than they are. On either side of an expert–layperson relationship, remember to talk about the mysteries and frontiers.

…

• In any complicated situation, what people can tell you about why they came to their conclusions is virtually unrelated to the truth, effectiveness, or worthwhileness of those conclusions. We’re right for the wrong reasons, and vice versa, all the time.

…

• Argument from origins – etymology, philosophical genealogy, institutional history – takes special humility. It’s easy to make a point that’s only a complicated, smart-sounding version of “Hitler was a vegetarian, so vegetarianism is evil”.

• Programming is more like writing than like working an algebra problem.

• Your attention is the most valuable thing you can give. It’s what lets you do anything intentionally. Put some aside to spend where it might be badly needed. That’s usually not on anything that a million people are already attending to. It might be, but more often it will be something that most people around you, with perspectives like yours, are not thinking about."

…

"Earlier today, a moment in the presence of the systemic sublime while drinking Yirgacheffe coffee and watching Ethiopian kids singing while sorting coffee beans – Wote, Yirgacheffe. And watching Typhoon Hagupit/Ruby crawl up on the Philippines: this tweet, my word. Not only can I track the typhoon half-hourly in infrared, I have access to two separate instruments that can see it in visible wavelengths by moonlight: VIIRS and astronauts with DSLRs. Moonlight. A lot of my life is lived as part of this stringy confederation of nerds interested in perception over distance and mediated by algorithms, in the river rapids where culture flows around protuberant lumps of technology, in volition and encoding, in the connections, separations, and flavors of the network itself, in scale, in long chains of molecules and routes of IP packets and corten containers and coffee beans, and in the submerged cathedrals and unmapped data halls that they build. And I make fun of us, our rhizome or distributed pocket, with jokes about James C. Scott and so forth. But I feel the weight when I wonder whether the children who sorted the beans I’m drinking were singing. Moonlight."]]></description>
<dc:subject>charlieloyd 2014 systems systemsthinking systemicsublime coffee jamescscott certainty uncertainty programming coding writing attention experts mystery frontiers unknown intentions love</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://masochuticon.com/2006/05/24/">
    <title>Tea and coffee, at Masochuticon</title>
    <dc:date>2014-12-08T04:30:41+00:00</dc:date>
    <link>http://masochuticon.com/2006/05/24/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also (post and links in bookmark): https://pinboard.in/u:robertogreco/b:30fd0e555c34 ]]]></description>
<dc:subject>annegalloway tea coffee systems systemsthinking complexity</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8863d34c36ba/</dc:identifier>
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</item>
<item rdf:about="http://tinyletter.com/vruba/letters/6-3-seasteading">
    <title>6, 3: Seasteading</title>
    <dc:date>2014-03-24T05:21:46+00:00</dc:date>
    <link>http://tinyletter.com/vruba/letters/6-3-seasteading</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["So Jim is a blacksmith – a word I mostly hear these days in jokes about obsolescence. He lives on a small, rural island where he has the time and quiet to think and work very hard on small things that most people have not imagined. He is also one of the most globalized people I know. I’m counting people who had “major liquidity events” and whose Twitter profiles say their location is SoMa/SoHo or whatevs. Jim is narrowly specialized labor, enabled by things like oligopolistic global shipping companies.

And likewise, my family’s off-the-grid setup – solar panels, their own well, their own garden – relies on solar panel manufacturers, modern well-drilling rigs, and the internet.

Many visitors are offended by this. They have a rhetoric of simplicity that feels that e.g. buying gasoline to run a generator to have electric lights in winter is failing to live up to the promise of living in the woods. But for my family and others, that promise was never made. It’s a projection, an assumption, an outsider’s stereotype. They are not claiming or trying to be out of the world.

What do you get from living on a natural seastead oops I mean small island? Well, you get a different kind of time – a different set of distractions. Not simplicity, but a reallocation of complexity that suits some people. You get too many things to list here. The one I want to talk about is that you see your material dependencies more clearly. That is, you have to carry the gas that you buy. You know where your water comes from, even if it’s just as technologically mediated as a Brooklynite’s water – maybe more – because you have to replace the pump from time to time. It’s not that you have less of a supply chain, it’s that you pay more attention to it because you’re the last link in it. You unload your kit, your cargo, your stuff, from a literal-ass boat that goes across the water."

So here is what I can tell you: our material culture is vast. The substrate of comfortable, middle-class-as-portrayed-in-primetime American life is ginormous, far beyond anyone’s understanding in any depth. Years ago there was a Neal Stephenson Wired story called In the Kingdom of Mao Bell, from which I often think of the line (phrased in terms of Western culture, but mutatis mutandis):

<blockquote>For a Westerner to trash Western culture is like criticizing our nitrogen/oxygen atmosphere on the grounds that it sometimes gets windy, and besides, Jupiter’s is much prettier. You may not realize its advantages until you’re trying to breathe liquid methane.</blockquote>

Which is only to make a point that is easy to make but very hard to appreciate, and I have to practice making to myself in new ways all the time, re-estranging it to re-familiarize it: what we have going here, this system by which roads are paved, you can appeal a court ruling, you can just assume you got the right change back at Whole Foods, Whole Foods exists, etc., is so big and complicated that you can’t appreciate it. At best you can call upon cognitive intercessors, like thinky magazine features on the cold chain or whatever, to mediate between your grasp of the size of the culture and its reality. I say this as someone whose job is partly to look at enormous depictions of material culture – I mean staring at the Port of Tokyo–Yokohama, or Magnitogorsk, is kind of what I do all day, and I still take it for granted.

And the system has tremendous momentum. I am no historian, but my vague sense is that in recognizable form in the Euramerican sphere it goes back to things like the New Model Army and the aftermath of the French Revolution: the establishment of a bureauracy, i.e. a system of applied governance with accountability built in as paperwork and defined responsibilities, as opposed to something at best hollowed out like a nest of sticks inside feudalism.

And when I see bureaucracy around me doing things like getting all fetishistic about a piece of paper, I have to remind myself that yes, this is imperfect, but the point is that we enshrine the word, something roughly permanent and widely legible, as opposed to worshipping the squire, i.e., whatever he feels like today, that we can’t even examine directly to mutually identify and begin to debate whether it’s good. A whig history but I’m a whig."

[Related: http://masochuticon.com/2006/05/24/
via: https://twitter.com/annegalloway/status/484597685396045824
in this thread: https://twitter.com/annegalloway/status/484483973767110656
follow-up http://tinyletter.com/vruba/letters/6-16-america-again ]]]></description>
<dc:subject>complexity canon interconnectedness seasteading frontier waldronisland bureaucracy 2014 charlieloyd slow change purpose purposefulness civilization interdependence seeing noticing separateness libertarianism capitalism globalization materials systems systemsthinking siliconvalley laws governance government society nealstephenson simplicity distractions bighere dependencies supplychains legibility illegibility coffee waldron interconnected interconnectivity</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:30fd0e555c34/</dc:identifier>
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<item rdf:about="http://brunching.com/pippi.html">
    <title>Why Pippi Longstocking is a Great Book | The Brunching Shuttlecocks</title>
    <dc:date>2014-01-24T21:44:42+00:00</dc:date>
    <link>http://brunching.com/pippi.html</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>pippilongstocking lunch coffee food via:vruba glvo srg edg astridlindgren</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:9bf88cafc8a1/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:food"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:vruba"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
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</item>
<item rdf:about="http://en.wikipedia.org/wiki/Red-eye_gravy">
    <title>Red-eye gravy - Wikipedia</title>
    <dc:date>2013-11-30T06:50:58+00:00</dc:date>
    <link>http://en.wikipedia.org/wiki/Red-eye_gravy</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>gravy food totry coffee ham recipes</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:79079b9a3602/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:totry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coffee"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:ham"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:recipes"/>
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</item>
<item rdf:about="http://www.coffeeandteacollective.com/">
    <title>Coffee &amp; Tea Collective</title>
    <dc:date>2013-09-02T04:12:11+00:00</dc:date>
    <link>http://www.coffeeandteacollective.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[See also: https://instagram.com/candtcollective/
http://www.yelp.com/biz/coffee-and-tea-collective-san-diego
https://twitter.com/candtcollective
https://vimeo.com/45645472 ]]]></description>
<dc:subject>sandiego retail coffee tea gifts northpark elcajonblvd</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2010ef9a8be5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:sandiego"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:retail"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:coffee"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:tea"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gifts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:northpark"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:elcajonblvd"/>
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</item>
<item rdf:about="http://www.wired.com/gadgetlab/2013/08/mason-jars/?viewall=true">
    <title>Hold the Sun Tea: Our Favorite Mason-Jar Hacks | Gadget Lab | Wired.com</title>
    <dc:date>2013-08-19T18:21:58+00:00</dc:date>
    <link>http://www.wired.com/gadgetlab/2013/08/mason-jars/?viewall=true</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The Mason jar has proven itself to be a versatile piece of design. It's currently enjoying some attention as the beverage-bearer du jour among the nation's artisanal set. Haters might wonder why hipsters can't just leave the jars for jelly, and with the number of Mason jar-themed art projects, they may have a point. But techies have also gotten hip to the jar's hackability, and the wide threads on the screw-top mouth allow it to easily accommodate an array of accoutrements.

French Press
But, maybe you aren't in a rush to get to work. In that case, you might prefer this Mason jar French press. From the land of eternal brunch, The Portland Press is going to run you $100, and may feel like overkill, especially if you can get a perfectly functional, plastic press for $20. But, the Hardrock Maple is strong and beautiful, and the wool cozy makes it look like it has a beard. Plus, it might save you money in the long run. If you've had a French press, then you've also probably had a broken French press. With this thing, a morning catastrophe is solved by reaching up in the cupboard for a new Mason jar."]]></description>
<dc:subject>fiy srg glvo edg masonjars coffee frenchpresses projectideas</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d797e6b8cd96/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:glvo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:edg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:masonjars"/>
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</item>
<item rdf:about="http://cafevirtuoso.com/">
    <title>Cafe Virtuoso | San Diego's Finest Organic Coffee &amp; Tea</title>
    <dc:date>2013-02-27T07:28:53+00:00</dc:date>
    <link>http://cafevirtuoso.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Cafe Virtuoso entered the San Diego coffee scene in 2007 with a singular vision – embark on a quest to bring an “A” game to town.  How many times have you spent $50 to $100 on an incredible meal, only to end it with a cup of coffee or espresso that completely detracted from the whole experience?  Similarly, how about that super cool coffee shop with the great music, hip layout in your favorite part of town but lackluster drip and/or drinks?  There are some great restaurants and cafes here in San Diego, but we are admittedly playing catchup with the coffee scenes of cities like Seattle, Portland, San Francisco and Minneapolis.  We saw that wave coming and couldn’t resist catching it!"]]></description>
<dc:subject>coffee barriologan sandiego</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:23856a5b22f8/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:barriologan"/>
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<item rdf:about="http://www.aeonmagazine.com/being-human/julian-baggini-coffee-artisans/">
    <title>Julian Baggini – The art of coffee</title>
    <dc:date>2013-02-08T01:37:07+00:00</dc:date>
    <link>http://www.aeonmagazine.com/being-human/julian-baggini-coffee-artisans/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Surely we appreciate the handmade in part because it is handmade. An object or a meal has different meaning and significance if we know it to be the product of a human being working skilfully with tools rather than a machine stamping out another clone. Even if in some ways a mass-produced object is superior in its physical properties, we have good reasons for preferring a less perfect, handcrafted one."

"Blindness, far from making tests fair, actually robs us of knowledge of what is most important, while perpetuating the illusion that all that really matters is how it feels or seems at the moment of consumption."

via Randall Szott (http://randallszott.org/2013/02/05/faith-in-the-human-touch-julian-baggini ) who adds:

"In a very roundabout way, this cuts to an important problem with "the critique" as commonly practiced in which students and instructors are asked in some way to talk about the work as if they were conducting a blind taste test. Forget that you know the person that made this painting, forget that you had dinner with them last night, cut all affective ties and speak solely of the work. Galleries perform a similar severing function, much like supermarket displays, turning the entire process of aesthetic experience into a branding exercise, with a carefully constructed history devoid of anything truly human." ]]></description>
<dc:subject>handmade glvo coffee human small slow imperfection imperfections srg art creativity leisurearts julianbaggini 2013 food ritual technology massproduction wabi-sabi artleisure rituals</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://pochihlai.com/2012/05/15/moka-milk-frother/">
    <title>MILK BROTHER / MOKA MILK FROTHER « PoChih Lai</title>
    <dc:date>2012-12-26T00:34:26+00:00</dc:date>
    <link>http://pochihlai.com/2012/05/15/moka-milk-frother/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This is inherited from the moka pot, also known as a macchinetta (literally “small machine”) or “Italian coffee pot”, a stove top coffee maker which produces coffee by passing hot water pressurized by steam through ground coffee. Moka pot was first patented by inventor Luigi De Ponti for Alfonso Bialetti in 1933. Bialetti Industrie continues to produce the same model under the name “Moka Express”.

MILK BROTHER is used to create hot milk foam via an intermediary middle valve. Hot milk foam generally relies on steam pressure which normally requires a pump, this pot employs an additional area where steam is stored under pressure – ready to be used for frothing milk. The combination of milk frother and moka pot provides a concise concept for a simple, integrated and lightweight solution which continues in the spirit of the original product – one which has inspired the public for the past 80 years. This project aims to eliminate any unnecessary tooling, design artefacts and functions…"]]></description>
<dc:subject>bialetti pochihlai milkbrother milk coffee moka mokaexpress express mokacoffeepot</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d9dcd3a3bce1/</dc:identifier>
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</item>
<item rdf:about="http://www.theatlantic.com/health/archive/2012/10/mapping-the-worlds-most-seductive-shrines-to-coffee/263194/">
    <title>Mapping the World's Most Seductive Shrines to Coffee - Claire Cottrell - The Atlantic</title>
    <dc:date>2012-10-05T12:47:39+00:00</dc:date>
    <link>http://www.theatlantic.com/health/archive/2012/10/mapping-the-worlds-most-seductive-shrines-to-coffee/263194/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["We've rounded up some of the most beautiful purveyors of coffee around the world in virtual guide form, meaning not only have we included the eye candy you know and love, but we've also added addresses and handy links to Google Maps."

[Little Nap Coffee Stand - Tokyo, Japan]]]></description>
<dc:subject>2012 toronto switzerland basel porto portugal silverlake hungary busapest brooklyn bluebottlecoffee sanfrancisco oregon portland tokyo sweden denmark telaviv paris poland nyc losangeles us japan architecture design intreriors openstudioproject glvo srg coffee cafes</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:6988fca67fbc/</dc:identifier>
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</item>
<item rdf:about="http://www.couriercoffeeroasters.com/wordpress/?p=1788">
    <title>Courier Coffee Roasters</title>
    <dc:date>2012-07-30T00:52:13+00:00</dc:date>
    <link>http://www.couriercoffeeroasters.com/wordpress/?p=1788</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Our bar is arguably a lot of work. We bake scratch on bar, make ice cubes, offer any one we think is thirsty a mason jar of water (even if they are getting coffee to go), melt chocolate for drinks, make vanilla syrup, handwrite menus and business cards, and painstakingly make every cup of drip individually (while pre-rinsing to go cups, and getting cream and sugar for everyone (instead of leaving it out). And we handwash all dishware, while actively keeping track of our record player. Working bar is a dance. Enter Niko, our newest member, who came along with good words from former Little Red Bike Cafe worker.

With a flat of strawberries we ride Farmers Market to bar. With fifty burlap coffee bags we stack high on our porteur racks and deliver to friends for their projects. Hundreds of pounds we are moving in a day by bicycle. Pouring rain keeps us wet and tired, yet still everything is pretty awesome."

[Also: http://couriercoffeeroasters.com/ http://couriercoffeeroasters/wordpress ]]]></description>
<dc:subject>howwework 2012 couriercoffeeroasters oregon portland coffee handmade glvo srg cafes openstudioproject</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:543aceb963e4/</dc:identifier>
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</item>
<item rdf:about="http://julian.bleecker.usesthis.com/">
    <title>The Setup / Julian Bleecker</title>
    <dc:date>2012-07-18T18:44:55+00:00</dc:date>
    <link>http://julian.bleecker.usesthis.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[Julian reads my mind.]

"The dream setup is a studio that's a short bike's ride from home. In front would be a cafe that the studio would run in a haphazard way — sometimes someone from the studio might pop around and decide to make coffee for patrons. Sometimes you'd just have to turn people away. But the cafe would also be a bit of a literati cafe, so people would come by and read and write and talk and use as a meeting place and to teach little "Public School" style classes on anything and everything. There'd be books and a bit of a lending library. The only thing between the cafe and the studio behind it would be a bit of glass wall and a door. The studio would have a proper cooking kitchen (no microwave and robot coffee — real cooking) and a long family style table to accommodate 15 or so — that's what experience tells me is the maximum compliment for a well-oiled, creative, functioning team of designers/makers/builders.

In back would be a 40 foot x 40 foot pitch of back garden with a fire pit, outdoor kitchen and a wall where we could show movies all year round in the California evenings. Attached and visible through a wall of sound muffling glass would be the shop. A big shop with CNC machines, clean room, electronics assembly and fabrication, hand tools, finishing tools, cutters both material and laser and a 3D printer that wouldn't be fetishized but used to compliment proper designing and making."]]></description>
<dc:subject>coffee thesetup california design making edg srg kitchens reading books publicschool thirdplaces cafes libraries groupsize cv glvo studios lcproject 2012 julianbleecker thirdspaces openstudioproject usesthis</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e306a54c6590/</dc:identifier>
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<item rdf:about="http://missionpossiblesf.org/">
    <title>Mission Possible SF</title>
    <dc:date>2012-06-16T02:50:31+00:00</dc:date>
    <link>http://missionpossiblesf.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[Comprehensive portrait of the Mission, really worth a closer look (and thought). Love the orientation too.]]></description>
<dc:subject>cartography maps sanfrancisco design census berkeley geography coffee gangs population noise via:TomC missiondistrict themission mapping</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b93df0e42a91/</dc:identifier>
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</item>
<item rdf:about="http://online.wsj.com/article/SB10001424052970204542404577157290201608630.html?mod=WSJ_Magazine_LEFTSecondStories">
    <title>Made Better in Japan - WSJ.com</title>
    <dc:date>2012-02-20T06:54:10+00:00</dc:date>
    <link>http://online.wsj.com/article/SB10001424052970204542404577157290201608630.html?mod=WSJ_Magazine_LEFTSecondStories</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["For decades, Japan simply imported the wares of foreign cultures, but recession has led to invention. The country has begun creating the finest American denim, French cuisine and Italian espresso in the world. Now is the time to visit."

"During the robust economy of the '80s, Japan's exports ruled, and the country would import the best that money could buy from the rest of the globe, including Italian chefs and French sommeliers. Which made Japan an haute bourgeoisie heaven where luxury manufacturers from the West expected skyrocketing sales forever.

But now 20-plus years of recession have killed that dream. Louis Vuitton sales are plummeting, and magnums of Dom Pérignon are no longer being uncorked at a furious pace. That doesn't mean the Japanese have turned away from the world. They've just started approaching it on their own terms, venturing abroad and returning home with increasingly more international tastes and much higher standards…"

[See also Stateside: http://www.nytimes.com/2012/02/19/magazine/adam-davidson-craft-business.html ]]]></description>
<dc:subject>daikisuzuki engineeredgarments hyperspecialization hospitality hotels apprenticeships tiny small quintessence shuzokishida restaurants kansai tokyo hitoshitsujimoto realmccoy's nylon magazines jeans craft coffee denim detail perfection food fashion lifestyle economics luxury japan scale</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8bccc79bfac7/</dc:identifier>
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</item>
<item rdf:about="http://blog.speculist.com/scenarios/the-coffee-shop-take-over.html">
    <title>The Speculist » Blog Archive » In the Future Everything Will Be A Coffee Shop</title>
    <dc:date>2012-02-20T00:28:43+00:00</dc:date>
    <link>http://blog.speculist.com/scenarios/the-coffee-shop-take-over.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Eventually you could have local campuses becoming places where MITx students seek tutoring, network, & socialize—reclaiming some of the college experience they’d otherwise have lost.

Phil thought this sounded like college as a giant coffee shop. I agree. Every education would be ad hoc. It would be student-directed toward the job market she’s aiming for.

This trend toward…coffeeshopification…is changing more than just colleges:

Book Stores Will Shrink to Coffee Shops…

The Coffee Shop Will Displace Most Retail Shops…

Offices Become Coffee Shops…Again…

What Doesn’t Become a Coffee Shop?…

…houses of worship…

What will remain other than coffee shops? Upscale retail will remain…[for] experience…Restaurants remain. Grocery stores remain.

Brick and mortar retail stores will be converted to public spaces. Multi-use space will be in increasing demand as connectivity tools allow easy coordination of impromptu events…"
]]></description>
<dc:subject>restaurants multipurpose multi-usespace impromptuevents events coffeeshopification thirdspaces thirdplaces howwelearn howwework work enlightenment stevenjohnson amazonprime amazon shopping espressobookmachine coffeehouses coffeeshops coffee on-demandprinting highereducation higheredbubble highered information reading ebooks stephengordon future retail deschooling unschooling sociallearning self-directedlearning mitx mit learning srg glvo 2011 colleges education opencoffeeclubdresden 3dprinting ondemand ondemandprinting bookfuturism books cafes openstudioproject universities</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b057e1e02917/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:impromptuevents"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:3dprinting"/>
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</item>
<item rdf:about="http://www.theatlantic.com/video/archive/2011/09/how-to-make-vietnamese-coffee/245364/">
    <title>How to Make Vietnamese Coffee - Kasia Cieplak-Mayr von Baldegg - Video - The Atlantic</title>
    <dc:date>2011-09-21T05:27:49+00:00</dc:date>
    <link>http://www.theatlantic.com/video/archive/2011/09/how-to-make-vietnamese-coffee/245364/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Learn how to make Vietnam's signature caffeinated treat in just under three minutes, with this charming "video recipe" from documentary filmmaker Eric Slatkin."

[video now here:
https://www.youtube.com/watch?v=-31_1iB_lwM ]]]></description>
<dc:subject>coffee vietnam srg glvo drink food totry</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:f2a391a507be/</dc:identifier>
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<item rdf:about="http://6thfloor.blogs.nytimes.com/2011/09/01/who-made-that-moka-express/">
    <title>Who Made That Moka Express? - NYTimes.com</title>
    <dc:date>2011-09-04T21:10:23+00:00</dc:date>
    <link>http://6thfloor.blogs.nytimes.com/2011/09/01/who-made-that-moka-express/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["While watching his wife do laundry, Alfonso Bialetti observed the workings of their primitive washing machine: a fire, a bucket, and a lid with a tube coming out of it. The bucket was filled with soapy water, sealed with the lid, and then brought to a boil over the fire, at which point the vaporized soapy water was pushed up through the tube and expelled on to the laundry. Bialetti imagined a similar mechanism for coffee, one in which a lower chamber filled with boiling water would force steam up through coffee grounds and then condense in an upper chamber. Many prototypes later, the Moka Express was born."]]></description>
<dc:subject>bialetti italy history coffee mokaexpress design moka express mokacoffeepot italia</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:2000b21547ec/</dc:identifier>
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<item rdf:about="http://gaiwan.tumblr.com/post/8133236410">
    <title>oliverstrand: Final thought. When you go to Tim... - Bradley Allen</title>
    <dc:date>2011-07-27T20:11:36+00:00</dc:date>
    <link>http://gaiwan.tumblr.com/post/8133236410</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Final thought. When you go to Tim Wendelboe in Oslo, order a sort kaffe, black coffee, grab a seat, let it cool. This could be the cup of coffee that changes your understanding of coffee.

There are four or more kinds of beans on the menu, so the play is to ask the person behind the bar for what is brewing best. This is a Tekangu from Kenya, AeroPressed by Ida. It was like drinking fresh juice made with Seville and Valenica oranges, clean and sweet and bright.

It stays with you."]]></description>
<dc:subject>coffee food drink norway oslo pressed aeropressed</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:5a012e39f215/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:drink"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:norway"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:oslo"/>
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<item rdf:about="http://ladyducayne.wordpress.com/2011/07/06/la-stazione-cafe-my-most-favorite-coffee-shop-ever-tijuana-b-c-mexico/">
    <title>La Stazione Café, My Most Favorite Coffee Shop Ever, Tijuana, B.C., Mexico «</title>
    <dc:date>2011-07-06T18:23:58+00:00</dc:date>
    <link>http://ladyducayne.wordpress.com/2011/07/06/la-stazione-cafe-my-most-favorite-coffee-shop-ever-tijuana-b-c-mexico/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["However, my ultimate coffee shop, my most favorite out of the 3489320842 shops I’ve tried in my life, has been 49th Parallel in Vancouver for a while now. That was until this past Saturday when 49th Parallel was dethroned as being my ultimate most favorite shop ever. That title now belongs to La Stazione Café, located in Tijuana, Mexico."]]></description>
<dc:subject>tijuana togo coffee restaurants food drink</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:9c802ebf7733/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:food"/>
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<item rdf:about="http://www.thedaily.com/page/2011/02/19/021911-apps-coffeetech-1-3/">
    <title>Percolation innovation - WWW.THEDAILY.COM</title>
    <dc:date>2011-02-23T22:00:25+00:00</dc:date>
    <link>http://www.thedaily.com/page/2011/02/19/021911-apps-coffeetech-1-3/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["When it comes to coffeemakers, there's a low-tech counterpart to every high-tech solution."]]></description>
<dc:subject>coffee brewing drink hario gear preparation</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:640496358f9e/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:drink"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:hario"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:gear"/>
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<item rdf:about="http://www.nytimes.com/2011/02/13/magazine/13Food-t-000.html">
    <title>Japan’s Pour-Over Coffee Wins Converts - NYTimes.com</title>
    <dc:date>2011-02-12T17:58:58+00:00</dc:date>
    <link>http://www.nytimes.com/2011/02/13/magazine/13Food-t-000.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["One of the most important coffee markets in the world, Japan imports more than 930 million pounds of it each year — more than France, less than Italy. It’s not a fad. There are coffee shops in Japan that date to at least the 1940s and traditions that reach back even further; it’s a culture that prizes brewed coffee over espresso (although that’s changing) and clarity over body. Coffee is as Japanese as baseball and beer.

Until just a few years ago, much of the coffee gear that made it to the United States from Japan was brought here in suitcases. It wasn’t contraband, just obscure, a trickle of kettles and cones picked up by coffee obsessives or their well-traveled friends who didn’t mind lugging the extra bulk."]]></description>
<dc:subject>coffee japan via:thelibrarianedge drink cooking food preparation</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:b675a8f85b79/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:via:thelibrarianedge"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:drink"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:cooking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:food"/>
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</item>
<item rdf:about="http://powazek.com/posts/2686">
    <title>Derek Powazek - San Francisco Values</title>
    <dc:date>2010-09-02T04:29:06+00:00</dc:date>
    <link>http://powazek.com/posts/2686</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I’ve lived in San Francisco for 15 years, which is 15 years more than anyone connected to this ad [in support of Proposition 8]. San Francisco changed my life. I found a career here. I was married here. I bought property here. I’m never, ever leaving. So I think I can speak to what San Francisco Values really are. Here are a few of them. [Bulleted list here]…

I believe San Franciscans embody the best American values: bravery, liberty, tolerance, and opportunity. I look around San Francisco and I see people who risked everything to move to a place where they could be free. People who decided, out a mix of idealism and insanity, that they could make a more perfect union that values life, liberty, and the pursuit of happiness.

San Francisco values and American values are one and the same."]]></description>
<dc:subject>sanfrancisco rights politics humanity us derekpowazek values pride bravery freedom liberty toleranceopportunity progressivism reinvention perseverance love coffee community coffeehouses idealism coffeeshops</dc:subject>
<dc:identifier>https://pinboard.in/u:robertogreco/b:e052ef2c4905/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:toleranceopportunity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:progressivism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:reinvention"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:robertogreco/t:love"/>
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