Pinboard (robertogreco)
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recent bookmarks from robertogrecoAn Honest Living: A Memoir of Peculiar Itineraries with Steven Salaita - YouTube2024-03-14T18:34:25+00:00
https://www.youtube.com/watch?v=eegzTvPT6xY
robertogrecostevensalaita millennialsarekillingcapitalism 2024 academia highered highereducation palestine israel colleges universities zionism capitalism anxiety quiet socialpressure socialfunctions cliques labor work antizionism solitude grace jaredware oppression repression censorship principles solidarity media circumspection rulingclass brandequity radicalism orthodoxy careerism socialmedia compromises medialiteracy gatekeeping tastemakers activism scholars scholarship promotion education socialcapital cliquishness decolonization kinship community ostracism exposure mainstreammedia transactionalrelationships aspirations branding personalbranding audience ideas discussion debate networking values transactional conversation organizing presence onlinepresence internet online culture algorithms attention consumerism 2014 2017 ulteriormotives motivation politics workplacepolitics workplace left socialdemocrats exploitation sensationalism snitching snitches busdriving schoolbus children language immigrants us unemploymenthttps://pinboard.in/https://pinboard.in/u:robertogreco/b:7dcf0578ec40/Empire of the Senses – Sensory Practices of Colonialism in Early America | Brill2024-02-28T05:25:03+00:00
https://brill.com/display/title/34485
robertogrecosenses allthesenses history imperialism 2017 danielahacke paulmusselwhite gardens aromas diving underwater knowledge fruit flavor taste colonialism colonization sound soundscapes touch tactile communication friendship newworldhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:324d74de5a6b/Benjamín Labatut recoge episodios en la vida de Borges y Freud - La Tercera2024-02-02T04:14:16+00:00
https://www.latercera.com/noticia/benjamin-labatut-recoge-episodios-la-vida-borges-freud/
robertogrecobenjamínlabatut 2017 javieraguajardohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:4a066442839a/Historical Perspectives: The Designer's Designer's Watch – A Look Back At Braun And The Rebirth Of A Few Classics - Hodinkee2024-01-14T20:34:35+00:00
https://www.hodinkee.com/articles/designers-designers-watch-braun-classics
robertogrecobraun dieterram watches 2017 design andersmodighttps://pinboard.in/https://pinboard.in/u:robertogreco/b:ba14c7436b46/Is There a Place in Public History for Sacco and Vanzetti? - JSTOR Daily2024-01-01T08:25:28+00:00
https://daily.jstor.org/is-there-a-place-in-public-history-for-sacco-and-vanzetti/
robertogreco2017 peterfeuerherd nicolasacco bartolomeovanzetti us history anarchism anarchyhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:e5f2549529ad/Inside Grand Seiko: The Evolution Of The Spring Drive Movement - Hodinkee2023-12-24T11:07:57+00:00
https://www.hodinkee.com/articles/inside-grand-seiko-evolution-of-the-spring-drive-movement
robertogrecograndseiko springdrive jackforster 2017 movements history haq highaccuracyquartzhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:b587dc7b05de/A Craft of Future Past: Mastering Antiquarian Horology - YouTube2023-12-12T20:51:10+00:00
https://www.youtube.com/watch?v=irdTng8MbIE
robertogreco2017 brittanynicolecox mechanics horology clocks entropy time history mystery antiques mechanism seattle conservation automata automatons sorceryhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:cd3b6d2572d6/Maggie Rogers: NPR Music Tiny Desk Concert - YouTube2023-12-11T05:45:40+00:00
https://www.youtube.com/watch?v=SqPtIkxSxI0
robertogrecomaggierogers tinydesk tinydeskconcerts 2017 musichttps://pinboard.in/https://pinboard.in/u:robertogreco/b:5229d181a8e8/Girard Perregaux Constant Force Escapement REVIEW - YouTube2023-12-02T04:01:10+00:00
https://www.youtube.com/watch?v=jAcE5VvZLgY
robertogrecogirard-perregaux watches 2017 constantescapement escapementshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:9a59ec239a6d/The 100 year war on Palestine with Rashid Khalidi | The Chris Hedges Report - YouTube2023-12-01T22:16:50+00:00
https://www.youtube.com/watch?v=cZ55JmOlSdg
robertogrecorashidkhalidi 2023 chrishedges palestine israel history colonialism colonization ethniccleansing uk us zionism settlercolonialism settlers gaza westbank jerusalem 1948 nakba resistance genocide 1967 lebanon beiruit 1982 1987 firstintifada secondintifada intifada 1917 2017 balfourdeclaration nationalism identity ottomanempire imperialism baruchkimmerling politicide chaimweizmann sovereignty unitednations leagueofnations ww2 wwii self-determination ze'evjabotinsky democracy fascism race racism apartheid warcrimes law military idf arielsharon benjaminnetanyahu nonviolence violence ramallah hama palestinianauthority plo annexation dispossession eastjerusalem terrorism occupation hamas displacement jewishsupremacy whitesupremacy egypt jordan saudiarabia righttoreturn antonyblinken arabstates rightofreturn selfdetermination iofhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:1065d508fbe1/Diálogo porteño. Valparaíso y el fuego | Valparaíso 2023 - YouTube2023-11-28T21:50:41+00:00
https://www.youtube.com/watch?v=NV5uvj7gR98
robertogrecovalparaíso fire architecture history 2023 pabloaravena albertotexido marcelahurtado agustínsquella chile joaquínedwardsbello juandesaavedra hills fires urban urbanism firefighters society prevention construction reconstruction poverty 2017 2014 relocation vulnerability climatechange globalwarming dipeshchakrabarty anthropocenehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6c3a6aca195a/Declassified: Apartheid Profits – Ties to Tel Aviv2023-10-24T19:34:15+00:00
https://www.dailymaverick.co.za/article/2017-12-06-declassified-apartheid-profits-ties-to-tel-aviv/
robertogrecoisrael southafrica apartheid 2017 sanctions arms weapons diplomacy history opensecrets military 1990s 1970s 1980shttps://pinboard.in/https://pinboard.in/u:robertogreco/b:7a0cc3b5e449/Declassified: Apartheid Profits –Pals with Pinochet2023-10-24T19:32:02+00:00
https://www.dailymaverick.co.za/article/2017-11-28-declassified-apartheid-profits-pals-with-pinochet/
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https://www.nytimes.com/2017/11/17/fashion/watches-nomos-germany.html
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https://www.youtube.com/watch?v=5gguoyHTEoU
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https://www.johnmcdonald.net.au/2017/tracey-moffatt/
robertogreco2017 traceymoffatt johnmcdonald art photography film interviews aborigine australiahttps://pinboard.in/https://pinboard.in/u:robertogreco/b:aaaf59693b13/The Decentralist: A look back at the idea that small is beautiful, by John McClaughry2023-08-15T03:21:38+00:00
https://reason.com/2017/04/22/the-decentralist/
robertogrecosmall kirkpatricksale 2017 wendellberry billmckibben environment environmentalism peterkropotkin anarchism albertjaynock libertarianism decentralization capitalism johnmcclaughry scale sustainability aristotle lewismumford arnoldtoynbee alexisdetocqueville robertputnam thomasjefferson leopoldkohr government governance state autocracy corruption waste donaldtrump antipathy socialism statesocialism ecocide grwoth famrs farming place local kibbutzim cooperatives rural agriculture communalism communism luddism cooperation consensus self-sufficiencyhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:8e3049bffd44/The Anarchist in the Woodshop | Full Stop2023-08-15T02:57:46+00:00
https://www.full-stop.net/2017/05/31/features/essays/danielclausen/the-anarchist-in-the-woodshop/
robertogrecoanarchism danielclausen 2017 woodshops woodworking christopherschwartzhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:e85ab6894932/Filth Therapy: A Cunning Word - Comment Magazine2023-08-15T01:47:02+00:00
https://comment.org/filth-therapy-a-cunning-word/
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https://www.youtube.com/watch?v=mI_GcPJRqBI
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https://hackernoon.com/the-small-media-company-making-independent-publishing-a-threat-again-17df7f5f7bee
robertogrecomaskmagazine 2017 tylerreinhard hannahurr ripleysoprano publishing magazineshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:5c685c738e40/Historical Perspectives: Chromachron, A Radically New Approach To Time - Hodinkee2023-05-27T20:51:59+00:00
https://www.hodinkee.com/articles/chromachron-a-radically-new-approach-to-time
robertogrecotime color watches design 2017 louiswestphalen tianharlan chromachron 1970s tian onehandedwatcheshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:08c8c09f6538/Universal Geneve FS, the "other” railway watch | Omega Forums2023-05-24T22:24:33+00:00
https://omegaforums.net/threads/universal-geneve-fs-the-other%E2%80%9D-railway-watch.55668/
robertogrecowatches henryzwartz history railways railroads trains italy time universalgenève italia rail 2017 ferroviedellostato railwaywatcheshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:8f639377a05b/The ego-moving metaphor of time relies on visual experience: No representation of time along the sagittal space in the blind - PubMed2023-05-18T01:15:03+00:00
https://pubmed.ncbi.nlm.nih.gov/29154613/
robertogrecotime vision blind blindness perception bodies 2017 sagittal space in the lucarinaldi tomasovecchi micaelafantino lotfimerabet zairacattaneohttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c39b6ebe35b6/'The Naked Emperor' holds a mirror up to Sam Bankman-Fried and the collapse of FTX | CBC Radio2023-03-29T06:18:08+00:00
https://www.cbc.ca/radio/podcastnews/naked-emperor-q-and-a-1.6775146
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https://www.youtube.com/watch?v=O47GcaNkHxg
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https://www.youtube.com/watch?v=vxdhQEavLAs
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https://www.youtube.com/watch?v=Tf9YDvJchjo
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https://www.hodinkee.com/articles/longest-sentence-karl-marx-capital-watches
robertogrecoFormerly the individual work of a Nuremberg artificer, the watch has been transformed into the social product of an immense number of detail labourers, such as mainspring makers, dial makers, spiral spring makers, jewelled hole makers, ruby lever makers, hand makers, case makers, screw makers, gilders, with numerous subdivisions, such as wheel makers (brass and steel separate), pin makers, movement makers, acheveur de pignon (fixes the wheels on the axles, polishes the facets, &c.), pivot makers, planteur de finissage (puts the wheels and springs in the works), finisseur de barillet (cuts teeth in the wheels, makes the holes of the right size, &c.), escapement makers, cylinder makers for cylinder escapements, escapement wheel makers, balance wheel makers, raquette makers (apparatus for regulating the watch), the planteur d’échappement (escapement maker proper); then the repasseur de barillet (finishes the box for the spring, &c.), steel polishers, wheel polishers, screw polishers, figure painters, dial enamelers (melt the enamel on the copper), fabricant de pendants (makes the ring by which the case is hung), finisseur de charnière (puts the brass hinge in the cover, &c.), faiseur de secret (puts in the springs that open the case), graveur, ciseleur, polisseur de boîte, &c., &c., and last of all the repasseur, who fits together the whole watch and hands it over in a going state.
Now this is obviously not what we think of when we think of "traditional" Swiss watchmaking – remember, each of those tasks enumerated was actually an entirely separate job, done by individuals doing that job but no other, and generally at home. It is certainly a manual-craft way of doing things but it's not the "one craftsman at the bench" of fantasy. In fact, this distributed system was characteristic of English watchmaking as well – in 1747, Campbell's The London Tradesman (an account of all the different trades in London at the time) related:
At the first appearance of Watches they were but rude to what they are now; the were began and ended by one Man, who was called a Watch-Maker; but of late Years the Watch-Maker, properly so called, scarce makes any thing belonging to a Watch; he only employs the different Tradesmen among whom the Art is divided ... the Springs are made by a Tradesman, who does nothing else, and the (fusée) chains by another: These last are frequently made by Women, in the Country about London, and sold to the Watch-Maker by the dozen ... When the Watch-Maker has got home all the Movements of the Watch, and the other different Parts of which it consists, he gives the whole to a Finisher, who puts the whole Machine together ... The Watch-Maker puts his Name upon the Plate, and is esteemed the Maker, though has not made in his Shop the smallest Wheel belonging to it.
This decentralized method was a great fit for both Swiss and English watchmaking, for various reasons – in Switzerland, it meant that you could be an établisseur (the word is derived from the French for a watchmaker's bench, un établi) without a great deal of investment and many watch factories in the Jura had only a few people working in them, with most of the work being done in private homes. These home-workers enjoyed a degree of independence and in many cases, ownership of the means of production; the system was so ingrained in Swiss rural society that, as Jonathan Steinberg writes, in Why Switzerland, the number of factory workers in the watch industry did not exceed the number of those working at home until (almost unbelievably) 1910, according to a Swiss federal census. Nonetheless, centralization of movement manufacturing in actual manufactures continued to advance in the early-to-mid-20th centuries, and was indeed essential to the survival of the industry.
The decentralized nature of Swiss watchmaking in the 1800s, and the inherent independence of those making components in the Jura during that period, made the area a hotbed of radical, if not revolutionary, sentiment. Marx was far from the only figure on the Left who found the area anthropologically and economically interesting; the tolerance of the Swiss federal government (such as it was) tended to invite what most of the European great powers considered troublemakers, to take up residence. Another individual who spent a good deal of time there was the anarchist, Kropotkin (Prince Kropotkin, until his family disowned him). Kropotkin, in The Conquest of Bread, says several interesting things about the Jura (there is a most charming and very sad story about a Spanish anarchist friend of his, who left Le Locle after freezing during the winter when he could only find work as a sign-painter, and expired of tuberculosis in Spain, "raving about a white horse," but I digress). Kropotkin relates that:
This was the milieu in which I spent the winter and summer of 1877, trying to improve our propaganda in La-Chaux-de-Fonds and neighboring Le Locle. I will not say that the enterprise was very successful ... Machine-made American watches were reducing the market for cheap Swiss watches, which had sold in huge numbers previously, especially in America. The best workers barely found work a few days a week ... Destitution hung over the city, indeed over the region as a whole.
It was only the shift towards industrialization, centralization, and verticalization, and away from hand-crafting of watches, that saved the Swiss watch industry – and not for the last time."]]>karlmarx watches watchmaking jura switzerland history capitalism jackforster 2017 peterkropottkin industrialization centralization decentralization labor specialization verticalization manufacturing lelocle la-chaux-de-fondshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:5a7cf62ab1e0/Fakes, Forgeries and the Birth of Mass Production in the Watch Industry, By Dr Rebecca Struthers - YouTube2023-02-24T18:26:15+00:00
https://www.youtube.com/watch?v=k2kPZ3MTmUY
robertogreco2017 rebeccastruthers watches watchmaking struthers history horology time timekeeping fakes forgerieshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:431bace75792/Resignation letter from Franco ‘Bifo’ Berardi to DiEM25 and Yanis Varoufakis' reply | openDemocracy2023-01-06T20:45:59+00:00
https://www.opendemocracy.net/en/can-europe-make-it/resignation-letter-from-franco-bifo-berardi-to-ya/
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https://thebaffler.com/salvos/against-everything-scialabba
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https://www.youtube.com/watch?v=BBcSQrD18f4
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https://www.youtube.com/watch?v=EsO-i5nS1z0
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https://www.youtube.com/watch?v=cbN2t594p6Y
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https://www.youtube.com/watch?v=RAJrMuHb1_M
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https://www.youtube.com/watch?v=-Zkoe17rhdc
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https://www.youtube.com/watch?v=KUqtEJ9U-e8
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https://www.forbes.com/sites/elizabethdoerr/2017/12/30/before-it-became-trendy-to-avoid-gender-labeling-watches-and-the-nomos-glashutte-club-campus/?sh=32221b5a4b72
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https://www.youtube.com/watch?v=-qPv1Q_dwRE
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https://ahuehuete.substack.com/p/guadaluperivera?s=r
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https://ahuehuete.substack.com/p/anarchy-grivera?s=r
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https://edicioneslasocial.wordpress.com/2017/04/09/escucha-anarquista-un-ensayo-para-despensar-el-anarquismo-desde-el-tercer-mundo/
robertogrecoguadaluperivera 2017 anarchism anarchy criticism thirdworld unschooling deschoolinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:89697f7bf804/Hand-painted dials give that old Rolex a bold new spin. Colorful leather straps lend an L.A. look to the heirlooms - Los Angeles Times2022-02-12T18:17:51+00:00
https://www.latimes.com/fashion/la-ig-lacalifornienne-20170608-story.html
robertogrecowatches losangeles california mods modding 2017 refurbishing lacalifornienne customization color modification vintage watchmods watchmoddinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:169725c00eab/The New L.A. Brand LaCalifornienne Rehabs Vintage Watches With SoCal Colors | Vogue2022-02-12T18:17:25+00:00
https://www.vogue.com/article/lacalifornienne-rolex-cartier
robertogrecowatches losangeles california mods modding 2017 refurbishing lacalifornienne customization color modification vintage watchmods watchmoddinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:e1c08aed4542/Confessions of a Watch Geek | The New Yorker2022-02-03T18:02:38+00:00
https://www.newyorker.com/magazine/2017/03/20/confessions-of-a-watch-geek
robertogrecowatches collections collecting nomos jungas maxbill design 2017 horology garyshteyngart machines maintenance care caring jackforster time timekeeping glashütte hodinkee alange&söhne germany labor saxony politics work donaldtrump history luxury rolex tudor benclymer patekphilippe kiranshekar omega vacheronconstantin ferdinandadolphlange switzerland gender canon watchcanon alangeandsöhne watchcollectinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:c33cf8d574ab/Special Report: Backroom battle imperils $230 million cryptocurrency venture | Reuters2022-01-01T22:12:11+00:00
https://www.reuters.com/article/us-bitcoin-funding-tezos-specialreport-idUSKBN1CN35K
robertogreco2017 crypto cryptocurrency blockchain tezos money economics cryptocurrencieshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:068c7b326d1c/Watch Beat Rates compared - 3600, 18000, 21600, 28800, 36000 & 57600 BPH - YouTube2021-12-28T11:06:18+00:00
https://www.youtube.com/watch?v=NgkoDI1suuY
robertogrecowatches beatrates 2017 automatic quartz seiko grandseiko bulova hibeat accutron precisionist accutronii 262khz uhf watchmovementshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:99b60a4d8485/Citizen Hisonic tuning fork watch smooth sweep. - YouTube2021-12-28T07:22:11+00:00
https://www.youtube.com/watch?v=gwxKMQhBojY
robertogrecobulova accutron citizen hisonic 2017 watches tuningfork electronic 1950s 1960s 1970shttps://pinboard.in/https://pinboard.in/u:robertogreco/b:27ba1d7efdd0/The amazing Bulova Accutron watch filmed in microscopic slow motion - YouTube2021-12-28T07:07:21+00:00
https://www.youtube.com/watch?v=CPS7aNCAwAA
robertogrecobulova accutron 2017 watches microscopy tuningfork electronic 1950s 1960s 1970shttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6010c88938f9/In-Depth: Bulova's Accutron Astronaut – The Watch Chosen By The CIA For Pilots Of The Fastest Plane Ever Made - HODINKEE2021-12-28T07:03:37+00:00
https://www.hodinkee.com/articles/bulovas-accutron-astronaut-the-watch-chosen-by-the-cia-for-pilots-of-the-fastest-plane-ever-made
robertogrecoaccutron bulova watches history 2017 astronauts pilots aviation cia space tuningfork electronic 1950s 1960s 1970s coffinlinkbracelethttps://pinboard.in/https://pinboard.in/u:robertogreco/b:cec9a76e4511/Opinion: Why I’ve Never Spent More than $500 on a Watch2021-12-26T22:58:31+00:00
https://www.gearpatrol.com/watches/a409774/opinion-why-ive-never-spent-more-than-500-on-a-watch/
robertogrecowatches price affordability 2021 andrewconnor 2017 value affordable budgethttps://pinboard.in/https://pinboard.in/u:robertogreco/b:8e010d33bae8/What is Seiko Spring Drive and how does it work? Watch and Learn #24 - YouTube2021-12-22T01:53:39+00:00
https://www.youtube.com/watch?v=1QSbheeMIHk
robertogrecowatches seiko springdrive time longislandwatch timekeeping 2017 marcfrankel haq highaccuracyquartzhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:ebefc965457e/ETHOS - Richard Rogers: Inside Out | RSHP - YouTube2021-12-21T22:06:43+00:00
https://www.youtube.com/watch?v=Rkw4-7HylUY
robertogrecoToday we are checking out the worlds first Electrostatic watch, the Accutron 2020 Spaceview from Bulova. Powered by twin turbine generators, and containing two separate driving motors, this watch is truly a conversation piece as well as a time piece.
"Talk to me about the Accutron Spaceview 2020…"
https://www.fellows.co.uk/blog/watches/2021/12/07/talk-to-me-about-the-accutron-spaceview-2020/
"The Accutron Revolution - Accuracy Through Electronics 1960-1977"
http://www.decadecounter.com/accutron/history.htm
"The new Accutron and other electric powered movements"
https://www.thewatchhand.com/stories/accutron-and-other-electric-powered-movements/
"Accutron Spaceview - Review of an Iconic Watch!" (Killing Time with Norman)
https://www.youtube.com/watch?v=BpyaqnGod-g
"Accutron Spaceview History"
https://www.accutron214.com/accutronspaceviewhistory.htm
"Why Do Collectors Go Crazy For The Accutron Spaceview?
As the ground-breaking timepiece continues to explore new technologies, it has fueled an ever-growing fan base."
https://www.watchonista.com/articles/depth/why-do-collectors-go-crazy-accutron-spaceview
"The Accutron Is the Ultimate Geek Watch—and It's Coming Back
October of 2020 brings very good news for timekeeping nerds."
https://www.esquire.com/style/mens-accessories/a33807766/accutron-space-view-watch-review/
"Bulova Accutron Spaceview"
https://shop.analogshift.com/products/bulova-accutron-spaceview
"This Space Age Technology Was a Watchmaking Milestone in 1960
The Bulova Accutron Spaceview, replete with incredible accuracy and a space-age look, represented a technological milestone that foreshadowing quartz watches."
https://www.gearpatrol.com/watches/a664506/watches-you-should-know-bulova-accutron-spaceview/
"Review: The Accutron DNA - Worn & Wound"
https://wornandwound.com/review/review-the-accutron-dna/
"Accutron Watch" (Cooper Hewitt)
https://collection.cooperhewitt.org/objects/18767221/
"Accutron: The Rebirth Of An Iconic American Watch Brand"
https://www.youtube.com/watch?v=5IeVP1Vc50I
"The amazing Bulova Accutron watch filmed in microscopic slow motion"
https://www.youtube.com/watch?v=CPS7aNCAwAA
"The Bulova Accutron. Why I love it and how it works!"
https://www.youtube.com/watch?v=XugX5zb1rG8
"The World's First Electrostatically Powered Watch - Accutron Spaceview 2020"
https://www.youtube.com/watch?v=qbYG6zpLa-s
"Why The New Accutron Spaceview 2020 Is Important For The Watch Industry"
https://www.youtube.com/watch?v=TPNWTIVmB_E
"Accutron DNA Electrostatic Movement Green and Black Hands On Review of the Accutron DNA 2020"
https://www.youtube.com/watch?v=qRXSDIpi7JY
"INSANE Technology For Its Time! The Bulova Accutron Spaceview 214!"
https://www.youtube.com/watch?v=fGnagtN5YXA
"Accutron ElectroStatic Spaceview - A Modern Take of the Brand’s Iconic Creation"
https://www.youtube.com/watch?v=r2KN7ufgt68
"The Accutron Spaceview 2020 & Accutron DNA | The Birth of the Electrostatic Movement"
https://www.youtube.com/watch?v=qCyQaJcXAlo
"Bulova Accutron Spaceview - the Tuning Fork Watch!"
https://www.youtube.com/watch?v=0hqGw2W8-Hk
"Bulova Accutron 214 Spaceview - with sound and spectrum analyzer"
https://www.youtube.com/watch?v=JfNDWA-_JOE
"Sight and 360Hz humming sound of a Bulova Accutron Spaceview 214"
https://www.youtube.com/watch?v=9HeqkOXs6XA ]]]>richardrogers watches 2017 bulova accutron architecture design centrepompidou time history transitions teamwork collaboration learning howwelearn schools schooling howthingswork studios lcproject openstudioproject change mechanismsforchange canon ethos interregnum order borders scale intermingling diversity race class family humanity humanism democracy athens ancientgreece 2020 thewristwatchexperience tuningfork electronic 1950s 1960s 1970s spaceview2020 electrostaticmovement watchcanonhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6a97e6661d3c/Gabriel Boric on the Chilean Student Movement - YouTube2021-12-04T23:54:56+00:00
https://www.youtube.com/watch?v=M_0s8Cgd7pI
robertogrecogabrielboric chile 2017 studentmovement politics organizing change policyhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:6409f841bc79/“Carl Broke Something”: On Carl Andre, Ana Mendieta, and the Cult of the Male Genius2021-11-10T22:09:27+00:00
https://lareviewofbooks.org/article/carl-broke-something-on-carl-andre-ana-mendieta-and-the-cult-of-the-male-genius/
robertogrecomayagurantz 2017 carlandre moca anamendieta art piaget philippevergne calvintomkins ojsimpson peterhyams matthewbarney artworldhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:1265b4b72723/Timex Watch Production | Timex - YouTube2021-09-13T08:35:55+00:00
https://www.youtube.com/watch?v=w4fpP9ea5JA
robertogrecotimex watches production manufacturing philippines cebu 2017https://pinboard.in/https://pinboard.in/u:robertogreco/b:ba6dd77825ef/Schwab in the Off-hours - by Christian Nagler - Christian’s Newsletter2021-08-27T09:47:19+00:00
https://christianrileynagler.substack.com/p/schwab-in-the-off-hours
robertogrecoThe American as conqueror is unwilling to appear in public as a pure aggressor; he dare not seize California as Russia has seized so much land in Asia, or as Napoleon, with full French approval, seized whatever he wanted. The American wants to persuade not only the world, but himself, that he is doing God service in a peaceable spirit, even when he violently takes what he has determined to get. His conscience is sensitive, and hostile aggression, practiced against any but Indians, shocks this conscience, unused as it is to such scenes.
. . . It is to be hoped that this lesson, showing us as it does how much of conscience and even of personal sincerity coexist with a minimum of effective morality in international undertakings, will some day be once more remembered; so that when our nation is another time about to serve the devil, it will do so with more frankness, and will deceive itself less by half-unconscious cant.
Josiah Royce, “The Conquerors and Their Consciences,” 1886
And of course that “practiced against any but Indians” gives one pause. How casually a genocide can be relegated to side-note. Plus, the fact that there seems to be a lot of frank devil-serving going on nowadays. When the Frankfurt school theorists came to California in the 40s they said that the California culture industry was “psychoanalysis in reverse.” A gradual and progressive refusal of the work of mourning. They thought that the West Coast’s denial of introjection – its obsession with the haunting work of technical media – would lead to its own version of fascism. And this is maybe most of what I could say about the West if I stayed with the unadorned truth. I think of a few weeks ago, when the Charlottesville “Unite the Right” rally was happening and I knew nothing about it because I was backpacking in the Sierras with two old friends. On the way, driving back out from the mountains, through the Central Valley, our first sign of those events were ghostly-quick glimpses out the window of groups of militant white teenagers roaming the streets of a little place called Jamestown (colonies repeat themselves) with confederate flags, and chanting, in celebration. But the truth has been elaborately adorned – with myth and highway and wealth and health and social-media-celebrity hijinks.
Of course, the museum, museums generally, have provided space and solidity to the ornamentation of dispossession. And this, the other side of the prompt, “SFMOMA,” was stuck in my throat for weeks. Through the struggle to produce some writing for this – for you, and also for some money ($1 for each word, pretty generous in fact) – I have often repeated to myself in mind: “I absolutely cannot write about the museum.” In this way, I have verbally reinforced my resistance; it’s what a friend sometimes calls “knee-jerk anti-institutionalism.” I’m not sure I’m confident that people’s complex psychic and material relations to institutions can be equated to the nervile twitch of the leg under the doctor’s knock, but I do accept that my resistance is sometimes more bodily than linguistic. So much mute recalcitrance here in this one (me). And the interminable efforts to unravel it – for you, for money . . . it takes so much time. So, the smallness of the address, to you, a real person – kind and smart and changing – had to displace the museum, at least at first.
And maybe with this commission, this theme, maybe you were feeling the wedge of someone else’s institutional choreography. And you did it, carried it through, in your own way, kneaded the constraint of the other into the shape of your own interest. This is a stereotype I have of East Coasters – they always get the job done, without complaints; or maybe just a few complaints, but they are perfunctory and resigned, witty and realist. We West Coasters are more fuzzy. We plead exceptional circumstances and psychic crises and we back out of things. Maybe the entire westward course of settler colonialism was a broad tide of backings-out, of revised commitments, of slightly ashamed apologies, of personal retreats. “Yes, I know I said I’d help with this participatory democracy / abolition movement / industrial labor struggle, but I’m just, like, so close to burnout and I decided I really needed to join this wagon train as a form of self-care, to get off the grid for a bit.”
I’m glad I found a way of not backing out of this. A way I adopted from so many I’ve known who have that East Coast realism – the sense of knowing which battles might be worth it, and which not. The way I found to finally get it done consists of addressing the institution – this massive museum, white segmented wave, which has bulged a bigger, brokered version of itself every few decades – in the figure of an individual person. In this case, the tactic renders the institution addressable, since, when it wears your face, walks around in your struggles, it reveals its ambivalence. I generally wish institutions were more ambivalent. Ambivalence is a medium to relate through, I think. The museum, in its full architectural-financial-temporal resilience, its hundred year plans and strategic growths and durable hierarchies, is too un-ambivalent (in speech, if not in deed) and too single-minded to hold a conversation I can relax in. As a West Coaster, mostly what I want is to relax. The museum replies in long silences, in databases, in lawsuits and eras of directorship. Its exhibitions are like the banter at openings: polite and distracted, with nice accessories jangling and ticking at the edge of perception, fantastically pricey minimal eyeglasses, determining what can be seen more than one might imagine. No matter how big SFMOMA gets, it will always be an adolescent institution, and will carry that insecurity into its self-branding. This is what Freud thought of California in general – it was the outpost and refuge of adolescent psychology. Is it necessary to become an adolescent to have a conversation with an adolescent? Likewise, is it necessary to transform oneself into an institution to address an institution? I suppose I admire the egoic scale of critics who are comfortable addressing the institution as itself, who are practiced at interpreting the face it wants to show us. The social and material edifice.
Clearly there are also many individual people who are difficult to talk to. I wonder, for instance, what it would be like to talk to some of the museum board-of trustee-members. The question begs the more general one of whether one can relate at all to eminent and powerful and productive personages. Is there any circuit of communication between the plebes and the elite, even within the platforms that bind all into institutional bundles? In such an imagined communication, who is the adolescent and who is the mature one? At times, we might say, the wealthy are spoiled and withdrawn brats, holed up in their airy rooms, requiring the disciplining interference of the everyday people; sometimes the wealthy are the patient (or not) parents, remaining watchful, putting up with (or not) the people’s tantrums in the living room of the res publica,: not while you’re still under my roof!
You said to me once, “I’m not sure the board-members know Open Space exists.” Lack of oversight as the mixed-blessing of growing up in an institution. Fragile neglect. Local community as foster child; you should be lucky you’ve got a (massive) roof over your head!
Let’s take Charles Schwab, for instance. He is the chairman of the board of trustees. He must be very busy. No time to look at a weird and non-revenue-generating art online magazine. His name precedes him, his reputation is a large thing in mind, even if one does not know quite what he does. His name is also the name of a company – his, the shareholders’. I could write a thousand pages about him and he might never know it – his human force-field guards his awareness from my untrained (read: “anti-capitalist”) impulses. My expectations constrain most possible relations I might have with such a person. No wonder so many Hollywood narratives trade in the fantasy of an extraordinary (honest, forthright) lumpen unsuspectingly encountering some powerful, guarded character. The odd-couple bonds in the off-hours, outside the determinations of class and respectability, in the interstitial spaces between power-frames, so that authentic human merit can bloom, recognized at last as a love-that-dare-not-speak-its-name, a peaceful, personal revolution of private, mutual identification. Of course, it ends with the plebe absorbed, happily, into the halls and circles of wealth – accepted at last as a token, which might bode further tokens – even ones in the audience. Such narratives carry the fantasy that one could “sell out” unconsciously, unintentionally, uncorrupted by ambition, through the virtue of one’s raw appeal. Schwab, as we know, has built a financial empire (can I call it that, here?) on an idea of this fantasy, but inverted.
Did you ever see the “Talk to Chuck” series of ads that ran from 2005 to 2013? It was a campaign that bookended the financial crisis of 08-09 and it’s a famous case in advertising history as well as in financial sector PR-thinking. It won awards, I think. The ads featured people talking about intimate details of their financial lives – their problems, opinions, wishes – as if to a trusted friend. These confiding folks – chopping vegetables, uncorking wine-bottles, feeding babies across the table – are rendered in Rotoscopic animation – remember that? All the little realistic details of their bearings are preserved in a heightened, defamiliarized nether-realm, processed for optimum image-integrity. The rotoscope technique, we might say, creates kinetic monuments to the little a-tempos and hiccups of everyday speech and gesture. In these ads, the absent interlocutor, we are left to infer, is Chuck. Schwab in the off-hours. But we never see him. In fact, we are in his place. Are we Chuck? To “talk to Chuck” is in fact to talk to the wise and money-savvy version of oneself.
During work time, in real-life, Chuck is the king, inventor even, of discount brokerage. In the off-hours, in personal great-time, out for coffee on a Sunday afternoon, or sitting with us at the basement wet-bar in the evening after commute, he is our grand-casual confrere. Like a one-man institution, he knows nearly everything about the market – where it’s been, where it’s going, what it is and isn’t – and he knows about how to secure one’s financial survival, how to balance a portfolio, how to analyze fundamentals, how to avoid a miserable fate. He also knows about me, specifically, my shames and loyalties and tender spots, those parts of me that remain adolescent and thus ill-adapted to the cosmopolitan rigors of the market, both the financial one and the art one. He’s a person and a machine, a golf-buddy and an algorithm. He may not love you (like Jesus) but he likes you, kinda, and you never see him, but you can talk to him whenever you want.
Post 2008 crisis we learned a lot about the finance titans of the East Coast – the interlocking structures of securitization, dependent for their solvency on peoples’ abilities to keep paying off their debts – but we still knew very little about the specifics of West Coast finance. Discount brokerage, for instance; what is it? The short answer is that in the old days, if you wanted to buy and sell stocks/bonds/options/mutual funds/etc., and if you were part of the small but growing subset of subjects in the privileged position to contemplate this, you needed a broker, who was supposed to be an expert and who made large commissions off your purchases. This broker gave you recommendations, asked about your life, and generally interfered in your affairs. This broker had privileged access to the pits of the NYSE and the Chicago Mercantile Exchange. What Schwab did was develop a platform where you could pretty much do this yourself – over the phone, at first, and later over the internet. Your broker was now a large aggregation of data, structured for nice user-experience. In developing this platform, it is often said that Schwab helped usher in the advent of electronic trading.
The thing is, for people to trust themselves to invest their earnings wisely, without intensive consultation and frequent tips – they had to be convinced. They had to be addressed, or interpellated, into the role of savvy investor. The success of this persuasion – otherwise known as “consumer facing” or “retail” finance – relied on two beliefs: first, the belief that one could not trust traditional brokers, who were probably opportunistic middlemen who pushed their own investment agendas in the guise of expertise, manipulating the value of their own holdings, and receiving kickbacks from others; second, people had to be given credible figures of maverick investing to identify with – that it was not in fact the company-man, but instead the cowboy (the West Coast entrepreneur) and the woman (gasp!) that could succeed most jubilantly in the wilds of the market, who could endure volatilities with grit and candor.
So, West Coast finance – discount brokerage – like Protestant Christianity, was the fantasy of a direct line between the everyday person and the market – a frank conversation between your heart and the flaming heart of value – a conversation that could extend into the wee hours of the night if need be – a tired wrangler or pioneer mother talking to God under the night sky, asking safe passage for the herd. And, as Protestantism was reliant on the mass-technology of the vulgate bible for its functioning, discount brokerage was reliant upon quick and easy digital platform communication. This is how it grew in league with the internet, and this is why we might say Schwabism is the form of financial system proper to Silicon Valley.
But I fear I’m getting off track here. Who wants to receive a letter from a friend that turns into a screed about discount brokerage? What happened to the museum, what happened to art? Honestly, I don’t know. All museums have trustees and chairmen and wealthy donors, etc. So, this is no critique really. If abuse of power comes as no surprise, then power itself, taken straight, is even more anticipated. Endured on the daily – drearily, hopefully. I don’t really think discount brokerage is a controversial issue, or, it’s controversial insofar as global markets for investment are controversial – if you think that more people should participate in these markets, then discount brokerage may even be a good thing.
This, actually, is Chuck’s charm. He wants you to participate. He listens to you, or pretends to, which is good enough. He keeps all that deep, data-based awareness on friendly reserve and gives it to you only when you ask. Like a good reverse psychoanalyst, he lets you tell your own story – not in words, but in money – and the interpretation emerges organically from your patterns and impulses. This is California’s charm as well. West Coast finance is a DIY drive to self-institutionalization – it summons the little brokerage firm that’s buried in your solar plexus, in the same way that Facebook organizes the personal brand hidden in your social life and Google documents the neuropathies (possible subversions) encoded in your idle and systematic curiosities. Some call it platform capitalism, others call it crowd-sourced cognition, or capture of the general intellect, or social automation, but we could also think of it as a form of privatized populism. It addresses the mass in the mode of the intimate moment, to then reconstruct that mass as a structured data-set.
But there is still the question of the museum, a question I evade again and again. Maybe I need to resign myself to the fact that my only response to the museum is an extended adolescent outburst – unformed, inarticulate frustration shaped into personal style. I think of something that was recorded in the New York Times shortly after the new SFMOMA addition was constructed – a statement by another one of SFMOMA’s board of trustees (who happens to be the daughter of Chuck) about the Bay Area:
“Maybe we can’t compete with L.A. or New York in terms of the depth of museums or galleries or community of artists. . . But we certainly compete very strongly on the collector’s end.”
As a part of this community of artists, I react to the statement with a bit of confusion. I have always thought of this community as densely layered and nearly unfathomable, with histories upon histories – queer histories, radical histories, genealogies of social practice and public practice that defy categorization. You can find some of this just by navigating through the digital passageways of Open Space. But maybe I agree with this trustee: that here lie depths that don’t always rise to the level of competition, don’t always try to. I, for one, bow out of competitive displays like a depressed teenager sneaking out of the pep rally. Maybe one day I will mature into wealth and beauty, and then I will be able to hold my own in the world-arena of competitive culture-making. I will then conduct myself like one of those grand collectors who appear in the upper echelons of the global city; like archangels, they battle with admirable restraint on platforms of their own making. They trifle not with communities and critiques that wallow beneath their calfskin loafers. Their acquisitiveness is a form of divine genius. A provincial hack such as myself can only gaze up in desperate hope that a little of that glory will fall my way, onto my body, or into my account.”]]>christiannagler 2017 2021 charlesschwab openspance sfmoma sanfrancisco art artworld california west westcoast canon inequality eastcoast us civility finance individualismhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:943650c41ba7/Kameelah Janan Rasheed on research and archiving – The Creative Independent2021-04-13T04:33:44+00:00
https://thecreativeindependent.com/people/kameelah-janan-rasheed-on-research-and-archiving/
robertogrecokameelahjananrasheed 2017 archives archiving research howwework writing howwewrite art school schooling learning howwelearn generative invasivespecies nyc landscape colonialism imperialism blackness collections collecting curriculum digitization digital hypertext online octaviabutler web crisscross teachinghttps://pinboard.in/https://pinboard.in/u:robertogreco/b:84b8526ad659/Kameelah Janan Rasheed Studio Artist 2016-2017 on Vimeo2021-04-13T02:25:54+00:00
https://vimeo.com/217412299
robertogrecokameelahjananrasheed art artists language posters 2017https://pinboard.in/https://pinboard.in/u:robertogreco/b:34995ca04ff9/E-paper hacking: fastest possible refresh rate - YouTube2021-04-07T01:17:10+00:00
https://www.youtube.com/watch?v=MsbiO8EAsGw
robertogrecoeink epaper arduino displays hardware 2017https://pinboard.in/https://pinboard.in/u:robertogreco/b:9aa9686cdf18/What remains. A writer's journey to Japan in times of impossible travel|おかえりハウス|note2021-03-30T02:34:18+00:00
https://note.com/okaerihouse/n/n86101dd6f537
robertogrecojapan michaelavieser forests time slow multispecies tea japanese buddhism shinto poetry walking space silence nature morethanhuman animism boredom presence awakening 1995 1996 1997 wildlife 2018 2017 onsen monasteries meditation 2002 temples minakatakumagusu netowrks interconnectedness 2021 satoyama maps mapping present future shinichinakazawa social sociallife stillness hierarchy horizontality kumano shizauka kyoto yakushima gardens yuvalnoahharari kamonochōmei yuvalhararihttps://pinboard.in/https://pinboard.in/u:robertogreco/b:0673883b129c/Think of Monk | The New Yorker2021-03-28T19:48:40+00:00
https://www.newyorker.com/culture/culture-desk/think-of-monk
robertogrecotheloniousmonk jazz music 2017 ethaniversonhttps://pinboard.in/https://pinboard.in/u:robertogreco/b:f93e4971c4d5/Welcome To My Life | Cartoon Network Studios Shorts - YouTube2021-03-20T01:59:01+00:00
https://www.youtube.com/watch?v=idT98H8TK-U
robertogrecoelizabethito 2017 animation monsters schools schooling tolerancehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:f8b1711d5f9b/Nuria Montiel – SAIC MFA Show 20172021-03-10T19:56:02+00:00
https://sites.saic.edu/mfa2017/artist/nuria-montiel/
robertogreconuriamontiel art textiles place community 2017 typography bodies movement knowledge culturehttps://pinboard.in/https://pinboard.in/u:robertogreco/b:7466797add28/“You Make Me Feel Right Quare” | Social Text | Duke University Press2021-02-13T22:31:20+00:00
https://read.dukeupress.edu/social-text/article-abstract/35/4/53/133563/You-Make-Me-Feel-Right-Quare-Promiscuous-Reading
robertogreco1890s newdeal economics progressivism 2016 elections donaldtrump whitenationalism queer queerstudies minoritarianism reading kylawazanatompkins 2017 us history settlercolonialism whiteness politics policy irrationality property biopolitics freemarket markets entrepreneurship freemarketshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:221fb79b0535/Finding My Way into a New Form: An Interview with Teju Cole - The Millions2021-01-22T17:45:39+00:00
https://themillions.com/2017/07/finding-way-new-form-interview-teju-cole.html
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https://www.nytimes.com/2017/08/19/opinion/sunday/best-places-swim-world.html
robertogrecoloudonwainwright travel swimming 2017https://pinboard.in/https://pinboard.in/u:robertogreco/b:ebe018ca9a3c/Opinion | Why Can’t We All Just Go to the Pool? - The New York Times2021-01-17T02:16:53+00:00
https://www.nytimes.com/2017/07/01/opinion/sunday/why-cant-we-all-just-go-to-the-pool.html
robertogrecomarkoppenheimer 2017 swimming swimmingpoolshttps://pinboard.in/https://pinboard.in/u:robertogreco/b:2e09032302ba/Opinion | Forget Calories. Exercise for Awe. - The New York Times2021-01-17T02:15:52+00:00
https://www.nytimes.com/2017/05/06/opinion/julia-baird-australia-sea-swimming.html
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