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  </channel><item rdf:about="https://sfstandard.com/2026/07/02/america-s-250th-empire-founded-sf-has-warning/">
    <title>America’s 250th: The empire that founded SF has a warning for us | The San Francisco Standard</title>
    <dc:date>2026-07-04T13:12:00+00:00</dc:date>
    <link>https://sfstandard.com/2026/07/02/america-s-250th-empire-founded-sf-has-warning/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In his classic 1963 study “Imperial Spain 1469-1716,” J.H. Elliott argues that the decline of the empire was caused by a number of factors, including an economic crisis brought on by an endless procession of ill-conceived wars; an ossified society dominated by a reactionary church and clinging to dysfunctional ideals; a stagnant intellectual life characterized by a rejection of science and the Enlightenment; extreme nativism and an obsession with racial purity; a society divided between the very rich and the vast majority, who were very poor; rampant cronyism; and a procession of incompetent monarchs. 

Hmm. Does any of this sound familiar? 

Let’s start with unnecessary wars. If there was a single event that started the Spanish empire on its death spiral, it was King Philip II’s disastrous decision to send an “Invincible Armada” to attack England in 1588. Philip and the Spanish church were filled with holy zeal to smite the English infidels. A Jesuit prelate named Pedro de Ribadeneira wrote, “I consider this enterprise the most important undertaken by God’s Church for many hundreds of years. Every conceivable pretext for a just and holy war is to be found in this campaign. … This is a defensive, not an offensive war; one in which we are defending our sacred religion and our most holy Roman Catholic faith.” The invasion abjectly failed, the ships destroyed by a combination of English cannon, fires, and storms, at a cost of 10 million ducats — three-fourths of Philip’s annual budget. 

Wars imposed an insupportable financial burden on Spain, and its rejection of science and the Enlightenment prevented it from advancing alongside European nations that were open to new ideas. Spain’s stagnant intellectual climate was epitomized by a notorious episode that took place during the reign of Philip IV. When a junta of theologians was summoned to opine upon a proposed canal linking the Manzanares and the Tagus rivers, it declared that if God had intended the rivers to be navigable, He would have made them so. When progressive Spaniards embraced the humanist ideas of the free-thinking Dutch scholar Erasmus, the Inquisition, the powerful ecclesiastical institution charged with maintaining Catholic orthodoxy, accused him of heresy and forced him to recant his sins publicly and spend a year in seclusion in a monastery. Crucially, Elliott argues that Spain created the Inquisition precisely because Spain was more racially and religiously diverse than other European countries: “The intermingling of Christians, Jews, and Moors had created religious and racial problems of unparalleled complexity and had prompted the organization of a tribunal dedicated to a solution along the only lines that seemed feasible — the imposition of orthodoxy.” The Inquisition was driven not just by hatred of alien beliefs but by fear that even the slightest deviation from orthodoxy might open the floodgates to widespread heresy. 

The Inquisition’s obsession with ferreting out heretics was indistinguishable from its obsession with exposing and denouncing those who were racially impure; namely, Jews and Moriscos, descendants of the Moors who conquered Spain in the 8th century and ruled it for centuries. Spain’s obsession with racial purity, or limpieza de sangre (“purity of blood”), drove it to expel first its Jews, in 1492, then its Moriscos, between 1609 and 1614. The Spanish crown feared, for good reason, that even Jews or Muslims who had converted to Catholicism often secretly clung to their old beliefs. But political and economic reasons also played a role. Many Jews had attained high positions in finance and trade, and some Spanish resented their success. Similarly, many so-called Old Christians (as opposed to the Moriscos, who were known as “New Christians”) disliked the Moriscos for, as Elliott writes, “spending too little, working too hard, and breeding too fast.” 

Both expulsions had negative effects on the Spanish economy. So disastrous was the effect of the expulsion of the Moriscos that in 1633, the royal confessor wrote, “It is a very short time ago since the Moriscos were expelled — an action which did such harm to these kingdoms that it would be a good idea to have them back again, if they could be persuaded to accept our Holy Faith.” But as Elliott writes, “[W]hat was done could never be undone. The regime of the Duke of Lerma [the favorite of King Philip III, who effectively governed Spain during Philip’s reign] was never one to give much thought to the morrow, and the expulsion of the Moriscos aptly symbolized its general outlook in its total disregard for economic realities, its determination to adopt the easiest solution when confronted by admittedly intractable problems, and its tendency to give way before popular and sectarian pressures. Here was a regime that, at a time when Castile stood most in need of government, was content to follow where others led, a government that preferred panaceas to policies and had nothing but high-sounding phrases and empty gestures to offer a society that desperately needed a cure for its many ills.” 

Spain in the age of empire suffered from extremes of wealth and poverty: It had virtually no middle class. The writer Gonzalez de Cellorigo lamented in 1600, “Our republic has come to be an extreme contrast of rich and poor, and there is no means of adjusting them one to another. Our condition is one in which we have rich who loll at ease, or poor who beg, and we lack people of the middling sort, whom neither wealth nor poverty prevents from pursuing the rightful kind of business enjoined by natural law.” Elliott notes that Spain lacked what other European countries were developing: “a middling group of solid, respectable, hard-working bourgeois to bridge the gap between the two extremes.” Elliott argues that Spain’s potential middle class was lured away from productive activities by a desire to emulate the lazy, decadent aristocracy. As he writes, they “had committed the great betrayal. They had been enticed away by the false values of a disorientated society — a society of ‘the bewitched, living outside the natural order of things.’ The contempt for commerce and manual labor, the lure of easy money from investment in censos and juros [financial instruments that further drained Spain’s collapsing economy], the universal hunger for titles of nobility and social prestige — all these … had persuaded the bourgeoisie to abandon its unequal struggle, and throw in its lot with the unproductive upper classes of society.”

Spain’s decline was exacerbated by the rise of so-called validos, or royal favorites, who for decades wielded the real power in the royal court — and used their influence for massive self-enrichment. We’ve already noted the disastrous decision by one of the most prominent of these favorites, the Duke of Lerma, to expel Spain’s Moriscos. Lerma not only gorged himself at the royal trough; he was also particularly prone to being conned by even more outrageous grifters. “Lerma’s choice of confidants was uniformly disastrous,” Elliott writes. “Easily deceived by plausible rogues, he elevated to positions of great importance the most unsavory characters.” Don Pedro Franqueza, a bureaucrat tasked by Lerma to run the treasury, stole almost unbelievable amounts of money from the royal coffers and managed to obtain the title of Count of Villalonga before he was caught in 1607. Once arrested, Don Franqueza was charged with no fewer than 484 offenses, including fraud, misappropriation, bribery, extortion, embezzlement of public funds, document forgery, violation of state secrets, influence peddling, and concealment of assets. He was sentenced to life in prison and forced to  repay 1.5 million ducats, about a fifth of the Crown’s average annual expenditure. 

Finally, some of Spain’s monarchs, especially the ones who were in power during the empire’s swan song, were even worse than the validos. Sovereigns like Carlos IV, who was interested only in hunting, and his despotic, vindictive son Ferdinand VII were dreadful rulers whose incompetence led Napoleon to depose them both. Historian Stanley G. Payne described Ferdinand — during whose 19th century reign Spain lost most of its empire and whose later period is referred to as “the Ominous Decade” — as “in many ways the basest king in Spanish history. Cowardly, selfish, grasping, suspicious, and vengeful, D. Fernando seemed almost incapable of any perception of the commonwealth.” 

Spain’s decline was a long time in the making. When Anza proudly planted the Spanish flag on San Francisco soil in 1776, the great empire he represented had been rotting from within for more than a century and a half. But few could have predicted that it would collapse as suddenly as it did.

The United States isn’t Spain. But for anyone who follows the news, the parallels are inescapable — and ominous."]]></description>
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<item rdf:about="https://emergencemagazine.org/conversation/a-glorian-is-a-moment-of-grace/">
    <title>A Glorian Is a Moment of Grace – Terry Tempest Williams</title>
    <dc:date>2026-07-04T12:42:48+00:00</dc:date>
    <link>https://emergencemagazine.org/conversation/a-glorian-is-a-moment-of-grace/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this intimate conversation, Terry Tempest Williams shares the dream that set in motion her ongoing work of attending to “the Glorians”—moments of wonder, loss, and joy that fuse our attention with the mystery of Earth. Terry explores how visitations from the Glorians can help us engage with a spiritual life that recognizes wildness as the taproot of our consciousness."

[audio also here:
https://www.youtube.com/watch?v=XkINnRhNEcE ]]]></description>
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<item rdf:about="https://lithub.com/on-joan-didion-and-the-art-of-looking-back/">
    <title>Literary Hub » On Joan Didion and the Art of Looking Back</title>
    <dc:date>2026-07-04T12:33:13+00:00</dc:date>
    <link>https://lithub.com/on-joan-didion-and-the-art-of-looking-back/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Maggie McKinley Rereads One of America’s Great Nostalgists"

...

"In Thomas Wolfe’s posthumously published novel You Can’t Go Home Again (1940), protagonist George Webber finds himself in Germany amid the rise of Nazism in the 1930s and “face to face with something old and genuinely evil in the spirit of man.” Upon his return to America, Webber acknowledges that the darkness he has witnessed is not confined to Germany but is everywhere around him, a realization that “shook his inner world to its foundations.” Disillusioned, Webber reflects on the inability to return to a previous worldview, a previous self, or a previous innocence, though his realization remains tinged with longing:

<blockquote>You can’t go back home to your family, back home to your childhood, back home to romantic love, back home to a young man’s dreams of glory and fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing’s sake, back home to aestheticism, to one’s youthful idea of “the artist” and the all-sufficiency of “art” and “beauty” and “love” . . . away from all the strife and conflict of the world . . . back home to someone who can help you, save you, ease you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time—back home to the escapes of Time and Memory.</blockquote>

Webber’s unsettling revelations do not end in defeatism, however; rather, he is inspired toward “a definite sense of new direction.” While he possesses a keen awareness of the corruption that surrounds him, he also exhibits a distinct optimism for the future, particularly the future of America, which he believes still has the capacity to conquer evil, and in the end he insists that “this glorious assurance is not only our living hope, but our dream to be accomplished.” Webber’s conception of the future is thus one that simultaneously encompasses and rejects a nostalgic view of the past, as his forward-looking vision is shaped by a longing for the return of a past moment that collides with the realization of its impossibility.

Of course, Wolfe is not the only American writer to contend with a nostalgic impulse that is deeply connected to experiences of chaos and change. As social, industrial, and technological shifts continued to inform art, politics, and commerce over the course of the twentieth century, writers ranging from F. Scott Fitzgerald to Toni Morrison also examined the allure of looking back, of yearning for a purportedly more stable past. Yet I would argue that there are few contemporary American writers who examine the complexity of nostalgia with more depth, breadth, curiosity, and prescience than Joan Didion. Like Wolfe before her, Didion acknowledges the multitude of ways we might define “home,” and recognizes the inevitable pull of nostalgia for a particular time, place, aesthetic, hope, ideology, or feeling even as she, too, harbors an increasing mistrust of past narratives that “once seemed everlasting.”

Yet Didion takes these ideas much further than Wolfe—and further than most writers, for that matter. Her engagement with nostalgia is not confined to a single character, publication, or era, but defines her fiction and nonfiction across decades, informing her discussions of politics, gender, rhetoric, media, and much more. Her nostalgia also becomes increasingly future-oriented, in a way that is more cautious than that of a character like George Webber, but which nevertheless undermines assessments of her worldview as nihilistic or fatalistic, and complicates common understandings of nostalgia as a purely conservative impulse."

...

"Indeed, nostalgia is at the center of nearly everything she wrote, and I argue that by investigating the various ways she engages with and defines the concept in both fiction and nonfiction, we can better understand the contradictory terms that have come to define Didion’s writing and literary persona: fatalistic and hopeful, fragile and strong, detached and connected, feminist icon and antifeminist, humble and haughty, conservative and liberal. Reading Didion’s work through the lens of nostalgia theory allows us to better understand the source of these tensions, and to reevaluate her views on American history, regional identity, hubris and imperialism, gender, political theater, the counterculture, national rhetoric, grief and loss, and more."

...

"While Didion’s cultural observations are often filtered through a personal experience of nostalgia, more often the latter functions as a critical lens that she discerningly turns onto twentieth-century American culture. At the same time, nostalgia theory becomes a tool we might turn back onto Didion’s work, useful in probing not only her own enigmatic ideas but also the ways modern American history has been narrativized, and how that impacts our cultural and political discussions in the present moment.

An interrogation of nostalgia is also, I would argue, part of her own truth-seeking project as a New Journalist, and her exploration of the allure and menace of nostalgia takes on new dimensions as she directs her gaze outward. Indeed, the nature of New Journalism as a genre allows Didion to demonstrate an acute awareness of her own narrative construction; she draws attention to the fact that her cultural criticism might be tinged with nostalgia and then proceeds to critique this tendency in herself."

...

"In both fiction and nonfiction, she documents the ways that America has used nostalgia to “pernicious” effect on a political and imperial level, a factor that continues to shape our national mythos (Where I Was From). As a nearly ubiquitous presence, nostalgia becomes a recurring theme, a character trait, a narrative perspective, a subject of her criticism, and a critical device in her work. Didion’s work emphasizes that while nostalgia can be paralyzing and foster stagnation when wielded at the institutional level and as an unquestioned worldview, political tactic, or marketing technique, it is also a natural inclination, one that allows us to make sense of our place in the world at any given moment, and can be a tool for uncovering personal truths and identifying cultural and national myths."]]></description>
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    <title>Academia: The Answers We Don't Offer - by Timothy Burke</title>
    <dc:date>2026-07-04T12:22:27+00:00</dc:date>
    <link>https://timothyburke.substack.com/p/academia-the-answers-we-dont-offer</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I’m interested in the emerging academic consensus that remote work, like the Covid-19 lockdowns that pushed it forward as an option, has some hidden social and psychological costs.

At least for me, this kind of finding is where a fair number of people who used lawn signs to declare that we should all “trust the science” quietly pack away those signs and forego that guidance. It seems evident now that we should all have been much more worried about the economic aftershocks of small business failures and the political consequences that might follow from that and that we should have worried a lot more about the psychological and social fallout of manorial isolation in residential spaces inhabited by families, close friends, or roommates only.

The failure to publicly map those considerations in to a balanced technical or scientific evaluation of policies has badly wounded public health institutions around the world, but particularly in the United States. RJK Jr. I think would have never even gotten within sniffing distance of any form of political power but for this kind of miscalculation.

A recent NYT op-ed by two economists, Emma Harrington and Natalia Emanuel, argues that they’ve gone from being strong advocates of remote work as an option for many white-collar workers to seeing a need to sharply restrict its prevalence. I think their reasoning is sound, shaped by data showing a sharp rise in psychological precarity and seeing a broader span of evidence that people are feeling socially isolated in ways that may be exacerbating forms of partisan alienation, general anomie, and collective despair.

The diagnosis seems right to me but I wonder about the therapy. Harrington and Emanuel’s previous enthusiasm for remote work was based on the fact that many people say they prefer it to being in the office. That at least requires a lot of attention before anybody embraces making everybody come back to the same workplace. What is it that people don’t like to the point that they might cling to remote work even if they might recognize some of its negative effects?

The easiest issue to grasp, particularly (I would hope) for economists, is that for many people remote work is in net terms more affordable. It not only eliminates the costs (and tensions) of a daily commute, it also frees people to live in a wider variety of places. Which touches on some of the points about affordability and housing that came up in my last newsletter—if you can live in a cheaper area that you also like which is hours or more from where your company or organization is headquartered, you’ve solved a major problem that mainstream policy and the existing economy are otherwise unresponsive towards. There are other affordances in many cases. Child care, at least for kids who are school age, often becomes both cheaper and easier if both parents are able to work remotely. Meals are often cheaper, especially for people who have substantial dietary restrictions.

I think another NYT op-ed, by Adam Grant and Marissa Shandell, got at far more profound issues with the centralized workplace as an alternative to remote work. There’s a recent problem that many organizations downsized or deferred maintenance during the pandemic so that returning workers find themselves crowded together in buildings that are physically more uncomfortable or unpleasant to be in, dealing with employers who refuse to recognize that they are dumping all those former costs back on their employees in an era of stagnant compensation. That’s a smaller subset of what Grant and Shandell focus on, which is that many middle managers and office bosses want everybody back because its their jobs on the line if it turns out that everybody can produce as much or more as before remotely without a boss constantly coming by their cubicle to hassle them. The need to boss people, as Grant and Shandell see it, is not just self-protective of the status and position of managers but is a psychological need for the kind of person who typically becomes a manager, that many people in these positions are motivated by narcissism and other “dark triad” drives, about the “ego, power and drives” of American bosses.

That’s certainly how many white-collar workers almost legendarily experience being supervised, remotely or otherwise, and that experience is a hundred times worse when it’s about someone physically proximate to you. What a lot of people discovered is that remote work made that experience more bearable. But I think you can extend beyond what Grant and Shandell see in the data.

What I think a lot of Americans have come to feel with new intensity is that hell is other people. Bosses are the worst part of that, but there’s also the co-workers who steal lunches, talk loudly all the time, tell creepy stories, ogle and harass, take credit for work they didn’t do, backstab peers in pursuit of advancement, stick their nose into business that isn’t theirs, or just generally rub the wrong way through no particular fault of their own. Work is the place where you’re with people you never chose to be with, pursuing ends that at least some folks might feel diffident towards, but also shot through with existential risks to your prosperity and well-being. In the United States, most people are a few months of paychecks away from losing their homes or apartments and have their healthcare directly tied to ongoing employment.

I think white-collar workers came alive during the pandemic to the fact that not only is the sociality of work not the sociality they crave, but that all other kinds of sociality that were once tied to a protected block of time we called “leisure” or “private life” have been badly eroded over the last three decades.

Harrington and Emanuel mention Robert Putnam’s famous work Bowling Alone as a path-breaking and early recognition of this loss of civic life. Given that, it’s kind of heart-breaking that we have come to a point where the path ahead gets articulated as “come back to a shared workplace in order to have some kind of shared social reality” or “stay remote and at least avoid the social and psychological harms that many associate with office labor”.

Casting back to my essay from last week on my frustrations with the epistemological shortcomings of conventional social science, this is another one of the shortcomings of the kind of social science that tries to inform institutional and governmental policy. This kind of work always confines itself to what is imagined as being possible within the contemporary moment, no matter how cramped the space of the possible might be as it is understood by the people making the policies and holding the purse-strings. Hardly anyone in this kind of intellectual space finishes their analysis by calling for a social movement, for political and social organizing, for change from the ground up.

Because if the diagnosis is “many of us are suffering psychologically in the isolation of remote work and many of us are losing basic emotional and relational skills to the general detriment of our society”, then surely there are other imaginable therapies besides “look to the workplace to provide what you’re losing, regardless of how precarious, unpleasant and costly life in the workplace might be.” Putnam’s therapeutic suggestions in Bowling Alone are the weakest part of the book, but even from the title alone, he showed that he understood that what we really need is time for ourselves together that is not about work—that is about play, that is about worship, that is about expression, that is about family, that is about joy, that is about ideas and dreams of what could be.

Workplaces have occasionally pretended that they could contain all of that social interaction—often when they self-congratulatorily anoint themselves as “communities”—but the last two decades have stripped most of that pretense away. The foosball tables and well-appointed cafeterias have disappeared even from Silicon Valley, the mock tolerance for open conversation and undirected exploration has been withdrawn.

There’s a problem that not even revived bowling leagues or quizzo teams could solve. Putnam and his enthusiasts at least help us think about something better than “get back to the office, everybody”, but at the core of Putnam’s thought is the idea that we make community best when we are forced to make connections with people we haven’t chosen and wouldn’t prefer to be around. Behind that thought lurks two decades of mainstream sociological narratives in books like Bill Bishop’s The Big Sort: that Americans are suffering from spending too much time with people who are too much like themselves. This is the sort of advice that conventionalized thinkers, usually self-satisfied centrists who write op-eds in major American newspapers, love to give and love to stage. “Talk to people with different views than your own! Reach across partisan divides! Learn to appreciate viewpoint diversity!”

It’s not that they are wrong, either morally or practically. We aren’t mixing enough socially, we are living in more and more bounded kinds of enclaves, our socioeconomic boundaries are hardening as our inequality deepens, we are becoming not only socially inept but also almost unintelligible across certain kinds of everyday epistemological orientations. The problem with Putnamesque ideas about maintaining a healthy sociality that is not confined to work is usually that the person calling for that mixing is themselves not particularly adept at doing so, and often has an incredibly banal understanding of the actually-existing pluralism of social difference in America. The Putnamesque centrist knows what we ought to do, has excessive confidence that they are doing it, but doesn’t really grasp what it would actually entail.

And that’s where I think conventional left appreciations of diversity also run into issues. We tend to think that a sociality that put us into contact with the widest variety of lived experiences, of national and religious and ethnic backgrounds, of temperaments and outlooks, would be the sociality beyond work and beyond the safe civics of Putnam that we all really need and want.

We don’t have a vocabulary for recognizing that the interpersonal, emotional and psychological friction many of us experience at work would exist even in a sociality that was ideally pluralistic. That what remote work and manorial isolation during the pandemic showed some of the people who experienced the strongest forms of that isolation is that it is a pleasure to not have to deal with many people whether that’s in public spaces, in civic life or at work.

Simply being with people who mirror your cultural preferences and even your emotional bent is not a relief. The narcissism of small differences is able to make those social worlds just as painful as many others. What I think no social scientist—or perhaps any other kind or flavor of thinker—is presently speaking to is how do we find people who are different to us whose difference we find enlightening, productive, pleasant, generative, enticing, or transformative?

I am sure that you are more likely to uncover how to do that in a bowling league than a cubicle farm. I am also sure that discovering that art has something to do with the variety of opportunities you are given to be in the presence of real people in materially real circumstances, that it is something you don’t learn via a prescribed path or single technique but in terms of putting enough small bets onto a lot of tables. That requires, at a minimum, time that is clawed back from work, but it also requires a vast regeneration of third spaces in a society almost completely enclosed by the private world of the family and the deformed anti-public created by neoliberalism. We need community centers and parks and libraries and block parties and new civic rituals, we need loitering and hanging out, we need time that has no purpose but to be where other people are and purposes that have no justification other than making social worlds. We need buildings with shared kitchens for all residents, we need free adult education in underused offices. You name it—but what we don’t need is the only thing that a certain kind of social analysis allows itself to envision in facing a looming problem, which is to settle work as the only thing which can define our social belonging."]]></description>
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    <title>You Can't Solve Half a Problem - by Hamilton Nolan</title>
    <dc:date>2026-07-04T12:13:55+00:00</dc:date>
    <link>https://www.hamiltonnolan.com/p/you-cant-solve-half-a-problem</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The moderate's delusion."]]></description>
<dc:subject>moderates centrism hamiltonnolan 2026 politics democrats incrementalism change negotiation us billclinton triangulation donaldtrump maga trumpism values goals socialism obamacare medicareforall healthcare affordablecareact scotus supremecourt realism elonmusk wealthtax inequality billionaires taxes taxation economics society problemsolving</dc:subject>
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<item rdf:about="https://www.hachettebookgroup.com/titles/yasha-levine/surveillance-valley/9781610398039/?lens=publicaffairs">
    <title>Surveillance Valley by Yasha Levine | Hachette Book Group | Hachette Book Group</title>
    <dc:date>2026-07-04T10:29:22+00:00</dc:date>
    <link>https://www.hachettebookgroup.com/titles/yasha-levine/surveillance-valley/9781610398039/?lens=publicaffairs</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The internet is the most effective weapon the government has ever built.

In this fascinating book, investigative reporter Yasha Levine uncovers the secret origins of the internet, tracing it back to a Pentagon counterinsurgency surveillance project.

A visionary intelligence officer, William Godel, realized that the key to winning the war in Vietnam was not outgunning the enemy, but using new information technology to understand their motives and anticipate their movements. This idea — using computers to spy on people and groups perceived as a threat, both at home and abroad — drove ARPA to develop the internet in the 1960s, and continues to be at the heart of the modern internet we all know and use today. As Levine shows, surveillance wasn’t something that suddenly appeared on the internet; it was woven into the fabric of the technology.

But this isn’t just a story about the NSA or other domestic programs run by the government. As the book spins forward in time, Levine examines the private surveillance business that powers tech-industry giants like Google, Facebook, and Amazon, revealing how these companies spy on their users for profit, all while doing double duty as military and intelligence contractors. Levine shows that the military and Silicon Valley are effectively inseparable: a military-digital complex that permeates everything connected to the internet, even coopting and weaponizing the antigovernment privacy movement that sprang up in the wake of Edward Snowden.

With deep research, skilled storytelling, and provocative arguments, Surveillance Valley will change the way you think about the news — and the device on which you read it."]]></description>
<dc:subject>yashalevine 2018 surveillance siliconvalley technofascism internet web online pentagon counterinsurgency us williamgodel vietnamwar arpa 1960s technology google amazon facebook military privacy edwardsnowden news media nsa</dc:subject>
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<item rdf:about="https://patrickfarenga.substack.com/p/skipping-school-a-history-of-american">
    <title>Skipping School: American Homeschooling goes Mainstream</title>
    <dc:date>2026-07-04T10:11:36+00:00</dc:date>
    <link>https://patrickfarenga.substack.com/p/skipping-school-a-history-of-american</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["It’s a strange feeling to read a history of American homeschooling as one who was, and still is, actively involved in that history. Yeah, I’m old, but I didn’t think I was “historically” old until I read Skipping School: A History of American Homeschooling and How It Went Mainstream by Dixie Dillon Lane.

The book uses “national-level research sources and research from my close historical study of one high-homeschooling location—Los Angeles County, California—to make arguments both about the experience of homeschoolers and about homeschooling as a national movement and educational practice.”

Growing Without Schooling is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

Dr. Lane attended public schools in childhood and is now a homeschooling parent, which makes her approach to the topic more sensitive than the usual research done by homeschooling outsiders. Her engaging and wide-ranging book is focused on

<blockquote>… the particular dance between families and larger communities—some governments, some churches, some schools, some subcultures, and wider society as a whole—that characterizes homeschooling. It is not a catalog of all the players, all the subcultures, all the politicalizations, all the criticism or adulation that have some role to play in the history of homeschooling. … Instead, this book offers a bottom-up and a top-down view of homeschooling. This book seeks to find answers somewhere in the middle, answers that will offer insight to both historians and American parents generally. This is a book, first and foremost, about people.

    … When I say, then, that homeschooling has become an “educational norm” or “part of the American educational mainstream,” I do not mean to suggest that it is practiced by a majority of Americans. Rather, I mean to say that it is both practiced by enough Americans and accepted by enough Americans to be considered a minor norm within the larger American landscape.

    This is similar to how, for example, attending private school is accepted as within the realm of normal in the United States even though most American children do not attend private school.</blockquote>

Lane opens her book with California homeschooling court cases from the 1950s and 1960s that laid the groundwork for future court battles. She also writes a concise outline of the shifting educational paradigms within American schooling after World War 2 that led to these battles.

<blockquote>Both the American and Soviet governments knew that building up their respective political systems, their economic prowess, and their international influence required first, as historian David Raleigh writes, “educating the builders.” As a result, soon after the Second World War, American governments and educational experts begawan unprecedented effort to direct the reform of schooling at every level across the country. Doing this, however, required dramatically increasing government and expert (especially administrative) control over schools, privileging this over parental rights and influence.

    … from roughly 1920 to 1945, the leading lights of American education had wished not only to mold society through schools but also to require that teachers exert tremendous personal effort to adapt to the local needs of their classrooms (as they saw them), even to the point of writing textbooks to suit their own students. In other words, while schools had been moving toward expert control in those heyday years of progressive education and teacher professionalization, they did so with a profound respect for the importance of school and community ties and of teacher autonomy.

    The much more radical transformation from local to large control that occurred in the 1950s and ‘60s was a different thing altogether. This change was born not out of a lack of interest in local influence but out of a pressing fear that without a nationally overseen education, the next generation of Americans would not be able to defeat the Communists as their parents had defeated the Nazis. And now the transfer of power from ‘lay citizens to elite decision makers in government,’ as Joseph Murray has written, was moving forward far more rapidly.</blockquote>

Leaders for homeschooling emerged from the schools of this time, namely John Holt and Raymond and Dorothy Moore. John was a private school teacher, while Ray was a researcher at the US Office of Education and Dorothy was a public school teacher. Lane writes about an an influential article by the Moores in Reader’s Digest that argued

<blockquote>the family is the primary educational delivery system. … In fact, John Holt responded to the Reader’s Digest article with a letter encouraging the Moores to take their criticisms even further. Many readers, both famous and less so, agreed that the home and family were the best available setting for alternative education. And so parents, not teachers, would have to lead the way.</blockquote>

Lane’s interviews with the people in Los Angeles county who established the early local homeschooling support groups, conventions, and educational resources shows how ordinary people can create and establish in their own families and communities the changes they want in school and society .

Lane divides her book into three parts: Better at Home (1950–1990), Back to School (1990–2010), and Into the Mainstream (2010–2024). Referring to current-day mainstream homeschoolers, Lane writes:

<blockquote>… we can say with some confidence that while the desire to educate children religiously played a (sometimes highly important) part in a large number of homeschoolers’ decisions to homeschool in the early twenty-first century, the overall motivation of homeschoolers as a group was almost certainly not primarily religious and has grown to be less so over time. As numerous of the NHES (National Household Education Survey) reports have repeated, ‘parents homeschool their children for many reasons that are often unique to their family situation.’

    Thus, although a majority of homeschoolers were religious—as were a majority of Americans overall, let us not forget—religiosity did not define homeschooling whether in motivation or demography.</blockquote>

Later in this part she writes, “…it seems that post-2020 homeschooling is characterized far more by diversity of motivations, races, and income levels than it is by high religiosity, middle-class income, or white skin.”

Since the book is focused on California and presents a general history of the homeschooling movement I understand why the author doesn’t address certain issues, such as the aggressive sales and lobbying tactics the Homeschool Legal Defense Association (HSLDA) used in the 1980s and ‘90s that divided religious, secular, and nonsectarian homeschoolers. HSLDA focused on religious rights over educational freedom and children’s rights, but they were not the only group fighting for homeschoolers’ rights in those days.

John Holt often wrote about and offered advice about homeschooling court cases and legal issues and published a list of Friendly Lawyers in Growing Without Schooling (GWS) magazine that was updated regularly. Ray and Dorothy Moore were advocates for homeschooling in many court rooms throughout the 1980s. Constitutional attorney John Whitehead founded the Rutherford Institute in 1982 as “a nonprofit public interest law firm … that defends civil liberties, human rights, and religious freedoms.” Whitehead co-wrote Home Education and Constitutional Liberties: The Historical and Constitutional Arguments in Support of Home Instruction in 1984.

There were members of the National Coalition of Alternative Community Schools, such as Ed Nagel (NM) and John Boston (CA), who supported homeschoolers by creating distance learning programs and defending them in court when challenged. The Clonlara School in Michigan was an international distance learning program and it’s founder, Dr. Patricia Montgomery, spent a lot of time defending homeschoolers, unschoolers in particular, to school officials. Pat traveled and testified in courts across the US about the validity of Clonlara’s program and parents’ abilities to homeschool, usually without charge to the family. Pat also worked with independent lawyers who fought for local homeschoolers in court. Gene Burkart was a lawyer who offered legal advice and representation, often at no cost, to homeschoolers in MA from the late 1970s until his death. Such grassroots support focused on local and state homeschooling issues without the national political goals, media connections, or funding of HSLDA.

Many homeschoolers referred to joining HSLDA in this time as a legal insurance policy that you’d be foolish not to pay money for in case a school official knocked on your door—which might happen, but often did not. As one homeschooling father told me, “Their whole pitch is if you don’t join us the Boogie Man is going to get you.”

Further, HSLDA had a larger agenda beyond homeschooling that is related to Christian Nationalism (Dominionism). While Holt and the Moores decried school practices they still sought cooperation between schools and homeschoolers, whereas HSLDA had a scorched earth policy towards public schools, which they claimed were “Godless monstrosities.” I recognize the contribution of HSLDA to support homeschooling legally, but it often did so by co-opting or ignoring the grassroots efforts of homeschoolers who didn’t align with their political and religious goals.

While the noted declines in academic achievement in public schools have been recorded and argued for decades in the US, particularly since the pandemic, Lane notes that educators and the media have focused on the negative educational outcomes for some homeschooled children far more than the data indicates they should.

<blockquote>Perhaps most intriguing is data form the ACT college entrance exam on homeschooler performance. The ACT released a report in 2020 that made composite scores from public schoolers, private schoolers, and homeschoolers available over the previous two decades. The ACT’s main finding was that between 2005 and 2019, homeschoolers’ composite ACT score was significantly above that of public schoolers (and slightly below that of private schoolers): homeschoolers’ average scores have been consistently higher than those for public school students. While private school students scored even higher than homeschoolers, the difference between homeschooled and private-schooled kids was much smaller than between public-school children and homeschoolers.</blockquote>

Academic achievements are one metric to compare schools and homeschoolers, but there are other, deeper, reasons why families decide to homeschool besides getting good grades. Dr. Lane’s interviews for the book show this, and her exploration of the history of homeschooling in America shows us a bigger picture about how the drive for central control of education for state and national purposes has become a dead weight against educational change that serves local families and communities."]]></description>
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<item rdf:about="https://podcasts.apple.com/us/podcast/unpacking-zionism/id1735212813">
    <title>Unpacking Zionism - Podcast - Apple Podcasts</title>
    <dc:date>2026-07-04T10:04:25+00:00</dc:date>
    <link>https://podcasts.apple.com/us/podcast/unpacking-zionism/id1735212813</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Produced by the Institute for the Critical Study of Zionism, this podcast features conversations with scholars, activists, and artists about their insights into Zionism.

Unpacking Zionism is a process and a long-term commitment that we at the Institute are making to the Palestinian liberation struggle and the struggles of all people affected by Zionism. To resist the current moment of Israel's ongoing genocide of Palestinians in Gaza, we must understand Zionism. So join us on this journey as we are Unpacking Zionism one episode at a time. Please subscribe to Unpacking Zionism so you never miss new episodes.

To learn more about the Institute and to access episode notes and transcripts, visit our website https://criticalzionismstudies.org "]]></description>
<dc:subject>icsz zionism podcasts emmaiagelman</dc:subject>
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<item rdf:about="https://criticalzionismstudies.org/">
    <title>Institute for the Critical Study of Zionism - Institute for the Critical Study of Zionism</title>
    <dc:date>2026-07-04T09:51:00+00:00</dc:date>
    <link>https://criticalzionismstudies.org/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["ICSZ supports the development of Critical Zionism Studies with resources for academics and activists. The Institute’s work includes fellowships, collaborations, conferences, and publications that expand the reach of research."

...

"The Institute for the Critical Study of Zionism aims to support the delinking of the study of Zionism from Jewish Studies, and to reclaim academia and public discourse for the study of Zionism as a political, ideological, and racial and gendered knowledge project that intersects with Palestine and decolonial studies, critical terrorism studies, settler colonial studies, studies of land and climate, disability, performance, and many other related areas scholarship and activism.

The Institute approaches Zionism as a broad set of colonial and repressive work and solidarities, efforts to curate knowledge and identities, and to dismantle movements that resist it. In other words, Zionism’s project extends beyond the borders of Palestine.

Many scholars and activists are working to illuminate such “other work” of Zionist institutions and discourses, historically and in the present, to shape the material conditions of life, the movement of capital, the construction of racial identity, and more.

ICSZ supports this expansive work with fellowships to support academic and activist work, conferences, and publications that expand the reach of scholars’ and activists’ work into political culture. "]]></description>
<dc:subject>zionism emmaiagelman palestine decolonization settlercolonialism colonialism colonization jewishstudies judaism politics ideology israel activism solidarity icsz</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://logicmag.io/out-of-place/mapping-black-dispossession-in-san-francisco-with-ralowe-t-ampu-and-eric-a/">
    <title>Mapping Black Dispossession in San Francisco with Ralowe T. Ampu and Eric A. Stanley</title>
    <dc:date>2026-07-04T09:30:16+00:00</dc:date>
    <link>https://logicmag.io/out-of-place/mapping-black-dispossession-in-san-francisco-with-ralowe-t-ampu-and-eric-a/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This conversation between UC Berkeley professor Eric A. Stanley and abolitionist organizer Ralowe T. Ampu maps cycles of displacement in San Francisco. Ampu traces the ongoing removal of Black life from her arrival in 1996—a year that also marks the election of the city’s first Black mayor, Willie Brown, and its first tech boom—to the present. Foregrounding the ways Black politicians spearheaded the dispossession of San Francisco’s Black communities, and drawing on a storied history of organizing against these violent modes of urban planning, Ampu provides unique insight into the everyday implications of computation as a municipal project. "]]></description>
<dc:subject>2025 sanfrancisco history disposession raloweampu ericstanley displacement williebrown 1996 urbanplanning thelastblackmaninsanfrancisco gentrification politics policy jamesbaldwin takethishammer 1964 1970s soma westernaddion midmarket colonialism bigtech colonization twitter edlee frankjordan londonbreed hayesvallley redevelopment civiccenter blm blacklivesmatter capitalism neoliberalism copcity missiondistrict themission gavinnewsom bart garrytan doordash uber undercommons georgefloyd police policing fillmore freaknik michaeljohnson dei civicjoyfund marketstreet techcolonialism warondrugs culture abolitionism technocracy fascism desperation economics</dc:subject>
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<item rdf:about="https://www.dukeupress.edu/before-the-fire-dogs-steal-the-sun">
    <title>Before the Fire Dogs Steal the Sun: An Elegy, by Crystal Mun-hye Baik (2026)</title>
    <dc:date>2026-07-04T09:14:53+00:00</dc:date>
    <link>https://www.dukeupress.edu/before-the-fire-dogs-steal-the-sun</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In Before the Fire Dogs Steal the Sun, Crystal Mun-hye Baik offers an intimate cultural history of war, illness, banishment, and estrangement through the experiential lens of her family. Beginning with her father's death and mother's psychiatric hold in 2022, Baik situates her parents’ lives within the enmeshed narratives of Japanese colonialism, war, and transoceanic migration, examining Korean diasporic grief as a felt form of thinking and writing, rather than an object of study. In doing so, she reckons with diasporic genealogies of precarity that have configured the everyday lives of her parents and ancestral communities. Blending different genres from narrative prose to visual essay, epistles to ancestral mourning rites, Before the Fire Dogs Steal the Sun is a meditation on the personal and ethical entanglements scholars must confront when they are implicated in the histories of violence they study.

...

“In Before the Fire Dogs Steal the Sun, Baik balances research and storytelling with expert precision. Her beautifully crystalline prose illuminates the historical depth of intimate lives and the personal stakes of social experiences. Sentence after sentence, insight after insight, this elegy grips the reader and holds them in communal embrace until the very last word. A monumental achievement.” - Vinh Nguyen, author of The Migrant Rain Falls in Reverse

“Although rooted in Baik’s deeply personal experience—her mother’s painful break from reality after her husband’s death—reading this book felt like looking into a mirror. A gift to all of us shaped by militarized diasporas and the unfinished business of war, Before the Fire Dogs Steal the Sun: An Elegy moves between memoir and cultural analysis with power and grace. In the wake of profound loss, Baik pieces together a diasporic family history from makeshift archives scattered across borders and time, offering a speculative yet searingly candid account. This is a brilliant work—moving, engaging, and quietly radical. It will stay with you, and in the best way, restore you.” - Jinah Kim, author of Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas

...

Crystal Mun-hye Baik is Associate Professor and Chair of the Department of Gender and Sexuality Studies at the University of California, Riverside and is the author of Reencounters: On the Korean War and Diasporic Memory Critique.

...

Table Of Contents

Note to Readers  vii
An End Is a Return to the Beginning  1
I. Father
The Eye of the Storm  23
The Wind Phone  45
II. Mother
A Cooking Lesson  67
The Diasporic Family Album  98
III. The Memory Keeper
Grief and Return  117
Posthumous Translation  147
IV. Invocation
A Protection Spell / Cristiana Kyung-hye Baik  159
Acknowledgments  163
Notes  169
Bibliography  177
Index  183
Credits  187"

[mentioned here by Javier Arbona:

"Descolonización del patrimonio en Puerto Rico con Rafael Capó García y Javier Arbona-Homar • Sur-Urbano"
https://open.spotify.com/episode/53hnMibTVpbKx7C0OfvhAi ]]]></description>
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<item rdf:about="https://psmag.com/news/kings-garbage-76228/">
    <title>The Kings of Garbage, or, The ADL Spied on Me and All I Got Was This Lousy Index Card - Pacific Standard</title>
    <dc:date>2026-07-04T08:53:20+00:00</dc:date>
    <link>https://psmag.com/news/kings-garbage-76228/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In 1993 the Anti-Defamation League was accused of espionage, illegal surveillance, theft, and the treasonous sale of classified information to a foreign government. I was one of their victims."]]></description>
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<item rdf:about="https://podcasts.apple.com/gb/podcast/the-adls-forgotten-spy-ring-scandal-and-the/id1385121108?i=1000638138328">
    <title>The ADL’s Forgotten Spy Ring Scandal and the South African Apartheid Regime with Mark Ames –Parallax Views with J.G. Michael – Apple Podcasts</title>
    <dc:date>2026-07-04T08:44:07+00:00</dc:date>
    <link>https://podcasts.apple.com/gb/podcast/the-adls-forgotten-spy-ring-scandal-and-the/id1385121108?i=1000638138328</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["On this edition of Parallax Views, Mark Ames, journalist and co-host of the popular podcast Radio War Nerd w/ John Dolan (aka Gary Brecher), joins the show to discuss his 2014 NFSFWCORP piece "The Kings of Garbage, or, The ADL Spied on Me and All I Got Was This Lousy Index Card". Due to his anti-apartheid activism at Berkeley, Mark Ames found out in the 90s that he'd been spied upon by the ADL. His file listed him marked him as a "Pinko".

This leads us into the story of Roy Bullock, an investigator who spied on anti-Apartheid activists for the Anti-Defamation League and the South African apartheid regime. Working with SFPD intelligence officer Tom Gerard (who also had a spooky background involving CIA dirty wars in Latin America), Bullock was involved in all kinds of skullduggery, including a case that almost led to the murder of a Simon Wiesenthal Center researcher so that an ADL researcher could take his job and make some extra cash. It's a wild story that involves a spy ring within the ADL spying on American anti-apartheid activists. This also takes us into a discussion of how the Irwin Sewell and the ADL had dossiers on antifascist researchers like Chip Berlet of Political Research Associates, the relationship between Israel and South African apartheid, the ADL's shift from focusing on far-right movement like the John Birchers to left wing activists in Berkeley and Arab Americans, the Arab American Anti-Discrimination Committee and the car bombing assassination of Palestinian activist Alex Odeh, Abe Foxman (national director of the Anti-Defamation League from 1987 to 2015), the FBI (and LA Times?) vs. the ADL, ADL CEO Jonathan Greenblatt's embrace of Elon Musk (and curious comments comparing him favorably to noted antisemite Henry Ford), ADL spying on black Americans like former Congressman Ron Dellums, the ADL as part of the National Security State, philosemitic antisemitism, Israel as being its own worst enemy, the canceling of author and journalist Vincent Bevins in Germany, and more."

[See also:
https://parallaxviews.podbean.com/e/mames/ 

"The Kings of Garbage, or, The ADL Spied on Me and All I Got Was This Lousy Index Card" by Mark Ames (2014)
https://psmag.com/news/kings-garbage-76228/

"In 1993 the Anti-Defamation League was accused of espionage, illegal surveillance, theft, and the treasonous sale of classified information to a foreign government. I was one of their victims."]]]></description>
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<item rdf:about="https://aeon.co/videos/a-republican-speechwriter-turned-welders-radical-gospel-of-localism">
    <title>A speechwriter-turned-welder’s radical gospel of localism | Aeon Videos</title>
    <dc:date>2026-07-04T08:31:08+00:00</dc:date>
    <link>https://aeon.co/videos/a-republican-speechwriter-turned-welders-radical-gospel-of-localism</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Karl Hess first glimpsed political power as a speechwriter for the US senator Barry Goldwater’s failed 1964 presidential campaign. Hess found the experience deeply disenchanting, transforming this former ‘Cold Warrior’ who’d helped launch the conservative magazine National Review into an idiosyncratic political philosopher who viewed any powerful institution with intense scepticism. In Karl Hess: Toward Liberty, which won the Academy Award for Best Documentary Short Subject in 1981, the US filmmakers Roland Hallé and Peter Ladue trace this transformation. Hess describes how, after his time in elite circles, he reinvented himself as a libertarian thinker who, having taken up welding and built his own home, came to embody his values of self-reliance and localism. While his views don’t easily map on to contemporary US partisan politics, they comment on our current world – including debates over AI, energy and education – in often prescient and penetrating ways."

[video on YouTube:
https://www.youtube.com/watch?v=gmKI7psLnd4 ]]]></description>
<dc:subject>skepticism libertarianism anarchism 1981 ronaldhallé peterladue philosophy politics barrygoldwater 1964 elites ai artificialintelligence energy education karlhess</dc:subject>
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<item rdf:about="https://www.frontporchrepublic.com/2026/07/writing-like-theres-no-tomorrow/">
    <title>Writing Like There's No Tomorrow - Front Porch Republic</title>
    <dc:date>2026-07-04T08:29:38+00:00</dc:date>
    <link>https://www.frontporchrepublic.com/2026/07/writing-like-theres-no-tomorrow/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["As writers, our job is to remind us of our truest selves."]]></description>
<dc:subject>kenhada writing howwewrite literature poetry 2026 aldoleopold thoreau wendellberry garysnyder rachelcarson barrylopez anniedillard terrytempestwilliams wildness nature ecosystems robinsonjeffers planet environment poems williamstaffod consumerism maryoliver mscottmomaday experience livedexperience humanness wilderness</dc:subject>
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<item rdf:about="https://www.bbc.com/future/article/20260630-how-america-reinvented-english">
    <title>'Separate in name and power': How America reinvented English</title>
    <dc:date>2026-07-04T08:26:33+00:00</dc:date>
    <link>https://www.bbc.com/future/article/20260630-how-america-reinvented-english</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["From "deadline" to "lituation", from "prairie" to "amirite", America's linguistic independence has transformed the English language with a wealth of new words and phrases – shaping its own cultural identity in the process."]]></description>
<dc:subject>language english us 2026 history words identity culture davidrobson difference vocabulary</dc:subject>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=PaHezWcgCXM">
    <title>Jonathan Weber: City on the Edge with Quentin Hardy - YouTube</title>
    <dc:date>2026-07-04T08:24:59+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=PaHezWcgCXM</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Jonathan Weber joins us to discuss his book,  Technology, Politics, and the Fight for the Soul of San Francisco, with Quentin Hardy.

Recorded at Green Apple Books on the Park on July 1, 2026.

About City on the Edge

The definitive and “captivating” (Marty Baron, author of Collision of Power) story of San Francisco’s meteoric transformation into a global capital of technology, and how the same creative and political forces that gave rise to its boom nearly engineered its collapse.

At the dawn of the 1990s, San Francisco was a beautiful if troubled mid-sized metropolis. It was still reeling from the AIDS epidemic and the Loma Prieta earthquake, its economy stuck in a post-industrial slump. Once considered to be the capital of the American West, and later the beating heart of the global counterculture, the mythic, fog-shrouded city at the edge of the continent faced an uncertain future.

But in that very moment, a band of free-thinking technologists, immersed in the creative zeitgeist of the city, were inventing the contemporary internet. San Francisco would undergo an epic political, social, and economic transformation as it claimed the title of tech capital of the world. Local politicians, including Gavin Newsom and Kamala Harris, advanced to the national stage. An unlikely marriage of underground culture and technological optimism gave rise to the annual reverie known as Burning Man.

This should have been a happy story for San Francisco. But as the city’s tech economy roared, a host of urban ills lurked in the shadows: homelessness, drug addiction, mental illness, and a crippling lack of new housing. The city’s famous left-wing political establishment struggled to get its arms around the problems, becoming a punching bag for President Trump and the new right. When the pandemic arrived in 2020, it created new crises and laid old ones bare, shattering a “City Family” that had ruled politically for more than thirty years and prompting a sharp rightward turn by the once-liberal tech industry."]]></description>
<dc:subject>jonathanweber quentinhardy sanfrancisco history technology politics policy 1990s dotcomboom dotcombust gentrification lomaprietaearthquake economics conunterculture californianideology capitalism gavinnewsom kamalaharris burningman libertarianism homelessness fdrugs drugaddiction mentalillness society left establisment donaldtrump 2020 pandemic covid-19 coronavirus technindustry</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=SIekA9-EIbk">
    <title>Robin D.G. Kelley on the Hypocrisy of the Declaration of Independence - YouTube</title>
    <dc:date>2026-07-04T08:22:19+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=SIekA9-EIbk</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Ahead of the July Fourth holiday and the 250th anniversary of the Declaration of Independence, we speak with the acclaimed scholar Robin D. G. Kelley, who examines how Black radicals have interpreted the document throughout U.S. history in a new essay for Hammer & Hope. Although the declaration famously asserts that "all men are created equal," Kelley says that clearly did not extend to Indigenous or enslaved Black people. "When the drafters developed this declaration, they assumed that human beings were basically white men," he says. But despite the "hypocrisy" of the declaration, many Black radicals still found value in its words, including a "justification for rebellion," says Kelley."]]></description>
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<item rdf:about="https://www.nytimes.com/interactive/2026/07/01/us/america-ancestry-census-data-map.html">
    <title>An American Mosaic - The New York Times</title>
    <dc:date>2026-07-04T08:21:05+00:00</dc:date>
    <link>https://www.nytimes.com/interactive/2026/07/01/us/america-ancestry-census-data-map.html</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This map shows how people in the United States identify their ancestry or family origin.

Use it to explore the many ways we describe our heritage and ourselves."
]]></description>
<dc:subject>maps mapping albertsun jeffadelson larrybuchanan ancestry census familyorigin identity</dc:subject>
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</item>
<item rdf:about="https://thereader.mitpress.mit.edu/american-progress-was-an-optical-illusion/">
    <title>American Progress Was an Optical Illusion | The MIT Press Reader</title>
    <dc:date>2026-07-04T08:17:58+00:00</dc:date>
    <link>https://thereader.mitpress.mit.edu/american-progress-was-an-optical-illusion/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The turn-of-the-century energy transition dazzled the nation — while concealing segregation, extraction, and ruin."]]></description>
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<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://aeon.co/essays/re-reading-sartres-lecture-existentialism-is-a-humanism">
    <title>Re-reading Sartre’s lecture Existentialism Is a Humanism | Aeon Essays</title>
    <dc:date>2026-07-04T08:07:08+00:00</dc:date>
    <link>https://aeon.co/essays/re-reading-sartres-lecture-existentialism-is-a-humanism</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In the shattered aftermath of war, Sartre delivered a formidable lecture on freedom and meaning. Its urgency remains"

...

"Sartre never completed a work on ethics (apart from notes published posthumously). In The Ethics of Ambiguity (1947), Beauvoir starts from a different premise: freedom is always situated. A person born into poverty, raised under oppression or denied education faces a structurally different existential situation than the one Sartre’s lecture assumes. The choices available are narrower, the costs of choosing against the grain are higher, and the anguish of freedom can be taken over entirely by the anguish of survival. Willing your own freedom commits you to fighting for the conditions that make other people’s freedom possible. While Sartre acknowledged situation, his version of it is thinner than the concrete social structures on which Beauvoir insists. For Beauvoir, the obligation to others’ freedom doesn’t need to be smuggled in, because it follows from taking seriously the fact that freedom is always lived in conditions shaped by others. Freedom without attention to its conditions is more wishful thinking than philosophy.

Sartre knew his philosophy sounded bleak but, he insists: ‘no doctrine is more optimistic, since it declares that man’s destiny lies within himself.’ We create ourselves by projecting ourselves toward goals beyond ourselves. A person is never finished. Recognising that gives humans dignity.

The afterlife of ‘Existentialism Is a Humanism’ is as a psychological self-help book under the guise of philosophy. One of the central themes is about discovering yourself as the architect of your own life. It works because it encourages people to seize life by the throat, to make decisions for themselves, and not to feel constrained by social categorisations or what other people think they ought to do. Sartre gives people philosophical licence to remake themselves in defiance of the world. That might sound pretentious but it’s also empowering.

The lecture is psychological in that it highlights patterns of blaming others and outsourcing decisions. It shows that you can’t shirk responsibility even if it feels like you can. One of Sartre’s most important messages is that we’re responsible for every choice we make, as well as every choice we don’t make. And our actions mean something beyond ourselves because our choices shape society. Every one of us is leading by example, even if in only a small way.

Sartre’s lecture was polemical, globally resonant and it’s worth revisiting because it remains the most accessible gateway into some of the hardest questions about freedom, moral responsibility and what it means to be human. What Sartre leaves us with is that we didn’t choose to be here, in this world or at this time, but we have to choose our way of living in it. Nothing can save us from ourselves, which is bleak only if you confuse salvation with agency. Projecting and losing yourself is how you find out who you are. Experiencing anguish of choice is a good thing. Ask yourself: what if everyone did as I am doing; where am I reaching for comfort when I should be sitting with anguish; and what does it mean to live without excuses? As Sartre once said: ‘the only way to learn is to question.’"]]></description>
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<item rdf:about="https://www.documenta14.de/en/south/25225_signals_from_another_world_proletarian_theater_as_a_site_for_education_texts_by_asja_la_cis_and_walter_benjamin_with_an_introduction_by_andris_brinkmanis">
    <title>Signals from Another World: Proletarian Theater as a Site for Education Texts by Asja Lācis and Walter Benjamin, with an introduction by Andris Brinkmanis - South Magazine Issue #9 [documenta 14 #4] - documenta 14</title>
    <dc:date>2026-07-04T08:04:46+00:00</dc:date>
    <link>https://www.documenta14.de/en/south/25225_signals_from_another_world_proletarian_theater_as_a_site_for_education_texts_by_asja_la_cis_and_walter_benjamin_with_an_introduction_by_andris_brinkmanis</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Signals from Another World: Proletarian Theater as a Site for Education
Texts by Asja Lācis and Walter Benjamin, with an introduction by Andris Brinkmanis"

...

"What are the forms of culture still capable of assuming the shape of a chorus, an assembly? Which cultural forms might help build communities in which a multitude of diversities might be expressed as a collective force, as a voice able to articulate its discourse, its desires, and give shape to its politics, even if just for a specific period of time? And might such experiences produce knowledge that resists the infinite separation imposed by capitalism and bring one back to self-determined vita activa (praxis)? Indeed, what tools for a positive dialectics do we still have at our disposal and where shall we look for them? 

To revisit the intellectual legacy of early twentieth-century Germany and Soviet Russia means to revisit the “ruins of yesterday where today’s riddles are solved,” as Walter Benjamin once put it. It also means to face wounds and confront ghosts that this time might become allies in our attempt to decipher what can be learned from their haunting presence. To cope with these phantom limbs and ghostly presences of modernity, sometimes violently blasted out of the collective memory, and to oppose the anosognosia of our time is perhaps the task of the materialist historian today. To learn to understand what a body—a social body—was once able to do and still can or cannot do, may provide the necessary awareness to lay the ground for art forms and politics yet to come."]]></description>
<dc:subject>asjalācis walterbenjamin 2026 andrisbrinkmanis education jacquesrancière politics culture assembly via:javierarbona 1968 left proletariat pedagogy 1967 children schools schooling childhood theater youth improvisation knoradfiedler johannesbechar gerharteisler</dc:subject>
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</item>
<item rdf:about="https://www.theguardian.com/us-news/ng-interactive/2026/jul/02/us-national-parks-history-censorship">
    <title>‘A sanitized view of America’: inside Trump’s campaign to erase US history from national parks | National parks | The Guardian</title>
    <dc:date>2026-07-04T08:03:54+00:00</dc:date>
    <link>https://www.theguardian.com/us-news/ng-interactive/2026/jul/02/us-national-parks-history-censorship</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Critics say the Trump administration is trying to rewrite and whitewash history by removing and altering scores of signs on public lands"]]></description>
<dc:subject>2026 nationalparks history visualization donaldtrump publicland sings narrative erasure</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://dissentmagazine.org/article/all-work-and-no-play/">
    <title>All Work and No Play - Dissent Magazine</title>
    <dc:date>2026-07-04T07:51:12+00:00</dc:date>
    <link>https://dissentmagazine.org/article/all-work-and-no-play/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Video games, like any creative product, reflect and refract the conditions of their production. Today, what they most resemble is twenty-first-century work."]]></description>
<dc:subject>samadler-bell 2021 videogames labor work games gaming</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=56ZWnjnN7Vc">
    <title>Mapping the ADL’s Origins in Settler-Colonial Liberalism, State Power, &amp; Civil Rights as Cover... - YouTube</title>
    <dc:date>2026-07-04T06:17:35+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=56ZWnjnN7Vc</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this episode we are joined by Emmaia Gelman, author of The Anti-Defamation League and the Racial State, a critical history of the ADL as a Cold War neoconservative institution. Gelman excavates the Anti-Defamation League's origins as a white, settler colonial institution founded by German-Jewish elites—not to combat antisemitism broadly, but to manage class respectability and suppress Eastern European Jewish immigrant socialists whom they viewed as a racial and social threat. 

 Gelman looks back at how early Jewish settlers had built fortunes through participation in 19th-century US territorial expansion, Indigenous dispossession, and slavery's economic system, understanding themselves as white Europeans racially distinct from the "vermin" arriving from the Pale of Settlement. The ADL and its predecessor, the American Jewish Committee (founded 1906), operated as Progressive Era eugenicist charities designed to "correct and fix" rather than support self-determination, preemptively capturing Jewish political identity to prevent autonomous radical organizing.

 Gelman traces how the ADL evolved from an instrument of McCarthyite purges—coordinating mass firings of Jewish leftists in 1951, offering its services to McCarthy committee members, and abandoning Julius and Ethel Rosenberg to execution while denying antisemitism played any role in their prosecution (the judge who sentenced them sat on the ADL's Civil Rights Committee)—into a key architect of Cold War anti-communism and neoconservative "democracy promotion." The organization attacked Arab League representatives speaking about Zionist violence in Palestine as early as 1946, treating Palestinian and Arab organizing as "foreign insurgency" while framing Jewish fundraising for Israeli settlement as natural civic participation. After Israel's 1967 military victory, the ADL strategically re-racialized Jews as non-white within the framework of race liberalism, allowing it to cast Israeli militarism as defensive racial liberation and Arab calls for refugee return as antisemitic rather than anti-colonial. This racial pivot occurred precisely as European Jews had achieved economic whiteness through the GI Bill, suburbanization, and the collapse of university quotas—benefits systematically denied to Black populations through redlining.

 Emmaia Gelman is the author of The Anti-Defamation League and the Racial State, a critical history of the Anti-Defamation League as a Cold War neoconservative institution (UC Press, 2026) and co-editor of The Anti-Defamation League: A Critical Reader (Pluto Press, 2026). She co-hosts the podcast Unpacking Zionism. Emmaia is co-chair of the American Studies Association Caucus on Academic and Community Activism, and a longtime activist in New York City.

 She is the founding director of the Institute for the Critical Study of Zionism, which examines the political and ideological work of Zionist institutions in Palestine and transnational contexts. She researches the history of ideas about race, queerness, safety, and rights, and their production as levers in surveillance, “anti-terror”, and war. Her teaching spans academic and community spaces."

[also here:
https://millennialsarekillingcapitalism.libsyn.com/mapping-the-adls-origins-in-settler-colonial-liberalism-state-power-civil-rights-as-cover-with-emmaia-gelman 

See also:

The Anti-Defamation League and the Racial State, by Emmaia Gelman (2026)
https://www.ucpress.edu/books/the-anti-defamation-league-and-the-racial-state/hardcover 

Institute for the Critical Study of Zionism
https://criticalzionismstudies.org/ ]]]></description>
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</item>
<item rdf:about="https://buymeacoffee.com/ayjay/in-which-i-make-mighty-vow">
    <title>In Which I Make a Mighty Vow — ayjay</title>
    <dc:date>2026-07-04T05:05:25+00:00</dc:date>
    <link>https://buymeacoffee.com/ayjay/in-which-i-make-mighty-vow</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I'm going to begin this report — have y'all noticed that I do one of these each month? — by giving you a long quotation from a post by Anil Dash [https://www.anildash.com/2026/03/27/endgame-open-web/ ]:

</blockquote>The open web is something extraordinary: anybody can use whatever tools they have, to create content following publicly documented specifications, published using completely free and open platforms, and then share that work with anyone, anywhere in the world, without asking for permission from anyone. Think about how radical that is.

    Now, from content to code, communities to culture, we can see example after example of that open web under attack. Every single aspect of the radical architecture I just described is threatened, by those who have profited most from that exact system.

    Today, the good people who act as thoughtful stewards of the web infrastructure are still showing the same generosity of spirit that has created opportunity for billions of people and connected society in ways too vast to count while — not incidentally — also creating trillions of dollars of value and countless jobs around the world. But the increasingly-extremist tycoons of Big Tech have decided that that's not good enough.

    Now, the hectobillionaires have begun their final assault on the last, best parts of what's still open, and likely won't rest until they've either brought all of the independent and noncommercial parts of the Internet under their control, or destroyed them.</blockquote>

There’s a lot of bad news in that post, but I recommend the whole thing. 

I’ve written a good deal over the years about my love for and commitment to the open web, so I won’t re-hash all that here. I’ll just make two points. The first is that my affection for the open web has grown more passionate as I have become more interested in anarchism, that is, in bottom-up collaborative social practices, negotiated among equals — Acts 2 kinda stuff, for those who are into the whole Bible thing. Like Anil Dash, I think the open web is a miracle of unstructured collaboration; it’s a treasure we should work desperately to preserve. 

The second point is a more uncomfortable one. Look: I really hate Substack. I especially loathe the way it has turned itself into a social network that essentially replicates the web within a paywalled platform. (Have you noticed that Substackers almost always just “restack” other writers on the platform and rarely show any awareness of what’s being published outside their Sub-walls? The platform’s architecture really promotes that, to the degree that I wonder if, like Elon’s X, they shadowban outbound links.) In short: Hate hate hate. 

And yet … 

… I have never quite brought myself to the point of saying I will never move to Substack. The reason? Because I know I could make a lot more money on Substack than I make by using Buy Me a Coffee. Indeed, people remind me of this! My friend Freddie deBoer wrote to me recently to say that a post of mine would have done gangbusters on Substack — which would have meant a lot of people impulse-buying subscriptions. That’s the thing about being in that platform ecosystem: thanks to network effects, you get the impulse buyers. That does not happen on Buy Me a Coffee. You all have had to be really intentional about supporting me, which is a great thing. 

Why is it a great thing? Because by writing on the open web and merely asking for support, I have wholly escaped the pressures that come when people have paid money to see your writing and therefore have certain expectations for what you say and how you say it. Also escaped: that other kind of pressure that comes when people really like one particular post and show their liking with money — which plants the idea in the back of your head that you need to write more posts like that … whether you really want to or not. By contrast, y’all have supported me because you see what the whole package is, and know what you’re getting and are likely to continue to get. That’s really wonderful. So I have every reason to keep writing for the open web and merely requesting/hoping for your contributions.

Well, every reason but one, anyway. Why haven’t I forsworn Substack? Simple: I’m afraid that when I retire next year and take a big financial hit, I’ll be poor, or significantly poorer anyway, unless I hawk my wares on that platform. Which is pathetic. That attitude is unworthy of a mature Christian man. 

So — taking a deep breath here — I solemnly affirm before God and my fellow humans that I will never write on Substack. There, I said it. If no one supports my writing I’ll work as a greeter at Walmart — but as for my personal online writing, I pledge my troth to the open web! You heard it here first."]]></description>
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<item rdf:about="https://open.spotify.com/episode/53hnMibTVpbKx7C0OfvhAi">
    <title>Descolonización del patrimonio en Puerto Rico con Rafael Capó García y Javier Arbona-Homar • Sur-Urbano</title>
    <dc:date>2026-07-03T22:56:24+00:00</dc:date>
    <link>https://open.spotify.com/episode/53hnMibTVpbKx7C0OfvhAi</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Puerto Rico: Un archipiélago que, cada año, recibe a millones de turistas. Muchos de estos visitantes llegan a un lugar que, por décadas, se ha posicionado en una ruta de consumo caribeño – un lugar famoso por fantasías tropicales de ron, cigarros, café y, más recientemente, reggaetón. Si queremos ser más específicos, el Viejo San Juan, el sector colonial de la capital de Puerto Rico, está organizado en torno a satisfacer al visitante con sus restaurantes de comida criolla, coctelerías, tiendas y una proliferación de alquileres a corto plazo. Pero este modelo termina volviéndose insostenible para quienes la habitan. Detrás de las campañas publicitarias cuidadosamente diseñadas para atraer a turistas a un destino familiar y convenientemente situado “dentro” de los Estados Unidos, se oculta una historia incómoda de guerra, racismo y represión violenta.

Hay muchas personas en Puerto Rico cuestionando el espacio público y excavando las historias que existen debajo de cada monumento, de cada estatua, de cada ciudad y su infraestructura. Una de esas personas es Rafael Capó García, el fundador de Memoria (De)Colonial – un proyecto en Puerto Rico que ofrece recorridos históricos en San Juan. Los guías interrogan los legados coloniales de la herencia y el patrimonio puertorriqueño. Esto lo hacen a través de un lente decolonial y antirracista, y el proyecto tiene como misión promover perspectivas críticas en el momento de acercarnos a un monumento histórico. Pueden conocer más de su proyecto aquí:

https://memoriadecolonial.com/

Para pensar más en este acercamiento hacia los monumentos, nos sentamos también con Javier Arbona-Homar, un profesor puertorriqueño en UC Davis quien se enfoca en el diseño y en los estudios explosivos, es decir, cómo las explosiones transformaron la política espacial de los paisajes. Pueden encontrar su libro más reciente, “Explosivity Following What Remains”, aquí:

https://www.upress.umn.edu/9781517918842/explosivity/ "]]></description>
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<item rdf:about="https://bayareacurrent.com/sf-city-fc-fans-on-the-local-and-global-forces-tarnishing-the-beautiful-game/">
    <title>SF City FC Fans on the Local and Global Forces Tarnishing the Beautiful Game</title>
    <dc:date>2026-07-03T09:40:46+00:00</dc:date>
    <link>https://bayareacurrent.com/sf-city-fc-fans-on-the-local-and-global-forces-tarnishing-the-beautiful-game/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["“It would be great if it was just pure and beautiful soccer.”"]]></description>
<dc:subject>sports football futbol soccer sanfrancisco 2026 athletics community worldcup kezarstadium goldengatepark oaklandroots kezarunion kezarpub sfmta muni sfsu daniellurie goldencityfc bilalmahmood myrnamelgar geoffoltmans privateequity inequality grassroots johnyork leedsunited capitalism ownership labahiadefrisco queerlifespace sanfranciscocityfc sfcityfc sfcfc</dc:subject>
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<item rdf:about="https://www.theverge.com/tech/959848/bittorrent-story-25-years-piracy">
    <title>BitTorrent’s disastrous, legendary, and controversial story | The Verge</title>
    <dc:date>2026-07-03T09:40:08+00:00</dc:date>
    <link>https://www.theverge.com/tech/959848/bittorrent-story-25-years-piracy</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The file-sharing app launched 25 years ago and unleashed a wave of piracy that would shake Hollywood to its core."]]></description>
<dc:subject>bitttorrent 2026 history internet web online p2p filesharing freeculture piracy software film music decentralization hollywood jankoroettgers</dc:subject>
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    <title>John Prine's Poetry of Human Connection - Dissent Magazine</title>
    <dc:date>2026-07-03T09:37:27+00:00</dc:date>
    <link>https://dissentmagazine.org/online_articles/john-prines-poetry-of-human-connection/</link>
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    <title>The heresy of Americanism - The Drift</title>
    <dc:date>2026-07-03T09:27:34+00:00</dc:date>
    <link>https://newsletter.thedriftmag.com/p/the-heresy-of-americanism</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Jack Hanson on the new pope and his namesake"]]></description>
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<item rdf:about="https://www.commonwealmagazine.org/dominance-place">
    <title>The Dominance of Place | Commonweal Magazine</title>
    <dc:date>2026-07-03T07:20:05+00:00</dc:date>
    <link>https://www.commonwealmagazine.org/dominance-place</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["‘Last Letter to a Reader’"

...

"Near where I was raised, there is an island that was used as a training ground for amphibious campaigns during the Second World War. By the time I was born, the island had long since been claimed by the state parks service. It was only through public-education initiatives that I learned its full history—from its place in the geography and politics of indigenous peoples, to its use as farmland in the nineteenth century and its later wartime function, up to present-day conservation efforts focused on its modest but remarkable flora, fauna, and marine ecosystems. When I was growing up, my family would visit the island weekly, sometimes daily, for the usual summer recreation. The other children of this little community and I would roam the island’s thick woods, splashing through marshes and jumping down sand dunes. Together with the simple fun of childhood play, there was the added thrill of an overgrown airstrip, the frame of a Jeep rusted and contorted by time and the elements, a fence post older than the trees that surrounded it. From a certain vantage, I could observe the stack of sea, sand, trees, and sky, following the colors up toward the sun, where they disappeared and seeing clearly meant seeing nothing at all. It seemed to me that in this particular place, made special both by the stories people told about it and by forces beyond anyone’s control, time itself behaved differently, coiling back rather than leading forward.

The Australian writer Gerald Murnane has long held that time is an illusion, and that our experience is made up not of moments, but of the succession of places we’ve inhabited, each of which remains long after we’ve left it. His belief in this “secret dominance of place,” as he (or, rather, one of his unnamed narrators) once called it, has led him to an aesthetic vision at once beguilingly strange and familiar. His prose, though clean and approachable, bears the mystical aura of one who has not only seen things others have not, but has also seen common things in a way no one else has.

This revelatory aspect of Murnane’s “fictions” (he prefers this term to “novels” or “stories”) is not one of blinding light and sudden comprehension, but of journeys through increasingly well-lit landscapes. His real subject is fiction itself, which in his estimation allows access to places one can reach by no other means. The territory he writes about expands inward toward a mysterious center rather than outward. A paragraph will often double back to qualify or fill in a preceding observation: “Having written the previous paragraph, I now remember…” In Murnane’s hands these interpolations and revisions do not feel intrusive. Rather, they are part of an excavation disclosing ever-deeper layers of self-knowledge, reports from an interiority so particular it begins to seem universal.

Now, it would seem, no more reports will reach us—not, at least, while the reporter is still alive. With Last Letter to a Reader, Murnane has officially concluded his career as a writer for publication. It’s unclear what to make of this. Quitting writing, at least for publication, is a crucial part of the strange story of Murnane’s legendary career. Beginning with Tamarisk Row (1974), which is being reissued with Last Letter, Murnane published a series of novels written in an increasingly distinctive and self-possessed style, including his 1982 masterpiece, The Plains. His life has been as eccentric as his work. He has lived the whole of his eighty-two years in the state of Victoria, rarely leaving the greater Melbourne area until his 2009 move to the small border town of Goroke (population 299), where he occasionally tends bar at the local “men’s shed.” He is obsessed with horse racing and has an encyclopedic knowledge of the subject. He has never been on an airplane or worn sunglasses. Or so he says.

When Emerald Blue (1995) sold only six hundred copies, Murnane stopped publishing new work for a decade, returning in 2005 with the essay collection Invisible Yet Enduring Lilacs. It was not until 2009 that he published another novel, Barley Patch. Since then he has published more novels, essays, and a memoir of extraordinary quality. In 2018 the New York Times Magazine ran a profile of Murnane with the title: “Is the Next Nobel Laureate in Literature Tending Bar in a Dusty Australian Town?” The answer turned out to be no, but the point stands: Murnane has secured an international reputation with all his eccentricities and preoccupations intact. No better moment, then, to hang it all up. In the very brief foreword to Last Letter to a Reader, Murnane writes:

<blockquote>Nearly six years ago, when I had written the last of my poems for the collection Green Shadows and Other Poems, I felt sure that I could write nothing more for publication. I went on writing, of course, but only for my archives.</blockquote>

But with Covid lockdowns and a bit of cajoling from his publisher, Murnane embarked upon Last Letter. The book comprises a series of short essays on his own published work, beginning with Tamarisk Row and ending with Last Letter itself. Last call, says the provincial bartender. And yet, as the reference to his archives suggests, he plans to continue serving himself.

***
 

Murnane readers will know of the famous archives, a detailed catalog of which was first published in 2013 in Music & Literature: three separate sets of large filing cabinets in the author’s home, each containing an aspect of Murnane’s life. The first is his “chronological archive,” containing records and memorabilia, including old photos and keepsakes, reflections with titles like “Letter of 8,000 words to the Canadians” and “I’m a vengeful bastard!”, and an extensive collection of Magyar flash cards (he is a great lover of all things Hungarian.) The second archive is his “literary archive,” which houses early drafts, unpublished novels and stories, and notes for future work. Finally, and most intriguingly, there is what Murnane calls his “Antipodean archive,” his entirely private exploration—including manuscripts, maps, and geographical surveys—of two fictional islands he has named New Arcady and New Eden, together called the Antipodes.

He has made reference to these islands in his fiction, notably in 1995’s “The Interior of Gaaldine,” which recounts in Murnane’s distinctive first-person voice the narrator’s travel by sea to Tasmania to meet other writers for a tour of the country. Averse to travel, like Murnane himself, the narrator drinks endless “stubbies” of beer and flasks of vodka, eats only some fruit he has brought with him, and goes without sleep for well over twenty-four hours, despite comfortable accommodations and scant obligations. When he is finally able to sleep for a few hours, he is awoken by a mysterious woman who knocks on his door, enters without invitation, and foists upon him a manuscript, which she claims was written by an unnamed friend of hers. The narrator then summarizes the manuscript: a typically Murnanian character—solitary, outwardly average, with an inner-life so rich it makes deep engagement with the outer world altogether unappealing—tells the story of his own life and his invention of an island named New Arcadia. Toward the end of this summary, Murnane interjects:

<blockquote>A different sort of writer than myself might have wondered why the author of the pages in the briefcase had gone to such trouble to invent a duplication of what was already available to him: why should he have invented the racecourses of New Arcadia when he could have bought a racehorse for himself and watched it of a Saturday at Mowbray or Elwick. I have always been interested in what is usually called the world but only insofar as it provides me with evidence for the existence of another world. I have never written any piece of fiction with the simple purpose of understanding what I might call the real world. I have always written fiction in order to suggest to myself that another world exists.</blockquote>

It is worth noting that “The Interior of Gaaldine” appears in Emerald Blue, the last fiction Murnane published for nearly fifteen years. The chapter in Last Letter to a Reader devoted to this collection focuses almost entirely on this story, which Murnane had intended to be his farewell to fiction. “I believe today,” he writes, “that I was driven to write ‘The Interior of Gaaldine’ partly to reassure myself that my Antipodean Archive, as I mostly call it nowadays, is as worthy a task as the planning and writing of any of my published works.”

The drunken delirium of Murnane’s narrator, like the ecstasy of a child, leads directly to his unanticipated entrance into a world not simply parallel with his own, nor born out of it, but somehow intertwined with the stuff of his everyday experience. For want of a better term, Murnane calls this other world “his mind,” or simply “the Mind.” I might suggest “Spirit.” Whatever you call it, it is difficult not to be torn by his devotion to it. On the one hand, Murnane’s reports are those of a genuine explorer: with a strange mixture of single-mindedness and openness to surprise, his work persistently follows the singular capacities of language for both the discovery and the creation of worlds. On the other hand, one begins to wonder where all of this leads. Murnane already abandoned his readers once, in 1995. And now, after the second half of a career increasingly marked by self-reference—the author endlessly reflecting on his own utterances, even from one sentence to the next—Murnane is again retreating from the world. Of course, that doesn’t mean he will stop writing. The archives will grow, and when we finally enter into them, perhaps that will reveal a deeper communion, one that had been ongoing, however invisible.

Last Letter to a Reader
Gerald Murnane
And Other Stories
144 pp. | $17.95"]]></description>
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<item rdf:about="https://www.commonwealmagazine.org/serious-man-0">
    <title>A Serious Man | Commonweal Magazine</title>
    <dc:date>2026-07-03T07:14:41+00:00</dc:date>
    <link>https://www.commonwealmagazine.org/serious-man-0</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["The militant mysticism of Charles Péguy"]]></description>
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<item rdf:about="https://matthewbattles.substack.com/p/a-prayer-for-limits">
    <title>A Prayer for Limits - by Matthew Battles</title>
    <dc:date>2026-07-03T07:04:10+00:00</dc:date>
    <link>https://matthewbattles.substack.com/p/a-prayer-for-limits</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I’ve found myself stretched and challenged by Pope Leo’s encyclical, Magnifica humanitas [https://www.vatican.va/content/leo-xiv/en/encyclicals/documents/20260515-magnifica-humanitas.html ], which has helped to reset the public conversation about the perils of AI (perils that exist in the present, coarsening and riving us at every touchpoint). And beyond the horse-race punditry of so much of the media response, I’ve been grateful for nourishing commentary both appreciative and critical. Some thoughtful critics have pointed out how the encyclical blunts its effect in taking up some of the more shopworn tropes of tech criticism—in particular, the pale nostrum that tech is somehow “neutral.” For all the idolatrous evangelism of Silicon Valley, millions of users are turning to the bot not as oracle but as assistant—as a “tool,” anodyne and frictionless, with which to offload much of their mundane decision-making. Writing at the Hedgehog Review [https://hedgehogreview.com/web-features/thr/posts/should-the-lion-lie-down-with-the-electric-lamb ], Antón Barba-Kay incisively describes the serpentine infiltration of the technocratic paradigm with its framework of “habitual incentives that, once internalized, become practically imperative.”

In the same spirit, Mike Sacasas describes how the technocratic framework of utility, which poses problems of alignment and impact as mere matters of habit and skill, misses the extent to which technology is not a tool but an environment [https://theconvivialsociety.substack.com/p/your-ai-is-not-a-tool ]. Following Marshall McLuhan’s observation that tech works to “alter sense ratios or patterns of perception steadily and without any resistance,” Sacasas suggests that we might best understand AI as “a denial of service attack on the human psyche.” I find this framing resonant—and to be sure, there’s much in the encyclical that unpicks this pattern as well.

I want to say that Magnifica Humanitas does its most important work not where it seeks to apprehend technology, but where it reminds us of all that we bring to our encounter with it—and all that we risk losing to it. Again and again the encyclical steps back from a speculative and theoretical encounter with technology and its perils to express, enumerate, and celebrate the richness of being human. This homiletic thread struck me especially while listening to Matthew Sitman and Sam Adler-Bell’s recent, glorious conversation with Jack Hanson on their podcast, Know Your Enemy [https://dissentmagazine.org/online_articles/know-your-enemy-pope-leo-xiv-magnifica-humanitas/ ]. I was moved by their recital of paragraphs 119 and 120 of the encyclical, where Leo voices the beauty and grace of our limits—the very limits of knowledge and the body which technocracy seeks to abolish. I will quote from them here:

<blockquote>Our relationship with life seems to be in crisis today. Everything that appears as a “limit” — incapacity, illness, old age, suffering, vulnerability — tends to be seen primarily as a defect to be corrected, rather than as a reality through which our humanity matures and opens itself to relationship. And yet we must remember that humanity flourishes not despite limitations, but often through them….

    It is precisely within our limitations that the following find a place: compassion, as well as a sincere concern for the needs of others; a generosity that can emerge even in the midst of darkness and failure; spiritual experience and the worship of God…. Mysteriously, it is precisely in such moments that we can discover a new wisdom, tangibly experience the closeness of others and encounter the presence of the Lord.</blockquote>

I found myself wanting not merely to assent to these words, but to pray with them. It was a curious and inexorable feeling. I have not made a practice of composing and sharing prayers; but a spiritual confidante whose fellowship I trust has encouraged me to share this one. And so here is a prayer for our limits, offered not for intercession or supplication but in adoration:

It is through your love, O Lord, that we learn to love our limits, 
which give force to our compassion
and shape to the fear we feel for others in their need; 
which nurture our generosity even as we fall and fail; 
which frame and enfold our measures of adoration. 
Confronted as we shall be by rejection, 
grieving as we must at the loss of all we hold dear, 
quaking as we do in the face of our failures, 
may we gather our wits, sense your nearness, 
and come to rest in the embrace of our entanglement.

We suffer from these limits and we learn from them. 
Without them, we would cease yearning even for love. 
To love, to learn, and to desire is to wound and be wounded. 
What a gift it is to be drawn into your woundedness, 
into this adventure of failure and freedom, disappointment and dream. 
In you, we affirm the tragedy and splendor and glorious mystery 
of being your body together; with you, we choose the human."]]></description>
<dc:subject>matthewbattles 2026 popeleoxiv magnificahumanitas encyclicals ai artificialintelligence catholicchurch catholicism antónbarba-kay technology siliconvalley lmsacasas technocracy utility tools environment marshallmcluhan perception resistance matthewsitman samadler-bell jackhanson beauty grace life living limits incapacity illness age aging suffering vulnerability humanity humanism compassion wisdom experience prayer spirituality failure freedom disappointment entanglement human humanness humans knowyourenemy friction frictionlessness</dc:subject>
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<item rdf:about="https://daringfireball.net/linked/2026/07/02/orosz-meta-engineering-culture">
    <title>Daring Fireball: 'Why Is Meta Destroying Its Engineering Organization?'</title>
    <dc:date>2026-07-03T05:36:05+00:00</dc:date>
    <link>https://daringfireball.net/linked/2026/07/02/orosz-meta-engineering-culture</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Gergely Orosz, writing [https://newsletter.pragmaticengineer.com/p/why-is-meta-destroying-its-engineering ] at The Pragmatic Engineer (which, sadly [https://daringfireball.net/search/substack ], is a Substack blog):

<blockquote>The biggest problem: people stop caring about real work and focus on performative work. Let’s check the four ingredients that Meta’s leadership has decided to introduce to their workplace:

1. Tracking the keyboards and mouse clicks of all engineers, where legally possible
2. Reassign a good chunk of engineers to full-time data labeling
3. Let staff know that 10% of them will be laid off
4. Have a culture where devs optimize for any and all metrics measured during PSC
5. Measure token usage as part of PSC

Shake this mix up well, and what do you get? Two things:

1. Everyone overuses AI to boost their personal stats. An engineering workforce that pretends to work with as much AI, and as little human input, as possible. It’s a strange incentive where an outage caused by a failure to review code properly is not grounds for dismissal, but writing code by hand — instead of having an AI agent write it — could cost you your job.

2. Every longer-tenured engineer is seeking a new job, or at least considering it. Those who have been around at Meta longer term have seen enough.</blockquote>

PSC is “Performance Summary Cycle”, Meta’s stringent cut-throat performance review system. Orosz’s report is extraordinarily well-sourced by current and recently former Meta engineers. Towards the end of the piece, Orosz addresses the “just ask Meta AI to give you the account” Instagram account hijackings [https://daringfireball.net/linked/2026/07/02/meta-ai-ask-for-instagram-accounts ], which he describes, without hyperbole, as “the most embarrassing outage in Meta’s history”. Orosz’s sources report, unsurprisingly, that the breach was the result of AI — AI writing the code, AI reviewing the code, and AI taking over for human technical support.

As for who is responsible, it’s Zuckerberg and AI “genius” Alexandr Wang:

<blockquote>In June that year, Meta acquired a 49% stake in Scale AI to reboot its AI efforts for a whopping $14.8B, and brought in Scale AI’s CEO, Alexandr Wang to take over Meta’s AI strategy. [...] Based on the investment made into Scale AI and Wang, it’s pretty clear that Meta — and Zuckerberg — is determined to build a state-of-the-art LLM that can be competitive with the latest versions of Claude and ChatGPT. But Meta has to start pretty much from scratch, and it’s up to Alexandr Wang to deliver. [...]

    Zuckerberg has full control over the business, and has made the decisions to reallocate a good part of engineering folks to data labeling, to roll out tracking software, and to lay off 10% of staff when Meta achieved record revenue and profits. As the CEO, the buck clearly stops with him.

    But it’s hard to unsee that — outside of layoffs — everything that Meta is doing is taken from the Scale AI playbook, and that surely comes from Wang.</blockquote>

It sounds like in addition to running Meta’s “AI strategy”, Zuckerberg has effectively put Wang in charge of engineering at Meta, and Wang is trying to replace human engineers with AI. During the transition, the job of engineers at Meta has changed from writing code to training AI systems that Zuckerberg and Wang aren’t even trying to hide are intended to replace the people. What the Oompa Loompas were to Willy Wonka, Zuckerberg wants AI to be for him.

I’m not sure it’s any more realistic. Meta has always been a bad company. Now it seems like a bad company that’s lost its fucking mind."]]></description>
<dc:subject>johngruber markzuckerberg meta ai artificialintelligence facebook alexandrwang 2026 gergelyorosz substack management web internet online coding culture morale work labor scaleai llms chatgpt claude</dc:subject>
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<item rdf:about="https://www.sourcetype.com/store/51534/dictionary-of-the-illegible">
    <title>Dictionary of the Illegible - Source Type: Store - Source Type</title>
    <dc:date>2026-07-03T01:27:36+00:00</dc:date>
    <link>https://www.sourcetype.com/store/51534/dictionary-of-the-illegible</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Dictionary of the Illegible explores the limits of language—its beginnings and its ends—from humanity’s earliest marks to the dissolution of modern alphabets before our eyes. Mapping more than 400 examples of illegibility drawn from Indigenous cultures to imagined future civilizations, the book spans contemporary art, science fiction, politics, architecture, and technology. Dictionary of the Illegible proposes illegibility as a strategy for navigating a world increasingly governed by visibility, efficiency, and total surveillance."]]></description>
<dc:subject>illegibility typography language indigeneity indigenous visibility legibility laurenzbrunner 2026 efficiency surveillance art sciencefiction scifi architecture politics technology dictionaries</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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    <title>We Investigated The Biggest Government Fraud In America. You're Paying For It. - YouTube</title>
    <dc:date>2026-07-02T03:23:25+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=JpmIaajDfcM</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Arizona has a huge school voucher program, and the money is being spent in shocking ways — lingerie, Xboxes, Disney vacations.

The vouchers were sold as helping poor kids, but the money is going to rich families and private schools, while public schools close and suffer."]]></description>
<dc:subject>us schools schooling education waste fraud 2026 vouchers publicschools arizona privatization privateschools funding corruption schoolchoice money jenniferjennings tomhorne krismayes florida republicans abuse accountability iowa curtisfinch phoenix specialeducation miltonfriedman government governance segregation charleskoch betsydevos jeffyass heritagefoundation catoinstitute christiannationalism billionaires donaldtrump alzoslade texas oklahoma lousiana alabama georgia arkansas westvirginia tennessee indiana northcarolina</dc:subject>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=olyBoqfEPGY">
    <title>Lenka Clayton in &quot;Human Nature&quot; – Season 12 | Art21 - YouTube</title>
    <dc:date>2026-07-02T02:47:02+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=olyBoqfEPGY</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Art21 proudly presents an artist segment featuring Lenka Clayton from the "Human Nature" episode in the twelfth season of the Art in the Twenty-First Century series. 

"Human Nature" premiered in June 2026 on PBS. 

Lenka Clayton was born in 1977 in Cornwall, England, and lives and works in Pittsburgh, Pennsylvania. Learn more about the artist: https://art21.org/lenkaclayton/ "

[See also:
https://www.thisiscolossal.com/2026/06/lenka-clayton-art-21-film/ ]]]></description>
<dc:subject>lenkaclayton 2026 art artmaking collections collecting motherhood pittsburgh everyday typewriters maternityleave measurement parenting artresidencies lighthouses nonsense children engagement sharedexperience experience</dc:subject>
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<item rdf:about="https://macleans.ca/society/my-university-students-cheat-i-dont-blame-them/">
    <title>My University Students Cheat. I Don’t Blame Them. - Macleans.ca</title>
    <dc:date>2026-07-02T02:26:32+00:00</dc:date>
    <link>https://macleans.ca/society/my-university-students-cheat-i-dont-blame-them/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Marks reward cheating over learning—and students can’t afford to fail"

...

"Last semester, on the final exam of the health-care law class I teach, my students scored the highest grades I’ve seen in 20 years as an instructor. It was an at-home, closed-book exam. Eight per cent of the class scored perfect on the multiple-choice section, and over half scored over 90. In the long-answer section, the responses were formulaic, typo-free and detached from the course material; they lacked the telltale signs of rushed exam writing. It was clear my students were using AI to cheat.

After the exam, I gave the class an anonymous, informal poll: I asked how many of them were cheating. Of those who responded, eight per cent admitted to it. How many students did they think were cheating? Over a quarter of respondents indicated they knew other students had cheated on the exam, and 73 per cent indicated they knew of students cheating in other classes. And that doesn’t account for the response bias: just under half the class responded to the poll, and I suspect those who didn’t respond were more likely to have cheated. I decided to annul the exam results, not counting them toward final grades.

I’ve spent my whole life in academia, first in theology, then in law. I know cheating has always been around. But I’m deeply alarmed by the idea that students are cheating en masse. There’s a whole online ecosystem for cheating: forums to share advice on circumventing AI detectors and proctor technology; software for humanizing AI-generated writing; tips for using AI to reduce (or eliminate) workload. Cheating is becoming culturally normalized. Two thirds of the people who responded to my survey agreed that students widely perceive cheating as acceptable. I’m not surprised. Think about what this generation has witnessed: the mortgage crisis driven by corrupt bankers, an American president who cheats and lies and is still elected; lawyers using AI to write for them and lying about it, a sporting world full of doping scandals. Students are repeating what we’ve modelled for them.

In the past few years, the way young people value their education has shifted. Universities are increasingly corporatized. They function as businesses, oriented toward maximizing revenue: professors are rewarded for grants and publications rather than leadership or mentorship, and students are reduced to head counts and tuition dollars. In turn, students behave like customers. It’s a fee for service: they pay their tuition and expect good grades and a degree. Learning becomes superfluous.

When I was studying the humanities, my classmates and I were concerned with ideas and arguments. We were reading course material to understand it, not to get a mark. Now, grades have become the sole currency of academic life. Students frequently email me asking outright for a higher grade, sometimes literally seconds after they receive it. They all want a 90 or higher. Marks are inflated across the board. At Ontario high schools, there was a six per cent increase in grade averages for graduating students between 2011 and 2021. I’ve seen 100 per cent averages on scholarship applications. Some schools are implementing policies to try to curb the inflation—including Harvard, which just put a cap on the number of As assigned in each undergraduate course.

Students know an undergraduate degree doesn’t automatically land a well-paying job—or any job, for that matter—so they’re vying for acceptance to highly competitive postgraduate programs. There’s an enormous financial imperative to succeed academically, and students tell me that if you don’t cheat, you’re at a disadvantage. I went to university on my own dollar; my parents couldn’t afford to support me. I only paid off my undergraduate student loans last year, at 45 years old. For students today, the debts are even worse. They’re pushed to maximize productivity and output, racking up accolades and resumé entries while maintaining previously unattainable averages.

At the same time, cheating has become more accessible than ever thanks to AI. I see students using generative AI in all aspects of their work: summarizing the readings, research, note-taking, essay writing. Not all AI usage is cheating by default, and in some ways, it’s even levelling the playing field by making the same shortcuts available to everyone. When I was in law school, you could purchase CANS—consolidated annotated notes—from previous years as study aids. But they were expensive. Resources like CANS and tutors were reserved for students who could afford them. For the rest of us, AI could have been a free alternative. The problems arise when students use AI despite instructions not to, as was the case with my exam.

My options as an educator are limited. I’m exploring different grading schemas, but all of them require more resources than are made available to me. I could have one in-person exam worth 100 per cent of the course grade and put all my TA hours toward grading it. I could rely on oral exams, which would take weeks out of the semester to schedule and administer. One professor I know tried to introduce a participation grade in a class with hundreds of students. Students could scan a QR code to register their attendance. They would show up, talk until they got the code, then walk out.

Ultimately, this reveals the failures of an antiquated grading system. Our standard modes of assessment primarily track recall and memorization, not engagement or progress. One semester, I had a student who had some challenges with her grammar and syntax. We worked on her writing together throughout the semester, and it was a successful learning experience. Another student that semester had a flair for well-crafted drivel. I couldn’t give the first student an A-plus—her end product couldn’t justify it. But who put more work in? Who learned the most? The people with the highest grades are not necessarily my best or hardest-working students. They may just have the most free time, money, educational support or family backing. Some schools are attuned to this tension and adapting accordingly. The U of T law school, for example, uses an honours-pass-fail grading system. If we reimagined grading to assess skills that can’t be replicated by ChatGPT, students wouldn’t use it. As it is, marks are a perverse incentive—they reward cheating over learning.

My colleagues and I feel completely unsupported by the school administration. Publishing requirements are going up, and class sizes are ballooning. We have less faculty doing more work with less support, meaning there’s less time to build relationships with students. When I annulled the exam results, I told the administration that I need substantive guidance on how to run a class this large because I can no longer reliably mark it. They didn’t have a useful policy in place to address my concerns. Instead, they overrode my decision. Against my recommendations, they included the multiple-choice portion of the exam in the final grade—despite knowing that I called out cheating in this section. Their decision sent a singular message: cheating is fine and faculty has to accept it. This is anathema to the goals of education.

I’ve been told I should just use anti-cheating technology, like online proctors or AI detectors. I don’t use either in my classes. For one, they can easily be circumvented. More importantly, you can’t police people into having integrity. Instead, I try to impart to my students the reasons why cheating is morally wrong. The first question on my exam was about the deontological duty not to cheat. It was something we’d discussed at length throughout the semester. Within this ethical framework, relationships give rise to duties—the health-care provider to the patient or the lawyer to the client—and the rightness of your actions depends on how they align with those duties. Students have a duty not to cheat. It should be that simple. Anti-cheating technology can’t teach them that, and we can’t expect that students who lack integrity in school will spontaneously develop it in order to meet their professional obligations after they graduate.

Academic integrity needs to be taught starting on day one at every level of education. Every university student should have to take an ethics course in their first year, no matter their major. And there needs to be accountability when there are breaches. Administrators need to support their faculty, not railroad them. Colleagues have shared with me that even when students have been caught cheating, no penalty was imposed. Cheating is a product of the society we’ve created. It’s learned behaviour—and that means, with enough work, it can be unlearned."]]></description>
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<item rdf:about="https://citationsneeded.libsyn.com/news-brief-despite-9-figure-infusion-from-silicon-valley-abundance-still-seeks-popular-support">
    <title>Citations Needed: News Brief: Despite 9-Figure Infusion from Silicon Valley, Abundance Still Seeks Popular Support</title>
    <dc:date>2026-07-02T01:36:19+00:00</dc:date>
    <link>https://citationsneeded.libsyn.com/news-brief-despite-9-figure-infusion-from-silicon-valley-abundance-still-seeks-popular-support</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this news brief, we catch up with Dylan Gyauch-Lewis, senior researcher at the Revolving Door Project, to discuss Abundance's PR problems, why this latest neoliberalism rebrand isn't catching on and how Silicon Valley billionaires still see 'Abundance' as their best chance to counter populist forces in the Democratic Party."]]></description>
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<item rdf:about="https://www.youtube.com/watch?v=VtBFkFZoaII">
    <title>Why The Same Brand Is On The Bottom Of Every Boot - YouTube</title>
    <dc:date>2026-07-01T09:00:03+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=VtBFkFZoaII</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Who else but the one, the only...VIBRAM! The best outsoles for your boots and sneakers on the planet. Well, IMO. I suppose there are others that are also very good.

Today we are diving into the wonderful world of Vibram. How neat! How rubber! How smelly! Let's kick rocks. Here are some of the boots in the video: 

    Red Wing Moc Toes
    Fracap Italian Hikers
    Nike Air Force 1
    Russell Moccasin x Iron Snail Premier Chukka Collab
    Vintage Danner Hiking Boots
    Nike Zegama 
    Nike C1Ty Premiums
    EasyMoc Mill Mocs"]]></description>
<dc:subject>vibran shoes soles 2026 michaelkristy theironsnail outsoles boots</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=cgPns2rB238">
    <title>Dancing the Revolution: From Dancehall to Reggaetón - YouTube</title>
    <dc:date>2026-07-01T08:27:07+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=cgPns2rB238</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In this documentary created for Dancing the Revolution: From Dancehall to Reggaetón, scholars and artists from Kingston, Jamaica, and San Juan, Puerto Rico, discuss the power of dancehall and reggaetón as transformative music genres and cultural movements. Interspersed with footage from inside dancehalls and clubs, the exhibition video brings you into the energetic spaces that have inspired countless artists across decades.   

Dancing the Revolution: From Dancehall to Reggaetón is a major exhibition that explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art—two dynamic genres that have transcended their grassroots origins to shape global culture. From Kingston to San Juan through Panama, New York City, and London, Dancing the Revolution positions music and dance as a revolutionary practice for collective liberation rooted in the struggle against colonial oppression.

Dancehall and reggaetón are not only musical genres but cultural practices and powerful expressions of resistance and joy—reminders of the Caribbean’s centuries-old traditions of dance and music as means of liberation and protest rooted in Black Atlantic history and culture. Dancing the Revolution showcases pivotal moments and themes from these histories, starting with the sound system, a mobile disco that embodies both a community experience and a vital civic institution.

Presenting work across varied mediums, Dancing the Revolution includes painting, sound sculptures, installations, photographs, and video, showcasing how artists have been and continue to be inspired by these histories and the visual forms that emerge from them. The exhibition features more than forty contemporary artists, including Isaac Julien, Edra Soto, Alberta Whittle, Carolina Caycedo, and Lee “Scratch” Perry. A special commissioned mixtape project by Juan Rivera invites visitors to learn about the evolution of these popular genres in Panama and hear the iconic songs that have paved the way for the global phenomenon of reggaetón.

Dancing the Revolution considers music and dance as powerful tools for sexual and political liberation. The exhibition’s title is inspired by the shifting RPMs (revolutions per minute) that mark the tempo and history of Caribbean popular music, as well as by the historic events now known as the Verano del 19, or Summer of 2019, in San Juan, Puerto Rico; multisectoral protests demanding the resignation of then-Governor Ricardo Roselló. On July 17, the same day that Roselló resigned, LGBTQ+ and feminist activists led perreo combativo, or “combative twerking” on the steps of San Juan Cathedral, transforming reggaetón’s characteristic dance into a form of political protest. This reclamation of public space through dance—an act deeply rooted in dancehall history and culture—demonstrates how music and dance can serve as bold acts of collective resistance and emancipation.

Dancing the Revolution: From Dancehall to Reggaetón is curated by Carla Acevedo-Yates, former Marilyn and Larry Fields Curator and Director of Curatorial Initiatives, with Cecilia González Godino, former Marjorie Susman Curatorial Fellow, Iris Colburn, Curatorial Associate, Nolan Jimbo, Assistant Curator, and nibia pastrana santiago, Curatorial Consultant. The exhibition is designed by SKETCH | Johann Wolfschoon, Panamá."]]></description>
<dc:subject>dancehall raggaetón 2026 via:javierarbona music kingston jamaica sanjuan puertorico culture politics isaacjulien edrasoto albertawhittle carolinacaycedo leeperry scratchperry ricardososelló 2019 history nyc london panamá resistance joy workingclass caribbean dance sexuality social society jdnegro félixrodrríguez andrésramos djvelcro nibiapastranasantiago matthewmccarthy maxinewalters donnahope geraldlevy bogle sonjahstanleyniaah ninjaman gabreselassie danieldíaz pórodil identity gender bodies thenoise catholicchurch catholicism conservatism revoltion underground perreo censorship criminalization</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=6iLf2h_fo-w">
    <title>We Uncovered The Master Plan That Peter Thiel Doesn't Want You To See - YouTube</title>
    <dc:date>2026-07-01T07:23:08+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=6iLf2h_fo-w</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Peter Thiel is funding a plan to build privatized city-states everywhere from Gaza and Venezuela to small towns in California.

The goal is to replace governments with for-profit companies.

We investigated how Thiel's scheme is already reshaping democracy across the world."]]></description>
<dc:subject>networkstate power governance 2026 peterthiel palantir us politics gaza venezuela datacenters gilduran nerdreich billionaires oligarchy democracy deregulation corporations corporatism seanmorrow seasteading patrifriedman miltonfriedman seasteadinginstitute libertarianism joelonsdale siliconvalley thesovereignindividualy monarchism authoritarianism jamesdaledavidson williamrees-mogg 1997 crypto cryptocurrencies ai artificialintelligence automation work workers labor tescreal transhumanism extropianism singularitarianism singularity californiacommonsense cosmism opengov rationalism effectivealtruism longtermism ghislainemaxwell sandysprings privatization battleground newfounding highlandrim californiaforever samaltman reidhoffman marcandreessen solanocounty technology bigtech 8vc govtech surveillance drones weapons elonmusk donaldtrump maga trumpism government fear ciceroinstitute forcedlabor balajisrinivasan sanfrancisco chesaboudin panic doominfluencers pronomoscapital próspera roatán honduras greenland</dc:subject>
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<item rdf:about="https://bambamramfan.github.io/ai-compass/">
    <title>The AI Compass</title>
    <dc:date>2026-07-01T02:25:39+00:00</dc:date>
    <link>https://bambamramfan.github.io/ai-compass/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["29 questions. Where do you actually land on AI?"

...

"1
The Luddite (Affectionate)
patron saint: Emily Bender
It doesn't work the way they claim, it's making everything worse, and you'd like your internet back, please. You can explain in precise technical detail why it's a stochastic parrot, and you will, whether or not anyone asked. You're funnier about this than people give you credit for.

2
The Digital Hermit
patron saint: Jaron Lanier
You've been saying the framing is wrong since before most people had heard of any of this. AI is less a technology than a story Silicon Valley tells to consolidate power, and the story is bad. You read physical books and you don't need a language model to tell you what they mean.

3
The Retired Engineer
patron saint: Dan Luu
It's a perfectly fine tool that people are losing their minds over. You used the first version, thought 'neat,' and got on with your life. You find the discourse exhausting and you have receipts about what it can and can't actually do. You are correct and also no fun at parties.

4
The Conscientious Objector
patron saint: Holly Herndon
It doesn't work well, it's doing real harm, and you've opted out on principle. You're not a technophobe — you just think this specific technology is overhyped and corrosive, and you're tired of being told you just don't understand it. You understand it fine. That's the problem.

5
The Journalist
patron saint: Sam Kriss
You find the whole thing a little contemptible and a little fascinating. The products are mediocre, the people selling them are worse, and the prose it generates is a crime against the sentence. But you keep poking at it, because the cultural meaning of all this is genuinely strange.

6
The Organic Farmer
patron saint: Cal Newport
AI is probably fine, but you're not going to use it for anything that matters. Your writing is your writing. Your thinking is your thinking. You'll accept GPS, but you're growing your own tomatoes, metaphorically, and you suspect the convenience has a hidden price.

7
The Tired Parent
patron saint: Cartoons Hate Her
You don't have time for AI discourse. You used it to plan a birthday party once and it was fine. Your kids know more about this than you do. You'd like everyone — the evangelists and the doomers both — to take it down several notches and let you get on with your day.

8
The Union Organizer
patron saint: Cory Doctorow
AI is a real tool being used to extract real labor value from real people without paying them. You don't care about the singularity — you care about the artists, writers, and workers getting strip-mined by capital. You're not anti-technology. You're anti-theft.

9
The Skeptic
patron saint: Ed Zitron
It's oversold, it's losing staggering amounts of money, and the harms are arriving faster than the value. You've done the math on the unit economics and it doesn't close. You are loud about this, prolific about this, and you suspect history will vindicate you.

10
The Shrug
patron saint: Matt Levine
AI is a thing that exists and you regard it with detached amusement, like everything else. It's overhyped, sure, but so is most stuff. You'll use it when it's useful and ignore it when it isn't, and you find the discourse more interesting than the technology. You are unbothered.

11
Free Subscription Tier
patron saint: Kara Swisher
It works, you use it, and the jury's still out on the big questions. You're not dismissive and you're not converted — you're empirical. You'll happily use the free version for what it's good at, but you are absolutely not paying twenty dollars a month for this. There are limits.

12
Magnificent Seven Retail Investor
patron saint: Aella
AI is good, broadly, vibes-wise, and you're pretty sure it's going up. You're not deeply technical about it — you just have a generally positive read and a position you feel good about. The future is exciting, the curve is your friend, and you'd rather be long than right.

13
The Philosophy Grad Student
patron saint: Katja Grace
You're fascinated by what AI means more than what it does, and you take the weird downside scenarios seriously while everyone else rolls their eyes. You think in probability distributions. The 'just autocomplete' crowd and the 'it's alive' crowd strike you as equally unrigorous.

14
The Disillusioned
patron saint: Molly White
You watched this movie already with crypto and you know how it ends. It's oversold, the value is thinner than advertised, and the concrete harms are piling up while everyone argues about the rapture. You document the gap between the promise and the receipts, meticulously.

15
The Worrier
patron saint: Kelsey Piper
It's real, it's powerful, and that's exactly why it worries you — not in a doom way, in a 'we should really be more careful than we're being' way. You take the capabilities seriously and the risks seriously, and you'd like the conversation to be a few degrees more sober.

16
The Org Chart Survivor
patron saint: Ethan Mollick
Your company made you 'AI Lead' on top of your actual job. You use it, it helps sometimes, and you've stopped trying to explain to leadership what it can and can't do. You run little experiments and post the results. Just try things, you keep saying. Just try things.

17
The B2B SaaS Consultant
patron saint: Matt Yglesias
AI will quietly boost total factor productivity by some single-digit percentage and you think that's actually a huge deal, wonkily speaking. You're bullish in a spreadsheet way, not a singularity way. You've explained the Jevons paradox to someone who didn't ask.

18
The Garage Tinkerer
patron saint: Simon Willison
You're running local models, building little tools, and having a genuinely great time. You don't care about the discourse — you care about making the thing do cool stuff. The technology is interesting and everyone arguing about it would be happier if they just opened a terminal.

19
The Venture Capitalist
patron saint: Paul Graham
AI is the largest wealth-creation opportunity since the internet and you intend to be on the right side of it. You've written an essay about why this is the most important moment in history, and another about why the doubters lack vision. At least one of your portfolio companies does something.

20
The Defense Contractor
patron saint: Peter Thiel
AI is enormously powerful and it will be used for surveillance, control, and war — and you've made your peace with that, because a human is still giving the orders, and that human might as well be holding your equity. The dystopia is coming. The only question is who runs it.

21
The Safety Researcher
patron saint: Ezra Klein
You take the capability curve seriously and it keeps you up at night — not in a panic, in a 'we should really have a plan' way. You want alignment, interpretability, and guardrails before scaling. You'd like everyone to stop tweeting and read the paper.

22
The Kontextmaschine
patron saint: kontextmaschine
It's real, it's powerful, and you find the panic about it as tedious as the hype. You're not interested in whether AI is good or bad — you're interested in who captures the value, who loses their leverage, and which institutions are using it as a story to do what they were already doing. Same as it ever was.

23
The True Believer
patron saint: Amanda Askell
AI is real, it's powerful, and handled with genuine care it can be one of the best things we ever build. You think hard about its character, what it's like, what we owe it and it owes us. You're optimistic the way a thoughtful person is optimistic — clear-eyed, not starry-eyed.

24
The Optimist
patron saint: Marc Andreessen
AI cures diseases, teaches children, liberates workers, and democratizes expertise. You see the problems but you believe the trajectory bends toward good, and the only real sin is slowing it down. Your bookshelf has both Pinker and a manifesto you wrote yourself.

25
The Futurist
patron saint: Robin Hanson
AI is transformative and you find that thrilling rather than terrifying — you'd rather model the strange new equilibrium than fear it. You'll happily walk through what an economy of digital minds does to wages, status, and property, and you mean every word of it literally.

26
The Cassandra
patron saint: Eliezer Yudkowsky
You see the power clearly — that's exactly what terrifies you. You're not a skeptic, you're the opposite: AI is so capable that the people building it are playing with fire in a dynamite factory, blindfolded, for a quarterly bonus. You've lost friends over this and you regret nothing.

27
The Doomsday Prepper
patron saint: Connor Leahy
Between deepfakes, autonomous weapons, mass surveillance, and labor collapse, AI is a Swiss army knife of civilizational risk. You're not sure which failure mode gets us first, but you're fairly confident one of them will, and you're very online about it.

28
The Founder
patron saint: Sam Altman
This will change everything — for good or for ill, and you're studiously agnostic about which. The stakes are civilizational, the risks are real, the upside is infinite, and therefore you'll need a great deal of money and very little oversight. You warn about the fire while selling the matches.

29
The Podcast Bro
patron saint: Lex Fridman
You listened to a three-hour interview with an AI researcher and now you have opinions. Strong ones. You're long on compute and short on regulation, and you've said 'exponential' more times this month than a calculus teacher. Love is the answer, and also AGI.

30
The Prophet
patron saint: Ray Kurzweil
AI is the most important thing that has ever happened to our species, and it's going to be glorious. You have tabs open about longevity research and you've mentally spent the UBI checks. When the singularity comes, you want a front-row seat — ideally an uploaded one."]]></description>
<dc:subject>ai artificialintelligence emilybender luddites neoluddites luddism neoluddism jaronlanier resistance aihype aibubble danluu technology hollyherndon samkriss calnewport cartoonshateher corydoctorow labor edzitron finance economics mattlevine skepticism karaswisher aella katiagrace kelseypiper ethanmollick mattyglesias policy politics paulgrahan vc venturecapital siliconvalley peterthiel ezraklein kontextmaschine amandaaskell marcandreessen eliezeryudkowsky connorleahy samaltman lexfridman raykurzweil tescreal transhumanism extropianism singularitarianism singularity cosmism rationalism effectivealtruism longtermism 2026</dc:subject>
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<item rdf:about="https://aworkinglibrary.com/writing/anarchist-calisthenics">
    <title>Anarchist calisthenics - A Working Library</title>
    <dc:date>2026-07-01T00:22:37+00:00</dc:date>
    <link>https://aworkinglibrary.com/writing/anarchist-calisthenics</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Arriving in Germany in the summer of 1990, James C. Scott is surprised to find that Germans seem entirely unwilling to jaywalk across a narrow road, even when no cars are evident for miles. On the occasions when he or someone else dares to do so, they are met by clucks of disapproval by pedestrians waiting patiently for the light to change. Determined not to let this get to him, he jaywalks anyway:

<blockquote>As a way of justifying my conduct to myself, I began to rehearse a little discourse that I imagined delivering in perfect German. It went something like this. “You know, you and especially your grandparents could have used more of a spirit of lawbreaking. One day you will be called on to break a big law in the name of justice and rationality. Everything will depend on it. You have to be ready. How are you going to prepare for that day when it really matters? You have to stay ‘in shape’ so that when the big day comes you will be ready. What you need is ‘anarchist calisthenics.’ Every day or so break some trivial law that makes no sense, even if it’s only jaywalking. Use your own head to judge whether a law is just or reasonable. That way, you’ll keep trim; and when the big day comes, you’ll be ready.” [Scott, Two Cheers for Anarchism, page 4]</blockquote>

Scott goes on to note that lawbreaking has a storied history: it played a large role in the defeat of the Confederacy, as Confederate soldiers deserted their posts to return to their farms. It crippled Napoleon’s war efforts when whole towns organized to evade the draft, hiding potential conscripts from officers in search of them. And in England, it slowed the enclosure of the commons for centuries:

<blockquote>Quiet, anonymous, and often complicitous, lawbreaking and disobedience may well be the historically preferred mode of political action for peasant and subaltern classes, for whom open defiance is too dangerous. For two centuries from roughly 1650 to 1850, poaching (of wood, game, fish, kindling, fodder) from Crown or private lands was the most popular crime in England. By “popular” I mean both the most frequent and most heartily approved of by the commoners. Since the rural population had never accepted the claim of the Crown or the nobility to “the free gifts of nature” in forests, streams, and open lands (heath, moor, open pasture), they violated those property rights en masse repeatedly, enough to make the elite claim to property rights in many areas a dead letter. And yet, this conflict over property rights was conducted surreptitiously from below with virtually no public declaration of war. It is as if villagers had managed, de facto, defiantly to exercise their presumed right to such lands without ever making a formal claim. It was often remarked that the local complicity was such that gamekeepers could rarely find any villager who would serve as state’s witness. [Scott, Two Cheers for Anarchism, page 11]</blockquote>

That is, not only is this mode of resistance safer than direct action against the empire, it’s also more effective. It requires no coordination and has no leader who can be deposed. All it takes is a quiet, calm, and collective no.

We’re trained in obedience and rule-following from a very young age. We need equivalent practice in breaking rules, in recognizing when a rule or law is unjust and needs to be broken, and in acting in accord with that recognition. We need this all the time, but damn if we don’t need it especially now. One day, possibly soon, we will be called on to break a big law in the name of justice and rationality. Be ready."]]></description>
<dc:subject>anarchism mandybrown jamescscott rules law laws 2026 germany disobedience</dc:subject>
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<item rdf:about="https://aeon.co/essays/it-doesnt-have-to-be-us-versus-nature">
    <title>It doesn’t have to be us versus nature | Aeon Essays</title>
    <dc:date>2026-06-30T04:25:01+00:00</dc:date>
    <link>https://aeon.co/essays/it-doesnt-have-to-be-us-versus-nature</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Human prosperity depends on nature, but no global metric has captured this with precision. Enter the Nature Relationship Index"]]></description>
<dc:subject>nature yadvindermalhi 2026 flourishing prospertiy humanity landscape environment ecology gdp economics humandevelopmentindex norway canada china kateraworth society well-being wellbeing hangzhou growth iceland switzerland us niger afghanistan krushilwatene daoism taoism metrics</dc:subject>
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<item rdf:about="https://walkingwithwaterghosts.eu/">
    <title>walkingwithwaterghosts.eu/ [ Curating Water Multiplicities: Walking with Water Ghosts in Post-Mining Landscapes ]</title>
    <dc:date>2026-06-30T04:16:27+00:00</dc:date>
    <link>https://walkingwithwaterghosts.eu/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Project Introduction & Concept

Curating Water Multiplicities is a curatorial research project that understands the so-called “global water crisis” as a crisis of relationship, perception, and worlding practices. The project investigates which modes of knowing and governing water have shaped ecological disruption during decades of mining in North Rhine-Westfalia. By addressing epistemic and ontological conditions, the project opens space for rethinking how water is encountered, narrated, and related to. It is addressing water as multiple, relational, and temporally layered, shaping and being shaped by overlapping geological, industrial, ecological, and political processes.

The project is situated in the Rhenish lignite mining district, a landscape profoundly transformed by groundwater extraction, open-pit mining, and energy infrastructures. In this region, aquifers circulate through pipes, streams emerge out of power plants, and future lakes already structure the present through technocratic planning and speculative imaginaries. Within this context, Curating Water Multiplicities frames curating as a worlding practice (1). Curating is understood as the composition of situations in which heterogeneous water worldings—scientific, infrastructural, ecological, affective, and more-than-human—can encounter one another while remaining irreducible to a single explanatory frame.

(1) Worlding, following Vanessa Machado de Oliveira (2021) and Donna Haraway (2008), refers to the ontologically participatory process through which language and stories actively shape rather than merely describe reality. It denotes a material-semiotic practice of co-fabricating worlds in entangled, multispecies constellations, where worlds are continuously made-with rather than given or preexisting.

Theoretical Orientation:
Water, Multiplicity, and Hauntology

The project draws on posthumanist, hydrofeminist, anthropological and STS scholarship that approaches water as ontologically multiple. Water takes shape through divers practice: as hydrosocial relation, infrastructural flow, ecological habitat, chemical compound, affective presence, and historical remainder. Water is worlding worlds. These wordings coexist and interfere with one another, producing complex and sometimes contradictory water realities. As such water is never only water but emerges through material-discursive intra-actions (Barad 2017). 

Towards a Hydrofeminist Hauntology:
Water Ghosts

At the center of the project is the figuration of the water ghost. Water ghosts name waters whose temporalities have been interrupted by extractive processes. These vanished springs, displaced aquifer flows, infrastructural streams, and future lakes reorganize time and space and inhabit landscapes as unresolved pasts and uncertain futures, shaping perception and politics through their spectral presence.

Water ghosts bring attention to temporal disjunctions produced by extractivism. Deep-time aquifer waters circulate at industrial speeds; geological processes are reorganized according to the clock time of energy production; ecological consequences unfold across futures that exceed human planning horizons. These circulatory watery hauntings are approached as ethical and political invitations that call for response-ability toward water beyond technocratic management.
 
Methodological Approach:
Composite Curating & Walking-With

Methodologically, the project develops Composite Curating as a mode of research that combines curatorial practice with composite ethnography (Hetherington 2025). Knowledge emerges through constellations (von Bismarck 2021): temporary gatherings of heterogeneous actors, materials, practices, and more-than-human agencies that remain open, relational, and situated.

Walking plays a central role within this approach. Drawing on posthuman and feminist walking methodologies, walking-with (Sundberg 2014; Springgay/ Trumpman 2018) functions as a relational practice that attunes bodies to landscapes shaped by extraction, rupture, and infrastructural violence. Participants move through these environments as embodied actors within hydro-relational fields, cultivating attentiveness through shared movement. 

By walking with water ghosts, participants experienced how infrastructural narratives shape perception while marginalizing water’s temporal multiplicity and relational agency. The project demonstrates that other water worldings take form through practices that render uncertainty, loss, and more-than-human temporalities perceptible and discussable. Curating emerges here as a practice of holding open: sustaining epistemic openness, resisting technocratic closure, and cultivating response-ability toward waters that continue to haunt the present as well as future imaginaries.
 
Artistic activations

intertwined posthumanist phenomenological approaches
(after Astrida Neimanis 2017):

Body hermeneutics
beginning with one’s own watery embodiment
as a sensorium for ecological disturbance.

Proxy storytelling
stretching imagination, enabling absent, submerged,
or future waters to become narratable while retaining their complexity.

Altering tools of perception
such as microscopes, sound practices, and encounters
with infrastructure, which extend perception beyond human sensory limits.

Project Structure

The project unfolds in three interrelated phases.

Phase 1 – Composite Curating: Field Research
A collective, site-based research phase in which artists, researchers, and local actors explored the region’s hydrological “hot spots.” Walking, sensing, mapping, and conversation fostered attunement to water as a space-time knot shaped by extraction, governance, and contested futures.

Phase 2 – Walking-With: Public Water Walks
Two public walks translated the field research into shared experiential situations. Artistic activations, scientific insights, and embodied practices formed temporary constellations that rendered water ghosts perceptible as relational, affective, and political phenomena.

Phase 3 – Re-Assemblage as Exhibition (forthcoming)
In the final phase, the project’s multimodal outcomes are brought together, re-assembled, and made public as an exhibition. Re-Assemblage (Simon 2025) applied in the exhibition space functions as a collaborative analytical method that aims to rearrange material and knowledge in a  de-hierarchized way as display while allowing complexity, ambiguity, and multiplicity to remain visible. Rather than producing a coherent, linear narrative, Re-Assemblage integrates diverse voices, materials, and modalities, making the construction of knowledge itself perceptible and enabling reflection on the shared research process."]]></description>
<dc:subject>water walking landscape via:javierarbona 2025 vanessamachadooliviera donnaharaway mining riikkatauriainen mariedonike vivianhernandez zoraritz carolinebrünen elizabethgallóndroste maudevandenbeuken sophiabardoutsou</dc:subject>
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<item rdf:about="https://lareviewofbooks.org/article/footprint-four-itineraries-radhika-subramaniam-walking-colonial-erasure/">
    <title>What the ‘Footprint’ Forgets | Los Angeles Review of Books</title>
    <dc:date>2026-06-30T04:13:57+00:00</dc:date>
    <link>https://lareviewofbooks.org/article/footprint-four-itineraries-radhika-subramaniam-walking-colonial-erasure/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Radhika Subramaniam unsettles the Anthropocene’s dominant metaphor for humans’ impact on the earth."]]></description>
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<item rdf:about="https://www.historicalmaterialism.org/wp-content/uploads/2026/04/hm-dossier-001.pdf">
    <title>Theory Betrayed: An Essay on Gabriel Rockhill’s Who Paid the Pipers of Western Marxism? by Doug Greene and Harrison Fluss (April 2026) [.pdf]</title>
    <dc:date>2026-06-29T06:05:11+00:00</dc:date>
    <link>https://www.historicalmaterialism.org/wp-content/uploads/2026/04/hm-dossier-001.pdf</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Contents

Introduction: Frankfurt, Moscow, Beijing 5
1 The Kremlin Ball at the Grand Hotel Abyss 11
2 The Frankfurt School: Rockhill’s Critique and Ours 17
2.1 Cultural Marxism Conspiracy Theory
2.2 Adorno and Horkheimer
2.3 Marcuse, US Intelligence, and the “Compatible Left”
2.4 Marcuse, Soviet Marxism, and The New Left
3 The Critical Balance Sheet on Actually Existing Stalinism 43
3.1 China
3.2 Germany 
3.3 Spain
3.4 France and Its Empire
3.5 United States of America
3.6 Nazi-Soviet Pact
3.7 World War II
3.8 Israel-Palestine
3.9 Algeria
3.10 1968
3.11 China – Nixon
4 The Prophet Smeared 75
5 The Rockhill-Furr Bloc 83
6 The Primacy of Stalinist Pragmatism 87
7 Mao’s Negative Dialectics 91
8 The Red Guard and the Market Stalinist 97
9 “Socialism From Above”: The Frankfurt School 101
10 MAGA Adornians 105
11 From “Global Class War” to Multipolarity 109
12 The Red-Brown Thread: Why Do Fascists Love Stalin? 113
13 The Unhappy Stalinist Consciousness 14 Conclusion: Philosophy, Programme, Party 127
14 Conclusion: Philosophy, Programme, Party 131"]]></description>
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<item rdf:about="https://jacobin.com/2026/04/review-rockhill-western-marxism-cold-war/">
    <title>No, Western Marxism Wasn’t a CIA Plot</title>
    <dc:date>2026-06-29T06:03:22+00:00</dc:date>
    <link>https://jacobin.com/2026/04/review-rockhill-western-marxism-cold-war/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Gabriel Rockhill’s polemic against Western Marxism seeks to condemn a set of postwar left-wing intellectuals such as Herbert Marcuse. Heavy on innuendo but light on evidence, the result is more like a show trial than a serious political indictment."]]></description>
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<item rdf:about="https://www.damagemag.com/p/western-marxism-through-the-looking">
    <title>Western Marxism Through the Looking Glass</title>
    <dc:date>2026-06-29T05:58:27+00:00</dc:date>
    <link>https://www.damagemag.com/p/western-marxism-through-the-looking</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A new book dismisses the entirety of Western Marxism through circumstantial evidence, insinuation, and ad hominem attacks. Ultimately, it vindicates the very tradition it seeks to criticize."

...

"St. Gabriel the Red

One of the first major problems is that Rockhill uses the term “Western Marxism” in a very sweeping and transparently skewed way. His targets have very different motivations, political opinions, and philosophical orientations. Foucault, Habermas, Marcuse, Zizek, Derrida, Arendt and others all come in for a ribbing, and all, despite their own criticisms of Marx, somehow participate in the tradition of “Western Marxism.” According to Rockhill, what “they all share in common, and what becomes visible via a materialist analysis of the social totality, is their opposition to actually existing socialism, with only the rarest—and absolutely explainable—exceptions.” This is a bad criteria with which to lump very ideologically different figures together, bordering on crude “friend/enemy”-level Schmittianism rather than dialectical nuance. As a point of comparison, no leftist would accept a Heideggerian quoting Introduction to Metaphysics and claiming liberalism, socialism, and all other modernist philosophies were “metaphysically the same” simply because of their opposition to fascism."

...

"There’s an essential irony to Rockhill’s project. He is right that Western Marxism emerged in part as a response to the perversions of Stalinism and Maoism. A motivation for Western Marxism was a desire to speak truthfully about the world without having one’s work reprimanded for not toeing the orthodox party line. Or worse, having your writing manipulated and censured to demonize its author. By engaging in these kinds of tactics throughout Who Paid the Pipers of Western Marxism?, Rockhill has done more than most to reinvigorate worries about these longstanding tendencies amongst Soviet apologists while staving off an honest assessment of the academic critical theory industry. This means that Rockhill has also done more than most to vindicate Western Marxism."]]></description>
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<item rdf:about="https://marxandphilosophy.org.uk/reviews/22624_who-paid-the-pipers-of-western-marxism-by-gabriel-rockhill-reviewed-by-richard-gilman-opalsky/">
    <title>‘Who Paid the Pipers of Western Marxism?’ by Gabriel Rockhill reviewed by Richard Gilman-Opalsky – Marx &amp; Philosophy Society</title>
    <dc:date>2026-06-29T05:55:35+00:00</dc:date>
    <link>https://marxandphilosophy.org.uk/reviews/22624_who-paid-the-pipers-of-western-marxism-by-gabriel-rockhill-reviewed-by-richard-gilman-opalsky/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Before I read Gabriel Rockhill’s Who Paid the Pipers of Western Marxism?, I watched fourteen hours of him talking about it on YouTube. In the fourteen hours that I watched Rockhill discussing his book, I kept on waiting for some critical engagement from his interlocutors and hosts, but it never happened. I watched and listened to Rockhill’s interviews because everyone in my universe was talking about his book. I did not want to read the book, nor to write this review, but eventually, several people asked me what I thought about it. I am not one to say much – or write anything – about a book I have not read, so I felt obligated to order a copy. The glaring missteps in Rockhill’s analysis were only more pronounced in its pages than in the interviews. So here we are.

In what follows, I will review Rockhill’s book on three of its core claims, showing that Who Paid the Pipers of Western Marxism? is a poorly argued, historically inaccurate and reductionist gift to right-wing anticommunists. Rockhill himself substantiates many of the old faulty claims of anti-Marxist reactionaries and thus contributes to the ever-intensifying attacks on Marxism in the politics of the present. Most urgently, many on the left appear to be reading this book as if it were an advance in Marxist scholarship, when it is in fact a great setback."]]></description>
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<item rdf:about="https://open-city.org.uk/events/moving1">
    <title>Moving with the city — Open City</title>
    <dc:date>2026-06-29T05:45:55+00:00</dc:date>
    <link>https://open-city.org.uk/events/moving1</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Join Open City for this site-sensing workshop — led by artist Alisa Oleva — where history and urban planning will be discovered through touch, listening and sensations 

By using elements of parkour and low impact movements participants of this workshop — which is open to movers and city explorers of all levels — will explore the architecture of social housing in north London including Highgate New Town designed by Hungarian architect Peter Tábori and Lismore Circus in Gospel Oak through deep listening, mapping and playing."]]></description>
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<item rdf:about="https://www.buildhollywood.co.uk/features/walk/">
    <title>WALK – monthly urban art walks with Alisa Oleva - BUILDHOLLYWOOD</title>
    <dc:date>2026-06-29T05:44:15+00:00</dc:date>
    <link>https://www.buildhollywood.co.uk/features/walk/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A series of free monthly urban art walks over a period of one year.

As part of our latest Your Space Or Mine project, we appointed performance and walking artist Alisa Oleva as Artist in Residence, commissioned to work from BUILDHOLLYWOOD’s creative space, The CarWash, in Shoreditch.

“Each month I will host a walk which will start at The CarWash venue and then venture into the surrounding neighbourhood. Every walk will have a different theme, exploring the everyday, sensorial ways of engaging with the city, sounds, textures, memories and histories, emotional map-making, and the politics of public space” – Alisa Oleva.

Where does the city take you? Where do you turn next? Who walks these streets? What’s the sound of your own footsteps? Who owns the city? What’s here, and what do we wish was still here? Where do you find yourself now? These are the questions that Alisa explored on her experimental urban walks.

Over the past 12 months, Alisa’s walks have offered an act of collective close looking and reimagining – opening up spaces we don’t usually notice to make visible different ways of being in, and thinking about, the city.

To celebrate the end of our WALK series, we hosted a final Gathering event on the 20th July, which was an opportunity for past participants and for those who are curious to come together to celebrate over walking, sharing food, map making and conversations. The BUILDHOLLYWOOD CarWash has been the starting and finishing point of each event and we were excited to host the final Gathering at this space once again. "]]></description>
<dc:subject>alisaoleva walking art situationist psychogeography 2024 walkshops senses sensory urban cities memory history maps mapmaking mapping publicspace</dc:subject>
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<dc:identifier>https://pinboard.in/u:robertogreco/b:a2553480f38e/</dc:identifier>
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</item>
<item rdf:about="https://akademija.whw.hr/fellows/alisa-oleva">
    <title>WHW Akademija - Alisa Oleva</title>
    <dc:date>2026-06-29T03:42:14+00:00</dc:date>
    <link>https://akademija.whw.hr/fellows/alisa-oleva</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Alisa Oleva is a walking artist based in London. Her practice unfolds within the spaces and streets of the city, exploring the politics of public space, how the city moves and how we move it, urban choreography and urban archaeology, traces and surfaces, borders and inventories, intervals and silences, passages and cracks. Her projects have taken the form of one-to-one and collective performances, walking scores, personal and intimate encounters, gatherings, parkour sessions, walkshops, soundwalks, and audiowalks.

Alisa holds a BA and MA from The Courtauld Institute of Art, London, and an MA in Performance from Goldsmiths, University of London. She is currently undertaking a fully funded practice-based PhD at the University of East London. She has worked with various places and communities, including Dnipro, Mariupol, Belgrade, Minsk, Berlin, Felixstowe, Leeds, Dudlange, La Sauvage, Brussels, Taoyuan, and others. In 2023, she was the recipient of an Another Route bursary and is currently leading a series of monthly art walks in East London, commissioned by BUILDHOLLYWOOD."

...

"Artist statement

Why walking? My impulse to walk stems from my experience of migration, which pushed me out of precarious housing conditions and led me to search for connection and a relationship with a new city through walking it. Over time, it developed into a walking art practice, in which I walk and invite others to walk with me, using walking as a methodology and practice to spark conversations, explore our connection to the everyday, question the politics of public space, and nurture a more sense of belonging and connection to land and place. 

I walk one-to-one with both strangers and friends. I also walk with big groups and small groups. I have organised various simultaneous walks across distances, across places, and across borders. 

Together with others who have also experienced migration, I explore how walking can become a way of home-finding - what routes we weave in our new homes, and what paths from our previous homes we carry with us. I also use counter-mapping as a way to walk the routes we remember but can no longer access.

I often walk at night, exploring the urban nightscape and how the city transforms in darkness. I’m interested in how the experience of walking at night differs for different bodies in different locations. 

In my work as a walking artist, walking is both the medium, the material, and the practice, while the streets, cities, parks, forests, and other kinds of places are both the site and my collaborators."]]></description>
<dc:subject>alisaoleva walking art situationist psychogeography walkshops gatherings parkour soundwalks audiowalks walkingscores</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:d1d9b3112535/</dc:identifier>
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<item rdf:about="https://hyperallergic.com/alisa-oleva-walking-home-performistanbul/">
    <title>Walk With Me: A Performance Artist Adapts to the Pandemic</title>
    <dc:date>2026-06-29T03:41:03+00:00</dc:date>
    <link>https://hyperallergic.com/alisa-oleva-walking-home-performistanbul/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["For two weeks last fall, performance artist Alisa Oleva walked with 33 different women in Istanbul; sometimes for 30 minutes, sometimes for three hours, but always from 1500 miles away."]]></description>
<dc:subject>2021 alisaoleva istanbul jenniferhattam walking 2020 art situationist psychogeography walkshops</dc:subject>
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<item rdf:about="https://journals.sagepub.com/doi/10.1177/13505068241262923">
    <title>Unveiling urban landscapes: Alisa Oleva’s performances during the pandemic - Raffaella Tartaglia, 2024</title>
    <dc:date>2026-06-29T03:40:03+00:00</dc:date>
    <link>https://journals.sagepub.com/doi/10.1177/13505068241262923</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["This text explores the evolving landscape of performance art in the face of pandemic restrictions, shedding light on the repercussions of audience deprivation and the subsequent exploration of digital platforms as a means of artistic expression. Focusing on some artistic performances of Alisa Oleva, the text investigates how her exploration of touching and walking as a medium influences the understanding of urban landscapes. By using the city as her studio and manipulating everyday life, Oleva uncovers the hidden stories and meanings embedded within inside and outside spaces, to examine questions related to women’s histories, traces, and surfaces. In particular, we focus on Walking Home (2020), a performance that, in addition to providing an interesting example of walking as an aesthetic practice, raises political and activist questions, such as how the pandemic-induced confinement masks deeper issues, namely the safety of the domestic environment for those who identify themself as women. Through various performances, we delve into the theme of seeing and touching, emphasising the significance of sensory perception as embodied human beings. Moreover, the text highlights how our passages and connections with different environments contribute to shaping the very meaning of the places we encounter in the world. In addition, the text acknowledges the transformative power of personal experiences in crafting the narrative of our collective story."]]></description>
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<item rdf:about="https://compassliveart.org.uk/walk-me-there-a-round-up/">
    <title>Walk Me There - A Round Up - Compass Live Art / Compass Festival</title>
    <dc:date>2026-06-29T03:37:12+00:00</dc:date>
    <link>https://compassliveart.org.uk/walk-me-there-a-round-up/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Over Alisa’s residency period in August, she went on one-to-one walks, hosted two group “walkshops” and created some beautiful memories with people living in Leeds: Anastasiia Abramchuk, Madda Moretti, Tatiana, Yuma, Haval, Maja Novak, coni, Mishka and Dasha."]]></description>
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<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:robertogreco/b:8c6af2a96c22/</dc:identifier>
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<item rdf:about="https://www.youtube.com/watch?v=ljqTo7GC7HM">
    <title>Walking and the Art of Public Space: Alisa Oleva on Cities, Belonging &amp; Nuart Aberdeen - YouTube</title>
    <dc:date>2026-06-29T03:15:35+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=ljqTo7GC7HM</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Walking can be much more than getting from A to B. In this interview from Nuart Aberdeen, walking artist Alisa Oleva talks about how she turns walks through the city into a form of art and a way of seeing places differently.

Alisa describes one-to-one walks with people who are new to a city, helping them explore ideas of home and belonging through everyday routes. She talks about blindfolded walks, long group walks that repeat the same path for hours, and workshops where people try simple exercises like walking differently, touching surfaces or noticing small details. She also explains how  she spends time “deep hanging out” in neighbourhoods. She connects her work to ideas from performance art, psychogeography and parkour. Especially the idea of “desire lines”, the paths people make when they don’t follow the official route.

Contents
00:00 – Walking as an art practice
01:50 – What it feels like on a walk
05:00 – Preparing a walk in a new city 
07:30 – Long-term projects, deep hanging out and working with strangers
10:20 – Simultaneous distant walks (Mariupol and beyond)
12:10 – Covid, virtual walks and “let me be your eyes”
14:30 – Migration, London and how the practice began
18:30 – Parkour, desire lines and small acts of disobedience in the city
21:20 – Performance, liveness and walking scores"

[via:

"Alisa Oleva the Walking Artist Inviting Us to View the City Differently • Inspiring City"
https://inspiringcity.com/2026/06/22/alisa-oleva-the-walking-artist-inviting-us-to-view-the-city-differently/ ]]]></description>
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<item rdf:about="https://alisaoleva.com/">
    <title>Alisa Oleva</title>
    <dc:date>2026-06-29T03:14:01+00:00</dc:date>
    <link>https://alisaoleva.com/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Alisa Oleva is a walking artist based in London who works within the spaces and streets of the city, exploring the politics of public space, how the city moves us and how we move it, urban choreography and urban archaeology, traces and surfaces, borders and inventories, intervals and silences, passages and cracks. She creates one-to-one and collective performances, walking scores, personal and intimate encounters, gatherings, soft parkour sessions, walkshops, soundwalks, and audiowalks.

Alisa holds a BA and MA from The Courtauld Institute of Art and an MA in Performance from Goldsmiths. She is currently doing a fully funded practice-based PhD at the University of East London."]]></description>
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<item rdf:about="https://www.walkinghome.online/">
    <title>Walking Home | Alisa Oleva</title>
    <dc:date>2026-06-29T03:13:38+00:00</dc:date>
    <link>https://www.walkinghome.online/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Sanatçı | Artist Alisa Oleva
Invitation to “Walking Home” from Performistanbul"

...

"Alisa Oleva invites women of Istanbul to participate in her Performance!

The first residency programme of Performistanbul is brought to life! Alisa Oleva is the first artist nominated to the “Artistic Development Programme'' as part of Performistanbul’s artist residency focused on performance artists, the project is conducted with the support of British Council’s #WomenPowerinCulture Grant Scheme, in collaboration with Live Art Development Agency, (LADA, London). Alisa Oleva is a Russian artist living and working in London, presenting her performance Walking Home in two channels both in Istanbul and London. Oleva is searching for women* who self identify themselves as women participants to walk with her towards home. For walking “home” together with Oleva, the final participation date for applications is on the 25thof October 2020. 

At the performance entitled `Walking Home, while the participants will be walking towards the place where they describe as “home” in Istanbul, the artist will accompany each partner within one-to-one sessions from London by connecting via phones without the presence of an audience. In order to designate the starting point of the walking, a map that reads the city through the locations of historical and forensic figures, artefacts and events related to women will guide the participants. In these traces there are such as; the Sultanahmet Square in the remembrance of Halide Edip Adıvar’s  activist and political speech in 1919, Yıldız Park in memory of Gürdal Duyar’s sculpture that represents Istanbul in the form of a woman’s body,  Fındıklı park where Füsun Onur’s 50thyear sculpture that got removed by the city hall crew during the organisation as well as selected places such as Süreyya Opera. 

With the following questions; “If I ask you to walk me home, where would you take me? Does home mean feeling safe? What makes you feel like at home? Is it where you live now or a different place? Or is it not even a place? Now, it is time to walk and find home!", the artist is searching for the answer of what could be the meaning of the notion of “home”. She invites women* living in Istanbul to share her footsteps within that journey. The notion of “home”, that may refer to different meanings such as the nest, safe space, family, escape, indefensible area, self-reflection, is at the centre of the Walking Home performance. The artist will ask several questions to the participants in order to get a response to the meanings of “home”, as a result it could lead to various descriptions such as an actual home; a park, a seaside, a library or a place which reflects that feeling or a person and an object. On the other hand, her questions could also  remain unanswered...  

If you would like to apply to the open call in order to think about the concept of “home” collaboratively, please write to info@performistanbul.org until the 25thof October 2020, Sunday. While the open call continues, the performances will start on the 18thof October and last until the 31stof October. The timetable and all details will be shared with the participants via email and the times will be organised with the artist."

...

"Performistanbul’dan “Eve Yürüyüş” İçin Davet  
Alisa Oleva, İstanbul’daki kadınları Performansa Katılmaya Çağırıyor!

Performistanbul’un ilk misafir sanatçı programı hayata geçiyor! British Council’ın #KültürdeKadınGücü Destek Programı  sayesinde, Live Art Development Agency (LADA, Londra) ile iş birliği yaparak geliştirdiği, performans sanatçılarına özel “Sanatsal Gelişim Programı”na ilk seçilen sanatçı Alisa Oleva oldu. Rus asıllı Londra merkezli performans sanatçısı Alisa Oleva, Eve Yürüyüş (Walking Home) adlı projesini İstanbul ve Londra olmak üzere iki ayaklı olarak sunuyor. Oleva, kendisiyle birlikte yürüyecek İstanbul’daki kadın* ve kendini kadın olarak tanımlayan katılımcıları arıyor. Oleva ile “ev”e doğru yürümek için gerçekleştirilen açık çağrıya son katılım tarihi 25 Ekim 2020.

Birebir yapılacak yürüyüşlerde, katılımcılar İstanbul’da “ev” olarak tanımladıkları yere doğru yürürken, sanatçı Oleva’nın da Londra’dan eşlik edeceği Eve Yürüyüş adlı performansta, aralarındaki bağı telefonları sağlayacak ve süreçler izleyicisiz olarak gerçekleşecek. Kadınların şehre bıraktığı izler üzerinden belirlenen başlangıç noktalarını seçerken, katılımcıya, kadın(lar)la ilgili tarihi ve önemli şahıslar, olaylar, yapıtlar üzerinden şehrin okumasının yapıldığı bir harita kılavuzluk edecek. Bu izler arasında, Halide Edip Adıvar’ın 1919 yılında yaptığı aktivist ve politik bir konuşma anısına Fatih’teki Sultanahmet Meydanı, Gürdal  Duyar’ın İstanbul’u kadın bedeniyle temsil ettiği heykeli anısına Yıldız Parkı, Füsun Onur’un belediye ekipleri tarafından park düzenlemesi sırasında kaldırılan 50. yıl heykeli anısına Fındıklı Parkı ve Süreyya Operası gibi yer ve mekânlar bulunuyor. Süreç dâhilinde her katılımcı, kendi hikâyelerinden bir parkur oluşturarak, bu haritanın bir parçası olarak ortak yaratıcılarından birine dönüşecek. Açık çağrı bir seçim olmadan, çağrıya yanıt veren herkesi kapsayacak ve performans gece veya gündüz fark etmeksizin karşılıklı belirlenen başlangıç noktası ve süresi çerçevesinde hayata geçecek.

Sanatçı “Benimle eve yürümeni istesem, beni nereye götürürdün? Ev, güvende hissetmekle aynı anlamı taşır mı? Sana ev hissini ne verir? Bu yaşadığın yer mi yoksa başka bir yer midir? Bu belki bir yer bile değildir? Şimdi yürümenin ve evi bulmanın zamanı!” sözleriyle “ev” kavramının ne anlama geldiği sorusunun cevaplarını arıyor. İstanbul’da yaşayan kadınları* eve giden yolda, adımlarını paylaşmaya çağırıyor. Yuva, güvenli bölge, aile, kaçış, savunmasız alan, öze dönüş gibi kişi için pek çok tanımı çağrıştırabilecek “ev” kavramı, Eve Yürüyüş adlı performansın merkezini oluşturuyor. Katılımcılara, “ev” kavramını tanımlamak için çeşitli sorular yönlendirecek olan sanatçı, herhangi bir ev tarifi yanıtı alabileceği gibi bir park, deniz kenarı, kütüphane veya bu hissi taşıyan herhangi bir yer, kişi veya nesne gibi pek çok karşılık da bulabilir. Yanıtsız da kalabilir...

Siz de açık çağrıya katılmak ve “ev” kavramını beraber düşünüp sorgulamak için 25 Ekim 2020 Pazar gününe kadar info@performistanbul.org adresine yazabilirsiniz. Açık çağrı devam ederken, 18 Ekim’den itibaren başlayacak performanslar 31 Ekim tarihine kadar devam edecek. Zamanı  sanatçıyla beraber kararlaştırılacak performans ile ilgili detaylı bilgiler başvuran katılımcılarla mail aracılığıyla paylaşılacak."]]></description>
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<item rdf:about="https://www.fetch.london/post/walking-is-so-simple-yet-so-deeply-complex-in-conversation-with-with-alisa-oleva">
    <title>&quot;WALKING IS SO SIMPLE YET SO DEEPLY COMPLEX&quot;: IN CONVERSATION WITH ALISA OLEVA</title>
    <dc:date>2026-06-29T03:13:26+00:00</dc:date>
    <link>https://www.fetch.london/post/walking-is-so-simple-yet-so-deeply-complex-in-conversation-with-with-alisa-oleva</link>
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<item rdf:about="https://inspiringcity.com/2026/06/22/alisa-oleva-the-walking-artist-inviting-us-to-view-the-city-differently/">
    <title>Alisa Oleva the Walking Artist Inviting Us to View the City Differently • Inspiring City</title>
    <dc:date>2026-06-29T02:53:49+00:00</dc:date>
    <link>https://inspiringcity.com/2026/06/22/alisa-oleva-the-walking-artist-inviting-us-to-view-the-city-differently/</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[[embedded video:

"Walking and the Art of Public Space: Alisa Oleva on Cities, Belonging & Nuart Aberdeen"
https://www.youtube.com/watch?v=ljqTo7GC7HM 

"Walking can be much more than getting from A to B. In this interview from Nuart Aberdeen, walking artist Alisa Oleva talks about how she turns walks through the city into a form of art and a way of seeing places differently.

Alisa describes one-to-one walks with people who are new to a city, helping them explore ideas of home and belonging through everyday routes. She talks about blindfolded walks, long group walks that repeat the same path for hours, and workshops where people try simple exercises like walking differently, touching surfaces or noticing small details. She also explains how  she spends time “deep hanging out” in neighbourhoods. She connects her work to ideas from performance art, psychogeography and parkour. Especially the idea of “desire lines”, the paths people make when they don’t follow the official route.

Contents
00:00 – Walking as an art practice
01:50 – What it feels like on a walk
05:00 – Preparing a walk in a new city 
07:30 – Long-term projects, deep hanging out and working with strangers
10:20 – Simultaneous distant walks (Mariupol and beyond)
12:10 – Covid, virtual walks and “let me be your eyes”
14:30 – Migration, London and how the practice began
18:30 – Parkour, desire lines and small acts of disobedience in the city
21:20 – Performance, liveness and walking scores"]]]></description>
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<item rdf:about="https://ma.tt/2026/06/om-links/">
    <title>Om Links | Matt Mullenweg</title>
    <dc:date>2026-06-29T02:02:48+00:00</dc:date>
    <link>https://ma.tt/2026/06/om-links/</link>
    <dc:creator>robertogreco</dc:creator><dc:subject>ommalik 2026 mattmillenweg</dc:subject>
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<item rdf:about="https://glass.photo/highlights/remembering-om">
    <title>Remembering Om — Glass</title>
    <dc:date>2026-06-29T00:26:22+00:00</dc:date>
    <link>https://glass.photo/highlights/remembering-om</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["A life lived in focus."]]></description>
<dc:subject>ommalik 2026 photography</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://www.youtube.com/watch?v=48D-k1ghaL8">
    <title>Why It Feels Like Your Healthcare System Hates You - YouTube</title>
    <dc:date>2026-06-28T23:33:28+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=48D-k1ghaL8</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["Hey friends, welcome back. Missed yall.

I went to the hospital recently, the very first time since being laid off a few years ago and was completely thrown off with the bill. 
And by bill, I mean the many billllsssss, I received. 

I had been avoiding going to the doctor for as long as possible without even realizing it, and when I finally went, I realized, how legitimately out of touch i was. I had had insurance for the previous 10 years with no gaps and didn't know how bad it was out here.
 
it made me fall down a rabbit hole of trying to understand what the hell we did to the American healthcare system to be treated this way. 

this video is part one of those findings.

hint: nothing. we did nothing other than exist under a for profit system loyal to shareholders.

ive been looking for resources to share to get activated and plugged in i and found ‪@OneNationOvercharged‬ as one of the orgs already doing a lot of work in this space, if anything in this video resonated with you, check them out and check out part two of this series in a few weeks,
https://onenationovercharged.com/

I know right now is such an insane time for a lot of us and so many of us have no clue what to do or how to even process so next week we will have much more of a deep dive and tackle the topic: 

what happens next when fascism wins elections?

See you in the next one.❤️"]]></description>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=4FZy1lBNykA">
    <title>The Richest Country Is Pretty Mid Now - YouTube</title>
    <dc:date>2026-06-28T22:50:35+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=4FZy1lBNykA</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[""Leveragism" is a term I made up, and it describes what the American economy is increasingly heading towards. As you will see, this is really bad news. 

0:00 - About Capitalism
3:53 - Political Leverage
6:01 - The Gold Trap
8:00 - The Rug Pull
11:34 - The Bond Trap
15:23 - Classical Leverage
19:00 - Debts R' Us
20:32 - AI Circlejerk
22:45 - My Awesome Trip To Israel 
29:09 - Authoritarian Leverage
35:01 - Siphoning Your 401K
39:02 - Time and the Smokescreen of Numbers"]]></description>
<dc:subject>bennjordan leveragism capitalism internet online google gemini ai artificialintelligence aibubble journalism rugpulls authoritarianism elonmusk donaldtrump spacex israel gaza anarchism economics economy integrity finance ip intellectualproperty well-being wellbeing precarity gold debt politics us bigtech spotify suno streaming law legal happiness fuckyoumoney inequality money labor wealth laborreflexivity growth borders border privateequity libertarianism tescreal nerdreich peterthiel billackman rulingclass transhumanism extropianism singularitarianism singularity xenophobia inflation extraction rationalism oligarchy larryellison markzuckerberg jeffbezos effectivealtruism longtermism governance government democracy poverty work police policing iranwar austerity retirement maga trumpism muskism wallstreet stockmarket nasdaq indexfunds 401k leverage power policy autonomy obesity surveillance survival fear ice bronnieware life living courage death guatemala coca-cola unions wisdom pollution environment humanrigh</dc:subject>
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</item>
<item rdf:about="https://www.youtube.com/watch?v=6uZIM40Oj8M">
    <title>Everyone is anorexic and enslaving a surrogate - YouTube</title>
    <dc:date>2026-06-28T02:30:43+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=6uZIM40Oj8M</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["I’m fairly certain we’ve all noticed the celebrity anorexia trend becoming blatantly apparent in the last year or so. But, another trend occurring concurrently in Hollywood is the form of modern slavery known as surrogacy. It’s glaring and flagrant how many obviously skinny famous women are hiring women of the Third World to birth babies for them. Yet, while celebrities are becoming skinnier, the general population is going further and further in the opposite direction. Women  cannot strive for this unreachable standard, so often become discouraged from fitness and its culture in general. A synchronicity of anorexia and obesity emerges with a negative correlation linked to class. All the while, less privileged women are being forced to sell a life-threatening bodily function to people those who feel “the right” to have children. The body itself is always a battleground for women and girls.

Links ~ ⁠linktr.ee/intoodeepod⁠
Resources ~ ⁠https://leaflet.pub/8864a0ba-6025-4edd-98c3-ce33914ea2c1

Chapters ~
00:00 Intro
10:07 The eating disorder as a patriarchal weapon
23:19 Feminised fitness
38:30 Surrogacy as slavery
53:55 Reinterpreting surrogacy
59:55 Conclusion: the body"]]></description>
<dc:subject>intoodeep feminism exploitation surrogacy inequality fitness slavery bodies patriarchy eatingdisorders anorexia 2026 celebrity hollywood thirdworld globalsouth obesity class motherhood gender women girls jennaortega arianagrande emmastone demimoore michelleyeoh actresses musicindustry weightloss meghantrainor glp-1 emaciation aesthetics status lilycollins west wealth wealthinequality beautystandards thinness reproductiverights malnourishment bodypositivity fascism tradwives health fertility bopeng bodyimage self-esteem poverty capitalism femininity socialstatus discipline endulgence power control neuroscience weekness autonomy empowerment serenawilliams ozempic andreadworkin society neurology nutrition michelfoucault foucault sophielewis</dc:subject>
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<item rdf:about="https://www.youtube.com/watch?v=wQDPXgB00pw">
    <title>Israel's dream of ruling the region is over, its decline has begun | Mustafa Barghouti |UNAPOLOGETIC - YouTube</title>
    <dc:date>2026-06-28T00:32:44+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=wQDPXgB00pw</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA[""Now Netanyahu has failed. Iran was not broken. Arab countries now realise that relying on Israel is a death sentence."

In this episode of UNAPOLOGETIC, we sat down in studio with Mustafa Barghouti, Palestinian physician, leader of the Palestinian National Initiative and co-founder of the Palestinian Medical Relief Society. Barghouti argues that Israel's two strategic goals, imperial domination of the Middle East and normalisation with Arab states, have both collapsed, and that this marks the beginning of its decline.

Across the conversation he sets out the scale of the atrocity in Gaza, the slow strangulation of life in the West Bank, and the transformation of Israeli society towards what he describes as fascism. He explains why the regional war with Iran ended in strategic failure for Netanyahu, why Oslo and the 2005 Gaza disengagement were traps rather than concessions, and why he refuses to accept any framing that places oppressor and oppressed on equal footing.

Barghouti also turns to the question of survival and resistance, from the 90 midwives employed in the first weeks of the war to the clinics rebuilt multiple times under bombardment, and makes the case that Palestine has become the global measure of commitment to justice. Despite everything, he ends on a note of defiance and hope.

UNAPOLOGETIC is hosted by Ashfaaq Carim.

00:00 Intro highlights
01:37 Welcome to the show
03:09 Did you expect this enemy
04:55 Fascism inside Israeli society
06:05 What two years brought
08:30 The scale of atrocity
10:36 How Oslo deceived everyone
13:48 What you do not see
15:25 Strangling the West Bank
20:38 The two state hypocrisy
22:30 Did the Iran war backfire
24:01 Netanyahu's two imperial goals
27:17 Netanyahu has failed
28:47 Steadfastness as resistance
32:30 Sumud with resistance
33:54 The demographic battle
34:47 Why Palestinians must stay
37:12 Disarming Palestinian leadership
38:24 Authority without authority
42:18 The Beijing declaration
44:38 Do not blame victims
46:06 Shifting opinion in the West
48:45 Refusing the false equivalence debate
52:42 The 2005 Gaza disengagement trap
57:32 The miracle Israel cannot kill
1:03:03 Final thoughts
1:03:48 Palestine, the global justice issue"]]></description>
<dc:subject>mustafabarghouti ashfaaqcarim palestine israel gaza genocide ethniccleansing settlercolonialism zionism imperialism colonialism colonization apartheid 1948 westbank occupation benjaminnetanyahu history atrocity deception resistance authority 2025 2023 2026 2024 globaljustice settlers settlements ramallah sumud demographics society antizionism arabstates normalization fascism oppression war intifada firstintifada secondintifada palestinianauthority unrwa osloaccords dispossession nakba displacement jerusalem eastjerusalem twostatesolution bds boycott divestment sanctions internationalwar warcrimes accountability icc icj southafrica iran lebanon falseequivalence geopolitics syria golanheights itamarben-gvir un greaterisrael middleast expansion expansionism iraq iraqwar hillaryclinton ehudbarak us egypt reconstruction assassination leadership torture hamas beijingdeclaration operationalaqsaflood publicopinion fatah racism supremacy tuckercarlson candaceowens piersmorgan islamophobia marjorietayorgreene megynkell</dc:subject>
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<item rdf:about="https://www.chroniclebooks.com/products/on-doing-nothing">
    <title>On Doing Nothing: Finding Inspiration in Idleness, by Roman Muradov (2018) | Chronicle Books</title>
    <dc:date>2026-06-27T23:13:55+00:00</dc:date>
    <link>https://www.chroniclebooks.com/products/on-doing-nothing</link>
    <dc:creator>robertogreco</dc:creator><description><![CDATA["In an age of obsessive productivity and stress, this illustrated ode to idleness invites readers to explore the pleasures and possibilities of slowing down. Beloved author and illustrator Roman Muradov weaves together the words and stories of artists, writers, philosophers, and eccentrics who have pursued inspiration by doing less. He reveals that doing nothing is both easily achievable and absolutely essential to leading an enjoyable and creative life. Cultivating idleness can be as simple as taking a long walk without a destination or embracing chance in the creative process. Peppered with playful illustrations, this handsome volume is a refreshing and thought-provoking read."

...

"Roman Muradov is an award-winning author and artist, and a professor at California College of the Arts in San Francisco."

[via:
https://www.scopeofwork.net/an-incomplete-accounting-of-what-im-reading/

quoting:

"Artistic delay is resisting the impulse to explore an idea fully at its birth, instead allowing it to live for a while in the greenhouse of the mind, where it may mature and corrupt, grow into something new, or die and fertilize the soil."]]]></description>
<dc:subject>idleness romanmuradov slow productivity optimization philosophy art writing eccentrics creativity walking</dc:subject>
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