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    <title>Pinboard (matthewmcvickar)</title>
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    <description>recent bookmarks from matthewmcvickar</description>
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	<rdf:li rdf:resource="http://www.spin.com/blogs/listen-nicki-minaj-and-2-chainzs-beez-trap"/>
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	<rdf:li rdf:resource="http://timeoutchicago.com/music-nightlife/15199701/madonna-mdna-album-review"/>
	<rdf:li rdf:resource="http://www.stylusmagazine.com/reviews/the-association/renaissanceinsight-outbirthdaythe-associationlivestop-your-motor.htm"/>
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	<rdf:li rdf:resource="http://pitchfork.com/features/why-we-fight/7923-why-we-fight-10/"/>
	<rdf:li rdf:resource="http://www.lanaturnerjournal.com/online/51-music/133-vomiting-up-tequila-a-glitter-pop-2010"/>
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  </channel><item rdf:about="https://www.theguardian.com/music/2018/jul/02/toned-down-for-what-how-chill-turned-toxic">
    <title>Robin James: Toned down for what? How 'chill' turned toxic</title>
    <dc:date>2018-09-29T23:47:11+00:00</dc:date>
    <link>https://www.theguardian.com/music/2018/jul/02/toned-down-for-what-how-chill-turned-toxic</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Like its ancestor cool, chill does double duty as a prestige marker. On the one hand, in the post-#MeToo era, chill masculinity seems infinitely preferable to so-called “toxic masculinity”, which is predatory and self-destructive. But even though Sheeran’s tame romanticism may feel less toxic than the slightly skeevy masculinity of bro-step, chill is less a step towards equality and more an update on gender and race stereotypes.</blockquote>]]></description>
<dc:subject>music gender pop</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:7d1ab78e4adb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:gender"/>
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</item>
<item rdf:about="http://pitchfork.com/thepitch/315-its-not-what-you-like-but-how-you-like-it-some-thoughts-on-pop/">
    <title>Mike Powell: It's Not What You Like But How You Like It: Some Thoughts on Pop (Pitchfork)</title>
    <dc:date>2014-06-08T07:15:04+00:00</dc:date>
    <link>http://pitchfork.com/thepitch/315-its-not-what-you-like-but-how-you-like-it-some-thoughts-on-pop/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>So: Do you make room for transient joy? Does it impede your deep thoughts, or does it inspire them, like a spark to wick?</blockquote>]]></description>
<dc:subject>music pop writing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:e9bb6c74c8a4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:pop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:writing"/>
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</item>
<item rdf:about="http://www.spin.com/articles/yeezus-female-roundtable-kanye-west-sheezus-talks-a-critical-roundtable/">
    <title>Sheezus Talks: A Critical Roundtable (SPIN)</title>
    <dc:date>2013-07-02T19:59:04+00:00</dc:date>
    <link>http://www.spin.com/articles/yeezus-female-roundtable-kanye-west-sheezus-talks-a-critical-roundtable/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>On the occasion of Kanye West's sixth album, released the day before Juneteenth, 2013, Anno Domini, we are gathered here due to the dearth of Yeezus pieces written by women, which is a significant oversight since a) much of this album, and West's catalog, is about us; and b) it's 2013, call the freaking doctor. So we've amassed an all-star panel that includes frequent SPIN contributors Puja Patel, Jessica Hopper, and Maura Johnston, Stereogum's Claire Lobenfeld, Toronto-based uber-freelancer Anupa Mistry, and SiriusXM's Sway in the Morning on-air personality and pop-culture writer Tracy Garraud.</blockquote>]]></description>
<dc:subject>music criticism pop</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:f4f41adb02f4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:criticism"/>
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</item>
<item rdf:about="http://www.grantland.com/story/_/id/9016745/the-20th-anniversary-beck-loser">
    <title>Alex Pappademas: The 20th Anniversary of Beck's &quot;Loser&quot; (Grantland)</title>
    <dc:date>2013-03-08T20:04:19+00:00</dc:date>
    <link>http://www.grantland.com/story/_/id/9016745/the-20th-anniversary-beck-loser</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Taking stock of Beck’s career 20 years after “Loser.”</blockquote>]]></description>
<dc:subject>music pop</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:f4d3b43bb603/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
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</item>
<item rdf:about="http://www.slate.com/blogs/browbeat/2013/02/21/_harlem_shake_is_no_1_after_billboard_begins_counting_youtube_views_what.html">
    <title>Jody Rosen and Chris Molanphy: “Harlem Shake” is no. 1 after Billboard begins counting YouTube views: What this means for the future of the charts. (Slate)</title>
    <dc:date>2013-02-28T18:32:53+00:00</dc:date>
    <link>http://www.slate.com/blogs/browbeat/2013/02/21/_harlem_shake_is_no_1_after_billboard_begins_counting_youtube_views_what.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>YouTube crushing everything does seem like a concern. I love novelty songs, I ride hard for novelty songs—but if, suddenly, all our big hits are goofy YouTube-incubated one-offs, the novelty song will cease to be novel.</blockquote>]]></description>
<dc:subject>music pop statistics youtube internet culture</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:da0cbee1a9fb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:pop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:statistics"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:internet"/>
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</item>
<item rdf:about="http://www.buzzfeed.com/ericharvey/how-frank-ocean-transcended-the-hype">
    <title>Eric Harvey: How Frank Ocean Transcended The Hype (Buzzfeed Music)</title>
    <dc:date>2013-01-30T22:53:13+00:00</dc:date>
    <link>http://www.buzzfeed.com/ericharvey/how-frank-ocean-transcended-the-hype</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Ocean is a storyteller at heart, and Orange is so compelling in large part because it’s never entirely clear from what perspective his stories are coming, or where they’re leading. Like all great writers, Ocean’s narratives are wholly fictional and half-true — autobiographies on their way to becoming lies</blockquote>]]></description>
<dc:subject>music writing rnb pop</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:f1e495bf8586/</dc:identifier>
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</item>
<item rdf:about="http://labs.echonest.com/Uploader/index.html">
    <title>The Infinite Jukebox</title>
    <dc:date>2012-12-31T03:15:54+00:00</dc:date>
    <link>http://labs.echonest.com/Uploader/index.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>For when your favorite song just isn't long enough</blockquote>]]></description>
<dc:subject>music internet pop</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:121ae3fccdb7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
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</item>
<item rdf:about="http://pitchfork.com/features/underscore/8822-quiet-storm/">
    <title>Eric Harvey: The Quiet Storm (Pitchfork)</title>
    <dc:date>2012-06-24T23:03:30+00:00</dc:date>
    <link>http://pitchfork.com/features/underscore/8822-quiet-storm/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>A musical and social history of the effortlessly smooth, radio-bred style typified by the likes of Smokey Robinson, Luther Vandross, Anita Baker, and Sade.</blockquote>]]></description>
<dc:subject>music history soul pop</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:28994ea00471/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
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</item>
<item rdf:about="http://www.newyorker.com/reporting/2012/03/26/120326fa_fact_seabrook?currentPage=all">
    <title>John Seabrook: Stargate and Ester Dean, Making Music Hits (The New Yorker)</title>
    <dc:date>2012-06-10T21:27:33+00:00</dc:date>
    <link>http://www.newyorker.com/reporting/2012/03/26/120326fa_fact_seabrook?currentPage=all</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[On the collaboration between the Norwegian writer-producers Stargate and songwriter Ester Dean, who have written tons of hits for Rihanna, Nicki Minaj, Beyonce, and others.]]></description>
<dc:subject>music pop writing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:6df0cdbd39bc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
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</item>
<item rdf:about="http://www.capitalnewyork.com/article/culture/2012/04/5618033/its-2012-and-its-nicki-minajs-world-make-album-not-going-make-it">
    <title>Daphne Carr: It's 2012 and it's Nicki Minaj's world to make, but this album is not going to make it (Capital New York)</title>
    <dc:date>2012-05-28T08:06:26+00:00</dc:date>
    <link>http://www.capitalnewyork.com/article/culture/2012/04/5618033/its-2012-and-its-nicki-minajs-world-make-album-not-going-make-it</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Her flow, including the corny hashtag raps and the growls and all the other forms of play that make her simultaneously so old school and so fresh, have already shifted the zeitgeist and inspired a new generation of pop lovers in one short year. Now it's time for her to figure out how to step up to sound like she what she says on the album’s third track: “I Am Your Leader.”</blockquote>]]></description>
<dc:subject>music writing pop hiphop</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:24bc13b970b4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:pop"/>
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</item>
<item rdf:about="http://www.spin.com/blogs/listen-nicki-minaj-and-2-chainzs-beez-trap">
    <title>Brandon Soderberg: Nicki Minaj and 2 Chainz’ ‘Beez in the Trap’ (SPIN)</title>
    <dc:date>2012-03-29T04:54:02+00:00</dc:date>
    <link>http://www.spin.com/blogs/listen-nicki-minaj-and-2-chainzs-beez-trap</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Nicki employs street hardness as a signifier of how great she is at rapping, not as an attempt to actually convince anybody that she's "hood" or any of that authenticity nonsense. She's successfully occupying the trap, ground zero for hardness, and calling its inhabitants "bitches," all to prove that she is the consummate rhyming bad-ass.</blockquote>]]></description>
<dc:subject>music pop hiphop rap criticism writing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:a75993e317da/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:pop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:hiphop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:rap"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:criticism"/>
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</item>
<item rdf:about="http://modernserf.tumblr.com/post/19962141620">
    <title>The Modern Serf: IV - V</title>
    <dc:date>2012-03-29T04:48:54+00:00</dc:date>
    <link>http://modernserf.tumblr.com/post/19962141620</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[Having heard ‘Erica Western Teleport’, Justin looks into his other favorite songs that have that song’s ‘simple IV-V-I progression’. A good bit of pop notes and theory that I need to look into further.]]></description>
<dc:subject>pop music theory</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:28087e8b6113/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:pop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:theory"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://timeoutchicago.com/music-nightlife/15199701/madonna-mdna-album-review">
    <title>Brent DiCrescenzo: Madonna — MDNA (Time Out Chicago)</title>
    <dc:date>2012-03-29T02:47:59+00:00</dc:date>
    <link>http://timeoutchicago.com/music-nightlife/15199701/madonna-mdna-album-review</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>It didn’t have to be this bad. She didn’t even need to dig that deep on the iTunes “Electronic” page to find a producer to craft intriguing electro. Instead of Solveig, she could have emailed SBTRKT. Or Anthonly Gonzalez. Or Scuba. Anyone else. She’s clearly learning about dance music from television ads, not nights out.</blockquote>]]></description>
<dc:subject>music review criticism dance pop</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:e317087e1cfc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:review"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:dance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:pop"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.stylusmagazine.com/reviews/the-association/renaissanceinsight-outbirthdaythe-associationlivestop-your-motor.htm">
    <title>Matthew Weiner: The Association - Renaissance/Insight Out/Birthday/The Association/Live/Stop Your Motor (Stylus Magazine)</title>
    <dc:date>2012-03-05T20:44:44+00:00</dc:date>
    <link>http://www.stylusmagazine.com/reviews/the-association/renaissanceinsight-outbirthdaythe-associationlivestop-your-motor.htm</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[A good overview of the band and their place in the world of sunshine pop.]]></description>
<dc:subject>music history pop 60s writing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:54a45ffc1419/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:pop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:60s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:writing"/>
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</item>
<item rdf:about="http://nymag.com/fashion/12/spring/nicki-minaj-2012-2/">
    <title>David Wallace-Wells: Nicki Minaj's Kaleidoscopic Genius (New York Magazine)</title>
    <dc:date>2012-02-17T23:36:27+00:00</dc:date>
    <link>http://nymag.com/fashion/12/spring/nicki-minaj-2012-2/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[‘Once upon a time, dance pop was about self-affirmation, and the thing being affirmed was usually some sort of identity—ethnicity, gender, sometimes class, and maybe even sexuality. The Nicki generation seizes a whole new subject for pop: not who you are and how you made it, but the meaning and experience of celebrity once you have it. In place of identity, these prima donnas are performing fame. And doing it with what you might even call “taste”: an idiosyncratic aesthetic vision for everyday life, one that has nothing to do with where they’ve been and everything to do with synthetic aspiration. Minaj isn’t being inauthentic about celebrity—celebrity is the most authentic thing about her.’]]></description>
<dc:subject>celebrity fame music writing pop</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:1336521784ca/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:celebrity"/>
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<item rdf:about="http://www.villagevoice.com/content/printVersion/3307788/">
    <title>Eric Harvey: tUnE-yArds, PJ Harvey, and St. Vincent Get Physical (Village Voice)</title>
    <dc:date>2012-02-06T00:46:07+00:00</dc:date>
    <link>http://www.villagevoice.com/content/printVersion/3307788/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[‘2011 indeed was a remarkable year for the pop body in all of its beautiful, ugly, complex, and grotesque forms.’]]></description>
<dc:subject>body culture music writing pop</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:5c6412c55000/</dc:identifier>
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<item rdf:about="http://pitchfork.com/features/why-we-fight/7923-why-we-fight-10/">
    <title>Pitchfork: Why We Fight: Why We Fight #10</title>
    <dc:date>2011-01-29T20:42:47+00:00</dc:date>
    <link>http://pitchfork.com/features/why-we-fight/7923-why-we-fight-10/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[Nitsuh explores the Black Eyed Peas iPad app, and why so much party pop music — which is so often aspirational — has been sounding “rote and blanched of purpose”.]]></description>
<dc:subject>pop music writing apps culture america</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:1609f3f66ac0/</dc:identifier>
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<item rdf:about="http://www.lanaturnerjournal.com/online/51-music/133-vomiting-up-tequila-a-glitter-pop-2010">
    <title>Lana Turner: Vomiting Up Tequila &amp; Glitter: Pop 2010</title>
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    <link>http://www.lanaturnerjournal.com/online/51-music/133-vomiting-up-tequila-a-glitter-pop-2010</link>
    <dc:creator>matthewmcvickar</dc:creator><dc:subject>pop music musicbusiness 2010 economy history</dc:subject>
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<item rdf:about="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article7129672.ece">
    <title>The Times: Come party with Lady Gaga</title>
    <dc:date>2010-05-27T09:06:47+00:00</dc:date>
    <link>http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article7129672.ece</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[Humanizing and well-written. Spoiler: she doesn't have a penis.
]]></description>
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