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    <title>Pinboard (matthewmcvickar)</title>
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    <description>recent bookmarks from matthewmcvickar</description>
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	<rdf:li rdf:resource="http://testkitchen.huffingtonpost.com/michaeljacksonsonic/2/"/>
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  </channel><item rdf:about="https://www.nytimes.com/2022/10/21/opinion/minority-rule-majoritarian-democracy.html">
    <title>Jamelle Bouie: What if We Let Majoritarian Democracy Take Root? (NY Times)</title>
    <dc:date>2022-10-24T06:33:05+00:00</dc:date>
    <link>https://www.nytimes.com/2022/10/21/opinion/minority-rule-majoritarian-democracy.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>If it were up to the national majority, American democracy would most likely be in a stronger place, not the least because Donald Trump might not have become president. Our folk beliefs about American government notwithstanding, the much-vaunted guardrails and endlessly invoked norms of our political system have not secured our democracy as much as they’ve facilitated the efforts of those who would degrade and undermine it.

Majority rule is not perfect but rule by a narrow, reactionary minority — what we face in the absence of serious political reform — is far worse. And much of our fear of majorities, the legacy of a founding generation that sought to restrain the power of ordinary people, is unfounded. It is not just that rule of the majority is, as Abraham Lincoln said, “the only true sovereign of a free people”; it is also the only sovereign that has reliably worked to protect those people from the deprivations of hierarchy and exploitation.

If majoritarian democracy, even at its most shackled, is a better safeguard against tyranny and abuse than our minoritarian institutions, then imagine how we might fare if we let majoritarian democracy actually take root in this country. The liberty of would-be masters might suffer. The liberty of ordinary people, on the other hand, might flourish.
</blockquote>]]></description>
<dc:subject>america politics history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:66efb5bcac51/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
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<item rdf:about="https://www.thedailybeast.com/donald-rumsfeld-killer-of-400000-people-dies-peacefully">
    <title>Spencer Ackerman: Donald Rumsfeld, Killer of 400,000 People, Dies Peacefully (Daily Beast)</title>
    <dc:date>2021-06-30T23:09:28+00:00</dc:date>
    <link>https://www.thedailybeast.com/donald-rumsfeld-killer-of-400000-people-dies-peacefully</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Do not mourn the defense secretary. Mourn his victims. There were nearly too many to tally, but his Pentagon refused to count anyway.</blockquote>]]></description>
<dc:subject>politics war history america iraq afghanistan obituary</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:bbfabbae59ca/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:politics"/>
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<item rdf:about="https://www.nytimes.com/interactive/2021/04/02/arts/design/shah-jahan-chitarman.html">
    <title>Jason Farago: What a Tiny Masterpiece Reveals About Power and Beauty (NYT)</title>
    <dc:date>2021-04-14T03:38:12+00:00</dc:date>
    <link>https://www.nytimes.com/interactive/2021/04/02/arts/design/shah-jahan-chitarman.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[An article about art and power focused on a piece from the Mughal empire, with an intriguing layout that scrolls sentences by on the left while zooming in on different parts of the art on the right.

<blockquote>Crosscurrents of religion and culture shaped this stunningly detailed portrait of the 17th-century Mughal emperor who built the Taj Mahal.

---

Power, for the Mughals, also came from absorbing the cultural forms under their authority, then reconstituting them in their own image.</blockquote>]]></description>
<dc:subject>art culture history webdevelopment</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:2499da5c0653/</dc:identifier>
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<item rdf:about="https://htck.github.io/bayeux/#!/">
    <title>Historic Tale Construction Kit: Make your own Bayeux Tapestry</title>
    <dc:date>2021-03-15T05:02:46+00:00</dc:date>
    <link>https://htck.github.io/bayeux/#!/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Historic Tale Construction Kit - Bayeux

Two German students originally wrote the Historic Tale Construction Kit, with Flash. Sadly, their work isn't available anymore, only remembered. This new application is a tribute, but also an attempt to revive the old medieval meme, with code and availability that won't get lost.</blockquote>]]></description>
<dc:subject>history art humor</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:ec5c2329f377/</dc:identifier>
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<item rdf:about="https://www.nytimes.com/2020/10/30/opinion/trump-presidents-history.html?auth=login-email&amp;fbclid=IwAR1ZlhbXkpg8ynsTFRSq9BiZQ8K5yjt7rZKop0WzwToC69DDbAcJtLoIe40&amp;login=email">
    <title>Jamelle Bouie: Don’t Fool Yourself. Trump Is Not an Aberration. (NYT)</title>
    <dc:date>2020-10-30T16:34:40+00:00</dc:date>
    <link>https://www.nytimes.com/2020/10/30/opinion/trump-presidents-history.html?auth=login-email&amp;fbclid=IwAR1ZlhbXkpg8ynsTFRSq9BiZQ8K5yjt7rZKop0WzwToC69DDbAcJtLoIe40&amp;login=email</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Many of the worst things the president has said and done were said and done by his predecessors.

---

For as much as it seems that Donald Trump has changed something about the character of this country, the truth is he hasn’t. What is terrible about Trump is also terrible about the United States. Everything we’ve seen in the last four years — the nativism, the racism, the corruption, the wanton exploitation of the weak and unconcealed contempt for the vulnerable — is as much a part of the American story as our highest ideals and aspirations. The line to Trump runs through the whole of American history, from the white man’s democracy of Andrew Jackson to the populist racism of George Wallace, from native expropriation to Chinese exclusion.

And to the extent that Americans feel a sense of loss about the Trump era, they should be grateful, because it means they’ve given up their illusions about what this country is, and what it is (and has been) capable of.

There is very little about Donald Trump or his policies that doesn’t have a direct antecedent in the American past. Despite what Joe Biden might say about its supposedly singular nature (“The way he deals with people based on the color of their skin, their national origin, where they’re from, is absolutely sickening”), the president’s racism harkens right back to the first decades of the 20th century, when white supremacy was ascendant and the nation’s political elites, including presidents like Woodrow Wilson, were preoccupied with segregation and exclusion for the sake of preserving an “Anglo-Saxon” nation.</blockquote>]]></description>
<dc:subject>trump politics america history racism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:0eedadf8c48b/</dc:identifier>
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</item>
<item rdf:about="https://1940s.nyc/map#13.69/40.7093/-73.99397">
    <title>1940s NYC | Street photos of every building in New York City in 1939/1940</title>
    <dc:date>2020-09-10T17:50:31+00:00</dc:date>
    <link>https://1940s.nyc/map#13.69/40.7093/-73.99397</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Between 1939 and 1941, the Works Progress Administration collaborated with the New York City Tax Department to collect photographs of every building in the five boroughs of New York City. In 2018, the NYC Municipal Archives completed the digitization and tagging of these photos. This website places them on a map. Zoom in! Every dot is a photo.</blockquote>]]></description>
<dc:subject>history maps photography nyc</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:8293b57a3ce8/</dc:identifier>
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</item>
<item rdf:about="https://whentheycamedown.com/">
    <title>whentheycamedown</title>
    <dc:date>2020-09-04T05:30:36+00:00</dc:date>
    <link>https://whentheycamedown.com/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>whentheycamedown is a project documenting the removal of statues representing white supremacy, oppression, genocide, colonialism, and racism throughout the world. This is a collaborative effort started by Emily Gorcenski, although the intention of the project is to open source contribution in the style of open knowledge.

This project takes the stance that the removal of statues represents an important and inextricable part of the history of the people, groups, and moments that those statues represent. Removing of statues, renaming of parks, and similar actions is not an act of erasing history, but an act of adding to history by capturing the spirit, beliefs, motivations, and actions of the people who lived during the times those statues stood. It is the goal of this project to document the people who aimed to remove the monuments more than the people represented by the monuments. The project seeks to document the history of the activists, their efforts to remove statues through proper and improper channels, and the history of the people oppressed by those who the statues represent.</blockquote>]]></description>
<dc:subject>history racism america blm protest</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:df4322d99732/</dc:identifier>
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<item rdf:about="https://www.theatlantic.com/technology/archive/2020/06/why-protests-work/613420/">
    <title>Zeynep Tufekci: Do Protests Even Work? (The Atlantic)</title>
    <dc:date>2020-08-13T20:19:46+00:00</dc:date>
    <link>https://www.theatlantic.com/technology/archive/2020/06/why-protests-work/613420/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>It sometimes takes decades to find out.

---

In the short term, protests can work to the degree that they can scare authorities into changing their behavior. Protests are signals: “We are unhappy, and we won’t put up with things the way they are.” But for that to work, the “We won’t put up with it” part has to be credible. Nowadays, large protests sometimes lack such credibility, especially because digital technologies have made them so much easier to organize. 

[…]

Indeed, the past few decades in the United States have featured many large and widespread protests without corresponding immediate change. Large numbers of people marched around the country in early 2003 to oppose the impending invasion of Iraq, but the war and the occupation proceeded anyway in March of that year. The Occupy movement in the United States saw marches in 600 communities and 70 major cities quickly, and then went global, but inequality has gotten worse since then. Neither numbers nor streets are by themselves magic wands for change.

[…]

The current Black Lives Matter protest wave is definitely high risk through the double whammy of the pandemic and the police response. The police, the entity being protested, have unleashed so much brutality that in just three weeks, at least eight people have already lost eyesight to rubber bullets. One Twitter thread dedicated to documenting violent police misconduct is at 600 entries and counting. 

[…]

In the long term, protests work because they can undermine the most important pillar of power: legitimacy. Commentators often note that a state can be defined by its monopoly on violence, a concept going back to the philosopher Thomas Hobbes and codified by the sociologist Max Weber. But the full Weber quote is less well known. Weber defined the state by its “monopoly of the legitimate use of physical force.” The word legitimate is as important as the words physical force, if not more. Especially in the modern world, that monopoly on violence isn’t something that self-perpetuates. Violence doesn’t just happen; it has to be enacted and enabled by people. The Soviet Union did not fall because it ran out of tanks to send to Eastern Europe when the people there rebelled in the late 1980s. It fell, in large part, because it ran out of legitimacy, and because Soviet rulers had lost the will and the desire to live in their own system. Compared with Western democracies, their system wasn’t delivering freedom or wealth, even to the winners. If the loss of legitimacy is widespread and deep enough, the generals and police who are supposed to be enacting the violence can and do turn against the rulers (or, at least, they stop defending the unpopular ruler). Force and repression can keep things under control for a while, but it also makes such rule more brittle.

Legitimacy, not repression, is the bedrock of resilient power. A society without legitimate governance will not function well; people can be coerced to comply, but it’s harder to coerce enthusiasm, competence, and creativity out of a discouraged, beaten-down people. Losing legitimacy is the most important threat to authorities, especially in democracies, because authorities can do only so much for so long to hold on to power under such conditions. Maybe they can stay in power longer in part through obstacles such as voter repression, gerrymandering, and increasing the power of unelected institutions, but the society they oversee will inevitably decline, and so will their grasp on power.

In that light, focusing on legitimacy as the most robust source of power, it becomes clear that the Black Lives Matter movement has been quite successful in its short life. It should first be noted: This is a young movement, but it did not start this year. The current wave of high-risk protests is a crest in a movement that goes back to the 2012 killing of Trayvon Martin in Florida, and that spread nationwide after the protests in Ferguson, Missouri, over the 2014 killing of Michael Brown. Understood in their proper historical context, Black Lives Matter protests are the second civil-rights movement in postwar America, and measured in that light, they are more and more successful in the most important metric: They are convincing people of the righteousness of their cause. In the long run, that’s of profound importance.

[…]

Protests also work because they change the protesters themselves, turning some from casual participants into lifelong activists, which in turn changes society. This is especially salient when a movement opposing police brutality and misconduct is met with more police brutality and misconduct. Peaceful protesters across the country have endured tear gas, rubber bullets, and batons, and this is no doubt part of the reason people are changing their minds. If the police will do this to protesters in broad daylight with cameras in so many hands, what else is happening to black or other vulnerable communities when nobody is around to film the interaction?

This gets to the final reason that protests work: Collective action is a life-changing experience. To be in a sea of people demanding positive social change is empowering and exhilarating. Protests work because they sustain movements over the long term as participants bond during collective action. 

[…]

Do protests work? Yes, but not simply because some people march in the streets. Protests work because they direct attention toward an injustice and can change people’s minds, a slow but profoundly powerful process. Protests work because protesters can demonstrate the importance of a belief to society at large and let authorities understand that their actions will be opposed, especially if those protesters are willing to take serious risks for their cause. Protests work because they are often the gateway drug between casual participation and lifelong activism. And, sometimes, protests work because, for that moment, the question in the minds of the protesters is not whether they work short term or long term, but whether one can sit by idly for one more day while a grave injustice unfolds. And perhaps that’s the most powerful means by which protest works: when the cause is so powerful that the protesters don’t calculate whether it works or not, but feel morally compelled to show up and be counted.</blockquote>]]></description>
<dc:subject>activism protest history blm</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:349dab801b3d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:activism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:protest"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:blm"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://dwellerforever.blog/library/">
    <title>Dweller Electronics Library</title>
    <dc:date>2020-08-13T20:17:55+00:00</dc:date>
    <link>https://dwellerforever.blog/library/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Our co-editor Ryan Clarke has researched a list of articles, interviews and documentaries about techno and its history. We have compiled it into this library that will be updated as we find more relevant work.</blockquote>]]></description>
<dc:subject>history music techno electronicmusic</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:3e24ff749833/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:techno"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:electronicmusic"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://threadreaderapp.com/thread/1292257496116101128.html">
    <title>Thread by @BretDevereaux about shield walls at protests (Twitter)</title>
    <dc:date>2020-08-13T17:50:44+00:00</dc:date>
    <link>https://threadreaderapp.com/thread/1292257496116101128.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>In that context, the fact that this shield wall, unlike historical shield walls, *cannot advance* makes its defensive nature instantly understandable to most observers. It reinforces the contrast between the aggressive, violence-initiating police and the defensive violence-receiving protesters, while at the same time allowing the protest to engage in what is essentially 'force protection' - keeping its people on the streets, out of jail, and out of a hospital, where they can continue to pursue the protest's agenda.</blockquote>]]></description>
<dc:subject>protest history activism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:76c855e1abb4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:protest"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:activism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://sourceful.co.uk/">
    <title>Sourceful</title>
    <dc:date>2020-08-09T07:34:11+00:00</dc:date>
    <link>https://sourceful.co.uk/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>We know somebody Black who makes that!
Find all your favorite products made by Black-Owned businesses.</blockquote>]]></description>
<dc:subject>reference news history world</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:db4605f382b0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:reference"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:news"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:world"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://threadreaderapp.com/thread/1266894029498675200.html">
    <title>Thread by @clairewillett: on the assassination of Fred Hampton</title>
    <dc:date>2020-07-13T21:44:58+00:00</dc:date>
    <link>https://threadreaderapp.com/thread/1266894029498675200.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>When you learn white people history in white people schools your whole life, one of the most poisonous threads running through it is this confident, implicit trust in institutions. This idea that the government, while imperfect, is nonethless reliably on the side of Good For All.

Most white people learn about the Civil Rights Era only through a few carefully-selected MLK quotes misinterpreted as a call for niceness. If you're about the Black Panthers at all, it's often with an air of danger and menace, even now.

So I didn't learn about Assata Shakur and the Panther 28, I didn't learn about Fred Hampton and COINTELPRO, I didn't learn about Nixon and J. Edgar Hoover and the Southern Strategy and the FBI's strategic attacks on Freedom Riders, until I was in my thirties.

we as white people have NO LIVED CONTEXT for what it means to grow up as Black in America, where the entire system of law enforcement is not just not there to help, but is actively at war with you, and carefully rewriting the narrative to make the victims look like the threat.</blockquote>]]></description>
<dc:subject>racism america history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:106d54d5df93/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theroot.com/star-spangled-bigotry-the-hidden-racist-history-of-the-1790855893">
    <title>Jason Johnson: Star-Spangled Bigotry: The Hidden Racist History of the National Anthem (The Root)</title>
    <dc:date>2020-06-21T18:56:44+00:00</dc:date>
    <link>https://www.theroot.com/star-spangled-bigotry-the-hidden-racist-history-of-the-1790855893</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Key was on the boat waiting to see if the British would release his friend when he observed the bloody battle of Fort McHenry in Baltimore on Sept. 13, 1814. America lost the battle but managed to inflict heavy casualties on the British in the process. This inspired Key to write “The Star-Spangled Banner” right then and there, but no one remembers that he wrote a full third stanza decrying the former slaves who were now working for the British army.</blockquote>]]></description>
<dc:subject>history racism america</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:a175048f52b6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.openculture.com/2016/06/the-atlantic-slave-trade-visualized-in-two-minutes.html">
    <title>The Atlantic Slave Trade Visualized in Two Minutes: 10 Million Lives, 20,000 Voyages, Over 315 Years</title>
    <dc:date>2020-06-19T05:59:37+00:00</dc:date>
    <link>http://www.openculture.com/2016/06/the-atlantic-slave-trade-visualized-in-two-minutes.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Not since the sixties and seventies, with the black power movement, flowering of Afrocentric scholarship, and debut of Alex Haley’s Roots, novel and mini-series, has there been so much popular interest in the history of slavery.</blockquote>]]></description>
<dc:subject>slavery history racism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:b2c2403cd40c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:slavery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.counterpunch.org/2006/05/31/stop-saying-this-is-a-nation-of-immigrants/">
    <title>Roxanne Dunbar-Ortiz: Stop Saying This is a Nation of Immigrants! (Counterpunch)</title>
    <dc:date>2020-05-26T16:31:40+00:00</dc:date>
    <link>https://www.counterpunch.org/2006/05/31/stop-saying-this-is-a-nation-of-immigrants/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Misrepresenting the process of European colonization of North America, making everyone an immigrant, serves to preserve the “official story” of a mostly benign and benevolent USA, and to mask the fact that the pre-US independence settlers, were, well, settlers, colonial setters, just as they were in Africa and India, or the Spanish in Central and South America. The United States was founded as a settler state, and an imperialistic one from its inception (“manifest destiny,” of course). The settlers were English, Welsh, Scots, Scots-Irish, and German, not including the huge number of Africans who were not settlers. Another group of Europeans who arrived in the colonies also were not settlers or immigrants: the poor, indentured, convicted, criminalized, kidnapped from the working class (vagabonds and unemployed artificers), as Peter Linebaugh puts it, many of who opted to join indigenous communities.</blockquote>]]></description>
<dc:subject>immigration racism imperialism colonialism america history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:51ddb4905f44/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:immigration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:imperialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:colonialism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.rijksmuseum.nl/en/rijksstudio?ii=0&amp;p=0&amp;from=2020-05-02T21%3A36%3A28.3461513Z">
    <title>Rijksmuseum Rijksstudio</title>
    <dc:date>2020-05-02T21:40:27+00:00</dc:date>
    <link>https://www.rijksmuseum.nl/en/rijksstudio?ii=0&amp;p=0&amp;from=2020-05-02T21%3A36%3A28.3461513Z</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Browse 676,693 works of art.</blockquote>]]></description>
<dc:subject>_museum-art art history free images</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:1f1601024404/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:_museum-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:free"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:images"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.metmuseum.org/art/collection">
    <title>The Met Collection</title>
    <dc:date>2020-05-02T21:39:23+00:00</dc:date>
    <link>https://www.metmuseum.org/art/collection</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>When The Met was founded in 1870, it owned not a single work of art. Through the combined efforts of generations of curators, researchers, and collectors, our collection has grown to represent more than 5,000 years of art from across the globe—from the first cities of the ancient world to the works of our time.</blockquote>]]></description>
<dc:subject>_museum-art art free images museum history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:451fd190753b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:_museum-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:free"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:images"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:museum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.si.edu/openaccess">
    <title>Smithsonian Open Access</title>
    <dc:date>2020-05-02T21:37:47+00:00</dc:date>
    <link>https://www.si.edu/openaccess</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>
Welcome to Smithsonian Open Access, where you can download, share, and reuse millions of the Smithsonian’s images—right now, without asking. With new platforms and tools, you have easier access to nearly 3 million 2D and 3D digital items from our collections—with many more to come. This includes images and data from across the Smithsonian’s 19 museums, nine research centers, libraries, archives, and the National Zoo.</blockquote>]]></description>
<dc:subject>_museum-art art design history images free</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:e1a469d18a40/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:_museum-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:images"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:free"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.tastecooking.com/ugly-history-americas-sandwich/">
    <title>Mari Uyehara: A Second Look at the Tuna Sandwich’s All-American History (Taste)</title>
    <dc:date>2020-03-28T19:20:23+00:00</dc:date>
    <link>https://www.tastecooking.com/ugly-history-americas-sandwich/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>How Japanese-Americans helped launch the California tuna-canning industry—and one of America’s most beloved sandwiches.</blockquote>]]></description>
<dc:subject>food history america racism wwii</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:d250ee766378/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:food"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:wwii"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://djmag.com/longreads/uk-club-music-evolving-how">
    <title>Chal Ravens: UK club music is evolving - but how? (DJ Mag)</title>
    <dc:date>2020-03-04T22:20:42+00:00</dc:date>
    <link>https://djmag.com/longreads/uk-club-music-evolving-how</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of “UK club music” and speaks to some of its key players: about how regional roots are growing into digital ecosystems, and powering new conversations about globalisation in club culture.

---

It’s more about the mood, ultimately: vibrant, kinetic, unpredictable. In fact, club is probably best understood as a style of DJing rather than production, a sound invented in real time. The element of surprise is highly valued, along with quirky edits, bizarre blends, and a fearless approach to clashing musical keys. You might hear a spinback or three. It’s music to stay on top of rather than music to get lost in.

[…]

Why aren’t these UK club DJs appearing on European festival lineups? “If I knew I’d be playing more festivals,” says Finn, who wonders if there’s a basic mismatch in attitudes and expectations. “There’s not much room for humour in dance music. It all feels like it has to be quite serious,” he says.

[…]

In the process of absorbing and reframing various black genres, the term “club” obscures the roots of its own diversity. That shouldn’t write off its utility as a catch-all term; how else might we capture the contemporary intermingling of dozens of related global scenes? But intersecting factors of race and class are always at work in the creation and adoption of new styles.

[…]

There’s an absurd feedback loop at play in which promoters excuse pedestrian bookings by citing commercial imperatives, which does audiences a disservice by suggesting that they’re too bigoted or unimaginative to branch out from house and techno. But insofar as club music is thriving in small clubs and basement parties in the UK, the next challenge will be to establish the current generation as an internationally recognised creative powerhouse.</blockquote>]]></description>
<dc:subject>music culture racism history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:41b25f0bdef0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://tinysubversions.com/notes/the-bot-scare/">
    <title>Darius Kazemi: The Bot Scare</title>
    <dc:date>2020-02-21T20:01:31+00:00</dc:date>
    <link>https://tinysubversions.com/notes/the-bot-scare/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>It's clear upon inspection that the media narrative about an influx of Russian or otherwise foreign bots influencing politics in America is built on flimsy data and enormous leaps of logic. Further, the narrative empowers conspiracy theorists to make essentially whatever claims they want about anyone. The bots that do exist are drops of water in the ocean of social media, but I believe that the effect of constant front-page news stirring up fear about foreign influence can have far-reaching negative effects on any democracy.</blockquote>]]></description>
<dc:subject>internet history america russia trump security</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:28a92fa6de1e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:russia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:trump"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:security"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.stereogum.com/2071915/the-number-ones-blondies-heart-of-glass/franchises/the-number-ones/">
    <title>Tom Breihan: The Number Ones: Blondie’s “Heart Of Glass” (Stereogum)</title>
    <dc:date>2020-02-19T04:53:07+00:00</dc:date>
    <link>https://www.stereogum.com/2071915/the-number-ones-blondies-heart-of-glass/franchises/the-number-ones/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Chapman and Blondie also used plenty of other little tricks on “Heart Of Glass”: digital reverb, multi-tracked guitars, echo machines, a Minimoog, Chapman’s own backing vocals. It’s a beautiful piece of recording, all these sticky and hazy interlocking pieces combining together into a sighing, rippling landscape. Parts of it — Clem Burke’s lockstep drums, Nigel Harrison’s funky and vaguely Chic-esque bass-pops — sound truly disco. Other parts sound like rockers in an expensive studio attempting to figure out how the Giorgio Moroder magic was made. The whole thing glimmers and flutters and fades like a mirage on the horizon. It’s beautiful.</blockquote>]]></description>
<dc:subject>music history popmusic</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:4f661d520ab1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:popmusic"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://medium.com/matter/the-racism-beat-6ff47f76cbb6">
    <title>Cord Jefferson: The Racism Beat (Matter)</title>
    <dc:date>2020-02-18T06:34:40+00:00</dc:date>
    <link>https://medium.com/matter/the-racism-beat-6ff47f76cbb6</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>I used to think that maybe I’d let my anger serve as an engine. But I’ve since discovered that my anger over each new racist incident is now rivaled and augmented by the anger I feel when asked to explain, once more, why black people shouldn’t be brutalized, insulted, and killed. If you’re a person of color, the racism beat is also a professional commitment to defending your right and the right of people like you to be treated with consideration to an audience filled with readers champing at the bit to call you nothing but a nigger playing the race card.

The hostility directed at writers who cover minority beats in America is solid proof that those people are doing important work. But that work can be exhausting. It’s exhausting to always be writing and thinking about a new person being racist or sexist or otherwise awful. It’s exhausting to feel compelled on a consistent basis to defend your claim to dignity. It’s exhausting to then watch those defenses drift beyond the reaches of the internet’s short memory, or to coffee tables in dentists’ offices, to be forgotten about until you link to them the next time you need to say essentially the same thing.

After a while you may want to respond to every request for a take on the day’s newest racist incident with nothing but a list of corresponding, pre-drafted truths, like a call-center script for talking to bigots. Having written thousands of words about white people who have slurred the president over the past six years, you begin to feel as if the only appropriate way to respond to new cases—the only way you can do it without losing your mind—is with a single line of text reading, “Black people are normal people deserving of the same respect afforded to anyone else, but they often aren’t given that respect due to the machinations of white supremacy.”

[…]

I’m ready for people in positions of power at magazines and newspapers and movie studios to recalibrate their understanding of what it means to talk about race in the first place. If America would like to express that it truly values and appreciates the voices of its minorities, it will listen to all their stories, not just the ones reacting to its shortcomings and brutality.

If this doesn’t eventually happen, I wonder how many more writers of color will come to the conclusion, as my colleague did, that this life we’ve made for ourselves is unsustainable. How many essays can go up before fatigue becomes anger becomes insanity? How many op-ed columns before you can feel the gruesomeness of trying to defend another dead black kid slowly hollowing you out? How many different ways can you find to say that you’re a human being?</blockquote>]]></description>
<dc:subject>racism writing journalism history america</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:2d54bf93c160/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:journalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://xkcd.com/1732/">
    <title>xkcd: Earth Temperature Timeline</title>
    <dc:date>2020-02-10T17:19:09+00:00</dc:date>
    <link>https://xkcd.com/1732/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[Putting climate change in perspective.

<blockquote>When people say "The climate has changed before," these are the kinds of changes they're talking about.</blockquote>]]></description>
<dc:subject>history environment climatecrisis</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:d2760c52bf42/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:environment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:climatecrisis"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theatlantic.com/business/archive/2017/05/the-enslaved-woman-they-called-lola/527532/">
    <title>Vann R. Newkirk II: The Enslaved Woman They Called Lola (The Atlantic)</title>
    <dc:date>2020-02-10T16:39:06+00:00</dc:date>
    <link>https://www.theatlantic.com/business/archive/2017/05/the-enslaved-woman-they-called-lola/527532/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>I prefer ‘enslaved person’ not just because of that nod to humanization, but because of its closer proximity to the verb enslave. Especially in Pulido’s case—absent the generational and legal context of African American slavery—slavery is not a fixed state. Enslavement is not a single action, either. Rather, like emancipation, enslavement is a process. Enslaved people are made over decades by the process of enslavement, they are broken and bent, their persons warped against their wills. Calling Pulido a slave obscures the work that individuals did to assign that status.</blockquote>]]></description>
<dc:subject>slavery humanrights history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:e121815d19d4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:slavery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:humanrights"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.africa.upenn.edu/Articles_Gen/Letter_Birmingham.html">
    <title>Martin Luther King, Jr.‘s ‘Letter from a Birmingham Jail’ (April 16, 1963)</title>
    <dc:date>2020-01-23T18:42:58+00:00</dc:date>
    <link>http://www.africa.upenn.edu/Articles_Gen/Letter_Birmingham.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly. Never again can we afford to live with the narrow, provincial "outside agitator" idea. Anyone who lives inside the United States can never be considered an outsider anywhere within its bounds.

[…]

You may well ask: "Why direct action? Why sit ins, marches and so forth? Isn't negotiation a better path?" You are quite right in calling for negotiation. Indeed, this is the very purpose of direct action. Nonviolent direct action seeks to create such a crisis and foster such a tension that a community which has constantly refused to negotiate is forced to confront the issue. It seeks so to dramatize the issue that it can no longer be ignored. My citing the creation of tension as part of the work of the nonviolent resister may sound rather shocking. But I must confess that I am not afraid of the word "tension." I have earnestly opposed violent tension, but there is a type of constructive, nonviolent tension which is necessary for growth. 

[…]

My friends, I must say to you that we have not made a single gain in civil rights without determined legal and nonviolent pressure. Lamentably, it is an historical fact that privileged groups seldom give up their privileges voluntarily.

[…]

I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizen's Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: "I agree with you in the goal you seek, but I cannot agree with your methods of direct action"; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a "more convenient season." Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.</blockquote>]]></description>
<dc:subject>history politics racism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:5d9fcfa32778/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://newrepublic.com/article/145525/ta-nehisi-coatess-uneasy-hope">
    <title>Ismail Muhammad: Ta-Nehisi Coates’s Uneasy Hope (The New Republic)</title>
    <dc:date>2020-01-23T18:40:00+00:00</dc:date>
    <link>https://newrepublic.com/article/145525/ta-nehisi-coatess-uneasy-hope</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>The writer's critics call him a cynic. But as a new anthology shows, his thinking has matured in subtle ways over the years.

---

The word most frequently attached to Ta-Nehisi Coates is probably pessimistic. His critics charge him with focusing on American racism’s intransigence, and overstating the power that white supremacy exerts on black life.

[…]

The racial backlash that Obama engendered testifies to the fact that any attempt by black people to liberate themselves fundamentally threatens the American order. This is part of the glory of Barack Obama’s presidency, that black people possess the potential to recreate America as a true democracy. But the events that have followed the Obama presidency tell us that democracy’s advent will perhaps remain more of a potentiality than a reality, a protracted struggle that the nation will not resolve without enormous strength of political will.

Eight Years in Power asks us to linger in that tension instead of dismissing it. Coates’s gradual drift away from post-racial hopes towards hard-nosed realism shows us that he has been in motion this whole time, not denying America’s capacity to change, but realizing how monumental the task before us is.</blockquote>]]></description>
<dc:subject>racism obama writing america history politics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:e937a348cdfd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:obama"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:politics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theatlantic.com/magazine/archive/2017/06/lolas-story/524490/">
    <title>Alex Tizon: My Family’s Slave</title>
    <dc:date>2020-01-12T06:29:13+00:00</dc:date>
    <link>https://www.theatlantic.com/magazine/archive/2017/06/lolas-story/524490/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>She lived with us for 56 years. She raised me and my siblings without pay. I was 11, a typical American kid, before I realized who she was.</blockquote>]]></description>
<dc:subject>history slavery america philippines</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:453c416cb30e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:slavery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:philippines"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.vox.com/2015/1/15/7551873/jaywalking-history">
    <title>Joseph Stromberg: The forgotten history of how automakers invented the crime of &quot;jaywalking&quot; (Vox)</title>
    <dc:date>2019-11-08T06:55:45+00:00</dc:date>
    <link>https://www.vox.com/2015/1/15/7551873/jaywalking-history</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>In the 1920s, auto groups redefined who owned the city streets.

---

The idea that pedestrians shouldn't be permitted to walk wherever they liked had been present as far back as 1912, when Kansas City passed the first ordinance requiring them to cross streets at crosswalks. But in the mid-20s, auto groups took up the campaign with vigor, passing laws all over the country.

Most notably, auto industry groups took control of a series of meetings convened by Herbert Hoover (then secretary of commerce) to create a model traffic law that could be used by cities across the country. Due to their influence, the product of those meetings — the 1928 Model Municipal Traffic Ordinance — was largely based off traffic law in Los Angeles, which had enacted strict pedestrian controls in 1925.

"The crucial thing it said was that pedestrians would cross only at crosswalks, and only at right angles," Norton says. "Essentially, this is the traffic law that we're still living with today."

[…]

Auto campaigners lobbied police to publicly shame transgressors by whistling or shouting at them — and even carrying women back to the sidewalk — instead of quietly reprimanding or fining them. They staged safety campaigns in which actors dressed in 19th-century garb, or as clowns, were hired to cross the street illegally, signifying that the practice was outdated and foolish. In a 1924 New York safety campaign, a clown was marched in front of a slow-moving Model T and rammed repeatedly.</blockquote>]]></description>
<dc:subject>cars traffic urbanplanning history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:fa29e8bd0080/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:cars"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:traffic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:urbanplanning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theatlantic.com/entertainment/archive/2017/08/no-confederate/535512/">
    <title>Ta-Nehisi Coates: The Lost Cause Rides Again — Don't Give HBO's 'Confederate' the Benefit of the Doubt. (The Atlantic)</title>
    <dc:date>2019-09-09T05:55:46+00:00</dc:date>
    <link>https://www.theatlantic.com/entertainment/archive/2017/08/no-confederate/535512/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>HBO’s Confederate takes as its premise an ugly truth that black Americans are forced to live every day: What if the Confederacy wasn’t wholly defeated?

---

For over a century, Hollywood has churned out well-executed, slickly produced epics which advanced the Lost Cause myth of the Civil War. These are true “alternative histories,” built on “alternative facts,” assembled to depict the Confederacy as a wonderland of virtuous damsels and gallant knights, instead of the sprawling kleptocratic police state it actually was. From last century’s The Birth of a Nation to this century’s Gods and Generals, Hollywood has likely done more than any other American institution to obstruct a truthful apprehension of the Civil War, and thus modern America’s very origins.</blockquote>]]></description>
<dc:subject>tv racism history america</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:c98bd262e2bb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:tv"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://popula.com/2018/07/17/the-logic-of-masks/">
    <title>Joshua Clover: The Logic of Masks (Popula)</title>
    <dc:date>2019-09-01T16:21:47+00:00</dc:date>
    <link>https://popula.com/2018/07/17/the-logic-of-masks/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>We might pass over the fact that, other than to oppose the threat of violent white nationalists, masked antifa terrorists have shown up in America a total of zero times ever. We will try to ignore the fact that since 2014, white-pride fuckwits have killed 43 people in what can only be described as a murderous ultraracist frenzy, antifa again holding steady at zero. We will never forget the 2016 stabbings of antifascists by neo-Nazis in Sacramento—but Dan Donovan already has, botching the date in his fact sheet and misrepresenting the fact that only one side did the stabbing, with antifascists still at zero, stabbing-wise. We will gloss over the easily documented fact that alt-right losers love wearing masks, perhaps when they are openly advocating violence online, certainly when they congregate to do violence, or just when sitting around feeling frisky.</blockquote>]]></description>
<dc:subject>antifa america history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:b2ef248fe2ad/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:antifa"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2019/05/23/business/economy/reparations-slavery.html">
    <title>Patricia Cohen: What Reparations for Slavery Might Look Like in 2019 (NYT)</title>
    <dc:date>2019-08-07T05:13:42+00:00</dc:date>
    <link>https://www.nytimes.com/2019/05/23/business/economy/reparations-slavery.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>The idea of economic amends for past injustices and persistent disparities is getting renewed attention. Here are some formulas for achieving the aim.</blockquote>]]></description>
<dc:subject>america history racism reparations</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:b224a76a838b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:reparations"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2019/08/06/arts/music/woodstock-lucy-dacus-millennials.html">
    <title>Lucy Dacus: Woodstock, a Utopia? Not for Every Generation (NYT)</title>
    <dc:date>2019-08-07T05:04:28+00:00</dc:date>
    <link>https://www.nytimes.com/2019/08/06/arts/music/woodstock-lucy-dacus-millennials.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>But an anniversary is a call to action — to remember, and celebrate if possible. Remembrance is one of the most powerful tools we have. Revisiting the past, intentionally, allows us to excavate more of the truth each time we look back. Without this effort, our memories will be gradually, carelessly buried under the debris of our lives, the sharpness of our good intentions dulled under the weight of time passed.

Whatever Woodstock was, I can’t speak to. What it is today feels like a husk of a dream. And yet we are still drawn in by the lore, like we know the vision has yet to be fully realized, like the story isn’t over.</blockquote>]]></description>
<dc:subject>music history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:14a360f7b85e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://popula.com/2018/11/12/iran-wealth-colonialism/">
    <title>Oliver Corlett: Iran: Wealth and Colonialism (Popula)</title>
    <dc:date>2019-07-30T15:48:25+00:00</dc:date>
    <link>https://popula.com/2018/11/12/iran-wealth-colonialism/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[An overview.

<blockquote>If you were a 70 year old who had lived in Iran all your life, you would not be able to remember a time, except for a brief interlude in the early 1980s, when your country was neither (a) occupied by a foreign power, (b) ruled by the puppet of a foreign power, nor (c) prevented from free trade by the sanctions of a foreign power. That is what comes of being what the British imperialist Lord Curzon called in 1892—even before oil became a strategic issue—one of “the pieces on a chessboard upon which is being played out a game for the dominion of the world”. More than a century later, Iran (Persia as it was in Curzon’s day) is still a piece on the board.</blockquote>]]></description>
<dc:subject>history war oil economy politics world</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:26ea457da00d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:war"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:oil"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:economy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:world"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://popula.com/2018/09/25/good-bones/">
    <title>Elizabeth Catte: Good Bones (Popula)</title>
    <dc:date>2019-07-30T15:47:30+00:00</dc:date>
    <link>https://popula.com/2018/09/25/good-bones/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[This is an amazing piece.

<blockquote>Robert Kirkbride, a descendent of famed physician and asylum architect Thomas Story Kirkbride, told CityLab in a 2015 interview that “Buildings didn’t commit people. People committed people. But it’s easier to blame buildings than human behavior.”

This is accurate. But buildings are also assets, and their value gets determined, in part, by the residue of the human actions that took place within them. It isn’t just lead paint and asbestos that a building like this has to reckon with; it’s the cruel history it can represent. And yet people don’t really seem to “blame buildings,” as far as I can tell. The opposite: architecture is the thing that redeems them. As they are sanitized, loss in the past becomes gain the developer, in the present, speculating on the future.

[...]

Architecture matters. Buildings reflect who we think we are, and who we want to be; in this redevelopment, we’re invited to imagine ourselves as people who treat the most vulnerable among us with care and tenderness. To those who cannot be repaired we would give ethereal, pastoral beauty; what God could not provide through the bounty of nature, we would give, in the spirit of brotherhood for our fellow man. In this way, in this place, we stake a claim to the legacy of those who eased suffering; we claim we are people glad to marshal our wealth in compassionate acts.</blockquote>]]></description>
<dc:subject>medicine history architecture america</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:c27e4293135a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:medicine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.newyorker.com/culture/jia-tolentino/the-worst-year-ever-until-next-year">
    <title>Jia Tolentino: The Worst Year Ever, Until Next Year (The New Yorker)</title>
    <dc:date>2019-07-20T22:34:29+00:00</dc:date>
    <link>https://www.newyorker.com/culture/jia-tolentino/the-worst-year-ever-until-next-year</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Hope is elusive, but it will return eventually. What I’m afraid of, this December, are the conditions that allow hope to take hold. I’m worried that the “worst year ever” feeling is half a condition of the Internet, of the way we experience the news as delivered through social media. Everything feels too intimate, too aggressive; the interfaces that were intended to cheerfully connect us to the world have instead spawned fear and alienation. I’m worried that this sense of relentless emotional bombardment will escalate no matter what’s in the news.</blockquote>]]></description>
<dc:subject>news internet history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:d0376c9eee26/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:news"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://aeon.co/essays/muslims-lived-in-america-before-protestantism-even-existed">
    <title>Sam Haselby: Muslims lived in America before Protestantism even existed (Aeon)</title>
    <dc:date>2019-07-19T23:03:35+00:00</dc:date>
    <link>https://aeon.co/essays/muslims-lived-in-america-before-protestantism-even-existed</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Muslims thus arrived in America more than a century before the Virginia Company founded the Jamestown colony in 1607. Muslims came to America more than a century before the Puritans founded the Massachusetts Bay Colony in 1630. Muslims were living in America not only before Protestants, but before Protestantism existed. After Catholicism, Islam was the second monotheistic religion in the Americas.

The popular misunderstanding, even among educated people, that Islam and Muslims are recent additions to America tells us important things about how American history has been written. In particular, it reveals how historians have justified and celebrated the emergence of the modern nation-state. One way to valorise the United States of America has been to minimise the heterogeneity and scale – the cosmopolitanism, diversity and mutual co-existence of peoples – in America during the first 300 years of European presence.

[...]

If there is any religious group who represents the best version of religious freedom in America, it is Muslims such as Zemourri and al-Rahman. They came to America under conditions of genuine oppression, and struggled for the recognition of their religion and the freedom to practise it. In contrast to Anglo-Protestants, Muslims in America have demurred the impulse to tyrannise others, including Native Americans.

The most persistent consequence of the Puritan effect has been a continuing commitment to producing a past focused on how the actions, usually courageous and principled, of Anglo-Protestants (almost always in New England and the Chesapeake) led to the United States of America, its government and its institutions. The truth is that the history of America is not primarily an Anglo-Protestant story, any more than the history of the West more broadly. It might not be a straightforward or self-evident matter what, exactly, constitutes ‘the West’. But the more global era in history inaugurated by the European colonisation of the Western hemisphere must be a significant part of it.

If the West means, in part, the Western hemisphere or North America, Muslims have been part of its societies from the very beginning. Conflicts over what the American nation is and who belongs to it are perennial. Answers remain open to a range of possibilities and are vitally important. Historically, Muslims are Americans, as originally American as Anglo-Protestants. In many ways, America’s early Muslims are exemplars of the best practices and ideals of American religion. Any statement or suggestion to the contrary, no matter how well-meaning, derives from either intended or inherited chauvinism.</blockquote>]]></description>
<dc:subject>america history religion islam africa race</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:b47e6ffc7d49/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:religion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:islam"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:africa"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:race"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://en.wikipedia.org/wiki/Ain%27t_Nobody_Here_but_Us_Chickens">
    <title>‘Nobody Here but Us Chickens!’ by Louis Jordan (Wikipedia)</title>
    <dc:date>2019-07-17T17:33:56+00:00</dc:date>
    <link>https://en.wikipedia.org/wiki/Ain%27t_Nobody_Here_but_Us_Chickens</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[A number-one on the Billboard R&B chart from 1946.

Apparently, this phrase originated in the early 1900s as a racist joke about a slave stealing chickens. An excerpt here from ‘Everybody’s Magazine’ from 1908:

<blockquote>A Southerner, hearing a great commotion in his chicken-house one dark night, took his revolver and went to investigate.
“Who’s there?” he sternly demanded, open the door.
No answer.
“Who’s there? Answer, or I’ll shoot!”
A trembling voice from the farthest corner: “’Deed, sah, dey ain’t nobody hyah ’ceptin’ us chickens.”</blockquote>

So, yeah: pretty racist and awful!

In a radio show excerpt that I listened to (https://www.waywordradio.org/us-chickens/), the hosts suggest that by the time it had been turned into a hit song in 1946, it had lost all of that context. I think that’s an awfully convenient assertion for two white people to make over a hundred years later!]]></description>
<dc:subject>race language history music</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:d75579fbd3b0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://radiooooo.com/">
    <title>Radiooooo.com: The Musical Time Machine</title>
    <dc:date>2019-07-17T17:00:55+00:00</dc:date>
    <link>http://radiooooo.com/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[Musical treats from the entire world for over a century.

<blockquote>Pick a country anywhere on the map. Pick a decade from 1900 to now.</blockquote>]]></description>
<dc:subject>culture history music world</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:aa75e4c087cf/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:world"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://gizmodo.com/oregon-was-founded-as-a-racist-utopia-1539567040">
    <title>Matt Novak: Oregon Was Founded As a Racist Utopia (Gizmodo)</title>
    <dc:date>2019-07-15T22:51:44+00:00</dc:date>
    <link>https://gizmodo.com/oregon-was-founded-as-a-racist-utopia-1539567040</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>When Oregon was granted statehood in 1859, it was the only state in the Union admitted with a constitution that forbade black people from living, working, or owning property there. It was illegal for black people even to move to the state until 1926. Oregon’s founding is part of the forgotten history of racism in the American west.</blockquote>]]></description>
<dc:subject>history oregon racism portland america</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:eae12b9f7ec5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:oregon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:portland"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.cjr.org/special_report/microfilm-newspapers-media-digital.php/##Absent+that+microfilmed+archive%2C+maybe+Donald+Trump+could+have+kept+insinuating+that+Barack+Obama+had+in+fact+been+born+in+Kenya%2C+and+granting+sufficient+political+corruption%2C+that+lie+might+at+some+later+date+have+become+official+history.+Because+history+is+a+fight+we%E2%80%99re+having+every+day.+We%E2%80%99re+battling+to+make+the+truth+first+by+living+it%2C+and+then+by+recording+and+sharing+it%2C+and+finally%2C+crucially%2C+by+preserving+it.+Without+an+archive%2C+there+is+no+history.">
    <title>Maria Bustillos: Erasing History (Columbia Journalism Review)</title>
    <dc:date>2019-07-12T15:04:30+00:00</dc:date>
    <link>https://www.cjr.org/special_report/microfilm-newspapers-media-digital.php/##Absent+that+microfilmed+archive%2C+maybe+Donald+Trump+could+have+kept+insinuating+that+Barack+Obama+had+in+fact+been+born+in+Kenya%2C+and+granting+sufficient+political+corruption%2C+that+lie+might+at+some+later+date+have+become+official+history.+Because+history+is+a+fight+we%E2%80%99re+having+every+day.+We%E2%80%99re+battling+to+make+the+truth+first+by+living+it%2C+and+then+by+recording+and+sharing+it%2C+and+finally%2C+crucially%2C+by+preserving+it.+Without+an+archive%2C+there+is+no+history.</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Absent that microfilmed archive, maybe Donald Trump could have kept insinuating that Barack Obama had in fact been born in Kenya, and granting sufficient political corruption, that lie might at some later date have become official history. Because history is a fight we’re having every day. We’re battling to make the truth first by living it, and then by recording and sharing it, and finally, crucially, by preserving it. Without an archive, there is no history.</blockquote>]]></description>
<dc:subject>politics internet information history journalism</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:3c6b5f238012/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:information"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:journalism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://pitchfork.com/thepitch/yvonne-turner-helped-invent-house-music-so-why-does-no-one-know-her-name/">
    <title>Andy Beta: Yvonne Turner Helped Invent House Music—So Why Does No One Know Her Name? (Pitchfork)</title>
    <dc:date>2019-07-12T14:57:52+00:00</dc:date>
    <link>https://pitchfork.com/thepitch/yvonne-turner-helped-invent-house-music-so-why-does-no-one-know-her-name/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Evan Turner was actually Yvonne Turner, who had a prolific, if abridged, career as a producer, mixer, and remixer. Being erroneously credited was just the beginning: On subsequent pressings of “Music Is the Answer,” her name was left off altogether. These kinds of mistakes and misprints make piecing together Turner's discography especially tricky. She was often relegated to the small print on a record, bumped to associate or co-producer status, marked as mixer instead of remixer. In dance music, it's assumed that the singer is secondary to the producer in the creative process, but the inverse is true for Turner. Many male vocalists she worked with—be it Abrams, Willie Colón, or Arnold Jarvis—got credit for the music.</blockquote>]]></description>
<dc:subject>music history sexism</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:d15b6fc9df3a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:sexism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://thenib.com/the-good-war">
    <title>Mike Dawson and Chris Hayes: The Good War</title>
    <dc:date>2019-07-12T04:28:09+00:00</dc:date>
    <link>https://thenib.com/the-good-war</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[A Chris Hayes essay turned into a comic. *Very good.*

<blockquote>How America’s infatuation with World War II has eroded our conscience.</blockquote>]]></description>
<dc:subject>comic history politics war america wwii</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:dc80adce6c09/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:comic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:war"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:wwii"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://retiary.org/ls/expanding_universe/index.html">
    <title>The Expanding Universe - 1970s Computer Music from Bell Labs by Laurie Spiegel</title>
    <dc:date>2019-07-11T05:25:47+00:00</dc:date>
    <link>http://retiary.org/ls/expanding_universe/index.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[Full liner notes for the Laurie Spiegel album.]]></description>
<dc:subject>music history synth</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:dcf813a942bf/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:synth"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2019/06/19/us/ta-nehisi-coates-reparations.html">
    <title>Here’s What Ta-Nehisi Coates Told Congress About Reparations (NYT)</title>
    <dc:date>2019-06-20T16:12:15+00:00</dc:date>
    <link>https://www.nytimes.com/2019/06/19/us/ta-nehisi-coates-reparations.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Many of us would love to be taxed for the things we are solely and individually responsible for. But we are American citizens, and thus bound to a collective enterprise that extends beyond our individual and personal reach. It would seem ridiculous to dispute invocations of the founders, or the Greatest Generation, on the basis of a lack of membership in either group. We recognize our lineage as a generational trust, as inheritance and the real dilemma posed by reparations is just that: a dilemma of inheritance. It’s impossible to imagine America without the inheritance of slavery.</blockquote>]]></description>
<dc:subject>slavery america history speech politics government reparations</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:a285f2fe6e3d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:slavery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:speech"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:government"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:reparations"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://tinysubversions.com/notes/library-archive-tourism/">
    <title>Darius Kazemi: How to be a library archive tourist</title>
    <dc:date>2019-06-04T17:39:32+00:00</dc:date>
    <link>https://tinysubversions.com/notes/library-archive-tourism/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>When I'm traveling and am at a loss for how to spend my time, I look up as many libraries I can in the area I'll be traveling to, and I check to see if they have special collections. Then I make an appointment with the library to visit those special collections, and usually it means I get to spend a day in a quiet, climate-controlled room with cool old documents. It's like a museum but with no people, and where you have to do all the work, which is honestly my idea of a perfect vacation.</blockquote>]]></description>
<dc:subject>library art history howto travel</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:be4b27fca6ec/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:library"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:howto"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:travel"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.topic.com/holy-sheet">
    <title>Megan Gannon: Holy Sheet (Topic Magazine)</title>
    <dc:date>2019-05-06T19:17:16+00:00</dc:date>
    <link>https://www.topic.com/holy-sheet</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>The ongoing debate between the scientific and the miraculous, as seen through a very thin piece of fabric: the Shroud of Turin.</blockquote>]]></description>
<dc:subject>religion history christianity</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:609b62b8fdd4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:religion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:christianity"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://sententiaeantiquae.com/2018/11/24/humanizing-a-monster-ii/">
    <title>Humanizing a Monster II</title>
    <dc:date>2018-11-27T17:46:51+00:00</dc:date>
    <link>https://sententiaeantiquae.com/2018/11/24/humanizing-a-monster-ii/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[A look at how Spencer Krug portrays the Minotaur in the Moonface album ‘This One’s For the Dancer.’

<blockquote>The Athenian children are victims, but so too is the Minotaur. This is far more representative of many real conflicts than the standard good vs. evil narrative – insulated potentates have orchestrated a scenario in which there are no winners, only victims, in the attempt to keep the political machine grinding on.</blockquote>]]></description>
<dc:subject>history mythology music</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:cd41dbf71f9a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:mythology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.artic.edu/collection?is_public_domain=1">
    <title>The Art Institute of Chicago: The Collection</title>
    <dc:date>2018-11-12T02:12:24+00:00</dc:date>
    <link>https://www.artic.edu/collection?is_public_domain=1</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[53K+ high-resolution pieces of art.

<blockquote>Explore thousands of artworks in the museum’s wide-ranging collection—from our world-renowned icons to lesser-known gems from every corner of the globe—as well as our books, writings, reference materials, and other resources.

</blockquote>]]></description>
<dc:subject>art history images free</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:2043fbc7b584/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:images"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:free"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://popula.com/2018/09/20/in-the-dismal-swamp/">
    <title>Sam Worley: In the Dismal Swamp (Popula)</title>
    <dc:date>2018-09-24T20:22:13+00:00</dc:date>
    <link>https://popula.com/2018/09/20/in-the-dismal-swamp/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Though Donald Trump has made it into a catchphrase, he didn’t come up with the metaphor “drain the swamp.”</blockquote>]]></description>
<dc:subject>history trump language capitalism imperialism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:f0c9b6a0df7b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:trump"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:capitalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:imperialism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.tinymixtapes.com/music-review/c-spencer-yeh-rca-mark-ii">
    <title>Music Review: C. Spencer Yeh — The RCA Mark II (Tiny Mix Tapes)</title>
    <dc:date>2018-07-03T15:25:42+00:00</dc:date>
    <link>https://www.tinymixtapes.com/music-review/c-spencer-yeh-rca-mark-ii</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>The machine cost $250,000; it stood at a forbidding seven feet tall and stretched the width of the room; it could take up to 12 hours to re-calibrate if a mistake were made. The user would control for pitch, timbre, volume, and envelope for each note individually with a typewriter-like hole-punch, creating a paper script to be fed into the machine. Only the machine’s designers and engineers were even vaguely comfortable with it, and only the most intrepid of composers dared use it.</blockquote>]]></description>
<dc:subject>music history synth</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:da8100b43e3f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:synth"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://pitchfork.com/features/article/in-defense-of-trance/">
    <title>Finn Cohen: In Defense of Trance (Pitchfork)</title>
    <dc:date>2018-06-08T16:06:36+00:00</dc:date>
    <link>https://pitchfork.com/features/article/in-defense-of-trance/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>The melodramatic style of dance music was born alongside the European Union’s utopian vision. But how does it fit into the Continent’s current wave of political and social upheaval?

[...]

The boutique hotel in Ibiza called Ushuaïa is located on a stretch of the beach that is less a tribute to the Mediterranean island’s storied dance history and more a feudal system of investment properties. Competing bass kicks from the poolside bars of adjacent hotels ping-pong between buildings, creating syncopations of privilege. Packs of day drinkers lounge a few yards away from African immigrants in knockoff Yankees caps, standing just far enough away in the sand to avoid being seen as interlopers. There are waist-high red ceramic cats holding serving trays in the entrance to the lobby, and chairs that look like well-toned butts. And up on the rooftop bar, Armin van Buuren is ushering in the sunset with a short DJ set.</blockquote>]]></description>
<dc:subject>music history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:106d1b9e57b6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://alienseries.wordpress.com/2014/08/23/the-life-of-bolaji-badejo-2/">
    <title>The Life of Bolaji Badejo</title>
    <dc:date>2018-06-08T16:05:30+00:00</dc:date>
    <link>https://alienseries.wordpress.com/2014/08/23/the-life-of-bolaji-badejo-2/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[The man who played the alien in ‘Alien.’]]></description>
<dc:subject>history movies</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:46b0a675ea69/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:movies"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.newyorker.com/culture/culture-desk/the-united-states-of-japan">
    <title>Matt Alt: The United States of Japan (New Yorker)</title>
    <dc:date>2018-06-04T18:07:09+00:00</dc:date>
    <link>https://www.newyorker.com/culture/culture-desk/the-united-states-of-japan</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Japan made itself rich in its industrial era by selling things like cars, TVs, and VCRs, but it made itself loved in those Lost Decades by selling fantasies. Hello Kitty, comics, anime, and Nintendo games were the first wave—“the big can-opener,” as the game designer Keiichi Yano put it. Now those childhood dreams haven given way to a more sophisticated vision of a Japanese life style, exemplified in the detached cool of Haruki Murakami novels, the defiantly girly pink feminism of kawaii culture, the stripped-down simplicity of Uniqlo, the “unbranded” products of Muji, and the Japanese “life-changing magic” of Marie Kondo. That these Japanese products are so popular, not only in America but in developed nations around the world, may indicate that we’re all groping for meaning in the same post-industrial haze.</blockquote>]]></description>
<dc:subject>japan culture america history capitalism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:c8e3680127e6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:japan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:capitalism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://glassarmonica.com/index.php">
    <title>The Glass Armonica: Benjamin Franklin's Magical Musical Invention</title>
    <dc:date>2018-05-25T21:41:04+00:00</dc:date>
    <link>http://glassarmonica.com/index.php</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>In 1761 Benjamin Franklin was in London representing the Pennsylvania Legislature to Parliament. Franklin was very interested in music: he was a capable amateur musician, attended concerts regularly, and even wrote a string quartet! One of the concerts Franklin attended was by Deleval, a colleague of his in the Royal Academy, who performed on a set of water tuned wineglasses patterned after Pockridge's instrument. Franklin was enchanted, and determined to invent and build 'a more convenient' arrangement.

Franklin's new invention premiered in early 1762, played by Marianne Davies—a well known musician in London who learned to play Franklin's new invention. Initially Franklin named it the 'glassychord', but soon settled on 'armonica' as the name for his new invention—after the Italian word for harmony "armonia". Apparently Franklin built a second instrument for Ms. Davies, as she toured Europe with hers, while Franklin returned to Philadelphia with his own.</blockquote>]]></description>
<dc:subject>music history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:44b457a82094/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://us2.campaign-archive.com/?u=1854296747731744c923a33ef&amp;id=a902e5b6af&amp;buffer_share=e16b5">
    <title>Longreads Member Exclusive: 'The Nature of Social Evil'</title>
    <dc:date>2018-03-08T22:47:46+00:00</dc:date>
    <link>https://us2.campaign-archive.com/?u=1854296747731744c923a33ef&amp;id=a902e5b6af&amp;buffer_share=e16b5</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[Maria Bustillos picked Ernest Becker’s ‘Escape from Evil’.

<blockquote>Becker won a Pulitzer for his previous book, The Denial of Death, but this one, published posthumously and building on ideas from that earlier work, is far, far better, to my mind, more compact, more advanced, more compelling. This book is pragmatic synthesis of multiple disciplines in the science of man, the place where humanities and science collide. Theories about Becker's work abound, but for me his great gift was the way he seemed to have led us to the threshold of a new enlightenment, clear-eyed, undeceived, ready to take the next step. It's a step the reader may be able to intuit, and perhaps even gain, and make practical use of in his or her own life: '[W]e have to take a full look at the worst in order to begin to get rid of illusions. Realism, even brutal, is not cynicism.'</blockquote>]]></description>
<dc:subject>literature psychology world history politics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:046af1729d05/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:psychology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:world"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:politics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.teenvogue.com/story/gender-variance-around-the-world">
    <title>Lucy Diabolo: Gender Variance Around the World Over Time (Teen Vogue)</title>
    <dc:date>2017-07-02T06:25:23+00:00</dc:date>
    <link>http://www.teenvogue.com/story/gender-variance-around-the-world</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Learn more about how gender variance has existed among people in different communities around the world throughout history.</blockquote>]]></description>
<dc:subject>history lgbt gender</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:da814c0a9b16/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:lgbt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:gender"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theatlantic.com/magazine/archive/2017/01/my-president-was-black/508793/">
    <title>Ta-Nehisi Coates: My President Was Black (The Atlantic)</title>
    <dc:date>2017-01-04T05:12:58+00:00</dc:date>
    <link>https://www.theatlantic.com/magazine/archive/2017/01/my-president-was-black/508793/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>A history of the first African American White House—and of what came next.</blockquote>]]></description>
<dc:subject>history america obama politics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:fb29ff7b88ce/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:obama"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:politics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vice.com/read/dear-students-from-your-muslim-american-teacher">
    <title>Zaina Arafat: Dear Students: A Letter from Your Muslim American Teacher (VICE)</title>
    <dc:date>2016-11-22T04:21:35+00:00</dc:date>
    <link>http://www.vice.com/read/dear-students-from-your-muslim-american-teacher</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>All the things I should've told my students about being a Muslim and a woman and an American.</blockquote>]]></description>
<dc:subject>muslim history america race religion trump</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:c0dbf8fc315b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:muslim"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:religion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:trump"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.listentothis.info/2016/10/jacques-dudon-lumieres-audibles-1995.html">
    <title>Listen to This: Jacques Dudon — Lumiéres Audibles, 1995</title>
    <dc:date>2016-10-30T00:29:41+00:00</dc:date>
    <link>http://www.listentothis.info/2016/10/jacques-dudon-lumieres-audibles-1995.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>"In his 'photosonic' process, Dudon shines light through a series of semi-transparent, rotating discs that slow and modify the light waves’ frequencies; the resulting waveforms are picked up by photoelectric (solar-power) cells connected to standard analog amplifiers."</blockquote>]]></description>
<dc:subject>mp3blogs music history audio sound</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:d716c94f18f5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:mp3blogs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:audio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:sound"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theatlantic.com/politics/archive/2016/07/the-near-certainty-of-anti-police-violence/490541/">
    <title>Ta-Nehisi Coates: The Near Certainty of Anti-Police Violence</title>
    <dc:date>2016-07-13T19:39:26+00:00</dc:date>
    <link>http://www.theatlantic.com/politics/archive/2016/07/the-near-certainty-of-anti-police-violence/490541/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>By ignoring illegitimate policing, America has also failed to address the danger this illegitimacy poses to those who must do the policing.</blockquote>]]></description>
<dc:subject>police america history racism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:2cef3c5bf40c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:police"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.washingtonpost.com/opinions/zika-is-coming-but-were-far-from-ready/2016/05/21/380ec54e-1dc3-11e6-9c81-4be1c14fb8c8_story.html">
    <title>Ronald A. Klain: Zika is coming, but we’re far from ready (Washington Post)</title>
    <dc:date>2016-05-23T15:31:04+00:00</dc:date>
    <link>https://www.washingtonpost.com/opinions/zika-is-coming-but-were-far-from-ready/2016/05/21/380ec54e-1dc3-11e6-9c81-4be1c14fb8c8_story.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>It is not a question of whether babies will be born in the United States with Zika-related microcephaly — it is a question of when and how many. For years to come, these children will be a visible, human reminder of the cost of absurd wrangling in Washington, of preventable suffering, of a failure of our political system to respond to the threat that infectious diseases pose.

…

These are not random lightning strikes or a string of global bad luck. This growing threat is a result of human activity: human populations encroaching on, and having greater interaction with, habitats where animals spread these viruses; humans living more densely in cities where sickness spreads rapidly; humans traveling globally with increasing reach and speed; humans changing our climate and bringing disease-spreading insects to places where they have not lived previously. From now on, dangerous epidemics are going to be a regular fact of life. We can no longer accept surprise as an excuse for a response that is slow out of the gate.</blockquote>]]></description>
<dc:subject>history disease america politics government</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:d01b5c8d664b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:disease"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:government"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theatlantic.com/magazine/archive/2014/06/the-case-for-reparations/361631/?src=longreads">
    <title>Ta-Nehisi Coates: The Case for Reparations (The Atlantic)</title>
    <dc:date>2016-03-09T23:18:43+00:00</dc:date>
    <link>http://www.theatlantic.com/magazine/archive/2014/06/the-case-for-reparations/361631/?src=longreads</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Two hundred fifty years of slavery. Ninety years of Jim Crow. Sixty years of separate but equal. Thirty-five years of racist housing policy. Until we reckon with our compounding moral debts, America will never be whole.</blockquote>]]></description>
<dc:subject>race america history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:8415df5ae9a1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theatlantic.com/magazine/archive/2015/10/the-black-family-in-the-age-of-mass-incarceration/403246/?src=longreads">
    <title>Ta-Nehisi Coates: The Black Family in the Age of Mass Incarceration (The Atlantic)</title>
    <dc:date>2016-03-09T23:17:55+00:00</dc:date>
    <link>http://www.theatlantic.com/magazine/archive/2015/10/the-black-family-in-the-age-of-mass-incarceration/403246/?src=longreads</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>American politicians are now eager to disown a failed criminal-justice system that’s left the U.S. with the largest incarcerated population in the world. But they've failed to reckon with history. Fifty years after Daniel Patrick Moynihan’s report “The Negro Family” tragically helped create this system, it's time to reclaim his original intent.</blockquote>]]></description>
<dc:subject>race america history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:b994cbcb2f5e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.wweek.com/2016/02/16/how-two-jazz-hippies-and-a-dutch-dj-made-portlands-biggest-song-ever/">
    <title>Matthew Singer: How Two 'Jazz Hippies' (and a Dutch DJ) Made Portland’s Biggest Song Ever: Nu Shooz's 'I Can't Wait' turns 30. (Willamette Week)</title>
    <dc:date>2016-02-19T16:35:51+00:00</dc:date>
    <link>http://www.wweek.com/2016/02/16/how-two-jazz-hippies-and-a-dutch-dj-made-portlands-biggest-song-ever/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>The secret Nu Shooz cool test is, if they come up and sing the bassline, they're cool. If they sing the barking seal, they're less cool.</blockquote>]]></description>
<dc:subject>music history interview portland</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:8f7dbb7815a7/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:interview"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:portland"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://testkitchen.huffingtonpost.com/michaeljacksonsonic/2/">
    <title>Todd Van Luling: The Michael Jackson Video Game Conspiracy (Huffington Post)</title>
    <dc:date>2016-02-15T16:35:50+00:00</dc:date>
    <link>http://testkitchen.huffingtonpost.com/michaeljacksonsonic/2/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>Jackson toured the facility. "He didn't moonwalk," Hector said. "He was walking around on crutches and he was apologetic about that -- he said 'I'm really sorry' and all that. But he didn't have to apologize. We were just happy to have him." 

Then, as Hector tells it, one of the Sonic 3 developers asked whether Jackson would like to write the music for the new game.
 
What happened next is still in dispute.</blockquote>]]></description>
<dc:subject>videogames history music</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:d311a3323499/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:videogames"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:music"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.amazon.com/gp/registry/wishlist/1ZAXWN8YDG79D">
    <title>Woke</title>
    <dc:date>2016-02-08T21:28:01+00:00</dc:date>
    <link>http://www.amazon.com/gp/registry/wishlist/1ZAXWN8YDG79D</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[An Amazon.com Wishlist by Erica Joy (@ericajoy) with books about black America.

Added to GoodReads here: https://www.goodreads.com/review/list/3519627-matthew-mcvickar?shelf=erica-joy-woke-list&view=table]]></description>
<dc:subject>america history literature books racism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:4edc0d4d30fc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:racism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.slate.com/articles/news_and_politics/foreigners/2014/12/the_world_is_not_falling_apart_the_trend_lines_reveal_an_increasingly_peaceful.html">
    <title>Steven Pinker: The World Is Not Falling Apart (Slate)</title>
    <dc:date>2015-12-17T00:13:13+00:00</dc:date>
    <link>http://www.slate.com/articles/news_and_politics/foreigners/2014/12/the_world_is_not_falling_apart_the_trend_lines_reveal_an_increasingly_peaceful.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>And since the human mind estimates probability by the ease with which it can recall examples, newsreaders will always perceive that they live in dangerous times. All the more so when billions of smartphones turn a fifth of the world’s population into crime reporters and war correspondents.

…

The world is not falling apart. The kinds of violence to which most people are vulnerable—homicide, rape, battering, child abuse—have been in steady decline in most of the world. Autocracy is giving way to democracy. Wars between states—by far the most destructive of all conflicts—are all but obsolete. The increase in the number and deadliness of civil wars since 2010 is circumscribed, puny in comparison with the decline that preceded it, and unlikely to escalate.

…

An evidence-based mindset on the state of the world would bring many benefits. It would calibrate our national and international responses to the magnitude of the dangers that face us. It would limit the influence of terrorists, school shooters, decapitation cinematographers, and other violence impresarios. It might even dispel foreboding and embody, again, the hope of the world.</blockquote>]]></description>
<dc:subject>history violence war peace</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:2239d3e7c0c4/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:violence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:war"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:peace"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://newrepublic.com/article/123213/lol-nothing-matters-defense-internets-absence-meaning">
    <title>Paul Ford: A Defense of the Internet’s Absence of Meaning (The New Republic)</title>
    <dc:date>2015-12-08T16:33:23+00:00</dc:date>
    <link>https://newrepublic.com/article/123213/lol-nothing-matters-defense-internets-absence-meaning</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>The lesson of that kind of reading is a simple one. It has taught me that my own life is ephemeral. Despite all the heroic myths about the unique, irreplaceable preciousness of our daily lives, I am absolutely convinced that someone, someday 50 or 100 years from now, will be working at a computer near where I am seated right now, and he or she will come across the address of my office mentioned in this article—902 Broadway—and will read with amusement or wonder or puzzlement about my experiences. I greet you, and the people who follow you, and the ones after them, and I hope that I give you a moment’s satisfaction, and that you take as much pleasure from your search as I did.</blockquote>]]></description>
<dc:subject>internet reading history america</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:1b08151bd2ce/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:reading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:history"/>
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</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://lithub.com/there-once-was-a-dildo-in-nantucket/">
    <title>Ben Shattuck: There Once Was a Dildo in Nantucket (Literary Hub)</title>
    <dc:date>2015-11-21T07:53:31+00:00</dc:date>
    <link>http://lithub.com/there-once-was-a-dildo-in-nantucket/</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[<blockquote>On the wives of whalers and their dildos, AKA “he’s-at-homes.”</blockquote>]]></description>
<dc:subject>history sex america</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:f9f971fc09cb/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:sex"/>
	<rdf:li rdf:resource="https://pinboard.in/u:matthewmcvickar/t:america"/>
</rdf:Bag></taxo:topics>
</item>
</rdf:RDF>