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    <title>Pinboard (matthewmcvickar)</title>
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    <description>recent bookmarks from matthewmcvickar</description>
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  </channel><item rdf:about="http://www.spin.com/articles/dance-music-grammys-what-skrillex-deadmau5-david-guetta-et-al-mean-or-dont">
    <title>Philip Sherburne: Dance Music at the Grammys: What Skrillex, Deadmau5, David Guetta, et al. Mean (or Don't) (SPIN.com)</title>
    <dc:date>2012-02-17T23:41:35+00:00</dc:date>
    <link>http://www.spin.com/articles/dance-music-grammys-what-skrillex-deadmau5-david-guetta-et-al-mean-or-dont</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[‘I don't want to come across as rockist, but this matters. And to pretend otherwise, and try to cover it up with dance steps and glow sticks and an uncomfortable, kind-of-almost-but-not-really mash-up between Deadmau5 and Foo Fighters, is to treat dance music as just another fad to be chewed up by Big Entertainment and bottled up like a noxious pot of 5-Hour Energy.’]]></description>
<dc:subject>music dance grammys awards culture electronica</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:767b09e849f2/</dc:identifier>
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<item rdf:about="http://www.newyorker.com/online/blogs/culture/2012/02/the-grammy-awards-what-was-that.html#ixzz1mHH06WHk">
    <title>Sasha Frere-Jones: The Grammy Awards: Chris Brown Overload (The New Yorker)</title>
    <dc:date>2012-02-17T23:28:21+00:00</dc:date>
    <link>http://www.newyorker.com/online/blogs/culture/2012/02/the-grammy-awards-what-was-that.html#ixzz1mHH06WHk</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[‘Woman-beating rage-broccoli Chris Brown lip-synced his single “Turn Up the Music” (without being threatened by Sir Elton John) and danced roughly as well as a third-rate Chicago footwork dancer. He ended his performance by back-flipping off the stage, though sadly not off the earth.’]]></description>
<dc:subject>music writing grammys awards television culture domesticviolence</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:37e9b7617fe8/</dc:identifier>
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<item rdf:about="http://hellogiggles.com/im-not-okay-with-chris-brown-performing-at-the-grammys-and-im-not-sure-why-you-are">
    <title>Sasha Pasulka: I’m Not Okay with Chris Brown Performing at the Grammys and I’m Not Sure Why You Are (HelloGiggles)</title>
    <dc:date>2012-02-14T21:20:58+00:00</dc:date>
    <link>http://hellogiggles.com/im-not-okay-with-chris-brown-performing-at-the-grammys-and-im-not-sure-why-you-are</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[‘The Grammys. Think. That they. Were the victim. Of Chris Brown. Hitting. Rihanna. In the face.’]]></description>
<dc:subject>grammys women domesticviolence violence</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:matthewmcvickar/b:d7c4030dc988/</dc:identifier>
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    <title>Vulture: Arcade Fire, and the ‘Never Heard of It’ Grammys by Nitsuh Abebe</title>
    <dc:date>2011-02-20T03:38:28+00:00</dc:date>
    <link>http://nymag.com/daily/entertainment/2011/02/arcade_fire_and_the_never_hear.html</link>
    <dc:creator>matthewmcvickar</dc:creator><description><![CDATA[”…the tweets offer a funny reminder that one kind of center really does hold: That no matter how dominant and predictable something might be in your world, it is still a weird, marginal thing to most everyone else.”]]></description>
<dc:subject>music culture society twitter grammys thearcadefire</dc:subject>
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