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  </channel><item rdf:about="http://thehurstreview.wordpress.com/2009/03/17/in-conversation-with-beth-maynard-u2s-no-line-on-the-horizon/">
    <title>In Conversation with Beth Maynard: U2’s “No Line on the Horizon” « The Hurst Review</title>
    <dc:date>2009-03-31T18:25:57+00:00</dc:date>
    <link>http://thehurstreview.wordpress.com/2009/03/17/in-conversation-with-beth-maynard-u2s-no-line-on-the-horizon/</link>
    <dc:creator>keithly</dc:creator><description><![CDATA[I hear the album falling into basically three parts — the first 4 epic songs, which has got to be the most blockbuster U2 beginning since Joshua Tree; then the more domestic/pop/personal unit of “Crazy-Boots-Comedy”; and then the last 4 with “Fez” as the entryway into the intimate yet sonically and thematically expansive “White-Breathe-Cedars.”  (In a sense it’s hard to come up with a description for that set that fits “Breathe,” but I do think “Breathe” is more intentional here than just being a change-up between the two slow numbers.  There is something very reflective about it and its collage verses marry with the specificity of the two slower numbers.  Any comments on this?)
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<dc:subject>u2 nolineonthehorizon music</dc:subject>
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    <title>U2's Latest Experiment in Sound - WSJ.com</title>
    <dc:date>2009-03-15T03:56:02+00:00</dc:date>
    <link>http://online.wsj.com/article/SB123603619725114341.html</link>
    <dc:creator>keithly</dc:creator><description><![CDATA[When the subject of "No Line" isn't love, lust and assorted other good times -- still the meat of the rock 'n' roll vocabulary -- it's not geopolitics. It's spiritual exploration, even if the song's subject is derived from a geopolitical event, as in "Cedars of Lebanon" and "White as Snow." Throughout the band's career, U2's songs have referenced a spiritual journey inspired by its members' Christianity.

Here, the exploration continues. In "White as Snow," based on a hymn inspired by Isaiah 1:18 and with new lyrics by Bono, Mr. Eno and Mr. Lanois, Bono sings: "Once I knew there was a love divine/Then came a time I thought it knew me not/Who can forgive forgiveness where forgiveness is not/Only the lamb as white as snow." Said to be the thoughts of a dying soldier in Afghanistan, the song concludes with "If only a heart could be as white as snow." In "Breathe," he writes: "Sing your heart out, sing my heart out/I've found grace inside a sound."
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