<?xml version="1.0" encoding="UTF-8"?>
 <rdf:RDF xmlns="http://purl.org/rss/1.0/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:cc="http://web.resource.org/cc/" xmlns:syn="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/">
  <channel rdf:about="http://pinboard.in">
    <title>Pinboard (keithly)</title>
    <link>https://pinboard.in/u:keithly/public/</link>
    <description>recent bookmarks from keithly</description>
    <items>
      <rdf:Seq>	<rdf:li rdf:resource="http://www.thehistoryblog.com/archives/70200"/>
	<rdf:li rdf:resource="https://van-magazine.com/mag/jan-swafford-beethoven-x/?amp"/>
	<rdf:li rdf:resource="https://www.tabletmag.com/sections/arts-letters/articles/beethoven-freedom-250"/>
	<rdf:li rdf:resource="https://www.nytimes.com/2020/07/03/arts/music/beethoven-piano-sonatas.html"/>
	<rdf:li rdf:resource="https://www.nytimes.com/2020/02/24/travel/vienna-bonn-beethoven-250th-anniversary.html"/>
	<rdf:li rdf:resource="https://towardsdatascience.com/visualizing-beethovens-oeuvre-part-i-scraping-and-cleaning-data-from-imslp-77ecb124002d"/>
	<rdf:li rdf:resource="http://www.telegraph.co.uk/books/what-to-read/beethoven-anguish-and-triumph-review-wonderful/"/>
	<rdf:li rdf:resource="http://www.npr.org/templates/story/story.php?storyId=5202103"/>
	<rdf:li rdf:resource="http://music.guardian.co.uk/classical/page/0,,1943867,00.html"/>
	<rdf:li rdf:resource="http://jeremydenk.net/blog/2005/12/17/bach-the-romantic/"/>
      </rdf:Seq>
    </items>
  </channel><item rdf:about="http://www.thehistoryblog.com/archives/70200">
    <title>Beethoven was full of lead, arsenic and mercury</title>
    <dc:date>2024-05-15T21:02:27+00:00</dc:date>
    <link>http://www.thehistoryblog.com/archives/70200</link>
    <dc:creator>keithly</dc:creator><dc:subject>lead beethoven history mentalhealth</dc:subject>
<dc:identifier>https://pinboard.in/u:keithly/b:16760efda9ae/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:lead"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:beethoven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:mentalhealth"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://van-magazine.com/mag/jan-swafford-beethoven-x/?amp">
    <title>Beethoven X: The Intelligence of Bodies • VAN Magazine</title>
    <dc:date>2021-12-17T13:05:20+00:00</dc:date>
    <link>https://van-magazine.com/mag/jan-swafford-beethoven-x/?amp</link>
    <dc:creator>keithly</dc:creator><dc:subject>music ai beethoven art</dc:subject>
<dc:identifier>https://pinboard.in/u:keithly/b:50e4bb08fd68/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:ai"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:beethoven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.tabletmag.com/sections/arts-letters/articles/beethoven-freedom-250">
    <title>Beethoven and Freedom - Tablet Magazine</title>
    <dc:date>2021-04-12T02:59:09+00:00</dc:date>
    <link>https://www.tabletmag.com/sections/arts-letters/articles/beethoven-freedom-250</link>
    <dc:creator>keithly</dc:creator><dc:subject>beethoven music classical</dc:subject>
<dc:identifier>https://pinboard.in/u:keithly/b:7fee5e682839/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:beethoven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:classical"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2020/07/03/arts/music/beethoven-piano-sonatas.html">
    <title>Playing Beethoven’s Piano Sonatas Changed How I Hear Them - The New York Times</title>
    <dc:date>2020-07-05T20:06:57+00:00</dc:date>
    <link>https://www.nytimes.com/2020/07/03/arts/music/beethoven-piano-sonatas.html</link>
    <dc:creator>keithly</dc:creator><dc:subject>classical music beethoven piano</dc:subject>
<dc:identifier>https://pinboard.in/u:keithly/b:13463584c4bb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:classical"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:beethoven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:piano"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2020/02/24/travel/vienna-bonn-beethoven-250th-anniversary.html">
    <title>From Bonn to Vienna, in Search of Beethoven, the Man - The New York Times</title>
    <dc:date>2020-02-24T17:32:20+00:00</dc:date>
    <link>https://www.nytimes.com/2020/02/24/travel/vienna-bonn-beethoven-250th-anniversary.html</link>
    <dc:creator>keithly</dc:creator><dc:subject>beethoven music travel</dc:subject>
<dc:identifier>https://pinboard.in/u:keithly/b:18ff65cc50d4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:beethoven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:travel"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://towardsdatascience.com/visualizing-beethovens-oeuvre-part-i-scraping-and-cleaning-data-from-imslp-77ecb124002d">
    <title>Visualizing Beethoven’s Oeuvre, Part I: Scraping and cleaning data from IMSLP</title>
    <dc:date>2018-07-16T22:48:46+00:00</dc:date>
    <link>https://towardsdatascience.com/visualizing-beethovens-oeuvre-part-i-scraping-and-cleaning-data-from-imslp-77ecb124002d</link>
    <dc:creator>keithly</dc:creator><dc:subject>programming beethoven music data-science</dc:subject>
<dc:identifier>https://pinboard.in/u:keithly/b:1d3b819ee94f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:programming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:beethoven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:data-science"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.telegraph.co.uk/books/what-to-read/beethoven-anguish-and-triumph-review-wonderful/">
    <title>Beethoven, Anguish and Triumph, review: 'wonderful'</title>
    <dc:date>2015-12-31T18:55:16+00:00</dc:date>
    <link>http://www.telegraph.co.uk/books/what-to-read/beethoven-anguish-and-triumph-review-wonderful/</link>
    <dc:creator>keithly</dc:creator><dc:subject>beethoven classical music</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:keithly/b:a89659a87fdd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:beethoven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:classical"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:music"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=5202103">
    <title>'Missa Solemnis,' a Divine Bit of Beethoven : NPR</title>
    <dc:date>2014-12-05T00:23:01+00:00</dc:date>
    <link>http://www.npr.org/templates/story/story.php?storyId=5202103</link>
    <dc:creator>keithly</dc:creator><dc:subject>music beethoven classical</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:keithly/b:2777b185ed1d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:beethoven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:classical"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://music.guardian.co.uk/classical/page/0,,1943867,00.html">
    <title>Andras Schiff: the lectures | Classical and opera | guardian.co.uk Music</title>
    <dc:date>2011-10-25T03:13:22+00:00</dc:date>
    <link>http://music.guardian.co.uk/classical/page/0,,1943867,00.html</link>
    <dc:creator>keithly</dc:creator><dc:subject>music classical beethoven</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:keithly/b:2ac698b8f832/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:classical"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:beethoven"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://jeremydenk.net/blog/2005/12/17/bach-the-romantic/">
    <title>think denk | Bach the Romantic</title>
    <dc:date>2009-10-28T21:02:20+00:00</dc:date>
    <link>http://jeremydenk.net/blog/2005/12/17/bach-the-romantic/</link>
    <dc:creator>keithly</dc:creator><description><![CDATA[After immersing myself a long time in Bach, I was reworking some familiar Beethoven Sonatas, and from the first moments of playing them I had a odd, unsettled feeling. Even the most revolutionary passages seemed somewhat quaint, like the customs of another era. I blinked and tried again, but the feeling persisted; I was being roughly jolted from one culture to another. And further: the Bach (in my mind) seemed to be, in a reversal of the “actual” chronology, more modern, while the enunciated phrases of Beethoven seemed outmoded… like a style to be shedded … how can this happen with the “eternally modern” Beethoven?
]]></description>
<dc:subject>music classical Bach beethoven</dc:subject>
<dc:identifier>https://pinboard.in/u:keithly/b:94af08bd05fc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:classical"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:Bach"/>
	<rdf:li rdf:resource="https://pinboard.in/u:keithly/t:beethoven"/>
</rdf:Bag></taxo:topics>
</item>
</rdf:RDF>