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  </channel><item rdf:about="https://www.nybooks.com/articles/2026/03/26/gods-impertinent-prophets-voices-of-thunder-baker/">
    <title>God's impertinent prophets</title>
    <dc:date>2026-03-23T09:34:06+00:00</dc:date>
    <link>https://www.nybooks.com/articles/2026/03/26/gods-impertinent-prophets-voices-of-thunder-baker/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Anne Wentworth's husband, William, was a 'scourge and lash' to her. He destroyed her 'mind and body'; she lay her 'body as the ground, and as the street for him to go over.' In 1671 she was forty years old and 'consumed to skin and bone' by him, 'unlike a woman.' She started to write. This is how she explained her decision to begin her book: 'It was necessary to the peace of my soul, to absent myself from my earthly husband.' Like so many female authors before and after her, she made a new world in her 'book of experience.' When William found out that she'd written it, he was furious, and so were his friends from their dissenting congregation. He brought men to their home to 'fright, and amaze, and astonish' Anne; they tried 'to make a rape of [my] soul,' as she described it. She suffered a miscarriage. Still she wrote. And then William stole the manuscript that Anne had been writing — a book dedicated to her daughter. Six years of writing were gone."]]></description>
<dc:subject>culture protestantism religion writing women</dc:subject>
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<item rdf:about="https://www.thebeliever.net/leave-no-trace/">
    <title>Leave no trace</title>
    <dc:date>2025-12-20T10:05:16+00:00</dc:date>
    <link>https://www.thebeliever.net/leave-no-trace/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture women writing australia picnic-at-hanging-rock</dc:subject>
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    <title>Resident evil</title>
    <dc:date>2025-09-01T10:59:49+00:00</dc:date>
    <link>https://internetprincess.substack.com/p/resident-evil</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["I spend all this time trying desperately not to think about my body but it hunts me like a dog."]]></description>
<dc:subject>writing culture women criticism good-sentence</dc:subject>
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    <title>Pioneer women</title>
    <dc:date>2025-02-19T11:49:07+00:00</dc:date>
    <link>https://whosafraidofgeorgiaokeeffe.substack.com/p/pioneer-women</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[On Joan Didion, Georgia O'Keefe, and Martha Stewart.]]></description>
<dc:subject>culture women</dc:subject>
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<item rdf:about="https://www.nybooks.com/online/2024/09/08/ahead-of-the-diminishing-world-alice-neel/">
    <title>Ahead of the diminishing world</title>
    <dc:date>2024-09-09T10:52:05+00:00</dc:date>
    <link>https://www.nybooks.com/online/2024/09/08/ahead-of-the-diminishing-world-alice-neel/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Many of us would not have stuck with being artists if we had been straight. There was no reason to. But once you were out there on the lesbian limb, the world looked like a phony and hypocritical place, so it was hard to aspire to fit into it. There was so much that needed to be said."]]></description>
<dc:subject>art women culture east-village past-times artists alice-neel</dc:subject>
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    <title>As long as you both shall live</title>
    <dc:date>2024-03-30T16:32:47+00:00</dc:date>
    <link>https://www.nybooks.com/articles/2024/04/18/as-long-as-you-both-shall-live-anatomy-of-a-fall/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Marriage is a contract, one that secures every person's right and responsibility to care for the family they have created. Marriage is an entertaining social performance, in which one escorts a mostly well-trained primate from one party to another, encouraging him or her to perform tricks. Marriage is a conversation, during which one person talks incessantly, then shuts up and listens. Marriage is like a nightly television program; you tune into it for brief, illuminating stretches of time before it fades into the background of daily life. Marriage is an inside joke between cowriters, a director and her critic—the trick is to find new ways to deliver the punch line. Marriage is a way of recruiting a thwarted man for your creative project rather than, say, murdering him." (Very good essay by Merve Emre on "Anatomy of a Fall.")]]></description>
<dc:subject>writing culture criticism film women marriage</dc:subject>
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<item rdf:about="https://www.nybooks.com/online/2024/02/20/my-mothers-archive-pearl-kazin/">
    <title>In my mother’s archive</title>
    <dc:date>2024-02-23T10:56:54+00:00</dc:date>
    <link>https://www.nybooks.com/online/2024/02/20/my-mothers-archive-pearl-kazin/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Bishop, my mother later remembered, came alive when she had a spectacle like the track to observe: 'Her tireless eye ... responded to every detail ... the crowds swarming in the heat of the day; the tense expectation, palpable as heartbeats, as the horses pounded around the track ... Elizabeth's attention was absolute, and even when she was silent I was intensely aware of the way she was capturing the roiling motion of the afternoon.'"]]></description>
<dc:subject>culture writers women elizabeth-bishop saratoga</dc:subject>
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    <title>Portrait of the artist as an office drone</title>
    <dc:date>2024-01-20T13:26:00+00:00</dc:date>
    <link>https://www.newyorker.com/culture/the-weekend-essay/portrait-of-the-artist-as-an-office-drone</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["The office memoir can sometimes be a Künstlerroman of sorts — a portrait of the artist coming into her craft. But, just as often, it is the story of a writer trying to have a job that isn’t writing, and trying to be normal about it. The literary identity is all over these books."]]></description>
<dc:subject>culture writing women memoir workplace</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:5b47452abcf5/</dc:identifier>
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<item rdf:about="https://www.newyorker.com/culture/2023-in-review/the-year-of-the-female-creep">
    <title>The year of the female creep</title>
    <dc:date>2023-12-29T11:41:07+00:00</dc:date>
    <link>https://www.newyorker.com/culture/2023-in-review/the-year-of-the-female-creep</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["But the creep hasn't figured out how to embody someone else's fantasies, perhaps because her own are so insistent." (This is a very good essay.)]]></description>
<dc:subject>culture literature literary-criticism writing women creeps</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://www.nytimes.com/2023/11/29/books/review/art-monsters-lauren-elkin.html">
    <title>Book Review: ‘Art Monsters,’ by Lauren Elkin</title>
    <dc:date>2023-12-24T12:43:34+00:00</dc:date>
    <link>https://www.nytimes.com/2023/11/29/books/review/art-monsters-lauren-elkin.html</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Elkin writes that working on this book felt 'risky,' especially for 'a white American female at the end of the 20th century, groomed to be appropriate, exacting, friendly and accommodating, as pretty and as small as I could make myself, yet filled with rage at not being allowed to take up more space in the world.' For all Elkin's formidable range as a critic, 'Art Monsters' still contains traces of that careful, tentative person; the text is filled with caveats and asides betraying an anxiety that someone might read her or her book the wrong way."]]></description>
<dc:subject>culture women writing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:108b17690433/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.artic.edu/artists/135/gertrude-abercrombie">
    <title>Gertrude Abercrombie</title>
    <dc:date>2023-11-03T13:55:53+00:00</dc:date>
    <link>https://www.artic.edu/artists/135/gertrude-abercrombie</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>art women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:65dfdf2429d7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.moma.org/collection/works/79892">
    <title>Agnes Martin. With My Back to the World. 1997</title>
    <dc:date>2023-05-31T09:52:29+00:00</dc:date>
    <link>https://www.moma.org/collection/works/79892</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art painting abstract minimalism women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:c622712a5624/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:abstract"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:minimalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2023/05/02/magazine/annie-ernaux-delphine-de-vigan.html">
    <title>Annie Ernaux has broken every taboo of what women are allowed to write</title>
    <dc:date>2023-05-07T10:35:37+00:00</dc:date>
    <link>https://www.nytimes.com/2023/05/02/magazine/annie-ernaux-delphine-de-vigan.html</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["How, through the simple story of her origins, had she laid her hand so surely on the human tragedy of our ability to make ourselves unfree? [What Ernaux] understood was that as a female child of the regional laboring classes, her self was her only authentic possession in this world, and thus the sole basis for the legitimacy of her art."]]></description>
<dc:subject>culture writing women literature</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:bee785fddcc9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://katemanne.substack.com/p/on-bodily-non-problems-with-a-name">
    <title>On bodily non-problems with a name</title>
    <dc:date>2023-04-20T09:52:14+00:00</dc:date>
    <link>https://katemanne.substack.com/p/on-bodily-non-problems-with-a-name</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["... the philosopher Miranda Fricker has coined a general name for this kind of gap in our collective conceptual resources: a 'hermeneutical injustice,' which prevents subordinated or oppressed people from naming a social experience which they have a strong interest in naming."]]></description>
<dc:subject>culture language bodies women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:94929801c86e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:bodies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://astra-mag.com/articles/celia-paul-up-from-the-burning-bracken/">
    <title>Celia Paul talks to Makenna Goodman</title>
    <dc:date>2022-10-02T13:58:50+00:00</dc:date>
    <link>https://astra-mag.com/articles/celia-paul-up-from-the-burning-bracken/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Quietness is so necessary. We should be entitled to it naturally, but it is a battle to gain it. The best quietness is when you are surrounded by loved ones and they are allowing you the aloneness — rather than full-blown aloneness. I wish everything wasn’t all or nothing."]]></description>
<dc:subject>women art culture solitude creativity</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:0aaa62a78ff9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:solitude"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:creativity"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://newrepublic.com/article/166644/big-screen-beauty-contest-joanna-walsh-girl-online-review">
    <title>Against the big screen beauty contest: Review of “Girl Online” by Joanna Walsh</title>
    <dc:date>2022-09-12T09:52:45+00:00</dc:date>
    <link>https://newrepublic.com/article/166644/big-screen-beauty-contest-joanna-walsh-girl-online-review</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Both books touch on a phenomenon that has irked me personally for some years but which I rarely see addressed directly: namely, the idea that women who write professionally are now seemingly expected to present themselves like influencers, to fit into high-end clothes in order to be photographed for interviews, and so on. If the expectation is not technically a universal one, it is certainly pervasive, and if one does not strictly have to comply, it is professionally advantageous to do so. (Only one earlier example of this being discussed in literature immediately springs to mind: Kate Zambreno, in 2019's Screen Tests, grumbling that she never knew until she moved to New York 'that women writers were expected to be photogenic.') Whichever kind of a screen a woman finds herself on, Walsh suggests, it behoves her to be easy on the eye, and this impetus generates a competition that is detrimental to all those who take part in it, as well as some who do not."]]></description>
<dc:subject>culture writing internet social-media women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:aa4191bee0b0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:social-media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://harpers.org/archive/2022/09/louise-bourgeois-the-artists-studio-a-formal-feeling/">
    <title>Claire-Louise Bennett on Louise Bourgeois</title>
    <dc:date>2022-08-20T12:15:22+00:00</dc:date>
    <link>https://harpers.org/archive/2022/09/louise-bourgeois-the-artists-studio-a-formal-feeling/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["It is customarily supposed that pain is a great catalyst for creativity, since pain produces an overflow of emotion that must surely galvanize artistic expression. But pain is more than and less than emotional excess. It is a grueling existential experience and is therefore one of the most difficult human situations to express. Not least because it collapses time, and foments rigorous questions that devastate and liberate in equal measure."]]></description>
<dc:subject>art pain women culture creativity</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:136abdd01403/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:pain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:creativity"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.gawker.com/politics/socialist-feminism-rigor-structural-change-emotion-anger-marginalization">
    <title>The tension at the heart of contemporary feminism</title>
    <dc:date>2022-06-30T11:37:34+00:00</dc:date>
    <link>https://www.gawker.com/politics/socialist-feminism-rigor-structural-change-emotion-anger-marginalization</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Today, in many corners of feminism, I see signs of an evasion, a retreat from the marshes of feminist emotion into a better-lit but perhaps emptier space. By feminist emotion, I don't necessarily mean the standard fare — rage or shame or neuroses over shaving one's legs — though those are part of it. I mean the emotions that arrive only through a certain, totalizing type of knowledge. This is the unhappy knowledge of one's own marginalization, as well as the unhappier knowledge that such marginalization is ancient, ongoing, and completely impersonal. A recognition like this inevitably knits the individual into history, revealing her as subject to its ongoing and often rather galling forces. If this sounds unpleasant, it often is. At times it borders on conspiratorial thinking, which is why this type of knowledge can make committed political operatives out of people, or turn them into ticking time-bombs of narcissism. Sometimes both, simultaneously."

Moira Donegan: "You hear a lot of complaints from the left that feminists are insufficiently material, but I think part of the problem is that our material demands are dismissed as emotional ones." https://twitter.com/MoiraDonegan/status/1542143640415469569]]></description>
<dc:subject>politics women feminism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:ae357316021f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:feminism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.publicbooks.org/womans-working-class-experimentalism-claire-louise-bennett-checkout-19/">
    <title>A woman's working-class experimentalism</title>
    <dc:date>2022-05-18T17:26:13+00:00</dc:date>
    <link>https://www.publicbooks.org/womans-working-class-experimentalism-claire-louise-bennett-checkout-19/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Where do working-class women who are literary and experimental find, first, their models, and, next, their readership? Some theorists and writers would hold that the distance between the writings of working-class avant-garde tradition and the writings that find their way into the culture and reading habits of working-class communities is irreconcilable, or else that such fictions aren’t written for those whose experiences they purport to represent. Checkout 19 moves toward narrowing this gap. The novel suggests that experimental fictions are read by and, indeed, resonate with young women of the working class (like our protagonist) and that the choice of an experimental form (like that of Checkout 19 itself) can be an act of solidarity with, rather than flight from, a working-class tradition."]]></description>
<dc:subject>writing class women literature experimental</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:05d92f4303c8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:experimental"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.newyorker.com/books/page-turner/toni-morrison-recitatif-short-story-zadie-smith">
    <title>The genius of Toni Morrison's only short story</title>
    <dc:date>2022-01-23T12:33:16+00:00</dc:date>
    <link>https://www.newyorker.com/books/page-turner/toni-morrison-recitatif-short-story-zadie-smith</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[1. "That people live and die within a specific history — within deeply embedded cultural, racial, and class codes — is a reality that cannot be denied, and often a beautiful one. It's what creates difference. But there are ways to deal with that difference that are expansive and comprehending, rather than narrow and diagnostic."

2. "Whether Twyla or Roberta is the somebody who has lived within the category of 'white' we cannot be sure, but Morrison constructs the story in such a way that we are forced to admit the fact that other categories, aside from the racial, also produce shared experiences. Categories like being poor, being female, like being at the mercy of the state or the police, like living in a certain Zip Code, having children, hating your mother, wanting the best for your family. We are like and not like a lot of people a lot of the time."

3. "We feel [our people's ways] define us. And this form of self-regard, for Morrison, was the road back to the human — the insistence that you are somebody although the structures you have lived within have categorized you as 'nobody.'"]]></description>
<dc:subject>culture writing race women short-stories</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:c44e25e157b8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:short-stories"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.harpersbazaar.com/culture/features/a38817450/the-many-meanings-of-family-estrangement/">
    <title>The many meanings of family estrangement</title>
    <dc:date>2022-01-19T20:49:49+00:00</dc:date>
    <link>https://www.harpersbazaar.com/culture/features/a38817450/the-many-meanings-of-family-estrangement/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["People think estrangement is a final state, unchangeable and totalizing. For that reason, some also see it as the easy way out: Being in a relationship with someone — anyone — is inherently messy. Severing the tie cleans things up once and for all. I wish it was that simple, that static. It’s not. Estrangement, for me, has been an ever-shifting constellation of regrets and loyalties and, yes, joys."]]></description>
<dc:subject>families estrangement women immigration</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:e2b979546dff/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:families"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:estrangement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:immigration"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://bostonreview.net/articles/how-domestic-labor-robs-women-of-their-love/">
    <title>How domestic labor robs women of their love</title>
    <dc:date>2022-01-18T12:35:39+00:00</dc:date>
    <link>https://bostonreview.net/articles/how-domestic-labor-robs-women-of-their-love/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>women labor class</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:9b9867bda0b2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:labor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:class"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://lithub.com/whither-the-plain-female-protagonist-on-great-beauty-in-literature/">
    <title>Whither the plain female protagonist? On &quot;great beauty&quot; in literature</title>
    <dc:date>2021-11-01T11:57:33+00:00</dc:date>
    <link>https://lithub.com/whither-the-plain-female-protagonist-on-great-beauty-in-literature/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["It was also Toni Morrison in The Bluest Eye who called physical beauty — along with romantic love — the 'most destructive ideas in the history of human thought.' I have yet to read a work of contemporary fiction that explicates this painful truth."]]></description>
<dc:subject>culture writing women beauty</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:f4f06a5c6a4c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:beauty"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.artnews.com/art-in-america/interviews/fatness-feminism-representation-1234601645/">
    <title>Fatness and feminism: A conversation on unruly bodies and representation</title>
    <dc:date>2021-08-20T20:33:21+00:00</dc:date>
    <link>https://www.artnews.com/art-in-america/interviews/fatness-feminism-representation-1234601645/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:697c0c14e3bd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://daily.jstor.org/shoplifting-for-fun-and-profit/">
    <title>Shoplifting, for fun and profit</title>
    <dc:date>2021-07-17T20:29:14+00:00</dc:date>
    <link>https://daily.jstor.org/shoplifting-for-fun-and-profit/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["There's not a lot of room in the crooked game for a woman who doesn't want to go regularly to work, like the mugs who punch a clock every morning. She either hustles for a living and keeps some layabout as a ponce, or she becomes a hoister. It's not a bad life if you must be crooked." (Post summarizes this article, "Going on the Hoist: Women, Work, and Shoplifting in London, ca. 1890—1940." Link: https://www.jstor.org/stable/23265318)]]></description>
<dc:subject>women crime theft shoplifting</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:30d5853be725/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:crime"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:theft"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:shoplifting"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://thebaffler.com/latest/this-womans-work-fletcher">
    <title>This woman's work</title>
    <dc:date>2021-07-03T15:25:43+00:00</dc:date>
    <link>https://thebaffler.com/latest/this-womans-work-fletcher</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art painting class women alice-neel</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:86107c20ac06/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:alice-neel"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://lithub.com/when-grad-school-is-absolutely-the-wrong-thing-for-you/">
    <title>Misadventures in j-school: When grad school is the wrong thing</title>
    <dc:date>2021-04-25T13:06:26+00:00</dc:date>
    <link>https://lithub.com/when-grad-school-is-absolutely-the-wrong-thing-for-you/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["By the time I walked across the stage and collected the $80,000 piece of paper I’d hoped would knock the poor-kid chip off of my shoulder, impress my dead father, and prove I was stable and 'ok,' I was completely uninterested in the news business—and in social climbing and class jumping and blending in and proving anything to anyone ... after trying to fit myself into the Ivy League world like too-tight shoes, it was such a relief to put on cut-off jean shorts and a cropped Siouxsie and the Banshees t-shirt and stay up all night with locals ..." [Excerpt from "Negative Space," a memoir by Lilly Dancyger.]]]></description>
<dc:subject>writing journalism women class</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:8e29e27324b4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:journalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:class"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.lrb.co.uk/the-paper/v19/n01/jenny-diski/a-feeling-for-ice">
    <title>A feeling for ice</title>
    <dc:date>2021-04-24T19:06:00+00:00</dc:date>
    <link>https://www.lrb.co.uk/the-paper/v19/n01/jenny-diski/a-feeling-for-ice</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[Jenny Diski remembers her childhood and travels to Antarctica.]]></description>
<dc:subject>writing women childhood mothers estrangement essays</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:493a43031d78/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:childhood"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:mothers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:estrangement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:essays"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.newyorker.com/magazine/2021/04/05/sybille-bedford-and-the-unruly-art-of-the-origin-story">
    <title>Sybille Bedford and the unruly art of the origin story</title>
    <dc:date>2021-04-02T11:18:06+00:00</dc:date>
    <link>https://www.newyorker.com/magazine/2021/04/05/sybille-bedford-and-the-unruly-art-of-the-origin-story</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Bedford resisted any kind of work that she saw as beneath her. 'Where were the bootstraps?' she once asked. She occasionally gave lessons and did translations, but said she didn't want to interfere with her writing, even though there was often little to show for it." ]]></description>
<dc:subject>women writing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:544823150da9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2021/03/25/books/review/Tillie-Olsen-tell-me-a-riddle.html">
    <title>Tillie Olsen captured the toll of women's labor on their lives and art</title>
    <dc:date>2021-03-28T11:52:13+00:00</dc:date>
    <link>https://www.nytimes.com/2021/03/25/books/review/Tillie-Olsen-tell-me-a-riddle.html</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Is there a place in literature — in our canons and course listings, in our criticism and theory — for unwritten work? ... what kind of attention do we owe — what kind of attention is it even possible to pay — to the unvoiced?"]]></description>
<dc:subject>writing women class silences</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:1220a5a6c1d6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:silences"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://jenzerb.medium.com/i-left-my-career-in-prestige-media-because-of-the-shitty-men-in-charge-and-they-are-still-in-4963374ec6b8">
    <title>I left my career in prestige media because of the shitty men in charge and they are still in charge and still fucking up</title>
    <dc:date>2021-01-29T11:53:55+00:00</dc:date>
    <link>https://jenzerb.medium.com/i-left-my-career-in-prestige-media-because-of-the-shitty-men-in-charge-and-they-are-still-in-4963374ec6b8</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["It was clear I wasn't going to get any support from the company. My boss was going to get promoted and have even more power. After months of keeping the train on track while dealing with the consequences of my boss's abuse, I was left twisting in the wind ... I knew I was walking away from a career I’d spent decades building. My boss went on to mold the coverage of the paper of record before spectacularly, publicly, falling on his face. But his friends are looking out for him. And they have powerful jobs molding the coverage at the most prestigious publications in existence. He’ll be back. They will make sure of it."]]></description>
<dc:subject>media work women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:7b040d3c55b7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:work"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://humanparts.medium.com/heres-what-it-was-really-like-to-work-at-a-women-s-website-995f4e79d995">
    <title>What it was really like to work at a women's website</title>
    <dc:date>2021-01-28T13:41:47+00:00</dc:date>
    <link>https://humanparts.medium.com/heres-what-it-was-really-like-to-work-at-a-women-s-website-995f4e79d995</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Most of my co-workers at the website were focused young women who believed that life was good and fair and that all you really had to do to reap its rewards was be honest and work hard. I mean, I was older than them, so I knew they were wrong. But it felt good to be among them, with their hopes and dreams, their kind hearts, and tight ponytails. I had always been revulsed by these kinds of women, but only because I'd always assumed they’d be revulsed by me. No one had ever let me wander among the good girls before, let alone consider that I might be one of them."]]></description>
<dc:subject>media work women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:73463d14bf6e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:work"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www-lrb-co-uk.ezp-prod1.hul.harvard.edu/the-paper/v42/n24/celia-paul/diary">
    <title>Painting in the dark (Celia Paul in the LRB)</title>
    <dc:date>2020-12-09T14:14:09+00:00</dc:date>
    <link>https://www-lrb-co-uk.ezp-prod1.hul.harvard.edu/the-paper/v42/n24/celia-paul/diary</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Gwen John sought out a life of solitude, a life lived in the shadows. Charlotte Brontë likened her writing process and that of her sisters to potatoes growing in a cellar. I know that women possess this particular power of interiority and silence. Perhaps the great women artists are nocturnal creatures who prefer to create freely in the darkness. In this way, too, they avoid being referred to as 'one of these neurotics.' Perhaps they choose their overshadowing? If they go unnoticed they can be as madly inventive as they like, without making anyone jealous."]]></description>
<dc:subject>women art painting celia-paul</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:b91e0d26f557/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:celia-paul"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.thenation.com/article/culture/annie-ernaux-profile/">
    <title>Annie Ernaux's memoirs ask a radical question</title>
    <dc:date>2020-11-21T16:11:49+00:00</dc:date>
    <link>https://www.thenation.com/article/culture/annie-ernaux-profile/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["It's true that she is especially invested in saying what has until recently been unsayable — not because she requires permission but because her work has always traced the internal processes of 'afterwardsness,' a psychoanalytic term for a remembered event's acquisition of new or greater meaning retroactively. This can also be a cultural feeling, when something in the past, seemingly individual, transforms its shared profundity or political valence before all our eyes."

Ernaux: "This knowledge — handed down from mother to daughter for many centuries — stops at my generation. I am only the archivist." [I am only the archivist.]]]></description>
<dc:subject>women life culture writing memoir</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:6045716bd6ed/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:life"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:memoir"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://newrepublic.com/article/160152/ivanka-exile">
    <title>Ivanka in exile</title>
    <dc:date>2020-11-10T14:10:50+00:00</dc:date>
    <link>https://newrepublic.com/article/160152/ivanka-exile</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["... and it's clear there's an audience for this kind of polite violence."]]></description>
<dc:subject>culture politics women 2020-election</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:1a9ea1323ac4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:2020-election"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://tressiemcphd.medium.com/aocs-attractiveness-drives-us-all-mad-8c16a8654f9">
    <title>AOC's attractiveness drives us all mad</title>
    <dc:date>2020-10-30T15:23:10+00:00</dc:date>
    <link>https://tressiemcphd.medium.com/aocs-attractiveness-drives-us-all-mad-8c16a8654f9</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["We do not have enough words to talk about how and why 'pretty' matters for how power operates."]]></description>
<dc:subject>culture politics women power gender beauty</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:9f2ce5dc9069/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:power"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:gender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:beauty"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://lithub.com/hilary-mantel-on-how-writers-learn-to-trust-themselves/">
    <title>Hilary Mantel on writing</title>
    <dc:date>2020-10-27T11:15:38+00:00</dc:date>
    <link>https://lithub.com/hilary-mantel-on-how-writers-learn-to-trust-themselves/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["I am dubious about the existence of blocks or frustrations peculiar to writers. Sometimes people claim they are blocked when they have nothing to say, or they have, temporarily anyway, exhausted their subject; this is not pathology. Sometimes a project goes into an incubation period; as I've said very often, the moment you have a good idea isn't always the moment to see it through. Writing is a long game and you have to be patient with yourself and your material. A great deal happens in the dark, as it were; work goes on half-consciously. You have to trust this process is happening."]]></description>
<dc:subject>writing women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:fd2e1ae94ac1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://blogs.cul.columbia.edu/rbml/2020/09/09/eleanor-roosevelt-speaks-for-herself-identifying-1257-married-women-by-their-full-names/">
    <title>Identifying 1,257 married women by their full names</title>
    <dc:date>2020-09-14T12:09:00+00:00</dc:date>
    <link>https://blogs.cul.columbia.edu/rbml/2020/09/09/eleanor-roosevelt-speaks-for-herself-identifying-1257-married-women-by-their-full-names/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["It was also more difficult to identify women who were not wealthy or socially prominent.  We were not very successful at identifying the married women who were paid pensions by Andrew Carnegie.  As such, we recognize that while this project increased the visibility of archival records of some women, it reinforced the marginalization of records of working class and poor women, women of color, and people in non-heteronormative relationships."]]></description>
<dc:subject>archives description culture women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:5874ded3a0cf/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:archives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:description"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nybooks.com/daily/2020/09/01/my-eighty-six-jobs/">
    <title>My eighty-six jobs</title>
    <dc:date>2020-09-02T12:11:18+00:00</dc:date>
    <link>https://www.nybooks.com/daily/2020/09/01/my-eighty-six-jobs/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Being tired meant I was earning money, and if I was earning money, then I was of value not only to her but to myself. It was a closed loop, all within my own capacity ... I had bought into our country’s social contract — that if you adopted a can-do attitude and paid your dues, success would follow. I wondered, as I forked over a third of my income that year to the IRS, if there was something in the small print I had overlooked."]]></description>
<dc:subject>work class women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:24c74c7a550c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:work"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://niemanstoryboard.org/stories/rewriting-the-heros-journey-to-fit-a-feminine-narrative/">
    <title>Rewriting the &quot;hero's journey&quot; to fit a feminine narrative</title>
    <dc:date>2020-08-31T14:03:06+00:00</dc:date>
    <link>https://niemanstoryboard.org/stories/rewriting-the-heros-journey-to-fit-a-feminine-narrative/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["If 'somebody wants something' is the atomic structure of story (and I do realize that's a rule of my own creation), and we live in a culture where a woman's desire — sexual, political, financial — is considered unseemly, we have a fundamental problem telling any woman's story. In this environment, women have a hard time identifying their own desires and seeing the story in their own lives."]]></description>
<dc:subject>culture writing narrative women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:35f277cb5fcd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:narrative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://lithub.com/she-said-she-would-write-the-essay-herself-reading-virginia-woolf-in-middle-age/">
    <title>She said she would write the essay herself: Reading Virginia Woolf in middle age</title>
    <dc:date>2020-08-31T14:00:02+00:00</dc:date>
    <link>https://lithub.com/she-said-she-would-write-the-essay-herself-reading-virginia-woolf-in-middle-age/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Isn't it normal to be suffering PTSD as a middle-aged woman?"]]></description>
<dc:subject>culture literature writing trauma women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:4fdc43824347/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:trauma"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://collider.com/best-horror-films-directed-by-women/#trouble-every-day">
    <title>Best horror movies directed by women, from the Babadook to Raw</title>
    <dc:date>2020-08-23T18:21:47+00:00</dc:date>
    <link>https://collider.com/best-horror-films-directed-by-women/#trouble-every-day</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[Also: Lily Amirpour's A Girl Walks Home Alone at Night (2014) ]]></description>
<dc:subject>culture movies women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:cc25ac61dedc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:movies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://thebaffler.com/salvos/the-future-is-menopausal-neumann">
    <title>The future is menopausal: Post-reproductive women and the new feminism</title>
    <dc:date>2019-11-15T12:12:48+00:00</dc:date>
    <link>https://thebaffler.com/salvos/the-future-is-menopausal-neumann</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["But the questions I asked myself were as real as they were irrational: How do I interact with the world and others without the veneer of femininity? What is attraction without our narrow definition of beauty? What the hell is my role in society, now that my biological self has caught up with my childlessness, a choice that was once the core of my defiant feminism?"]]></description>
<dc:subject>women culture menopause feminism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:7a2ad1ede5e8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:menopause"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:feminism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2019/11/07/magazine/women-art-celia-paul-cecily-brown.html">
    <title>Can a woman who is an artist ever just be an artist?</title>
    <dc:date>2019-11-10T14:23:02+00:00</dc:date>
    <link>https://www.nytimes.com/2019/11/07/magazine/women-art-celia-paul-cecily-brown.html</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>women culture art feminity motherhood</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:938c9f2f3c60/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:feminity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:motherhood"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://airmail.news/issues/2019-10-19/working-women">
    <title>Working women</title>
    <dc:date>2019-10-19T13:08:32+00:00</dc:date>
    <link>https://airmail.news/issues/2019-10-19/working-women</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[Saved for the image of Sofonisba Anguissola's "Self-Portrait."]]></description>
<dc:subject>art women portaits</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:8e74b33113e3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:portaits"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nybooks.com/articles/2019/07/18/case-of-yiyun-li/">
    <title>The case of Yiyun Li</title>
    <dc:date>2019-07-06T13:19:42+00:00</dc:date>
    <link>https://www.nybooks.com/articles/2019/07/18/case-of-yiyun-li/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["The not-good-enough mother, who leaves a shard of her own self-hatred inside her daughter and then disowns or disapproves of the resulting pain: it is a pain Li shares with a great number of women of her generation, for whom the difference between their mothers' lives and expectations and their own is a psychological chasm that neither feminism nor education can entirely bridge. Achievement itself can appear to have come out of that chasm, and to be therefore indelibly allied with its darkness: the young girl constructs herself from knowledge, around an inner emptiness that the 'built' identity unwittingly conserves. For such a person, the notion of self-love — a natural state that generates natural acts—is frustrating precisely because it cannot be learned, as everything else has been. The definition of the not-good-enough mother might be the simple failure to instill in the child the capacity to love itself. Where a society overwhelmingly fails to offer alternatives to formative experience — as did the pre–Tiananmen Square China of Li's youth — the individual is left entirely victimized by what predates her own recollection and what, therefore, she will never entirely be able to understand."]]></description>
<dc:subject>culture writing literature women mothers</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:cd4e997cf608/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:mothers"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.newyorker.com/culture/the-new-yorker-interview/i-dont-think-character-exists-anymore-a-conversation-with-rachel-cusk">
    <title>Interview with Rachel Cusk</title>
    <dc:date>2018-11-19T11:21:59+00:00</dc:date>
    <link>https://www.newyorker.com/culture/the-new-yorker-interview/i-dont-think-character-exists-anymore-a-conversation-with-rachel-cusk</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[Q. What about the subtleties of character or the subtleties of self-expression, or different personal experience?

A. I think those are shared. I’m not saying they don’t exist. I’m seeing them as more oceanic and as things that you can enter and leave in certain phases of your life that aren’t completely determined by the fact that you’re Jane and this is your life. I’m trying to see experience in a more lateral sense rather than as in this form of character. Which, as I said, I don’t actually think is how living is being done anymore. And it’s one of those ideas that hangs around in novel writing that I don’t really believe anymore.]]></description>
<dc:subject>culture literature writing women character</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:f37a751021f7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:character"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.refinery29.com/en-us/latina-underground-network-workplace-abuse">
    <title>Inside the underground network for Latina abuse victims</title>
    <dc:date>2018-10-14T13:20:02+00:00</dc:date>
    <link>https://www.refinery29.com/en-us/latina-underground-network-workplace-abuse</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Because I was lucky enough to have a reporting budget, I could let my sources set a pace that worked for them. I spent a lot of time driving around with these women, eating meals with them, sitting around saying almost nothing. I also quickly got the impression that while these women were not used to telling their stories, they wanted to. Once Valentina started to trust me, and other women in her life saw that, they were far more comfortable talking."]]></description>
<dc:subject>immigrants women shelter california</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:e9d81488a2d5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:immigrants"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:shelter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:california"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://story.californiasunday.com/safe-house">
    <title>Safe house</title>
    <dc:date>2018-10-14T13:16:00+00:00</dc:date>
    <link>https://story.californiasunday.com/safe-house</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["A group of Latina women across the country have been working in secret, turning their homes into shelters for abused immigrant women."]]></description>
<dc:subject>women shelter california immigrants</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:d5906d05aca5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:shelter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:california"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:immigrants"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://credo.library.umass.edu/view/full/muph051-s01b-i01205">
    <title>Hand-embroidered purse</title>
    <dc:date>2018-06-20T18:49:10+00:00</dc:date>
    <link>http://credo.library.umass.edu/view/full/muph051-s01b-i01205</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["A handbag embroidered with horses, betting tickets, and the words Churchill Downs is displayed by a woman waiting in line for the Kentucky Derby." More Diana Mara Henry photographs (from 1976) of women's custom/crafted Kentucky Derby bags: http://credo.library.umass.edu/view/full/muph051-s01b-i01211 and http://credo.library.umass.edu/view/full/muph051-s01b-i01210]]></description>
<dc:subject>horseracing women craft needlework embroidery photography</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:274c5db0ce5b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:horseracing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:craft"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:needlework"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:embroidery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:photography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nybooks.com/articles/2018/05/24/chantal-akerman-hard-road-home/">
    <title>Hard road home (on Chantal Ackerman)</title>
    <dc:date>2018-05-07T14:16:15+00:00</dc:date>
    <link>http://www.nybooks.com/articles/2018/05/24/chantal-akerman-hard-road-home/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture film women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:e5c193f2217e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://thebaffler.com/latest/no-mothers-no-daughters-crispin">
    <title>No mothers, no daughters</title>
    <dc:date>2018-03-28T10:04:19+00:00</dc:date>
    <link>https://thebaffler.com/latest/no-mothers-no-daughters-crispin</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[1. "One way [Russ] and other writers like her — writers of all genders and races and sexualities who refused to conform to their audiences' expectations — are punished is by ignoring their influence. Russ wrote about this in How to Suppress Women's Writing in the context of Emily Dickinson, who while she is finally seen as a genius is often described as some sort of singular creature without precedent or antecedent in American letters. She has no mothers, she has no daughters."

2. "It's popular now — now that women are gaining voice and power — to refuse to see your own hidden unconscious biases, and to distract others from seeing them by pointing out the biases held against you ... it turns out that women often like the same self-reinforcement that men do. As women gain entry into these halls of power that have been occupied and protected by men, they show they will behave the way their predecessors did. They, too, will demonize, willfully misunderstand, and compartmentalize all of the Other demographics."]]></description>
<dc:subject>culture writing literature poetry women feminism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:5614b42e4f23/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:poetry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:feminism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vqronline.org/essays-articles/2018/03/male-glance">
    <title>The Male Glance</title>
    <dc:date>2018-03-06T14:28:57+00:00</dc:date>
    <link>http://www.vqronline.org/essays-articles/2018/03/male-glance</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[1. Faced with a woman’s story, we’re overtaken with the swift taxonomic impulse an amateur astronomer feels on spotting Sirius—there it is! he says, and looks to the next star. It’s a pleasant activity because it organizes and confirms, but it produces the fantasy that a lazy reading—not even a reading but a looking—is adequate, sufficient, complete, correct.

2. We have not yet learned to see within female ugliness the possibility of transcendent art the way we do its male counterpart, and however far we’ve come since 2013 thanks to shows like Insecure, Getting On, Crazy Ex-Girlfriend, Fleabag, and Catastrophe, we still have not quite learned to see female storytellers as either masterful or intentional. [Interesting that the list of "shows like" doesn't date to 2012 and include Girls, which gets a glancing and grudging mention later.]]]></description>
<dc:subject>culture art television women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:a5c9a7b814ff/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:television"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://lareviewofbooks.org/article/takes-many-kinds-dismantle-patriarchal-village/">
    <title>It takes many kinds to dismantle a patriarchal village</title>
    <dc:date>2018-03-03T12:32:50+00:00</dc:date>
    <link>https://lareviewofbooks.org/article/takes-many-kinds-dismantle-patriarchal-village/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["I think of misogyny as something that can be latent. I suspect certain forms of it are liable to manifest when the patriarchal status quo is threatened. So, ironically, genuine feminist social progress tends to beget eruptions of misogyny in the form of backlash. It’s an intertwined vicious and virtuous cycle, since that backlash also tends to inspire more feminist consciousness-raising and activism in turn. It’s pretty clear we are seeing both in the United States at the moment."]]></description>
<dc:subject>culture women politics theory misogyny</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:b2a6442f7523/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:theory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:misogyny"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://logicmag.io/04-the-internet-of-women/">
    <title>The Internet of Women</title>
    <dc:date>2018-03-02T11:51:52+00:00</dc:date>
    <link>https://logicmag.io/04-the-internet-of-women/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[1. Social media shows just how political the personal is. If nothing else, social media platforms are vast machines for revealing structure. Facebook and Twitter encourage each of us to share the details of our lives all day—and then analyze these data points to discover patterns. People who like x also like y. People who look p and q ways are likely to have r happen to them. 

2. We are seeing sexism at scale, in other words. If there is fear in the elation of our anger, that fear, and not a little sadness, comes from the Bad Guys being our fathers, husbands, boyfriends, brothers, sons. You’ve always been the caretaker. In heterosexuality, the call is always coming from inside the house. ]]></description>
<dc:subject>culture women politics social-media misogyny</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:1f6f89bc4fa9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:social-media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:misogyny"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://lithub.com/mia-the-liberal-men-we-love/">
    <title>The liberal men we love</title>
    <dc:date>2018-03-02T11:50:11+00:00</dc:date>
    <link>https://lithub.com/mia-the-liberal-men-we-love/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[1. Perhaps it was sexy, initially: how they saw in us an equal. But how quickly we lose our status when we as women are angry or upset, frustrated beyond belief, when we add our voice to the chorus of #metoos or feel daily symptoms borne of helplessness. When the solution to our problems is ... a sense of elongated empathy emanating from the person we’ve chosen as our partner.

2. What we are witnessing among a more uniquely liberal slice of American masculinity is, to my eye, more than coincidence, more than people parting ways. It is not what was once hidden rising now to the surface. This, it seems to me, is a much larger, systematic response to female voices, female interpretations, female worries and frustrations.]]></description>
<dc:subject>culture women politics misogyny relationships</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:b88b9de11ac2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:misogyny"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:relationships"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://lareviewofbooks.org/article/forms-and-fractures-a-non-mothers-hunger-for-the-writing-of-motherhood/">
    <title>A non-mother's hunger for the writing of motherhood</title>
    <dc:date>2018-02-26T14:03:43+00:00</dc:date>
    <link>https://lareviewofbooks.org/article/forms-and-fractures-a-non-mothers-hunger-for-the-writing-of-motherhood/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[“Books are proof of my existence,” Heti, the non-mother author of the forthcoming Motherhood, claims after Zucker suggests she became a mother “to avoid the terror of going through life without a witness.”]]></description>
<dc:subject>writing women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:937e1b36a7f5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/books/2018/feb/10/kit-de-waal-where-are-all-the-working-class-writers-">
    <title>Kit de Waal: Make room for working class writers</title>
    <dc:date>2018-02-12T11:23:41+00:00</dc:date>
    <link>https://www.theguardian.com/books/2018/feb/10/kit-de-waal-where-are-all-the-working-class-writers-</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["I’ve always had a problem with the idea of cherry-picking the most able or the most driven rather than lifting whole communities out of poverty, providing better standards of education and better living conditions for all. Worse than that, the notion of social mobility has always smacked of: 'How can we help you to be more like us?' It seems to say that to be working class is to be a failure."]]></description>
<dc:subject>culture books writing class women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:e40b5d0f63a3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theliftedbrow.com/liftedbrow/ironic-sexism-the-male-gaze-of-hipster-spaces">
    <title>The male gaze of hipster spaces</title>
    <dc:date>2018-02-10T23:18:22+00:00</dc:date>
    <link>https://www.theliftedbrow.com/liftedbrow/ironic-sexism-the-male-gaze-of-hipster-spaces</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["The reason this image was on a wall, and that his friend had taken this photo, was the same reason that a man feels he can reach out and touch me on the train: nothing is discrete, it’s all connected, every act facilitates another."]]></description>
<dc:subject>women culture ironic-sexism earnestness</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:a4d6dd80565d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:ironic-sexism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:earnestness"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://theweek.com/articles/749978/female-price-male-pleasure">
    <title>The female price of male pleasure</title>
    <dc:date>2018-01-26T20:05:39+00:00</dc:date>
    <link>http://theweek.com/articles/749978/female-price-male-pleasure</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[Too many good sentences to quote.]]></description>
<dc:subject>culture feminism women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:20b0f1f2ef73/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:feminism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nybooks.com/articles/2018/02/08/to-be-or-not-to-be/">
    <title>To be, or not to be</title>
    <dc:date>2018-01-19T15:56:42+00:00</dc:date>
    <link>http://www.nybooks.com/articles/2018/02/08/to-be-or-not-to-be/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>life culture personal-history women queer</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:ea4a1498eea4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:life"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:personal-history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:queer"/>
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</item>
<item rdf:about="https://www.thecut.com/2018/01/moira-donegan-i-started-the-media-men-list.html">
    <title>Moira Donegan: I started the media men list</title>
    <dc:date>2018-01-11T12:18:22+00:00</dc:date>
    <link>https://www.thecut.com/2018/01/moira-donegan-i-started-the-media-men-list.html</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[1. "Watching the cells populate, it rapidly became clear that many of us had weathered more than we had been willing to admit to one another. There was the sense that the capacity for honesty, long suppressed, had finally been unleashed. This solidarity was thrilling, but the stories were devastating. I realized that the behavior of a few men I had wanted women to be warned about was far more common that I had ever imagined. This is what shocked me about the spreadsheet: the realization of how badly it was needed, how much more common the experience of sexual harassment or assault is than the opportunity to speak about it. I am still trying to grapple with this realization."

2. "I was incredibly naïve when I made the spreadsheet. I was naïve because I did not understand the forces that would make the document go viral. I was naïve because I thought that the document would not be made public, and when it became clear that it would be, I was naïve because I thought that the focus would be on the behavior described in the document, rather than on the document itself. It is hard to believe, in retrospect, that I really thought this. But I did. In some ways, though, I think the flaws in the spreadsheet were also a result of my own cynicism. At the time when I made it, I had become so accustomed to hearing about open secrets, to men whose bad behavior was universally known and perpetually immune from consequence, that it seemed like no one in power cared about the women who were most vulnerable to it."

3. "... this is another toll that sexual harassment can take on women: It can make you spend hours dissecting the psychology of the kind of men who do not think about your interiority much at all."]]></description>
<dc:subject>media sexual-harassment sexual-assault sexism gender women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:f675dc43a7f4/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:sexual-harassment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:sexual-assault"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:sexism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:gender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.susanjeanrobertson.com/writing/aging-out/">
    <title>Aging out</title>
    <dc:date>2018-01-05T18:54:44+00:00</dc:date>
    <link>https://www.susanjeanrobertson.com/writing/aging-out/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>women technology work age</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:462ead34e656/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:work"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:age"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://hazlitt.net/longreads/searching-self-loathing-woman-writer">
    <title>Searching for the self-loathing woman writer</title>
    <dc:date>2018-01-03T12:32:14+00:00</dc:date>
    <link>https://hazlitt.net/longreads/searching-self-loathing-woman-writer</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Similarities of subjugation are no substitute for solidarity."]]></description>
<dc:subject>culture art women writing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:6003347147db/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
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</item>
<item rdf:about="https://theathletic.com/192516/2017/12/21/the-metoo-movement-comes-to-sports-a-reckoning-long-overdue/">
    <title>The #MeToo movement comes to sports</title>
    <dc:date>2017-12-27T13:52:48+00:00</dc:date>
    <link>https://theathletic.com/192516/2017/12/21/the-metoo-movement-comes-to-sports-a-reckoning-long-overdue/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["There's a famous line every female inevitably learns when she enters the world of sports: Check your dignity at the door. From a young age girls are told to not make trouble, and if those girls yearn for a career in sports they might as well write that adage on the back of their hand. Forget your dignity, keep your head down and you’ll get along fine. If you're extremely lucky you might even go an entire season without an incident that demeans or belittles you, makes you feel as if you barely exist. At our clever Algonquin Round Table of sports we toasted the intrepid young women who were following in our Converse and stilettos, and we gave thanks that they would have it a bit easier. But we also knew."]]></description>
<dc:subject>sports sports-media metoo women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:4c2f3370b12c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:sports"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:sports-media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:metoo"/>
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</item>
<item rdf:about="https://hazlitt.net/feature/year-collaboration">
    <title>The year in collaboration</title>
    <dc:date>2017-12-22T19:57:08+00:00</dc:date>
    <link>https://hazlitt.net/feature/year-collaboration</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["I will never know how much my conception of contemporary literature, how much the work of which I even became aware, was determined by what kind of female bodies one man preferred to have in a room, and how much those judgements soaked into an accepted cultural consciousness. This is not individual to Stein, but rather pervasive; it is the whole skeleton of what we understand as good taste, as culture. When these power structures are unquestioned, much of my ability to succeed, even now, remains to some degree based on whether I can present myself as both hot and chill, willing both to be decorative and to turn a blind eye. It becomes difficult to engage with many areas of culture and not find oneself obligated to subscribe to these men’s agendas."]]></description>
<dc:subject>women culture</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:f36ae260c3c2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vulture.com/2017/09/jill-soloway-transparent-israel-female-gaze.html">
    <title>Jill Soloway On 'Transparent,' Israel, and the female gaze</title>
    <dc:date>2017-09-28T01:27:43+00:00</dc:date>
    <link>http://www.vulture.com/2017/09/jill-soloway-transparent-israel-female-gaze.html</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art women gender female-gaze jill-soloway</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:881adaedbbbc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:gender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:female-gaze"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:jill-soloway"/>
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</item>
<item rdf:about="https://sports.vice.com/en_us/article/mbjmxy/is-there-still-a-place-for-ladies-night-in-baseball?curator=SportsREDEF">
    <title>Is there still a place for Ladies Night in Baseball?</title>
    <dc:date>2017-06-28T11:12:53+00:00</dc:date>
    <link>https://sports.vice.com/en_us/article/mbjmxy/is-there-still-a-place-for-ladies-night-in-baseball?curator=SportsREDEF</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>sports baseball women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:0305ed702aae/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:sports"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:baseball"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.lennyletter.com/culture/interviews/a831/dorothy-allison-bastard-out-of-carolina/">
    <title>Dorothy Allison on why working class literature is the strongest</title>
    <dc:date>2017-05-22T00:28:27+00:00</dc:date>
    <link>http://www.lennyletter.com/culture/interviews/a831/dorothy-allison-bastard-out-of-carolina/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[On growing up poor, writing, being a woman, and living in a lesbian feminist collective.]]></description>
<dc:subject>culture literature art class women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:901e35421cdb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vanityfair.com/hollywood/2017/05/roberta-colindrez-i-love-dick">
    <title>I Love Dick breakout Roberta Colindrez</title>
    <dc:date>2017-05-16T18:48:57+00:00</dc:date>
    <link>http://www.vanityfair.com/hollywood/2017/05/roberta-colindrez-i-love-dick</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[Soloway: "I loved seeing Roberta explore a queer cowboy masculinity that existed alongside Dick’s heteronormative machismo strut."]]></description>
<dc:subject>culture art television jill-soloway i-love-dick feminism women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:483fc8626fc7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:i-love-dick"/>
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