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    <title>Collages 2024–2025 (Jack Felice)</title>
    <dc:date>2026-05-08T10:14:47+00:00</dc:date>
    <link>https://ksmallgallery.com/collections/online/products/collages-2024-2025-jack-felice</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>art collage culture</dc:subject>
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    <title>Helene Schjerfbeck captured the difficulty — even the terror — of confronting the self</title>
    <dc:date>2026-03-30T08:53:15+00:00</dc:date>
    <link>https://www.nybooks.com/online/2026/03/29/tell-me-your-worst-helene-schjerfbeck/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["The combination of evasion and aggression in Schjerfbeck's work takes myriad forms: pose, glance, process, technique."]]></description>
<dc:subject>art culture painting schjerfbeck</dc:subject>
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    <title>What does it mean to make something?</title>
    <dc:date>2026-02-16T11:32:38+00:00</dc:date>
    <link>https://newsletter.bijanstephen.blog/what-does-it-mean-to-make-something/</link>
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    <title>Seeing Silence: The Paintings of Helene Schjerfbeck</title>
    <dc:date>2026-01-25T17:02:01+00:00</dc:date>
    <link>https://www.metmuseum.org/exhibitions/seeing-silence-the-paintings-of-helene-schjerfbeck</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[Show at the Met until April 5, 2026.]]></description>
<dc:subject>art painting</dc:subject>
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    <title>Neigh!</title>
    <dc:date>2026-01-22T11:11:22+00:00</dc:date>
    <link>https://substack.nybooks.com/p/neigh</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>horseracing art</dc:subject>
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    <dc:date>2025-12-24T09:40:15+00:00</dc:date>
    <link>https://www.lrb.co.uk/blog/2025/december/like-no-one-in-existence</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["As the clips arrived in my inbox, and I started the process of editing and putting them into a series, I thought about artworks that play with ideas of repetition and difference ..."]]></description>
<dc:subject>art culture</dc:subject>
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    <title>Can the James Baldwin Typebot tell us the meaning of life?</title>
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    <link>https://www.nytimes.com/2025/10/29/arts/design/james-baldwin-ai-typewriter.html</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Early next year, Kinfolk Tech plans to release a web app that will enable users to view Baldwin quotations directly, no cards required. Eventually the idea is to use A.I. to make the work of other writers and artists of color equally accessible — a mission that’s seen by many as being in opposition to the tech industry’s race to advance A.I. no matter the consequences."]]></description>
<dc:subject>artificial-intelligence art culture writing</dc:subject>
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    <title>Make a comic strip with circles and triangles</title>
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    <link>https://mattmadd.substack.com/p/make-a-comic-strip-with-circles-and</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[What a fun idea!]]></description>
<dc:subject>culture art drawing comics abstract prompts</dc:subject>
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    <title>Jerry Saltz: How to be an artist</title>
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    <link>https://www.vulture.com/2018/11/jerry-saltz-how-to-be-an-artist.html</link>
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    <title>Corita Kent collection</title>
    <dc:date>2024-12-08T11:16:13+00:00</dc:date>
    <link>https://collection.corita.org/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>art artists corita-kent</dc:subject>
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<item rdf:about="https://www.artic.edu/artworks/234793/american-library-association-free-america-s-greatest-bargain">
    <title>The Library: FREE, America's Greatest Bargain</title>
    <dc:date>2024-11-24T12:53:19+00:00</dc:date>
    <link>https://www.artic.edu/artworks/234793/american-library-association-free-america-s-greatest-bargain</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[ALA poster by designer John Massey (part of the Art Institute of Chicago collection).]]></description>
<dc:subject>art libraries</dc:subject>
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<dc:identifier>https://pinboard.in/u:jnchapel/b:02f74c34af98/</dc:identifier>
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<item rdf:about="http://www.tripleaughtfoundation.org/">
    <title>City 1970 - 2022</title>
    <dc:date>2024-11-10T19:20:28+00:00</dc:date>
    <link>http://www.tripleaughtfoundation.org/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["The Triple Aught Foundation will open requests for the 2025 season via an online form, which will be available on January 2, 2025 at 12:01pm EST / 9:01am PST. The 2025 season begins May 13th and ends November 13th. Visitation days are Tuesday, Wednesday, and Thursday."]]></description>
<dc:subject>art travel wishlist</dc:subject>
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    <title>Ahead of the diminishing world</title>
    <dc:date>2024-09-09T10:52:05+00:00</dc:date>
    <link>https://www.nybooks.com/online/2024/09/08/ahead-of-the-diminishing-world-alice-neel/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Many of us would not have stuck with being artists if we had been straight. There was no reason to. But once you were out there on the lesbian limb, the world looked like a phony and hypocritical place, so it was hard to aspire to fit into it. There was so much that needed to be said."]]></description>
<dc:subject>art women culture east-village past-times artists alice-neel</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:453fcb3be367/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:east-village"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:past-times"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:alice-neel"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.newyorker.com/culture/the-weekend-essay/why-ai-isnt-going-to-make-art">
    <title>Why AI isn't going to make art</title>
    <dc:date>2024-08-31T18:25:50+00:00</dc:date>
    <link>https://www.newyorker.com/culture/the-weekend-essay/why-ai-isnt-going-to-make-art</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["The ability of generative A.I. to dramatically increase economic productivity remains theoretical ... the task that generative A.I. has been most successful at is lowering our expectations, both of the things we read and of ourselves when we write anything for others to read. It is a fundamentally dehumanizing technology because it treats us as less than what we are: creators and apprehenders of meaning. It reduces the amount of intention in the world." (This is a romantic argument.)]]></description>
<dc:subject>artificial-intelligence culture art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:2ac8928a9e28/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:artificial-intelligence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://standardsmanual.com/products/parks">
    <title>Standards Manual: Parks</title>
    <dc:date>2024-06-10T23:16:31+00:00</dc:date>
    <link>https://standardsmanual.com/products/parks</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>art design books</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:852ce3b43397/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:books"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://brooklynrail.org/2024/05/art/Art-Autocracy">
    <title>Art and autocracy</title>
    <dc:date>2024-05-13T22:17:55+00:00</dc:date>
    <link>https://brooklynrail.org/2024/05/art/Art-Autocracy</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["The character of basic notions of identity, privacy, media, and international borders have changed so dramatically that previous artists’ responses to autocracy — going underground, leaving the country, changing jobs, mailing things — seem like romantic stories of a simpler age. No one now is beyond the reach of a fascist or his mob determined to ruin your life — or end it. It is imperative, then, to recognize the resurgence of authoritarianism, to push back wherever we see it, and wherever we can, and to devise new techniques to thwart it."]]></description>
<dc:subject>culture art politics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:ea90a41ac170/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:politics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://maggieappleton.com/generative-forgery">
    <title>Faking William Morris, generative forgery, and the erosion of art history</title>
    <dc:date>2024-05-10T10:43:47+00:00</dc:date>
    <link>https://maggieappleton.com/generative-forgery</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["What happens if we wait years to pass legislation or policy requiring every generated image to bear clear labels and harcoded watermarks? And all the while the model-makers continue to scrape data from the web, train new generations of neural networks on it, and pump the results back out into our information ecosystem. Where shady, short-sighted entrepreneurs and capital-seeking opportunists sit waiting to leverage it in culturally irresponsible ways."]]></description>
<dc:subject>libraries art culture artificial-intelligence forgery</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:d53e231c31cf/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:libraries"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:artificial-intelligence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:forgery"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nicksturm.com/digital-publishing-project">
    <title>Alice Notley's magazines</title>
    <dc:date>2024-05-04T14:15:20+00:00</dc:date>
    <link>https://www.nicksturm.com/digital-publishing-project</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>art culture poetry dreams zines</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:8bdd147f5860/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:poetry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:dreams"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:zines"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.artforum.com/features/guston-whiteness-and-the-unfinished-business-of-the-vile-world-248917/">
    <title>Guston, whiteness, and the unfinished business of the vile world</title>
    <dc:date>2024-03-17T14:22:43+00:00</dc:date>
    <link>https://www.artforum.com/features/guston-whiteness-and-the-unfinished-business-of-the-vile-world-248917/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>art painting whiteness</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:4c78f51e1499/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:whiteness"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.newyorker.com/magazine/2024/01/29/the-thunder-hurried-slow-art-review">
    <title>Emily Mason, reviewed</title>
    <dc:date>2024-01-20T13:17:25+00:00</dc:date>
    <link>https://www.newyorker.com/magazine/2024/01/29/the-thunder-hurried-slow-art-review</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art painting color abstract</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:22e4c64bbd9c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:color"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:abstract"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://vclibrary.vassarspaces.net/elizabeth-bishops-postcards-an-exhibition/the-art-of-the-postcard-home-made-and-crafted-cards?path=introduction-elizabeth-bishops-postcards">
    <title>The art of the postcard: Elizabeth Bishop</title>
    <dc:date>2023-12-10T01:39:28+00:00</dc:date>
    <link>https://vclibrary.vassarspaces.net/elizabeth-bishops-postcards-an-exhibition/the-art-of-the-postcard-home-made-and-crafted-cards?path=introduction-elizabeth-bishops-postcards</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Bishop's interest in the picture postcard influenced her own visual arts practice, which included watercolors, collage, photography, crafts, and collecting. Bishop artfully modified postcards she purchased and she also made her own postcards. Her modifications to purchased postcards tended to break down the separation between picture and text."]]></description>
<dc:subject>culture art postcards writers elizabeth-bishop</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:a64c88a23b22/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:postcards"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:elizabeth-bishop"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://hyperallergic.com/859624/in-his-final-works-brice-marden-found-freedom/">
    <title>In his final works, Brice Marden found freedom</title>
    <dc:date>2023-12-04T11:48:00+00:00</dc:date>
    <link>https://hyperallergic.com/859624/in-his-final-works-brice-marden-found-freedom/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[More than 30 years ago, in a prescient interview with the artist Pat Steir printed in a brochure for the 1991–1992 exhibition Brice Marden: Cold Mountain at Dia Chelsea, Marden stated: "I am 5'8 1/2', and I weigh this much, and I am left handed, and I'm a certain age. That has a big effect on what a thing looks like. The kind of mark I can make physically."]]></description>
<dc:subject>culture art painting abstract</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:10ef1fff42ca/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:abstract"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://collections.mfa.org/objects/31782">
    <title>The Daughters of Edward Darley Boit</title>
    <dc:date>2023-11-12T11:51:11+00:00</dc:date>
    <link>https://collections.mfa.org/objects/31782</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>art mfa sargent painting</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:918d223f9968/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:mfa"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:sargent"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nplusonemag.com/issue-46/letters/the-call-is-coming-from-inside-the-bar-grill/">
    <title>The call is coming from inside</title>
    <dc:date>2023-11-11T12:38:40+00:00</dc:date>
    <link>https://www.nplusonemag.com/issue-46/letters/the-call-is-coming-from-inside-the-bar-grill/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["The current state of discourse about visual art is devoid of conversations about design, craft, and beauty. I note that the word beautiful does not appear once in the essay. Neither does craft. I do not blame the authors for these omissions: the writers are probably young intellectuals who have come of age at a time when beauty and beautiful have long been banished from discussions about visual art. As suspect as the concept of beauty can be, throwing it on the discredited heap of canonical approaches to art and architecture amounts to a spectacularly self-defeating act. I propose that one of the reasons everything is so ugly, as the authors aptly identify, is that most visual artists have largely stopped trying to make meaningful beauty a part of our lives."]]></description>
<dc:subject>culture art beauty craft</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:fe1a0fc5a602/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:beauty"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:craft"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.artic.edu/artists/135/gertrude-abercrombie">
    <title>Gertrude Abercrombie</title>
    <dc:date>2023-11-03T13:55:53+00:00</dc:date>
    <link>https://www.artic.edu/artists/135/gertrude-abercrombie</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>art women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:65dfdf2429d7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://peoplesgdarchive.org/">
    <title>People’s Graphic Design Archive</title>
    <dc:date>2023-10-08T12:37:34+00:00</dc:date>
    <link>https://peoplesgdarchive.org/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art graphic-design archives</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:3f8e1e37cb2e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:graphic-design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:archives"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.artforum.com/features/david-platzker-on-the-art-of-ed-ruscha-252935/">
    <title>Station to station</title>
    <dc:date>2023-09-30T12:40:54+00:00</dc:date>
    <link>https://www.artforum.com/features/david-platzker-on-the-art-of-ed-ruscha-252935/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[On Ed Ruscha's books.]]></description>
<dc:subject>culture art photography publishing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:f4e18878cae4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:publishing"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.kleegestaltungslehre.zpk.org/ee/ZPK/BF/2012/01/01/001/">
    <title>Paul Klee's notebooks</title>
    <dc:date>2023-08-27T00:09:55+00:00</dc:date>
    <link>http://www.kleegestaltungslehre.zpk.org/ee/ZPK/BF/2012/01/01/001/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>design art digitization</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:47b453bede8f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:digitization"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.icaboston.org/exhibitions/leap-you-look-black-mountain-college-1933%E2%80%931957">
    <title>Leap Before You Look: Black Mountain College 1933–1957</title>
    <dc:date>2023-06-25T16:56:50+00:00</dc:date>
    <link>https://www.icaboston.org/exhibitions/leap-you-look-black-mountain-college-1933%E2%80%931957</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art abstract exhibits</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:297722390d9b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:abstract"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:exhibits"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.moma.org/collection/works/79892">
    <title>Agnes Martin. With My Back to the World. 1997</title>
    <dc:date>2023-05-31T09:52:29+00:00</dc:date>
    <link>https://www.moma.org/collection/works/79892</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art painting abstract minimalism women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:c622712a5624/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:abstract"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:minimalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nybooks.com/articles/2023/01/19/the-instrumentalist-tar-todd-field-zadie-smith/">
    <title>The instrumentalist</title>
    <dc:date>2023-01-05T17:29:02+00:00</dc:date>
    <link>https://www.nybooks.com/articles/2023/01/19/the-instrumentalist-tar-todd-field-zadie-smith/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["As we learn in her classroom, Tár’s method is direct combat. For she is Gen X — like me — and one of the striking things about my crowd is that although we like to speak rapturously of emotion in the aesthetic sense, we prefer to scorn emotions personally (by way of claiming to not really have any) and also to trample over other peoples'. It doesn't occur to Tár that sweet young Max may have serious trouble with anxiety — although we in the audience certainly notice his knees bouncing frantically. The power differential between these two means that a rant Tár might launch into around a dinner table in Berlin — to much receptive laughter — is experienced as ritual humiliation by a young man exposed in front of his peers. But Tár is discombobulated also. It's a long climb down from Cultural Luminary to Contra, and no doubt a great shock to find yourself so sharply reassessed and redefined by the generation below you. Do twenty-five years of glass-ceiling breaking and artistic excellence count for nothing? It's enough to pitch a girl into a midlife crisis."]]></description>
<dc:subject>culture art tar generations gen-x</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:5bb325019e70/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:tar"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:generations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:gen-x"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.themorgan.org/exhibitions/she-who-wrote">
    <title>She Who Wrote: Enheduanna and Women of Mesopotamia, ca. 3400–2000 B.C.</title>
    <dc:date>2023-01-01T12:35:17+00:00</dc:date>
    <link>https://www.themorgan.org/exhibitions/she-who-wrote</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[Exhibit at the Morgan Library until February 19, 2023.]]></description>
<dc:subject>art exhibits</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:cc61c983d1d4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:exhibits"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://harvardartmuseums.org/collections/object/231291?position=16">
    <title>From the Harvard Art Museums’ collections At the Races: The Start</title>
    <dc:date>2022-11-04T12:32:51+00:00</dc:date>
    <link>https://harvardartmuseums.org/collections/object/231291?position=16</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>horseracing art zenyatta</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:919449ce01d5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:horseracing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:zenyatta"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://astra-mag.com/articles/celia-paul-up-from-the-burning-bracken/">
    <title>Celia Paul talks to Makenna Goodman</title>
    <dc:date>2022-10-02T13:58:50+00:00</dc:date>
    <link>https://astra-mag.com/articles/celia-paul-up-from-the-burning-bracken/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Quietness is so necessary. We should be entitled to it naturally, but it is a battle to gain it. The best quietness is when you are surrounded by loved ones and they are allowing you the aloneness — rather than full-blown aloneness. I wish everything wasn’t all or nothing."]]></description>
<dc:subject>women art culture solitude creativity</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:0aaa62a78ff9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:solitude"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:creativity"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://thecreativeindependent.com/guides/how-to-write-an-artist-statement/">
    <title>How to write an artist statement</title>
    <dc:date>2022-09-11T11:24:03+00:00</dc:date>
    <link>https://thecreativeindependent.com/guides/how-to-write-an-artist-statement/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>work art creativity</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:c8c48fcfe8cb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:work"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:creativity"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://tripleaughtfoundation.org/">
    <title>City 1970 - 2022</title>
    <dc:date>2022-08-21T12:02:51+00:00</dc:date>
    <link>http://tripleaughtfoundation.org/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[From the NYT review: "I find the remoteness of 'City' terrifying, liberating and addictive. There are moments I've resented trudging from one end of the site to the other, through the dirt and the heat or cold, waiting for an epiphany. But then I have watched the shadows slowly creep across the mounds, noticed a bird glide overhead and felt my heart leap. I have come to think of “City” like Mount Rushmore and Hoover Dam. It is bravado, awesome and nuts, a testament to a certain crusty kind of American can-do-ism ... I suspect it will make a beautiful ruin someday." https://www.nytimes.com/interactive/2022/08/19/arts/design/michael-heizer-city.html

"The Triple Aught Foundation will begin to accept reservations for the 2023 season on January 2, 2023, at 12:01am PST. Reservations will be accepted through the Triple Aught Foundation website at that time."]]></description>
<dc:subject>art landscape sculpture american-west nevada wishlist travel</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:f89cf2fa72cc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:landscape"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:sculpture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:american-west"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:nevada"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:wishlist"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:travel"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://harpers.org/archive/2022/09/louise-bourgeois-the-artists-studio-a-formal-feeling/">
    <title>Claire-Louise Bennett on Louise Bourgeois</title>
    <dc:date>2022-08-20T12:15:22+00:00</dc:date>
    <link>https://harpers.org/archive/2022/09/louise-bourgeois-the-artists-studio-a-formal-feeling/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["It is customarily supposed that pain is a great catalyst for creativity, since pain produces an overflow of emotion that must surely galvanize artistic expression. But pain is more than and less than emotional excess. It is a grueling existential experience and is therefore one of the most difficult human situations to express. Not least because it collapses time, and foments rigorous questions that devastate and liberate in equal measure."]]></description>
<dc:subject>art pain women culture creativity</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:136abdd01403/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:pain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:creativity"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://defector.com/the-money-is-in-all-the-wrong-places/">
    <title>The money is in all the wrong places</title>
    <dc:date>2022-08-11T09:16:17+00:00</dc:date>
    <link>https://defector.com/the-money-is-in-all-the-wrong-places/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Why should any CEO make more than the actresses whose labor and beauty they sell? Why should a second-year management consultant at every major consulting firm make more than every single writer I have ever known? It’s not even a question of principle. People buy things: services and products and experiences and feelings. How is it that the creation and provision of those things is valued so little, when it is so essential?"]]></description>
<dc:subject>culture art money</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:ee0d92c4cea8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:money"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theparisreview.org/blog/2022/05/19/postcards-from-ellsworth/">
    <title>Postcards from Ellsworth</title>
    <dc:date>2022-05-20T09:40:10+00:00</dc:date>
    <link>https://www.theparisreview.org/blog/2022/05/19/postcards-from-ellsworth/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art postcards</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:90b64e516c15/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:postcards"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://thepointmag.com/dialogue/violent-antagonisms/">
    <title>Violent antagonisms</title>
    <dc:date>2022-05-18T11:01:40+00:00</dc:date>
    <link>https://thepointmag.com/dialogue/violent-antagonisms/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Your closest experience to agitprop is Sesame Street. Your fatigue is so unearned, I can’t stand it."]]></description>
<dc:subject>culture criticism art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:1a2b1683e18d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2022/02/11/t-magazine/painted-churches-michoacan-mexico.html">
    <title>In Mexico, ornately painted churches enshrine years of indigenous resilience</title>
    <dc:date>2022-02-12T14:49:32+00:00</dc:date>
    <link>https://www.nytimes.com/2022/02/11/t-magazine/painted-churches-michoacan-mexico.html</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>mexico art churches</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:5822a06bcbda/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:mexico"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:churches"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nybooks.com/articles/2021/12/02/jesse-murry-landscapes-imagination/">
    <title>Landscapes of the imagination</title>
    <dc:date>2021-12-28T21:42:22+00:00</dc:date>
    <link>https://www.nybooks.com/articles/2021/12/02/jesse-murry-landscapes-imagination/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Using his intimate knowledge of Romantic landscape from Giorgione to Rothko, [Murry] began tackling the landscape as a form through the most minimal visual syntax ... Murry argued for painting as a fictive construction ... in her own way, Yuskavage, too, had been looking for a form that could summon the brutality of her working-class girlhood. Whereas Murry was applying his ideas to landscape, her commitment was to the human figure, in particular the female nude."]]></description>
<dc:subject>culture art artists class painting dialogue criticism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:a4f922f0377a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:artists"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:dialogue"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:criticism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://believermag.com/if-you-see-something-adalena-kavanagh/">
    <title>If you see something</title>
    <dc:date>2021-12-05T15:58:06+00:00</dc:date>
    <link>https://believermag.com/if-you-see-something-adalena-kavanagh/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Ambivalence isn't always bad; it just means you're thinking."]]></description>
<dc:subject>culture art photography ethics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:8803dfe3a89b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:ethics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2021/11/23/magazine/estranged-father.html">
    <title>How alienation became my superpower</title>
    <dc:date>2021-11-28T12:14:56+00:00</dc:date>
    <link>https://www.nytimes.com/2021/11/23/magazine/estranged-father.html</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["How automatic could life be if it must be continually decoded?"]]></description>
<dc:subject>life art dislocation estrangement alienation families</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:8e2b93612709/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:life"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:dislocation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:estrangement"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:alienation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:families"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.artnews.com/art-in-america/interviews/fatness-feminism-representation-1234601645/">
    <title>Fatness and feminism: A conversation on unruly bodies and representation</title>
    <dc:date>2021-08-20T20:33:21+00:00</dc:date>
    <link>https://www.artnews.com/art-in-america/interviews/fatness-feminism-representation-1234601645/</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:697c0c14e3bd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://thebaffler.com/latest/this-womans-work-fletcher">
    <title>This woman's work</title>
    <dc:date>2021-07-03T15:25:43+00:00</dc:date>
    <link>https://thebaffler.com/latest/this-womans-work-fletcher</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art painting class women alice-neel</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:86107c20ac06/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:alice-neel"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.artforum.com/print/202106/ara-osterweil-on-alice-neel-85768?fbclid=IwAR2goOpA6_w9wbNssqs4646975-DMW64q2E85u7S1e30C3Upp1kOjupRyp4">
    <title>Ara Osterweil on Alice Neel</title>
    <dc:date>2021-06-02T15:05:53+00:00</dc:date>
    <link>https://www.artforum.com/print/202106/ara-osterweil-on-alice-neel-85768?fbclid=IwAR2goOpA6_w9wbNssqs4646975-DMW64q2E85u7S1e30C3Upp1kOjupRyp4</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>art culture painting alice-neel</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:f1b55a4cdd09/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:alice-neel"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://12sunsets.getty.edu/">
    <title>12 Sunsets: Exploring Ed Ruscha's Archive</title>
    <dc:date>2021-01-09T12:41:40+00:00</dc:date>
    <link>https://12sunsets.getty.edu/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["In 1966, Ed Ruscha drove along the Sunset Strip in West Hollywood, Los Angeles. Using a motorized camera mounted on the back of a pickup truck, he methodically photographed all of the buildings on each side of the street. He assembled the photos in the artists' book Every Building on the Sunset Strip, which challenged how people thought about Los Angeles, art and photography ..."]]></description>
<dc:subject>archives art photography culture architecture los-angeles ed-ruscha</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:b3472bb51851/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:archives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:los-angeles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:ed-ruscha"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://thecreativeindependent.com/people/a-soft-manifesto/">
    <title>Practicing for softer reasons at softer paces in softer spaces</title>
    <dc:date>2021-01-03T13:17:29+00:00</dc:date>
    <link>https://thecreativeindependent.com/people/a-soft-manifesto/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Being an artist within an economic system that favors private property, capital accumulation, wage labor, a price system, and competitive markets belittles my practice into a hobby ... the entrepreneurship of mainstream do-it-yourself artist-as-business comes from a place of economic motivation, and rightly so under a system that requires money to survive. It perpetuates 'more of the same' because there is no freedom to take risks." Ends with 10 questions (principles).]]></description>
<dc:subject>art culture manifesto making</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:0f37cb6fa392/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:manifesto"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:making"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www-lrb-co-uk.ezp-prod1.hul.harvard.edu/the-paper/v42/n24/celia-paul/diary">
    <title>Painting in the dark (Celia Paul in the LRB)</title>
    <dc:date>2020-12-09T14:14:09+00:00</dc:date>
    <link>https://www-lrb-co-uk.ezp-prod1.hul.harvard.edu/the-paper/v42/n24/celia-paul/diary</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Gwen John sought out a life of solitude, a life lived in the shadows. Charlotte Brontë likened her writing process and that of her sisters to potatoes growing in a cellar. I know that women possess this particular power of interiority and silence. Perhaps the great women artists are nocturnal creatures who prefer to create freely in the darkness. In this way, too, they avoid being referred to as 'one of these neurotics.' Perhaps they choose their overshadowing? If they go unnoticed they can be as madly inventive as they like, without making anyone jealous."]]></description>
<dc:subject>women art painting celia-paul</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:b91e0d26f557/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:celia-paul"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://publicdomainreview.org/collection/the-art-of-book-covers-1820-1914">
    <title>The art of book covers (1820–1914)</title>
    <dc:date>2020-12-02T20:33:04+00:00</dc:date>
    <link>https://publicdomainreview.org/collection/the-art-of-book-covers-1820-1914</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>books design art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:b84b6ee35187/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://harpers.org/archive/2020/11/making-meaning-garth-greenwell/">
    <title>Making meaning: Against relevance in art</title>
    <dc:date>2020-11-03T15:40:54+00:00</dc:date>
    <link>https://harpers.org/archive/2020/11/making-meaning-garth-greenwell/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["But it is always ethically suspect to speak of any human experience as irrelevant to our common human experience; it is always, let me go further, an act of something like violence. The sociologist Pierre Bourdieu describes what he calls the law of the conservation of violence: that groups subjected to violence will seek to inflict that violence on others, to pass it along. This is what we’re doing when we dismiss the relevance of other stories—the relevance, therefore, of other lives—and suggest that the aesthetic value of a human experience, such as straight-male desire, is exhaustible.

"Growing up in Kentucky, and later, studying in the academy of the 1990s, I experienced the violence of being told that my life as a queer person, my work as a queer artist, could stand only as an eccentric counterpoint to a central, universal human story. But I don’t want to conserve that violence; I want to disperse or transform it. It seems to me that either we believe that all human experience is valuable, that any life has the potential to reveal something true for every life—a universality achieved not through the effacement of difference but through devotion to it—or we don’t. I want to encourage the proliferation of voices and stories, not their repression."]]></description>
<dc:subject>culture art writing literature literary-criticism relevance essays</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:b7a19c2caa62/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literary-criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:relevance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:essays"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2019/11/07/magazine/women-art-celia-paul-cecily-brown.html">
    <title>Can a woman who is an artist ever just be an artist?</title>
    <dc:date>2019-11-10T14:23:02+00:00</dc:date>
    <link>https://www.nytimes.com/2019/11/07/magazine/women-art-celia-paul-cecily-brown.html</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>women culture art feminity motherhood</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:938c9f2f3c60/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:feminity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:motherhood"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://airmail.news/issues/2019-10-19/working-women">
    <title>Working women</title>
    <dc:date>2019-10-19T13:08:32+00:00</dc:date>
    <link>https://airmail.news/issues/2019-10-19/working-women</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[Saved for the image of Sofonisba Anguissola's "Self-Portrait."]]></description>
<dc:subject>art women portaits</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:8e74b33113e3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:portaits"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nybooks.com/daily/2018/07/16/the-romanovs-art-of-survival/">
    <title>The Romanovs' art of survival</title>
    <dc:date>2018-07-16T21:23:34+00:00</dc:date>
    <link>http://www.nybooks.com/daily/2018/07/16/the-romanovs-art-of-survival/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Over the twentieth century, the Romanovs produced a vast artistic trove that few are aware of, since most of their creative output was meant for family consumption. Because the family was scattered around the world by the events of the revolution, that collection is currently dispersed among private archives, family albums, basements, under-the-bed boxes and, in rarer cases, museums and galleries. When studied as a whole — in as much as its fragmented nature affords — two persistent themes emerge. One is the Romanovs' intense, penetrating view of nature ... the second is the idiosyncratic playfulness with which the Romanovs used art as family entertainment."]]></description>
<dc:subject>history art culture russia romanovs</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:77cba619c277/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:russia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:romanovs"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://frieze.com/article/art-world-overwhelmingly-liberal-still-overwhelmingly-middle-class-and-white-why">
    <title>The art world is overwhelmingly liberal but still overwhelmingly middle class and white</title>
    <dc:date>2018-07-07T12:04:36+00:00</dc:date>
    <link>https://frieze.com/article/art-world-overwhelmingly-liberal-still-overwhelmingly-middle-class-and-white-why</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art whiteness</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:05ad274be5e8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:whiteness"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vqronline.org/essays-articles/2018/03/male-glance">
    <title>The Male Glance</title>
    <dc:date>2018-03-06T14:28:57+00:00</dc:date>
    <link>http://www.vqronline.org/essays-articles/2018/03/male-glance</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[1. Faced with a woman’s story, we’re overtaken with the swift taxonomic impulse an amateur astronomer feels on spotting Sirius—there it is! he says, and looks to the next star. It’s a pleasant activity because it organizes and confirms, but it produces the fantasy that a lazy reading—not even a reading but a looking—is adequate, sufficient, complete, correct.

2. We have not yet learned to see within female ugliness the possibility of transcendent art the way we do its male counterpart, and however far we’ve come since 2013 thanks to shows like Insecure, Getting On, Crazy Ex-Girlfriend, Fleabag, and Catastrophe, we still have not quite learned to see female storytellers as either masterful or intentional. [Interesting that the list of "shows like" doesn't date to 2012 and include Girls, which gets a glancing and grudging mention later.]]]></description>
<dc:subject>culture art television women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:a5c9a7b814ff/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:television"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://hazlitt.net/longreads/searching-self-loathing-woman-writer">
    <title>Searching for the self-loathing woman writer</title>
    <dc:date>2018-01-03T12:32:14+00:00</dc:date>
    <link>https://hazlitt.net/longreads/searching-self-loathing-woman-writer</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Similarities of subjugation are no substitute for solidarity."]]></description>
<dc:subject>culture art women writing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:6003347147db/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/">
    <title>What do we do with the art of monstrous men?</title>
    <dc:date>2017-11-20T22:42:56+00:00</dc:date>
    <link>https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[1. "Heidegger has this notion of dasein and vorhandensein. Dasein means conscious presence, an entity aware of its own mortality—e.g., almost every character in every Woody Allen movie ever except Tracy. Vorhandensein, on the other hand, is a being that exists in itself; it just is—like an object, or an animal. Or Tracy. She’s glorious simply by being: inert, object-like, vorhandensein."

2. "Which of us is seeing more clearly? The one who had the ability—some might say the privilege—to remain untroubled by the filmmaker’s attitudes toward females and history with girls? Who had the ability to watch the art without committing the biographical fallacy? Or the one who couldn’t help but notice the antipathies and urges that seemed to animate the project?"]]></description>
<dc:subject>culture art film literature writing art-monsters</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:8b780a34c5eb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art-monsters"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vulture.com/2017/09/jill-soloway-transparent-israel-female-gaze.html">
    <title>Jill Soloway On 'Transparent,' Israel, and the female gaze</title>
    <dc:date>2017-09-28T01:27:43+00:00</dc:date>
    <link>http://www.vulture.com/2017/09/jill-soloway-transparent-israel-female-gaze.html</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art women gender female-gaze jill-soloway</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:881adaedbbbc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:gender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:female-gaze"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:jill-soloway"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://bookriot.com/2017/05/09/dream-president-novelist-collaborations/">
    <title>Dream president-novelist collaborations</title>
    <dc:date>2017-09-16T14:29:48+00:00</dc:date>
    <link>https://bookriot.com/2017/05/09/dream-president-novelist-collaborations/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Richard Nixon and Toni Morrison: During Nixon’s presidency, Morrison published both The Bluest Eye and Sula. Morrison was clearly interested in inferiority complexes, why the powerful refuse to relinquish power, and social order. There’s no doubt in my mind that a Nixon-Morrison writing partnership would be troubled and difficult, but I suspect that Morrison could work with the raw material of a man like Nixon (paranoid, ambitious, deceitful, and crass) to write an insightful novel."]]></description>
<dc:subject>culture art literature politics nixon</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:a2f0f3de6d71/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:nixon"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.lennyletter.com/culture/interviews/a831/dorothy-allison-bastard-out-of-carolina/">
    <title>Dorothy Allison on why working class literature is the strongest</title>
    <dc:date>2017-05-22T00:28:27+00:00</dc:date>
    <link>http://www.lennyletter.com/culture/interviews/a831/dorothy-allison-bastard-out-of-carolina/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[On growing up poor, writing, being a woman, and living in a lesbian feminist collective.]]></description>
<dc:subject>culture literature art class women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:901e35421cdb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:class"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vanityfair.com/hollywood/2017/05/roberta-colindrez-i-love-dick">
    <title>I Love Dick breakout Roberta Colindrez</title>
    <dc:date>2017-05-16T18:48:57+00:00</dc:date>
    <link>http://www.vanityfair.com/hollywood/2017/05/roberta-colindrez-i-love-dick</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA[Soloway: "I loved seeing Roberta explore a queer cowboy masculinity that existed alongside Dick’s heteronormative machismo strut."]]></description>
<dc:subject>culture art television jill-soloway i-love-dick feminism women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:483fc8626fc7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:television"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:jill-soloway"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:i-love-dick"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:feminism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://rhizome.org/editorial/2017/jan/05/the-first-social-media-president/">
    <title>Our first social media president, through three Webrecorder narratives</title>
    <dc:date>2017-01-12T13:35:34+00:00</dc:date>
    <link>http://rhizome.org/editorial/2017/jan/05/the-first-social-media-president/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Each of the archives tells a different story, highlighting interactions among the White House, the Obamas, and online publics ... these dynamic archives show the ways in which the Obama presidency was embedded in the cultural sphere, influencing and being influenced by the music, humor, trends, and social media raucous that defined his time in office. They are also examples of how a curated web archive can clear a path through otherwise overwhelming data and really tell a story."]]></description>
<dc:subject>art culture politics social-media archives narrative webrecorder obama</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:63521319aac2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:social-media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:archives"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:narrative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:webrecorder"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:obama"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vulture.com/2017/01/considering-the-novel-in-the-age-of-obama.html">
    <title>Considering the novel in the Age of Obama</title>
    <dc:date>2017-01-11T16:04:38+00:00</dc:date>
    <link>http://www.vulture.com/2017/01/considering-the-novel-in-the-age-of-obama.html</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>art culture literature writing novels literary-criticism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:ca56e4538a4f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:novels"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:literary-criticism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.moma.org/collection/works/63755">
    <title>Jenny Holzer. Truisms. 1978-87</title>
    <dc:date>2017-01-01T17:02:44+00:00</dc:date>
    <link>https://www.moma.org/collection/works/63755</link>
    <dc:creator>jnchapel</dc:creator><dc:subject>culture art women feminism jenny-holzer truisms</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:ed6a6b6f3d6e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:women"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:feminism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:jenny-holzer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:truisms"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://theawl.com/how-to-be-werner-herzog-4de7af712ce7">
    <title>How to be Werner Herzog</title>
    <dc:date>2016-09-07T16:11:34+00:00</dc:date>
    <link>https://theawl.com/how-to-be-werner-herzog-4de7af712ce7</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["Instead he gives you a metaphor. Films, he tells you, are home invaders, preformed things that stumble uninvited into his mind. 'You wake up,' he says, 'five men are in your kitchen. How they got in, you don’t know. But one of them comes swinging wildly at you. So you better deal with that one first.' And he cannot tell you how to deal with the invader, taking a swing at you. He cannot teach you to make the art that only you can make, to share the dreams that only you can dream. You had better teach yourself."]]></description>
<dc:subject>culture art work</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:900142b00176/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:jnchapel/t:work"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theparisreview.org/interviews/6401/the-art-of-poetry-no-99-eileen-myles">
    <title>The Art of Poetry No. 99, Eileen Myles</title>
    <dc:date>2016-03-23T12:38:44+00:00</dc:date>
    <link>http://www.theparisreview.org/interviews/6401/the-art-of-poetry-no-99-eileen-myles</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["My family kept my work at arm’s length. Working-class people are a little uncomfortable with you thinking you’re special. Just the fact of publishing, having a career, means you must think you’re special. It’s a violation of the code of being a cog in the wheel. Not that my family truly thinks of themselves that way. We were brought up to feel that we were geniuses, but the world didn’t see us that way and everyone’s a little grumpy about it. I’m one of them. My writing even deliberately hugs anonymity and grossness so I won’t be punished for thinking I’m special. It’s humble, conceited work. I have mostly dated middle-class or upper-middle-class women, and I would watch their parents excitedly talking to my girlfriends about their accomplishments. Then they’d ask about what I was doing, and I always became nervous because I thought I was being tested. But that’s what they do — examine the goods lovingly."

Also: "There’s a fundamental problem in working-class families. It’s like you revere art, you believe in reading, you believe in books, but you don’t understand their production. That’s the disconnect. Those are the keys you can’t have. And that’s the nonlineage that cuts people from other classes out of the art life. Art looks like a lottery from out there."

And: "I have made myself homeless. I have cut myself off from anything I knew prior to living in New York. I did this to myself, so I know exactly how it happened."]]></description>
<dc:subject>culture art writing literature poetry eileen-myles class women families</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:a41a51b57e64/</dc:identifier>
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<item rdf:about="http://www.mhpbooks.com/123500-2/">
    <title>On pandering ... and exclusivity</title>
    <dc:date>2016-01-05T14:05:00+00:00</dc:date>
    <link>http://www.mhpbooks.com/123500-2/</link>
    <dc:creator>jnchapel</dc:creator><description><![CDATA["It is easier to complain about the power you don’t have than to think about how you are exerting the power you do have. And fighting for your own rights is not the same as fighting for equality. Women working for gender equality, rather than the equality of everyone, are not heroes."]]></description>
<dc:subject>culture art literature women feminism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:jnchapel/b:cf2163b08b26/</dc:identifier>
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