“On the 90th anniversary of the discovery of King Tut’s tomb, an “authorized facsimile of the burial chamber” has been created, complete “with sarcophagus, sarcophagus lid and the missing fragment from the south wall.” The resulting duplicate, created with the help of high-res cameras and lasers, is “an exact facsimile of the burial chamber,” one that is now “being sent to Cairo by The Ministry of Tourism of Egypt.” [...]

'Interestingly, we read that this was "done under a licence to the University of Basel," which implies the very real possibility that unlicensed duplicate rooms might also someday be produced—that is, pirate interiors ripped or printed from the original data set, like building-scale "physibles," a kind of infringed architecture of object torrents taking shape as inhabitable rooms.' [...]

'In their book Anachronic Renaissance, for instance, Alexander Nagel and Christopher Wood write of what they call a long "chain of effective substitutions" or "effective surrogates for lost originals" that nonetheless reached the value and status of an icon in medieval Europe. "[O]ne might know that [these objects] were fabricated in the present or in the recent past," Nagel and Wood write, "but at the same time value them and use them as if they were very old things." They call this seeing in "substitutional terms".'