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    <description>recent bookmarks from infovore</description>
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	<rdf:li rdf:resource="http://www.terrybisson.com/page6/page6.html"/>
	<rdf:li rdf:resource="http://www.abyssandapex.com/200710-wikihistory.html"/>
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  </channel><item rdf:about="https://electricliterature.com/ted-chiang-explains-the-disaster-novel-we-all-suddenly-live-in/">
    <title>Ted Chiang Explains the Disaster Novel We All Suddenly Live In - Electric Literature</title>
    <dc:date>2020-04-03T11:23:42+00:00</dc:date>
    <link>https://electricliterature.com/ted-chiang-explains-the-disaster-novel-we-all-suddenly-live-in/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["While there has been plenty of fiction written about pandemics, I think the biggest difference between those scenarios and our reality is how poorly our government has handled it. If your goal is to dramatize the threat posed by an unknown virus, there’s no advantage in depicting the officials responding as incompetent, because that minimizes the threat; it leads the reader to conclude that the virus wouldn’t be dangerous if competent people were on the job. A pandemic story like that would be similar to what’s known as an “idiot plot,” a plot that would be resolved very quickly if your protagonist weren’t an idiot. What we’re living through is only partly a disaster novel; it’s also—and perhaps mostly—a grotesque political satire." Ted Chiang on what stories about change and revolution do (and what _actual_ change and revolution also do).]]></description>
<dc:subject>writing interview sf sciencefiction tedchiang</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:0016ab3cba1f/</dc:identifier>
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<item rdf:about="http://www.bigecho.org/tim-maughan-interview#%23people+hear+my+accent+and+assume+I%E2%80%99m+Australian.+It+happens+almost+every+week%2C+even+here+in+Canada.+I+didn%E2%80%99t+understand+why+at+first%2C+and+then+I+realized+it%E2%80%99s+because+I%E2%80%99m+English+but+I+don%E2%80%99t+sound+like+Hugh+Grant.">
    <title>Tim Maughan Interview — Big Echo</title>
    <dc:date>2019-07-25T16:12:36+00:00</dc:date>
    <link>http://www.bigecho.org/tim-maughan-interview#%23people+hear+my+accent+and+assume+I%E2%80%99m+Australian.+It+happens+almost+every+week%2C+even+here+in+Canada.+I+didn%E2%80%99t+understand+why+at+first%2C+and+then+I+realized+it%E2%80%99s+because+I%E2%80%99m+English+but+I+don%E2%80%99t+sound+like+Hugh+Grant.</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Nice interview with Tim, largely on _Infinite Detail_, for which there are some spoilers. And I liked this, on how important sound is to the book, and why:

" It comes from a bunch of places. Mainly wanting to always write a book that addressed the science fictionality of Black electronic music. And to me it’s impossible to separate the music I’m writing about - and love - from the heard environment, the two are entwined."]]></description>
<dc:subject>sound music timmaughan infinitedetail writing sf books</dc:subject>
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<item rdf:about="http://www.ursulakleguin.com/Note-Technology.html">
    <title>Ursula K. Le Guin: A Rant About &quot;Technology&quot;</title>
    <dc:date>2017-08-02T10:08:04+00:00</dc:date>
    <link>http://www.ursulakleguin.com/Note-Technology.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["One way to illustrate that most technologies are, in fact, pretty "hi," is to ask yourself of any manmade object, Do I know how to make one?

Anybody who ever lighted a fire without matches has probably gained some proper respect for "low" or "primitive" or "simple" technologies; anybody who ever lighted a fire with matches should have the wits to respect that notable hi-tech invention." Ursula le Guin with strong truth about technology and science fiction.]]></description>
<dc:subject>sf writing ursulaleguin science anthropology</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:1393407d9c52/</dc:identifier>
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<item rdf:about="http://www.newyorker.com/magazine/2016/10/17/the-fantastic-ursula-k-le-guin">
    <title>The Fantastic Ursula K. Le Guin - The New Yorker</title>
    <dc:date>2016-10-16T15:59:18+00:00</dc:date>
    <link>http://www.newyorker.com/magazine/2016/10/17/the-fantastic-ursula-k-le-guin</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["...she asked me, cautiously, “Wouldn’t you say that anybody who thought as much about balance as I do in my work probably felt some threat to their balance?” After a long pause, she added, “Of course all adolescents are out of balance, and very aware of it. To become adult can certainly feel like walking a high wire, can’t it? If my foot slips, I’m gone. I’m dead.”" Wonderful profile and interview with/of UKLG.]]></description>
<dc:subject>ursulaleguin interview writing sf fantasy profile</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:bd764fd0b0c8/</dc:identifier>
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<item rdf:about="http://motherboard.vice.com/read/melioration-queers-destroy-science-fiction">
    <title>Melioration | Motherboard</title>
    <dc:date>2015-06-16T15:22:49+00:00</dc:date>
    <link>http://motherboard.vice.com/read/melioration-queers-destroy-science-fiction</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Wonderful little story from Saxey about language, gender, and singular-they, although as with the best stories, it's all in the telling. Lots of good brain-tickles in here.]]></description>
<dc:subject>esaxey writing stories fiction sf language</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://arcfinity.tumblr.com/post/89245740023/were-reading-barricade-by-jon-wallace">
    <title>Arcfinity - We're reading BARRICADE by Jon Wallace</title>
    <dc:date>2014-06-19T12:57:39+00:00</dc:date>
    <link>http://arcfinity.tumblr.com/post/89245740023/were-reading-barricade-by-jon-wallace</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["There’s a general principle of book reviewing, set out originally by, I believe, Cyril Connolly. He advised reviewers that they should write for the reader when reviewing a book they like, but if they dislike it they should address the author instead. This creates a distinction between a public recommendation, which pleases the author and possibly makes readers interested, and a more personal discourse intended for the author, but which is likely to be discouraging and disappointing... Well then, Mr Wallace, what are we to say to each other in this semi-public place?" Oh boy. Christopher Priest really hated this book (and his argument seems reasonable, to be honest.)]]></description>
<dc:subject>sf writing criticism christopherpriest</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://www.infinityplus.co.uk/nonfiction/intmjh.htm">
    <title>M John Harrison interviewed - infinity plus non-fiction</title>
    <dc:date>2013-10-22T16:12:51+00:00</dc:date>
    <link>http://www.infinityplus.co.uk/nonfiction/intmjh.htm</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Rather good interview with MJH; covers lots of bases, carried out just before Light was published.]]></description>
<dc:subject>writing interview mjohnharrison sf fantasy fiction</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:099405be51d7/</dc:identifier>
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<item rdf:about="http://www.newstatesman.com/2013/10/future-without-nostalgia">
    <title>The Kefahuchi Tract trilogy: A future without nostalgia</title>
    <dc:date>2013-10-22T15:57:48+00:00</dc:date>
    <link>http://www.newstatesman.com/2013/10/future-without-nostalgia</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[John Gray on M John Harrison - not just the Kefahuchi Tract trilogy, but also Viriconium and Climbers.]]></description>
<dc:subject>writing sf mjohnharrison johngray</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://www.theparisreview.org/interviews/6089/the-art-of-fiction-no-211-william-gibson">
    <title>Paris Review - The Art of Fiction No. 211, William Gibson</title>
    <dc:date>2013-07-30T13:23:11+00:00</dc:date>
    <link>http://www.theparisreview.org/interviews/6089/the-art-of-fiction-no-211-william-gibson</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Coming up with a word like neuromancer is something that would earn you a really fine vacation if you worked in an ad agency. It was a kind of booby-trapped portmanteau that contained considerable potential for cognitive dissonance, that pleasurable buzz of feeling slightly unsettled." There is so, so much in this interview, that quoting it feels somewhat futile. It's a really lovely thing piece, that goes far beyond cyberpunk, and delves deep into Gibson's writing and history. There are at least five meaty quotes I wanted to yank; it's worth reading and rereading.]]></description>
<dc:subject>williamgibson writing literature interview sf</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:8da55a3a483c/</dc:identifier>
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<item rdf:about="http://www.crummy.com/writing/The%20Day%20Alan%20Turing%20Came%20Out/">
    <title>The Day Alan Turing Came Out</title>
    <dc:date>2011-11-22T20:32:38+00:00</dc:date>
    <link>http://www.crummy.com/writing/The%20Day%20Alan%20Turing%20Came%20Out/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[A lovely, sad, tiny story by Leonard.]]></description>
<dc:subject>leonardrichardson alanturing history sf sciencefiction writing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:36ed5bedb785/</dc:identifier>
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<item rdf:about="http://www.vice.com/read/ursula-k-le-guin-440-v15n12">
    <title>Ursula K. Le Guin | VICE</title>
    <dc:date>2011-10-14T18:57:32+00:00</dc:date>
    <link>http://www.vice.com/read/ursula-k-le-guin-440-v15n12</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[An unexpected place for a Le Guin interview, but it's great nontheless.]]></description>
<dc:subject>ursulaleguin books fiction sf writing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:7f5ce52bdca1/</dc:identifier>
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<item rdf:about="http://www.guardian.co.uk/books/2011/apr/22/china-mieville-covehithe-short-story">
    <title>Short story: Covehithe by China Miéville | Books | guardian.co.uk</title>
    <dc:date>2011-07-21T00:20:13+00:00</dc:date>
    <link>http://www.guardian.co.uk/books/2011/apr/22/china-mieville-covehithe-short-story</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Marvellous. Can't say any more - you need to read this (very) short story - but it's really, really lovely: shivers down the spine, and something heartwarming, all at once. And: set in a slightly magical part of the world.]]></description>
<dc:subject>books chinamieville writing fiction shortfiction sf</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:15c0deb60c37/</dc:identifier>
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<item rdf:about="http://www.guardian.co.uk/books/booksblog/2010/dec/20/john-wyndham-unread-bestseller">
    <title>John Wyndham: The unread bestseller | Books | guardian.co.uk</title>
    <dc:date>2010-12-23T19:24:54+00:00</dc:date>
    <link>http://www.guardian.co.uk/books/booksblog/2010/dec/20/john-wyndham-unread-bestseller</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["It's true that Wyndham's preference is for no-nonsense, brisk, wry narrators, and the horrors that visit the books can seem like opportunities to show off good old British pluck. But the books are surprisingly unheroic, and often (notably in the cases of Kraken and Triffids) peculiarly open-ended. And if you look closely, you begin to see that there's something very uncosy, persistently unsettling, about these books, that continues to ask profound questions about the limits of our culture and the foundations of the post-war world."]]></description>
<dc:subject>sciencefiction writing johnwyndham sf</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:de43d9cf234f/</dc:identifier>
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<item rdf:about="http://matthewsheret.com/2010/10/05/the-future-is-a-blank-canvas-pinned-to-a-brick-wall/">
    <title>The Future Is A Blank Canvas Pinned To A Brick Wall « Matthew Sheret.com</title>
    <dc:date>2010-10-06T11:31:50+00:00</dc:date>
    <link>http://matthewsheret.com/2010/10/05/the-future-is-a-blank-canvas-pinned-to-a-brick-wall/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["We access that history with tools that were, almost entirely, the props of science fiction my parents might have encountered – if they read it. My phone is my sonic screwdriver, the internet my TARDIS; these are the tools with which I unlock and manipulate time."
]]></description>
<dc:subject>future sf design writing mattsheret history</dc:subject>
<dc:identifier>https://pinboard.in/u:infovore/b:d897314f73e4/</dc:identifier>
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</item>
<item rdf:about="http://www.terrybisson.com/page6/page6.html">
    <title>They're Made Out Of Meat</title>
    <dc:date>2010-02-26T09:21:33+00:00</dc:date>
    <link>http://www.terrybisson.com/page6/page6.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["You're not understanding, are you? You're refusing to deal with what I'm telling you. The brain does the thinking. The meat."
]]></description>
<dc:subject>writing shortstory sf meat via:tomc</dc:subject>
<dc:identifier>https://pinboard.in/u:infovore/b:bc5b3fb158a5/</dc:identifier>
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</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.abyssandapex.com/200710-wikihistory.html">
    <title>Abyss &amp; Apex : Fourth Quarter 2007: Wikihistory</title>
    <dc:date>2009-01-05T15:06:41+00:00</dc:date>
    <link>http://www.abyssandapex.com/200710-wikihistory.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Take it easy on the kid, SilverFox316; everybody kills Hitler on their first trip. I did. It always gets fixed within a few minutes, what's the harm?"
]]></description>
<dc:subject>writing history fiction sf timetravel</dc:subject>
<dc:identifier>https://pinboard.in/u:infovore/b:47b0b169e556/</dc:identifier>
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</item>
<item rdf:about="http://www.newstatesman.com/200612180040">
    <title>New Statesman - Imaginary friends</title>
    <dc:date>2006-12-18T15:14:11+00:00</dc:date>
    <link>http://www.newstatesman.com/200612180040</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["To conflate fantasy with immaturity is a rather sizeable error. Rational yet non-intellectual, moral yet inexplicit, symbolic not allegorical, fantasy is not primitive but primary." Ursula le Guin on fine form in the NS.
]]></description>
<dc:subject>ursulaleguin fantasy sf writing fiction literature essay criticism children reading</dc:subject>
<dc:identifier>https://pinboard.in/u:infovore/b:b4c68769efdd/</dc:identifier>
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