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  </channel><item rdf:about="https://valhalladsp.com/2021/07/05/frog-vision-and-toms-diner/">
    <title>Frog Vision and Tom's Diner - Valhalla DSP</title>
    <dc:date>2021-07-06T10:12:56+00:00</dc:date>
    <link>https://valhalladsp.com/2021/07/05/frog-vision-and-toms-diner/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["However, the most important factor for me at this point is that I have heard “Tom’s Diner” so many times that *I no longer hear it*. Like frog vision, I no longer notice what remains the same, only what has changed. I don’t hear the song anymore, just the different ways that my DSP algorithms respond to it."]]></description>
<dc:subject>cognition audio dsp sound seancostello effects</dc:subject>
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<item rdf:about="https://crackmagazine.net/article/long-reads/common-ground-holly-herndon-in-conversation-with-james-bridle/">
    <title>Common ground: Holly Herndon in conversation with James Bridle</title>
    <dc:date>2019-08-18T16:37:32+00:00</dc:date>
    <link>https://crackmagazine.net/article/long-reads/common-ground-holly-herndon-in-conversation-with-james-bridle/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["We’re more willing to grant intelligence to things that we’ve built ourselves than to non-human species, even though it’s increasingly obvious that primates, cephalopods and trees have forms of intelligence that we should maybe be listening to. So how do we take this sudden decentring of the human with regard to AI? It’s like a Copernican moment when suddenly we have to acknowledge there are other forms of intelligence present. And then suddenly go, “Oh shit, there have been incredible amounts of intelligence here all along, and we’ve completely ignored them." This is very good.]]></description>
<dc:subject>ai intelligence cognition interview jamesbridle hollyherndon artificialintelligence</dc:subject>
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<item rdf:about="https://medium.com/@the_jennitaur/how-to-do-nothing-57e100f59bbb">
    <title>how to do nothing – Jenny Odell – Medium</title>
    <dc:date>2017-08-26T21:22:15+00:00</dc:date>
    <link>https://medium.com/@the_jennitaur/how-to-do-nothing-57e100f59bbb</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[I finally sat down with this, after it being in my to-read pile for ages. It was entirely worth it. I particularly liked the parts about the natures of silence, and about animal sentience, and about maintenance and regeneration as a natural state. It is worth every minute of however long it takes you to read it, be it the 44 minutes Medium estimate, or a bit more, or a bit less.]]></description>
<dc:subject>jennyodell art sentience silence nature regeneration cognition eyeo</dc:subject>
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<item rdf:about="http://www.guardian.co.uk/music/tomserviceblog/2009/jun/03/susan-greenfield">
    <title>Tom Service on Susan Greenfield's missed notes | Music | guardian.co.uk</title>
    <dc:date>2009-06-03T16:03:41+00:00</dc:date>
    <link>http://www.guardian.co.uk/music/tomserviceblog/2009/jun/03/susan-greenfield</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["There was an implicit value judgement in Greenfield's talk between the "purely sensory experiences" of raves or today's computer games, and the cognitive activities of reading a book or listening to a symphony, which, because they make us "see one thing in terms of another thing", involve a more mature mental engagement. For Greenfield, the Beethoven was a higher experience because it offered an "escape from the moment", where a rave was about losing yourself to the "thrill of the moment". I think that's a flimsy distinction, since both are about submitting to the sensory power of music. I'd like to see the difference in brain activity between somebody "escaping" life's mundanities and another person "thrilling" to the implacable now of the beat."
]]></description>
<dc:subject>guardian music psychology susangreenfield throwawaycomment games cognition</dc:subject>
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