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    <description>recent bookmarks from infovore</description>
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	<rdf:li rdf:resource="https://vimeo.com/194963450"/>
	<rdf:li rdf:resource="http://www.russelldavies.com/writing/tuftepowerpoint/tuftepoint.html"/>
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	<rdf:li rdf:resource="http://stephaneginier.com/sculptgl/"/>
	<rdf:li rdf:resource="https://blog.safaribooksonline.com/2014/11/08/nanogenmo2014-procedurally-generated-mysterious-codex/"/>
	<rdf:li rdf:resource="http://www.katiepaterson.org/secondmoon/"/>
	<rdf:li rdf:resource="http://www.cgwtf.com/2014/06/ed-atkins-at-serpentine.html"/>
	<rdf:li rdf:resource="http://dpt.co/en/parade-2/"/>
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	<rdf:li rdf:resource="http://www.minotaurproject.co.uk/devblog/?p=74"/>
	<rdf:li rdf:resource="http://www.cgwtf.com/2013/07/simon-starlings-phantom-ride.html"/>
	<rdf:li rdf:resource="http://notepad.benfinoradin.info/2013/09/12/it-takes-a-village-to-save-a-hard-drive/"/>
	<rdf:li rdf:resource="http://cmuems.com/2013/a/golan/09/02/melanie-nailed-it/"/>
	<rdf:li rdf:resource="http://www.tomphillips.co.uk/studio-blog/item/5804-making-money-some-hope"/>
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	<rdf:li rdf:resource="http://www.tomphillips.co.uk/studio-blog/item/5800-lifes-work"/>
	<rdf:li rdf:resource="http://www.lrb.co.uk/v35/n15/john-barrell/at-tate-britain"/>
	<rdf:li rdf:resource="http://www.creativeapplications.net/linux/remote-install-installation-that-remotely-installs-itself-in-the-gallery/"/>
	<rdf:li rdf:resource="http://teemingvoid.blogspot.co.uk/2013/06/figuring-data-datascape-catalog-essay.html"/>
	<rdf:li rdf:resource="http://www.rotational.co.uk/2013/04/backgrounds/"/>
	<rdf:li rdf:resource="http://society6.com/atackart/Thunder-Bluff-Classic-Rail-Poster_Print"/>
	<rdf:li rdf:resource="http://www.slate.com/blogs/behold/2012/10/15/jay_mark_johnson_s_very_unusual_camera_emphasizes_time_over_space.html"/>
	<rdf:li rdf:resource="http://www.dash7design.com/waterfall-swing"/>
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	<rdf:li rdf:resource="http://booktwo.org/notebook/on-light/"/>
	<rdf:li rdf:resource="http://www.markboulton.co.uk/journal/comments/its-not-working-for-me-crit"/>
	<rdf:li rdf:resource="http://makematics.com/2012/03/23/math-for-makers/"/>
	<rdf:li rdf:resource="http://www.robricketts.co.uk/808.html"/>
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	<rdf:li rdf:resource="http://www.thesinglelanesuperhighway.com/about"/>
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	<rdf:li rdf:resource="http://www.aaronland.info/weblog/2011/10/14/pixelspace/#nacis"/>
	<rdf:li rdf:resource="http://gamedesignreviews.com/scrapbook/how-vimeo-lost-me/"/>
	<rdf:li rdf:resource="http://www.technologyreview.com/computing/38393/"/>
	<rdf:li rdf:resource="http://vimeo.com/6745866"/>
	<rdf:li rdf:resource="http://www.guardian.co.uk/artanddesign/2011/aug/02/missing-inflatable-island-secret-garden"/>
	<rdf:li rdf:resource="http://www.we-make-money-not-art.com/archives/2011/07/ciudad-nazca.php"/>
	<rdf:li rdf:resource="http://www.ftrain.com/things-have-rules.html"/>
	<rdf:li rdf:resource="http://tomphillipsinfo.blogspot.com/2011/04/word-cross.html"/>
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  </channel><item rdf:about="https://zachlieberman.medium.com/coded-illustrations-bebdf385cd98">
    <title>Coded Illustrations. One of the more exciting calls I get as… | by zach lieberman | Mar, 2021 | Medium</title>
    <dc:date>2021-03-22T14:22:49+00:00</dc:date>
    <link>https://zachlieberman.medium.com/coded-illustrations-bebdf385cd98</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["One of the biggest challenges for code based artists is figuring out how to interface with traditional workflows. How can we export images, videos at resolutions and formats that work. In addition, we are building tools as we build our art. This is both a gift and a curse. It’s a gift in that we can often do things that are hard or impossible with traditional tools, but also a curse in that the tool building part of our work can be really time consuming. Imagine if every time you went to cook a meal you also had to construct the pots and pans for cooking."

Zach Lieberman on recent work on editorial imagery, built in code.]]></description>
<dc:subject>zachlieberman illustration art programming creativecode</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:cd7e71232c36/</dc:identifier>
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<item rdf:about="https://creative-ai.org/">
    <title>Creative AI Lab</title>
    <dc:date>2020-07-10T10:27:24+00:00</dc:date>
    <link>https://creative-ai.org/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Curated and ongoing set of links to resources around the topic, from the Serpentine. Will be highly useful for future teaching, although god, my ongoing exhaustion around much of the AI discourse doesn't seem to be dissipating. Most excited to go over some of the interviews an and lectures.]]></description>
<dc:subject>ai tools creativity art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:7ad793e7172f/</dc:identifier>
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<item rdf:about="https://www.blog.radiator.debacle.us/2020/06/hard-lads-as-important-failure.html">
    <title>Radiator Blog: Hard Lads as an important failure</title>
    <dc:date>2020-06-22T12:21:29+00:00</dc:date>
    <link>https://www.blog.radiator.debacle.us/2020/06/hard-lads-as-important-failure.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Queerness, masculinity, Icarus, Breughel, Pro Wrestling, David Cage, and fumblecore, wrapped up in a single game, and this marvellous essay by Robert Yang about his latest creation, _Hard Lads_. I love Robert's essays about his own work.]]></description>
<dc:subject>games masculinity gaze robertyang culture art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:e9eeb3a08c2d/</dc:identifier>
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<item rdf:about="http://demoscene-the-art-of-coding.net/2020/04/15/breakthrough-finland-accepts-demoscene-on-their-national-list-of-intangible-cultural-heritage-of-humanity/">
    <title>Breakthrough of Digital Culture: Finland accepts the Demoscene on its national UNESCO list of intangible cultural heritage of humanity - Demoscene - The Art of Coding</title>
    <dc:date>2020-04-16T09:09:16+00:00</dc:date>
    <link>http://demoscene-the-art-of-coding.net/2020/04/15/breakthrough-finland-accepts-demoscene-on-their-national-list-of-intangible-cultural-heritage-of-humanity/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Finland became the forerunner of understanding and accepting digital culture in general and the Demoscene in particular as cultural heritage. Right before the Easter weekend the Finnish Heritage Agency announced, that the Ministry of Education and Culture listed the Demoscene on proposals from the National Board of Antiquities and the Intangible Cultural Heritage Expert Group as national cultural heritage of humanity together with eleven other cultural practices." Superb.]]></description>
<dc:subject>culture demoscene technology art finland</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:e5faa9480d05/</dc:identifier>
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<item rdf:about="http://everest-pipkin.com/teaching/tools.html">
    <title>Open source, experimental, and tiny tools roundup</title>
    <dc:date>2020-03-29T14:44:40+00:00</dc:date>
    <link>http://everest-pipkin.com/teaching/tools.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Everest Pipkin's vast list of free tools and tool-likes for making games, interactive things, art, and so on. Comprehensive, worth diving into several times.]]></description>
<dc:subject>games tools art sound creatviity software</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://theonlinephotographer.typepad.com/the_online_photographer/2018/09/best-comment-ever.html">
    <title>The Online Photographer: Best Comment Ever</title>
    <dc:date>2018-09-12T13:06:08+00:00</dc:date>
    <link>http://theonlinephotographer.typepad.com/the_online_photographer/2018/09/best-comment-ever.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["The problem is that photography has always been a technical pursuit and the mediating technology required to make a photograph has always threatened to overwhelm it. To quote Donald Kuspit, 'Technology is the last valiant attempt to discredit and devalue the unconscious.... The unconscious is the bête noire in a scientifically and technologically managed world, which is why it must be killed or at least ostracized.' The endless upgrade cycle, the more and more laborious and tedious mastery of imaging software, the solid belief in technical improvement and control as a means to achieve success, all of this leads one further and further away from any possibility of making original or authentic work. This is the bind of the technology treadmill. What it gives, it also takes away. So in digital photography we have an inherent pitfall in the photographic process married to the culturally dominant fixation with technology and control which are themselves obstacles to the unconscious, the very source of creativity itself."

Fantastic quotation and comment from David Comdico over at TOP. I feel this applies hugely to electronic music, too.]]></description>
<dc:subject>art photography technology creation unconscious mediation</dc:subject>
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<item rdf:about="https://www.tigoe.com/blog/category/physicalcomputing/606/">
    <title>What do the people do? – hello.</title>
    <dc:date>2018-09-10T14:11:34+00:00</dc:date>
    <link>https://www.tigoe.com/blog/category/physicalcomputing/606/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["This essay is a loose collection of principles for physical interaction." This is good, from Tom Igoe.]]></description>
<dc:subject>design interaction art essay guidelines direction</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:d07a609f3199/</dc:identifier>
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<item rdf:about="http://aiweirdness.com/post/173096796277/skyknit-when-knitters-teamed-up-with-a-neural">
    <title>Letting neural networks be weird • SkyKnit: When knitters teamed up with a neural...</title>
    <dc:date>2018-04-20T10:41:16+00:00</dc:date>
    <link>http://aiweirdness.com/post/173096796277/skyknit-when-knitters-teamed-up-with-a-neural</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Janelle Shane - with some effort - trains neural networks to make knitting patterns. Then knitters from Ravelry make them. I love this: weird AI being taken at face value by people for art's sake.]]></description>
<dc:subject>art neuralnetworks knitting manufacture ai</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:c4350c5aef66/</dc:identifier>
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<item rdf:about="https://medium.com/@tonyszhou/postmortem-1b338537fabc">
    <title>Postmortem: Every Frame a Painting – Tony Zhou – Medium</title>
    <dc:date>2017-12-04T12:16:02+00:00</dc:date>
    <link>https://medium.com/@tonyszhou/postmortem-1b338537fabc</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[This, like everything Tony and Taylor did, is very good. Not just on film, but on creative work, too.]]></description>
<dc:subject>film everyframeapainting collaboration creativity art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:f224fec4ff23/</dc:identifier>
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<item rdf:about="http://www.timhunkin.com/a194_rubegoldberg-essay.htm">
    <title>Making, an essay</title>
    <dc:date>2017-10-25T14:50:53+00:00</dc:date>
    <link>http://www.timhunkin.com/a194_rubegoldberg-essay.htm</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Every word of this is gold.]]></description>
<dc:subject>timhunkin engineering making writing rubegoldberg art laughter</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://medium.com/@the_jennitaur/how-to-do-nothing-57e100f59bbb">
    <title>how to do nothing – Jenny Odell – Medium</title>
    <dc:date>2017-08-26T21:22:15+00:00</dc:date>
    <link>https://medium.com/@the_jennitaur/how-to-do-nothing-57e100f59bbb</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[I finally sat down with this, after it being in my to-read pile for ages. It was entirely worth it. I particularly liked the parts about the natures of silence, and about animal sentience, and about maintenance and regeneration as a natural state. It is worth every minute of however long it takes you to read it, be it the 44 minutes Medium estimate, or a bit more, or a bit less.]]></description>
<dc:subject>jennyodell art sentience silence nature regeneration cognition eyeo</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:bfd7caab8082/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:jennyodell"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:sentience"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:silence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:nature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:regeneration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:cognition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:eyeo"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/artanddesign/2017/aug/11/tom-phillips-two-skulls-50000-postcards-and-a-book-that-took-50-years-to-finish">
    <title>Tom Phillips: two skulls, 50,000 postcards and a book that took 50 years to finish | Art and design | The Guardian</title>
    <dc:date>2017-08-13T20:59:40+00:00</dc:date>
    <link>https://www.theguardian.com/artanddesign/2017/aug/11/tom-phillips-two-skulls-50000-postcards-and-a-book-that-took-50-years-to-finish</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Nice interview with Tom Phillips. (That sounds so trite, but that's what I have to say; he's great, his work is great, this is a nice interview).]]></description>
<dc:subject>tomphillips art culture peckham southeastlondon</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:a415a7a98419/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tomphillips"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:peckham"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:southeastlondon"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2017/01/05/magazine/in-search-of-post-brexit-england-and-swans.html?_r=1">
    <title>In Search of Post-Brexit England, and Swans - The New York Times</title>
    <dc:date>2017-02-13T13:28:02+00:00</dc:date>
    <link>https://www.nytimes.com/2017/01/05/magazine/in-search-of-post-brexit-england-and-swans.html?_r=1</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Finally got around to finishing this, and so glad I did. Thoughtful, gentle prose from the excellent Helen Macdonald.]]></description>
<dc:subject>nature england nationalism brexit culture art stanleyspencer swans</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:8a395066faf5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:nature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:england"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:nationalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:brexit"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:stanleyspencer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:swans"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://vimeo.com/194963450">
    <title>Spectacle, Speculation, Spam on Vimeo</title>
    <dc:date>2017-01-03T18:02:04+00:00</dc:date>
    <link>https://vimeo.com/194963450</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[I've loved Alan Warburton's work for a while, but this is superb: a talk, and a film, and it made me laugh and it's really on-point and just this, yes. ]]></description>
<dc:subject>alanwarburton cgwtf art visual media optical software ethics criticalengineering</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:0ec76717ad3f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:alanwarburton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:cgwtf"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:visual"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:optical"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:software"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:ethics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:criticalengineering"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.russelldavies.com/writing/tuftepowerpoint/tuftepoint.html">
    <title>29 Bullets</title>
    <dc:date>2016-11-14T12:29:06+00:00</dc:date>
    <link>http://www.russelldavies.com/writing/tuftepowerpoint/tuftepoint.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[[this is good]. I particularly liked "one damn thing after another", because yes, that's how I tend to think about these things, wrestling an essay into something that makes sense as a told narrative.]]></description>
<dc:subject>software powerpoint culture art design russelldavies</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:bf30e3ef23dd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:software"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:powerpoint"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:russelldavies"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://julianoliver.com/output/stealth-cell-tower">
    <title>Stealth Cell Tower</title>
    <dc:date>2016-11-02T12:47:13+00:00</dc:date>
    <link>https://julianoliver.com/output/stealth-cell-tower</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Stealth Cell Tower is an antagonistic GSM base station in the form of an innocuous office printer. It brings the covert design practice of disguising cellular infrastructure as other things - like trees and lamp-posts - indoors, while mimicking technology used by police and intelligence agencies to surveil mobile phone users." Very good, Julian Oliver.]]></description>
<dc:subject>criticalengineering art gsm surveillance privacy</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:74932c8cf32e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:criticalengineering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:gsm"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:surveillance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:privacy"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.cgwtf.com/blog/2016/7/27/the-wonder-of-uvs">
    <title>THE WONDER OF U(Vs) — CGWTF</title>
    <dc:date>2016-08-02T08:37:01+00:00</dc:date>
    <link>http://www.cgwtf.com/blog/2016/7/27/the-wonder-of-uvs</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[On the optical similarities between UV maps and Rayographs; rendering process and machine-techniques as cultural products.]]></description>
<dc:subject>alanwarburton cgwtf uvmaps art manray culture</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:997e53e0689d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:alanwarburton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:cgwtf"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:uvmaps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:manray"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:culture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/music/2016/jul/15/frank-cottrell-boyce-proms-lecture-what-point-culture-in-brexit-britain">
    <title>Frank Cottrell Boyce: what's the point of culture in Brexit Britain? | Music | The Guardian</title>
    <dc:date>2016-07-18T09:18:44+00:00</dc:date>
    <link>https://www.theguardian.com/music/2016/jul/15/frank-cottrell-boyce-proms-lecture-what-point-culture-in-brexit-britain</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Innovation doesn’t come from the profit motive.

Innovation comes from those who are happy to embark on a course of action without quite knowing where it will lead, without doing a feasibility study, without fear of failure or too much hope of reward. The engine of innovation is reckless generosity"

I couldn't quite pick a single line to quote, but I think I'll choose this. I've been listening to a lot of FCB this weekend, and it's all rung true for me. But especially: the value of serendipity on culture, of one thing informing another months or years later, of the value of pleasure and the imagination to all walks of life. So much here.]]></description>
<dc:subject>culture art reading writing frankcottrellboyce essay lecture</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:8576922cf0a2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:reading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:frankcottrellboyce"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:essay"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:lecture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://frieze.com/article/why-i-write-0">
    <title>Why I Write | Frieze</title>
    <dc:date>2016-07-07T21:03:24+00:00</dc:date>
    <link>https://frieze.com/article/why-i-write-0</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["I came back to writing as a way of thinking and of thinking through, of occupying the space between things, and opening them up again."

Writing is thinking is writing.]]></description>
<dc:subject>writing thinking jamesbridle reading art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:ddc4456ec53d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:thinking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:jamesbridle"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:reading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://vimeo.com/167126696?ref=tw-share">
    <title>Jller – Prokop Bartoníček &amp; Benjamin Maus on Vimeo</title>
    <dc:date>2016-05-24T12:45:51+00:00</dc:date>
    <link>https://vimeo.com/167126696?ref=tw-share</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Land Art x Robots Happily Sorting Things. Brilliant.]]></description>
<dc:subject>art robots installation sorting</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:9534eab8f7cd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:robots"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:installation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:sorting"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://medium.com/@rossgoodwin/adventures-in-narrated-reality-6516ff395ba3#.n9dzee9b0">
    <title>Adventures in Narrated Reality — Medium</title>
    <dc:date>2016-03-21T10:54:09+00:00</dc:date>
    <link>https://medium.com/@rossgoodwin/adventures-in-narrated-reality-6516ff395ba3#.n9dzee9b0</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Ross Goodwin on algorithmic prose, machines to make writing, neural networks, and more. Suddenly feel very inadequate; a reminder of what staring at a topic for a long while looks like.]]></description>
<dc:subject>neuralnetworks prosegeneration poetry writing art rossgoodwin</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:8ec57aa45418/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:neuralnetworks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:prosegeneration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:poetry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:rossgoodwin"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://brendanbyrne.info/">
    <title>Brendan Byrne</title>
    <dc:date>2015-08-26T11:48:08+00:00</dc:date>
    <link>http://brendanbyrne.info/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Loving all Brendan Byrne's work - I knew about his Panoramical controller, but Super Sequence Fighter is charming, and I rather like his simple midi controller PCBs.]]></description>
<dc:subject>music games electronics art brendanbyrne</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:789459fbb8df/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:electronics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:brendanbyrne"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.flickr.com/photos/theres_nobody_here/">
    <title>Nick Cobb | Flickr - Photo Sharing!</title>
    <dc:date>2015-07-07T10:38:24+00:00</dc:date>
    <link>https://www.flickr.com/photos/theres_nobody_here/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[The ruins of the Peckhamplex, as a remarkable diorama, added to and developed over time, from the looks of it. Really uncanny.]]></description>
<dc:subject>peckham art flickr photographs models dioramas london</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:6efacc1bc639/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:peckham"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:flickr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:photographs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:models"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:dioramas"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:london"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://317070.github.io/LSD/">
    <title>LSD neural net - Jonas Degrave</title>
    <dc:date>2015-06-25T08:38:34+00:00</dc:date>
    <link>http://317070.github.io/LSD/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Generative imagery, derived by running neural networks backwards on photos - and then streaming it all to Twitch, using Twitch Chat for input. It's the last bit that makes it great: as I type, nearly 10,000 people have seen this psychedelic mess (and 100 are watching right now).]]></description>
<dc:subject>art bot generative streaming</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:e7bea5c86947/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:bot"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:generative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:streaming"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://noahberkley.tumblr.com/post/111475159143/tofazammit-reptilmastaren-did-you-know-that">
    <title>looking aesthetic</title>
    <dc:date>2015-02-21T19:27:02+00:00</dc:date>
    <link>http://noahberkley.tumblr.com/post/111475159143/tofazammit-reptilmastaren-did-you-know-that</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Well, I never knew that: Tove Jansson did illustrations for a Swedish edition of the Hobbit. Just beautiful.]]></description>
<dc:subject>jrrtolkien hobbit tovejansson illustration art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:e64843cd364a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:jrrtolkien"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:hobbit"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tovejansson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:illustration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://stephaneginier.com/sculptgl/">
    <title>SculptGL - A WebGL sculpting app</title>
    <dc:date>2015-02-18T17:31:20+00:00</dc:date>
    <link>http://stephaneginier.com/sculptgl/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[JS/webGL sculpting app. Nifty.]]></description>
<dc:subject>3d tools art sculpting</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:b4f21c7a9091/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:3d"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:sculpting"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://blog.safaribooksonline.com/2014/11/08/nanogenmo2014-procedurally-generated-mysterious-codex/">
    <title>NaNoGenMo 2014: A procedurally generated mysterious codex - Safari Blog</title>
    <dc:date>2014-12-01T23:17:33+00:00</dc:date>
    <link>https://blog.safaribooksonline.com/2014/11/08/nanogenmo2014-procedurally-generated-mysterious-codex/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Really lovely: a procedurally generated pastiche of the Voynich manuscript, with explanation and some lovely screengrabs.]]></description>
<dc:subject>art generated generative procedural voynich</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:3fa71bcdc022/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:generated"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:generative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:procedural"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:voynich"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.katiepaterson.org/secondmoon/">
    <title>Katie Paterson, Second Moon</title>
    <dc:date>2014-07-15T14:10:36+00:00</dc:date>
    <link>http://www.katiepaterson.org/secondmoon/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["'Second Moon' tracks the cyclical journey of a small fragment of the moon as it circles the Earth, via air freight courier, on a man made commercial orbit." So good.]]></description>
<dc:subject>art katiepaterson orbits moon shipping</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:ca4826a90cbb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:katiepaterson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:orbits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:moon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:shipping"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.cgwtf.com/2014/06/ed-atkins-at-serpentine.html">
    <title>CGWTF: ED ATKINS AT THE SERPENTINE</title>
    <dc:date>2014-06-16T16:43:51+00:00</dc:date>
    <link>http://www.cgwtf.com/2014/06/ed-atkins-at-serpentine.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["The lineage of luxury in art - from lapis lazuli, to bronze casting, gold plating or diamond encrusting -  extends now to graphics cards, ray-tracing, skin rendering, reflection mapping and to processor speeds, hyperthreading, render farms and the complex world of outsourcing, government subsidies or mineral extraction. It’s important and interesting! Curators take note!" This is good / the Ed Atkins also sounds good.]]></description>
<dc:subject>edatkins alanwarburton cgi art cg</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:c950fa8e06e3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:edatkins"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:alanwarburton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:cgi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:cg"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://dpt.co/en/parade-2/">
    <title>Parade — Dpt.</title>
    <dc:date>2014-06-05T12:15:29+00:00</dc:date>
    <link>http://dpt.co/en/parade-2/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Beautiful. (via Denise).]]></description>
<dc:subject>art light shadow</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:ac22ffa34463/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:light"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:shadow"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.bostonglobe.com/ideas/2014/01/24/the-botmaker-who-sees-through-internet/V7Qn7HU8TPPl7MSM2TvbsJ/story.html">
    <title>The botmaker who sees through the Internet - Ideas - The Boston Globe</title>
    <dc:date>2014-01-29T18:43:46+00:00</dc:date>
    <link>http://www.bostonglobe.com/ideas/2014/01/24/the-botmaker-who-sees-through-internet/V7Qn7HU8TPPl7MSM2TvbsJ/story.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["At a coffee shop near his office, Kazemi says he feels about his bots the way he imagines parents must feel about their children. “I’ve created these things, and they’re kind of separate from me now, and so I do feel kind of proud of them,” he says. “Every morning I wake up and I look at the last two hours of TwoHeadlines, and it just gets me every time.”" Yup. That.]]></description>
<dc:subject>dariuskazemi bots twitter art generativeprose language</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:6a80beae8cfa/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:dariuskazemi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:bots"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:twitter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:generativeprose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:language"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.minotaurproject.co.uk/devblog/?p=74">
    <title>The Road to TxK: Genesis of a Genre | Yak's Progress</title>
    <dc:date>2014-01-25T09:14:17+00:00</dc:date>
    <link>http://www.minotaurproject.co.uk/devblog/?p=74</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Great article from Jeff Minter on the journey from 70s vector art, 80s vector games, through to the (excellent) Tempest 2000 - including some great stuff on embracing the Jaguar's chips and instructions to make beautiful weirdness - and onwards through Nuon and Space Giraffe to TxK on the Vita. A really lovely balance in the article of coding voodoo, focusing on gameplay, and always wanting to make things both weirder and prettier. (Incidentally: I loved T2K when I first played it, but playing an original Tempest cab at Ground Kontrol was a special moment - striking how much a spinner changes that game). Definitely recommended.]]></description>
<dc:subject>jeffminter tempest t2k txk vita games vectors programming art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:994e0a42c750/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:jeffminter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tempest"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:t2k"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:txk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:vita"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:vectors"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:programming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.cgwtf.com/2013/07/simon-starlings-phantom-ride.html">
    <title>CGWTF: Simon Starling's Phantom Ride</title>
    <dc:date>2014-01-21T11:19:47+00:00</dc:date>
    <link>http://www.cgwtf.com/2013/07/simon-starlings-phantom-ride.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["I was hoping that Simon Starling [would engage with CGI as a medium creatively]. But he didn't - he used it _invisibly_. CGI is always used invisibly. You're not supposed to see the seams. It's supposed to appear like it's not CGI in order to fool the eye and boggle the mind. Sadly (for me and probably no-one else) CGI was again denied the opportunity to do anything more than _facilitate_." I enjoyed Starling's piece, but this is astute and fair criticism. (I'm rather taken with Alan Warburton following his Spherical Harmonics at the Photographer's Gallery. All of CGWTF is very good.)]]></description>
<dc:subject>cgi cg animation media interrogation art alanwarburton seamlessness seams</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:2fe210df7b4b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:cgi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:cg"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:animation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:interrogation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:alanwarburton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:seamlessness"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:seams"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://notepad.benfinoradin.info/2013/09/12/it-takes-a-village-to-save-a-hard-drive/">
    <title>It Takes a Village to Save a Hard Drive |</title>
    <dc:date>2013-09-19T16:25:45+00:00</dc:date>
    <link>http://notepad.benfinoradin.info/2013/09/12/it-takes-a-village-to-save-a-hard-drive/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Lovely article about the lengths you can go to in order to rescue data - and what the meaning of that for computer art is. Super-glad people know this sort of thing.]]></description>
<dc:subject>art preservation computation restoration computerart</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:16fd64b3fc24/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:preservation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:computation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:restoration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:computerart"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://cmuems.com/2013/a/golan/09/02/melanie-nailed-it/">
    <title>Melanie Nailed It | 60210-A • Electronic Media Studio 2</title>
    <dc:date>2013-09-03T11:40:26+00:00</dc:date>
    <link>http://cmuems.com/2013/a/golan/09/02/melanie-nailed-it/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Incidentally, I would like to bring attention to the marvelous pseudocode system that Melanie developed for parsing Lewitt’s statement. (Others of you did something similar: notably Julia, Chloe and Miles.) As far as I’m concerned, Melanie has earned the right to title her pseudocode as she did. This document is really a gem: through its indentation and other typographic cues, Melanie presents a visualization of the structure of Lewitt’s work which is not otherwise available in either of the versions officially published by Pace." This is good (and how I still explain things to myself, slowly turning comments written and indented like this into code).]]></description>
<dc:subject>sollewitt code algorithms art understanding</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:6cb0e7ae5614/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:sollewitt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:code"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:algorithms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:understanding"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.tomphillips.co.uk/studio-blog/item/5804-making-money-some-hope">
    <title>Tom Phillips : Making money (some hope!)</title>
    <dc:date>2013-09-02T13:09:45+00:00</dc:date>
    <link>http://www.tomphillips.co.uk/studio-blog/item/5804-making-money-some-hope</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["A portrait is not worth considering. Heads is heads and for kings and queens and tails should tell tales of the land over which they reign, and be part of our house of memory." Tom Phillips has designed a 50p to commemorate Benjamin Britten.]]></description>
<dc:subject>tomphillips art coinage benjaminbritten</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:cf667dcba509/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tomphillips"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:coinage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:benjaminbritten"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.bostonglobe.com/arts/theater-art/2013/07/04/review-tom-phillips-humument-mass-moca/SdL3AdLChEaPnOAk4QvC9I/story.html">
    <title>Review: Tom Phillips’s ‘A Humument’ at Mass MoCA - Theater &amp; art - The Boston Globe</title>
    <dc:date>2013-08-06T14:34:52+00:00</dc:date>
    <link>http://www.bostonglobe.com/arts/theater-art/2013/07/04/review-tom-phillips-humument-mass-moca/SdL3AdLChEaPnOAk4QvC9I/story.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["The notion that an artist’s life project, his crowning glory, should have been a sort of side project, something done in the margins, as it were, while he was busy getting on with the real thing (whatever that was) is to be savored. It expresses an almost universal truth, and says everything about Phillips’s infatuation with whim, chance, and the vicissitudes of choice." Lovely review. Also, gosh, the second edition looks exciting.]]></description>
<dc:subject>ahumument tomphillips art books review</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:676caa56ea26/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:ahumument"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tomphillips"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:review"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.tomphillips.co.uk/studio-blog/item/5800-lifes-work">
    <title>Tom Phillips : Life's Work</title>
    <dc:date>2013-08-06T14:32:29+00:00</dc:date>
    <link>http://www.tomphillips.co.uk/studio-blog/item/5800-lifes-work</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Work energises work, and I have set about filling some of those remaining frames for Version II which, in anticipation, hold blank grey sheets. Half a dozen have already appeared with more to follow as the exhibition heads to its closing in January 2014. One such revised page features Peckham mud combined with that gathered from a nearby river in Massachusetts." What a wonderful way to hang it.]]></description>
<dc:subject>tomphillips art books ahumument</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:1ac64d03e3e5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tomphillips"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:ahumument"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.lrb.co.uk/v35/n15/john-barrell/at-tate-britain">
    <title>John Barrell · At Tate Britain: L.S. Lowry · LRB 8 August 2013</title>
    <dc:date>2013-07-31T11:37:28+00:00</dc:date>
    <link>http://www.lrb.co.uk/v35/n15/john-barrell/at-tate-britain</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Here are ‘the obsolete industrial plants; the inadequacy of unchanged transport systems and overstrained power supplies … the shift of power from industrial capital to international finance capital’ and so on. Here is the self-consciously world-historical Lowry, showing us Britain mired in its past, and perhaps the future of China. But here and there is the old local Lowry, whose people cannot see beyond the foreground terraces to the dystopian prospect, and so seem to manage, to cope, even to enjoy themselves, on their own tight patch. People stop to chat or just to stand about; kids play; dogs and babies get taken for walks; women wear bright vermilion, the happy colour of the summer of 2013, and apparently of 1950 too. It’s hard to say this without sounding as folksy as Brian and Michael, and perhaps that’s exactly what it is, but right now what I most admire and enjoy about Lowry is the interest he shows, without any apparent agenda, in what people do. I have no idea why that should be so moving." Wonderful article from this fortnight's LRB about the Lowry retrospective at Tate Britain.]]></description>
<dc:subject>lrb johnbarrell lslowry lowry art industrialrevolution thenorth industry cities people</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:80454d727008/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:lrb"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:johnbarrell"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:lslowry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:lowry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:industrialrevolution"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:thenorth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:industry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:people"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.creativeapplications.net/linux/remote-install-installation-that-remotely-installs-itself-in-the-gallery/">
    <title>Remote Install - Installation that remotely installs itself in the gallery / by @julian0liver</title>
    <dc:date>2013-07-11T17:43:59+00:00</dc:date>
    <link>http://www.creativeapplications.net/linux/remote-install-installation-that-remotely-installs-itself-in-the-gallery/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Distributed as a stripped down, customised GNU/Linux Operating System, the gallery merely needs to copy a single file onto a USB stick, plug it into a computer on site and boot it on the day of the opening. Remote Install then analyses its network context and the amount of space given to it – the free space on the USB stick. It then logs into the artist’s server and creates a file of random binary data to exactly fill this space and proceeds to download it over the course of the entire exhibition. An algorithm ensures the last byte is downloaded on the last second of the exhibition." Gosh. Still: that feels about as thorough as digital-art should be.]]></description>
<dc:subject>art julianoliver digital materials medium</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:1e193bf8befa/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:julianoliver"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:digital"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:materials"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:medium"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://teemingvoid.blogspot.co.uk/2013/06/figuring-data-datascape-catalog-essay.html">
    <title>(the teeming void): Figuring Data (Datascape Catalog Essay)</title>
    <dc:date>2013-06-04T12:52:24+00:00</dc:date>
    <link>http://teemingvoid.blogspot.co.uk/2013/06/figuring-data-datascape-catalog-essay.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Here we get a glimpse of an alternative figuration of data itself. Rather than some kind of precious (but immaterial) stuff, or fuel for market speculation, data here is a relationship, a link between one part of the world with another, and a trace that can be endlessly reshaped."]]></description>
<dc:subject>data art visualisation mitchellwhitelaw</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:9b578a33ff20/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:data"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:visualisation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:mitchellwhitelaw"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.rotational.co.uk/2013/04/backgrounds/">
    <title>rotational» Blog Archive » Backgrounds</title>
    <dc:date>2013-04-28T20:33:15+00:00</dc:date>
    <link>http://www.rotational.co.uk/2013/04/backgrounds/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Truth be told, I’m a bit tired of pixel art, but work like this aspired to transcend mere pixels. And I think that’s why it still packs a punch for me today. It’s evidently not content with the paltry colour depth and resolution it’s forced to use. It’s not about celebrating its form, unlike today’s pixel art, which is all about the form and evoking aesthetics of the past without quite nailing their fundamental nature. Instead, these backgrounds are all about what they depict – little scenes, ripe with little stories and humour, and inflected with travel pornography." Great writing from Alex, and a lovely cherrypicking of the selection. I am not a huge SNK fan, systemswise, but I adore their background art - and have a particular fondness for the whole package of Garou: Mark of the Wolves. This post does a lovely job of explaining why.]]></description>
<dc:subject>games fighters art 2d snk alexwiltshire</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:b70e23e36bdf/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:fighters"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:2d"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:snk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:alexwiltshire"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://society6.com/atackart/Thunder-Bluff-Classic-Rail-Poster_Print">
    <title>Thunder Bluff Classic Rail Poster Art Print by Josh Atack | Society6</title>
    <dc:date>2013-02-07T18:10:11+00:00</dc:date>
    <link>http://society6.com/atackart/Thunder-Bluff-Classic-Rail-Poster_Print</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Charming. My favourite thing about this is that it's a picture of home, and, weirdly, it arouses the same emotions in me as it would if it were a poster of a real place.]]></description>
<dc:subject>wow games art pastiche poster</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:19f900fca3ae/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:wow"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:pastiche"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:poster"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.slate.com/blogs/behold/2012/10/15/jay_mark_johnson_s_very_unusual_camera_emphasizes_time_over_space.html">
    <title>Jay Mark Johnson’s very unusual camera emphasizes time over space.</title>
    <dc:date>2012-10-16T15:17:49+00:00</dc:date>
    <link>http://www.slate.com/blogs/behold/2012/10/15/jay_mark_johnson_s_very_unusual_camera_emphasizes_time_over_space.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Beautiful slit-scan photography.]]></description>
<dc:subject>slitscan art camera photography time motion</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:19a9f3e563ce/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:slitscan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:camera"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:time"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:motion"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.dash7design.com/waterfall-swing">
    <title>Waterfall Swing - Dash 7</title>
    <dc:date>2012-10-11T16:26:17+00:00</dc:date>
    <link>http://www.dash7design.com/waterfall-swing</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Riders pass through openings in a waterfall created by precisely monitoring their path via axel-housed encoders, creating the thrill of narrowly escaping obstacles." Brilliant.]]></description>
<dc:subject>swing waterfall art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:8e5b3bd4adf9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:swing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:waterfall"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.tomphillips.co.uk/studio-blog/item/5781-20-sites/obart">
    <title>Tom Phillips : 20 Sites/Obart</title>
    <dc:date>2012-07-18T12:11:55+00:00</dc:date>
    <link>http://www.tomphillips.co.uk/studio-blog/item/5781-20-sites/obart</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["This simple gesture was as touching as if the art school had put up a banner saying 'Welcome Back Tom'. I was moved. The project's title has now been reinstated. In some special sense I had arrived" Lovely.]]></description>
<dc:subject>tomphillips art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:7ea0a029b0d9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tomphillips"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.tomphillips.co.uk/studio-blog/item/5776-habeas-corpus">
    <title>Tom Phillips : Habeas Corpus</title>
    <dc:date>2012-07-11T17:43:12+00:00</dc:date>
    <link>http://www.tomphillips.co.uk/studio-blog/item/5776-habeas-corpus</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["The whole memorial, appropriately horizontal and about as long as a modestly sized human being, is to be installed in early August on the wall of the College's dissecting room." Beautiful, as ever.]]></description>
<dc:subject>tomphillips art stone memorial dissection</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:b84a2ae5fdd9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tomphillips"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:stone"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:memorial"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:dissection"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://content.stamen.com/stamen_in_icon_109">
    <title>stamen design | Stamen in Icon 109</title>
    <dc:date>2012-07-02T21:50:26+00:00</dc:date>
    <link>http://content.stamen.com/stamen_in_icon_109</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["I'm super happy with the resulting portrait of where the studio is now: 13 people, working in a garden in the middle of a vibrant city, a strong ethic, and maps and visualizations in active use by the public." A lovely description - it's a brilliant office to be in. Also, they totally have a piano. And: how lovely to see the maps laid out: seeing this issue, it reminds me just how beautiful many of them are, and how well they stand the test of time - Cabspotting, for instance, is increasingly iconic.]]></description>
<dc:subject>stamen graphics design cartography art maps</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:ec176d52044c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:stamen"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:graphics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:cartography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:maps"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.guardian.co.uk/books/2012/may/20/tom-phillips-a-humument-birthday">
    <title>Tom Phillips and A Humument: how a novel became an oracle | Books | The Observer</title>
    <dc:date>2012-05-20T15:57:28+00:00</dc:date>
    <link>http://www.guardian.co.uk/books/2012/may/20/tom-phillips-a-humument-birthday</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Very soon after starting the book in the 1960s I dreamed of its use as an oracle, and it has taken 40 years for technology to make that possible." He is so pleased with the outcome that: "I've become my own consumer. Each night after midnight I consult, somewhat furtively (even though alone), the Oracle I have made. I'm often surprised by pages made long ago and almost forgotten, as well as by the sometimes uncanny predictions they offer their maker."

Yep, I still love Tom Phillips.]]></description>
<dc:subject>art ahumument tomphillips</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:4ecd8b3e2431/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:ahumument"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tomphillips"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://booktwo.org/notebook/on-light/">
    <title>The dreadful luminosity of everything | booktwo.org</title>
    <dc:date>2012-05-16T12:41:50+00:00</dc:date>
    <link>http://booktwo.org/notebook/on-light/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["I think that the physical and the digital are inseparable in culture in the same way that waves and particles are inseparable in light." This is great, and reminds me how Berger-esque some of James' art-writing is getting.]]></description>
<dc:subject>art light network physical digital jamesbridle writing stml</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:b5973b9b5dc8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:light"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:network"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:physical"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:digital"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:jamesbridle"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:stml"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.markboulton.co.uk/journal/comments/its-not-working-for-me-crit">
    <title>It’s Not Working For Me: #crit | Mark Boulton</title>
    <dc:date>2012-05-10T16:07:37+00:00</dc:date>
    <link>http://www.markboulton.co.uk/journal/comments/its-not-working-for-me-crit</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Design critique is not a place to be mean, but it’s also not the place to be kind. You’re not critiquing to make friends. Kind designers don’t say what they mean. ‘Kind’ is not about the work, and design critique exists to make us better, but mostly, it’s to make the work better." Mark Boulton talks about the value of crits. I was introduced to the vocabulary and tone of the design/art-school crit at Berg, and find it useful, though I daren't think what 18-year-old me would have made of it. Stressing that it's not personal, it's about the work, and that that is contained within a magic circle, is really difficult, and it's really important.]]></description>
<dc:subject>art design process crit criticism education</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:77c7e9e65762/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:process"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:crit"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:education"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://makematics.com/2012/03/23/math-for-makers/">
    <title>Math for Makers</title>
    <dc:date>2012-03-26T22:52:06+00:00</dc:date>
    <link>http://makematics.com/2012/03/23/math-for-makers/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Topics like linear algebra, topology, graph theory, and machine learning are becoming vital prerequisites both to doing daily work in these fields and, more importantly, to inventing, popularizing, and teaching the new creative tools that are rapidly arising. Without them, artists are forced to wait for others to digest this new knowledge before they can work with it. Their creative options shrink to those parts of this research selected by Adobe for inclusion in prepackaged tools. Instead of the themes and concerns of creative work driving the selection of tools from a growing technical cornucopia, artists find themselves turned into passive users of tools that are already curated, contextualized, and circumscribed by others.

So, I want to do something about this. I want to figure out a way to teach myself and others these more advanced mathematical and computational concepts with a specific eye towards applying them in creative technology."

This is going to be very good. (I'd quote the whole post if I could, but this leapt out at me hardest.) And: on the day Greg's book arrived. ]]></description>
<dc:subject>gregborenstein programming art creative maths</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:c825f07e7235/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:gregborenstein"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:programming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:creative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:maths"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.robricketts.co.uk/808.html">
    <title>Rob Ricketts — Graphic Design &amp; Typography</title>
    <dc:date>2012-03-23T08:19:44+00:00</dc:date>
    <link>http://www.robricketts.co.uk/808.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["A series of informative posters detailing how some of the most notable drum sequences were programmed using the Roland TR-808 Drum Machine. Each sequence has been analyzed and represented as to allow users to re-programme each sequence, key for key." Gorgeous. (If I had to pick, I'd take Voodoo Ray - which is a lovely piece of drum programming amongst many other things).]]></description>
<dc:subject>art design music drummachine 808 techno posters</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:cd7c9facbf00/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:drummachine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:808"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:techno"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:posters"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://tomphillipsinfo.blogspot.com/2012/02/seventy-fifth-birthday-news.html">
    <title>Tom Phillips: Seventy Fifth Birthday News</title>
    <dc:date>2012-02-20T14:33:54+00:00</dc:date>
    <link>http://tomphillipsinfo.blogspot.com/2012/02/seventy-fifth-birthday-news.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Seventy fifth birthday looming up and a small self fest to celebrate." All excellent news. Also: 40 years of "20 sites n years"; wonderful.]]></description>
<dc:subject>tomphillips art camberwell photography</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:b42e7a497cb2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tomphillips"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:camberwell"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:photography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.aaronland.info/weblog/2012/02/14/incentivize/">
    <title>[this is aaronland] &quot;incentivize ajax-enabled valve&quot;</title>
    <dc:date>2012-02-15T13:37:05+00:00</dc:date>
    <link>http://www.aaronland.info/weblog/2012/02/14/incentivize/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["It's sort of a no-brainer. And a fascinating way to think about creating a sustainable source of income to allow, even in part, artists to produce works are genuinely expensive in time and cost to create. It should also prove to artists, and anyone who frets over the illusion of print rights, that they've got nothing to worry about. This stuff is an entirely other material and colour made of light, it turns out, doesn't just magically translate to colour made of pigment the way that, say, a word-processing document does. And if anyone is really going to lose sleep over the people who are already predisposed to print things out on their shitty homes printers my only advice is to give up now. Let them and understand that there are more interesting problems to solve and if projects like 20x200 are any indication there's a whole world of people who want to help with not only their moral support but their wallets." Aaron on the Hockney show, subscription app art, and drawing on iPads.]]></description>
<dc:subject>straup aaronstraupcope art davidhockney ra ipad delivery subscription</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:128282bfb954/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:straup"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:aaronstraupcope"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:davidhockney"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:ra"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:ipad"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:delivery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:subscription"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.behance.net/gallery/Movies-From-An-Alternate-Universe/2783319">
    <title>Movies From An Alternate Universe on the Behance Network</title>
    <dc:date>2012-01-17T11:11:00+00:00</dc:date>
    <link>http://www.behance.net/gallery/Movies-From-An-Alternate-Universe/2783319</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["I went forward with this theme; what if movies we were all familiar with were made a different slice of time? Who would be in it? Who would direct it?" These are marvellous, not just for the art, but for the casting and direction calls. Friedkin's "Terminator"; Peckinpah's "Wolverine"; John Ford's "Drive" starring James Dean. Perfect.]]></description>
<dc:subject>movies hollywood art posters concept</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:3f438fd22cc1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:movies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:hollywood"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:posters"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:concept"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.thisiscolossal.com/2012/01/yayoi-kusama-obiliteration-room/">
    <title>This is What Happens When You Give Thousands of Stickers to Thousands of Kids | Colossal</title>
    <dc:date>2012-01-02T19:27:07+00:00</dc:date>
    <link>http://www.thisiscolossal.com/2012/01/yayoi-kusama-obiliteration-room/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["This December, in a surprisingly simple yet ridiculously amazing installation for the Gallery of Modern Art in Brisbane, artist Yayoi Kusama constructed a large domestic environment, painting every wall, chair, table, piano, and household decoration a brilliant white, effectively serving as a giant white canvas. Over the course of two weeks, the museum’s smallest visitors were given thousands upon thousands of colored dot stickers and were invited to collaborate in the transformation of the space, turning the house into a vibrantly mottled explosion of color." Lovely. I really like Kusama.]]></description>
<dc:subject>art interaction colour space yayoikusama</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:51fd085a01ce/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:interaction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:colour"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:yayoikusama"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://booktwo.org/notebook/for-our-times/">
    <title>Hard Times: For Our Times | booktwo.org</title>
    <dc:date>2011-12-15T16:14:30+00:00</dc:date>
    <link>http://booktwo.org/notebook/for-our-times/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["...one of the things I learned in attempting to produce 50 interesting variants on the text is that it is very, very hard. Whatever is done to the text, it is virtually impossible to extinguish Dickens’ intention without extinguishing the whole work (as in the case of the copies which read simply “Fancy fancy fancy fancy…” or “Facts facts facts…” for 300-odd pages). The text stands; it is greater than paper." This is brilliant.]]></description>
<dc:subject>writing publishing intent authorship art jamesbridle stml brilliant</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:390608981239/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:publishing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:intent"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:authorship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:jamesbridle"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:stml"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:brilliant"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.thesinglelanesuperhighway.com/about">
    <title>The Single Lane Super Highway</title>
    <dc:date>2011-12-14T10:29:10+00:00</dc:date>
    <link>http://www.thesinglelanesuperhighway.com/about</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["There are 1868 cars on the highway right now. You can watch them drive by, or draw your own and it will join the front of the line. Where are they going? The journey is yours." Progressive's annual report is done vy an artist each year; this year's is a lovely Aaron Koblin piece.]]></description>
<dc:subject>aaronkoblin art generative interactive</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:3e15465606d9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:aaronkoblin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:generative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:interactive"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.newyorker.com/online/blogs/culture/2011/10/the-video-game-art-of-fumito-ueda.html">
    <title>Culture Desk: The Video Game Art of Fumito Ueda : The New Yorker</title>
    <dc:date>2011-11-16T14:15:37+00:00</dc:date>
    <link>http://www.newyorker.com/online/blogs/culture/2011/10/the-video-game-art-of-fumito-ueda.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["...the world of Shadow of the Colossus is seemingly empty, except for the colossi and the warrior. Until you reach a colossus, there is no music, leaving you alone with your thoughts and the sound of your horse’s hooves. No enemies jump out to attack, it occurred to me on one of these rides, because I am the one on the hunt. The natural order of a video game is reversed. There are no enemies because I am the enemy." A decent enough piece on Ueda's games for the New Yorker - but this paragraph is marvellous.]]></description>
<dc:subject>games fumitoueda art interaction narrative</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:dca57f22252d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:fumitoueda"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:interaction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:narrative"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://yaxu.org/novels-are-digital-art-too/">
    <title>Novels are digital art too « Alex McLean</title>
    <dc:date>2011-10-17T10:38:39+00:00</dc:date>
    <link>http://yaxu.org/novels-are-digital-art-too/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["A great deal of what is called `digital art’ is not digital art at all, and it seems many digital artists seem ashamed of the digital.  In digital installation art, the screen and keyboard are literally hidden in a box somewhere, as if words were a point of shame.  The digital source code behind the work is not shown, and all digital output is only viewable by the artist or a technician for debugging purposes.  The experience of the actual work is often entirely analog, the participant moves an arm, and observes an analog movement in response, in sight, sound or motor control.  They may choose to make jerky, discontinuous movements, and get a discontinuous movement in response, but this is far from the complexity of digital language.  This kind of installation forms a hall of mirrors.  You move your arm around and look for how your movement has been contorted."]]></description>
<dc:subject>art literature novels digital culture</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:f77cabba7095/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:literature"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:novels"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:digital"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:culture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://rodcorp.typepad.com/rodcorp/2011/10/art-in-london-oct-2011-jan-2012.html?">
    <title>Art in London, Oct 2011 - Jan 2012 - rodcorp</title>
    <dc:date>2011-10-17T09:57:57+00:00</dc:date>
    <link>http://rodcorp.typepad.com/rodcorp/2011/10/art-in-london-oct-2011-jan-2012.html?</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["If I were in London now or in the next few weeks, instead of Frieze I'd probably be getting to these shows." Rod's lists are always good.]]></description>
<dc:subject>art london rodmclaren</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:9a3e51babdfc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:rodmclaren"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.aaronland.info/weblog/2011/10/14/pixelspace/#nacis">
    <title>[this is aaronland] the unbearable finality of pixel space</title>
    <dc:date>2011-10-15T21:26:35+00:00</dc:date>
    <link>http://www.aaronland.info/weblog/2011/10/14/pixelspace/#nacis</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["I've long held that all media transit from being "functional" to "art" when they are no longer economically viable. It is that transition which dampers the cost and the consequence of failure and makes the space necessary for people to experiment and play. Think of lithography which was born of purely utilitarian needs and sherparded the arrival of the mass-produced image only to become capital-O objects as soon as the offset press was invented." I love Aaron.]]></description>
<dc:subject>art design maps aaronstraupcope culture</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:f513e7427eb6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:aaronstraupcope"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:culture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://gamedesignreviews.com/scrapbook/how-vimeo-lost-me/">
    <title>How Vimeo Lost Me</title>
    <dc:date>2011-10-14T10:29:31+00:00</dc:date>
    <link>http://gamedesignreviews.com/scrapbook/how-vimeo-lost-me/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["And all this time I can’t help thinking that this was because I’m working with games. If I was a fimmaker, this is issue would never crop up. But games have to constantly defend their status as a way of creative expression. When creating games, you are by default suspected of either selling out or producing nothing of value what so ever. Or both." Seriously, Vimeo need to sort this out: it's embarrassing, and contrary to the messages they send out.]]></description>
<dc:subject>vimeo games culture art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:2c4c0dd4bcac/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:vimeo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.technologyreview.com/computing/38393/">
    <title>The Mind's Eye - Technology Review</title>
    <dc:date>2011-09-10T18:18:02+00:00</dc:date>
    <link>http://www.technologyreview.com/computing/38393/</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["All Hockney's work and thought is dedicated to the proposition that there is always more to see in the world around us. Art is a way—you might say a set of technologies—for making images, preserving them in time, and also for showing us things we aren't normally aware of. Those might include gods, dreams, and myths, but also hedgerows." Hockney continues to be marvellous.]]></description>
<dc:subject>art seeing video collage davidhockney</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:d6fc87942cb0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:seeing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:video"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:collage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:davidhockney"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://vimeo.com/6745866">
    <title>Jerry's Map on Vimeo</title>
    <dc:date>2011-08-25T09:06:47+00:00</dc:date>
    <link>http://vimeo.com/6745866</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[Explorations in fictional geography, seeded from a deck of cards, and methodically produced over many years. A lovely film, too: careful in the way it explains Jerry's map. Brilliant.]]></description>
<dc:subject>maps art geography fiction jerrygretzinger</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:54f89a0077d2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:geography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:fiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:jerrygretzinger"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.guardian.co.uk/artanddesign/2011/aug/02/missing-inflatable-island-secret-garden">
    <title>One of our islands is missing | Art and design | The Guardian</title>
    <dc:date>2011-08-03T13:34:32+00:00</dc:date>
    <link>http://www.guardian.co.uk/artanddesign/2011/aug/02/missing-inflatable-island-secret-garden</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["It was supposed to be a £12,000 art project in which a helium-filled sculpture of a desert island floated eerily above the heads of spaced-out festival-goers. It has become instead a £12,000 art project in which a helium-filled sculpture of a desert island floats somewhere through the troposphere without anybody actually seeing it, or even knowing where it is." Awesome but sad all at once; and yet, expensive or not, it feels like a genuinely valid affordance of the art. Oh well.]]></description>
<dc:subject>art islands movable balloons</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:a365ef3e5701/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:islands"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:movable"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:balloons"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.we-make-money-not-art.com/archives/2011/07/ciudad-nazca.php">
    <title>Ciudad Nazca, the robot tracing a city in the desert - we make money not art we make money not art: Ciudad Nazca, the robot tracing a city in the desert &lt;/MTIf&gt;</title>
    <dc:date>2011-08-02T15:50:29+00:00</dc:date>
    <link>http://www.we-make-money-not-art.com/archives/2011/07/ciudad-nazca.php</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["Artist Rodrigo Derteano's autonomous robot plows the desert ground to uncover its underlying, lighter color, using a technique similar to the one of the Nazca lines, the gigantic and enigmatic geoglyphs traced between 400 and 650 AD in the desert in southern Peru. Guided by its sensors, the robot quietly traced the founding lines of a new city that looks like a collage of existing cities from Latin America." Oh gosh this is awesome.]]></description>
<dc:subject>robots nazcalines cities deserts art automatons robotsareourfriends</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:cc8fe2aa7908/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:robots"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:nazcalines"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:deserts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:automatons"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:robotsareourfriends"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.ftrain.com/things-have-rules.html">
    <title>Things Have Rules (Ftrain.com)</title>
    <dc:date>2011-05-03T11:24:31+00:00</dc:date>
    <link>http://www.ftrain.com/things-have-rules.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA[“I guess you could ask people to make recommendations on LinkedIn,” said Scott. Scott and I both work in information technology. “ 'Working with Cynthia was an amazing experience as she always made deadlines and was incredibly prepared for meetings and she is as good as her word when it comes to not dropping a deuce on your floor.'” Marvellous writing, as ever, from Paul Ford.]]></description>
<dc:subject>writing art programming paulford</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:b2fb53df2096/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:programming"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:paulford"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://tomphillipsinfo.blogspot.com/2011/04/word-cross.html">
    <title>Tom Phillips: Word Cross</title>
    <dc:date>2011-04-28T06:44:44+00:00</dc:date>
    <link>http://tomphillipsinfo.blogspot.com/2011/04/word-cross.html</link>
    <dc:creator>infovore</dc:creator><description><![CDATA["At a time when the artworld has become a bloated thing like a celebrity based branch of the stock exchange, it is very satisfying to make a real and seriously thoughtful transaction." Tom Phillips' Word Cross is now in a parish church in Kent. Great.]]></description>
<dc:subject>tomphillips art church</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:infovore/b:697e74eb81a1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:tomphillips"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:infovore/t:church"/>
</rdf:Bag></taxo:topics>
</item>
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