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	<rdf:li rdf:resource="http://www.levivanveluw.nl/"/>
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  </channel><item rdf:about="http://www.sfgate.com/technology/article/West-Berkeley-hobbyist-wins-attention-funding-5091606.php">
    <title>West Berkeley hobbyist wins attention, funding for invention - SFGate</title>
    <dc:date>2013-12-26T13:13:24+00:00</dc:date>
    <link>http://www.sfgate.com/technology/article/West-Berkeley-hobbyist-wins-attention-funding-5091606.php</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Nellie Bowles, SFGate, 24 December 2013. // When West Berkeley resident Lisa Winter started making robots as a kid, it was an eccentric hobby popular among punks and nerds. // Today, in an industry suddenly flush with venture capital, the 27-year-old Winter has become something of a rock star, and she's about to release her first consumer product: Bond, an interactive communicative bracelet for couples that comes out in the new year.]]></description>
<dc:subject>robotics DIY engineering</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:1905dfdb8f95/</dc:identifier>
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<item rdf:about="http://contentawaretypography.tumblr.com/">
    <title>Content Aware Typography</title>
    <dc:date>2013-12-20T13:06:45+00:00</dc:date>
    <link>http://contentawaretypography.tumblr.com/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[1. Choose a picture with some typography in it; 2. Select an area that is close to the letters; 3. Apply Photoshop's Content-Aware Fill; 4. Submit.]]></description>
<dc:subject>typography</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:e6bf674579de/</dc:identifier>
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    <title>Urban Outfitters And Todd Oldham Alums Form A Hip New Textiles Studio | Co.Design | business + design</title>
    <dc:date>2013-12-18T16:42:54+00:00</dc:date>
    <link>http://www.fastcodesign.com/3023058/wanted/wild-and-wooly-textiles-and-dog-inspired-swag#!</link>
    <dc:creator>disegno</dc:creator><dc:subject>alums kelly.rakowski weaving</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:6231942c00bc/</dc:identifier>
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<item rdf:about="http://hyperallergic.com/98063/how-to-look-at-ad-reinhardts-cartoons/">
    <title>How to Look at Ad Reinhardt’s Cartoons</title>
    <dc:date>2013-12-17T00:24:16+00:00</dc:date>
    <link>http://hyperallergic.com/98063/how-to-look-at-ad-reinhardts-cartoons/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Jillian Steinhauer, hyperallergenic, 12 December 2013]]></description>
<dc:subject>Ad.Reinhardt cartoons</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:5f1900a30aff/</dc:identifier>
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<item rdf:about="http://theconversation.com/paola-antonelli-interview-design-has-been-misconstrued-as-decoration-21148">
    <title>Paola Antonelli interview: 'Design has been misconstrued as decoration'¬es</title>
    <dc:date>2013-12-09T04:53:31+00:00</dc:date>
    <link>http://theconversation.com/paola-antonelli-interview-design-has-been-misconstrued-as-decoration-21148</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[interviewed by Anthony Burke, head of school of architecture at UTS, 5 December 2013 // // // Antonelli: Design thinking is not design. Design thinking is to design what the scientific method is to science. It’s the steps without the knowledge and the years of training. And design thinking is a real danger because many companies think they’re doing design and they’re not. // So it’s become a real consultant’s playground, and a way for many companies to abdicate their responsibilities towards design. It’s really a big problem. // If you only deal with the process without any education beforehand, you’re discounting the idea of design, [saying it is] something you don’t have to go to school to learn.

but no room for "design thinking" in design practice? none? as a means of engaging other parties in the process? getting things out in the open? strange conversation.]]></description>
<dc:subject>design.thinking object.design interactive.design</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:84deef113eee/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design.thinking"/>
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<item rdf:about="http://www.huffingtonpost.com/2013/11/26/letterpress-posters_n_4164307.html">
    <title>These Posters Of Biscuits &amp; Blues Have A Whole Lot Of Soul</title>
    <dc:date>2013-11-28T14:20:27+00:00</dc:date>
    <link>http://www.huffingtonpost.com/2013/11/26/letterpress-posters_n_4164307.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Kevin Bradley, was Yee Haw Industries.]]></description>
<dc:subject>Kevin Bradley Church.of.Type letterpress book.arts</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:12344bad1a89/</dc:identifier>
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<item rdf:about="http://montserratdesign.tumblr.com/">
    <title>montserrat design</title>
    <dc:date>2013-11-25T13:42:42+00:00</dc:date>
    <link>http://montserratdesign.tumblr.com/</link>
    <dc:creator>disegno</dc:creator><dc:subject>s</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:e95e0df24ded/</dc:identifier>
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<item rdf:about="http://en.wikipedia.org/wiki/Parallel_postulate">
    <title>Parallel postulate (aka Euclid's fifth postulate; wikipedia)</title>
    <dc:date>2013-11-20T10:17:09+00:00</dc:date>
    <link>http://en.wikipedia.org/wiki/Parallel_postulate</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Euclid's Fifth Postulate]]></description>
<dc:subject>geometry 405F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:d995926da709/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:geometry"/>
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<item rdf:about="http://galleries.lafayette.edu/2011/09/01/sticks-hooks-and-the-mobius-knit-and-crochet-goes-cerebral/">
    <title>Sticks, Hooks, and the Mobius: Knit and Crochet Go Cerebral. Math- and science-inspired knit and crochet. · Galleries · Lafayette College</title>
    <dc:date>2013-11-20T10:13:38+00:00</dc:date>
    <link>http://galleries.lafayette.edu/2011/09/01/sticks-hooks-and-the-mobius-knit-and-crochet-goes-cerebral/</link>
    <dc:creator>disegno</dc:creator><dc:subject>405F13 crochet hyperbolic space</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:4e5953be24c1/</dc:identifier>
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<item rdf:about="http://en.wikipedia.org/wiki/Crochet">
    <title>Crochet (wikipedia)</title>
    <dc:date>2013-11-20T10:12:32+00:00</dc:date>
    <link>http://en.wikipedia.org/wiki/Crochet</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[see especially section http://en.wikipedia.org/wiki/Crochet#Mathematics_and_hyperbolic_crochet]]></description>
<dc:subject>crochet 405F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:a4c2aa17fbad/</dc:identifier>
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<item rdf:about="http://collection.cooperhewitt.org/objects/colors/">
    <title>Our collection by color (Cooper-Hewitt, National Design Museum)</title>
    <dc:date>2013-11-20T09:35:43+00:00</dc:date>
    <link>http://collection.cooperhewitt.org/objects/colors/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[| Collection of Smithsonian Cooper-Hewitt, National Design Museum]]></description>
<dc:subject>color design.museums</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:eaf9104c3c64/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:color"/>
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</item>
<item rdf:about="http://www.academiccommons.org/2013/11/new-directions-for-digital-collections-at-academic-libraries/">
    <title>New Directions for Digital Collections at Academic Libraries | The Academic Commons (beta)</title>
    <dc:date>2013-11-18T15:58:30+00:00</dc:date>
    <link>http://www.academiccommons.org/2013/11/new-directions-for-digital-collections-at-academic-libraries/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[There are a number of emerging, often overlapping new areas related to digital collections where libraries can provide support. In general they move the library’s work away from “just-in-case” collections and closer to the scholarly process: not just formal scholarship done by faculty researchers, but student scholarship where the chief benefit may come from process more than product. One possibility is support for thematic digital collections. These are collections centered around a particular scholarly interest that lend themselves to immediate scholarly or curricular uses. Another is the implementation of tools that provide for interpretation of collections including online exhibits, geospatial visualization tools, and more. Creating the mechanisms for participatory collection-building is another fertile area that includes crowdsourced collections, field-based collections, and student-created digital collections. Libraries are also poised to be publication platforms for scholarship]]></description>
<dc:subject>digital.collections ir</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:0abab396b36a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:digital.collections"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:ir"/>
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</item>
<item rdf:about="http://www.dieter-roth-foundation.com/selectedworks/the-books/?thumb_ID=3">
    <title>Dieter Roth Foundation: The books (Bok 3b, approx 250 sheets, diecut holes, comic books)</title>
    <dc:date>2013-11-18T15:31:25+00:00</dc:date>
    <link>http://www.dieter-roth-foundation.com/selectedworks/the-books/?thumb_ID=3</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Bok 3 b approx. 250 sheets cut out of coloured comic books with diecut holes · approx. 18 x 18 cm · adhesive binding, softback · printed by various printers in Denmark · published by forlag ed, Reykjavík 1961 · edition of 50, numbered and signed, approx. 10 copies made]]></description>
<dc:subject>Dieter.Rot book.arts 405F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:b5044c213cd3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Dieter.Rot"/>
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</item>
<item rdf:about="http://www.sfgate.com/bayarea/article/High-schoolers-react-to-fire-attack-on-bus-4988389.php">
    <title>High schoolers react to fire attack on bus</title>
    <dc:date>2013-11-18T12:41:02+00:00</dc:date>
    <link>http://www.sfgate.com/bayarea/article/High-schoolers-react-to-fire-attack-on-bus-4988389.php</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Kevin Fagan. SFGate, 16 November 2013 They are two teenagers from two different worlds in Oakland - one a straight-A student from the hills who identifies as neither he nor she, the other a struggling student who lives in the bullet-riddled flatlands and considers himself a jokester. // On Nov. 4, the jokester, 16-year-old Richard Thomas, lit the skirt of the agender person, 18-year-old Sasha Fleischman, on fire as they rode an AC Transit bus. Fleischman has been in a hospital ever since, undergoing skin grafts for second- and third-degree burns to the legs, and Thomas is in custody, having been charged as an adult with what prosecutors call a hate-motivated assault. // But this has turned out to be much more than a crime story. // see comments]]></description>
<dc:subject>agender gender</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:43d4fd5b89fa/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:agender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:gender"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://web.media.mit.edu/~neri/site/">
    <title>Neri Osman (MIT)</title>
    <dc:date>2013-11-18T10:54:04+00:00</dc:date>
    <link>http://web.media.mit.edu/~neri/site/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Smart Clothes presenter, Radcliffe Institute, 15 November 2013]]></description>
<dc:subject>405F13 materials.science</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:5d301e7a5508/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:materials.science"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://bombsite.com/issues/75/articles/2385">
    <title>BOMB Magazine: Matthew Bliss by George Negroponte</title>
    <dc:date>2013-11-14T19:23:03+00:00</dc:date>
    <link>http://bombsite.com/issues/75/articles/2385</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Bomb 75. Spring 2001]]></description>
<dc:subject>Matthew.Bliss sculpture</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:c7c593b23c3e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Matthew.Bliss"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:sculpture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.wired.com/design/2013/11/a-beautiful-book-printed-without-ink/">
    <title>A Genius of Book Design Creates a Tome With No Ink | Wired Design | Wired.com</title>
    <dc:date>2013-11-12T09:38:55+00:00</dc:date>
    <link>http://www.wired.com/design/2013/11/a-beautiful-book-printed-without-ink/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Liz Stinson. Wired. 11 November 2013. // The 300-page book has no ink—each of the crisp white pages is embossed with a drawing or quotation that helps the story of Gabrielle Chanel unfold. It’s clean, understated and ephemeral, and somehow still totally engrossing.]]></description>
<dc:subject>blank.printing Irma.Boom book.design</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:099fe5bf1f95/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:blank.printing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Irma.Boom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:book.design"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://observatory.designobserver.com/feature/collage-culture-nostalgia-and-critique/38187/">
    <title>Collage Culture: Nostalgia and Critique. An interview with David Banash</title>
    <dc:date>2013-11-12T01:27:23+00:00</dc:date>
    <link>http://observatory.designobserver.com/feature/collage-culture-nostalgia-and-critique/38187/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Rick Poynor interview, Observatory: Design Observer, 11 November 2013. // Most studies of collage published to date have tended to treat the subject in art historical terms. Today, collage is thriving but its enduring attraction goes largely unexplained. In a new book, Collage Culture: Readymades, Meaning, and the Age of Consumption (Rodopi), David Banash develops a theory of the origins and meaning of collage that views the combination of readymade elements as central to 20th-century culture. Artists in every medium, he argues, “turn to collage to respond to the possibilities and limits of an inescapable consumer culture.” In this email interview, Banash discusses the paradoxes of a practice in which critique and nostalgia intertwine in a dialectical embrace.]]></description>
<dc:subject>combinatorics collage nostalgia 405F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:cbe8d7238b26/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:combinatorics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:collage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:nostalgia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.dyslexia.yale.edu/">
    <title>Yale Center For Dyslexia &amp; Creativity</title>
    <dc:date>2013-11-09T14:19:41+00:00</dc:date>
    <link>http://www.dyslexia.yale.edu/</link>
    <dc:creator>disegno</dc:creator><dc:subject>dyslexia</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:c944016a3b30/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:dyslexia"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.huffingtonpost.com/2013/11/06/dyslexia-typography_n_4220353.html">
    <title>Typography Book Explores What It Feels Like To Have Dyslexia</title>
    <dc:date>2013-11-09T14:19:11+00:00</dc:date>
    <link>http://www.huffingtonpost.com/2013/11/06/dyslexia-typography_n_4220353.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[smart observation by Mark McGovern: This will not help dyslexics. Dyslexia is not a vision problem. This has been proven over and over again with scientific research. Please see Yale University website. They are leader in this area. Here is the their web site: http://www.dyslexia.yale.edu/ You can also check http://interdys.org/]]></description>
<dc:subject>dyslexia kickstarter typography</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:42f47a2d0156/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:dyslexia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:kickstarter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:typography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://thenearsightedmonkey.tumblr.com/post/65791226442/part-one-on-beyond-literature-by-lynda-barry">
    <title>The Near-Sighted Monkey, Part One “On Beyond Literature” by Lynda Barry</title>
    <dc:date>2013-11-06T13:05:40+00:00</dc:date>
    <link>http://thenearsightedmonkey.tumblr.com/post/65791226442/part-one-on-beyond-literature-by-lynda-barry</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[.]]></description>
<dc:subject>reading reading.history lynda.barry</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:68c21f2756b8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:reading"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:reading.history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:lynda.barry"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.mica.edu/Faculty/2013_AICAD_Conference_at_MICA.html">
    <title>2013 AICAD Conference at MICA | MICA</title>
    <dc:date>2013-11-05T23:48:12+00:00</dc:date>
    <link>http://www.mica.edu/Faculty/2013_AICAD_Conference_at_MICA.html</link>
    <dc:creator>disegno</dc:creator><dc:subject>arts.edu AICAD conferences</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:21ba325649ed/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:arts.edu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:AICAD"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:conferences"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://harvardmagazine.com/2013/11/the-power-of-patience">
    <title>Harvard art historian Jennifer Roberts teaches the value of immersive attention | Harvard Magazine Nov-Dec 2013</title>
    <dc:date>2013-11-05T19:42:54+00:00</dc:date>
    <link>http://harvardmagazine.com/2013/11/the-power-of-patience</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[The deliberate engagement of delay should itself be a primary skill that we teach to students. It’s a very old idea that patience leads to skill, of course—but it seems urgent now that we go further than this and think about patience itself as the skill to be learned. Granted—patience might be a pretty hard sell as an educational deliverable. It sounds nostalgic and gratuitously traditional. But I would argue that as the shape of time has changed around it, the meaning of patience today has reversed itself from its original connotations. The virtue of patience was originally associated with forbearance or sufferance. It was about conforming oneself to the need to wait for things. But now that, generally, one need not wait for things, patience becomes an active and positive cognitive state... Patience no longer connotes disempowerment—perhaps now patience is power. via : http://text-patterns.thenewatlantis.com/2013/11/my-recently-absent-mind-and-others-more.html]]></description>
<dc:subject>patience</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:c087b84e4a93/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:patience"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.joshharrison.net/oblique-strategies/">
    <title>Random Oblique Strategies Online</title>
    <dc:date>2013-11-04T10:04:49+00:00</dc:date>
    <link>http://www.joshharrison.net/oblique-strategies/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Josh Harrison / Digitised version of Brian Eno and Peter Schmidt’s oblique strategies. / Originally a set of cards, these are phrases which can be used to break a creative deadlock situation. / The website presents a random strategy against two completely random colour fields.]]></description>
<dc:identifier>https://pinboard.in/u:disegno/b:afaf5559245c/</dc:identifier>
</item>
<item rdf:about="http://www.joshharrison.net/">
    <title>Josh Harrison: interactive design</title>
    <dc:date>2013-11-04T10:03:06+00:00</dc:date>
    <link>http://www.joshharrison.net/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[see oblique strategies]]></description>
<dc:subject>interactive.design</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:07505ef0108d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:interactive.design"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://rodriguezjavier.blogspot.com/p/collages.html">
    <title>JAVIER RODRIGUEZ: Collages</title>
    <dc:date>2013-11-04T09:47:59+00:00</dc:date>
    <link>http://rodriguezjavier.blogspot.com/p/collages.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[see "about" — definitions of art, dialectic, and deviation/ism // via http://robertogreco.tumblr.com/post/65981360986/javier-rodriguez-la-mord-de-dieu-2007-from]]></description>
<dc:subject>collage 405F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:5d2f94e694af/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:collage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/roomfordebate/2013/11/01/giving-stilettos-the-business/a-delicate-balance-women-work-and-high-heels">
    <title>A Delicate Balance: Women, Work and High Heels - Room for Debate</title>
    <dc:date>2013-11-02T02:28:37+00:00</dc:date>
    <link>http://www.nytimes.com/roomfordebate/2013/11/01/giving-stilettos-the-business/a-delicate-balance-women-work-and-high-heels</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Elizabeth Semmelhack is the senior curator of the Bata Shoe Museum. She is the author of "Heights of Fashion: A History of the Elevated Shoe." NYTimes, November 1, 2013 The stiletto is one of the most culturally complex items in a woman’s wardrobe.]]></description>
<dc:subject>shoes 405F13 stiletto</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:241b9116e742/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:shoes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:stiletto"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.lesfigues.com/your-new-image-a-publishing-experiment/">
    <title>your new image</title>
    <dc:date>2013-11-01T14:07:01+00:00</dc:date>
    <link>http://www.lesfigues.com/your-new-image-a-publishing-experiment/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Preface, Teresa Carmody: The task was impossible, we knew it, and so we met and made a ridiculous plan. We could have been starting a small press, but instead, we were rewriting—reanimating—a single book: Gerrie Pinckney’s and Marge Swenson’s 1981 Your New Image Through Color & Line. The questions were seemingly simple: Is a book like a body? If so, can we remake it as such? We drew lots to divide into five makeover stations: Hair, Makeup, Figure, Wardrobe, Personality. Each station included two artist/writers, and each station chose two textual makeover tools (e.g., erasure, sonnetfication, text weaves). We divided the book’s 14 chapters and each station made over each chapter simultaneously: new hair, new face, new figure, new clothing, new personality. A speed makeover. Remaking Your New Image Through Color & Line was a project of the Reanimation Library: Highland Park Branch...]]></description>
<dc:subject>recycling book.art</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:e10230052190/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:recycling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:book.art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://helencarnac.wordpress.com/">
    <title>Helen Carnac | moving things around</title>
    <dc:date>2013-10-31T01:14:51+00:00</dc:date>
    <link>http://helencarnac.wordpress.com/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Helen Carnac is a maker and curator who lives and works in London. Drawing, mark-making, the explicit connections between material, process and maker and an emphasis on deliberation and reflection are all central to her practice as a maker and thinker. Running an environmentally grounded practice, Helen develops projects using design methodologies that are rooted in an acute awareness of physical location, place and working practices. The populated environment is of key importance and through her practice and projects she aims to bring people together in order to create social and creative engagement and collaboration in an open-ended design process. Helen often works in interdisciplinary environments and is currently working with various designers and artists on projects, including a DJ, textile artists, scientists, fine artists, choreographers, a performance artist, furniture designer and silversmith.]]></description>
<dc:subject>Helen.Carac relational.art materiality nails relational.design</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:5ea590cfa4c8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Helen.Carac"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:relational.art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:materiality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:nails"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:relational.design"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://nathaliemiebach.com/waters.html">
    <title>Nathalie Miebach: sculpture</title>
    <dc:date>2013-10-30T15:46:24+00:00</dc:date>
    <link>http://nathaliemiebach.com/waters.html</link>
    <dc:creator>disegno</dc:creator><dc:subject>sculpture Nathalie.Miebach art.science 405F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:aca6b82e2141/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:sculpture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Nathalie.Miebach"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:art.science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://theiff.org/exhibits/iff-e3.html">
    <title>The Institute For Figuring // Exhibition: Machine Project, July 2005</title>
    <dc:date>2013-10-30T15:45:09+00:00</dc:date>
    <link>http://theiff.org/exhibits/iff-e3.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Crocheting the Hyperbolic Plane July 16 – August 14, 2005 Machine Project (Los Angeles) A collaboration between the Institute For Figuring and Machine Project Curated by Margaret and Christine Wertheim Machine Project Gallery]]></description>
<dc:subject>crochet 405F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:a9574ffd366a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:crochet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://visualsyntax.net/2012/09/15/on-deconstructing-objects/">
    <title>visualsyntax – on deconstructing objects . . .</title>
    <dc:date>2013-10-30T15:43:38+00:00</dc:date>
    <link>http://visualsyntax.net/2012/09/15/on-deconstructing-objects/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Lindsey Mason, among others.]]></description>
<dc:subject>415F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:45787330a40c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:415F13"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.creativebloq.com/branding/give-branding-back-its-soul-10135066">
    <title>Why designers should give branding back its soul</title>
    <dc:date>2013-10-30T11:52:53+00:00</dc:date>
    <link>http://www.creativebloq.com/branding/give-branding-back-its-soul-10135066</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Adrian Shaughnessy, 29 October 2013, Creative Bloq "By making branding into something other than a graphic design discipline, clients have leveraged control of design away from designers and into the hands of various non-designers." &c.]]></description>
<dc:subject>identity identity.design branding 405F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:31b4474fb1b9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:identity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:identity.design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:branding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://hitone.wordpress.com/">
    <title>Hitone: Vintage Irish Book Covers</title>
    <dc:date>2013-10-29T22:31:38+00:00</dc:date>
    <link>http://hitone.wordpress.com/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[lovely. a Niall McCormack production.]]></description>
<dc:subject>book.covers eire typography book.design</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:d0ce4397c457/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:book.covers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:eire"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:typography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:book.design"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.radcliffe.harvard.edu/event/2013-smart-clothes-symposium">
    <title>Smart Clothes conference / Radcliffe Institute / Friday 15 November 2012</title>
    <dc:date>2013-10-24T16:51:17+00:00</dc:date>
    <link>http://www.radcliffe.harvard.edu/event/2013-smart-clothes-symposium</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Radcliffe’s annual science symposium will focus on “smart clothes” and the science of designing materials that improve and protect lives. Experts in biology, design, engineering, materials science, medicine, and nanotechnology will address a variety of topics, including digital fabrication, soldier-related technologies, smart materials and biology, wearable technology, and the future of innovative substances.]]></description>
<dc:subject>wearable.technology conferences 405F13 wearables</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:c4c763453b36/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:wearable.technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:conferences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:wearables"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.raptitude.com/2010/07/your-lifestyle-has-already-been-designed/">
    <title>Your Lifestyle Has Already Been Designed</title>
    <dc:date>2013-10-24T15:30:52+00:00</dc:date>
    <link>http://www.raptitude.com/2010/07/your-lifestyle-has-already-been-designed/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[posted July 2010. via : http://blog.hellohappy.org/post/64955103207/keeping-free-time-scarce-means-people-pay-a-lot]]></description>
<dc:subject>design design.stories big.design</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:3f4d95696560/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design.stories"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:big.design"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://thismoaning.blogspot.co.uk/2012/10/what-happened-to-art-schools-accidental.html">
    <title>This Moaning...: What Happened to Art Schools? An accidental manifesto.</title>
    <dc:date>2013-10-24T09:22:11+00:00</dc:date>
    <link>http://thismoaning.blogspot.co.uk/2012/10/what-happened-to-art-schools-accidental.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[The Moaning Man, posted 6 October 2012 // Can I defend the art school of my youth, and the public funding of students' time there? To the last question I can say "yes". I'll go further: Art school should be compulsory for everyone, because a period of exaggerated personal sovereignty in a self-regulating micro-society is a good thing. Everyone should go to art school for one year at state expense. Further to that, agents of the private art world should fund the continuing education of those they wish to prepare for commercial success.]]></description>
<dc:subject>arts.edu edu.rants</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:3331cd428cdf/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:arts.edu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:edu.rants"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theguardian.com/education/2013/oct/21/alternative-art-schools-threaten-universities">
    <title>Alternative art schools: a threat to universities?</title>
    <dc:date>2013-10-23T22:58:03+00:00</dc:date>
    <link>http://www.theguardian.com/education/2013/oct/21/alternative-art-schools-threaten-universities</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[David Batty, Guardian, 21 October 2013 Angry at soaring fees and disillusioned with established courses, artists are simply doing things for themselves]]></description>
<dc:subject>arts.edu edu.alt</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:2f77da8ab2ff/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:arts.edu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:edu.alt"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://madmuseum.org/exhibition/out-hand">
    <title>Out of Hand | MAD Museum</title>
    <dc:date>2013-10-23T11:55:42+00:00</dc:date>
    <link>http://madmuseum.org/exhibition/out-hand</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Out of Hand: Materializing the Postdigital will explore the many areas of 21st-century creativity made possible by advanced methods of computer-assisted production known as digital fabrication. Organized by MAD curator Ron Labaco, Out of Hand will be on view at MAD beginning fall 2013 (October 16, 2013 to July 6, 2014).]]></description>
<dc:subject>arts.science exhibits</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:9ecb61e710d9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:arts.science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:exhibits"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.newyorker.com/online/blogs/elements/2013/10/a-mad-mad-science-fair.html#slide_ss_0=1">
    <title>A Mad, MAD Science Fair : The New Yorker</title>
    <dc:date>2013-10-23T11:53:39+00:00</dc:date>
    <link>http://www.newyorker.com/online/blogs/elements/2013/10/a-mad-mad-science-fair.html#slide_ss_0=1</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Out of Hand: Materializing the Postdigital. at Museum of Art and Design.]]></description>
<dc:subject>arts.science design.exhibits</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:8fe9415d0ba2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:arts.science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design.exhibits"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://robertwechsler.com/">
    <title>Robert Wechsler</title>
    <dc:date>2013-10-22T09:57:34+00:00</dc:date>
    <link>http://robertwechsler.com/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[ucsb, sculpture etc.]]></description>
<dc:subject>Robert.Wechsler materiality artist</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:c3f8897e5731/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Robert.Wechsler"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:materiality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:artist"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://news.cnet.com/8301-17938_105-57608473-1/artist-creates-11-acre-portrait-in-belfast-field/">
    <title>Artist creates 11-acre portrait in Belfast field</title>
    <dc:date>2013-10-21T22:18:10+00:00</dc:date>
    <link>http://news.cnet.com/8301-17938_105-57608473-1/artist-creates-11-acre-portrait-in-belfast-field/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[6-year-old girl is the subject of one of the largest portraits ever, created with soil, sand, and GPS. Tim Hornyak, c|net, 21 October 2013]]></description>
<dc:subject>land.art</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:f0431b7ff847/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:land.art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.christienmeindertsma.com/">
    <title>Christien Meindertsma</title>
    <dc:date>2013-10-21T15:54:01+00:00</dc:date>
    <link>http://www.christienmeindertsma.com/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[via : whitney chin]]></description>
<dc:subject>knitting 405F13 textile.art</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:a6c73e04e87b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:knitting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:textile.art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://io9.com/these-suicide-machines-sole-purpose-is-to-destroy-them-1448138892">
    <title>These Suicide Machines' sole purpose is to destroy themselves</title>
    <dc:date>2013-10-21T08:20:38+00:00</dc:date>
    <link>http://io9.com/these-suicide-machines-sole-purpose-is-to-destroy-them-1448138892</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Lauren Davis. io9. 19 October 2013 via : Lindsey Mason]]></description>
<dc:subject>machinery machine.art</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:1096a71996c0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:machinery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:machine.art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.levivanveluw.nl/">
    <title>Levi van Veluw</title>
    <dc:date>2013-10-21T00:44:16+00:00</dc:date>
    <link>http://www.levivanveluw.nl/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[.]]></description>
<dc:subject>drawing</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:66d09f46cbf1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:drawing"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.seas.harvard.edu/news/2013/10/what-makes-data-visualization-memorable">
    <title>What makes a data visualization memorable? | Harvard School of Engineering and Applied Sciences</title>
    <dc:date>2013-10-17T15:20:23+00:00</dc:date>
    <link>http://www.seas.harvard.edu/news/2013/10/what-makes-data-visualization-memorable</link>
    <dc:creator>disegno</dc:creator><dc:subject>data.visualization visualization information.design</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:47c2f338071f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:data.visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:information.design"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.boredpanda.org/15th-century-flemish-style-portraits-recreated-in-the-airplane-lavatory/">
    <title>15th Century Flemish Style Portraits Recreated In Airplane Lavatory | Bored Panda</title>
    <dc:date>2013-10-11T20:25:29+00:00</dc:date>
    <link>http://www.boredpanda.org/15th-century-flemish-style-portraits-recreated-in-the-airplane-lavatory/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[“While in the lavatory on a domestic flight in March 2010, I spontaneously put a tissue paper toilet cover seat cover over my head and took a picture in the mirror using my cellphone. The image evoked 15th-century Flemish portraiture. <…> I made several forays to the bathroom from my aisle seat, and by the time we landed I had a large group of new photographs entitled Lavatory Self-Portraits in the Flemish Style. I was wearing a thin black scarf that I sometimes hung up on the wall behind me to create the deep black ground that is typical of these portraits.”]]></description>
<dc:subject>Nina.Katchadourian</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:e4619fa8c496/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Nina.Katchadourian"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://observatory.designobserver.com/feature/in-response-to-an-anatomy-of-uncriticism/32338/">
    <title>In Response to An Anatomy of Uncriticism: Observatory: Design Observer</title>
    <dc:date>2013-10-08T19:05:11+00:00</dc:date>
    <link>http://observatory.designobserver.com/feature/in-response-to-an-anatomy-of-uncriticism/32338/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Rick Poynor, Design Observer, 27 January 2012 // some circle-the-wagon responses.]]></description>
<dc:subject>design criticism rick.poynor alexandra.lange</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:c786b88dc4c1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:rick.poynor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:alexandra.lange"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://annelemanski.com/artwork/391324_A_CENTURY_OF_HAIR_1900_1990.html">
    <title>Ann Lemanski, A Century of Hair, 1900-1990</title>
    <dc:date>2013-10-08T12:04:56+00:00</dc:date>
    <link>http://annelemanski.com/artwork/391324_A_CENTURY_OF_HAIR_1900_1990.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[A CENTURY OF HAIR, 1900-1990 Mixed media on wood stands Variable dimensions This is a ten piece series created over a period of two years (2005-07). Each piece signifies an iconic hairstyle for each decade of the 20th century. The material and content of each piece is relevant to women of the specific time period being represented. They are shown as a whole.]]></description>
<dc:subject>hats ch 405F13 hair</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:5328f2ac0071/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:hats"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:ch"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:hair"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.bbc.co.uk/news/health-24385650">
    <title>Face blindness: Seeing but not seeing</title>
    <dc:date>2013-10-06T17:06:27+00:00</dc:date>
    <link>http://www.bbc.co.uk/news/health-24385650</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Gabriela Torres, BBC Mundo, 6 October 2013 // People with prosopagnosia see a face - but don't recognise it // Imagine that suddenly you cannot recognise your mother, your partner, your child. You can see them but your brain cannot process the information - you don't know whether they are smiling, or understand their emotions. // That is what happened to David Bromley, after he suffered a brain injury that left him with face blindness. // David has prosopagnosia. People with this condition can see the eyes, the nose, and the mouth, what is known as the context - but they cannot see them as a whole. They do not recognise gestures or emotions.]]></description>
<dc:subject>prosopagnosia cognition</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:7d895309c926/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:prosopagnosia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:cognition"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2013/09/30/arts/design/Visionaries-Falling-Through-the-Net.html?_r=0">
    <title>Visionaries Falling Through the Net</title>
    <dc:date>2013-10-06T16:37:15+00:00</dc:date>
    <link>http://www.nytimes.com/2013/09/30/arts/design/Visionaries-Falling-Through-the-Net.html?_r=0</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Alice Rawsthorn. NY Times, 27 September 2013. // Not so long ago, Roger Tallon was an indomitable force in French design. As well as designing best-selling typewriters, cameras and television sets, he was entrusted with prestigious public design projects, like T.G.V. high-speed trains and the Minitel information terminal. A gregarious figure on the Paris cultural scene, Tallon, who died in 2011, was a friend of the artist Yves Klein and of the philosopher Jean Baudrillard, and was honored with a 1993 retrospective at the Centre Georges Pompidou. ¶ How often do you hear of him now? Not much, not even online.… // other designers/aspects have a friendlier reception ont the web, including Laszlo Moholy-Nagy, Buckminster Fuller, Victor Papanek, Bruno Munari, Isotype, Alan Fletcher, Gyorgy Kepes, Muriel Cooper…]]></description>
<dc:subject>Roger Tallon design.history</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:bdb5694d0a27/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Roger"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Tallon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design.history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://unmakingthings.rca.ac.uk/2013/considering-shoes/">
    <title>Unmaking Things 2012-13 » CONSIDERING SHOES</title>
    <dc:date>2013-10-06T15:08:39+00:00</dc:date>
    <link>http://unmakingthings.rca.ac.uk/2013/considering-shoes/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Heather Bennett, 2013]]></description>
<dc:subject>shoes 405F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:21ec8fefd345/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:shoes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.eurozine.com/articles/2013-09-27-ariasmaldonado-en.html#.Uk6Gi7AJ2vg.twitter">
    <title>Eurozine - The book's futures - Manuel Arias Maldonado</title>
    <dc:date>2013-10-04T20:26:48+00:00</dc:date>
    <link>http://www.eurozine.com/articles/2013-09-27-ariasmaldonado-en.html#.Uk6Gi7AJ2vg.twitter</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Manuel Arias Maldonado The book's futures Should the printed book soon become a relic of a bygone era in publishing, uncertainty as to modes of sharing knowledge and experience will remain. Neither will we know, according to Manuel Arias Maldonado, whether to mourn the loss of the well known or of the valuable.]]></description>
<dc:subject>future.of.the.book</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:aaa4818ff248/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:future.of.the.book"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://toryfair.com/artwork/3079713_Goodbye_Flower.html">
    <title>TORY FAIR - Goodbye Flower</title>
    <dc:date>2013-10-01T22:34:09+00:00</dc:date>
    <link>http://toryfair.com/artwork/3079713_Goodbye_Flower.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Goodbye Flower 2013]]></description>
<dc:subject>tory.fair SFAS_F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:dfb31870b07d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:tory.fair"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:SFAS_F13"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://inklings24.blogspot.com/2012/02/let-little-monsters-in-your-head-run.html">
    <title>Inklings: Let the little monsters in your head run free! (T-shirt templates)</title>
    <dc:date>2013-09-30T02:47:29+00:00</dc:date>
    <link>http://inklings24.blogspot.com/2012/02/let-little-monsters-in-your-head-run.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[T-shirt template, front, back, side. Inklings is a collective of visual artists based in Ireland. Coming together in 2011, all the initial members were part of Adrienne Geoghegan's Illustration Boot Camp and Picture Book courses. Following the exhibition at the end of the course, we decided to set up this blog as a way of staying in touch and seeing what everyone is working on.]]></description>
<dc:subject>t-shirt lv 405F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:44eff6ffba21/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:t-shirt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:lv"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theguardian.com/fashion/2013/sep/28/tattoo-boom-retro-style-trend-women">
    <title>Tattoos are booming - and this year's look is naval retro</title>
    <dc:date>2013-09-28T16:46:25+00:00</dc:date>
    <link>http://www.theguardian.com/fashion/2013/sep/28/tattoo-boom-retro-style-trend-women</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[As thousands flock to the London International Tattoo Convention, the surprise trends are for the old favourites – ships and anchors – and for women tattoists. // Tracy McVeigh // The Observer, Saturday 28 September 2013 // excellent gallery]]></description>
<dc:subject>tattoos ink</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:d39cfb1872e8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:tattoos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:ink"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://kottke.org/13/09/computers-are-for-people">
    <title>Tim Carmody. Computers are for people</title>
    <dc:date>2013-09-28T01:57:00+00:00</dc:date>
    <link>http://kottke.org/13/09/computers-are-for-people</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[via: @britta]]></description>
<dc:subject>machinery 405F13 tim.carmody machines.and.humans</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:7fc3b0885918/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:machinery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:tim.carmody"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:machines.and.humans"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.creativereview.co.uk/cr-blog/2010/october/design-research-unit-1942-72">
    <title>Creative Review - Design Research Unit 1942-72</title>
    <dc:date>2013-09-26T16:02:50+00:00</dc:date>
    <link>http://www.creativereview.co.uk/cr-blog/2010/october/design-research-unit-1942-72</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[The Design Research Unit created some of the UK’s most iconic pieces of graphic design, from London’s street signs to the British Rail logo. A UK touring show, which has started at London’s Cubitt Gallery, celebrates four decades of the group’s work. The DRU was founded in 1943 by poet and art critic Herbert Read, advertising entrepreneur Marcus Brumwell, and designers Misha Black and Milner Gray. From the outset the group intended to consolidate design’s position in the world, expressing a desire to bring “artists and designers into productive relation with scientists and technologists”. The group were also highly unusual in the range of disciplines that their work spanned: they were the first practice to combine expertise in architecture, graphic design and industrial design.]]></description>
<dc:subject>design.history DRU</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:f9f8f53d732b/</dc:identifier>
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</item>
<item rdf:about="http://www.fastcodesign.com/3016268/google-the-redesign">
    <title>How Google Taught Itself Good Design</title>
    <dc:date>2013-09-26T15:16:44+00:00</dc:date>
    <link>http://www.fastcodesign.com/3016268/google-the-redesign</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Farhad Manjoo, Co.Design (Fast Company) September 2013]]></description>
<dc:subject>UI</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:bcaa8c60b261/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:UI"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://hoolawhoop.blogspot.com/2013/09/un-verre-de-marinot.html">
    <title>hoolawhoop: un verre de marinot</title>
    <dc:date>2013-09-26T13:52:07+00:00</dc:date>
    <link>http://hoolawhoop.blogspot.com/2013/09/un-verre-de-marinot.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Maurice Marinot (188201960); waiting to see Maurice Marinot : peintre et verrier / [catalogue rédigé par Michel Hoog et Colette Giraudon]. Paris : Editions de la Réunion des musées nationaux, 1990.]]></description>
<dc:subject>glass</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:9d33da311b0e/</dc:identifier>
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</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://an-itinerant-poet.tumblr.com/post/62219588092">
    <title>Works by Marcius Galan</title>
    <dc:date>2013-09-25T09:49:17+00:00</dc:date>
    <link>http://an-itinerant-poet.tumblr.com/post/62219588092</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[marcius galan. erased composition, 2013. via an-itinerant-poet]]></description>
<dc:subject>era marcius.galan</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:8a9a07c9c647/</dc:identifier>
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</item>
<item rdf:about="https://jacket2.org/commentary/artists-book-idea">
    <title>The artist's book as idea | Jacket2</title>
    <dc:date>2013-09-24T10:58:59+00:00</dc:date>
    <link>https://jacket2.org/commentary/artists-book-idea</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[The artist's book as idea Book artists who print on demand Amaranth Borsuk, September 2013 interesting examples, links.]]></description>
<dc:subject>POD amaranth.borsuk artists.books</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:7a103729c5b5/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:amaranth.borsuk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:artists.books"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://rhizome.org/editorial/2012/oct/4/inside-prosthetic-imaginary-interview-sara-hendren/">
    <title>Rhizome | Inside the Prosthetic Imaginary: An Interview with Sara Hendren</title>
    <dc:date>2013-09-23T08:57:38+00:00</dc:date>
    <link>http://rhizome.org/editorial/2012/oct/4/inside-prosthetic-imaginary-interview-sara-hendren/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Ana Alvarez, 4 October 2012]]></description>
<dc:subject>sara.hendren 405F13 prosthetics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:6d53bf07a370/</dc:identifier>
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</item>
<item rdf:about="http://thepsdshow.org/">
    <title>The .PSD Show</title>
    <dc:date>2013-09-22T03:32:36+00:00</dc:date>
    <link>http://thepsdshow.org/</link>
    <dc:creator>disegno</dc:creator><dc:subject>publishing.models photography</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:f7c9141a9966/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:publishing.models"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:photography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.artedit.org/styleguide.htm">
    <title>Association of Art Editors Style Guide (2013)</title>
    <dc:date>2013-09-21T16:12:29+00:00</dc:date>
    <link>http://www.artedit.org/styleguide.htm</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[.]]></description>
<dc:subject>AAE style.guide art.writing writing</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:112e871fd0a7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:AAE"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:style.guide"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:art.writing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:writing"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://lareviewofbooks.org/essay/shut-up-and-listen-to-the-artists">
    <title>Shut Up and Listen to the Artists! |</title>
    <dc:date>2013-09-21T14:09:01+00:00</dc:date>
    <link>http://lareviewofbooks.org/essay/shut-up-and-listen-to-the-artists</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Johanna Drucker, Los Angeles Review of Books, 7 September 2013 . // on the know-nothingness of much art criticism. // Jonathan Cecil’s The Faces of Los Angeles (2011) makes use of face recognition software to process the landscapes of the city through aerial views.... // Jennifer Steinkamp’s movingly beautiful models of artificial life forms, algorithmically produced trees and matrices, caught in their loops of regeneration and repetitive motion... // Brian Bress, creating his images from the “other” side of the glass (not the viewer’s), uses a framed video to flatten the space of a performance into a plane whose surface is being reshaped, cut, remade as a painterly image... // Chris Engman’s hypnotizing video, Pursuit, tracks a piece of paper caught like an errant tumble weed in desert breezes across the parched, crackled dirt of Death Valley... // Alison O’Daniel’s sophisticated “Quasi Closed Captions” take up the assemblage techniques of..."]]></description>
<dc:subject>contemporary.art johanna.drucker</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:4403651cd46a/</dc:identifier>
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</item>
<item rdf:about="http://telavivartdesign.com/2011/03/handle-with-care-contemporary-ceramic-design-space-2011/">
    <title>Handle with Care, Contemporary Ceramic, Design Space 2011. | TEL AVIV ART AND DESIGN SPACE</title>
    <dc:date>2013-09-20T00:47:44+00:00</dc:date>
    <link>http://telavivartdesign.com/2011/03/handle-with-care-contemporary-ceramic-design-space-2011/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[20 March – 27 April 2011]]></description>
<dc:subject>rounds ceramics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:3ae00e2a1ec3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:rounds"/>
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</item>
<item rdf:about="http://roadsidememorial.villagememorial.com/about-roadside-memorials-sidewalks-billboards.html">
    <title>Village Memorial :: About Roadside Memorials :: Portland Oregon</title>
    <dc:date>2013-09-18T19:32:40+00:00</dc:date>
    <link>http://roadsidememorial.villagememorial.com/about-roadside-memorials-sidewalks-billboards.html</link>
    <dc:creator>disegno</dc:creator><dc:identifier>https://pinboard.in/u:disegno/b:1116f22476c3/</dc:identifier>
</item>
<item rdf:about="http://www.choonimals.com/">
    <title>CHOONIMALS — Home</title>
    <dc:date>2013-09-18T14:35:40+00:00</dc:date>
    <link>http://www.choonimals.com/</link>
    <dc:creator>disegno</dc:creator><dc:subject>405F13</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:7e05136a3dd5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405F13"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.lesfigues.com/book/85/">
    <title>85 | Les Figues Press</title>
    <dc:date>2013-09-18T10:12:16+00:00</dc:date>
    <link>http://www.lesfigues.com/book/85/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Claire Huot Robert Majzels Five volume set Edition Size: 200 Binding: Hardcover, Anstey Bookbinding Paper: Lynx Opaque Book Sizes: 8.75 x 3.25]]></description>
<dc:subject>robert.majzels claire.huot les.figues 85</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:d2e08476aecc/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:les.figues"/>
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