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	<rdf:li rdf:resource="https://twitter.com/hashtag/BlackintheIvory?f=live"/>
	<rdf:li rdf:resource="https://www.nytimes.com/2020/06/15/opinion/coronavirus-college-safe.html"/>
	<rdf:li rdf:resource="https://www.latimes.com/california/story/2020-06-15/ucla-fall-plan"/>
	<rdf:li rdf:resource="https://docs.google.com/document/d/e/2PACX-1vRkuF9o4WDiRW8v2nAPfJRttbZty5MADnFCt38PC4JPbqWMr4VrT307fzz5uAcYupTaWVwTrz-N8pUb/pub"/>
	<rdf:li rdf:resource="https://aagd.co/african-american-graphic-design-resources-and-groups/"/>
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	<rdf:li rdf:resource="https://www.schumachercollege.org.uk/courses/short-courses/transition-design"/>
	<rdf:li rdf:resource="https://www.theguardian.com/world/2019/jul/26/medievalists-excited-parchment-fragment-vagina-monologue"/>
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	<rdf:li rdf:resource="https://www.shashasha.co/en/book/what-i-am-doing"/>
	<rdf:li rdf:resource="https://www.theguardian.com/artanddesign/gallery/2020/jan/23/embrace-the-night-the-floating-sleepers-of-sicily-in-pictures-elizabeth-heyert"/>
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	<rdf:li rdf:resource="https://www.theguardian.com/lifeandstyle/2020/jan/29/i-feel-liberated-women-letting-body-hair-grow-for-januhairy"/>
	<rdf:li rdf:resource="https://www.thecrimson.com/article/2020/1/9/boys-sex-review/"/>
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	<rdf:li rdf:resource="https://www.nytimes.com/2019/12/17/arts/Women-Who-Run-With-the-Wolves.html"/>
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	<rdf:li rdf:resource="https://www.theguardian.com/science/2020/jan/15/having-more-sex-makes-early-menopause-less-likely-research-finds"/>
	<rdf:li rdf:resource="https://www.latimes.com/entertainment-arts/tv/story/2020-01-06/gywneth-paltrow-goop-netflix-poster-twitter-tweets"/>
	<rdf:li rdf:resource="https://www.theguardian.com/fashion/2020/jan/13/why-is-gwyneth-paltrow-selling-a-candle-that-smells-like-her-vagina-goop"/>
	<rdf:li rdf:resource="https://www.jcs.mil/Portals/36/Documents/Doctrine/Other_Pubs/ms_2525d.pdf"/>
	<rdf:li rdf:resource="https://en.wikipedia.org/wiki/NATO_Joint_Military_Symbology"/>
	<rdf:li rdf:resource="https://lib.dr.iastate.edu/graphicdesign_etd/"/>
	<rdf:li rdf:resource="https://uxdesign.cc/when-should-i-be-using-icons-63e7448202c4"/>
	<rdf:li rdf:resource="https://www.google.com/search?client=safari&amp;rls=en&amp;q=car+dashboard+icons+and+meanings&amp;ie=UTF-8&amp;oe=UTF-8"/>
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  </channel><item rdf:about="https://theconversation.com/the-african-roots-of-swiss-design-154892">
    <title>The African roots of Swiss design</title>
    <dc:date>2021-03-18T13:47:50+00:00</dc:date>
    <link>https://theconversation.com/the-african-roots-of-swiss-design-154892</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[The African roots of Swiss design
Long thought to have originated in Ancient Greece, the golden ratio that forms the basis of the Swiss design style may have first emerged in Africa.

Audrey G. Bennett
The Conversation. March 16, 2021

—

But what if a uniquely African aesthetic has been deeply embedded in Western design all along?]]></description>
<dc:subject>design mathematics africa</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:36e6597e5f08/</dc:identifier>
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<item rdf:about="https://hbr.org/2018/09/design-thinking-is-fundamentally-conservative-and-preserves-the-status-quo">
    <title>Design Thinking Is Fundamentally Conservative and Preserves the Status Quo</title>
    <dc:date>2020-09-15T08:40:39+00:00</dc:date>
    <link>https://hbr.org/2018/09/design-thinking-is-fundamentally-conservative-and-preserves-the-status-quo</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Natasha Iskander. Harvard Business Review. September 5, 2018]]></description>
<dc:subject>design.thinking</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:7214b60f1bcf/</dc:identifier>
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<item rdf:about="https://twitter.com/Samir_Bhowmik/status/1302942830944546816">
    <title>Samir Bhowmik on Twitter: &quot;So glad to see my class fully booked! We started ’Media and the Environment’ today 7.9 about tech, mining, fabrication, obsolescene, IoT, ewaste. You can follow the class, read our posts, download literature PDFs online. Her</title>
    <dc:date>2020-09-07T13:32:49+00:00</dc:date>
    <link>https://twitter.com/Samir_Bhowmik/status/1302942830944546816</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[So glad to see my class fully booked! We started ’Media and the Environment’ today 7.9 about tech, mining, fabrication, obsolescene, IoT, ewaste. You can follow the class, read our posts, download literature PDFs online. Here is the syllabus for Fall 2020: ]]></description>
<dc:subject>405F20 via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:91087b025344/</dc:identifier>
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<item rdf:about="https://designobserver.com/feature/against-design/40090">
    <title>Against Design? : Design Observer</title>
    <dc:date>2020-09-06T18:58:31+00:00</dc:date>
    <link>https://designobserver.com/feature/against-design/40090</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Jarrett Fuller.
July 7, 2019

Despite Mould’s dire outlook, he does see a path forward, a path that can subvert, and live outside of, the capitalist system. “Creativity could be – indeed, should be,” he writes, “thought of more as an emancipatory force of societal change.” This, too, should be a goal of design. "Design—which traffics in but is not beholden to consumer culture—does not matter because it is hip or hot or cool or  cheap or new or rare or bold or sexy," writes Jessica Helfand in her 2015 book, The Invention of Desire, "Design matters because of the why, not the what; the sentiment, not the acquisition. Design matters because people matter." The rise of co-design movements is a path forward, so are open source communities and discussions around decolonizing design. “decoloniality is about shattering the familiar.” says Decolonizing Design co-founder Danah Abdulla, “[Design today] does not disrupt the status quo, it does not disorder the established order. Decoloniality is about reimagining something beyond the current system we exist in.”

"Creativity," Mould writes, "is about searching for, giving space to, and trying to realize the impossible." Design, too, is an inherently future-looking profession. It can imagine futures that are more equitable, more inclusive, more humane. But to do this, design must shift from colonizer to democratizer. We must move away from the designer-savior industrial complex that tells us the designer can parachute into any problem and, with some design thinking, fix it, indicating change from the top-down.]]></description>
<dc:subject>405F20 via:asfaltics</dc:subject>
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<item rdf:about="https://2020.typographics.com/">
    <title>Typographics 2020 – A design festival for people who use type</title>
    <dc:date>2020-07-23T20:08:43+00:00</dc:date>
    <link>https://2020.typographics.com/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[online conference, 24-26 July 2020
zoom or stream via youtube]]></description>
<dc:subject>typography</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://books-on-books.com/2020/06/27/books-on-books-collection-the-last-word-on-the-ampersand/">
    <title>Books On Books Collection -The Last Word on the Ampersand – Books On Books</title>
    <dc:date>2020-07-21T13:13:18+00:00</dc:date>
    <link>https://books-on-books.com/2020/06/27/books-on-books-collection-the-last-word-on-the-ampersand/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[The Last Word on the Ampersand
Robert Bolick.
20200627]]></description>
<dc:subject>ampersand typography via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:1ecb36b1b3dd/</dc:identifier>
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<item rdf:about="https://kylieleuthold.com/junk-chairs">
    <title>Kylie Leuthold - Junk Chairs</title>
    <dc:date>2020-07-21T13:12:48+00:00</dc:date>
    <link>https://kylieleuthold.com/junk-chairs</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Kylie Leuthol
project: junk chairs, self-initiated
year: summer 2019
brief: spend 30 minutes each day creating a model chair from found materials (junk), stored in junk bucket, as an exploration of form and material. each model is accompanied by a drawing and documentation of materials used.

also
https://www.instagram.com/kylieleu/]]></description>
<dc:subject>chairs assemblage Kylie.Leuthol glue via:asfaltics</dc:subject>
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<item rdf:about="https://praisetheneonsun.tumblr.com/post/182091159201/their-1985-gig-at-the-tokyo-super-loft-in-which">
    <title>Well burrowed, old mole ! — Their 1985 gig at the Tokyo Super Loft / Eye Yamatsuka</title>
    <dc:date>2020-07-21T13:12:27+00:00</dc:date>
    <link>https://praisetheneonsun.tumblr.com/post/182091159201/their-1985-gig-at-the-tokyo-super-loft-in-which</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Their 1985 gig at the Tokyo Super Loft, in which audience members had to sign waivers, saw Eye Yamatsuka burst through the club doors driving a bulldozer, which eventually knocked a hole in the wall. Audience members had to restrain him from throwing a Molotov cocktail on the petrol-covered wreck. On a different occasion, Yamatsuka accidentally cut a deep wound in his leg with a chainsaw he had strapped to his back, and threw shards and metal debris at a terrified audience. 

posted January 11, 2019
points to youtube slideshow, 
https://www.youtube.com/watch?v=dryImjiWj1M]]></description>
<dc:subject>japan Eye.Yamatsuka performance via:asfaltics</dc:subject>
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<item rdf:about="https://www.tokyoartbeat.com/tablog/entries.ja/2020/07/mot_ishioka.html">
    <title>唯一無比の個性と情熱：「石岡瑛子 血が、汗が、涙がデザインできるか」が東京都現代美術館で開催へTokyo Art Beat - ニュース、レビュー、インタビュー</title>
    <dc:date>2020-07-21T13:11:57+00:00</dc:date>
    <link>https://www.tokyoartbeat.com/tablog/entries.ja/2020/07/mot_ishioka.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[唯一無比の個性と情熱：「石岡瑛子 血が、汗が、涙がデザインできるか」が東京都現代美術館で開催へ

An exhibition at the Museum of Contemporary Art Tokyo this autumn looks at the incredible work of costume designer Eiko Ishioka. ]]></description>
<dc:subject>japan costume.design via:asfaltics</dc:subject>
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<item rdf:about="https://www.latimes.com/entertainment-arts/story/2020-07-20/covid-art-school-students-university-online-classes-fall-2020">
    <title>Young artists prepare for college during COVID-19 upheaval - Los Angeles Times</title>
    <dc:date>2020-07-21T13:11:50+00:00</dc:date>
    <link>https://www.latimes.com/entertainment-arts/story/2020-07-20/covid-art-school-students-university-online-classes-fall-2020</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Here’s why COVID-19 has made arts education so problematic
Makeda Easter. Los Angeles Times. July 20, 2020]]></description>
<dc:subject>edu Covid-19 via:asfaltics</dc:subject>
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<item rdf:about="https://letterformarchive.org/news/the-black-experience-in-graphic-design-1968-and-2020">
    <title>The Black Experience in Graphic Design: 1968 and 2020 – Letterform Archive</title>
    <dc:date>2020-07-08T20:46:34+00:00</dc:date>
    <link>https://letterformarchive.org/news/the-black-experience-in-graphic-design-1968-and-2020</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[In Dialogue with the Collection
The Black Experience in Graphic Design: 1968 and 2020
Archive Digitization Process

“The Black Experience in Graphic Design”, an article by Dorothy Jackson from a 1968 issue of Print magazine, was perhaps the first piece from the mainstream trade press to describe the experience of Black designers in their own words. In a special feature co-published with Print, we asked fifteen of today’s design leaders to tell us what’s changed in 50 years and imagine what’s next.]]></description>
<dc:subject>design.history</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:6d804c5aa8ba/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design.history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://archive.org/details/TNM_CHART-PAK_tape_method_of_drafting_and_visual__20171108_0167/mode/2up">
    <title>CHART-PAK tape method of drafting and visual communications - CHART-PAK, INC. 1963: : Free Download, Borrow, and Streaming : Internet Archive</title>
    <dc:date>2020-06-27T18:35:18+00:00</dc:date>
    <link>https://archive.org/details/TNM_CHART-PAK_tape_method_of_drafting_and_visual__20171108_0167/mode/2up</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[CHART-PAK tape method of drafting and visual communications - CHART-PAK, INC. 1963:]]></description>
<dc:subject>pictograph chart-pak graphic.design design.history via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:73b88bcd7d68/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:pictograph"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:chart-pak"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:graphic.design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design.history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2020/06/19/nyregion/par-jigsaw-puzzles-lockdown.html">
    <title>Soaring Sales for $4,500 Puzzles? In a Lockdown, It All Fits - The New York Times</title>
    <dc:date>2020-06-27T18:35:01+00:00</dc:date>
    <link>https://www.nytimes.com/2020/06/19/nyregion/par-jigsaw-puzzles-lockdown.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Soaring Sales for $4,500 Puzzles? In a Lockdown, It All Fits
A small Long Island business that cuts one-of-a-kind jigsaw puzzles gets a lift amid the fallout from the pandemic.

John D. Tulenko
NYTimes. June 19, 2020

print edition:
As People Stay Home, a Puzzle Maker Fits Right In|June 21, 2020, Page MB1
]]></description>
<dc:subject>puzzles jigsaw.puzzles via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:c88e0217aa4d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:puzzles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:jigsaw.puzzles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theparisreview.org/blog/2020/06/24/reimagining-black-futures/">
    <title>Reimagining Black Futures</title>
    <dc:date>2020-06-27T18:34:52+00:00</dc:date>
    <link>https://www.theparisreview.org/blog/2020/06/24/reimagining-black-futures/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Reimagining Black Futures
On Lorna Simpson and the Black imaginative practice of collage
By Sasha Bonét 
The Paris Review. June 24, 2020
]]></description>
<dc:subject>Lorna.Simpson collage Sasha.Bonét via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:c1d2ba580244/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Lorna.Simpson"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:collage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Sasha.Bonét"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2020/06/26/obituaries/milton-glaser-dead.html">
    <title>Milton Glaser, Master Designer of ‘I ♥ NY’ Logo, Is Dead at 91 - The New York Times</title>
    <dc:date>2020-06-27T18:34:42+00:00</dc:date>
    <link>https://www.nytimes.com/2020/06/26/obituaries/milton-glaser-dead.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Milton Glaser, Master Designer of ‘I ♥ NY’ Logo, Is Dead at 91
He was also a founder of New York magazine, created a memorable Bob Dylan poster and produced designs for everything from supermarkets to restaurants to “Mad Men.”

William Grimes. NYTimes. June 26, 2020]]></description>
<dc:subject>Milton.Glaser via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:6f1a9a198506/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Milton.Glaser"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.artforum.com/slant/andrew-russeth-considers-the-role-of-art-in-a-pandemic-82548">
    <title>Andrew Russeth considers the role of art in a pandemic - Artforum International</title>
    <dc:date>2020-06-16T15:05:48+00:00</dc:date>
    <link>https://www.artforum.com/slant/andrew-russeth-considers-the-role-of-art-in-a-pandemic-82548</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Maintenance Work
Andrew Russeth considers the role of art in a pandemic
Art Forum. March 24, 2020]]></description>
<dc:subject>maintenance maintenance.art Mierle.Laderman.Ukeles via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:d58d084965b1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:maintenance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:maintenance.art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Mierle.Laderman.Ukeles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://theweirdshow.info/2020/03/23/discussing-about-collage-uncollage-and-everything-that-happened-after-the-big-bang-with-todd-bartel-part-1/">
    <title>Discussing about collage, Uncollage and everything that happened after the Big Bang with Todd Bartel (part 1). – The Weird Show</title>
    <dc:date>2020-06-16T15:05:11+00:00</dc:date>
    <link>https://theweirdshow.info/2020/03/23/discussing-about-collage-uncollage-and-everything-that-happened-after-the-big-bang-with-todd-bartel-part-1/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Discussing about collage, Uncollage and everything that happened after the Big Bang with Todd Bartel (part 1). – The Weird Show

see also
https://www.instagram.com/collagehead/

20200323]]></description>
<dc:subject>collage uncollage Todd.Bartel via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:df0770b1a7bd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:collage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:uncollage"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Todd.Bartel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/science/2020/apr/16/spectacular-artefacts-found-as-norway-ice-patch-melts">
    <title>'Spectacular' artefacts found as Norway ice-patch melts | Science | The Guardian</title>
    <dc:date>2020-06-16T15:04:39+00:00</dc:date>
    <link>https://www.theguardian.com/science/2020/apr/16/spectacular-artefacts-found-as-norway-ice-patch-melts</link>
    <dc:creator>disegno</dc:creator><description><![CDATA['Spectacular' artefacts found as Norway ice-patch melts
Discoveries exposed by retreating ice include snowshoe for horses and bronze age ski
Esther Addley. The Guardian. 16 April 2020]]></description>
<dc:subject>tools ice archaeology Esther.Addley via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:38e08c675eeb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:tools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:ice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:archaeology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Esther.Addley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/artanddesign/2020/apr/25/ceramics-michael-evans-london-council-flat-dayabandu">
    <title>Love and obsession: how leading UK ceramics collection ended up in London council flat | Art and design | The Guardian</title>
    <dc:date>2020-06-16T15:04:11+00:00</dc:date>
    <link>https://www.theguardian.com/artanddesign/2020/apr/25/ceramics-michael-evans-london-council-flat-dayabandu</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Observer Design
Love and obsession: how one of the finest UK ceramics collections ended up in a London council flat
Michael Evans filled every available space with a treasure trove of British, French and Japanese works. Now they’re up for auction

Caroline Roux. 25 April 2020]]></description>
<dc:subject>ceramics via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:fcea4257d666/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:ceramics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.latimes.com/lifestyle/story/2020-05-01/does-it-feel-like-like-time-is-flying-by-during-coronavirus-quarantine-heres-why">
    <title>Does it feel like time is flying by during Coronavirus? Here's why</title>
    <dc:date>2020-06-16T15:03:19+00:00</dc:date>
    <link>https://www.latimes.com/lifestyle/story/2020-05-01/does-it-feel-like-like-time-is-flying-by-during-coronavirus-quarantine-heres-why</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Is time flying by oddly quickly during COVID-19? Here’s why you may feel that way
Rachel Schnalzer. Los Angeles Times. May 1, 2020

—

The older we get, the fewer novel events we experience, which causes time to feel as if it’s going by faster than it did earlier in our lives. Hammond points out that a similar phenomenon can happen to people who are sick or incarcerated. Time will pass slowly as it’s experienced but then feel as if it’s gone by quickly in retrospect.]]></description>
<dc:subject>time Covid-19 via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:9b5cead66073/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:time"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Covid-19"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/travel/2020/may/13/fantasy-maps-internet-stereotypes-night-sky-vintage">
    <title>Fantasy map-making: 'I like vintage style with a modern twist'</title>
    <dc:date>2020-06-16T15:02:51+00:00</dc:date>
    <link>https://www.theguardian.com/travel/2020/may/13/fantasy-maps-internet-stereotypes-night-sky-vintage</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Interview
Fantasy map-making: 'I like vintage style with a modern twist'
Slovakian graphic designer Martin Vargic’s maps look historic but depict modern phenomena, from internet to climate crisis and, soon, the world according to Trump

interview by Rachel Dixon. The Guardian. 13 May 2020]]></description>
<dc:subject>cartography via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:2c01f480123e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:cartography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://thesherman.org/arts/art-exhibits/">
    <title>Dustin Gimbel, Sculptura Botanica at Sherman Library and Gardens (Newport Beach)</title>
    <dc:date>2020-06-16T15:02:38+00:00</dc:date>
    <link>https://thesherman.org/arts/art-exhibits/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Sculptura Botanica is a site specific art installation by ceramic artist and landscape designer Dustin Gimbel. The exhibit, featuring ten installations of all original pieces,  will be on display through September 15 (2020).

via

https://www.instagram.com/p/CAOZQ2ogAQE/
https://www.instagram.com/dustingimbeldesigns/
]]></description>
<dc:subject>orts Dustin.Gimbel via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:daabfa990888/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:orts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Dustin.Gimbel"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2020/05/19/books/review/coronavirus-literature-time.html">
    <title>In Search of Time Lost and Newly Found</title>
    <dc:date>2020-06-16T15:02:25+00:00</dc:date>
    <link>https://www.nytimes.com/2020/05/19/books/review/coronavirus-literature-time.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Wrote about time, the ubiquitous pandemic diaries, Alice in Wonderland + my abiding love of awkward and failed texts of all kinds
as tweeted by Parul Sehgal
@parul_sehgal

CRITIC’S NOTEBOOK
In Search of Time Lost and Newly Found
Parul Sehgal. NYTimes. May 19, 2020]]></description>
<dc:subject>time Parul.Sehgal Covid-19 via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:45c188b1ea62/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:time"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Parul.Sehgal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Covid-19"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.durdenandray.com/participating-artists">
    <title>Participating Artists — DURDENANDRAY</title>
    <dc:date>2020-06-16T15:02:09+00:00</dc:date>
    <link>http://www.durdenandray.com/participating-artists</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[100 artists participating in the sprawling, shrewdly conceived show “We Are Here / Here We Are” organized by the artist-run Durden and Ray gallery in downtown Los Angeles. Small, tightly focused shows have been the gallery’s specialty, but the unprecedented modern pandemic brought on by the novel coronavirus has sent it in a different direction.

Ninety-seven works have been installed all over Los Angeles County in places viewable from the street or sidewalk. ]]></description>
<dc:subject>los.angeles via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:b7cf7fc6a17b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:los.angeles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://twitter.com/modescriticism/status/1264157487281975296">
    <title>Modes of Criticism on Twitter: &quot;During the past months, inevitably, graphic designers' behaviour in relation to the pandemic is a recurrent discussion with students and colleagues. There's a general sense of déjà-vu (more precarity), confusion (overload</title>
    <dc:date>2020-06-16T15:01:52+00:00</dc:date>
    <link>https://twitter.com/modescriticism/status/1264157487281975296</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[
Modes of Criticism
@modescriticism
During the past months, inevitably, graphic designers' behaviour in relation to the pandemic is a recurrent discussion with students and colleagues. There's a general sense of déjà-vu (more precarity), confusion (overload of information) and paralysis (effective and perceived).
May 23, 2020

thread]]></description>
<dc:subject>graphic.design via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:bead306a5d99/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:graphic.design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.amazon.com/Type-Matters-Rhetoricity-Letterforms-Rhetoric-dp-1602359733/dp/1602359733/ref=mt_paperback?_encoding=UTF8&amp;me=&amp;qid=1590612785">
    <title>Type Matters: The Rhetoricity of Letterforms (Visual Rhetoric): Wyatt, Christopher Scott, Wyatt, Christopher Scott, Devoss, Danielle Nicole: 9781602359734: Amazon.com: Books</title>
    <dc:date>2020-06-16T15:01:42+00:00</dc:date>
    <link>https://www.amazon.com/Type-Matters-Rhetoricity-Letterforms-Rhetoric-dp-1602359733/dp/1602359733/ref=mt_paperback?_encoding=UTF8&amp;me=&amp;qid=1590612785</link>
    <dc:creator>disegno</dc:creator><dc:subject>typography via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:db5c46276ac8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:typography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://hyperallergic.com/566729/drive-by-art-warren-neidich-los-angeles/">
    <title>120 Artists Create a “Drive-by-Art” Exhibition Throughout Los Angeles</title>
    <dc:date>2020-06-16T15:01:35+00:00</dc:date>
    <link>https://hyperallergic.com/566729/drive-by-art-warren-neidich-los-angeles/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[120 Artists Create a “Drive-by-Art” Exhibition Throughout Los Angeles
The exhibition includes both well-known and emerging artists and reaches across LA County’s varied neighborhoods.

Natalie Haddad. Hyperallergic. May 27, 2020]]></description>
<dc:subject>los.angeles via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:764f896ed35d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:los.angeles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.quantamagazine.org/nobel-laureate-james-p-allison-cures-cancers-with-immunotherapy-20200203">
    <title>Nobel Laureate James P. Allison Cures Cancers With Immunotherapy | Quanta Magazine</title>
    <dc:date>2020-06-16T15:01:19+00:00</dc:date>
    <link>https://www.quantamagazine.org/nobel-laureate-james-p-allison-cures-cancers-with-immunotherapy-20200203</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Claudia Dreifus.
Quanta Magazine. February 3, 2020

While at college — I was pre-med at the University of Texas — I saw that medical training involved filling your head full of stuff. Your job is to just pack your head with so many goddamn facts that if someone comes to you with a problem, you can make a diagnosis. And you’d better be right! Because if you’re wrong, you could hurt your patient.

Now as a research scientist, you’re supposed to be wrong. You have an idea about something that nobody understands and you’re trying to figure it out. And the only way you can do that is to have a hypothesis and do an experiment that says, “No, that’s not it.”

—

 When I first came to Berkeley in the 1990s, for example, they were in the midst of trying to redefine modern biology, and certain very powerful people there did not even want there to be a department of immunology. They felt that immunology was not a real discipline because it didn’t deal with the static, fundamental processes of biology that apply to everything. To be a real biologist, they believed you needed to study things like how DNA replicates, how to make a protein, or how to make RNA. I thought they were silly.

Why silly?
Because there are certain key elements of immunology that immunologists pay attention to that people in other fields don’t. T cell biology, where the main principle is the recognition of the nonself, is an example. I wanted to know about how the immune system recognizes the nonself. How do you get to that? What regulates that? What are the cells and molecules involved? What helps you or stops you from recognizing the self? All these things are unique to the immune system.

—

Sometimes, you just have to get away from everybody. I take some pride in the fact that I don’t think I read as many journal papers as other people. There was a period when I was working on the T cell receptor and I made a determined decision not to read a damn thing about T cell receptors because the papers were so confusing and contradictory. Some of the experiments weren’t even understandable.

I’d think, “Either I’m too stupid to understand this, or nobody knows what they’re talking about. I’m just going to sit down and figure out something logical to me, making certain assumptions and predictions, and just do it.”

Why did you have enough faith in yourself to go it alone?
Because I could make certain minimal assumptions, based on a little bit of data. I know what science is. I know how to use it.]]></description>
<dc:subject>experimental failure James.P.Allison cell.signaling immunology cancer nonself solitude via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:bd18ecb4f30d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:experimental"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:failure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:James.P.Allison"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:cell.signaling"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:immunology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:cancer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:nonself"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:solitude"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.mapping-access.com/blog-1/2020/6/2/anti-racist-critical-deisgn">
    <title>Anti-Racist Critical Design — Mapping Access</title>
    <dc:date>2020-06-16T15:01:07+00:00</dc:date>
    <link>https://www.mapping-access.com/blog-1/2020/6/2/anti-racist-critical-deisgn</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Anti-Racist Critical Design
June 2, 2020
Critical Design Lab Statement on Design Committments to Abolishing White Supremacy (Plain language version available)


We offer the following commitments toward anti-racist critical design praxis:
1
We affirm the value of human life over property.
2
We affirm the value of direct action as a design tactic.
3
We call in disabled people, especially non-Black disabled people, to center the fight against white supremacy in disability politics.
4
We name racist police brutality as a form of state-sponsored eugenics.
5
We call in the legacies of disabled world-building to imagine new infrastructures and ways of living.
6
We call in our community of designers, activists, researchers, educators, architects, and urban planners to recognize that the built and social worlds we produce together each day are non-innocent, inseparable from white supremacy.
7
We call in our community of university-affiliated workers to reckon with the role of slavery in building our institutions on colonized land. 
8
We commit to working in the tradition of mutual aid and solidarity]]></description>
<dc:subject>design race racism manifestos via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:8c179dd5c4e0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:race"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:racism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:manifestos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://docs.google.com/document/d/10Luh40QdCsInQyUw69Ekx8XcBwPyPbCX1nKY7gpL9fM/edit">
    <title>Plain language statement on Design Committments to Abolishing White Supremacy - Google Docs</title>
    <dc:date>2020-06-16T15:00:58+00:00</dc:date>
    <link>https://docs.google.com/document/d/10Luh40QdCsInQyUw69Ekx8XcBwPyPbCX1nKY7gpL9fM/edit</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[better than non-plain language version, IMHO.]]></description>
<dc:subject>design manifestos via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:3e4c7ad98dd5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:manifestos"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/games/2020/jun/07/japans-video-gaming-grandma-90-plays-her-way-into-record-books">
    <title>Japan's video gaming grandma, 90, plays her way into record books | Games | The Guardian</title>
    <dc:date>2020-06-16T15:00:45+00:00</dc:date>
    <link>https://www.theguardian.com/games/2020/jun/07/japans-video-gaming-grandma-90-plays-her-way-into-record-books</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Japan's video gaming grandma, 90, plays her way into record books
Still nimble-fingered pensioner Hamako Mori holds Guinness world record as oldest gaming YouTuber

Agence France-Presse
The Guardian. 7 June 2020

]]></description>
<dc:subject>japan games via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:592ce2bbeb91/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:japan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2020/06/03/magazine/covid-college-fall.html">
    <title>What Will College Be Like in the Fall? - The New York Times</title>
    <dc:date>2020-06-16T15:00:36+00:00</dc:date>
    <link>https://www.nytimes.com/2020/06/03/magazine/covid-college-fall.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[What Will College Be Like in the Fall?
Administrators, professors, a union representative and students consider the new realities of life on campus in the midst of a pandemic.

Emily Bazelon. NYTimes Magazine. June 3, 2020]]></description>
<dc:subject>edu Covid-19 via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:e2f32d390779/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:edu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Covid-19"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.insidehighered.com/blogs/learning-innovation/contextualizing-15-fall-scenarios">
    <title>Contextualizing the 15 Fall Scenarios | Learning Innovation</title>
    <dc:date>2020-06-16T14:59:57+00:00</dc:date>
    <link>https://www.insidehighered.com/blogs/learning-innovation/contextualizing-15-fall-scenarios</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Contextualizing the 15 Fall Scenarios
Thinking about the coming academic year.

Edward J. Maloney and Joshua Kim
Inside Higher Ed
May 17, 2020]]></description>
<dc:subject>edu.fall.2020 via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:f03ca449eed7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:edu.fall.2020"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.insidehighered.com/digital-learning/blogs/learning-innovation/low-density-university">
    <title>The Low-Density University</title>
    <dc:date>2020-06-16T14:59:46+00:00</dc:date>
    <link>https://www.insidehighered.com/digital-learning/blogs/learning-innovation/low-density-university</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[The Low-Density University
Our next book.

Edward J. Maloney and Joshua Kim
Inside Higher Ed
April 15, 2020]]></description>
<dc:subject>edu.fall.2020 Covid-19 via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:346c9d685a37/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:edu.fall.2020"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Covid-19"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://designobserver.com/feature/social-distance-learning-the-remote-generation/40266/">
    <title>Social Distance Learning: The Remote Generation : Design Observer</title>
    <dc:date>2020-06-16T14:59:16+00:00</dc:date>
    <link>https://designobserver.com/feature/social-distance-learning-the-remote-generation/40266/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Steven Heller. June 10, 2020]]></description>
<dc:subject>design.edu correspondence.schools via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:8c247aa56500/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design.edu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:correspondence.schools"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/commentisfree/2020/jun/12/arts-industry-racism-diversity-publishing">
    <title>The arts world is facing a fierce reckoning about diversity. But is it too late? | Arwa Mahdawi | Opinion | The Guardian</title>
    <dc:date>2020-06-16T14:59:08+00:00</dc:date>
    <link>https://www.theguardian.com/commentisfree/2020/jun/12/arts-industry-racism-diversity-publishing</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Culture
The arts world is facing a fierce reckoning about diversity. But is it too late?
A scandal has exposed massive pay disparities in publishing and journalism. But the information may not help much
Arwa Mahdawi. The Guardian. 
12 June 2020]]></description>
<dc:subject>arts.biz diversity via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:e3dc4497c689/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:arts.biz"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:diversity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://blog.wfmu.org/freeform/2009/03/captain-beefhearts-10-commandments-of-guitar-playing.html">
    <title>Captain Beefheart's 10 Commandments of Guitar Playing</title>
    <dc:date>2020-06-16T14:59:00+00:00</dc:date>
    <link>https://blog.wfmu.org/freeform/2009/03/captain-beefhearts-10-commandments-of-guitar-playing.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Captain Beefheart's 10 Commandments of Guitar Playing
WFMU's Beware of the Blog
March 30, 2009]]></description>
<dc:subject>captain.beefheart birds via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:1125a959d2d5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:captain.beefheart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:birds"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://twitter.com/hashtag/BlackintheIvory?f=live">
    <title>#BlackintheIvory - Twitter Search / Twitter</title>
    <dc:date>2020-06-16T14:58:52+00:00</dc:date>
    <link>https://twitter.com/hashtag/BlackintheIvory?f=live</link>
    <dc:creator>disegno</dc:creator><dc:subject>#BlackintheIvory via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:8fdf11070352/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:#BlackintheIvory"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2020/06/15/opinion/coronavirus-college-safe.html">
    <title>Opinion | Expecting Students to Play It Safe if Colleges Reopen Is a Fantasy - The New York Times</title>
    <dc:date>2020-06-16T14:58:37+00:00</dc:date>
    <link>https://www.nytimes.com/2020/06/15/opinion/coronavirus-college-safe.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Opinion
Expecting Students to Play It Safe if Colleges Reopen Is a Fantasy
Safety plans border on delusional and could lead to outbreaks of Covid-19 among students, faculty and staff.

Laurence Steinberg
NYTimes. June 15, 2020

]]></description>
<dc:subject>Covid-19 edu via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:b4d2f9bcd47d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Covid-19"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:edu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.latimes.com/california/story/2020-06-15/ucla-fall-plan">
    <title>UCLA to reopen with mainly online classes due to coronavirus - Los Angeles Times</title>
    <dc:date>2020-06-16T14:58:26+00:00</dc:date>
    <link>https://www.latimes.com/california/story/2020-06-15/ucla-fall-plan</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[UCLA to reopen with mainly online classes because of the coronavirus, officials say
Paloma Equivel. Los Angeles Times. June 15, 2020]]></description>
<dc:subject>Covid-19 edu via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:3d2d1e80b20e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Covid-19"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:edu"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://docs.google.com/document/d/e/2PACX-1vRkuF9o4WDiRW8v2nAPfJRttbZty5MADnFCt38PC4JPbqWMr4VrT307fzz5uAcYupTaWVwTrz-N8pUb/pub">
    <title>Anti-racism Design Resources (google.doc)</title>
    <dc:date>2020-06-14T21:28:51+00:00</dc:date>
    <link>https://docs.google.com/document/d/e/2PACX-1vRkuF9o4WDiRW8v2nAPfJRttbZty5MADnFCt38PC4JPbqWMr4VrT307fzz5uAcYupTaWVwTrz-N8pUb/pub</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Anti-racism Design Resources
This document is intended to uplift Black design communities, serve as a resource for communities in need of pro bono design services, and serve as a resource to non-Black and white people to deepen our anti-racism work within design disciplines. If you haven’t engaged in anti-racism work in the past, start now. Feel free to circulate this document on social media and with your friends, family, and colleagues. (First compiled 6/1/2020; last updated 6/12/2020)]]></description>
<dc:subject>anti-racism.design.resources</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:3e2abce3f3a3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:anti-racism.design.resources"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://aagd.co/african-american-graphic-design-resources-and-groups/">
    <title>African American Graphic Design Resources and Groups</title>
    <dc:date>2020-06-14T21:27:31+00:00</dc:date>
    <link>https://aagd.co/african-american-graphic-design-resources-and-groups/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[African American Graphic Design Communities and Resources]]></description>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:d83d5a7b6504/</dc:identifier>
</item>
<item rdf:about="https://www.theguardian.com/books/2020/feb/20/vagina-is-not-a-rude-word-catherine-blackledge-raising-the-skirt">
    <title>'Vagina is not a rude word': the scientist fighting to empower women, one word at a time | Books | The Guardian</title>
    <dc:date>2020-02-20T20:30:09+00:00</dc:date>
    <link>https://www.theguardian.com/books/2020/feb/20/vagina-is-not-a-rude-word-catherine-blackledge-raising-the-skirt</link>
    <dc:creator>disegno</dc:creator><description><![CDATA['Vagina is not a rude word': the scientist fighting to empower women, one word at a time
Twenty years ago, Catherine Blackledge’s history of the vagina The Story of V broke boundaries. As it is reissued, she talks about anasryma as activism and why we lie about the clitoris

Alison Flood
The Guardian
20 February 2020

]]></description>
<dc:subject>405S20 the.body</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:28ae435c07cb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.body"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/artanddesign/2020/feb/17/masculinities-review-barbican-london-exhibition">
    <title>Masculinities review: men laid bare from boardroom to battlefield | Art and design | The Guardian</title>
    <dc:date>2020-02-17T22:56:26+00:00</dc:date>
    <link>https://www.theguardian.com/artanddesign/2020/feb/17/masculinities-review-barbican-london-exhibition</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Masculinities review: men laid bare from boardroom to battlefield
Photography
Barbican, London
From Taliban fighters in kohl and Hollywood Nazis to the bones of Masahisa Fukase’s late father, this timely show of photography shows maleness at its most touching, tragic and extreme
Sean O’Hagan
The Guardian
17 February 2020]]></description>
<dc:subject>gender masculinity 405S20</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:cac068ef3792/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:gender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:masculinity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.artnews.com/art-in-america/features/artists-using-powerpoint-critique-rhetorical-strategies-tan-lin-tony-cokes-david-byrne-1202676971/">
    <title>How Artists Are Using PowerPoint to Critique Rhetorical Strategies – ARTnews.com</title>
    <dc:date>2020-02-09T12:35:26+00:00</dc:date>
    <link>https://www.artnews.com/art-in-america/features/artists-using-powerpoint-critique-rhetorical-strategies-tan-lin-tony-cokes-david-byrne-1202676971/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[USING POWERPOINT, ARTISTS ASK HOW PERFORMATIVE PRESENTATIONS SHAPE OUR THINKING
/
How Artists Are Using PowerPoint to Critique Rhetorical Strategies

By Shannon Mattern
Art in America
February 5, 2020]]></description>
<dc:subject>Shannon.Mattern powerpoint visual.rhetoric via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:b0b3469a8a9c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Shannon.Mattern"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:powerpoint"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:visual.rhetoric"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.schumachercollege.org.uk/courses/short-courses/transition-design">
    <title>Transition Design: Seeding and Catalysing Systems-Level Change | Schumacher College</title>
    <dc:date>2020-02-09T12:02:53+00:00</dc:date>
    <link>https://www.schumachercollege.org.uk/courses/short-courses/transition-design</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Transition Design short course intensive at Schumacher College end of June 2020

course description is capsule summary of transition design]]></description>
<dc:subject>transition.design 405S20</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:72b0fde31e7a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:transition.design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/world/2019/jul/26/medievalists-excited-parchment-fragment-vagina-monologue">
    <title>Medievalists excited at parchment fragment of 'vagina monologue' | World news | The Guardian</title>
    <dc:date>2020-02-04T13:25:07+00:00</dc:date>
    <link>https://www.theguardian.com/world/2019/jul/26/medievalists-excited-parchment-fragment-vagina-monologue</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Medievalists excited at parchment fragment of 'vagina monologue'

Find in Austrian abbey dates poem to 200 years earlier than previously thought
Kate Connolly in Berlin
The Guardian
26 July 2019]]></description>
<dc:subject>the.body 405S20</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:8af638c53cb0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.body"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2020/02/03/opinion/goop-gwyneth-paltrow-netflix.html">
    <title>Opinion | Who’s Afraid of Gwyneth Paltrow and Goop? - The New York Times</title>
    <dc:date>2020-02-04T13:17:14+00:00</dc:date>
    <link>https://www.nytimes.com/2020/02/03/opinion/goop-gwyneth-paltrow-netflix.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Opinion
Who’s Afraid of Gwyneth Paltrow and Goop?
The long history of hating on “woo.”

By Elisa Albert and Jennifer Block
NYTimes
February 3, 2020

A version of this article appears in print on Feb. 4, 2020, Section A, Page 23 of the New York edition with the headline: Who’s Afraid of Gwyneth Paltrow?

—

Criticism of Goop is founded, at least in part, upon deeply ingrained reserves of fear, loathing, and ignorance about things we cannot see, touch, authenticate, prove, own or quantify. It is emblematic of a cultural insistence that we quash intuitive measures and “other” ways of knowing — the sort handed down via oral tradition, which, for most women throughout history, was the only way of knowing. In other words, it’s classic patriarchal devaluation.

When 19th-century medicine men were organizing and legitimizing their brand-new profession, they claimed the mantle of “science” even though there was no such thing as evidence-based medicine at the time. In order to dominate the market, they slandered all other modalities as “quackery,” including midwifery, which we know achieved safer birth outcomes back then, as it still does today.

—

 But it’s condescending to suggest that if we are interested in having agency over our bodies, if we are open to experiencing heightened states of awareness and emotion, if we are amazed by and eager to learn more about the possibilities of touch and intention and energy, and if we’d like to do everything within our power to stay out of doctors’ offices, we are somehow privileged morons who deserve an intellectual (read: patriarchal) beat-down. Openness to intuitive measures that might help us avoid or ameliorate chronic despair and disease does not make us flat-earthers.

The word “science” has morphed into a virtue signal, but science is simply a tool, and it can be used for both good and ill. ]]></description>
<dc:subject>the.body 405S20 science scientism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:58f1e488092d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.body"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:scientism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/world/2020/jan/31/our-face-mask-future-do-they-really-help-beat-flu-coronavirus-and-pollution">
    <title>Our face mask future: Do they really help beat flu, coronavirus and pollution? | World news | The Guardian</title>
    <dc:date>2020-01-31T18:11:36+00:00</dc:date>
    <link>https://www.theguardian.com/world/2020/jan/31/our-face-mask-future-do-they-really-help-beat-flu-coronavirus-and-pollution</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Coronavirus outbreak
Our face mask future: Do they really help beat flu, coronavirus and pollution?
Huge numbers of people are wearing face masks – in Japan and South Korea there have been reports of stores selling out. But experts are divided on how effective they are

Amy Fleming
The Guardian
31 January 2020

.  . . ... .  ..

For young people in east Asia, where wearing protective masks in public for a variety of reasons has been acceptable for a century, they have become cool. They accentuate the eyes, and add mystique to Instagram-filtered selfies – and the moulded versions, as opposed to the classic strip tied across the lower face, look pleasingly futuristic. They come in different colours and patterns, from camouflage to Hello Kitty. BTS merch stores sell branded masks.

Mitsutoshi Horii, a professor at Shumei University in Japan, now based at Chaucer College in Canterbury, wrote a sociology research paper in 2014 looking at the history of face-mask-wearing in Japan. He has never worn one, but his mother has taken to the custom in recent winters. This is not primarily for fear of infection, but because, he says, “during the winter, her throat gets dry, and it keeps her face warm”.

Their popularity is still growing in Japan, not least because there is a greater emphasis than ever before, from governments and medics, on taking responsibility for your own health.

Although the title of his paper is Why Do the Japanese Wear Masks?, Horii says an equally interesting question is why don’t westerners? He discovered that masks were promoted by authorities across the world during the 1918 Spanish flu crisis that killed 50 million people. But in the west, particularly the US, “there was a huge public rejection. It went against their ideology of liberalism, the belief in freedom of individuals.”]]></description>
<dc:subject>405S20 face the.face masks fashion survival.gear cultural.difference</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:8e05f86abfca/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:face"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.face"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:masks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:fashion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:survival.gear"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:cultural.difference"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.shashasha.co/en/book/what-i-am-doing">
    <title>What I Am Doing - Eiko YAMAZAWA</title>
    <dc:date>2020-01-30T16:59:11+00:00</dc:date>
    <link>https://www.shashasha.co/en/book/what-i-am-doing</link>
    <dc:creator>disegno</dc:creator><dc:subject>Eiko.Yamazawa 山沢栄子 photographer via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:35d1a7ee66ef/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Eiko.Yamazawa"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:山沢栄子"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:photographer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/artanddesign/gallery/2020/jan/23/embrace-the-night-the-floating-sleepers-of-sicily-in-pictures-elizabeth-heyert">
    <title>Embrace the night: the floating sleepers of Sicily – in pictures | Art and design | The Guardian</title>
    <dc:date>2020-01-30T16:58:10+00:00</dc:date>
    <link>https://www.theguardian.com/artanddesign/gallery/2020/jan/23/embrace-the-night-the-floating-sleepers-of-sicily-in-pictures-elizabeth-heyert</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Embrace the night: the floating sleepers of Sicily – in pictures
‘I asked my subjects to do whatever they had to to sleep. Then I’d stand up on the balcony and watch them’

Elizabeth Heyert’s intimate images of people sleeping were projected on to huge stone walls in a deserted town in Sicily and rephotographed. The result is an extraordinary series with the power of ancient sculpture

Elizabeth Heyert
The Guardian
Thu 23 Jan 2020 

—

Sleepers 15
She projected images of the sleepers on to the ancient walls and rephotographed them using a traditional Deardorff camera and sheet film. ‘I discovered that the stone had meaning,’ she says. ‘It had a passionate life, like old people’s skin. The timelessness of the stone echoed the emotion of the figures but obliterated their specificity, took it away from the personal’

]]></description>
<dc:subject>sleeping Elizabeth.Heyert via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:10052107aea3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:sleeping"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Elizabeth.Heyert"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.newyorker.com/magazine/2020/02/03/the-pitfalls-and-the-potential-of-the-new-minimalism">
    <title>The Pitfalls and the Potential of the New Minimalism | The New Yorker</title>
    <dc:date>2020-01-30T16:57:55+00:00</dc:date>
    <link>https://www.newyorker.com/magazine/2020/02/03/the-pitfalls-and-the-potential-of-the-new-minimalism</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Simple Plans : The Pitfalls and the Potential of the New Minimalism
The mantra of “less is more” still obeys a logic of accumulation—but it hints at genuinely different ways of thinking.
Jia Tolentino
The New Yorker
January 27, 2020
(February 3, 2020 issue)

. . . ...

essay occasioned by Kyle Chayka, The Longing for Less: Living with Minimalism]]></description>
<dc:subject>Jia.Tolentino minimalism via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:898d3d1db483/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:Jia.Tolentino"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:minimalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/lifeandstyle/2020/jan/29/i-feel-liberated-women-letting-body-hair-grow-for-januhairy">
    <title>‘I feel liberated’: the women celebrating their body hair | Life and style | The Guardian</title>
    <dc:date>2020-01-29T22:02:04+00:00</dc:date>
    <link>https://www.theguardian.com/lifeandstyle/2020/jan/29/i-feel-liberated-women-letting-body-hair-grow-for-januhairy</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[‘I feel liberated’: the women celebrating their body hair
Women
For the past month, women around the world have been celebrating the joys of ditching hair-removal products as part of a campaign called Januhairy. Here, they share their stories

Coco Khan
The Guardian
29 January 2020]]></description>
<dc:subject>the.body hair women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:849ea0523e6e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.body"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:hair"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.thecrimson.com/article/2020/1/9/boys-sex-review/">
    <title>‘Boys &amp; Sex’ Is Required Reading | Arts | The Harvard Crimson</title>
    <dc:date>2020-01-28T13:12:15+00:00</dc:date>
    <link>https://www.thecrimson.com/article/2020/1/9/boys-sex-review/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[
review of Peggy Orenstein, Boys & Sex : young men on hookups, love, porn, consent, and navigating the new masculinity
By Cassandra Luca, Crimson Staff Writer
January 9, 2020

some weird comments.]]></description>
<dc:subject>gender the.body 405S20 masculinity</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:8c10460c0f6a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:gender"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.body"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:masculinity"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/tv-and-radio/2020/jan/24/the-goop-lab-review-gwyneth-paltrow-netflix-vagina">
    <title>The Goop Lab review – so Gwyneth Paltrow doesn’t know what a vagina is | Television &amp; radio | The Guardian</title>
    <dc:date>2020-01-24T12:24:13+00:00</dc:date>
    <link>https://www.theguardian.com/tv-and-radio/2020/jan/24/the-goop-lab-review-gwyneth-paltrow-netflix-vagina</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[The Goop Lab review – so Gwyneth Paltrow doesn’t know what a vagina is
TV review
Documentary
Like the star’s wellness brand, this whole show is a demented paean to self-indulgence. And for someone peddling health treatments, she seems alarmingly ignorant about anatomy

Lucy Mangan
The Guardian
24 January 2020]]></description>
<dc:subject>405S20 the.body</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:7cdfde7afb23/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.body"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.designhistorysociety.org/conferences/view/memory-full-reimagining-the-relations-between-design-and-history">
    <title>CfP: Memory full? Reimagining the relations between design and history.</title>
    <dc:date>2020-01-21T11:21:43+00:00</dc:date>
    <link>https://www.designhistorysociety.org/conferences/view/memory-full-reimagining-the-relations-between-design-and-history</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[CfP: Memory full? Reimagining the relations between design and history. 
3-5 September 2020, Basel

Deadline: 2 February 2020.]]></description>
<dc:subject>conferences design.history via:asfaltics</dc:subject>
<dc:identifier>https://pinboard.in/u:disegno/b:e91785a347ac/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:conferences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:design.history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:via:asfaltics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2019/12/17/arts/Women-Who-Run-With-the-Wolves.html">
    <title>The Wild Woman Awakens - The New York Times</title>
    <dc:date>2020-01-19T21:57:07+00:00</dc:date>
    <link>https://www.nytimes.com/2019/12/17/arts/Women-Who-Run-With-the-Wolves.html</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[The Wild Woman Awakens
The 1992 feminist sensation “Women Who Run With the Wolves” has returned, as a new generation of artists embrace women’s bodies in all their hormonal, bloody glory.
Amanda Hess
New York Times / Arts
December 17, 2019]]></description>
<dc:subject>405S20 the.body women</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:d8bdfa1dc362/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.body"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:women"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/world/2020/jan/18/gwyneth-paltrow-goop-capitalized-both-vagina-shame-celebration">
    <title>Gwyneth Paltrow has capitalized on vaginal shame and celebration | Arwa Mahdawi | Opinion | The Guardian</title>
    <dc:date>2020-01-18T21:17:18+00:00</dc:date>
    <link>https://www.theguardian.com/world/2020/jan/18/gwyneth-paltrow-goop-capitalized-both-vagina-shame-celebration</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Gwyneth Paltrow has capitalized on vaginal shame and celebration
Why are vaginas suddenly everywhere? Partly because of the rise of ‘wellness’ – but also because they’re now a symbol of resistance

Arwa Mahdawi
The Guardian
18 January 2020]]></description>
<dc:subject>the.body 405S20</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:149042667b76/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.body"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/science/2020/jan/15/having-more-sex-makes-early-menopause-less-likely-research-finds">
    <title>Having more sex makes early menopause less likely, research finds | Science | The Guardian</title>
    <dc:date>2020-01-15T13:59:49+00:00</dc:date>
    <link>https://www.theguardian.com/science/2020/jan/15/having-more-sex-makes-early-menopause-less-likely-research-finds</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Medical research
Having more sex makes early menopause less likely, research finds
Study of nearly 3,000 women suggests body may ‘choose’ not to invest in ovulation

Hannah Devlin
The Guardian
15 January 2020]]></description>
<dc:subject>405S20 the.body menopause</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:4a91f20a18eb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.body"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:menopause"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.latimes.com/entertainment-arts/tv/story/2020-01-06/gywneth-paltrow-goop-netflix-poster-twitter-tweets">
    <title>Gwyneth Paltrow's, um, graphic Netflix poster fires up Twitter - Los Angeles Times</title>
    <dc:date>2020-01-15T13:59:06+00:00</dc:date>
    <link>https://www.latimes.com/entertainment-arts/tv/story/2020-01-06/gywneth-paltrow-goop-netflix-poster-twitter-tweets</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Twitter is losing its mind over Gwyneth Paltrow’s, um, graphic Netflix poster

Christi Carras
Los Angeles Times
January 6, 2020


Netflix just unveiled the poster for Gwyneth Paltrow’s new Goop documentary, and it looks a lot like a certain female body part. Yes, that female body part.

And as if a giant pink vagina weren’t already enough to send Twitter over the edge, it also features a provocative tagline: “Reach new depths.” You know, just in case the reference wasn’t clear.

The streaming giant released the vag-tastic key art and trailer Monday for “The Goop Lab,” an unscripted project offering a glimpse into the inner workings of Paltrow’s divisive lifestyle empire.]]></description>
<dc:subject>405S20 the.body</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:4b6064d774c2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.body"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/fashion/2020/jan/13/why-is-gwyneth-paltrow-selling-a-candle-that-smells-like-her-vagina-goop">
    <title>Why is Gwyneth Paltrow selling a candle that smells like her vagina? | Fashion | The Guardian</title>
    <dc:date>2020-01-15T13:58:11+00:00</dc:date>
    <link>https://www.theguardian.com/fashion/2020/jan/13/why-is-gwyneth-paltrow-selling-a-candle-that-smells-like-her-vagina-goop</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Why is Gwyneth Paltrow selling a candle that smells like her vagina?
Gwyneth has made a candle called This Smells Like My Vagina for her website, Goop. And, of course, it has sold out
Hadley Freeman. The Guardian. 13 January 2020]]></description>
<dc:subject>405S20 the.body</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:911127256e71/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:405S20"/>
	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:the.body"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.jcs.mil/Portals/36/Documents/Doctrine/Other_Pubs/ms_2525d.pdf">
    <title>DOD Interface Standard / Joint Military Symbology</title>
    <dc:date>2019-12-12T16:08:44+00:00</dc:date>
    <link>https://www.jcs.mil/Portals/36/Documents/Doctrine/Other_Pubs/ms_2525d.pdf</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[10 June 2014

This standard provides a standardized, structured set of graphical symbols for the display of information in command and control (C2) systems and applications. A standard method for symbol construction is provided using common building blocks which shall be used to create current symbol sets as well as for creating sets that may be needed in the future. This includes frame, icon, modifier, and amplifier using color, graphic, and alphanumeric representations. It provides requirements for symbol construction and composition with flexibility for special user’s needs.]]></description>
<dc:subject>icons</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:bf7e45604a19/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:icons"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://en.wikipedia.org/wiki/NATO_Joint_Military_Symbology">
    <title>NATO Joint Military Symbology - Wikipedia</title>
    <dc:date>2019-12-12T16:07:14+00:00</dc:date>
    <link>https://en.wikipedia.org/wiki/NATO_Joint_Military_Symbology</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[NATO Joint Military Symbology is the NATO standard for military map marking symbols. Originally published in 1986 as Allied Procedural Publication 6 (APP-6), NATO Military Symbols for Land Based Systems, the standard has evolved over the years and is currently in its fourth version (APP-6C). The symbols are designed to enhance NATO's joint interoperability by providing a standard set of common symbols. APP-6 constituted a single system of joint military symbology for land, air, space and sea-based formations and units, which can be displayed for either automated map display systems or for manual map marking. It covers all of the joint services and can be used by them.]]></description>
<dc:subject>icons</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:04ab00791752/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:icons"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://lib.dr.iastate.edu/graphicdesign_etd/">
    <title>Graphic Design Theses and Dissertations | Graphic Design | Iowa State University</title>
    <dc:date>2019-12-11T23:17:29+00:00</dc:date>
    <link>https://lib.dr.iastate.edu/graphicdesign_etd/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[
for example,
2016
An icon recognition study on different simplicity levels, Qing Guo]]></description>
<dc:subject>icons</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:52e0007915f5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:icons"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://uxdesign.cc/when-should-i-be-using-icons-63e7448202c4">
    <title>Can icons harm usability and when should you use them?</title>
    <dc:date>2019-12-11T23:13:11+00:00</dc:date>
    <link>https://uxdesign.cc/when-should-i-be-using-icons-63e7448202c4</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Can icons harm usability and when should you use them?
Iconography can be one of the biggest design elements that help make a brand recognisable. So, should you be using icons? Not necessarily… The better question here would be, when should you be using icons?

Shane P Williams
April 13, 2019
]]></description>
<dc:subject>icons</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:d80950b72f2a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:icons"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.google.com/search?client=safari&amp;rls=en&amp;q=car+dashboard+icons+and+meanings&amp;ie=UTF-8&amp;oe=UTF-8">
    <title>car dashboard icons and meanings - Google (image) search</title>
    <dc:date>2019-12-11T21:21:22+00:00</dc:date>
    <link>https://www.google.com/search?client=safari&amp;rls=en&amp;q=car+dashboard+icons+and+meanings&amp;ie=UTF-8&amp;oe=UTF-8</link>
    <dc:creator>disegno</dc:creator><dc:subject>icons</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:31c15b397334/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:icons"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://developer.apple.com/design/human-interface-guidelines/sf-symbols/overview/">
    <title>SF Symbols - SF Symbols - Human Interface Guidelines - Apple Developer</title>
    <dc:date>2019-12-11T21:04:03+00:00</dc:date>
    <link>https://developer.apple.com/design/human-interface-guidelines/sf-symbols/overview/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[SF Symbols
SF Symbols provides a set of over 1,500 consistent, highly configurable symbols you can use in your app. Apple designed SF Symbols to integrate seamlessly with the San Francisco system font, so the symbols automatically ensure optical vertical alignment with text for all weights and sizes. SF Symbols are available in a wide range of weights and scales to help you create adaptable designs.]]></description>
<dc:subject>icons</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:75ae4c9f09a3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:icons"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://developer.apple.com/design/human-interface-guidelines/ios/icons-and-images/custom-icons/">
    <title>Custom Icons - Icons and Images - iOS - Human Interface Guidelines - Apple Developer</title>
    <dc:date>2019-12-11T21:02:53+00:00</dc:date>
    <link>https://developer.apple.com/design/human-interface-guidelines/ios/icons-and-images/custom-icons/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[Custom Icons (iOS 12 and Earlier)
In iOS 13 or later, prefer using SF Symbols to represent tasks and modes in your app. If your app is running in iOS 12 or earlier, or if you need to create custom bitmap icons, follow the guidance below.

—

Design icons as glyphs.
]]></description>
<dc:subject>icons</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:01eebbc91eca/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:icons"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://en.wikipedia.org/wiki/Icon_(computing)">
    <title>Icon (computing) - Wikipedia</title>
    <dc:date>2019-12-11T20:58:35+00:00</dc:date>
    <link>https://en.wikipedia.org/wiki/Icon_(computing)</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[see talk page, also.

only a few references are within last three years...]]></description>
<dc:subject>icons</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:c29f2ee10643/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:icons"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.eyesparks.com/when-is-it-appropriate-to-use-icons-in-your-user-interface/">
    <title>When is it appropriate to use icons in your User Interface? | Eyesparks Design</title>
    <dc:date>2019-12-11T20:54:55+00:00</dc:date>
    <link>https://www.eyesparks.com/when-is-it-appropriate-to-use-icons-in-your-user-interface/</link>
    <dc:creator>disegno</dc:creator><description><![CDATA[

Do not be tempted to create icons for every button. The eye is naturally drawn to images. If there are too many icons your user will finds it difficult to focus. The effect is that everything screams at the user and nothing gets heard. If you are already using icons to describe a section or subject, think very carefully before incorporating icons in other parts of the interface. For example, does it really help to use icons to represent basic action such as  “new”, “edit” or “delete”? Often the words, consistently styled, are as powerful and communicative as graphics.

Use Recognisable Standard Icons
When you do include icons in your user interface remember to use recognisable standards. Users universally expect a magnifying glass to represent ‘Search’ and a house icon to mean ‘Home’ – so don’t try to re-invent the wheel! A graphic that is complex and open to interpretation will not make a strong  icon. Icons for bespoke functions such as “create pressure point” or “build data set” rarely improve usability.]]></description>
<dc:subject>icons</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:disegno/b:5ade02f576c5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:disegno/t:icons"/>
</rdf:Bag></taxo:topics>
</item>
</rdf:RDF>