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    <title>Pinboard (blech)</title>
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  </channel><item rdf:about="https://harpers.org/archive/2021/03/il-maestro-federico-fellini-martin-scorsese/">
    <title>[Essay] Il Maestro, By Martin Scorsese | Harper's Magazine</title>
    <dc:date>2021-02-17T04:06:59+00:00</dc:date>
    <link>https://harpers.org/archive/2021/03/il-maestro-federico-fellini-martin-scorsese/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[For some reason most people's reaction to  is not to think "I really should get around to watching 8½" but to get upset that he makes a good point about the flattening effect of video as "content".]]></description>
<dc:subject>film harpers scorsese</dc:subject>
<dc:source>https://twitter.com/</dc:source>
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<item rdf:about="https://mubi.com/notebook/posts/john-smith-introduces-his-film-citadel">
    <title>John Smith Introduces His Film &quot;Citadel&quot; on Notebook | MUBI</title>
    <dc:date>2021-02-03T01:09:44+00:00</dc:date>
    <link>https://mubi.com/notebook/posts/john-smith-introduces-his-film-citadel</link>
    <dc:creator>blech</dc:creator><description><![CDATA["I decided that I would combine excerpts from Johnson’s speeches with my images of the city, filmically relocating the centre of power from Parliament to the financial district of the City of London" ]]></description>
<dc:subject>film mubi covid19 politics uk</dc:subject>
<dc:source>https://twitter.com/</dc:source>
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    <title>New Year's Resolution | Ewan at the Cinema</title>
    <dc:date>2015-01-22T21:02:57+00:00</dc:date>
    <link>https://filmcentric.wordpress.com/2015/01/20/new-years-resolution/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["now would be a good time to mention my New Year’s resolution. I have decided to try and see every film which gains a proper cinema release in 2015, which is either directed by or written by a woman." I like the idea of this, and the reasons given.]]></description>
<dc:subject>film feminism culture art diversity</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
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    <title>Pirating the 2015 Oscars: HD Edition | The Message</title>
    <dc:date>2015-01-22T16:48:25+00:00</dc:date>
    <link>https://medium.com/message/pirating-the-2015-oscars-hd-edition-6c78e0cb471d</link>
    <dc:creator>blech</dc:creator><description><![CDATA[“Pirates are now watching films at higher quality than the industry insiders voting on them.” - @waxpancake ]]></description>
<dc:subject>film piracy internet hd media oscars screeners distribution data bittorrent</dc:subject>
<dc:source>https://twitter.com/</dc:source>
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<item rdf:about="http://www.theguardian.com/film/2015/jan/15/ex-machina-sexy-female-robots-scifi-film-obsession">
    <title>Ex Machina and sci-fi's obsession with sexy female robots | The Guardian</title>
    <dc:date>2015-01-20T02:30:04+00:00</dc:date>
    <link>http://www.theguardian.com/film/2015/jan/15/ex-machina-sexy-female-robots-scifi-film-obsession</link>
    <dc:creator>blech</dc:creator><description><![CDATA[“Being literally objectified women, female robots have traditionally been vehicles for the worst male tendencies.” ]]></description>
<dc:subject>robots film sciencefiction gender feminism spoilers</dc:subject>
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    <title>Why Alfonso Cuarón Will Never Make a Space Movie Again | Wired.com</title>
    <dc:date>2013-10-09T00:53:55+00:00</dc:date>
    <link>http://www.wired.com/underwire/2013/10/center_of_gravity/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Eventually I realized it was very unlikely that a Mexican kid in the early ’70s was going to be an astronaut. But I also wanted to make movies. And there you go: I just finished a movie about astronauts." Good interview.]]></description>
<dc:subject>film gravity director interview space</dc:subject>
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<item rdf:about="http://nymag.com/news/frank-rich/enemy-of-the-state-2013-7/">
    <title>‘Enemy of the State’ Screenwriter David Marconi on the NSA | New York Magazine</title>
    <dc:date>2013-07-06T17:43:07+00:00</dc:date>
    <link>http://nymag.com/news/frank-rich/enemy-of-the-state-2013-7/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Enemy of the State screenwriter David Marconi says he warned us about the NSA fifteen years ago.]]></description>
<dc:subject>surveillance film interview</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
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<item rdf:about="http://www.npr.org/blogs/monkeysee/2013/06/14/191568762/at-the-movies-the-women-are-gone">
    <title>At The Movies, The Women Are Gone : Monkey See | NPR</title>
    <dc:date>2013-06-15T22:51:40+00:00</dc:date>
    <link>http://www.npr.org/blogs/monkeysee/2013/06/14/191568762/at-the-movies-the-women-are-gone</link>
    <dc:creator>blech</dc:creator><description><![CDATA["By far your best shot, numbers-wise, at finding [a film] that's at least even-handedly featuring a man and a woman is Before Midnight (at 891 theaters) so I hope you like it. Because it's pretty much that or a solid, impenetrable wall of movies about dudes.

"Dudes in capes, dudes in cars, dudes in space, dudes drinking, dudes smoking, dudes doing magic tricks, dudes being funny, dudes being dramatic, dudes flying through the air, dudes blowing up, dudes getting killed, dudes saving and kissing women and children, and dudes glowering at each other."]]></description>
<dc:subject>film movies feminism humans npr rant depressing</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://www.guardian.co.uk/film/2013/jun/11/man-steel-hollywood-break-superheroes">
    <title>Why Hollywood needs a break from superhero movies | The Guardian</title>
    <dc:date>2013-06-11T20:07:25+00:00</dc:date>
    <link>http://www.guardian.co.uk/film/2013/jun/11/man-steel-hollywood-break-superheroes</link>
    <dc:creator>blech</dc:creator><description><![CDATA["To save humanity, one must rely on a bootstrap operation headed by a dedicated go-getter and self-starter. At heart, all superheroes are Republicans." Joe Queenan lays in to (the current glut of) super hero movies, in quotable form. Well, I liked it, anyway.]]></description>
<dc:subject>film movies cinema superheroes comics joequeenan comment</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://www.newyorker.com/online/blogs/elements/2013/05/crichton-lucas-forty-years-of-pixels-at-the-movies.html">
    <title>How Michael Crichton's 'Westworld' Pioneered Modern Special Effects | The New Yorker</title>
    <dc:date>2013-05-21T02:19:52+00:00</dc:date>
    <link>http://www.newyorker.com/online/blogs/elements/2013/05/crichton-lucas-forty-years-of-pixels-at-the-movies.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA['In this lies the existential contradiction of nineteen-seventies digital effects: they were supposed to look like the computer graphics of an advanced society, but an advanced society wouldn’t have the primitive computers of the nineteen-seventies.

'Cuba recalled that before he was hired, he started writing to Lucas to make that point: “I was thinking, ‘What would computer graphics be in the future?’ It would be photorealistic; you wouldn’t be able to distinguish computer graphics from photographs.” Then he stopped short and decided not to make the argument after all. “I realized,” he said, “I was talking myself out of a job.”']]></description>
<dc:subject>film specialeffects vfx history 1970s westworld</dc:subject>
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	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:1970s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:westworld"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://squaremans.com/jodorowskys-dune/">
    <title>Jodorowsky’s Dune | Squaremans</title>
    <dc:date>2012-12-31T15:44:41+00:00</dc:date>
    <link>http://squaremans.com/jodorowskys-dune/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["When you look back at the team Jodorowsky assembled, and what they-in groups and alone-went on to produce, it seems reasonable to conclude that the never completed Alexander Jodorowsky version of Dune is the most influential science fiction film of all time. The fact that it was never finished is beside the point."]]></description>
<dc:subject>film dune sciencefiction</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:9f8e2d39548d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:dune"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sciencefiction"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theparisreview.org/blog/2012/04/17/white-noir/">
    <title>White Noir, Jane Yager | Paris Review</title>
    <dc:date>2012-04-20T06:28:41+00:00</dc:date>
    <link>http://www.theparisreview.org/blog/2012/04/17/white-noir/</link>
    <dc:creator>blech</dc:creator><description><![CDATA['whiteonwhite:algorithmicnoir, the new film by Eve Sussman and the Rufus Corporation... is, as the title promises, algorithmic. The film has no beginning, middle, or end. At each screening, a computer program live-edits a movie out of more than three thousand film clips, eighty voice-overs, and 150 pieces of music. Each of these movable parts is marked with loosely content-related tags (“horizon,” “anxiety,” “white”), and the computer fits the pieces together according to an algorithm that matches tags.']]></description>
<dc:subject>film cinema newaesthetic algorithm art filmmaking evesussman via:candacep</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:f01e0b386b74/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cinema"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newaesthetic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:algorithm"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:filmmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:evesussman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:candacep"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.whatsthejackanory.com/2012/03/rdp-phasing-out-my-e100g/">
    <title>Phasing out my E100G | RDP</title>
    <dc:date>2012-03-16T16:33:15+00:00</dc:date>
    <link>http://www.whatsthejackanory.com/2012/03/rdp-phasing-out-my-e100g/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Andrew Hetherington at Focus on Imaging: "So the problem now is this: I have about 100 rolls of slide film in my freezer. By the time they are gone I need to have figured out how to afford a camera that costs more than most cars. If any of you can swing me a few jobs for Chanel or Prada I promise you now that I will lend you the camera when I get it."]]></description>
<dc:subject>photography film portraiture slidefilm kodak fuji phaseone</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:a04b80b062cd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:portraiture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:slidefilm"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:kodak"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:fuji"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:phaseone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://thequietus.com/articles/02992-jodorowsky-s-dune-and-the-greatest-films-never-made">
    <title>Jodorowsky’s Dune And The Greatest Films Never Made | The Quietus</title>
    <dc:date>2012-02-15T07:45:17+00:00</dc:date>
    <link>http://thequietus.com/articles/02992-jodorowsky-s-dune-and-the-greatest-films-never-made</link>
    <dc:creator>blech</dc:creator><description><![CDATA[On Alejandro Jodorowsky's ill-fated attempt to film Dune, including a look back at his career both before and afterwards. Full of moments of utter insanity, such as: "Dalí then insisted that he be paid $100,000 an hour to sit on [the throne]. He also deemed it essential that we see the Emperor defecating and micturating in the film — but a body double would have to do that for him." They don't make them like that any more. (Well, they didn't then either, to be fair...)]]></description>
<dc:subject>film dune art music 1970s thequietus sciencefiction adaptation</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:47f74ca32d79/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:dune"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:1970s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:thequietus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sciencefiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:adaptation"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://thequietus.com/articles/07853-dune-david-lynch-bfi-season">
    <title>Wild Sting: In Defence Of Dune | The Quietus</title>
    <dc:date>2012-02-15T02:26:55+00:00</dc:date>
    <link>http://thequietus.com/articles/07853-dune-david-lynch-bfi-season</link>
    <dc:creator>blech</dc:creator><description><![CDATA["In the game of folly versus lolly David Lynch's version of the Frank Herbert science fiction novel Dune played and lost. Now revived as part of a BFI Southbank retrospective on the director, it is often regarded as a patchy, incomprehensible failure. Andrew Stimpson challenges this consensus." Well worth a read (but then I've always had a soft spot for the film).]]></description>
<dc:subject>film davidlynch dune bfi thequietus sciencefiction adaptation</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:a97a3f802df3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:davidlynch"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:dune"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:bfi"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:thequietus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sciencefiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:adaptation"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2012/02/05/movies/awardsseason/douglas-trumbull-honored-for-technology-hes-still-creating.html?_r=1&amp;seid=auto&amp;smid=tw-nytimesarts&amp;pagewanted=all">
    <title>Douglas Trumbull Honored for Technology He’s Still Creating | NYTimes.com</title>
    <dc:date>2012-02-02T21:33:16+00:00</dc:date>
    <link>http://www.nytimes.com/2012/02/05/movies/awardsseason/douglas-trumbull-honored-for-technology-hes-still-creating.html?_r=1&amp;seid=auto&amp;smid=tw-nytimesarts&amp;pagewanted=all</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Interesting, but the best bit is right at the end: ‘“People are watching TV,” he said. “Kids don’t go to theaters. They’re streaming it, downloading it. They don’t see any difference between television and movies. So if you want to get people to go out to the movies, to pay a premium price for some kind of premium experience, it better be damned premium. It better be extraordinary.”’]]></description>
<dc:subject>nytimes douglastrumbull film effects treeoflife cinema</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:555a911e3689/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:nytimes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:douglastrumbull"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:effects"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:treeoflife"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cinema"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.economist.com/node/21542796">
    <title>Technological change: The last Kodak moment? | The Economist</title>
    <dc:date>2012-01-16T17:03:38+00:00</dc:date>
    <link>http://www.economist.com/node/21542796</link>
    <dc:creator>blech</dc:creator><description><![CDATA["While Kodak suffers, its long-time rival Fujifilm is doing rather well. The two firms have much in common." "Both firms saw their traditional business rendered obsolete. But whereas Kodak has so far failed to adapt adequately, Fujifilm has transformed itself into a solidly profitable business, with a market capitalisation, even after a rough year, of some $12.6 billion to Kodak’s $220m. Why did these two firms fare so differently?" Interesting stuff on the death of film (and why seeing the end coming can't always save you from it).]]></description>
<dc:subject>technology cameras photography chemistry film kodak fujifilm</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:2f79674780f4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cameras"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:chemistry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:kodak"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:fujifilm"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2012/01/01/movies/awardsseason/tilda-swinton-discusses-her-career.html?_r=1&amp;hp=&amp;pagewanted=all">
    <title>Tilda Swinton Discusses Her Career | NYTimes.com</title>
    <dc:date>2012-01-04T08:18:33+00:00</dc:date>
    <link>http://www.nytimes.com/2012/01/01/movies/awardsseason/tilda-swinton-discusses-her-career.html?_r=1&amp;hp=&amp;pagewanted=all</link>
    <dc:creator>blech</dc:creator><description><![CDATA["The idea that people actually wear themselves on their faces seems to me to be less real than what life actually is, which is a series of concealments and containments. These surfaces and veils exist. We take off one for one person, and several for another. But there is always a difference between what you show to others and what you show to yourself in the mirror."]]></description>
<dc:subject>nytimes actor tildaswinton film acting personas</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:f4bb1417fb0f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:nytimes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:actor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:tildaswinton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:acting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:personas"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.wired.com/magazine/2011/12/st_thompson_instagram/">
    <title>Clive Thompson on the Instagram Effect | Wired</title>
    <dc:date>2012-01-04T06:32:19+00:00</dc:date>
    <link>http://www.wired.com/magazine/2011/12/st_thompson_instagram/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["In old analog cameras, many such filter “effects” were a chemical byproduct of the film, so photographers became expert at understanding the unique powers of each. Fujifilm’s Velvia film, with its high saturation and strong contrast, attracts photographers looking to capture the vibrancy of nature, Instagram cofounder Kevin Systrom notes. But casual photographers rarely developed this type of eye, because they just wanted to point and shoot. What Instagram is doing—along with the myriad other photo apps that have recently emerged—is giving newbies a way to develop deeper visual literacy." The argument for filters.]]></description>
<dc:subject>wired instagram photography cameras film seeing howilearnt...</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:6c01a61e3117/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:wired"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:instagram"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cameras"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:seeing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:howilearnt..."/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theatlantic.com/entertainment/archive/2011/08/thelma-louise-the-last-great-film-about-women/244336/">
    <title>'Thelma &amp; Louise': The Last Great Film About Women | The Atlantic</title>
    <dc:date>2011-12-12T18:21:23+00:00</dc:date>
    <link>http://www.theatlantic.com/entertainment/archive/2011/08/thelma-louise-the-last-great-film-about-women/244336/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Raina Lipsitz: [[ "This movie would never get made today," sighed one of the panelists, and the audience members murmured their assent. It's shocking enough that it was distributed in 1991, but at least back then American women were experiencing something like momentum ]]]]></description>
<dc:subject>film feminism culture bechdeltest via:candacep</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:ba2e261eb706/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:feminism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:bechdeltest"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:candacep"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.latimes.com/business/la-fi-hiltzik-20111204,0,507980.column">
    <title>Kodak's long fade to black | latimes.com</title>
    <dc:date>2011-12-10T23:16:24+00:00</dc:date>
    <link>http://www.latimes.com/business/la-fi-hiltzik-20111204,0,507980.column</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Like the passing of distinguished individuals, the passing of great corporations should prompt us to ponder the transience of earthly glory. So let's pay our respects to Eastman Kodak, which at this writing appears to be a shutter-click from extinction."]]></description>
<dc:subject>photography technology film chemistry kodak latimes business</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:a3179ff24de5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:chemistry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:kodak"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:latimes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:business"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.guardian.co.uk/books/2011/aug/28/mark-kermode-multiplex-blockbuster">
    <title>Mark Kermode: How to make an intelligent blockbuster and not alienate people | Books | The Observer</title>
    <dc:date>2011-08-28T20:59:06+00:00</dc:date>
    <link>http://www.guardian.co.uk/books/2011/aug/28/mark-kermode-multiplex-blockbuster</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Mark Kermode on fine form in the Observer, arguing that since blockbusters make money anyway, you might as well try and do something at least a little clever, like Christopher Nolan, not just dumb, like Michael Bay. Well worth the read.]]></description>
<dc:subject>film cinema review art guardian flilmmaking</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:0586fcb4e749/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cinema"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:review"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:guardian"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:flilmmaking"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.salon.com/entertainment/movies/andrew_ohehir/2011/06/28/transformers_dotm/index.html">
    <title>An American summer-movie masterwork | Salon.com</title>
    <dc:date>2011-07-03T22:02:17+00:00</dc:date>
    <link>http://www.salon.com/entertainment/movies/andrew_ohehir/2011/06/28/transformers_dotm/index.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Andrew O'Hehir:' "Transformers: Dark of the Moon" is too much in every direction -- too much action, too much plot, too much noise, too much destruction -- which is exactly what makes it the Wagnerian fulfillment of the American summer-movie tradition. ' This is good. I think.]]></description>
<dc:subject>film cinema review transformers</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:c3ddfe75a656/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cinema"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:review"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:transformers"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://fest11.sffs.org/films/film_details.php?id=68">
    <title>Nostalgia For The Light | SFIFF</title>
    <dc:date>2011-04-08T00:42:45+00:00</dc:date>
    <link>http://fest11.sffs.org/films/film_details.php?id=68</link>
    <dc:creator>blech</dc:creator><description><![CDATA["For a man who has been making political films all his life, Nostalgia for the Light by Patricio Guzmán appears at first to be an aberration: an examination of the strangely beautiful work of astronomers using the mammoth telescopes in the remote highlands of Chile’s Atacama Desert." "But there is another side of the Atacama. Here is where the Pinochet dictatorship quietly established its biggest concentration camp." Sounds fascinating, but sadly I can't make it to either showing.]]></description>
<dc:subject>sanfrancisco film documentary space telescope history</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:7b78ddcfec6b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:documentary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:space"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:telescope"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.latimes.com/entertainment/news/la-et-china-red-dawn-20110316,0,995726.story">
    <title>How an invading army changes from Chinese to North Korean | LA Times</title>
    <dc:date>2011-03-17T05:52:24+00:00</dc:date>
    <link>http://www.latimes.com/entertainment/news/la-et-china-red-dawn-20110316,0,995726.story</link>
    <dc:creator>blech</dc:creator><description><![CDATA[As Lee says, '"Red Dawn" remake swapped Russian invaders for China.  Then, after filming, digitally changed them to North Korea.  Try to avoid offending your new economic masters, America.']]></description>
<dc:subject>film china korea us politics via:lee</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:d941e03f2c57/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:china"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:korea"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:us"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:lee"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.guardian.co.uk/commentisfree/2011/jan/15/ian-jack-the-kings-speech">
    <title> Lionel Logue and the king | Ian Jack | Comment is free | The Guardian </title>
    <dc:date>2011-03-02T07:08:18+00:00</dc:date>
    <link>http://www.guardian.co.uk/commentisfree/2011/jan/15/ian-jack-the-kings-speech</link>
    <dc:creator>blech</dc:creator><description><![CDATA[A good piece by Ian Jack in the Guardian from January on the King's Speech (including a corrective side-note about Churchill).]]></description>
<dc:subject>guardian film kingsspeech comment history</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:5447b274cd46/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:guardian"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:kingsspeech"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:comment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.intoeternitythemovie.com/">
    <title>The Movie | Into Eternity</title>
    <dc:date>2011-01-14T18:38:26+00:00</dc:date>
    <link>http://www.intoeternitythemovie.com/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Every day, the world over, large amounts of high-level radioactive waste cre- ated by nuclear power plants is placed in interim storage, which is vulnerable to natural disasters, man-made disasters, and to societal changes. In Finland the world’s first permanent repository is being hewn out of solid rock – a huge system of underground tunnels - that must last 100,000 years as this is how long the waste remains hazardous." While I'm collecting links to documentaries, this one is also on the too-see list.]]></description>
<dc:subject>film documentary finland nuclear waste architecture</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:8ea69bfe6763/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:documentary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:finland"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:nuclear"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:waste"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:architecture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.utopialondon.com/">
    <title>Home | Utopia London</title>
    <dc:date>2011-01-14T18:35:06+00:00</dc:date>
    <link>http://www.utopialondon.com/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["These young idealists were once united around a vision of using science and art to create a city of equal citizens. Their architecture fused William Morris with urban high-rise; ancient parkland with concrete. Utopia London examines the, social and political agendas of the time in which the city was rebuilt. The story goes on to explore how the meaning of these transformative buildings has been radically manipulated over subsequent decades. Inspired by the optimism of the past it poses the question; where do we go from here and now?" I didn't bookmark this before; this rectifies that.]]></description>
<dc:subject>documentary film london cities urbanism architecture housing planning via:cityofsound via:everyone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:e92d269b4243/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:documentary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cities"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:urbanism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:housing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:planning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:cityofsound"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:everyone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.pruitt-igoe.com/the-film/">
    <title>the Film | The Pruitt-Igoe Myth - a Documentary</title>
    <dc:date>2011-01-14T18:32:46+00:00</dc:date>
    <link>http://www.pruitt-igoe.com/the-film/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["At the film’s historical center is an analysis of the massive impact of the national urban renewal program of the 1950s and 1960s, which prompted the process of mass suburbanization and emptied American cities of their residents, businesses, and industries. Those left behind in the city faced a destitute, rapidly de-industrializing St. Louis , parceled out to downtown interests and increasingly segregated by class and race. The residents of Pruitt-Igoe were among the hardest hit." A companion piece to Utopian London, of sorts.]]></description>
<dc:subject>film documentary planning infrastructure housing us via:antimega</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:24fac108799a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:documentary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:planning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:infrastructure"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:housing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:us"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:antimega"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://mubi.com/notebook/posts/1397">
    <title>&quot;Funny Games&quot; Poster Designer Akiko Stehrenberger | MUBI</title>
    <dc:date>2010-12-24T01:39:18+00:00</dc:date>
    <link>http://mubi.com/notebook/posts/1397</link>
    <dc:creator>blech</dc:creator><description><![CDATA["I was thrilled to get an email this week from Akiko Stehrenberger, the designer of my favorite movie poster of the last decade. She had been told by friends about her chart-topping appearance and agreed to do an interview for this column." There's some good bits in here about fighting back against "more is less" thinking in poster design.]]></description>
<dc:subject>design film poster interview</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:656933173b21/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:poster"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:interview"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.thetvlounge.co.uk/sweeney/viewtopic.php?f=33&amp;t=4896">
    <title>London Wall | The Sweeney Forum</title>
    <dc:date>2010-08-09T16:21:44+00:00</dc:date>
    <link>http://www.thetvlounge.co.uk/sweeney/viewtopic.php?f=33&amp;t=4896</link>
    <dc:creator>blech</dc:creator><description><![CDATA[A series of posts containing photographs comparing the London Wall skyscrapers and highwalks as featured in various 1960s movies and TV shows, along with their appearance in 2009 (although it's still largely unchanged). I now need to see Crossplot.]]></description>
<dc:subject>london cityoflondon highwalk photographs film tv 1960s via:philgyford</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:e195617e8132/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cityoflondon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:highwalk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photographs"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:tv"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:1960s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:philgyford"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://social-creature.com/why-iron-man-is-the-first-21st-century-superhero">
    <title>social-creature  » Why Iron Man Is The First 21st Century Superhero</title>
    <dc:date>2010-05-14T06:12:21+00:00</dc:date>
    <link>http://social-creature.com/why-iron-man-is-the-first-21st-century-superhero</link>
    <dc:creator>blech</dc:creator><description><![CDATA["In the comic books, it took Stark 40 years to make this move. For Superman or Spiderman or Batman or virtually any other superhero from the prior century (save some like the X-Men) their secret identities were their most sacred possessions, the keys to their undoings, and they fought as hard to protect them as to save humanity itself. But in the 21st century, Tony Stark’s approach to privacy reflects how Millennials now think of the concept."]]></description>
<dc:subject>film criticism socialnetwork privacy identity comment</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:f531c502bedf/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:socialnetwork"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:privacy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:identity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:comment"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.sippey.com/2010/02/go-see-three-screen-ray-in-person.html">
    <title>go see three screen ray in person | this is sippey.com</title>
    <dc:date>2010-05-13T13:01:28+00:00</dc:date>
    <link>http://www.sippey.com/2010/02/go-see-three-screen-ray-in-person.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA[He's right: if you're in San Francisco, this weekend or next go and see Three Screen Ray at SFMOMA. (I'm intending to post a still to Flickr at some point; hopefully it won't get served with the takedown notice that hit the videos.)]]></description>
<dc:subject>sanfrancisco art video film music</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:664c4e6be3aa/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:video"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:music"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.salon.com/entertainment/movies/film_salon/2010/05/06/superhero_movies_bankrupt_genre/index.html">
    <title>Superheroes suck! - Film Salon - Salon.com</title>
    <dc:date>2010-05-12T12:00:32+00:00</dc:date>
    <link>http://www.salon.com/entertainment/movies/film_salon/2010/05/06/superhero_movies_bankrupt_genre/index.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["From Spidey to Batman to Iron Man, comic-book movies are Hollywood's most bankrupt genre. And I say that as a fan. By Matt Zoller Seitz." "If the Hollywood studio assembly line is high school in a John Hughes movie, superhero films are the jocks -- benighted beneficiaries of grade inflation and reflexive fan boosterism."]]></description>
<dc:subject>film superhero salon comics criticism via:perpetua?</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:19ff70ab9f8e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:superhero"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:salon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:comics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:perpetua?"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://londonist.com/2010/01/london_transport_museum_launch_film.php">
    <title>LT Museum Launch Film Archive | Londonist</title>
    <dc:date>2010-01-22T21:32:44+00:00</dc:date>
    <link>http://londonist.com/2010/01/london_transport_museum_launch_film.php</link>
    <dc:creator>blech</dc:creator><description><![CDATA[The Londonist post announcing the London Transport Museum online film archive. No doubt this'll prove distracting.
]]></description>
<dc:subject>london londonist transport tube film trains via:antimega</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:badc5703140f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:londonist"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:transport"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:tube"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:trains"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:antimega"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.gyford.com/phil/writing/2009/11/04/flickr.php">
    <title>Flickr machine tags for film photos | Phil Gyford’s website</title>
    <dc:date>2009-11-05T12:50:32+00:00</dc:date>
    <link>http://www.gyford.com/phil/writing/2009/11/04/flickr.php</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Phil Gyford follows up on my automated copying of machine tags from digital photo EXIF by suggesting some versions for photographs for film.
]]></description>
<dc:subject>photography flickr film tags machinetags exif metadata blogcomment</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:8dda8619d241/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:flickr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:tags"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:machinetags"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exif"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:metadata"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:blogcomment"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.newstatesman.com/books/2009/09/science-fiction-future-bit">
    <title>Out of this word | New Statesman</title>
    <dc:date>2009-09-18T12:23:15+00:00</dc:date>
    <link>http://www.newstatesman.com/books/2009/09/science-fiction-future-bit</link>
    <dc:creator>blech</dc:creator><description><![CDATA["the main argument of Postproduction fits Moon very well. It is a post-sampling film; it exists, in some way, as a remix of past futures." Toby Litt on science fiction. (Seems like this is of New Statesman is quite heavy on this sort of commentary; there's also a Bonnie Greer review of the new Atwood book, as well as the Banks interview.)
]]></description>
<dc:subject>sciencefiction film books comment tobylitt newstatesman</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:0db1caabaca1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sciencefiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:comment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:tobylitt"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newstatesman"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://tron.wikia.com/wiki/Tron_Wiki:Frank_Serafine_Interview">
    <title>Frank Serafine Interview | Tron Wiki</title>
    <dc:date>2009-07-27T11:49:41+00:00</dc:date>
    <link>http://tron.wikia.com/wiki/Tron_Wiki:Frank_Serafine_Interview</link>
    <dc:creator>blech</dc:creator><description><![CDATA[An interview with the sound designer for Tron (amongst many other things).
]]></description>
<dc:subject>tron music sound film interview wiki</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:4a5d103fe1fc/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:tron"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sound"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:interview"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:wiki"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.gavinrothery.com/site/bulletin.php">
    <title>Home | Gavin Rothery's Portfolio</title>
    <dc:date>2009-07-19T13:44:21+00:00</dc:date>
    <link>http://www.gavinrothery.com/site/bulletin.php</link>
    <dc:creator>blech</dc:creator><description><![CDATA["I am proud to host the first images of the forthcoming feature film "Moon" Directed by Duncan Z.H. Jones and starring Sam Rockwell and Kevin Spacey. On this project, I was contracted to complete a large amount of art support spanning many different disciplines. My primary roles are that of Chief Production Concept Artist and Visual Effects Supervisor.]]></description>
<dc:subject>moon film sciencefiction design via:tomc</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:259159680c38/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:moon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sciencefiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:tomc"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://thequietus.com/articles/01586-stroll-on-the-london-perambulator-reviewed">
    <title>Stroll On: The London Perambulator Reviewed | The Quietus</title>
    <dc:date>2009-06-07T20:06:26+00:00</dc:date>
    <link>http://thequietus.com/articles/01586-stroll-on-the-london-perambulator-reviewed</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Roger's documentary The London Perambulator, a thoughtful and at times deeply moving piece about Nick Papadimitriou, a former arsonist who spent time in Wormwood Scrubs (where notorious serial killer Dennis Nielsen wrote a poem about him) before becoming an auto-didactic wanderer of London's lesser known thoroughfares and postcodes." One too keep an eye out for.
]]></description>
<dc:subject>london walking film review psychogeography todo</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:a827e56b9e5d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:walking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:review"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:psychogeography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.ptwi.com/~bobkat/waterstone.html">
    <title>F/X Porn | David Foster Wallace</title>
    <dc:date>2009-05-25T18:22:00+00:00</dc:date>
    <link>http://www.ptwi.com/~bobkat/waterstone.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA[It's nice to know that other people shared the same disdain for Terminator 2's philosophical core as I did. Don't skip the footnotes, wherein Cameron's other masterpiece (that would be The Terminator (ha, I notice now the titular definite article- take that, pointless sequels), not T2) is discussed.
]]></description>
<dc:subject>film terminator t2 criticism</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:adc1dc64c7e2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:terminator"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:t2"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:criticism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.flickr.com/groups/londonfilmusers/discuss/72157611411234040/72157617306610103/">
    <title>Good places for getting 120 processed | Flickr</title>
    <dc:date>2009-05-12T09:35:43+00:00</dc:date>
    <link>http://www.flickr.com/groups/londonfilmusers/discuss/72157611411234040/72157617306610103/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Advice from the London Film Users group. (I actually have 620, so I need to see if I can get the spindles returned.)
]]></description>
<dc:subject>london photography film flickr todo/done</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:c722fcab9972/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:flickr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.economist.com/world/britain/displaystory.cfm?story_id=13445780">
    <title>Britain on film: Through a pint glass, darkly | The Economist</title>
    <dc:date>2009-04-09T20:04:58+00:00</dc:date>
    <link>http://www.economist.com/world/britain/displaystory.cfm?story_id=13445780</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Both [“The Boat That Rocked”  and “The Damned United”] are tales of rebellious underdogs and male friendship. But they are otherwise very different. Taken together, the films, and the critical response to them, encapsulate the ways in which Britain imagines its past, and hint at the country’s current mood." An interesting read from Bagehot.
]]></description>
<dc:subject>economist film cinema culture britain uk comment</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:9891f7f02ab9/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:economist"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cinema"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:britain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:uk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:comment"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://barbican.org.uk/film/event-detail.asp?ID=8768">
    <title>Barbi-topia (U*) | Barbican</title>
    <dc:date>2009-04-08T13:32:48+00:00</dc:date>
    <link>http://barbican.org.uk/film/event-detail.asp?ID=8768</link>
    <dc:creator>blech</dc:creator><description><![CDATA["An unmissable chance to see rare archive documentaries that tell the story of the Barbican ... Introduced by David Heathcote, design and architectural historian and author of Penthouse Over the City: The Barbican and Modern Living"
]]></description>
<dc:subject>london barbican architecture film todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:968c8a6afe0a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:barbican"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.brainygamer.com/the_brainy_gamer/2009/02/not-movies.html">
    <title>Put away your popcorn | The Brainy Gamer</title>
    <dc:date>2009-02-28T12:39:05+00:00</dc:date>
    <link>http://www.brainygamer.com/the_brainy_gamer/2009/02/not-movies.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["we don't experience games like films at all. Designers may rely on the tricks and tropes of cinema to convey the worlds they create, but when we step into the shoes of that avatar, be it 1st-person, 3rd-person or otherwise, we exit the darkened movie theater paradigm and enter an intricate, performative, exploratory lab of untested ideas and speculation. We enter a playful space that feels and responds much more like a live theater rehearsal" I thought I was a bit dumb for only just realising this. Here's a long post explaining why games aren't like movies.
]]></description>
<dc:subject>games film theatre narrative interactivity via:infovore</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:0601bc25ee80/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:games"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:theatre"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:narrative"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:interactivity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:infovore"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://daringfireball.net/2009/02/best_picture">
    <title>Best Picture | Daring Fireball</title>
    <dc:date>2009-02-23T20:54:57+00:00</dc:date>
    <link>http://daringfireball.net/2009/02/best_picture</link>
    <dc:creator>blech</dc:creator><description><![CDATA["The best motion picture released last year was WALL-E". Preach it, brother. I've been meaning to write something like that since the Wired blog post about the Dark Knight at the tail end of last year, but John Gruber has done it better than I could (while using some of hte terms I'd have picked). Wall-E is a classic, and it's been snubbed.
]]></description>
<dc:subject>film animation wall•e daringfireball awards</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:85c2a8f69740/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:animation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:wall•e"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:daringfireball"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:awards"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://blog.wired.com/underwire/2008/12/la-film-critics.html">
    <title>Dark Knight Faces Rough Road to Awards | The Underwire</title>
    <dc:date>2009-02-23T20:53:59+00:00</dc:date>
    <link>http://blog.wired.com/underwire/2008/12/la-film-critics.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Why is a film that's seemingly so respected by fans and critics fighting for a little metallic recognition? Two factors are working against it: its own success and politics." Well, it also wasn't that good. I mean, sure, for a superhero movie, it was surprisingly intelligent, but it was overlong, and it didn't really say that much to me.
]]></description>
<dc:subject>film batman awards counterpoint</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:29ccdb834bdb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:batman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:awards"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:counterpoint"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://news.bbc.co.uk/2/hi/entertainment/7810406.stm">
    <title>Leigh film honoured by US critics | BBC News</title>
    <dc:date>2009-01-04T19:16:51+00:00</dc:date>
    <link>http://news.bbc.co.uk/2/hi/entertainment/7810406.stm</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Israeli animation Waltz With Bashir went away with the best film trophy" at the National Society of Film Critics awards. Good. I'm hoping Wall-E will be nominated for Best Film at either BAFTA or the Oscars; it'd be nice to see the walls of the animation ghetto crumble a bit.
]]></description>
<dc:subject>film award news bbc wall-e</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:54632de86830/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:award"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:news"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:bbc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:wall-e"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://news.bbc.co.uk/2/hi/uk_news/magazine/7780108.stm">
    <title>World famous- within your own borders | BBC News</title>
    <dc:date>2008-12-14T10:13:09+00:00</dc:date>
    <link>http://news.bbc.co.uk/2/hi/uk_news/magazine/7780108.stm</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Clive James gives a point of view: "Everyone knows that Mexicans are Mexicans but few of us can tell a Canadian from an American unless the Canadian is speaking French."
]]></description>
<dc:subject>bbc news comment culture film society canada australia uk us</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:2342e37e9767/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:bbc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:news"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:comment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:canada"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:australia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:uk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:us"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://blog.boico.net/953">
    <title>Tonite Let’s All Make Movies in London | boicozine</title>
    <dc:date>2008-10-30T11:16:26+00:00</dc:date>
    <link>http://blog.boico.net/953</link>
    <dc:creator>blech</dc:creator><description><![CDATA[A reasonable list of art films about/in London, including the classic triumvirate of London, Finisterre and The London Nobody Knows, but also some works of fiction like The Young Americans and Naked.
]]></description>
<dc:subject>london film list video</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:0d8b4e2b9552/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:list"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:video"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.guardian.co.uk/politics/2008/aug/05/politicsandthearts">
    <title>MPs criticise Batman 12A certificate | guardian.co.uk</title>
    <dc:date>2008-08-14T21:23:15+00:00</dc:date>
    <link>http://www.guardian.co.uk/politics/2008/aug/05/politicsandthearts</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Iain Duncan Smith: "Unlike past Batman films where the villains were somewhat surreal and comical figures, Heath Ledger's Joker is a brilliantly acted but very credible psychopathic killer". Meanwhile, "The BBFC said the film's 12A certificate was justified because of the film's superhero context.". Annoyingly, I'm with IDS.
]]></description>
<dc:subject>politics censorship film classification bbfc guardian batman</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:a8589fb989cd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:censorship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:classification"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:bbfc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:guardian"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:batman"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.flickr.com/groups/londonfilmusers/discuss/72157604055353959/">
    <title>Black &amp; white processing in London | Flickr</title>
    <dc:date>2008-08-07T17:15:35+00:00</dc:date>
    <link>http://www.flickr.com/groups/londonfilmusers/discuss/72157604055353959/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[I have two rolls of 620 film to process, and hopefully this thread (and others in the same group) will be useful for choosing a processor.
]]></description>
<dc:subject>london photography film discussion flickr</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:92654681fe8d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:discussion"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:flickr"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4386375.ece">
    <title>The Dark Knight - Review | the Sunday Times</title>
    <dc:date>2008-08-05T11:41:45+00:00</dc:date>
    <link>http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4386375.ece</link>
    <dc:creator>blech</dc:creator><description><![CDATA[An interesting, critical take on The Dark Knight. "Jonathan Nolan has set the story in the everyday world of cops, the mob and lawyers, a world we all know so well from great American cop shows. Television does this sort of thing so much better: why bother? Especially since the script then ignores the realism of its setting." Seems to have attracted a lot of comments (which I haven't read yet).
]]></description>
<dc:subject>film batman darkknight review</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:7e019b55199c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:batman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:darkknight"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:review"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.bbc.co.uk/radio4/arts/thecityspeaks.shtml">
    <title>The City Speaks | BBC Radio 4</title>
    <dc:date>2008-03-03T10:52:22+00:00</dc:date>
    <link>http://www.bbc.co.uk/radio4/arts/thecityspeaks.shtml</link>
    <dc:creator>blech</dc:creator><description><![CDATA[If you miss the premiere at the NFT you can watch The City Speaks "films for radio" and, presumably, listen again after the broadcast at the Radio 4 site.
]]></description>
<dc:subject>london radio film</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:86505f5883dd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:radio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.bfi.org.uk/whatson/bfi_southbank/events/the_city_speaks_a_film_for_radio_from_an_idea_by_peter_ackroyd">
    <title>The City Speaks: A Film for Radio | BFI</title>
    <dc:date>2008-03-03T10:51:29+00:00</dc:date>
    <link>http://www.bfi.org.uk/whatson/bfi_southbank/events/the_city_speaks_a_film_for_radio_from_an_idea_by_peter_ackroyd</link>
    <dc:creator>blech</dc:creator><description><![CDATA["a unique portrait of London for radio, cinema and television. Responding to a narrative framework by writer Peter Ackroyd ... the film portrays London through an array of images and locations"
]]></description>
<dc:subject>london radio film nft todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:52378bc9737a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:radio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:nft"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.washingtonpost.com/wp-dyn/content/article/2008/02/08/AR2008020803598.html?hpid=topnews">
    <title>Polaroid Technology Fades Out | washingtonpost.com</title>
    <dc:date>2008-02-09T18:39:01+00:00</dc:date>
    <link>http://www.washingtonpost.com/wp-dyn/content/article/2008/02/08/AR2008020803598.html?hpid=topnews</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Posted for this quote: "The artsy, instantly gratifying Polaroid images, reeking of processing chemicals, have finally been done in by endless Flickr Web pages full of digital images"
]]></description>
<dc:subject>flickr photography polaroid film</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:b82c25360a01/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:flickr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:polaroid"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://news.bbc.co.uk/2/hi/business/7236106.stm">
    <title>Polaroid snaps out of making film | BBC News</title>
    <dc:date>2008-02-09T13:18:07+00:00</dc:date>
    <link>http://news.bbc.co.uk/2/hi/business/7236106.stm</link>
    <dc:creator>blech</dc:creator><description><![CDATA[That's it for Polaroid instant film. It was always coming - they stopped manufacturing the cameras last year (Argos don't stock them any more) - but it's still a bit sad.
]]></description>
<dc:subject>photography news digital film</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:79414af74ea7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:news"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:digital"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.cityofsound.com/blog/2008/01/drawing-with-si.html">
    <title>Drawing with sight and sound | cityofsound</title>
    <dc:date>2008-01-03T11:20:40+00:00</dc:date>
    <link>http://www.cityofsound.com/blog/2008/01/drawing-with-si.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Continuing my obsession with the Alphabet vs the Goddess, this time commenting on Ang Lee's musings on pictorial language and montage.
]]></description>
<dc:subject>design film language blogcomment</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:9a8b1e42bfc5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:language"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:blogcomment"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.youtube.com/watch?v=W2xS74e6XBM">
    <title>YouTube - Today's Special - Tea Rooms</title>
    <dc:date>2007-10-02T13:29:31+00:00</dc:date>
    <link>http://www.youtube.com/watch?v=W2xS74e6XBM</link>
    <dc:creator>blech</dc:creator><description><![CDATA[As the description says, "One of a series of 3 films by director Paul Kelly about London's disappearing cafes."
]]></description>
<dc:subject>london tearoom tea cafe film documentary via:antimega</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:fa34629f57d3/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:tearoom"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:tea"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cafe"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:documentary"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:antimega"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://film.guardian.co.uk/features/featurepages/0,,2174932,00.html">
    <title>So, is there really Life on Mars? | Observer Review</title>
    <dc:date>2007-09-24T21:06:15+00:00</dc:date>
    <link>http://film.guardian.co.uk/features/featurepages/0,,2174932,00.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Film critic Mark Kermode [...] was a cinematic snob, convinced that the small screen had no redeeming qualities. So what happened when we asked him to watch some of the most acclaimed TV in recent years?" He liked some of it.
]]></description>
<dc:subject>television guardian observer film comment review</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:9edc41be1ec1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:television"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:guardian"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:observer"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:comment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:review"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://grubbasoftware.com/filmlibrary.html">
    <title>TrueGrain Grain Library</title>
    <dc:date>2007-09-19T18:38:46+00:00</dc:date>
    <link>http://grubbasoftware.com/filmlibrary.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA[What next? RealSkratch, adding the sound of dust on vinyl to your MP3s? Me, I'm happy just to accept digital noise as a kind of visual artefact. That, and you can't get Noise Ninja as an iPhoto plugin.
]]></description>
<dc:subject>film photography software macosx via:daringfireball</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:6ab2111dedde/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:software"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:macosx"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:daringfireball"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://ica.org.uk/Helvetica+14863.twl">
    <title>Institute of Contemporary Arts : Film : Helvetica</title>
    <dc:date>2007-08-14T15:03:39+00:00</dc:date>
    <link>http://ica.org.uk/Helvetica+14863.twl</link>
    <dc:creator>blech</dc:creator><description><![CDATA[I'm out of the country for the Q&A (boo) but I should be able to make it to one of the shows during the main run (hurrah).
]]></description>
<dc:subject>london film helvetica design arts todo/done</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:9b9d16034d3e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:helvetica"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:arts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.timeout.com/film/features/show-feature/3302/inside-the-bfi.html">
    <title>Inside the BFI - Time Out London</title>
    <dc:date>2007-08-11T22:37:46+00:00</dc:date>
    <link>http://www.timeout.com/film/features/show-feature/3302/inside-the-bfi.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["‘the BFI archive is a national treasure. It is arguably the finest film and television archive anywhere in the world" "Since 2003, the UKFC’s grant has been frozen, as has the proportion passed on to the BFI." Interesting (and saddening).
]]></description>
<dc:subject>london film archive funding arts culture</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:ab565035d0a0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:archive"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:funding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:arts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:culture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://arts.guardian.co.uk/art/design/story/0,,2127233,00.html">
    <title>Gary Hustwit, director of Helvetica | Guardian Unlimited</title>
    <dc:date>2007-07-19T22:48:16+00:00</dc:date>
    <link>http://arts.guardian.co.uk/art/design/story/0,,2127233,00.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Finally, London dates (at the ICA in September). There's also an exhibition at the Design Museum in London, which curiously didn't seem to be mentioned.
]]></description>
<dc:subject>design film typography guardian interview london todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:dbfb00bddcb8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:typography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:guardian"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:interview"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.curzoncinemas.com/whats_on/events/curzon_mayfair/michael_nyman_kinopravda_21_plus_new_live_score/synopsis">
    <title>Curzon Cinemas: Michael Nyman: Kinopravda 21 Live</title>
    <dc:date>2007-04-18T14:05:27+00:00</dc:date>
    <link>http://www.curzoncinemas.com/whats_on/events/curzon_mayfair/michael_nyman_kinopravda_21_plus_new_live_score/synopsis</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Sunday afternoon. Still seem to be tickets.
]]></description>
<dc:subject>london film music event todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:cf98668353cb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:event"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.foreignoffice.com/projekts/movies/movie_com.htm">
    <title>FO: film &amp; TV: Children of Men</title>
    <dc:date>2007-02-27T22:22:12+00:00</dc:date>
    <link>http://www.foreignoffice.com/projekts/movies/movie_com.htm</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Nice stuff here. I think the film was a bit grim for my tastes at the cinema but if I'd waited for the DVD I'd have raved more about it. The design stuff here is *very* good.
]]></description>
<dc:subject>advertising design film video london sciencefiction</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:17fac2951917/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:advertising"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:video"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sciencefiction"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.stylusmagazine.com/articles/weekly_article/out-of-sight-ii.htm">
    <title>Out of Sight II: Twenty More Films You Haven't Seen, But Should - Article - Stylus Magazine</title>
    <dc:date>2006-11-24T21:21:12+00:00</dc:date>
    <link>http://www.stylusmagazine.com/articles/weekly_article/out-of-sight-ii.htm</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Unsurprisingly, no sequels.
]]></description>
<dc:subject>film review magazine article toread</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:2304aef04c57/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:review"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:magazine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:article"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:toread"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.stylusmagazine.com/feature.php?ID=50">
    <title>Out of Sight: Fifteen Films You Haven't Seen, But Should - Article - Stylus Magazine</title>
    <dc:date>2006-11-24T21:19:38+00:00</dc:date>
    <link>http://www.stylusmagazine.com/feature.php?ID=50</link>
    <dc:creator>blech</dc:creator><description><![CDATA[What it says on the tin
]]></description>
<dc:subject>film review magazine article toread</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:b8230ad86efa/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:review"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:magazine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:article"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:toread"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://arts.guardian.co.uk/filmandmusic/story/0,,1861812,00.html">
    <title>Guardian Unlimited Arts | Bottom line</title>
    <dc:date>2006-09-01T12:45:45+00:00</dc:date>
    <link>http://arts.guardian.co.uk/filmandmusic/story/0,,1861812,00.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["As a new documentary lambasts the US movie censors, Xan Brooks meets their UK counterparts, who decide when pornography becomes art" The BBFC has become more a figure of fun than of scorn: "contains mild peril" advice, for example
]]></description>
<dc:subject>guardian interview film censorship</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:485f889ed663/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:guardian"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:interview"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:censorship"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://arts.guardian.co.uk/filmandmusic/story/0,,1861819,00.html">
    <title>Guardian Unlimited Arts | This Film Is Not Yet Rated</title>
    <dc:date>2006-09-01T12:44:48+00:00</dc:date>
    <link>http://arts.guardian.co.uk/filmandmusic/story/0,,1861819,00.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Half a review, half a look at the MPAA, Peter Bradshaw on the documentary about US film censorship.
]]></description>
<dc:subject>film guardian review article comment mpaa censorship</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:466c8df27700/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:guardian"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:review"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:article"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:comment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:mpaa"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:censorship"/>
</rdf:Bag></taxo:topics>
</item>
</rdf:RDF>