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    <description>recent bookmarks from blech</description>
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  </channel><item rdf:about="https://filmcentric.wordpress.com/2015/01/20/new-years-resolution/">
    <title>New Year's Resolution | Ewan at the Cinema</title>
    <dc:date>2015-01-22T21:02:57+00:00</dc:date>
    <link>https://filmcentric.wordpress.com/2015/01/20/new-years-resolution/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["now would be a good time to mention my New Year’s resolution. I have decided to try and see every film which gains a proper cinema release in 2015, which is either directed by or written by a woman." I like the idea of this, and the reasons given.]]></description>
<dc:subject>film feminism culture art diversity</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
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    <title>‘Selling Out’ Is Meaningless | Medium</title>
    <dc:date>2014-05-28T20:27:32+00:00</dc:date>
    <link>https://medium.com/message/3450a5bc98d2</link>
    <dc:creator>blech</dc:creator><description><![CDATA['In the recent Frontline documentary “Generation Like,” Doug Rushkoff lamented that today’s youth don’t even know what the term “sell-out” means.']]></description>
<dc:subject>medium sellingout politics culture art music danahboyd</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:42e3e6445d0c/</dc:identifier>
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<item rdf:about="http://www.kqed.org/arts/visualarts/article.jsp?essid=126590">
    <title>Epic Fail: Levi's 'Station to Station' Derails in Oakland: Visual Arts | KQED Public Media for Northern CA</title>
    <dc:date>2013-10-11T20:09:30+00:00</dc:date>
    <link>http://www.kqed.org/arts/visualarts/article.jsp?essid=126590</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Well, this is interesting: the blowback from Station to Station's night in Oakland.  /via @iamdanw]]></description>
<dc:subject>sanfrancisco sfba oakland levis art culture music criticism via:@iamdanw</dc:subject>
<dc:source>https://twitter.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:ff29871d1696/</dc:identifier>
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<item rdf:about="http://www.theparisreview.org/blog/2012/04/17/white-noir/">
    <title>White Noir, Jane Yager | Paris Review</title>
    <dc:date>2012-04-20T06:28:41+00:00</dc:date>
    <link>http://www.theparisreview.org/blog/2012/04/17/white-noir/</link>
    <dc:creator>blech</dc:creator><description><![CDATA['whiteonwhite:algorithmicnoir, the new film by Eve Sussman and the Rufus Corporation... is, as the title promises, algorithmic. The film has no beginning, middle, or end. At each screening, a computer program live-edits a movie out of more than three thousand film clips, eighty voice-overs, and 150 pieces of music. Each of these movable parts is marked with loosely content-related tags (“horizon,” “anxiety,” “white”), and the computer fits the pieces together according to an algorithm that matches tags.']]></description>
<dc:subject>film cinema newaesthetic algorithm art filmmaking evesussman via:candacep</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:f01e0b386b74/</dc:identifier>
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<item rdf:about="http://content.stamen.com/watercolor_textures">
    <title>Watercolor Textures | stamen design</title>
    <dc:date>2012-03-29T16:18:46+00:00</dc:date>
    <link>http://content.stamen.com/watercolor_textures</link>
    <dc:creator>blech</dc:creator><description><![CDATA['@stamen's Geraldine writes about "a mix of the hand and the computer" behind creating textures for the watercolor maps'. There's been a whole week of posts about the various maps that's fascinating.]]></description>
<dc:subject>map mapping design art stamen</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
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<item rdf:about="http://www.frieze.com/issue/review/christian_marclay/">
    <title>Christian Marclay | Frieze Magazine</title>
    <dc:date>2012-03-29T03:52:24+00:00</dc:date>
    <link>http://www.frieze.com/issue/review/christian_marclay/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Christian Marclay’s installation Tape Fall (1989) is a grower." A review from October 2002 about the artist's installation at SFMOMA.  See also: "Video Quartet (2002), a new piece commissioned by San Francisco MOMA and the Musée d’Art Moderne Grand-Duc Jean, Luxembourg, is a much more ambitious approach to the intertwining of sound and vision. The 14-minute piece consists of four parallel audio-video channels, each one a montage of hundreds of musical scenes from classic Hollywood films, fused together into a dense and bewildering mix."]]></description>
<dc:subject>art christianmarclay sfmoma frieze review installation video sculpture</dc:subject>
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<item rdf:about="http://www.creativeapplications.net/review-2/the-glitch-momentum-by-rosa-menkman-review-by-greg-j-smith/">
    <title>“The Glitch Moment(um)” by Rosa Menkman | CreativeApplications.Net</title>
    <dc:date>2012-03-22T20:11:27+00:00</dc:date>
    <link>http://www.creativeapplications.net/review-2/the-glitch-momentum-by-rosa-menkman-review-by-greg-j-smith/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Greg J. Smith / @serialconsign reviews a book that puts some media theory behind the glitch aesthetic.]]></description>
<dc:subject>art culture criticism mediatheory glitch glitchaesthetic newaesthetic</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
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<item rdf:about="http://www.archpaper.com/news/articles.asp?id=5910">
    <title>The Future According to Mead | The Architect's Newspaper</title>
    <dc:date>2012-03-11T15:18:49+00:00</dc:date>
    <link>http://www.archpaper.com/news/articles.asp?id=5910</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Craig Hodgetts: 'Joining the throngs of the faithful as they jostled for a better view of his paintings, and searching in vain for even one fellow architect, one could not help wondering why the place was not swarmed by young designers. And one was reminded once again of just how insular the architects of the “Me Generation” had become. On display were images depicting cityscapes and buildings that might have been snatched from the most recent international competitions. Lustrous metallic surfaces, twisting towers, parametric volumes, all hauntingly beautiful, and all bearing dates—wait for it—from the early 1970s and ’80s!']]></description>
<dc:subject>sydmead sciencefiction images architecture design art future</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:a1d4ef214414/</dc:identifier>
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<item rdf:about="http://www.flickr.com/photos/maraid/tags/olympics/">
    <title>maraid's stuff tagged with olympics | flickr</title>
    <dc:date>2012-03-11T06:53:41+00:00</dc:date>
    <link>http://www.flickr.com/photos/maraid/tags/olympics/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Matchbox labels celebrating the Olympics: "Matchbox labels from around the world but the majority are Eastern European from the 1950s and 60s."]]></description>
<dc:subject>flickr images olympics matchbox illustration design art topost</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="http://www.culdesacgallery.com/cul_de_sac_london_6_phantom.html">
    <title>Phantom 2011 | CUL DE SAC London</title>
    <dc:date>2012-02-27T07:38:36+00:00</dc:date>
    <link>http://www.culdesacgallery.com/cul_de_sac_london_6_phantom.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["«Phantom» remakes the Fourth Plinth of Trafalgar Square in a quiet back street in Bermondsey. This scale replica of the famous fourth plinth is built to coincide with the announcement of the next winners of the prestigious London contemporary art commission."]]></description>
<dc:subject>london art fourthplinth sculpture bermondsey via:mondoagogo</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:920fc19827bf/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:fourthplinth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sculpture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:bermondsey"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:mondoagogo"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://thequietus.com/articles/02992-jodorowsky-s-dune-and-the-greatest-films-never-made">
    <title>Jodorowsky’s Dune And The Greatest Films Never Made | The Quietus</title>
    <dc:date>2012-02-15T07:45:17+00:00</dc:date>
    <link>http://thequietus.com/articles/02992-jodorowsky-s-dune-and-the-greatest-films-never-made</link>
    <dc:creator>blech</dc:creator><description><![CDATA[On Alejandro Jodorowsky's ill-fated attempt to film Dune, including a look back at his career both before and afterwards. Full of moments of utter insanity, such as: "Dalí then insisted that he be paid $100,000 an hour to sit on [the throne]. He also deemed it essential that we see the Emperor defecating and micturating in the film — but a body double would have to do that for him." They don't make them like that any more. (Well, they didn't then either, to be fair...)]]></description>
<dc:subject>film dune art music 1970s thequietus sciencefiction adaptation</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:47f74ca32d79/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:dune"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:1970s"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:thequietus"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sciencefiction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:adaptation"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.themorningnews.org/article/the-city-is-wilder-and-kinder-than-you-think">
    <title>The City Is Wilder and Kinder Than You Think | The Morning News</title>
    <dc:date>2012-02-12T20:06:49+00:00</dc:date>
    <link>http://www.themorningnews.org/article/the-city-is-wilder-and-kinder-than-you-think</link>
    <dc:creator>blech</dc:creator><description><![CDATA["while some of his work hangs right here—inside the narrow room, up on the building and off into the night—his three most significant pieces are hanging under an overpass just a short walk up the street. Like billboards. Only different."]]></description>
<dc:subject>london art poetry advertising shoreditch exhibition publicspace</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:e21b2abc5c2a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:poetry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:advertising"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:shoreditch"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:publicspace"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2012/02/03/DDTB1N1LN4.DTL">
    <title>'Walker Evans' review: Photographic eye on America | SFGate</title>
    <dc:date>2012-02-09T02:46:37+00:00</dc:date>
    <link>http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2012/02/03/DDTB1N1LN4.DTL</link>
    <dc:creator>blech</dc:creator><description><![CDATA['"Walker Evans," the exhibition at Stanford's Cantor Center showcasing the photographer-artist who plumbed the poetics of documentary, makes this point only inadvertently. Consisting of vintage prints and related Walker ephemera from the collection of Elizabeth and Robert Fisher, it succeeds at least in making us wish for a refreshed view of Evans' work, even if that continues to elude us.' Stanford, closes 8 April, 2012.]]></description>
<dc:subject>photography art exhibition sfba stanford todo</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:9f5d689bd065/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sfba"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:stanford"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.bampfa.berkeley.edu/exhibition/240">
    <title>Andy Warhol: Polaroids / MATRIX 240 | BAM/PFA</title>
    <dc:date>2012-02-09T01:10:08+00:00</dc:date>
    <link>http://www.bampfa.berkeley.edu/exhibition/240</link>
    <dc:creator>blech</dc:creator><description><![CDATA["From 1970 to 1987 Andy Warhol took scores of Polaroid and black-and-white photographs, the vast majority of which were never seen by the public. These images often served as the basis for his commissioned portraits, silk-screen paintings, drawings, and prints." Berkeley. Closes 20 May, 2012.]]></description>
<dc:subject>photography art exhibition sfba berkeley todo via:@leyink via:twitter</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:98bd1e6b86f0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sfba"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:berkeley"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:@leyink"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:twitter"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.guardian.co.uk/artanddesign/2010/nov/21/francesca-woodman-photographs-miro-review">
    <title>Francesca Woodman - review | The Observer</title>
    <dc:date>2012-01-16T16:32:56+00:00</dc:date>
    <link>http://www.guardian.co.uk/artanddesign/2010/nov/21/francesca-woodman-photographs-miro-review</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Seeing so many photographs of Woodman, mostly naked, often posing in empty rooms with peeling paint and fading wallpaper, is a slightly disconcerting experience, though. It's not just that she becomes more elusive the more photographs you see, it's more the tightrope walk she takes between an almost adolescent self-obsession and artistic self-exploration."]]></description>
<dc:subject>photography art francescawoodman london exhibition review</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:d0a47cf2162a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:francescawoodman"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:review"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.moma.org/visit/calendar/exhibitions/1201">
    <title>Thing/Thought: Fluxus Editions, 1962–1978 | MoMA</title>
    <dc:date>2012-01-09T18:37:43+00:00</dc:date>
    <link>http://www.moma.org/visit/calendar/exhibitions/1201</link>
    <dc:creator>blech</dc:creator><description><![CDATA["artist and designer George Maciunas conceived of Fluxus Editions—affordable and portable publications and multiples meant to introduce revolutionary art into everyday experience and to publicize the group’s ideas on an international scale." Closes 15 January 2012.]]></description>
<dc:subject>newyork newyorkcity art exhibition history todo?</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:00572aaf1c0f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newyork"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newyorkcity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo?"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.newmuseum.org/exhibitions/449">
    <title>Carsten Höller: Experience | NewMuseum.org</title>
    <dc:date>2012-01-09T18:35:21+00:00</dc:date>
    <link>http://www.newmuseum.org/exhibitions/449</link>
    <dc:creator>blech</dc:creator><description><![CDATA["“Carsten Höller: Experience” is the most comprehensive US exhibition to date of the artist’s engaging work. The current show gathers together a number of the artist’s signature works in an arrangement that transforms the viewer’s experience of time and space. Originally trained as a scientist, Höller is frequently inspired by research and experiments from scientific history." Closes 22 January 2012.]]></description>
<dc:subject>newyork newyorkcity art science exhbition todo/done</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:56e2875be398/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newyork"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newyorkcity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhbition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.getty.edu/pacificstandardtime/exhibitions-and-events/crosscurrents/">
    <title>Crosscurrents in L.A. Painting and Sculpture, 1950–1970 | Getty</title>
    <dc:date>2012-01-03T18:34:30+00:00</dc:date>
    <link>http://www.getty.edu/pacificstandardtime/exhibitions-and-events/crosscurrents/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Pacific Standard Time: "The exhibition charts the abundant artistic innovation in post-World War II Los Angeles. During this period, Los Angeles artists looked for new approaches, subjects, and techniques for art making, including experimenting with the materials and processes of the pioneering industries in the region and the local surf and car cultures." Closes 5 February, 2012.]]></description>
<dc:subject>losangeles art exhibition todo/gone</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:87d7de38bd02/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:losangeles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.guardian.co.uk/artanddesign/2011/dec/20/barbara-hepworth-sculpture-park-stolen">
    <title>Barbara Hepworth sculpture stolen from London park | guardian.co.uk</title>
    <dc:date>2011-12-20T18:31:43+00:00</dc:date>
    <link>http://www.guardian.co.uk/artanddesign/2011/dec/20/barbara-hepworth-sculpture-park-stolen</link>
    <dc:creator>blech</dc:creator><description><![CDATA[That both this sculpture and the Dr Salter statue in Rotherhithe have been stolen in the last few months is very, very saddening.]]></description>
<dc:subject>london dulwich barbarahepworth sculpture art crime metal via:ohskylab</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:359137bce3b1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:dulwich"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:barbarahepworth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sculpture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:crime"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:metal"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:ohskylab"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theparisreview.org/blog/2011/11/28/the-art-of-not-drowning/">
    <title>The Unlikely Event, Avi Steinberg | Paris Review</title>
    <dc:date>2011-12-16T06:36:53+00:00</dc:date>
    <link>http://www.theparisreview.org/blog/2011/11/28/the-art-of-not-drowning/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["For those of us who occupy that metaphysical middle ground between the in-flight magazine and the barf bag, there’s the airline safety card." "A [1960s] Air France card directs passengers to the closest axe—no further directions are given." A delightful piece about safety instructions, how they've changed, and their parallels with art.]]></description>
<dc:subject>transport aeroplanes design art safety instructions via:straup</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:e69f8052ffd4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:transport"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:aeroplanes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:safety"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:instructions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:straup"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.independent.co.uk/arts-entertainment/art/features/finding-a-new-place-for-the-map-2376252.html">
    <title>Finding a new place for the map | The Independent</title>
    <dc:date>2011-12-10T23:16:29+00:00</dc:date>
    <link>http://www.independent.co.uk/arts-entertainment/art/features/finding-a-new-place-for-the-map-2376252.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["It's a tool that has shaped modern civilisation, but is the map as we know it redundant? Samuel Muston wonders if it's now more valuedfor decoration than for navigation"]]></description>
<dc:subject>independent geography maps art decoration shouldcomment</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:84418b68a7cb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:independent"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:geography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:decoration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:shouldcomment"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theatlantic.com/technology/archive/2011/11/ballet-shoes-and-ballerinas-as-technology-a-history-en-pointe/248009/">
    <title>Ballet Shoes and Ballerinas as Technology: A History En Pointe | The Atlantic</title>
    <dc:date>2011-11-08T19:43:16+00:00</dc:date>
    <link>http://www.theatlantic.com/technology/archive/2011/11/ballet-shoes-and-ballerinas-as-technology-a-history-en-pointe/248009/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Suzanne Fischer: 'Pointe shoes made the ballerinas of the New York City Ballet into technological artifacts, modern and indistinguishable "like IBM machines"']]></description>
<dc:subject>ballet technology art cybernetics via:andym</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:332116aff8a8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:ballet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cybernetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:andym"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.morethanthegames.co.uk/london-2012/0415731-london-2012-creeds-olympic-bells-project-criticised-leading-church-group">
    <title>Creed's Olympic bells project criticised | More than the games</title>
    <dc:date>2011-11-07T22:01:14+00:00</dc:date>
    <link>http://www.morethanthegames.co.uk/london-2012/0415731-london-2012-creeds-olympic-bells-project-criticised-leading-church-group</link>
    <dc:creator>blech</dc:creator><description><![CDATA["We are looking forward the Olympics, for example we are aiming to ring church bells throughout the UK to announce the arrival of the torch relay.
"Also it's also the intention that church bells in London will be rung every time Great Britain wins a gold medal."]]></description>
<dc:subject>london olympics music art church bells martincreed via:iamdanw</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:d48f13abe87d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:olympics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:music"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:church"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:bells"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:martincreed"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:iamdanw"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.artangel.org.uk/audioobscura">
    <title>Lavinia Greenlaw: Audio Obscura | Artangel</title>
    <dc:date>2011-09-13T17:46:43+00:00</dc:date>
    <link>http://www.artangel.org.uk/audioobscura</link>
    <dc:creator>blech</dc:creator><description><![CDATA["In Audio Obscura, equipped with headphones, you enter the crowd and overhear voices around you. What did that woman mean? Did he really say that? Does she realise what she is saying? You might wish you hadn’t listened or you might want to know more. You will look for stories and you might even find them..."]]></description>
<dc:subject>london art audio installation sound stpancras via:@stml todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:dee92b420995/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:audio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:installation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sound"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:stpancras"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:@stml"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.tate.org.uk/britain/exhibitions/johnmartin/default.shtm">
    <title>John Martin: Apocalypse | Tate Britain</title>
    <dc:date>2011-09-10T19:26:25+00:00</dc:date>
    <link>http://www.tate.org.uk/britain/exhibitions/johnmartin/default.shtm</link>
    <dc:creator>blech</dc:creator><description><![CDATA["John Martin (1789–1854) was a key figure in the nineteenth-century art world, renowned for his dramatic scenes of apocalyptic destruction and biblical disaster. While he was hugely popular, he remained something of an outsider, scorned by the art critics of his time." Opens 21st September, closes 15th January 2012.]]></description>
<dc:subject>london art apocalypse todo?</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:9ba469166505/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:apocalypse"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo?"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nmm.ac.uk/visit/exhibitions/high-arctic/">
    <title>High Arctic : Exhibitions | NMM</title>
    <dc:date>2011-09-10T19:21:52+00:00</dc:date>
    <link>http://www.nmm.ac.uk/visit/exhibitions/high-arctic/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Conceived as a response to the expedition, High Arctic uses a combination of sound, light and sculptural forms to create an abstracted arctic landscape for visitors to explore." Closes 13th January 2012.]]></description>
<dc:subject>london art climatechange arctic todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:cb0f07d6d040/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:climatechange"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:arctic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.saatchi-gallery.co.uk/artists/sculpture/">
    <title>The Shape Of Things To Come | Saatchi Gallery</title>
    <dc:date>2011-09-10T19:19:09+00:00</dc:date>
    <link>http://www.saatchi-gallery.co.uk/artists/sculpture/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["This is the first time that the gallery space has been devoted entirely to three-dimensional works." Closes 16th October 2012.]]></description>
<dc:subject>london art sculpture todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:578e59b8ee30/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sculpture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vam.ac.uk/content/exhibitions/postmodernism/">
    <title>Postmodernism: Style and Subversion | V&amp;A</title>
    <dc:date>2011-09-10T19:17:50+00:00</dc:date>
    <link>http://www.vam.ac.uk/content/exhibitions/postmodernism/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["What does postmodernism mean, and where did it come from? The V&A will explore these questions in the exhibition Postmodernism: Style and Subversion 1970–1990." Opens 24th September, closes 15th January 2012. Also at the V&A: Power of Making, closes 2nd January 2012.]]></description>
<dc:subject>london art postmodernism exhibition todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:ba0ae4c7520d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:postmodernism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://ticketing.southbankcentre.co.uk/find/hayward-gallery-and-visual-arts/other-art-on-site/tickets/pipilotti-rist-59671">
    <title>Pipilotti Rist | Southbank Centre.</title>
    <dc:date>2011-09-10T19:15:36+00:00</dc:date>
    <link>http://ticketing.southbankcentre.co.uk/find/hayward-gallery-and-visual-arts/other-art-on-site/tickets/pipilotti-rist-59671</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Swiss artist Pipilotti Rist is one of the world's leading contemporary artists, acclaimed for her innovative video installations." Closes 8th January 2012.]]></description>
<dc:subject>london art todo?</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:9f0c3d54fd51/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo?"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.royalacademy.org.uk/exhibitions/hungarian-photography/">
    <title>Eyewitness: Hungarian Photography in the 20th Century | Royal Academy of Arts</title>
    <dc:date>2011-09-10T19:13:35+00:00</dc:date>
    <link>http://www.royalacademy.org.uk/exhibitions/hungarian-photography/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Brassaï, Robert Capa, André Kertész, László Moholy-Nagy and Martin Munkácsi each left Hungary to make their names in Germany, France and the USA, and are now known for the profound changes they brought about in photojournalism, as well as abstract, fashion and art photography" Closes 2nd October 2011.]]></description>
<dc:subject>london art photography todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:f41375987511/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.tate.org.uk/modern/exhibitions/unilever2011/default.shtm">
    <title>The Unilever Series: Tacita Dean | Tate Modern</title>
    <dc:date>2011-09-10T19:11:56+00:00</dc:date>
    <link>http://www.tate.org.uk/modern/exhibitions/unilever2011/default.shtm</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Tacita Dean will be the next artist to create a commission for Tate Modern's Turbine Hall as part of the Unilever Series." Opens 11 October 2012, Closes 11 March 2012.]]></description>
<dc:subject>london art todo</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:d3df05b44075/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.tate.org.uk/modern/exhibitions/gerhardrichter/default.shtm">
    <title>Gerhard Richter: Panorama | Tate Modern</title>
    <dc:date>2011-09-10T19:10:57+00:00</dc:date>
    <link>http://www.tate.org.uk/modern/exhibitions/gerhardrichter/default.shtm</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Gerhard Richter: Panorama is a major chronological retrospective that groups together significant moments of this remarkable painter’s career."]]></description>
<dc:subject>london art tatemodern todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:cf5611b351f5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:tatemodern"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://hypergeography.tumblr.com/">
    <title>Home | Hyper Geography</title>
    <dc:date>2011-09-07T21:03:27+00:00</dc:date>
    <link>http://hypergeography.tumblr.com/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[This reminds me of the mid-nineties computer/interet art experiments, except it's hosted at Tumblr. Very clever.]]></description>
<dc:subject>images art tumblr newaesthetic via:@shashashasha</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:5b9dc1de6d84/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:images"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:tumblr"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newaesthetic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:@shashashasha"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.guardian.co.uk/books/2011/aug/28/mark-kermode-multiplex-blockbuster">
    <title>Mark Kermode: How to make an intelligent blockbuster and not alienate people | Books | The Observer</title>
    <dc:date>2011-08-28T20:59:06+00:00</dc:date>
    <link>http://www.guardian.co.uk/books/2011/aug/28/mark-kermode-multiplex-blockbuster</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Mark Kermode on fine form in the Observer, arguing that since blockbusters make money anyway, you might as well try and do something at least a little clever, like Christopher Nolan, not just dumb, like Michael Bay. Well worth the read.]]></description>
<dc:subject>film cinema review art guardian flilmmaking</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:0586fcb4e749/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cinema"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:review"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:guardian"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:flilmmaking"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://jamesalliban.wordpress.com/2011/08/10/new-ipad-app-composite/">
    <title>New iPad app: Composite | James Alliban</title>
    <dc:date>2011-08-10T21:53:14+00:00</dc:date>
    <link>http://jamesalliban.wordpress.com/2011/08/10/new-ipad-app-composite/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["I’m excited to announce the release of Composite, my 3rd mobile app, and my first for the iPad 2. Composite allows you to remix your surroundings to create artistic compositions. Users are given the opportunity to paint pictures using the live video stream from their device’s front and back facing cameras. Simply point your iPad towards your subject and start painting to reveal it."]]></description>
<dc:subject>ipad app art composite newaesthetic todo/done</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:041818aaf8d8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:ipad"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:app"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:composite"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newaesthetic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://vintageposterblog.com/2011/07/20/dont-mention-all-of-the-war/">
    <title>What the Home Front posters of WW2 still mean for us today | Quad Royal</title>
    <dc:date>2011-07-22T02:46:02+00:00</dc:date>
    <link>http://vintageposterblog.com/2011/07/20/dont-mention-all-of-the-war/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["There were a huge number of posters produced during the war, and so the relatively few we pick out end up telling us as much about ourselves and our present day anxieties as it does about the war." A really good essay at Quad Royal on WW2 posters and what they mean to us now. (I'd love to see a similar post for the US, too.)]]></description>
<dc:subject>uk poster art propaganda society austerity modernism design via:mondoagogo</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:d90ecfb9672a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:uk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:poster"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:propaganda"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:society"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:austerity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:modernism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:mondoagogo"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.poszu.com/2011/05/16/all-real-atemporal-shit-no-authenticity/">
    <title>All Real Atemporal Stuff. No Authenticity | POSZU</title>
    <dc:date>2011-06-17T00:22:16+00:00</dc:date>
    <link>http://www.poszu.com/2011/05/16/all-real-atemporal-shit-no-authenticity/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Using a word like “nostalgia” is such a desperate sign of being out of touch, out of date, and so awfully-temporal in an atemporal time. “Nostalgia” assumes that there still was a temporal order in which someone could purposefully choose to “rewind”. It implies someone wants to “turn back a clock”, as if all our “wrist watches” weren’t synced to regulated network time via cell phone towers."]]></description>
<dc:subject>photography culture history art nostalgia atemporality</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:ea436bbc6b5a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:nostalgia"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:atemporality"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://thesocietypages.org/cyborgology/2011/05/14/the-faux-vintage-photo-full-essay-parts-i-ii-and-iii/">
    <title>The Faux-Vintage Photo: Full Essay | Cyborgology</title>
    <dc:date>2011-06-17T00:20:43+00:00</dc:date>
    <link>http://thesocietypages.org/cyborgology/2011/05/14/the-faux-vintage-photo-full-essay-parts-i-ii-and-iii/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["We have associated authenticity with the style of a vintage photo because, previously, vintage photos were actually vintage. They stood the test of time, they described a world past, and, as such, they earned a sense of importance."]]></description>
<dc:subject>photography design culture art hipstamatic atemporality nostalgia</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:a8f98a200569/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:hipstamatic"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:atemporality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:nostalgia"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://blog.ltmuseum.co.uk/2011/283/">
    <title>A New Subterranean Map of London | LT Museum</title>
    <dc:date>2011-05-18T21:00:07+00:00</dc:date>
    <link>http://blog.ltmuseum.co.uk/2011/283/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[From Stephen Walter, who drew The Island: "When London Transport Museum came to me for a new idea, I thought of it straight away – An Underground map of London where I could finally include those lost rivers and develop my own tube map. I am currently developing the ideas for this subterranean map of London and entries to this blog may contribute to its development." Possibly worth watching.]]></description>
<dc:subject>london transport museum map art</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:d4c60e6e668b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:transport"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:museum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:map"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://sfpl.org/index.php?pg=1006175801">
    <title>*Public Library: An American Commons | SFPL</title>
    <dc:date>2011-05-11T06:32:01+00:00</dc:date>
    <link>http://sfpl.org/index.php?pg=1006175801</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Public Library: An American Commons is an exhibition and photographic survey of public libraries throughout the United States by San Francisco based photographer Robert Dawson." Plus supporting events (including a talk in Noe this Saturday, 14th May). Closes 12th June.]]></description>
<dc:subject>photography art sanfrancisco libraries todo/done</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:88205671c22f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:libraries"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.guardian.co.uk/travel/2011/may/06/top-10-new-york-manhattan-galleries">
    <title>10 of the best art galleries in Manhattan | The Guardian</title>
    <dc:date>2011-05-06T22:31:11+00:00</dc:date>
    <link>http://www.guardian.co.uk/travel/2011/may/06/top-10-new-york-manhattan-galleries</link>
    <dc:creator>blech</dc:creator><description><![CDATA[David Zwirner / Art in General / New Museum of Contemporary Art  / Christopher Henry Gallery / Sperone Westwater / Storefront for Art and Architecture / The Drawing Center / The New York Earth Room / Greene Naftali / L&M Arts]]></description>
<dc:subject>newyork newyorkcity art architecture todo galleries guardian</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:7430ece033c0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newyork"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newyorkcity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:architecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:galleries"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:guardian"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.dailymail.co.uk/sciencetech/article-1380795/Cinemagraphs-Artists-develop-pictures-movement-stills-level.html">
    <title>Pictures with movement that take 'stills' to next level | Mail Online</title>
    <dc:date>2011-04-28T20:46:35+00:00</dc:date>
    <link>http://www.dailymail.co.uk/sciencetech/article-1380795/Cinemagraphs-Artists-develop-pictures-movement-stills-level.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["using GIFs, a type of picture format similar to a JPEG which has been around since the invention of home computers" Oh, Daily Mail, discovering animated GIFs now they've got all "artistic" on Tumblr, and completely getting their history wrong, how we love* you. * may be sarcasm.]]></description>
<dc:subject>dailymail internet web formats photography longportraits art photoshop</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:1d0d4c463a91/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:dailymail"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:internet"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:web"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:formats"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:longportraits"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photoshop"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.newyorker.com/reporting/2011/04/18/110418fa_fact_dyer">
    <title>“Spiral Jetty,” and Land Art | The New Yorker</title>
    <dc:date>2011-04-25T17:35:49+00:00</dc:date>
    <link>http://www.newyorker.com/reporting/2011/04/18/110418fa_fact_dyer</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Maybe I should have bought the paper copy after all. (This is more of an aide memoire to come back if I ever get a subscription.)]]></description>
<dc:subject>newyorker art geoffdyer</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:2c4acd4251f4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newyorker"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:geoffdyer"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.newmuseum.org/exhibitions/431/">
    <title>George Condo: Mental States | NewMuseum.org</title>
    <dc:date>2011-03-19T19:23:50+00:00</dc:date>
    <link>http://www.newmuseum.org/exhibitions/431/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["George Condo has been a singular voice in American and European art for almost three decades." Looks like the venue might be well worth a visit. Closes 8th May 2011.]]></description>
<dc:subject>newyork art newmuseum abstract todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:d409a235f74c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newyork"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newmuseum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:abstract"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nyc-grid.com/home/2010/11/3/greene-st-between-prince-st-and-spring-st.html">
    <title>Greene St Between Prince St and Spring St | NYC Grid</title>
    <dc:date>2011-03-07T21:43:37+00:00</dc:date>
    <link>http://www.nyc-grid.com/home/2010/11/3/greene-st-between-prince-st-and-spring-st.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA[To do in NYC: visit this street art (literally) version of the NY subway map.]]></description>
<dc:subject>newyork newyorkcity subway maps art sculpture</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:0c4113581efe/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newyork"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newyorkcity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:subway"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sculpture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.michaelhoppengallery.com/exhibition,current,2,0,0,1565,103,0,0,0,michael_hoppen_gallery.html">
    <title>Sohei Nishino - Diorama Map London | Michael Hoppen Gallery</title>
    <dc:date>2011-02-27T00:49:23+00:00</dc:date>
    <link>http://www.michaelhoppengallery.com/exhibition,current,2,0,0,1565,103,0,0,0,michael_hoppen_gallery.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Discovered in 2008 by Michael Hoppen, 28 year old Nishino’s extraordinary photographic dioramas, monumental in size, map out the artist’s personal impressions of the  world’s major cities in several thousand intimate details." If you're in London, go and see this.]]></description>
<dc:subject>london exhibition art photography hockneyesque diorama</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:64c455043440/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:hockneyesque"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:diorama"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://soheinishino.com/en/works/dioramamap/london/info.html">
    <title>Diorama map London (Detailed info) | Sohei Nishino</title>
    <dc:date>2011-02-27T00:48:34+00:00</dc:date>
    <link>http://soheinishino.com/en/works/dioramamap/london/info.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA[I mentioned this on notes.husk.org, but as it's just come up again: this looks amazing, a composite map of London made out of a huge number of 6x4 black and white prints. It's currently being shown at the Michael Hoppen Gallery in London, and if I were any closer I'd be heading there to see it.]]></description>
<dc:subject>london art photography composite hockneyesque</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:49f5f00d61b2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:composite"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:hockneyesque"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theatlantic.com/technology/archive/2010/12/art-in-the-age-of-digital-reproduction-hockneys-ipad-paintings/68256/">
    <title>Art in the Age of Digital Reproduction: Hockney's iPad Paintings - Alex Hoyt - Technology - The Atlantic</title>
    <dc:date>2011-02-13T20:26:21+00:00</dc:date>
    <link>http://www.theatlantic.com/technology/archive/2010/12/art-in-the-age-of-digital-reproduction-hockneys-ipad-paintings/68256/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[David Hockney's new show is alive]]></description>
<dc:subject>davidhockney art ipad brushes</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:ffab7c2960bd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:davidhockney"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:ipad"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:brushes"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.guardian.co.uk/artanddesign/2011/feb/02/stephen-walter-city-maps">
    <title>Words on the street: Stephen Walter's city maps | Art and design | The Guardian</title>
    <dc:date>2011-02-04T16:19:18+00:00</dc:date>
    <link>http://www.guardian.co.uk/artanddesign/2011/feb/02/stephen-walter-city-maps</link>
    <dc:creator>blech</dc:creator><description><![CDATA[Last October, artist Stephen Walter and I walked from Wedding, Berlin's north-western suburb, to the shores of the Tegeler See]]></description>
<dc:subject>london berlin maps art walking geography culture</dc:subject>
<dc:source>https://instapaper.com/</dc:source>
<dc:identifier>https://pinboard.in/u:blech/b:71c2e9f2cc7c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:berlin"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:walking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:geography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:culture"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vam.ac.uk/whatson/event/861/isotype-international-picture-language-1727/">
    <title>Isotype: international picture language | Victoria and Albert</title>
    <dc:date>2011-02-04T06:33:31+00:00</dc:date>
    <link>http://www.vam.ac.uk/whatson/event/861/isotype-international-picture-language-1727/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[While I'm listing exhibitions in London that I can't go to, in the hope some of my friends will, this roundup of the work of the Isotype group was one of the highlights of my visit to MAK in Vienna last summer. It's small, but worth a look, particularly for the book covers by Marie Neurath.<br />
Closes 13 March 2011.]]></description>
<dc:subject>london exhibition art design infographics information history</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:24f85228cbbe/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:infographics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:information"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:history"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://designmuseum.org/exhibitions/2011/shape-my-language">
    <title>Shape my language | Design Museum</title>
    <dc:date>2011-02-04T06:29:18+00:00</dc:date>
    <link>http://designmuseum.org/exhibitions/2011/shape-my-language</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Located in the Design Museum cafe and atrium, the Shape My Language installation combines a display by renowned type designer Bruno Maag, from the typeface and logo design agency Dalton Maag, with images from his work on the Ubuntu font project" I wanted to see this in Vienna, but I got there a week too late. Now it's in London, and I'm not. If you are, you should go. (If necessary, you can sneak in to the shop without paying.) <br />
Closes 28 February.]]></description>
<dc:subject>london design designmuseum art typography ubuntu</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:906a5c2c7b19/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:designmuseum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:typography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:ubuntu"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.sjmusart.org/vital-signs-new-media-permanent-collection">
    <title>Vital Signs: New Media from the Permanent Collection | San Jose Museum of Art</title>
    <dc:date>2011-02-04T00:01:10+00:00</dc:date>
    <link>http://www.sjmusart.org/vital-signs-new-media-permanent-collection</link>
    <dc:creator>blech</dc:creator><description><![CDATA[The combination of this, another new media exhibition, and a Robert Mapplethorpe photography show are enough to tempt me down to the edge of the South Bay this weekend, I suspect.<br />
<br />
Closes 6th February 2011.]]></description>
<dc:subject>sanjose art museum exhibition todo/done</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:48907c446557/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sanjose"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:museum"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.nytimes.com/2011/01/26/arts/design/26abroad.html?adxnnl=1&amp;adxnnlx=1296100871-Bu67jcX8S7hBzRB2dI5YPw&amp;pagewanted=all">
    <title>David Wojnarowicz Ruckus, as Viewed From Britain | NYTimes.com</title>
    <dc:date>2011-01-27T04:05:23+00:00</dc:date>
    <link>http://www.nytimes.com/2011/01/26/arts/design/26abroad.html?adxnnl=1&amp;adxnnlx=1296100871-Bu67jcX8S7hBzRB2dI5YPw&amp;pagewanted=all</link>
    <dc:creator>blech</dc:creator><description><![CDATA["It has something to do with the ideal of the American Everyman. As with the military or medicine, so with museums, we are by national inclination meddlers. Europeans are not, which is why they have reacted to the Smithsonian flap with the same mildly appalled bafflement that they express toward American opposition to the health care bill. It all seems inexplicable to them." The NYT on Wojnarowicz, Sensation, Tate, the Smithsonian, and attitudes. ]]></description>
<dc:subject>art culture nytimes newspapers comment uk us europe</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:05e4e948bc7d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:nytimes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:newspapers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:comment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:uk"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:us"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:europe"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.slate.com/id/2279659/pagenum/all/">
    <title>The slow-photography movement | Slate Magazine</title>
    <dc:date>2011-01-21T03:07:55+00:00</dc:date>
    <link>http://www.slate.com/id/2279659/pagenum/all/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Defined more carefully, slow photography is the effort to flip the usual relationship between process and results. Usually, you use a camera because you want the results (the photos). In slow photography, the basic idea is that photos themselves—the results—are secondary. The goal is the experience of studying some object carefully and exercising creative choice. That's it."]]></description>
<dc:subject>photography seeing art technology camera via:@joemoransblog</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:659fc8ff0e73/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:seeing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:camera"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:@joemoransblog"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.jmg-galleries.com/articles/san_francisco_labyrinths.html">
    <title>San Francisco Labyrinths | JMG-Galleries</title>
    <dc:date>2011-01-15T18:38:33+00:00</dc:date>
    <link>http://www.jmg-galleries.com/articles/san_francisco_labyrinths.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["When I first discovered the Lands End Labyrinth I was surprised and excited. Little did I know that it would lead to a series of cascading discoveries across the San Francisco bay area and lead me to meet the man responsible for it all."]]></description>
<dc:subject>sanfrancisco labyrinth photography history art</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:080c582d2e06/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:labyrinth"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.xn--slarsteinn-gbb.com/">
    <title>Damon Zucconi, 2010 | Fata Morgana</title>
    <dc:date>2010-12-28T00:15:36+00:00</dc:date>
    <link>http://www.xn--slarsteinn-gbb.com/</link>
    <dc:creator>blech</dc:creator><description><![CDATA[A very simple, but also very effective, hack using the Google Maps v3 styling options.]]></description>
<dc:subject>maps google art labels google/maps styling</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:14a8fd7b5564/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:google"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:labels"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:google/maps"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:styling"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.independent.co.uk/arts-entertainment/art/reviews/move-choreographing-you-hayward-gallery-london-2112114.html">
    <title>Move: Choreographing You, Hayward Gallery | The Independent</title>
    <dc:date>2010-10-22T19:55:33+00:00</dc:date>
    <link>http://www.independent.co.uk/arts-entertainment/art/reviews/move-choreographing-you-hayward-gallery-london-2112114.html</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Wear comfortable clothes and flat shoes to visit Move: Choreographing You at the Hayward, because to experience this exhibition properly, you will be swinging, crawling and balancing your way through the galleries." Sounds interesting, and very Hayward.]]></description>
<dc:subject>london art exhibition dance contemporaryart haywardgallery southbank via:stml</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:7d0f3aacede4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:dance"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:contemporaryart"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:haywardgallery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:southbank"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:stml"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.theatlantic.com/technology/archive/2010/10/hipstamatic-and-the-time-when-photographs-looked-like-paintings/64618/">
    <title>Hipstamatic &amp; Photographs Like Paintings | The Atlantic</title>
    <dc:date>2010-10-18T22:26:17+00:00</dc:date>
    <link>http://www.theatlantic.com/technology/archive/2010/10/hipstamatic-and-the-time-when-photographs-looked-like-paintings/64618/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["When you use Hipstamatic, it practically forces you to shoot arty photographs. We can all be cell phone pictorialists now."]]></description>
<dc:subject>photography technology cameras iphone art history via:visivo</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:77ab9405f8ac/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:technology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:cameras"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:iphone"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:visivo"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.vam.ac.uk/collections/photography/shadow-catchers-camera-less-photography/">
    <title>Shadow Catchers: Camera-less Photography | V&amp;A</title>
    <dc:date>2010-10-08T18:32:35+00:00</dc:date>
    <link>http://www.vam.ac.uk/collections/photography/shadow-catchers-camera-less-photography/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["The essence of photography lies in its seemingly magical ability to fix shadows on light-sensitive surfaces. Normally, this requires a camera. Shadow Catchers, however, presents the work of five international contemporary artists - Floris Neusüss, Pierre Cordier, Susan Derges, Garry Fabian Miller and Adam Fuss - who work without a camera. Instead, they create images on photographic paper by casting shadows and manipulating light, or by chemically treating the surface of the paper." This is the sort of thing London does that I'll miss.]]></description>
<dc:subject>london v&amp;a photography art exhibition</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:b6a7a953219f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:v&amp;a"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.sfweekly.com/events/and-147-presidio-habitatsand-148--1970857/">
    <title>“Presidio Habitats” - The Presidio | SF Weekly</title>
    <dc:date>2010-10-06T16:54:08+00:00</dc:date>
    <link>http://www.sfweekly.com/events/and-147-presidio-habitatsand-148--1970857/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["The success of Andy Goldsworthy’s Spire means we get more outdoor art in the Presidio. Yes! Nevada City–based art group For Site ('art about place'), emboldened by the crush of people who come to see Goldsworthy’s poignant pile of sticks, now gives us 'Presidio Habitats.'" Closes (if at all?) 15th May.]]></description>
<dc:subject>sanfrancisco art outdoor todo presidio walking</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:f53d04f31387/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:outdoor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:presidio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:walking"/>
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</item>
<item rdf:about="http://www.sfweekly.com/events/1-000-cameras-2142073/">
    <title>&quot;1,000 Cameras&quot; - RayKo Photo Center | SF Weekly</title>
    <dc:date>2010-10-06T16:51:59+00:00</dc:date>
    <link>http://www.sfweekly.com/events/1-000-cameras-2142073/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Babcock has spent the summer creating 1,000 cameras for the exhibit, and he says anything that can keep out light and accommodate a pinhole or lens as well as film or photo paper will work." Closes 5th November.]]></description>
<dc:subject>sanfrancisco art camera photography todo/done</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:89cf4ad3ea7c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:camera"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
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</item>
<item rdf:about="http://hosfeltgallery.com/index.php?p=exhibitions&amp;id=242">
    <title>Marietta Hoferer- Drawings | Hosfelt Gallery</title>
    <dc:date>2010-10-06T16:50:58+00:00</dc:date>
    <link>http://hosfeltgallery.com/index.php?p=exhibitions&amp;id=242</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Hoferer makes drawings that create luminous and beguiling optical effects through the refraction of light on their surfaces. Although the drawings begin with a preconceived structure of precise grids, the artist deliberately invites the interaction of chance, intuition, and imperfection as she works." Closes 16th October.]]></description>
<dc:subject>sanfrancisco art drawing todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:7a184af97a31/</dc:identifier>
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	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:drawing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
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</item>
<item rdf:about="http://www.sfweekly.com/events/photographer-unknown-and-151-the-vernacular-photograph-as-accidental-art-2094983/">
    <title>&quot;Vernacular Photograph as 'Accidental Art'&quot; | SF Weekly</title>
    <dc:date>2010-10-06T16:41:47+00:00</dc:date>
    <link>http://www.sfweekly.com/events/photographer-unknown-and-151-the-vernacular-photograph-as-accidental-art-2094983/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Exhibits consisting of such 'commonplace' photographs, however, add a layer of meaning into the mix: the curator's. He sees something in his collection of found photographs." Closes 27th November.]]></description>
<dc:subject>sanfrancisco art photography gallery todo foundphotography</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:8147943ba368/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:gallery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:foundphotography"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.sfweekly.com/events/over-normal-2138289/">
    <title>&quot;Over Normal&quot;, Fifty24SF Gallery | SF Weekly</title>
    <dc:date>2010-10-06T16:40:39+00:00</dc:date>
    <link>http://www.sfweekly.com/events/over-normal-2138289/</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Donwood, who has done artwork for Radiohead, has also produced a 12-page newspaper to accompany the exhibit. He says he wanted to create an overwhelming atmosphere that is at once attractive and troubling, much like advertising." Closes 27th October.]]></description>
<dc:subject>sanfrancisco art todo illustration stanleydonwood</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:ea7355f769c6/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:illustration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:stanleydonwood"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://deyoung.famsf.org/deyoung/exhibitions/photosynthesis">
    <title>Photo/Synthesis | de Young Museum</title>
    <dc:date>2010-09-30T00:04:15+00:00</dc:date>
    <link>http://deyoung.famsf.org/deyoung/exhibitions/photosynthesis</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Photo/Synthesis highlights the dynamic trend in the field of contemporary photography, collages, assemblages, and other multi-part or composite photo-based projects."]]></description>
<dc:subject>sanfrancisco art photography todo/done</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:4b1cf369dd68/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://ngbk.de/site/index.php?option=com_content&amp;view=article&amp;id=158:goodbye-london-radical-london-1971-79&amp;catid=11:exhibitions&amp;Itemid=35">
    <title>Goodbye London - Radical Art and Politics in the Seventies | NGBK</title>
    <dc:date>2010-08-09T15:33:25+00:00</dc:date>
    <link>http://ngbk.de/site/index.php?option=com_content&amp;view=article&amp;id=158:goodbye-london-radical-london-1971-79&amp;catid=11:exhibitions&amp;Itemid=35</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Sombre photographs by Jon Savage and Homer Sykes show entire neighbourhoods of London that stood empty due to speculation, but also document the development of growing protest movements that generated new forms of solidarity. In addition to the squatting movement, the exhibition looks at the gay movement, feminism, industrial disputes and solidarity with international liberation struggles."]]></description>
<dc:subject>berlin london exhibition art photography employment politics culture todo/done</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:51d34b39aa39/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:berlin"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:employment"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:politics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
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</item>
<item rdf:about="http://www.presidio.gov/experiences/spire.htm">
    <title>&quot;Spire&quot; by Andy Goldsworthy | Presidio of San Francisco</title>
    <dc:date>2010-07-27T20:23:39+00:00</dc:date>
    <link>http://www.presidio.gov/experiences/spire.htm</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Constructed in October 2008, The Spire tells the story of the forest, celebrates its history and natural rhythms, and welcomes the next generation of trees."]]></description>
<dc:subject>sanfrancisco art sculpture goldsworthy presidio walking via:kellan todo/done</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:beb2fe36fd7b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sanfrancisco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:sculpture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:goldsworthy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:presidio"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:walking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:kellan"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.guardian.co.uk/artanddesign/2010/jun/29/national-gallery-art-exhibition-fakery">
    <title>The exhibition where nothing is as it seems | guardian.co.uk</title>
    <dc:date>2010-06-29T19:42:03+00:00</dc:date>
    <link>http://www.guardian.co.uk/artanddesign/2010/jun/29/national-gallery-art-exhibition-fakery</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Close Examination: Fakes, Mistakes and Discoveries is the first major exhibition devoted to the work of the gallery's scientists. The laboratory was founded in 1934 and is now a world leader." Closes 12 September.]]></description>
<dc:subject>london exhibiton art fake science forensics guardian via:andym todo/done</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:56f56434fcb1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibiton"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:fake"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:forensics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:guardian"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:andym"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.southbankcentre.co.uk/find/hayward-gallery-and-visual-arts/tickets/festo-airpenguins-and-airjelly-52652">
    <title>Festo AirPenguins and AirJelly | Southbank Centre</title>
    <dc:date>2010-06-21T15:30:39+00:00</dc:date>
    <link>http://www.southbankcentre.co.uk/find/hayward-gallery-and-visual-arts/tickets/festo-airpenguins-and-airjelly-52652</link>
    <dc:creator>blech</dc:creator><description><![CDATA["Come and marvel at the mechanical penguins and jellyfish as they swim through the auditorium of Royal Festival Hall." July 4th, morning only. Part of a season of science events at the South Bank Centre: see also Homo Computers, Brian Greene and Marcus du Sautoy talks, Flood Tide, and Science of the City walks.]]></description>
<dc:subject>london exhibition science engineering art todo/done</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:702c48461c81/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:engineering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/done"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://westminster.ac.uk/about/news-and-events/events/2010/how-we-became-metadata">
    <title>How we became metadata | University of Westminster</title>
    <dc:date>2010-06-10T10:13:09+00:00</dc:date>
    <link>http://westminster.ac.uk/about/news-and-events/events/2010/how-we-became-metadata</link>
    <dc:creator>blech</dc:creator><description><![CDATA["In this exhibition the artists locate and challenge the logic, the status, and the nature of data, information, and knowledge." "They find new and unique languages to articulate visually and poetically how such systems and networks of data/information/knowledge that constitute and are constituted by metadata might be brought to light, questioned, and, perhaps most pressingly, how they might be disrupted." I'm not sure if this'll be wanky, interesting, or both, but it's probably worth a visit.]]></description>
<dc:subject>london art exhibition information visualisation via:tristanf todo/gone</dc:subject>
<dc:identifier>https://pinboard.in/u:blech/b:12db31ecb9b2/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:london"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:exhibition"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:information"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:visualisation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:via:tristanf"/>
	<rdf:li rdf:resource="https://pinboard.in/u:blech/t:todo/gone"/>
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