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    <description>recent bookmarks from Vaguery</description>
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	<rdf:li rdf:resource="https://www.johndcook.com/blog/2020/11/09/some-mathematical-art/"/>
	<rdf:li rdf:resource="https://theinnerframe.wordpress.com/2018/04/16/a-double-figure-8/"/>
	<rdf:li rdf:resource="https://www.terriwindling.com/blog/2018/09/on-dark-beauty.html"/>
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	<rdf:li rdf:resource="https://www.youtube.com/watch?v=IRPyql3cezo"/>
	<rdf:li rdf:resource="https://samjshah.com/2018/02/09/alone-with-starry-night/"/>
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	<rdf:li rdf:resource="http://www.bldgblog.com/2018/05/journey-of-a-single-line/"/>
	<rdf:li rdf:resource="http://www.terriwindling.com/blog/2018/04/time.html"/>
	<rdf:li rdf:resource="https://www.nytimes.com/2017/04/06/opinion/why-authoritarians-attack-the-arts.html"/>
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	<rdf:li rdf:resource="http://hudsonreview.com/2017/05/humboldts-new-world-landscape/#.WW7x_NUrLrc"/>
	<rdf:li rdf:resource="http://www.glitchet.com/issues/"/>
	<rdf:li rdf:resource="https://fibonaccisusan.com/2017/01/16/more-art-from-jmm-elizabeth-whiteley-and-clayton-shonkwiler/"/>
	<rdf:li rdf:resource="https://creators.vice.com/en_us/article/what-happens-when-humans-use-animals-to-make-art"/>
	<rdf:li rdf:resource="https://www.theparisreview.org/blog/2017/02/15/rhythmical-lines/"/>
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	<rdf:li rdf:resource="http://www.bridgesmathart.org/"/>
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	<rdf:li rdf:resource="https://unrealnature.wordpress.com/2015/04/26/only-what-is-concealed/"/>
	<rdf:li rdf:resource="http://arxiv.org/abs/1408.3218"/>
	<rdf:li rdf:resource="http://arxiv.org/abs/1501.01610"/>
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	<rdf:li rdf:resource="http://openclipart.org/media/view/media/home"/>
	<rdf:li rdf:resource="http://www3.nfb.ca/webextension/rip-a-remix-manifesto/"/>
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  </channel><item rdf:about="https://unrealnature.wordpress.com/2019/06/05/essential-to-survival/">
    <title>Essential to Survival | Unreal Nature</title>
    <dc:date>2022-07-27T11:15:06+00:00</dc:date>
    <link>https://unrealnature.wordpress.com/2019/06/05/essential-to-survival/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[[line break added] On a wall in the Department of Geography at the University of California at Los Angeles (UCLA) for example, is a large air photograph mosaic of the Los Angeles urban region produced by the Fairchild aerial photography company in the 1960s. At various places the 4 x 3 feet print has been worn away by countless fingers indicating locations familiar to visitors and students.

… To view the world from above seems to be an innate human ability that is activated when we are very young. From the moment a child first picks up an object and tries to turn it in its hands, it begins to develop the skills to rotate first the micro-environment — things that are smaller than the body — and, with time, the macro-environment.

… We transfer that early ability to feel an object in our hands to seeing from different angles the room in which we sit, the house in which we live, our neighborhood and eventually anywhere we go and even places we merely glimpse in a picture or conjure out of listening, reading or imagining.

]]></description>
<dc:subject>aesthetics photography embodied-cognition art to-read</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:091c5cf135e2/</dc:identifier>
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<item rdf:about="https://fronkonstin.com/2020/03/26/watercolors/">
    <title>Watercolors | Fronkonstin</title>
    <dc:date>2022-01-02T13:23:13+00:00</dc:date>
    <link>https://fronkonstin.com/2020/03/26/watercolors/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Sometimes I think about the reasons why I spend so many time doing experiments and writing my discoveries in a blog. Even although the main reason to start this blog was some kind of vanity, today I have pretty clear why I still keep writing it: to keep my mind tuned. I really enjoy looking for ideas, learning new algorithms, figuring out the way to translate them into code and trying to discover new territories going a step further. I cannot imagine my life without coding. Many good times in the last years have been in front of my laptop listening music and drinking a beer. In these strange times, confined at house, coding has became in something more important. It keeps me ahead from the sad news and moves my mind to places where everything is quiet, friendly and perfect. Blogging is my therapy, my mindfulness.

]]></description>
<dc:subject>art experiment blogging generative-art to-write-about to-try</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:54480838a71c/</dc:identifier>
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<item rdf:about="https://www.johndcook.com/blog/2020/11/09/some-mathematical-art/">
    <title>Some mathematical art</title>
    <dc:date>2020-11-13T23:34:41+00:00</dc:date>
    <link>https://www.johndcook.com/blog/2020/11/09/some-mathematical-art/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[This evening I ran across a paper on an unusual coordinate system that creates interesting graphs based from simple functions. It’s called “circular coordinates,” but this doesn’t mean polar coordinates; it’s more complicated than that. [1]

]]></description>
<dc:subject>mathematical-recreations art rather-interesting generative-art to-write-about to-simulate</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:24085da478d2/</dc:identifier>
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<item rdf:about="https://theinnerframe.wordpress.com/2018/04/16/a-double-figure-8/">
    <title>A Double Figure 8 – The Inner Frame</title>
    <dc:date>2020-05-06T12:39:05+00:00</dc:date>
    <link>https://theinnerframe.wordpress.com/2018/04/16/a-double-figure-8/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Recently, a local artist had an intriguing question. Suppose you have a hook in the ceiling (who hasn’t?), and  two spot lights in front of the hook, slightly to the left and to the right. Suppose also that you have drawn two curves on the back wall. Can you bend a wire and suspend it from the hook so that the two projections match the drawings?

]]></description>
<dc:subject>mathematical-recreations art inverse-problems rather-interesting to-write-about to-simulate consider:implicit-representation consider:robustness</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:27372c36e5fe/</dc:identifier>
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<item rdf:about="https://www.terriwindling.com/blog/2018/09/on-dark-beauty.html">
    <title>Myth &amp; Moor: Dark Beauty</title>
    <dc:date>2020-02-09T00:17:22+00:00</dc:date>
    <link>https://www.terriwindling.com/blog/2018/09/on-dark-beauty.html</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["Where woundedness can be refined into beauty," he adds, "a wonderful transfiguration takes place. For instance, compassion is one of the most beautiful presences a person can bring to the world and most compassion is born from one's own woundedness. When you have felt deep emotional pain and hurt, you are able to imagine what the pain of another is like; their suffering touches you. This is the most decisive and vital threshold in human experience and behavior. The greatest evil and destruction arises when people are unable to feel compassion. The beauty of compassion continues to shelter and save our world. If that beauty were quenched, there would be nothing between us and the end-darkness which would pour in torrents over us."

So please, fellow artists and art lovers, keep seeking out, spreading, and making beauty. Don't stop. We all need you. I need you.

]]></description>
<dc:subject>art advice worklife lifelife</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://allrgb.com/">
    <title>allRGB</title>
    <dc:date>2020-01-24T02:11:34+00:00</dc:date>
    <link>https://allrgb.com/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[The objective of allRGB is simple: To create images with one pixel for every RGB color (16777216); not one color missing, and not one color twice.

]]></description>
<dc:subject>Oulipo art conceptual-constraints to-write-about consider:differing-strategies consider:grayscale-ones rather-interesting via:mathpuzzle.com</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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<item rdf:about="https://www.versobooks.com/books/2852-against-creativity">
    <title>Verso</title>
    <dc:date>2019-11-05T10:55:45+00:00</dc:date>
    <link>https://www.versobooks.com/books/2852-against-creativity</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[From line managers, corporate CEOs, urban designers, teachers, politicians, mayors, advertisers and even our friends and family, the message is “be creative’. Creativity is heralded as the driving force of our contemporary society, celebrated as agile, progressive and liberating. It is the spring of the knowledge economy and shapes the cities we inhabit. It even defines our politics. What could possibly be wrong with this?

In this brilliant, counter-intuitive blast, Oli Mould demands that we rethink the story we are being sold. Behind the novelty, he shows that creativity is a barely hidden form of neoliberal appropriation. It is a regime that prioritises individual success over collective flourishing. It refuses to recognise anything—job, place, person—that is not profitable. And it impacts on everything around us: the places where we work, the way we are managed, how we spend our leisure time.

Is there an alternative? Mould offers a radical redefinition of creativity, one embedded in the idea of collective flourishing, outside the tyranny of profit. Bold, passionate and refreshing, Against Creativity, is a timely correction to the doctrine of our times.
]]></description>
<dc:subject>via:mymarkup books political-economy art philosophy to-read startup-culture-must-die</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:71f85c929479/</dc:identifier>
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<item rdf:about="https://markareynolds.com/about/">
    <title>Mark A Reynolds » About</title>
    <dc:date>2019-09-28T11:01:15+00:00</dc:date>
    <link>https://markareynolds.com/about/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Mark A. Reynolds has worked with graphite, pen and ink, watercolor, pastel, and other drawing media for over thirty years, developing interpretations of traditional principles found in Euclidean and philosophical geometry. He has discovered systems and harmonic constructions with mixed ratios and new geometric relationships he calls “marriages of incommensurables” and “unions of opposites”. These geometric systems unite chaos and order in complex, intriguing, and beautiful geometric drawings. Mark’s work demonstrates his point-of-view regarding geometry as an art form and its interdisciplinary relationship with music, nature, mathematics, architecture, and personal discovery.

]]></description>
<dc:subject>art artist mathematical-recreations very-nice to-watch geometry</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:ae3d9d29b35e/</dc:identifier>
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<item rdf:about="https://publicdomainreview.org/collections/bracellis-bizzarie-di-varie-figure-1624/">
    <title>Bracelli’s Bizzarie di Varie Figure (1624) – The Public Domain Review</title>
    <dc:date>2019-04-24T12:46:27+00:00</dc:date>
    <link>https://publicdomainreview.org/collections/bracellis-bizzarie-di-varie-figure-1624/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[At first glance you may be forgiven for thinking these images to have sprung from some hitherto unknown corner of the Cubist movement, but these remarkably prescient etchings are in fact the creation of an artist working a whole three centuries earlier. In 1624, Giovanni Battista Bracelli — an Italian engraver and painter working in Florence — produced an extraordinary book of prints titled Bizzarie di Varie Figure (Oddities of various figures). Its forty-seven plates show a variety of human figures mainly interacting in pairs, their bodily forms composed of a range of objects, mostly abstract – cubes, interlocking rings, and squares — but also such things as rackets, screws, braided hair, and the natural forms of trees. Although the idea of aggregating human forms from other objects was not new — famously explored half a century earlier by fellow Italian Guiseppe Arcimboldo — in their experimentation with abstraction these sketches by Bracelli truly seems to break new ground, prefiguring a certain way of thinking about the human form that would not be explored again for many centuries later.

]]></description>
<dc:subject>history art abstraction innovation Italian-Renaissance</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
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	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
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	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:innovation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:Italian-Renaissance"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=IRPyql3cezo">
    <title>Art + Life Rules from a Nun - YouTube</title>
    <dc:date>2019-03-31T22:25:20+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=IRPyql3cezo</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["Sister Corita Kent was a master printmaker and teacher, and her rules for artists and teachers are legendary - let’s break them down."

[vi: https://austinkleon.com/2019/03/26/camus-and-corita/ ]]]></description>
<dc:subject>via:robertogreco corita-kent art design 2019 rules teaching pedagogy seeing rather-good</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:356ea6609c6a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:via:robertogreco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:corita-kent"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:2019"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:rules"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:teaching"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:pedagogy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:seeing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:rather-good"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://samjshah.com/2018/02/09/alone-with-starry-night/">
    <title>Alone with “Starry Night” | Continuous Everywhere but Differentiable Nowhere</title>
    <dc:date>2019-03-12T11:01:20+00:00</dc:date>
    <link>https://samjshah.com/2018/02/09/alone-with-starry-night/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[So I wasn’t actually alone with Van Gogh’s Starry Night. But I went to MoMA this morning and got to tour the museum with other math teachers before the museum opened. Our sherpa? George Hart, mathematical artist. A few months ago, I got an email from two different teacher friends letting me know about this opportunity to take a master class on Geometric Sculpture put together by the Academy for Teachers. What an opportunity indeed!

I show up at 8:30 am and me and a gaggle of math teachers (a gaggle is eighteen, right?) are raring to go. We have fancy namecards and everything. (Note to self: at the book club I’m hosting in a bit over a month, create fancy namecards.)

]]></description>
<dc:subject>art mathematical-recreations mathematics rather-interesting creativity pedagogy</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:6973b9acfded/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:mathematical-recreations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:mathematics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:rather-interesting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:pedagogy"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=Ic_5gRVTQ_k">
    <title>&quot;Mapping Imaginary Cities&quot; by Mouse Reeve - YouTube</title>
    <dc:date>2018-12-09T11:54:22+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=Ic_5gRVTQ_k</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[While the map is not the territory (to quote the semantician Alfred Korzybski), the map is still usually intended to correspond to one. But what about maps of nowhere at all? What can they represent and how can they be made?

Maps are a familiar part of daily life, with a deeply familiar and complex symbolic language, and a long history. They are also hugely varied in style and aesthetic, and often are works of art unto themselves. All this makes mapping a powerful creative tool for conveying ideas about a space, how it is used, and who inhabits it. But it also presents a mapmaker with what can feel like an overwhelming array of design choices and technical hurdles to overcome in order to create a generative map.

This talk will explore maps as a way to communicate about people and place in the context of fictional cities, and dive into algorithms and techniques for procedurally generating maps by building up topography, landscape, populations, and street plans.
Maps are a familiar part of daily life, with a deeply familiar and complex symbolic language, and a long history. They are also hugely varied in style and aesthetic, and often are works of art unto themselves. All this makes mapping a powerful creative tool for conveying ideas about a space, how it is used, and who inhabits it. But it also presents a mapmaker with what can feel like an overwhelming array of design choices and technical hurdles to overcome in order to create a generative map.

This talk will explore maps as a way to communicate about people and place in the context of fictional cities, and dive into algorithms and techniques for procedurally generating maps by building up topography, landscape, populations, and street plans.]]></description>
<dc:subject>video cartography strange-loop rather-interesting art generative-art generative-models the-mangle-in-practice learning-in-public algorithms</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:4807d5a5897b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:video"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:cartography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:strange-loop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:rather-interesting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:generative-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:generative-models"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:the-mangle-in-practice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:learning-in-public"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:algorithms"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.bldgblog.com/2018/05/journey-of-a-single-line/">
    <title>Journey of a Single Line – BLDGBLOG</title>
    <dc:date>2018-06-30T11:26:24+00:00</dc:date>
    <link>http://www.bldgblog.com/2018/05/journey-of-a-single-line/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[“When he was eighty-five,” Sarah Cowan writes in a review of a show mounted by the Miguel Abreu Gallery in New York City, “Wacław Szpakowski wrote a treatise for a lifetime project that no one had known about. Titled ‘Rhythmical Lines,’ it describes a series of labyrinthine geometrical abstractions, each one produced from a single continuous line. He’d begun these drawings around 1900, when he was just seventeen—what started as sketches he then formalized, compiled, and made ever more intricate over the course of his life.”

]]></description>
<dc:subject>abstraction design art constraints rather-interesting to-write-about consider:performance-measures</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:0f922cf7402b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:abstraction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:constraints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:rather-interesting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:to-write-about"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:consider:performance-measures"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.terriwindling.com/blog/2018/04/time.html">
    <title>Myth &amp; Moor: The Wild Time of the Sickbed</title>
    <dc:date>2018-04-09T12:22:17+00:00</dc:date>
    <link>http://www.terriwindling.com/blog/2018/04/time.html</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Yet the loss is not really of time itself, but of one particular form of it: the "productive" time prized in our commerical culture, which priviliges results and finished products over process. "Time is money," as the old saying goes, and a sick person's time is not worth a bad penny. Yet paradoxically, when we're in poor health we are often rich in time, but in the wrong kind of time: the "unproductive" time of the sickbed. After a lifetime lived in the liminal space between disability and good health, I have come to believe "unproductive" time has its place and its value as well.

]]></description>
<dc:subject>art creativity essay</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:fe9e2468e750/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:essay"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.nytimes.com/2017/04/06/opinion/why-authoritarians-attack-the-arts.html">
    <title>Why Authoritarians Attack the Arts - The New York Times</title>
    <dc:date>2018-01-29T13:46:53+00:00</dc:date>
    <link>https://www.nytimes.com/2017/04/06/opinion/why-authoritarians-attack-the-arts.html</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[In 1937, ascending leaders of the Third Reich hosted two art exhibitions in Munich. One, the “Great German Art Exhibition,” featured art Adolf Hitler deemed acceptable and reflective of an ideal Aryan society: representational, featuring blond people in heroic poses and pastoral landscapes of the German countryside. The other featured what Hitler and his followers referred to as “degenerate art”: work that was modern or abstract, and art produced by people disavowed by Nazis — Jewish people, Communists, or those suspected of being one or the other. The “degenerate art” was presented in chaos and disarray, accompanied by derogatory labels, graffiti and catalog entries describing “the sick brains of those who wielded the brush or pencil.” Hitler and those close to him strictly controlled how artists lived and worked in Nazi Germany, because they understood that art could play a key role in the rise or fall of their dictatorship and the realization of their vision for Germany’s future.

Photo

“Degenerate Art,” a Nazi-curated exhibition, at the Haus der Kunst in Berlin, February 1938. Credit Reuters
Last month, the Trump administration proposed a national budget that includes the elimination of the National Endowment for the Arts. The NEA operates with a budget of about $150 million a year. As critics have observed, this amount is about 0.004 percent of the federal budget, making the move a fairly inefficient approach to trimming government spending. Many Americans have been protesting the cuts by pointing out the many ways that art enriches our lives — as they should. The arts bring us joy and entertainment; they can offer a reprieve from the trials of life or a way to understand them.

But as Hitler understood, artists play a distinctive role in challenging authoritarianism. Art creates pathways for subversion, for political understanding and solidarity among coalition builders. Art teaches us that lives other than our own have value. Like the proverbial court jester who can openly mock the king in his own court, artists who occupy marginalized social positions can use their art to challenge structures of power in ways that would otherwise be dangerous or impossible.

]]></description>
<dc:subject>art cultural-norms criticism fascism to-write-about</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:5bb5fd38df43/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:cultural-norms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:fascism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:to-write-about"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://aperiodical.com/2017/09/hlf-blogs-math-art-what-is-a-rotogon/">
    <title>HLF Blogs – Math ⇔ Art: what is a rotogon? | The Aperiodical</title>
    <dc:date>2017-10-10T20:56:01+00:00</dc:date>
    <link>http://aperiodical.com/2017/09/hlf-blogs-math-art-what-is-a-rotogon/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[This animation (Eli Spizzichino, 2017) shows a cube being simultaneously rotated around all its edges. You can see the complex shapes created inside the object, before they’re finally covered by the outside layers of the shape as the cube completes its rotation.

One of the artworks in the exhibit shows a cross-sectional slice through one such shape – a rotogon based on a heptagon. Cross-sections like this reveal the internal structure of the shape and create beautiful images. Spizzichino points out that these internal slices are equivalent to looking at the pieces of the shape part-way through the rotating process.]]></description>
<dc:subject>mathematical-recreations geometry rather-interesting art mathematics</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:ba546e92fc9b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:mathematical-recreations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:geometry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:rather-interesting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:mathematics"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theguardian.com/artanddesign/2017/jan/01/art-to-inspire-ali-smith-alain-de-botton-and-others-on-the-works-they-love">
    <title>Art to inspire: Ali Smith, Alain de Botton and others on the works they love | Art and design | The Guardian</title>
    <dc:date>2017-08-31T11:42:21+00:00</dc:date>
    <link>https://www.theguardian.com/artanddesign/2017/jan/01/art-to-inspire-ali-smith-alain-de-botton-and-others-on-the-works-they-love</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Yet I find art’s more extreme images of belief and hope not so much inspiring as terrifying. Gilles moves me precisely because he is not a zealot, nor a warrior on horseback, nor a martyr dying in agony, nor any of the other images of murder and suicide that have been offered as “inspirations” by artists in the service of state or church. He is just a person trying to be himself, whoever that is, and his delicate mixture of placidity and soulfulness, confusion and calm, is an image of how to be human in the actual world we inhabit with all its mystery, play-acting and comedy.

]]></description>
<dc:subject>art criticism essay to-write-about</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:d46f9f61a461/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:essay"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:to-write-about"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://vimeo.com/172646692">
    <title>William Deresiewicz: The New Age of Creativity on Vimeo</title>
    <dc:date>2017-08-25T12:01:46+00:00</dc:date>
    <link>https://vimeo.com/172646692</link>
    <dc:creator>Vaguery</dc:creator><dc:subject>via:robertogreco lecture creativity disintermediation-in-action new-economy worklife art professionalism post-professionalism postnormality</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:15af84900d1c/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:via:robertogreco"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:lecture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:disintermediation-in-action"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:new-economy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:worklife"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:professionalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:post-professionalism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:postnormality"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://hudsonreview.com/2017/05/humboldts-new-world-landscape/#.WW7x_NUrLrc">
    <title>Humboldt’s New World Landscape | The Hudson Review</title>
    <dc:date>2017-07-23T11:57:45+00:00</dc:date>
    <link>http://hudsonreview.com/2017/05/humboldts-new-world-landscape/#.WW7x_NUrLrc</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Church must have felt, in reading these lines, as if Humboldt were addressing him directly. In fact, as my italics attempt to suggest, he was sketching what would become Church’s quintessential subject and theme: the torrid zones of the Amazon and Orinoco, the snowcapped volcanoes of the Andes, and all those gigantic panoramas of inexhaustible fecundity and diversity that were to Humboldt at the very center of the Creation. He went on, even more explicitly, “Are we not justified in hoping that land­scape painting will flourish with a new and hitherto unknown brilliancy when artists of merit shall . . . [venture], far in the interior of continents, in the humid mountain valleys of the tropical world, to seize, with the genuine freshness of a pure and youthful spirit, on the true image of the varied forms of nature?”

]]></description>
<dc:subject>aesthetics social-networks history criticism art influence-and-the-anxiety-thereof</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:9784b281267d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:social-networks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:influence-and-the-anxiety-thereof"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.glitchet.com/issues/">
    <title>Glitchet: All Issues</title>
    <dc:date>2017-07-21T12:32:32+00:00</dc:date>
    <link>http://www.glitchet.com/issues/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[PAST ISSUES
Review any issues you missed, or just see what sort of stuff we send out.]]></description>
<dc:subject>art digital-art criticism to-subscribe rather-interesting essays</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:02dd0c1f837d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:digital-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:to-subscribe"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:rather-interesting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:essays"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://fibonaccisusan.com/2017/01/16/more-art-from-jmm-elizabeth-whiteley-and-clayton-shonkwiler/">
    <title>More Art From JMM: Elizabeth Whiteley and Clayton Shonkwiler | fibonaccisusan</title>
    <dc:date>2017-03-20T11:27:14+00:00</dc:date>
    <link>https://fibonaccisusan.com/2017/01/16/more-art-from-jmm-elizabeth-whiteley-and-clayton-shonkwiler/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[The clean lines of Clayton Shonkwiler’s digital animation “Rotation”drew my attention. Using circles and lines, the video presents undulating, almost sensual, geometric images.

]]></description>
<dc:subject>art plane-geometry mathematical-recreations rather-interesting</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:1aa68e1e751a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:plane-geometry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:mathematical-recreations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:rather-interesting"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://creators.vice.com/en_us/article/what-happens-when-humans-use-animals-to-make-art">
    <title>This Is What Happens When Humans Use Animals to Make Art - Creators</title>
    <dc:date>2017-02-28T11:48:58+00:00</dc:date>
    <link>https://creators.vice.com/en_us/article/what-happens-when-humans-use-animals-to-make-art</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Each work in the exhibition is the result of an artistic "collaboration" between a human and an animal, ranging from honeybees and spiders to a sapsucker bird. Different than art that depicts or uses animals in some way—Damien Hirst's shark in formaldehyde or Jeff Koons' countless Balloon Dog sculptures—the works in Animal Intent literally incorporate interventions and creations made by animals as part of each work's material or process. 

]]></description>
<dc:subject>art via:twitter generative-art collaboration to-write-about</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:95ecef6645fd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:via:twitter"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:generative-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:to-write-about"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.theparisreview.org/blog/2017/02/15/rhythmical-lines/">
    <title>Waclaw Szpakowski Made Labyrinthine Drawings from Single, Continuous Lines</title>
    <dc:date>2017-02-19T16:31:00+00:00</dc:date>
    <link>https://www.theparisreview.org/blog/2017/02/15/rhythmical-lines/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Working in isolation, Wacław Szpakowski made mazelike drawings from single, continuous lines.

]]></description>
<dc:subject>art abstraction geometry self-similarity history nanohistory</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:579ab41b1318/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:abstraction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:geometry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:self-similarity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:nanohistory"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://www.youtube.com/watch?v=Tcw7IvGJG9s">
    <title>Machine with Roller Chain - Arthur Ganson - YouTube</title>
    <dc:date>2017-02-16T14:31:34+00:00</dc:date>
    <link>https://www.youtube.com/watch?v=Tcw7IvGJG9s</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[A simple exploration of the organic nature and complexity of roller chain. The shapes and patterns most likely will never repeat. Often, heavy industrial materials have a 'softer side' that is not revealed if they are used only as intended.
]]></description>
<dc:subject>conceptual-art mechanics engineering-design art video</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:fbac14cea995/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:conceptual-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:mechanics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:engineering-design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:video"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.bridgesmathart.org/">
    <title>The Bridges Organization - The Bridges Organization</title>
    <dc:date>2016-12-18T16:04:35+00:00</dc:date>
    <link>http://www.bridgesmathart.org/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[The Bridges Organization oversees the annual Bridges conference on mathematical connections in art, music, architecture, education, and culture. Since 1998, Bridges has traveled to North America, Europe, and Asia, and has attracted participants from over thirty countries. The conference features invited speakers, full and short paper presentations, educational workshops, a juried art exhibition, and arts performance events.

]]></description>
<dc:subject>mathematical-recreations art generative-art conferences to-attend to-write-about to-patreon</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:9aa292b34c4d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:mathematical-recreations"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:generative-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:conferences"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:to-attend"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:to-write-about"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:to-patreon"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://arxiv.org/abs/1606.05572">
    <title>[1606.05572] Learning Interpretable Musical Compositional Rules and Traces</title>
    <dc:date>2016-08-06T12:43:39+00:00</dc:date>
    <link>http://arxiv.org/abs/1606.05572</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Throughout music history, theorists have identified and documented interpretable rules that capture the decisions of composers. This paper asks, "Can a machine behave like a music theorist?" It presents MUS-ROVER, a self-learning system for automatically discovering rules from symbolic music. MUS-ROVER performs feature learning via n-gram models to extract compositional rules --- statistical patterns over the resulting features. We evaluate MUS-ROVER on Bach's (SATB) chorales, demonstrating that it can recover known rules, as well as identify new, characteristic patterns for further study. We discuss how the extracted rules can be used in both machine and human composition.
]]></description>
<dc:subject>pattern-discovery feature-extraction classification machine-learning algorithms art nudge-targets consider:representation</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:75d6c39df494/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:pattern-discovery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:feature-extraction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:classification"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:machine-learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:algorithms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:nudge-targets"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:consider:representation"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.kcet.org/arts/artbound/counties/los-angeles/full-episode-the-mundane-afrofuturist-manifesto.html">
    <title>Artbound Episode: The Mundane Afrofuturist Manifesto | Los Angeles | Artbound | KCET</title>
    <dc:date>2016-01-12T20:17:32+00:00</dc:date>
    <link>http://www.kcet.org/arts/artbound/counties/los-angeles/full-episode-the-mundane-afrofuturist-manifesto.html</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Artbound episode "The Mundane Afrofuturist Manifesto" delves into a new theory of the Black aesthetic in the 21st century. Created in collaboration with the award-winning creative studio Ways and Means, along with artist and filmmaker Martine Syms, the hour-long special examines the tension between conventional channels of media distribution and the Black imagination.

Through a close reading of works by four Southern California artists engaged with problems of representation, the program walks through their artistic and creative processes as well as inspirations. In-depth interviews with novelist Tisa Bryant, musician/producer Delroy Edwards, film programmer Erin Christovale and visual artist Nicole Miller are featured.

]]></description>
<dc:subject>art Afro-futurism to-watch</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:587bc1063952/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:Afro-futurism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:to-watch"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://unrealnature.wordpress.com/2015/05/25/primal-nerve/">
    <title>Primal Nerve | Unreal Nature</title>
    <dc:date>2015-05-26T10:53:47+00:00</dc:date>
    <link>https://unrealnature.wordpress.com/2015/05/25/primal-nerve/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[… abstract art absorbs projection and generates meaning ahead of naming, establishing the form of things unknown, sui generis, in their peculiar complexities. This is one of abstraction’s singular qualities, the form of enrichment and alteration of experience denied to the fixed mimesis of known things. It reminds me of the joke about the person who invented the cure for which there was no known disease.

]]></description>
<dc:subject>art criticism abstraction</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:3ad44a7ea370/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:abstraction"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://unrealnature.wordpress.com/2015/04/27/style-is-a-fraud/">
    <title>Style Is a Fraud | Unreal Nature</title>
    <dc:date>2015-05-05T12:33:27+00:00</dc:date>
    <link>https://unrealnature.wordpress.com/2015/04/27/style-is-a-fraud/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[… de Kooning, after telling us that “in art, one idea is as good as another,” gives a brief catalogue of trembling — Michelangelo, who “starts to tremble,” down to Cézanne, who “was always trembling but very precisely” — and then devoted the middle of his talk to the tyranny of an art with one idea: “Art should not have to be a certain way.” “Style is a fraud. I always felt that the Greeks were hiding behind their columns. It was a horrible idea of [Theo] van Doesburg and [Piet] Mondrian to try to force a style.” “To desire to make a style is an apology for one’s anxiety.”

]]></description>
<dc:subject>aesthetics engineering-criticism art the-mangle-in-practice style suggestive-and-apropos-of-everything</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:4d0e1b3884b4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:engineering-criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:the-mangle-in-practice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:style"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:suggestive-and-apropos-of-everything"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://unrealnature.wordpress.com/2015/04/26/only-what-is-concealed/">
    <title>Only What Is Concealed | Unreal Nature</title>
    <dc:date>2015-05-05T12:30:42+00:00</dc:date>
    <link>https://unrealnature.wordpress.com/2015/04/26/only-what-is-concealed/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Undoubtedly, the painter goes to the museum and there gleans a certain awareness of the reality of painting: he knows painting, but his painting does not know it; his painting knows that painting is impossible, unreal, unrealizable. Whoever asserts literature in itself asserts nothing. Whoever looks for it looks for only what is concealed; whoever finds it finds only what is on this side of literature or, what is worse, beyond it. That is why, finally, it is non-literature that each book pursues as the essence of what it lives and wants passionately to discover.]]></description>
<dc:subject>salient art aesthetics making the-mangle-in-practice</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:f52c65ef1a58/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:salient"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:the-mangle-in-practice"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://arxiv.org/abs/1408.3218">
    <title>[1408.3218] Toward Automated Discovery of Artistic Influence</title>
    <dc:date>2015-03-15T21:02:47+00:00</dc:date>
    <link>http://arxiv.org/abs/1408.3218</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Considering the huge amount of art pieces that exist, there is valuable information to be discovered. Examining a painting, an expert can determine its style, genre, and the time period that the painting belongs. One important task for art historians is to find influences and connections between artists. Is influence a task that a computer can measure? The contribution of this paper is in exploring the problem of computer-automated suggestion of influences between artists, a problem that was not addressed before in a general setting. We first present a comparative study of different classification methodologies for the task of fine-art style classification. A two-level comparative study is performed for this classification problem. The first level reviews the performance of discriminative vs. generative models, while the second level touches the features aspect of the paintings and compares semantic-level features vs. low-level and intermediate-level features present in the painting. Then, we investigate the question "Who influenced this artist?" by looking at his masterpieces and comparing them to others. We pose this interesting question as a knowledge discovery problem. For this purpose, we investigated several painting-similarity and artist-similarity measures. As a result, we provide a visualization of artists (Map of Artists) based on the similarity between their works
]]></description>
<dc:subject>art performance-space-analysis clustering rather-interesting image-processing nudge-targets</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:8662760e454a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:performance-space-analysis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:clustering"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:rather-interesting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:image-processing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:nudge-targets"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://arxiv.org/abs/1501.01610">
    <title>[1501.01610] Analysis of a work of quantum art</title>
    <dc:date>2015-03-15T21:00:47+00:00</dc:date>
    <link>http://arxiv.org/abs/1501.01610</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[This paper provides a quantum-mechanical analysis of an artwork, `Wigner's friends,' by Diemut Strebe. The work consists of two telescopes, one on earth, one launched into space, and explores ideas of quantum correlations and quantum measurement. This paper examines the scientific basis of the work and analyzes the form of quantum correlation between the two telescope systems.
]]></description>
<dc:subject>art science conceptual-art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:de8a5e713b55/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:conceptual-art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://unrealnature.wordpress.com/2015/02/04/tapping-the-dolls-head/">
    <title>Tapping the Doll’s Head | Unreal Nature</title>
    <dc:date>2015-02-08T17:19:39+00:00</dc:date>
    <link>https://unrealnature.wordpress.com/2015/02/04/tapping-the-dolls-head/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[He developed his film only once a year; he didn’t want to be tyrannized by impatience, and I suspect that he didn’t like being cooped up in the darkroom.

]]></description>
<dc:subject>art biography something-to-aspire-to</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:56cedd707019/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:biography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:something-to-aspire-to"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://unrealnature.wordpress.com/2014/12/08/the-end/">
    <title>The End | Unreal Nature</title>
    <dc:date>2014-12-14T13:57:58+00:00</dc:date>
    <link>http://unrealnature.wordpress.com/2014/12/08/the-end/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[In science, by contrast, the scientific text loses its intended primary value once it has been superseded as a means of achieving its stated ends. To be sure we may look at the text in historical retrospect with admiration for its original insights and for the beauty of its vision. We may analyse it in its social and intellectual context with effective results for our understanding of the text. We may even adduce lessons still to be learned from it. But its dominant original intention in establishing an explanatory model for a phenomenon can at any point be subsumed or superseded within a constantly changing body of knowledge. Its primary intention does not now possess any necessary value and the text does not retain its primary function outside its historical context. A work of art is comparably vulnerable to the constantly changing contexts — mental and physical — in which it appears, but it can still assume a primary value with respect to the way in which its visual effects retain their efficacy in serving an end of essentially the same perceptual kind as it was devised to serve. I do not of course wish to imply that these effects will be perceived in a manner identical to that intended by the artist — if such intention is reconstructable at all — but I am speaking more pragmatically of the continuing primary value which a work of art can potentially and actually possess outside its original context.

]]></description>
<dc:subject>literary-criticism art science philosophy-of-science disagree</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:928e393dbdbf/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:literary-criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:philosophy-of-science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:disagree"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.aesthetics-online.org/articles/index.php?articles_id=65">
    <title>Art’s Abject Other or the “New Cool”? Should Philosophy Rethink the Art/Craft Dichotomy?</title>
    <dc:date>2014-11-16T23:09:15+00:00</dc:date>
    <link>http://www.aesthetics-online.org/articles/index.php?articles_id=65</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Few philosophers of art today concern themselves much with craft. For some it may be because “craft” is associated with amateurism and craft fairs. Others may believe that Collingwood put craft in its place long ago as a narrow means-end process. Of course, many art critics, theorists, and historians also continue to view craft as art’s lowly other. And even some craft institutions have come to treat studio craft as “the art form that dare not say its name,” e.g., the American Craft Museum dropping “craft” from its name in 2002 to become a Museum of Arts and Design.[1]
]]></description>
<dc:subject>art craft false-dichotomies philosophy aesthetics criticism the-mangle-in-practice materiality emergence posthumanism-I-guess?</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:45e06bb564e1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:craft"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:false-dichotomies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:philosophy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:the-mangle-in-practice"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:materiality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:emergence"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:posthumanism-I-guess?"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://francisschanberger.wordpress.com/tag/pokeweed/page/2/">
    <title>pokeweed | Photographed and Photographing | Page 2</title>
    <dc:date>2014-11-09T22:31:41+00:00</dc:date>
    <link>https://francisschanberger.wordpress.com/tag/pokeweed/page/2/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Last fall, after picking and separating berries, I had pokeberry juice all over my hands and made a  hand print on blotter paper. The image is still quite vivid perhaps hinting that maybe this emulsion shouldn’t be diluted.

]]></description>
<dc:subject>pokeberry anthotype alt-photo makers art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:f3065325f5da/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:pokeberry"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:anthotype"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:alt-photo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:makers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://unrealnature.wordpress.com/2014/09/12/the-slipping-away/">
    <title>The Slipping Away | Unreal Nature</title>
    <dc:date>2014-09-15T21:02:20+00:00</dc:date>
    <link>http://unrealnature.wordpress.com/2014/09/12/the-slipping-away/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[…when a work is let out by the artist and said to be complete, the intention loosens. Then it’s subject to all kinds of use and misuse and pun. Occasionally someone will see the work in a way that even changes its significance for the person who made it; the work is no longer “intention,” but the thing being seen and someone responding to it. They will see it in a way that makes you think that is a possible way of seeing it. Then you, the artist, can enjoy it — that’s possible — or you can lament it. If you like, you can try to express the intention more clearly in another work. But what is interesting is anyone having the experience he has.

]]></description>
<dc:subject>philosophy art criticism creativity relevance-in-action</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:06fac6158831/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:philosophy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:criticism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:relevance-in-action"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.cheapjoes.com/catalog/product/view/id/26983/s/joe-miller-s-perfect-show-archival-acetate-envelopes/category/25/">
    <title>Perfect Show Archival Acetate Envelopes - Cheap Joe's Art Stuff</title>
    <dc:date>2014-06-22T18:13:50+00:00</dc:date>
    <link>http://www.cheapjoes.com/catalog/product/view/id/26983/s/joe-miller-s-perfect-show-archival-acetate-envelopes/category/25/</link>
    <dc:creator>Vaguery</dc:creator><dc:subject>art supplies sales ArtFairs</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:b9b6c17cf76e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:supplies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:sales"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:ArtFairs"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.cheapjoes.com/">
    <title>Art Supplies, Craft Supplies, Artist Resources - Cheap Joe's Art Stuff</title>
    <dc:date>2014-06-22T18:11:05+00:00</dc:date>
    <link>http://www.cheapjoes.com/</link>
    <dc:creator>Vaguery</dc:creator><dc:subject>art supplies ArtFair</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:4a7d6b58154a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:supplies"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:ArtFair"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://crookedtimber.org/2014/05/06/does-inequality-help-artists-not-so-much/">
    <title>Does Inequality Help Artists? Not So Much — Crooked Timber</title>
    <dc:date>2014-05-22T10:46:08+00:00</dc:date>
    <link>http://crookedtimber.org/2014/05/06/does-inequality-help-artists-not-so-much/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[This means, as Taylor makes clear in her Post interview, that the relationship is plausibly the reverse of the one that Yglesias postulates. Inequality, rather than benefitting artists, is instead universalizing the artist’s precarious work position, and making it into a general ideology.

]]></description>
<dc:subject>art disintermediation-in-action inequality economics public-policy post-normal</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:0a4ac88d0f1f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:disintermediation-in-action"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:inequality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:economics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:public-policy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:post-normal"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://unrealnature.wordpress.com/2014/05/12/when-a-man-ploughs-his-field-at-the-right-time/">
    <title>When a Man Ploughs His Field at the Right Time | Unreal Nature</title>
    <dc:date>2014-05-13T11:37:35+00:00</dc:date>
    <link>http://unrealnature.wordpress.com/2014/05/12/when-a-man-ploughs-his-field-at-the-right-time/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Still, this is not to describe the situation very subtly. To leave out consideration of what is being put into the painting, I mean. One might truthfully say that abstract art is stripped bare of other things in order to intensify it, its rhythms, spatial intervals, and color structure. Abstraction is a process of emphasis, and emphasis vivifies life, as A.N. Whitehead said.

Nothing as drastic an innovation as abstract art could have come into existence, save as the consequence of a most profound, relentless, unquenchable need.

The need is for felt experience — intense, immediate, direct, subtle, unified, warm, vivid, rhythmic.

Everything that might dilute the experience is stripped away. The origin of abstraction in art is that of any mode of thought. Abstract art is a true mysticism — I dislike the word — or rather as series of mysticisms that grew up in the historical circumstance that all msyticisms do, from a primary sense of gulf, an abyss, a void between one’s lonely self and the world. Abstract art is an effort to close the void that modern men feel. Its abstraction is its emphasis.

]]></description>
<dc:subject>so-mote-it-also-be-in-science art philosophy-of-art criticism</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:8c3f6b91e083/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:so-mote-it-also-be-in-science"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:philosophy-of-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:criticism"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://vimeo.com/49853264">
    <title>Water, Light and Chaos: Art by Juan Geuer on Vimeo</title>
    <dc:date>2014-03-11T19:35:36+00:00</dc:date>
    <link>http://vimeo.com/49853264</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[This intimate portrait of 92-year-old Canadian artist Juan Geuer (1917-2009) was recorded the year preceding his death. Geuer eloquently presents his passionate beliefs about the purpose of art and science and humanity’s inherent molecular connection to the natural world by discussing his most acclaimed installation WiS (Water in Suspense) - where a single water droplet illuminated and enlarged by a red laser beam creates astounding, shifting light-patterns.
]]></description>
<dc:subject>art biography film abstraction</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:4e8f164e9ced/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:biography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:film"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:abstraction"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://unrealnature.wordpress.com/2013/11/08/the-unpossessible/">
    <title>The Unpossessible | Unreal Nature</title>
    <dc:date>2013-11-21T13:02:54+00:00</dc:date>
    <link>http://unrealnature.wordpress.com/2013/11/08/the-unpossessible/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[There were always heresiarchs within modernism itself: I am thinking of the socially and psychologically utopian Joyce of Finnegans Wake; Marcel Duchamp, who abandoned painterly modernism as an infantile disorder; John Cage, who began with a severe testing of Western music’s most intransigent parameter, timbre, and a systematic corruption of high capitalism’s indispensable instruments, the piano and the orchestra; William Carlos Williams, who sustained for a lifetime an investigation into the unconsecrated poetics of language at large, of whom Gertrude Stein said, with perfect accuracy, that literature was not his métier.

]]></description>
<dc:subject>modernism art art-history aesthetics philosophy-of-art models-and-modes quotes interesting all-that-is-solid-melts-into-air</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:dfee5a92cff7/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:modernism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art-history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:philosophy-of-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:models-and-modes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:quotes"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:interesting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:all-that-is-solid-melts-into-air"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="https://unrealnature.wordpress.com/2013/11/15/hello/">
    <title>“Hello?” | Unreal Nature</title>
    <dc:date>2013-11-17T13:21:22+00:00</dc:date>
    <link>https://unrealnature.wordpress.com/2013/11/15/hello/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[… Specializing in time, he had treated space as a contingent subset. She knew better; for better or worse, she had tested her knowledge. Now her thought and its sensations, conducted almost at the speed of light, shared with uncountable messages a space reconstituted from second to second; her body, no more than a trace impurity in the immense copper web,* sustained its life in switch closures and fluctuating voltages. The cause of their present desperation lay in a bedevilment of novice algebraists: an error in the sign of a single quantity. To extricate her, they must reverse all other signs, repolarizing sacred physical constants.

He corrupted anatomists, cartographers, and electricians, mapping her locations from Klickitat to the Outer Banks, from the Santa Ynez to Truro. For those tired and angry intervals when all was lost between them but affections, he risked indictment as a criminal nuisance, prattling sweet nothings to exchanges in Moline, Illinois, or Coeur d’Alene, Idaho, or Silver Plume, Colorado. The procedure strained his grasp of topology, and warmed the cockles of his heart.

Her fearless experiment transformed her: a creature of probability had become a child of algorithm. Nevertheless, one fine evening, after long calculation, he got her number. A voice in the dark, impossibly near at last, answered: “Hello?”

]]></description>
<dc:subject>retrofuturism art short-stories to-read</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:4408f7baf98a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:retrofuturism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:short-stories"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:to-read"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.economist.com/blogs/babbage/2012/10/photography?fsrc=gn_ep&amp;test=babbage">
    <title>Photography: Difference Engine: Digital disillusion | The Economist</title>
    <dc:date>2012-10-10T21:04:31+00:00</dc:date>
    <link>http://www.economist.com/blogs/babbage/2012/10/photography?fsrc=gn_ep&amp;test=babbage</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[On the one hand, he appreciates the way digital cameras let him experiment endlessly by taking numerous shots of a scene, each time with a different exposure setting, and then deleting or editing the less successful ones until an all-but perfect image remains. On the other hand, he enjoys the challenge and forethought involved in setting up a shot with an analogue camera. The discipline of having only a dozen shots on a roll of 120 film concentrates the mind no end. Making every image count heightens the sense of achievement.

]]></description>
<dc:subject>photography art learning-by-doing constraints-as-supports</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:6b903b3af07a/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:learning-by-doing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:constraints-as-supports"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.tedorland.com/classic/guarddog.html">
    <title>Gate&amp;Guard Dog</title>
    <dc:date>2012-05-28T12:15:15+00:00</dc:date>
    <link>http://www.tedorland.com/classic/guarddog.html</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[This image pleases me]]></description>
<dc:subject>photography symbolism art</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:de40c50013db/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:symbolism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://io9.com/5890667/crop-circles-found-in-the-snow">
    <title>Crop circles found in the snow</title>
    <dc:date>2012-03-06T01:20:48+00:00</dc:date>
    <link>http://io9.com/5890667/crop-circles-found-in-the-snow</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["These enormous, intricate designs are the creation of one man and his snowshoes. Simon Beck, whom you can see in the last image below, conceives and executes these patterns, turning fresh snow into alien messages."]]></description>
<dc:subject>crop-circles art landscape conceptual-art wow</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:4d9beadc70b8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:crop-circles"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:landscape"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:conceptual-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:wow"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.digital-photography-school.com/how-photoshop-makes-us-all-paranoid">
    <title>How Photoshop Makes us all Paranoid</title>
    <dc:date>2012-03-05T19:34:15+00:00</dc:date>
    <link>http://www.digital-photography-school.com/how-photoshop-makes-us-all-paranoid</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["The debate is an old one. New however is the ease – though, I can assure you, editing away objects in Photoshop in a clean way is far from easy – and the extend in which manipulation can be done today. Magic Wand-ing, cloning and gaussian blur are now part even of the vocabularies of a growing number of retirees with too much spare time and an interest in photography. The expectation that a beautiful images ‘has to be manipulated’ is so ingrained that we don’t even pause to question our own paranoia.

But, rather than bothering ourselves with the question if an image is 100% ‘true’ – something that, in my own opinion will never be – we should ask ourselves if adaptations (not ‘manipulation’) are reasonable; if they add or remove something essential to the image. Erasing some zits from a model’s face is perfectly reasonable. Making eyes a little brighter can be legitimate. Blowing up boobs, lengthening legs and shrinking waists is not.

Ethics surrounding photo-manipulation is never so simple as a yes or no question and is not even a ‘thin line’; it is a mine-field in a no man’s land. That careers can be scuttled be being ‘caught’ doing so is sad, in particular because in the trench war between ‘digital compositors’ and photo-purists, there appears to be little willingness to come to a middle ground."]]></description>
<dc:subject>photography art cultural-dynamics pragmatism-it-ain't photoshop authenticity-is-always-fake</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:e52ce9ae5069/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:photography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:cultural-dynamics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:pragmatism-it-ain't"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:photoshop"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:authenticity-is-always-fake"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.dajam.com/">
    <title>Art by Eric</title>
    <dc:date>2012-02-10T14:19:40+00:00</dc:date>
    <link>http://www.dajam.com/</link>
    <dc:creator>Vaguery</dc:creator><dc:subject>generative-art art abstraction via:ivars_peterson</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:1ae44035005b/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:generative-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:abstraction"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:via:ivars_peterson"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://experimentalphilosophy.typepad.com/experimental_philosophy/2011/10/mere-exposure-to-bad-art-experiment-results.html">
    <title>Experimental Philosophy: Mere Exposure to Bad Art: Experiment Results</title>
    <dc:date>2011-10-25T12:34:49+00:00</dc:date>
    <link>http://experimentalphilosophy.typepad.com/experimental_philosophy/2011/10/mere-exposure-to-bad-art-experiment-results.html</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["We conclude from these results that mere exposure will not always produce an increase in liking for paintings. This puts pressure on Cutting’s conclusions that canon formation is simply a function of cultural exposure, and that quality is not playing a role in artistic judgement."]]></description>
<dc:subject>aesthetics cultural-assumptions matters-of-taste art experiment</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:2b80d91319fd/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:aesthetics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:cultural-assumptions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:matters-of-taste"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:experiment"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.lastgasp.com/pre/americansurreal/">
    <title>Last Gasp Books - AMERICAN SURREAL</title>
    <dc:date>2011-05-28T12:13:53+00:00</dc:date>
    <link>http://www.lastgasp.com/pre/americansurreal/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["This is the latest collection of paintings by one of contemporary surrealism's most influential artists. American Surreal picks up where Dreamland, Schorr's previous bestselling collection of mind-bending paintings, left off. The viewer can look forward to countless hours of eye bulging investigative thought while examining the impeccably rendered subject matter that has become the hallmark of Schorr's outrageous vision."]]></description>
<dc:subject>surrealism art collection want</dc:subject>
<dc:source>https://pinboard.in/</dc:source>
<dc:identifier>https://pinboard.in/u:Vaguery/b:8082e5ee4544/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:surrealism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:collection"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:want"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://coilhouse.net/2010/04/eugenio-recuencos-violin-diaspora/">
    <title>Coilhouse » Blog Archive » Eugenio Recuenco’s String Diaspora</title>
    <dc:date>2010-04-05T14:27:18+00:00</dc:date>
    <link>http://coilhouse.net/2010/04/eugenio-recuencos-violin-diaspora/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["Issue 01 contributor Eugenio Recuenco recently updated his portfolio with a striking series of 12 images that span very different eras and cultures, all of which are united by one main character: the violin. The larger images can be seen on Recuenco’s site, and the full series can be seen here, after the cut."
]]></description>
<dc:subject>art illustration symbolism history portfolio</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:869e060899bb/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:illustration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:symbolism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:portfolio"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.thinkingforaliving.org/topics/curated">
    <title>Curated « Thinking for a Living</title>
    <dc:date>2010-02-25T21:58:09+00:00</dc:date>
    <link>http://www.thinkingforaliving.org/topics/curated</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[lovely
]]></description>
<dc:subject>design industrial-design typography art inspiration</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:8ca14e666638/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:industrial-design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:typography"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:inspiration"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://ajourneyroundmyskull.blogspot.com/2010/02/riding-roller-coaster-with-ganga-devi.html">
    <title>A Journey Round My Skull: Riding the Roller Coaster with Ganga Devi</title>
    <dc:date>2010-02-24T14:07:16+00:00</dc:date>
    <link>http://ajourneyroundmyskull.blogspot.com/2010/02/riding-roller-coaster-with-ganga-devi.html</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["Works by Ganga Devi (1928 - 1991), found in the book Ganga Devi: Traditions and Expressions in Mithila Painting by Jyotindra Jain."
]]></description>
<dc:subject>art painting creativity cultural-icons cultural-assumptions inspiration</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:bd730a691eda/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:cultural-icons"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:cultural-assumptions"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:inspiration"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://cscs.umich.edu/~crshalizi/weblog/638.html">
    <title>Three-Toed Sloth</title>
    <dc:date>2010-02-11T01:03:58+00:00</dc:date>
    <link>http://cscs.umich.edu/~crshalizi/weblog/638.html</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["[W]hy didn't prints displace paintings the same way that printed books displaced manuscript codices? Why didn't it become expected that visual artists, like writers, would primarily produce works for reproduction?"
]]></description>
<dc:subject>art media disintermediation history publishing painting prints intellectual-property craftsmanship social-norms sociology self-definition</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:500850939aed/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:disintermediation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:publishing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:painting"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:prints"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:intellectual-property"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:craftsmanship"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:social-norms"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:sociology"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:self-definition"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://vimeo.com/5228616">
    <title>Pictorial Webster's: Inspiration to Completion on Vimeo</title>
    <dc:date>2009-11-12T20:33:41+00:00</dc:date>
    <link>http://vimeo.com/5228616</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["From the discovery of the 1898 International Dictionary to linotyping the entries to printing the last print on the vandercook to cutting the fingertabs of the deluxe edition, this video gives a quick overview of the process of creating the Pictorial Webster's fine press edition."
]]></description>
<dc:subject>bookbinding books bookmaking book-art printing letterpress wood-engraving art decorative-art</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:795040411e7d/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:bookbinding"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:books"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:bookmaking"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:book-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:printing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:letterpress"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:wood-engraving"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:decorative-art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://storyteller.allesblinkt.com/">
    <title>Perpetual Storytelling Apparatus</title>
    <dc:date>2009-09-29T11:19:23+00:00</dc:date>
    <link>http://storyteller.allesblinkt.com/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["The machine translates words of a text into patent drawings. Seven million patents — linked by over 22 million references — form the vocabulary. By using references to earlier patents, it is possible to find paths between arbitrary patents. They form a kind of subtext."
]]></description>
<dc:subject>art conceptual-art social-networks machine makers Markov-chain illustration nanohistory</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:34fa6c62330e/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:conceptual-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:social-networks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:machine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:makers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:Markov-chain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:illustration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:nanohistory"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.ted.com/index.php/talks/elizabeth_gilbert_on_genius.html">
    <title>Elizabeth Gilbert on nurturing creativity | Video on TED.com</title>
    <dc:date>2009-09-12T12:24:35+00:00</dc:date>
    <link>http://www.ted.com/index.php/talks/elizabeth_gilbert_on_genius.html</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[In case you, reader, cannot see where she is pointing into the corner at her genius: she is pointing at her context, her network, her friends and learning and colleagues and enemies, what she has read and who she has spoken to, what she has done and never noticed, and what she has heard and never noticed and who she has met and never noticed. You are the genius of others.
]]></description>
<dc:subject>collaboration tacit-knowledge learning making art creativity manic-depression-is-not-required</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:c83351f92d82/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:tacit-knowledge"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:learning"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:making"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:creativity"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:manic-depression-is-not-required"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.youtube.com/watch?v=QxNx2OyeCHA">
    <title>YouTube - Sneak Peeks - Adobe MAX 2008 Milan - Shai Avidan's Infinite</title>
    <dc:date>2009-08-30T12:29:46+00:00</dc:date>
    <link>http://www.youtube.com/watch?v=QxNx2OyeCHA</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Via Tim O'Reilly
]]></description>
<dc:subject>image synthesis data-driven art generative-art pattern-discovery learning-from-data</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:7060d9ca5159/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:image"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:synthesis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:data-driven"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:generative-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:pattern-discovery"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:learning-from-data"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://youthoughtwewouldntnotice.com/blog3/?p=3896">
    <title>you thought we wouldn’t notice » Blog Archive » Samantha Beeston Traces Her Way To Glory</title>
    <dc:date>2009-08-04T12:01:48+00:00</dc:date>
    <link>http://youthoughtwewouldntnotice.com/blog3/?p=3896</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["I saw today on the blog of Lauren Nassef, one of my favorite illustrators, a post alerting people to a woman by the name of Samantha Beeston, whose online portfolio was comprised almost entirely of work traced/copied from Nassef. In July 2009 Beeston even won an award (which included a cash prize of £750) for work blatantly traced/copied from drawings by Nassef."
]]></description>
<dc:subject>transparency art originality plagiarism panopticon intellectual-property caught</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:853b44b0cdb1/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:transparency"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:originality"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:plagiarism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:panopticon"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:intellectual-property"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:caught"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.forthfromitshinges.org/">
    <title>[FORTH FROM ITS HINGES]</title>
    <dc:date>2009-07-26T12:34:44+00:00</dc:date>
    <link>http://www.forthfromitshinges.org/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["The site-based production offers artists and audiences alike the opportunity to experience large-scale installations and experimental performances that transcend the usual and explore the unknown--this is not a gallery, club, concert hall, or street fair. The young FFIH curators aim to expose and expand their own community of unseen talent by producing a series that is free from expectation, free from censorship, free from tradition, and free of charge. Forth From Its Hinges seeks to represent local art, not as it exists today, but as what it can and will be in the future."
]]></description>
<dc:subject>art local Ann-Arbor culture community</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:198c75a38eff/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:local"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:Ann-Arbor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:culture"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:community"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://detroitunrealestateagency.blogspot.com/">
    <title>Detroit UnReal Estate Agency</title>
    <dc:date>2009-06-24T10:06:12+00:00</dc:date>
    <link>http://detroitunrealestateagency.blogspot.com/</link>
    <dc:creator>Vaguery</dc:creator><dc:subject>via:regine real-estate financial-crisis local art</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:3470e6490147/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:via:regine"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:real-estate"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:financial-crisis"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:local"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.annarborsummerfestival.org/index.php/events/activities_and_attractions/animation_station1/">
    <title>Ann Arbor Summer Festival - Events - Activities &amp; Attractions</title>
    <dc:date>2009-06-20T18:24:35+00:00</dc:date>
    <link>http://www.annarborsummerfestival.org/index.php/events/activities_and_attractions/animation_station1/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["Uncork your experimental mind! UM School of Art & Design brings its Animation Station to the Top of the Park for three nights of community movie-making using the techniques of stop-motion animation.

The Animation Station is easy to use and allows you to create your own stop-motion animation without previous experience. Dry-erase markers, a whiteboard and various objects for animating will be your tools. Whether it's political satire, random drawings, personal confession, or viral experimentation - bring your imagination and join the loop. (And, if you want, bring your own materials too.)"
]]></description>
<dc:subject>local Ann-Arbor participation crowdsourcing collaboration art community animation making</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:953f91e523d8/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:local"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:Ann-Arbor"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:participation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:crowdsourcing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:community"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:animation"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:making"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://openclipart.org/media/view/media/home">
    <title>Open Clip Art Library Drawing Together</title>
    <dc:date>2009-05-29T19:10:59+00:00</dc:date>
    <link>http://openclipart.org/media/view/media/home</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["This project aims to create an archive of user contributed clip art that can be freely used. All graphics submitted to the project should be placed into the Public Domain according to the statement by the Creative Commons. If you'd like to help out, please join the mailing list, and review the archives. "
]]></description>
<dc:subject>clip-art art sharing collaboration library media graphics free opensource ccHost cc public-domain</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:e59f9b3098a4/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:clip-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:sharing"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:collaboration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:library"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:media"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:graphics"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:free"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:opensource"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:ccHost"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:cc"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:public-domain"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www3.nfb.ca/webextension/rip-a-remix-manifesto/">
    <title>RiP: A Remix Manifesto</title>
    <dc:date>2009-05-26T11:23:05+00:00</dc:date>
    <link>http://www3.nfb.ca/webextension/rip-a-remix-manifesto/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["RiP: A remix manifesto is a documentary film about copyright and remix culture. You can contribute to the film, and follow the conversation on the social networks below."
]]></description>
<dc:subject>art copyright mashup commons copyleft opensource intellectual-property activism activism-by-acting</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:981d979f3a5f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:copyright"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:mashup"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:commons"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:copyleft"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:opensource"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:intellectual-property"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:activism"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:activism-by-acting"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://technabob.com/blog/2009/05/17/digital-clock-tells-time-with-48-analog-hands/">
    <title>digital clock needs 48 analog hands to tells time on [technabob]</title>
    <dc:date>2009-05-24T13:51:24+00:00</dc:date>
    <link>http://technabob.com/blog/2009/05/17/digital-clock-tells-time-with-48-analog-hands/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["It took me a second to figure out what was going on when I first got a look at this table full of analog clocks. But once I stood back from my screen, I realized that none of the clocks have the correct time and the whole thing is a macro timepiece that tells the time using 24 individual clocks."
]]></description>
<dc:subject>clocks design industrial-design art makers cool</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:2f35e41d6a6f/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:clocks"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:industrial-design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:makers"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:cool"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://streetanatomy.com/blog/2009/05/20/the-inner-workings-of-the-naga/">
    <title>The Inner Workings of the Naga at Street Anatomy</title>
    <dc:date>2009-05-21T13:50:37+00:00</dc:date>
    <link>http://streetanatomy.com/blog/2009/05/20/the-inner-workings-of-the-naga/</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA["Mishu Warner’s anatomy of a Naga, which are serp[e]nt dieties in Buddhist and Hindu Mythology. The  main image is the female Naga, or Nagini, but Mishu included the alternate tail, just in case you wanted to know what a Naga’s testicles might look like."
]]></description>
<dc:subject>illustration anatomy visualization art alternate-history techniques</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:e3d0fac145e5/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:illustration"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:anatomy"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:visualization"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:alternate-history"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:techniques"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.lithophanemuseum.org/index.htm">
    <title>Blair Museum of Lithophanes - Home</title>
    <dc:date>2009-05-18T14:02:52+00:00</dc:date>
    <link>http://www.lithophanemuseum.org/index.htm</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Wandered here after following up on the A2 Mech Shop open house http://annarborchronicle.com/2009/04/13/electric-vehicles-to-be-produced-in-scio/
]]></description>
<dc:subject>local Toledo porcelain art decorative-art images carving nanohistory</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:38f2cff8bf74/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:local"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:Toledo"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:porcelain"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:decorative-art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:images"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:carving"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:nanohistory"/>
</rdf:Bag></taxo:topics>
</item>
<item rdf:about="http://www.studiomake.com/unlimitededitionvessels.html">
    <title>studiomake is david schafer + im schafer</title>
    <dc:date>2009-05-04T17:20:17+00:00</dc:date>
    <link>http://www.studiomake.com/unlimitededitionvessels.html</link>
    <dc:creator>Vaguery</dc:creator><description><![CDATA[Probably the piece that most impressed me at the Cranbrook MFA 2009 show this year.
]]></description>
<dc:subject>modular-design industrial-design keramic-arts art generative-art design-automation pottery gallery</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:a7cb5d68a3f0/</dc:identifier>
<taxo:topics><rdf:Bag>	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:modular-design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:industrial-design"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:keramic-arts"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:art"/>
	<rdf:li rdf:resource="https://pinboard.in/u:Vaguery/t:generative-art"/>
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    <title>&quot;export to world&quot;: transforming second life objects into paper models</title>
    <dc:date>2009-02-25T16:17:39+00:00</dc:date>
    <link>http://www.pohflepp.com/?q=exporttoworld</link>
    <dc:creator>Vaguery</dc:creator><dc:subject>via:britta Second-Life art printing spimelike</dc:subject>
<dc:identifier>https://pinboard.in/u:Vaguery/b:c484661b2f87/</dc:identifier>
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